#this got long but i don't care

[demaparbat-hp]

Almost

[boar-cry]

he doesn't get paid enough for this. (he doesn't get paid at all actually.)

[kettlefire]

Time forgets most (DPxDC)

I've been getting too many brain worms that I need to clear out the cramp space that is my idea vault. In doing so, I'm just posting off-handed, random things I've typed up at work. (Partly so my drafts don't just end up like my vault). Without further ado, a much too too long post

°•°•°•°

The movement of time is a much too complex thing for many to understand. The knowledge that time was not perfectly linear. The past did not simply stay in the past. The future is not simply something to look forward to. The present is not simply a fleeting moment.

Time is a complex web. Every point in time, connected to another point in time. A never-ending mess of webs and connections. Things that are to be. Things that can be. Things that are being. Things that will never see the light of day in this universe.

Despite what some may want to believe, Time has no master. Time does not yield to any singular being. That did not mean that Time didn't need a helping hand. A guiding hand to help keep the chaos of time to something just a little more... fluid.

The being came to exist well before the universe had. The being was festered, taught, and nurtured in a small pocket dimension. A small space just like an incubator.

Until the world blossomed around it. Life started to grow. Time kept moving. Living organisms found untimely deaths. Evolved, learned, and grew into the new space around it.

When the first little creature crawled out of the water, Time's keeper was let free. A bumbling little thing, breaming with life and curiosity.

Just like everything else in the world, this keeper wasn't safe from time. It still moved. Brought forth problems and adventures.

As time continued to tick. Moving in every direction, the keeper continued to age. Unlike the rest of the universe, the keeper didn't age the same as others.

Some days, he was nothing but a small boy, frolicking in a field of flowers and bees. Other days, he was a strong middle-aged man. Pulling the strings in just the right way, pushing for a timeline that felt right.

On days that have been happening much more often. He was but a crippled old man, hunched over his staff, and dropping much needed wisdom on the young lives around him.

Being the keeper of time wasn't an easy feat. Being completely out of time, experiencing things in broken order. There was only a clear start, and a jumble of things that followed.

The keeper was content with his life. Watching over the world as it grew and blossomed. He was content with his special kind of solitude.

That was until he saw the boy. In the webs of moments, the keeper's gaze had found him. A boy much too young, suddenly with powers much too great thrusted upon him.

The keeper watched the scenes play out. The tears, laughter, humiliation, triumph, and pain. He watched as the boy's family was ripped from him. Watched the twisted attempt at fixing his life, only for it to go horribly wrong.

He watched the bloodshed and chaos that erupted. The lives ripped apart and destroyed. Not a single sign of life left behind.

Then he watched as the boy, no, not a boy anymore. The keeper watched as the monster tore through the fabric of time. Ripped its way through the thin veils that divided the universes.

Universes that had never known the boy's existence were torn to shreds to. A flight driven with pain and anger.

Despite the keeper having seen the boy turn into such a monster. He could see it in the beast's eyes. The deep-seated need for a family, a life. To be loved.

Something about the boy's life, his story, spoke to the keeper. He found himself reaching out into the web of lives and moments. Finding the moment when things went the most wrong for the boy.

Just like that, the keeper had inserted himself into a life. He pulled the boy out of the cruel stream of time. Filled the boy with the knowledge he needed. Let the boy see just what could happen if he let it.

The keeper of time was soon a simple mentor. A simple deity looking out for the world. Taking on the mantel of Clockwork and finding a new purpose for his life.

A young boy's life has been flipped upside down two times now. And there were certainly more to come. This time, the boy wasn't alone. He had a guiding hand, and a communtiy behind him.

The keeper, no, Clockwork watched with a strange pride and happiness he hadn't felt in a long time. The boy was quickly surrounded by a family that helped him navigate his new powers.

Clockwork, alongside many of the other ghostly beings, watched on with pride as the young boy grew into a strong young man. Mastering powers, taking a stand, and making their home safe.

Despite the best efforts, time always beings problems.

It was one thing for Clockwork. He was the keeper of time. His life has reason to exist as long as time exists. Which will always be. His purpose was infinite.

But this boy... Danny wasn't like Clockwork. He was still partially human and terrified of losing his humanity. Danny's story had to come to an end, it's how time works.

Except, Danny wasn't in the timeline anymore. Clockwork had ensured that, pulled Danny into a separate timeline. An unaccounted for timeline.

He couldn't live here forever, not the way that Clockwork could. Danny needs a life, a family, a place, a purpose. He was still human.

It took more effort than Clockwork would have liked. He had to cash in favors from other deities that he hadn't spoken to in centuries.

It took a combined effort of everyone who cared for the little halfa. The strange boy that teeter on the line between life and death. The boy who had freed the Zone from a tyrant. Who wanted nothing more than for everyone to live a happy and filled life/afterlife.

Getting the magic and spells right was the hard part. But finding the location was easy. A beautiful planet just on the edge of the Milky Way. Unlikely to be disturbed or hurt.

The planet was undiscovered, primative even. Far enough from humans that Clockwork was certain Danny wouldn't be bothered. Only one species lived on that planet. Along the jungle like fauna, and in the water.

Cute little guys, barely bigger than two feet long and one foot tall. There was no name, no knowledge about them. Aside from Clockwork analyzing their way of life.

A simple cycle. They were born, they aged, they played, fed, mated, and then died. A simple but content life.

The aliens weren't unsettling. At least not to anyone who has seen more creatures than what Earth has to offer. It is a strange combination between frog, fish, and squid.

Scurrying around on two legs and four tentacles. A small frog-like face with eyes that seemed to take up half that space. Colors vary from blues to greens to the same sandy brown found at the bottom of the lakes.

Before long, the planet had its own protector. A young boy who once was lost and alone seemed to meld perfectly with these aliens.

Clockwork was always sure of himself. He never let anyone see otherwise. Except, Clockwork hadn't been sure. Not when he had performed the ritual.

As he molded and changed Danny's DNA until the man was a new being entirely. To anyone who didn't know the full story, the boy could easily look related to the aliens.

Gills now painted the sides of his neck, not necessary, but Clockwork felt like it had been. Webbed hands and feet to make transversing the underwater caves even easier. An ethereal, almost siren-like touch to Danny.

It worked out perfectly. Danny settled in easily. Building a routine and bound with the aliens. It hadn't been hard for the little creature to take a liking to him.

Before long, it was routine. Danny would spend most of his time on the planet, watching over his new wards. On some days, he'd portal back to the zone. Spend time with the ghosts and deities that saved his life. To check in on the new govermental system that had been put in place.

It was perfect. Simple and nice. Everyone got complacent. The longer time went on without a hiccup or a problem. The longer Danny was able to rest in his odd solitude. The more people got comfortable.

The more they forgot that time was as cruel as it was forgiving.

It had been just another day cycle. Danny was playing with the most recent litter birth. The first time he had seen the birth, he was more disgusted than anything else.

After the third time, Danny had started getting excited. He looked forward to it. Loved seeing the aliens flourish and grow. Watching them thrive and find more fun in the things Danny creates. Every new fun game or obstacle was always made with the things natural to the planet. Or debris that was caught in its gravitational pull.

Danny was playing with Plop. The little guy got his name, and he always plopped out of the water. Unlike the other aliens, this one didn't crawl out. No, he'd pull himself out of the water with his tentacles, only to plop down on the ground.

Of course, Plop had also been the first alien to approach Danny when he arrived. It's how they formed such a strong bond.

Everything had seemed perfectly fine. The day was rolling along just like it always did. That was until a small group of the more elder aliens suddenly came scurrying into their main cave.

They hadn't waited a second before diving into the water. Danny watched, confused and concerned, as each one of them grabbed one of the young. Before shooting straight into the underwater cave system.

The once bustling and living cave was suddenly eerily quiet and void of any aliens. Leaving behind only the confused Danny in the pool.

At least that's what a certain Green Lantern saw when he followed the trail of retreating aliens.

This planet had been categorized to have no signs of intelligent life. It seemed to have the option to nurture life, but there had been no signs.

When Hal Jordan got word of a seeming spike of activity from the supposedly empty planet, he had added it to his rooster.

A quick peek, just a look into what kind of life might be starting to grow there. The little aliens he had seen were adorable, sure. But they didn't seem all that evolved. Still in their evolutionary journey.

That was until Hal saw him.

Now, Hal was no stranger to running into ethereal beauty. It's what happens when someone interacts with aliens on a basic daily. That was something he was used to.

Except, all his breath seemed to be knocked out of him completely. The cave alone was stunning, a stark contrast from the almost barren surface he had first seen.

A deep, shimmering blue pool that vanished into the rocky space around it. Trees, bushes, and flowers decorate the area. It looked almost too good to be true. Like an oasis in the middle of a desert.

Then there was the being that caught all of Hal's attention. Bright blue eyes that looked like gems, pale blue-tinged skin. Long black and white hair seemed to look almost like the night sky. A deep abyss littered with stars.

The closest thing that Hal's brain supplied was a siren. A beautiful, ethereal creature that lured men to their deaths. As beautiful as it seemed, Hal knew there could easily be danger.

Except, the creature didn't attack or threaten him.

Instead, he seemed almost shy. Mouth opening and closing like a fish out of water, sharp deadly teeth flashing in the light with each motion.

Hal had just opened his mouth, taken a hesitant step forward. He wanted to know, and he needed to know how this happened. There wasn't supposed to be an intelligent, sophisticated life on this planet.

The moment Hal's lips parted, the creature let out a trill. A sound that seemed more scared than aggressive. Before suddenly, the beautiful creature vanished into the pool.

Hal moved before he could think, rushing to the edge of the pool. He peered into the crystal clear water, just in time to take the webbed feet of the creature vanish into a tunnel.

Now that left Hal with two options. He could either report this and wait for backup...

Or...

Or...

He could jump inside. The ring would protect him, and his lungs would be fine. Perks of being a Green Lantern.

That option seemed much more tempting to Hal. Nothing about this scream an outright threat. He felt more like a strange imposing on someone's home. A home that was meant for safety and protection of the young.

Yet, the shimmering water seemed to be calling to Hal. Something in him was trying to push him to get inside. To find the beautiful creature and learn more. Learn how this happened.

Without realizing it, Hal Jordan sealed his fate the moment he dipped a finger into the cool pool. Rippling the steady surface just slightly.

Just enough to get him wrapped up in the strange web created by time and its keeper.

[jadewritesficshere]

Steddie x female!reader thought 18+ only

Eddie blinks his eyes a couple of times to make sure he is actually seeing what he is seeing. He must be living in a nightmare.

You're laying back on one of the pool loungers. One leg dangling over the edge keeping your foot on the warm cement ground, the other spread over Steve's lap as he absently rubs his hand up and down it while he bitches to you about something from work. Your hand rubs up and down Steve's back in comfort. But that isn't the nightmare.

Your bright red bikini bottoms covering enough, but with your legs spread a bit more skin is shown then intended. Spread in such a way that makes Eddie want to just dive in. Get on his knees and worship you, rub his face over your mound as he licks and nips and sucks. Moan as the curly thatch of hair brushes against his face.

Except the curls of hair he is expecting to see peeking around your bikini are gone. Just smooth bare skin. And that isn't the only nightmare. Steve's chest is smooth like when he was in school on the swim team. Not a speck of that beautiful chest hair Eddie would curl into after getting hot and heavy. Not a single curl of the "love rug" he jokingly called it.

Eddie wants to weep. To throw himself down like a little kid and thrash his arms and legs around. Yeah, it's your body and you can do what you want, but he still is sad its gone. Eddie doesn't like change, and suddenly walking in to see both of his partners change something without any warning? Uncomfortable. It makes Eddie feel itchy.

Eddie can barely speak as he walks over and sits next to Steve. He doesn't respond to Steve's warm greeting. Doesn't respond to you asking how the day is. Just stares with big wet eyes at the sight in front of him. A pout on his lips.

A warm hand lands on his shoulder, gently squeezing. Steve's brow furrowed in concern, your wide eyes blinking at him.

"Shaved?" Eddie asks in a quiet voice, eyes darting to Steve's chest and then your clothed pussy. Steve lets out a huff of laughter, "Fuck, thought something was wrong man." Eddie glares," It is."

[helixcraft]

the fish that keeps appearing all over my recommended only that he's out of jail and happy

[poorly-drawn-mdzs]

Hello Stranger. Whom I have never met.

 [First] Prev <–-> Next

[pharawee]

Garfield Pantach Kankham as JJ & Benz Atthanin Thaninpanuvivat as METHAS

—THIS LOVE DOESN'T HAVE LONG BEANS · รักนี้ไม่มีถั่วฝักยาว · 5 July 2024

[summer-fire]

Aberration

[pussyeater8000]

For the tmnt fans that need to hear this 👍

[rockethorse]

The basegame wedding dress has a pregnancy morph??

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[galactaknightyaoi]

It's my OCs' first birthday today, yippie!! They're enjoying their birthday with some tiny company and a horribly baked cake. But it's the thought that counts!

These are Pai, Aurelio, and Lizzie. They are a couple and run a diner together in the low suburbs of Halcandra. Their shop also serves as a safe space and shelter for other Star Borns just like them.

They also tend to take in the more little ones of their kind, soon after they've first formed. They look after them and teach them stuff, before letting them go to live independently. But they're always welcome back in their house! Be it for shelter, or a nice cup of coffee.

More about them under the cut. Be warned it gets kinda long.

Pai's ability is Cook. When he was little, he used to use his ability to make food to share with his whole neighborhood as a way of uniting everyone.

Since then he's been steadily building towards a goal, to open his very own Diner. He wanted to create a space for his community to thrive in, though he was severely disadvantaged in such a large city.

He's not one to give up and he always looks on the positive side of things. He tends to spoil the kids they look after with treats, and has a hard time saying no, so he often takes on more than he can handle.

He is the one that looks after the well-being of the kids, and generally, things that require a bit more... Tact. He looks after them when they're sick or injured, which is how he ends up meeting future GSA founders Arthur, Erebus, and Anansi.

Aurelio grew up in a scrapyard with 6 others of their kind, being kept there as guard dogs for the paranoid old man who owned the place. They were encouraged to fight each other for fun, which is how they got the scar across their face.

When they got too big and troublesome, most of them were kicked out of their home and left to fend for themselves.

Aurelio's Spear ability eventually landed them a job as a Knight for Halcandra's elites, where they worked alongside a few of their friends. Their job was to guard the meeting room and defend their assignment from threats.

A few years into this job, they and other soldiers were given a mission. A pair of dragons were nesting at the bottom of the Haldera Volcano, they had to get them out. Dragons are calm if not provoked, so relocation shouldn't be difficult...

As it turns out, the dragons were a mated pair. A male and a female, and they were viciously protecting their egg clutch.

In the battle against the dragons, Aurelio was injured and burned by fire, but their natural fire immunity allowed them to be one of the few survivors. Nevertheless, the Knights were successful in their mission and managed to drive the dragons out.

The 4 eggs that weren't crushed during the battle were passed off to the Ancients for research. They became the Guardian Angel Landia later on.

She was forced to retire from Knighthood at age 31. Due to the lasting effects of their injuries, Aurelio is the one who spends most of the time with the children. For better and for worse.

Because of their childhood, they have very skewed ideas of how to treat children. She'll often put them in dangerous situations unintentionally since she has no frame of reference to tell her that taking kids out to the Gator Pond isn't a very good idea.

Aurelio teaches the rougher life lessons. They've been through quite a bit, so they want the kids to learn how to defend themselves, and to be careful and not have others take advantage of them.

She does most of the disciplining and the one that gives timeouts and other such punishments. She is of the opinion that sometimes rough love is necessary to set someone straight. She's calm and loving, but a bit stuck in the old way of doing things.

Lizzie, real name Angeliz, is a 2-time college dropout who grew up upper class despite her species' disadvantage. She never had many friends growing up, since other kids didn't really like her, and resigned herself to being what her parents wanted her to be.

She tried to study medicine but quit after 2 years. Not wanting to further disappoint her parents, she went into law. Which she also hated but tried to commit to finishing despite how miserable it made her.

Meeting Pai and Aurelio helped her get through the year, but after Aurelio was injured, she quit law and started living with them. She helped Pai balance his business with taking care of Aurelio and eventually used some of the money she still had left to give Pai's Diner the little push forward it needed.

Despite the many etiquette classes she took as a child, Lizzie completely lacks social skills. She's a total disaster, especially when talking to someone she likes. Once she gets comfortable, her true personality starts to shine through.

She's a huge slob and kind of vulgar despite her cute appearance. She's easily angered and does not like to be teased, which makes putting up with bratty kids more difficult for her.

She tends to treat kids as little adults instead, which causes her to not be very mindful of their sensitivities. Even when in a good mood, trying to do her best, she always ends up saying the wrong thing and makes everything worse.

She handles the business aspect of their Diner, crunching numbers and reading over legal documents. She's really smart and knowledgeable, so she's the one who tends to teach kids reading, writing, and math.

Her ability is Bubble. She never used to like it, it was silly and useless to her, so she kept it hidden for years. After meeting her partners and becoming happy, she's started blowing bubbles more frequently. The kids love them.

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[jade-len]

you know it's bad when i read svsss and tgcf, stories about just two guys falling in love and getting together, and think, "god i wish i were in between them."

gay little domestic cottage core life with binghe and qingqiu? please and thank you. being sandwiched by hua cheng and xie lian, two pretty men who are hundreds of years old? i am blushing, kicking my feet and giggling

and again, it's not even that i would want only one of them. like in both of the relationships, the two love each other too much to the point it'd feel wrong if they were separated! it wouldn't feel complete, so you gotta be with both of them!

but that's the thing; i just?? i feel so incredibly guilty whenever i think about being loved by these mxtx couples??? like it's so stupid but i feel like i'm intruding in on something and it's like, everyone else seems to just want them together only, not wanna be with them. like it's fuckin taboo or whatever

i feel like with any other character from any other media it'd be fine to simp for and write/read x readers of them, but when it comes to these books, it's off limits! no way, what are you, crazy? yes, yes i'm unhinged and desperately want their love and affection simultaneously. i want to be in a happy little poly relationship with these overpowered beautiful men with long hair.

i can't be the only guy or whoever to feel this way?? to wanna be kissed by these characters? sandwiched?? i have two hands for christ sake and they all look so happy together and im just like "lord i wanna be with them so much". someone tell me i'm not alone cmon <\3

[ara270904]

I hate King Charming without a reason apparently. He's evil (in my mind)

He's the worst father ever. He's probably very imperfect too but he hides it.

Because he hates himself for having imperfect children and forces them to be the perfection he can't be. But oh surprise! Only one of his children can appear perfect.

Like forget Snow White being a bad mother, King Charming is the real bad father. You want real angst and need a villain? King Charming is right there traumatizing his children trying to make them perfect and exactly how he wants them to be.

Putting the three Charming siblings into a mold but none of them fit the carefully planned mold. So King Charming forces them to be perfection, there is no room for error to have mistakes, the Charmings are prestigious and elegant, and above all perfect.

The entire Charming family are appearances so imperfections (cough Dexter cough) do not serve the family and are not as important as those who do know how to pretend.

But what King Charming doesn't know is that appearances can be easily broken and at some point it will be discovered that his children and especially him aren't the perfect family they claim to be.

Like probably King Charming got married to his "perfect" wife think that she she could fix his genes, fix their future children with better genetics. It seemed like everything was going to be okay but they soon realized it wasn't, but still King Charming tried hard to force his children to pretend and got angry when they wanted to have "personalities of their own".

Charmings don't have "personalities of their own" they are simply what a prince or princess is supposed to be and other than that they are perfect and that is all they should aspire to be.

King Charming probably hates Dexter because they're equally imperfect but King Charming did everything possible to hide it while he has never managed to make Dexter completely how he wants him to be and Dexter tries to be his own person by not having a destiny to which he aspires.

Darling is more secretive about her being a knight and hides her scars with makeup to appear better in front of her parents.

And Daring simply loves that his father is always happy with him because he learned well everything his father taught him. Daring tries to be the most perfect all the time so that his father is proud of him at all times.

Oh but what will happen to everything after Dragon Games :D. Everything is going to fall apart in the "perfect" family

(I made the post, @kang-yina)

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."