#this got long everything does.

[ringleaderising]

Did Magda strike a deal with Pig, or did he wake up one day thirsting for the big milf in the sky? (Or did Magda say "Pig.. go kill for me, sweety <3" and Pig went "ON IT!!!" and started hacking people up like a professional chef for his god-wife) - vabam-fr

So Pig technically became uh, The Pig in the aftermath of an incident at his first circus- before he joined the Vaudemire Sideshow. He intervened between a parent being needlessly cruel to their offspring about a treat Pig had given them while he was entertaining (Literally just a little piece of candy, it was not worth hurting a child over, and every other kid watching Pig's show at the time got the same 'prize') and when he stopped them (by physically stepping in between them, and then shoving the adult back, when they tried to get past him again) he accidentally shoved them into a tent pole with an outstretched, steel spike that hadn't been properly sunk- killing them.

In the ensuing chaos, Pig was taken aback- he'd never hurt anyone before, in all honesty he was a young guy, literally just working with the circus to have a place to live, after he left home to seek his charge. So he stood there, relatively frozen among the chaos- and while everyone else was having a full-tilt breakdown because the clown just offed somebody, Pig found his Charge. The blade of his Cleaver is actually that very tent-spike, heated and flattened into a cutting blade and blended with other metals to enlarge the tool, because it was the blood shed by that spike that called Magda to the circus grounds.

Called "Eyeless Mag" in children's tales, she too, was a victim of circumstance. slain by her husband- a sailor- in a fit of jealousy when he believed her to be cheating on him with visitors to the tavern she worked as a barmaid in, she was split tail to snout and tossed into the ocean near Vaudemire Way's dockyard- but with a spirit far too powerful and unwilling to die with her body, she joined The Host, serving as a prophet of death and a carver of cairn stones. She haunts the area around Vaudemire Way, carving grave markers and turning tough, living soil and tangled shadowy branches to provide a place to put those who's death she's forseen. She herself is Pig's Charge, brought only into contact with him when she is needed to warn or bury the dead, Pig's mind just kinda. Broke. in the genuinely tramatic moments of discovering his charge.

He's forgotten his name, using only the clown name he performed under- face paint unwashed so long it's seemingly fused to his scales, and costume ripped and tattered now patched with pieces torn from his kills, it's not Magda's fault he is what he is- she is a charge already failed, a dead thing he is constantly calling back to the land of the living to do her duty so he can spend even a few moments in her orbit.

However, he is the only friend Mag has known, for as long as she can remember at least- and so the Cleaversworn is a double-edged sword much like the weapon he uses in her name. She knows all he wants is to protect her, and she will allow that much, as there is a constant risk of exorcists and thronebreakers in pursuit of the more docile of those who populate The Host. In turn, she has a vested fondness for Pig himself, less a goddess and more a ghostly companion, who's talent with premonition and knowledge of death has allowed her 'champion' to skirt it, time and time again.

Magda attends any death in the area of the gaplands she oversees- it's not her fault that Pig happens to be behind most of them simply to see her again.

tl;dr: Magda didn't ask for this, and neither did Pig, but if he is going to swear himself into her service, the least Magda thinks she can do is keep him from dying while he's doing it.

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[floccinaucinihilipilificationa]

[xxplastic-cubexx]

if i said i picked up this issue for anything but drunk erik i fear i'd be lying

(Wolverine (2020) #3)

[ask2ps]

in the 2P takeover, alfred struggling to retain some level of consciousness while allen puppeteers him backfires in the end, as it only really allows him to be personally present for matthew's (permanent!) death at his own hands.

anyway i'm representing this through a discord meme redraw.

[tywvin]

— @paletmblr event xxxiv: usernames

When your enemies defy you, you must serve them steel and fire. When they go to their knees, however, you must help them back to their feet. Elsewise no man will ever bend the knee to you. And any man who must say 'I am the king' is no true king at all. Aerys never understood that, but you will. When I've won your war for you, we will restore the king's peace and the king's justice.

[thrumbolt]

Top 5 most annoying Tamlin scene misinterpretations

1. ''There is no such thing as a high lady'' I hate this one, because it is always taken as some sort of proof that Tamlin is a raging misogynist who doesn't want an equal woman by his side or some similar type of nonsense. I don't know where this is coming from. Tamlin never wanted to be a high lord. He would probably welcome for someone to take over most of the work so he could just keep running through the woods. He also has absolutely no issues with taking advice from women in power (Ianthe? Hello??). His first reaction to the high lady question is literally this:

“Is everyone just going to call me ‘Tamlin’s wife’? Do I get a … title?” He lifted his head long enough to look at me. “Do you want a title?”

And let's not forget that Feyre's first reply is ''No, I don’t know if I can handle them calling me High Lady”. To which he then answers that she doesn't have to worry about that, since ''there is no such thing as a high lady'' because the magic choses the title and it keeps chosing males. Also this whole scene happens while he eats her out. Not that it's relevant or anything, just saying...

2. ''Tamlin killed Rhys' family'' No. Tamlin's dad killed Rhys' family. I have no idea how Tamlin doing it is ever the takeaway from that whole story. Let's just quote the actual scene:

“Tamlin’s father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin—from me—where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn’t. And they slaughtered my mother and sister anyway.”

Yeah okay, Tamlin gave the information (supposedly) and was there (supposedly) sure, but it's highly unlikely that he was so willingly. Let's not forget that it's established that Tamlin was afraid of his father, that Tamlin's father is worse than Beron (who, I might remind you, tortures his sons) and that Tamlin was friends with Rhys at the time - which neither family approved of. Even Rhys doesn't actually believe Tamlin did anything besides being spineless:

''I didn’t care that Tamlin had been there, had allowed them to kill my mother and sister, that he’d come to kill me because he didn’t want to risk standing against them.''

In the end we don't know the details. Tamlin could've been tortured and tied up or whatever. Making him watch could've been a cruel form of punishment for being friends with Rhys. We don't really know until SJM graces us with Tamlin's side of the story.

3. ''It's really Tamlin's own fault that the spring court fell'' Alternatively also phrased as: 'Feyre just opened everyone's eyes to Tamlin's incompetence' and....honestly? This low key makes me question the reading comprehension of people.

Yes, Tamlin made a deal with Hybern, which was extremely risky, but the war was coming regardless (as we learn from Rhys in the first half of ACOMAF) and the spring court would be the main target because of its location next to the wall. Inviting Hybern into his lands in a trade is actually a pretty smart way to avoid a lot of death on Tamlin's part - plus he needed help to rescue Feyre and get her out of the deal she had with Rhysand (people forget that Tamlin didn't know Feyre didn't actually need rescuing from the guy that was abusing her in front of him in ACOTAR).

So yeah anyway, Feyre did several things to make the spring court fall: 1. She manipulated the solstice ceremony to make herself seem cauldron-blessed in the eyes of the people, 2. She made a sentry accuse Ianthe (who WAS doing sneaky shit) which essentially did nothing except putting Tamlin on the spot in front of Hybern, so he was kind of forced to throw the sentry under the bus. Good job Feyre, you got a poor sod whipped! But it also built resentment within the soldiers, which was her plan all along and 3. before leaving, she did this (let's just quote the whole thing):

''I had a people who had lost faith in their High Priestess. I had sentries who were beginning to rebel against their High Lord. And as a result of those things, I had Hybern royals doubting the strength of their allies here. I’d primed this court to fall. Not from outside forces—but its own internal warring. And I had to be clear of it before it happened. Before the last sliver of my plan fell into place. The party would return without me. And to maintain that illusion of strength, Tamlin and Ianthe would lie about it—where I’d gone. And perhaps a day or two after that, one of these sentries would reveal the news, a carefully sprung trap that I’d coiled into his mind like one of my snares. I’d fled for my life—after being nearly killed by the Hybern prince and princess. I’d planted images in his head of my brutalized body, the markings consistent with what Dagdan and Brannagh had already revealed to be their style. He’d describe them in detail—describe how he helped me get away before it was too late. How I ran for my life when Tamlin and Ianthe refused to intervene, to risk their alliance with Hybern. And when the sentry revealed the truth, no longer able to stomach keeping quiet when he saw how my sorry fate was concealed by Tamlin and Ianthe, just as Tamlin had sided with Ianthe the day he’d flogged that sentry …When he described what Hybern had done to me, their Cursebreaker, their newly anointed Cauldron-blessed, before I’d fled for my life … There would be no further alliance. For there would be no sentry or denizen of this court who would stand with Tamlin or Ianthe after this. After me.''

So, the sentries left Tamlin because of a lie. A fake story. Without sentries, Hybern decided to take over rather than just be guests and had a prime spot to attack the summer court in turn. Which is also why Tarquin is extremely pissed at Feyre - not Tamlin. So no, Tamlin wasn't a bad high lord. His only real mistake was ever trusting Feyre.

Sure, some argue that Feyre thought Tamlin genuinely sided with Hybern and might be a threat to the rest of Prythian, so taking him down would make sense for her even outside of petty revenge. But there's just one problem with that: Feyre is a mind reader. She could have just.....checked. lol

4. ''Tamlin didn't do anything Under the Mountain'' This one really gets my goat because it's not really true? Things Tamlin did to help Feyre: 1. He sent her away to the human realm. (People forget this, but he basically doomed his court to protect her ass - it's not his fault she came back!) 2. He made Lucien check up on her. (Yes Lucien was Feyre's friend but he still acted under Tamlin's orders!) 3. He ignored Feyre as to not rile Amarantha up even more (Come on, have you seen Amarantha? It totally makes sense) 4. He tries to get to Feyre, begging Amarantha to stop even as he is tied up, bleeding out from a stab wound to his chest that he can't heal because he has no powers - like what do you want him to do??? 4. He literally kills Amarantha the second he is able to

Also personal conspiracy detour: That music that Rhysand supposedly sent to Feyre was SO originally supposed to be Tamlin, you can't convince me otherwise. I will never not believe that this wasn't just a lazily done quick change when SJM rewrote book 1 and 2 to account for the boyfriend switcheroo. Attributing the music to Rhys makes absolutely zero sense. He's not a musical boy at all, come on! Music themes never come up with him again either! Meanwhile Tamlin played for Feyre before, is generally a musical guy COME ON! /conspiracy detour over

5. ''It's Tamlin's fault that Nesta and Elaine got turned to fae'' No. No it's not. He knew nothing about this. Ianthe did this on her own accord because Feyre told her where her sister's lived. Tamlin actually attacks (!) the King of Hybern over it (to no avail, but still).

Some people blame Tamlin for keeping Ianthe around afterwards, despite of what she did. Those people I want to refer to point number 3 in this list. Ianthe was working with Hybern. Tamlin tried to be buddies with Hybern for reasons. No, he can't just throw out Ianthe.

[beedreamscape]

This has to be the last thing I say on C3 finale because otherwise, I will not stop, it simply baffles me in its mediocrity. And obviously, this will be negative, if you loved it, good for you, this is my takeaway as someone who loved this campaign and was severely let down.

This finale changes everything that came before and not for good, better yet, it emphasizes all the faults in the structure of what c3 tried to be, it made most of the campaign feel like a true exercise in futility — How far can we go in a campaign that is meandering and unsatisfying? How long can we have the same discussion over and over and over again despite everyone knowing how this will end? How long can we drag out characters that don't change without anyone noticing? (spoiler everyone noticed)

Can't say I was emotionally invested in the finale because I tapped out back in the 70s, came back for Aeor/Downfall shenanigans, and left again. But in experiencing the finale something became clear to me:

THIS STORY NEEDED TO BE SHORTER.

WITH ANOTHER PARTY AT THE HELM.

If the objective from the very conception of C3 was to wipe out the gods, that had to be clear from the very start. And it wasn't clear, at all — not in the characters, not in the starting city, not in theme. This was a completely different campaign at the start! That clarity was what made Calamity so great, it was short and precise, and every pc SERVICED THE THEME, filled with hubris and contempt, not to mention the setting.

Even Ludinus went in circles for convenience of the campaign length and became a weaker opponent for it, more of a nuisance than a villain. The threat he posed at episode 50 was much stronger than now at 120 something. The battle against Otohan was more nail-biting and emotionally engaging than fighting Ludinus and Predathos, a god eater!!!!

This campaign would've benefited from three to four acts instead of one overarching objective like the past campaigns because urgency is the name of the game and we can't carry urgency for 70 episodes straight (and they didn't).

The constant inclusion of the other parties made it clear how easy it was to detach BH from the story, how easy and fun it was for them to tell it through another party's eyes (one of the main reasons why I walked away back when I did, but that's more of a personal preference).

Which is not to say Bells Hell's didn't deserve a long story! They could very well have existed in a more intimate campaign which these characters were clearly built for! Their premises begged for closer looks in slow moments, something tragicomical, exploration of the inner world while developing MARQUET and its microcosm of injustice and politics which was left in the dust mid-campaign (pun intended).

And I'm not suggesting this just for our enjoyment, I know it's them playing and their enjoyment comes first blah blah, though this is a multi-million company therefore their jobs but this would contribute to their enjoyment! You could see several moments in the campaign how tapped out they felt and acted. I doubt it was "fun" discussing the gods situation ad naseaum, trudging through landscapes they barely cared about, with empty arcs.

I could nitpick every fault I see in the finale but it would be pointless, these issues have been dragged from ages ago and poor character matching, and now this is a culmination of everything and it barely fazes me anymore.

(And yeah it's their game and it's "free", but that doesn't undermine its weight as a story, stories were made be analyzed, and it was a poorly structured one no matter how much I still like and admire them as people.)

WHICH is not to say I had no fun at all ever, I did! several times! and that's what makes me upset, it could've been great instead is just meh.

[witchinatree]

i have posted a LOT about the issues i had with season 4 of TUA but i'm going to say everything i've been thinking right here right now. i cannot get this shit out of my head.

i think a lot of it ties back to the flaws i noticed in season 3, they tried to take on too much and abandoned the previous storylines that were waiting for them (viktor's traumatic relationship with leonard, five's trauma in general, lila's parents dying because of five, DAVE, etc etc) and we were all expecting them to tie it all together in season 4

instead they just.. added more..???? jennifer and abigail were thrown in late season 3 and were just suddenly supposed to be super important to us (they were not.) the subway that takes you to other timelines (objectively cool as fuck, why is this only introduced in the last season of The Timeline Show)

and i'm still really upset that reginald is an alien because it makes no fucking sense. i always assumed he created the mystery 43 babies (why else would he seek them out and already have a plan for them) but the alien route was.. ill-fitting. i think it would've worked better if he fell in love with abigail, who was an alien and created marigold, and then his hubris and curiosity was what unleashed it into the world and doomed the timeline. "sure this mystery chemical destroyed the planet my wife is from but i'm reginald hargreeves so that won't happen to me!" [happens to him] also i wish abigail was not just used as "see! abuser not so bad! abuser have wife! he love wife :]" because. what. and then her weird complaints about reginald in episode 6 that came out of nowhere confused me. they just should've written her entirely different if they were gonna have her at all

AAALSO i hated that they regressed all of the characters back to how they were in season 1 (or worse??). luther was living in the old umbrella academy building because apparently he will never leave it?? after everything?? diego's life was different but he was still doing this weird job shit (discount batman and mail carrier are the same thing) and he was miserable with his loving wife and kids (who ARE you.). allison's husband left her again (what the hell raymond) and she was still the neglectful single mother of claire?? after EVERYTHING I KNOW I ALREADY SAID THAT BUT GOD. klaus actually had something going for him, if only his recovery wasn't made into a joke, and then he relapsed and got kidnapped and was just very.. season 1 klaus.. but with no ghost ben anymore. five.. eugh. he was not season 1 five he was just NotFive. crazy how they had a magnus archives crossover and just brought in NotThem to take five am i right guys. ben's also different because it's not the same ben from season 1 but they just made him really fucking mean. like worse than season 3 because there wasn't that underlying "please i just want to be loved" thing. crypto bro ben was funny as fuck though. and VIKTOR just fucked off by himself after working so hard to be part of the family again. glad he got to transition and become canada's #1 manslut but jesus, just abandoned everything you did to be part of the family huh.

my vision for the ending of TUA would go something like this

ending of season 3, pretty much the same but they all have their powers and reginald's head getting sliced in half did not reveal him to be some alien freak. also at some point abigail would have been introduced. i don't feel like rewriting season 3 too okay i'm cutting corners.

luther finds sloane when he goes back to where the umbrella academy building used to be, but it's now a very lovely apartment that the two of them live in together. they host all of the family gatherings for sentimental and space reasons. i think luther would explore the stripper idea but decide not to follow it because of sloane. sloane would be fine with it but luther would still get worried.

diego and lila live in the same house somewhat nearby. lila's family (they do get to be alive but lila does have to overcome the trauma of losing them while simultaneously getting them back) are their neighbors, it was the compromise they came to because diego wanted their house to be their space but lila wanted her family close. they have three kids who are each loved and names get to be in the fucking show. (looking at you mystery twin. grace and coco (?) didn't really get much attention either). they have a big backyard that the kids all play in together when they're visiting

allison and ray are still together and they have claire (maybe another kid...) they also live somewhat nearby the rest of the umbrella family because i refuse to let them separate. i don't have much to say about them other than RAY DID NOT WALK OUT ON HER.

klaus and dave live in allison and ray's neighborhood. maybe they adopted a kid? maybe they didn't? i think their family would be really cute either way. klaus is still overcoming his addiction and dave supports him through it. it's not made into a joke and actually gives klaus a lot of depth and emotional moments. also just in general dave meeting the rest of the family would be really really sweet

five gets to retire. he lives with viktor in my mind. full circle on viktor being the person who always waited for him and offered him a place to stay after he got home in season 1. five would not actually be getting a retirement pay because he has never had a real job so he's just vik's roommate now. he could have a romance plotline with a woman working at the department store down the street named delores. she looks familiar.

ben lives alone and works at a tech company? honestly i don't know what i would do with him in the pre-plot but it would not be put him in jail?? me personally. i think he would probably move further away than everyone else but stay close enough so he could visit sloane sometimes. he still feels like an outsider but doesn't know how to tell the umbrellas he wants to be their brother now

and viktor lives with sissy harlan and five (previously mentioned). his transition gets to actually be explored (PLEASE.), harlan is in therapy, and sissy is a strong working woman!! again i don't really know what to do with him pre-plot. just know he's the happiest he's ever been!!!

and just in general, a lot of this happiness from all of them comes from their powers and that they can finally be one big happy family together (whether ben likes it or not). setting up the inherent tragedy that comes with perfection

episode 1 opens by showing everything i just explained, the tragedy of getting everything you want or whatever the title was. their powers are still integral to their lives. they're either tied to their careers (luther would probably be like a wrestler or something again, diego could try police work again because i want that to be explored) or other aspects of their existence (allison still finds herself doubting how much of her life is real, klaus' relapses are always caused by his trauma surrounding ghosts, five sometimes space jumps when he wants to be alone [also i think he could feel some sort of shame/guilt because he lives with viktor and can't really contribute much without the commission. not really his fault though because of his insanely fucked timeline], ben uses the squid to carry things or grab things that are far away, and viktor plays the violin to help him remind himself that he is in control of his power now, and he won't end the world again)

the main conflict starts when ben meets a new woman named jennifer and shakes her hand when introducing himself (starting the marigold/durango reaction that builds very slowly throughout the season.) it could be romantic but i think it's just devestating. they're slowly realizing they're losing everything they worked so hard for because of something they can't control

yadda yadda yadda figuring shit out while also having conflicts in their life from the earlier seasons and it culminates in the old umbrella academy building, viktor is the only person who can remove the durango and marigold from ben and jennifer and save the world. he finally gets to be the hero, be the one to stop the end of the world instead of cause it, but he needs to take the marigold from each of the siblings in order to balance the amount of durango jennifer had (no idk why he would let the other like 30 something marigold kids keep theirs i really don't know how to fix that. why would they do this to me)

each of the siblings have to give up part of their lives, part of their identities, and it's hard for them!!! they struggle a lot to agree to do it!!! and it's also harder for them because they don't know if viktor will survive doing this. but he's the only one who can? is his life more important than the existence of everything and everyone? ultimately, they all give up their marigold, and viktor takes all of it and the durango to save everyone. it cancels itself out and stops the cleanse reaction, and i think it would kill viktor (but it doesn't have to). we see that same clip of the 'perfect world' but they get to be in it. they were never the problem. lila and diego play in the park with their kids. allison ray and claire are walking together. klaus and dave are talking on a bench. luther and sloane are carrying a large basket of food. ben and five are helping them set up the picnic. harlan is sitting in the grass with sissy next to him. each of the adults have a small violin tattoo on their wrists. their lives will never be as perfect as they were before, but they can finally just rest and move on. because it was never their fault.

also reginald dies. fuck that guy

[hauntingofhouses]

(concept art of young taigen - source ; art credit: @abigaillarson)

i cannot get over this concept art of young taigen. god.

just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!

he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.

taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.

because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?

we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.

but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.

and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.

because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.

because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.

and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.

the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.

and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.

it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.

everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.

it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."

the words follow him, and he follows the words.

as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."

what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.

[mikakuna]

I mean this neutrally, but which characters are actually being written by people who are fans and understand them? I feel like half the characters are ooc rn

im not up to date with other characters' comic runs recently so i mean more in the sense of the character's foundation. for example, bruce and dick have amazing foundations for their character and what their character stands for, their personality, their morals, etc. they have so many special relationships, both platonic and romantic. as comic characters, they've had the time and space to develop as interesting and dynamic characters.

they definitely have their ooc comic runs like gotham war for bruce, but at the end of the day, they'll always have numerous comics that are true to their character and are amazing in itself.

for jason on the other hand, his foundation comes from his original robin run in the 80s and his debut as red hood in utrh/lost days. utrh and lost days set jason's character and gave us a pretty strong idea of who he is as a person (i.e., his morals, personality, and perspectives). it continued off his 80s robin run, where we got to see jason todd for the first time and got to know him as a hero instead of anti hero. we see his relationships with his bio family, step mom, bruce, and the things he likes/dislikes. we see from the beginning that jason has a more grey perspective on life due to his own experiences. all we see in the 80s builds to what we see in utrh and lost days.

but then all of a sudden, so many comics after utrh forget who jason actually is. they have him hurt a kid despite his strong stance on protecting children. he somehow kills like he can't control himself and only batman can stop him. he's an impulsive brute who thinks with his fists. he's not as intelligent as everyone else. jason, the kid who grew up homeless and surrounded by impoverished communities whose circumstances ruined their lives, somehow has a lot less empathy now.

jason's character is constantly contradicted. he's never given a chance to grow and develop relationships. everything he does is confined by the bats. he doesn't have a proper foundation because many of his writers know nothing of his backstory and just write him as a selfish, impulsive asshole despite everything we see of him in his robin run and in utrh that contradicts that.

when i compare jason's writing to the bats, i really only mean bruce, dick, and tim since the others are iffy as well when it comes to writing (racism, sexism).

[sysig]

Pretty clothes for you! ✨ (Patreon)

[aidoneusmusic]

since i won’t be able to record vocals for a little while (im moving rly far and have to ship all my recording stuff!) maybe i’ll share some of the instrumental demos i’ve got done : ))))

in the meantime, though, here’s a lyrical excerpt from Kore with some context to give you an idea of the vibe!

Sunlight, how my love for you came easily

If I go, will you still know to look for me?

My heart breaks, but it aches more

For what I’ve never seen

And maybe it’s naivety,

But I’ve grown tired of green

Fatal curiosity

Beckons me

In the version I’m writing, she gets to know Hades in secret and falls for him, but is still cautious when he asks her to go home with him since he hasn’t revealed much about what “home” is. All she plans to do is visit for a while and then return to the surface. While in Hades, she meets the shades and sees the only living thing — a pomegranate tree — which he says allows him to pass between Hades and the surface world safely, and in secret. This is partially true, but out of selfish desperation and loneliness, he doesn’t mention that eating anything from the underworld binds souls to Hades eternally.

So when they catch wind that Demeter is coming to rescue her daughter, he tells her to eat the seeds so that she may come back — so she does. And so on and so forth, the rest is history. She discovers the truth almost immediately following, the deal is struck, and she has no choice but to leave/return every 6 months.

[doodledrawsthings]

Mad At Yi Why Anon - Thanks for explaining! It makes more sense now lol. I never expected them to be grateful for being "saved," I'd just think it's certainly a choice for them to Most Mad at the only guy who wasn't going to let them rot. But if it's a "we need someone to blame" then that makes sense.

Even if he wasn’t gonna let them rot, he WAS gonna take them out with him had his True Ending Sacrifice gone as it had in the game. They don’t know this, this is just extra DoobYi characterization. But he wasn’t expecting to be alive, either tbh.

That said, he takes the public opinion of him and the Sols very seriously and doesn’t blame them even if sometimes the grievances are heavy-handed. This is a Yi who will apologize many times over for the actions of the council, for the failure of the project, for the lies and the lives ruined, both apemen and solarian, and for the individual hurts he’s caused to Kuafu, Goumang, Shaunshuan and Heng. If Eigong and many of the other Sols are not here to share the responsibility, then he will shoulder the blame, as he believes he should. Even if, y’know, everyone who IS glad he didn’t die is telling him to knock it off.

[lovesickeros]

lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...

it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy

also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]

gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.

anyway.

there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.

imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.

a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.

the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?

but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.

[ghostnotoast]

I'm having withdrawal symptoms from waiting for the new episode to come out, and this has been buzzing around my head since this part came out (also I wanna talk about my wife Lily)

Relistening to this part twice made me cry I'm not even gonna lie but weirdly enough it made me think of the end of season 1 where John gets a taste of being the king for a split second but then chooses to go back to Arthur. After he returns, he says:

"But it was in that time in the hospital, that month alone. Trapped in this body without you, when something changed"

"I found meaning. I found that the challenges of life within the boundaries of death were not only acceptable, but could be meaningful. That without a purpose I could forge my own. Is that humanity?"

Don't get me wrong, I don't think it was Lily who was fully responsible for giving John humanity - if anything, that's the mistake Arthur makes in season 3 when comparing John to Yellow (which John calls him out for). It was Arthur who laid out the pieces, and Lily was basically the one to make it click.

Buttt I think reducing John's reason for humanity to only one thing is almost a disservice- because developing a sense of self is so much more complex than that.

It was Arthur's love, it was the stories and thoughts he would share with John, it was being in awe of seeing trees and nature again after so long of living in the dark, it was hearing music, it was listening to the radio, it was the joy he felt after they complished something and he was finally able to feel something other than fear, it was seeing the wraith help them, it was holding a cute baby and picturing her future as a pianist, it was seeing her mother and recognising that she had just lost something priceless, it was having to hold onto hope that anyone is capable of redemption, it was defending and having empathy for the widow despite what Arthur had said.

The last moment is paralleled in season 3 with their conversation about Yellow. Listening to all these makes me realise just how much Yellow missed out on.

Arthur no doubt played a massive role in helping John find humanity and meaning, but honesty? I don't know if purely being with Arthur is what made John who he is. John himself has a conscious and had to make decisions on his own and, on multiple occasions, fights Arthur about ideology with basically little to no outside influence (e.g, their infamous first divorce).

Despite all that though, I still do think Arthur was one of the biggest reasons, I mean just look at Yellow 😭 I'll write an entire essay about him one day

But this entire yap session was basically me trying to imagine what exactly was so special about that month at the hospital because let's be real if I were John I would go crazy BUT sometimes i just imagine John being there, in a hospital without Arthur, being able to do nothing but think

He thinks about the bright clear blue sky he saw, a bird that landed on the windowsill when they were at the library, he thinks about how alive this world is compared to where he came from, he thinks about the radio that's playing, he thinks about the piano, and then he thinks about Arthur

And I imagine he looks at Lily, at her tending to them, at her chatting to them, at her turning on the radio for them so they're not bored and even though people would call all these extra bits of care pointless - she does it anyway, and she does it for them, and John is there to witness this, and that's the moment where it clicks.

I imagine it sort of being like being moved back to see a finished puzzle and finally understanding what you've been making this entire time after spending so long up close looking at individual pieces

And I think that's what the witch didn't understand about John's story. Lily's care was the climax of John becoming John, and even though John acknowledges that for her it was probably another Tuesday - it still doesn't dampen the fondness and love he has for her, he just loves for the sake of it