#this film has some of the most natural acting

[marshallpupfan]

Movie 3 Predictions

Ever since it got announced, people have been predicting what the third theatrical film will be like. Now that both a leak and an official source has informed us that A) Marshall will be the focus and B) dinosaurs are involved, even more predictions have popped up. Well, I figure I might as well throw some of my own out there. Besides, it's been a while since I've made one of my trademark lengthy posts. 😇

I'm going to try and not go crazy with these. I'm just going to post the ones that jump out at me. Admittedly, it feels like a lot of us have thought the same thing, so some of these might not be anything new.

In any case, here are my predictions. Due to the length of this post, some of the more important parts will be highlighted, in case you prefer to just skim through all of this.

The leak mentioned Mayor Humdinger will be involved. I think he'll find the dinosaurs, and ultimately, he'll try to exploit them. He'll round them all up and transport them back to Adventure City, where he'll hold his new "Hum-Dino-Topia" theme park! Naturally, things will go wrong, the dinosaurs will get loose, and they'll cause all kinds of havoc for the finale. Cue the PAW Patrol to save the day.

Marshall, despite not being all that clumsy in the previous films (especially The Mighty Movie), will suddenly be very clumsy in this one. It'll affect his confidence at points, he'll mess things up during one of the missions, and someone will get mad and question if he deserves to be a part of the PAW Patrol. Maybe he'll even run away, like in "Pups Save a Friend", before returning for the finale.

The metadata in a leaked file, as well as that voice actor audition thing seeking someone with a disability to voice a pup who uses a wheelchair, strongly suggests Rex, from Dino Rescue, will be in the film. Nothing's officially yet, but the evidence is pretty good so far. In any case, if he is involved, I imagine that, like the TV series, he'll be living with the dinosaurs, possibly for most of his life. He might have gadgets, but like his wheelchair, it'll all be crude, until he gets a big upgrade once he becomes a member of the PAW Patrol.

Also, unlike the TV series, the dinosaurs will be on an island, and not some location you have to get to via a cave. Also also, much like The Mighty Movie ignoring 2018's Mighty Pups, I think the movie will flat-out ignore the TV series' continuity again, so everyone will act like this is the first time they've met Rex and seen dinosaurs.

Folks are wondering how they'll address removing the pups' superpowers from The Mighty Movie. Honestly? This might sound cynical, but I think they'll just flat-out ignore it, much like how the TV series quickly moves on from each subseries. They had powers one moment, now they don't. At best, we might get an explanation, but it'll be brief ("It's a shame the crystals ran out of power and now we can't use them anymore.")

Marshall will likely get a backstory. What do I hope we get? Marshall had a rough time because of his clumsiness, and people were mean to him and laughed at the pup a lot. It became too much for him, and with a face full of tears, he ran away. He later stumbled upon (perhaps into) Ryder, and the boy took him in. Despite his new owner, Marshall continued to struggle, which resulted in Chase taking him under his paw to help the Dalmatian. During this time, the two became close, practically like brothers, and his encouragement, love and support helped Marshall to not only do better, but to prove to everyone who ever laughed at or doubted him that they were wrong. In time, he became the firefighter we know today, making both Chase and Ryder proud. Now, what do I expect? Nobody took Marshall seriously because of his clumsiness, he tried to do something dangerous to prove himself, he nearly died, Ryder saved him, and talking about his past right before the finale helps him move on and find the confidence to succeed during the last mission. We won't get any more than that, and it'll more or less follow the basic blueprints as Chase and Skye's backstories.

Given this is Marshall's movie, I expect a massive fire will break out during the finale, which will threaten both humans and the dinosaurs that got loose. Marshall will likely doubt himself at one point, but he'll pull through, figure out a brilliant plan to extinguish the fire(s), and the day will be saved. (I don't expect this at all, but maybe Chase will get wounded and trapped by the fire, making things all the more personal and emotional for Marshall.)

The Poms will be absent. At best, they might get a cameo, reacting to the dinosaurs loose in Adventure City or something.

Liberty will no doubt show up, but I think she'll get less screen time here. She'll stay behind to watch over Adventure City when the pups go to dinosaur island, and then she'll help out during the finale (to guide people to safety and whatnot).

Victoria Vance won't be present at all. If anything, a new villain will pop up to help Mayor Humdinger. Probably a female baddie.

As for the other pups who aren't in the focus? I think Chase will get plenty of attention, and he'll be up front in a mission or two (sadly, I don't think the movie will acknowledge the fact he's best friends with Marshall). Skye will get a bunch of time in the spotlight, due to making sure they get plenty of girl representation in the film. Rubble will still get most of the comedic moments, and he'll ride on top of a dinosaur at some point, to reference that season 2 episode. Rocky will help, but I can't see him getting any huge involvement in the plot, outside of a few rescues. Zuma will get a cool moment, and maybe he'll even save a human or dinosaur in the water, but I don't think he'll get to take out another villain again.

That's about all I have right now. If you have any comments, opinions, or predictions of your own, let me know!

[decomarc]

Not too many actors or actress can claim TWO Academy Awards: her first for what is considered one of the greatest roles an actress can have as the immortal Scarlett O'Hara in Gone With The Wind (1939, MGM) and her second for her mesmerizing performance as another southern belle as Blanche DuBois, A Streetcar Named Desire (1951, Warner, Brothers). Vivien Leigh had two strikes against her: she was Bi-polar and she suffered bouts of Tuberculosis throughout her life and she would eventually die from the disease on July 8, 1967 at the age of 53. Can you imagine any other actress then Vivien Leigh in the role of Scarlett or Blanche? Most probably not, I cannot see another actress giving a better performance than Vivien did. In all of her portrayals of her film characters she was: unsentimental, detached, and never giving or asking or expecting any for sympathy. Perhaps she was predestined to make her mark in a film so sprawling, so epic as Scarlett O'Hara in Gone With The Wind. Scarlett was not a character that was likeable but she was tenacious, she was determined and she was strong-willed but you wanted her to see her come out on top. She was the center of it all when filming Gone With The Wind. Vivien's interpretation of Scarlett O’Hara is perfect – she never hits or makes a false note. We never see acting, we only see the character, as close to a real, living person to any actor could ever create for the screen. Vivien had the unique power of intimacy which kept her performances fresh long after many of her commentaries have faded away. With the possible exception of Paulette Goddard, the other leading contenders for the part would have had difficulty articulating One also has to give Vivien credit for being the main reason why Gone with the Wind is the most famous movie ever. She is in 99% of this 3 and a-half-hour epic, she has to carry this massive production on her shoulders. And boy, does she succeed! Another very interesting aspect of the film is Scarlett's friendship with Olivia de Havilland's role as Melanie Hamilton, they both have great chemistry between the two of them, Vivien is perfect in showing her mixed feelings towards Melanie, her dislike and admiration at the same time. I remember reading this quote and I could not agree more, "It is such a natural performance of a truly larger-than-life character that “Fidlee-dee-dee” seems to be the only word to describe it…I really give a damn!" In 1951 Vivien Leigh would receive her second Academy Award for another Southern Belle in A Streetcar Named Desire (Warner Brothers). While Streetcar was a professional triumph for Vivien, playing Blanche took its toll on Leigh’s mental health. Portraying and identifying with someone so near insanity was overwhelming for Leigh as she absorbed Blanche’s psychology in a way that was hard for her to let go of. Later, when she was ill, she would often recite lines from the play. As she put it, “Blanche is a woman with everything stripped away. She is a tragic figure and I understand her. But, playing her tipped me into madness.” The fact that both of Vivien Leigh’s Oscar-winning portrayals are some kind of Southern Belles would make it easy to see Blanche DuBois as an alter ego of Scarlett O’Hara but where Scarlett O’Hara had the strength to adjust herself to a new life, to new circumstances and situations, Blanche DuBois is exactly the opposite as she cannot leave the past behind, lets it haunt and torture her, influence her actions and finally breaks her. Vivien Leigh gave a performance that dug so deeply in this character’s mind and portrayed such unforgettable moments, that it is one of a few movie performances that can truly be called a work of art proofing once and for all the greatness of her talent and standing as a symbol for movie acting at its finest.

Vivien Leigh in Caesar and Cleopatra (1945)

[wordsmithie]

Mr. and Mrs. Bhamra vs. David Beckham

Bend it Like Beckham, directed by Gurinder Chadha

[mariocki]

Night of the Demons 2 (Night of the Demons: Angela's Revenge, 1994)

"What's the problem here?"

"Oh, the old sexorcist here thinks I stole his precious little ghoulie book."

"Yeah, so?"

"So what would I want with a book?"

"Good point. Perry, Kurt doesn't have your book. He can barely read a clock."

[cuntyji]

everyone’s talking about nerd gojo (thank you @to00fu for the meal), but what about nerd nanami? and i’m not talking about just any nerd nanami, im talking about letterboxd nerd! nanami — 

who wears a “directed by quentin tarantino” tshirt under his suit because he's a bit embarassed about unironically liking this type of merch, and who actually reads through all the letterboxd published articles from cover to cover.

his profile is so organised and he leaves such beautifully written and critical reviews that people who read it go crazy and spam the review’s comments section with “who is this diva 😭” and “WHO LET BRO COOK 🗣️” (he doesn’t understand the meaning of these phrases, but yuuji told him they’re positive phrases so he lets them be).

he's very selective about who he follows — a few of his irl's do know he's on letterboxd, but when they ask him for his profile he does not bother entertaining them. it's not that he's ashamed of his profile or taste, he just likes to keep his irl's seperate from his online activity. 

letterboxd nerd! nanami is heavily against piracy, and he refuses to opt for the “easy way out” when it comes to watching regional films. (he once took a flight all the way to paris on a weekday just to watch a movie that hadn't started international screening).

not to mention, he has a lot of friends that are directors, producers, script-writers, actors etc…it's not even a flex, he was genuinely the most supportive figure in their lives when they were starting out, and often times he gets free tickets or VIP passes to special movie screenings as a way of thanks.

letterboxd nerd! nanami is always one of the top three or five reviews in most trending movies on letterboxd, but imagine his horror when casual letterboxd user! reader bests his review and pushes him down to seventh place.

the horror.

and it's not even a “good” review, as nanami says —  it's just a rant about how hot the cast is. and for some outrageous reason, everyone seems to be upvoting your poorly written review instead of his meticulously detailed review about the script writing, acting, soundtrack, camera angles…you get what i mean. 

naturally, letterboxd nerd! nanami is pissed. 

and he's even more so when he realizes that casual letterboxd user! reader doesn't even log films on the daily — no, it seems more like you just remember this app exists and then log in whatever you just watched. you didn't even bother putting up a profile picture up until yesterday. and why the hell have you rated most of the disney movies a 5/5? do you not know what an objective rating is? 

letterboxd nerd! nanami, after stalking your watched list, prays you never come online to log your films again. he can't afford to be bested by you again. until he sees a notification that makes him groan out loud in annoyance — 

y/ncore has started following you.

bonus: nerd gojo and letterboxd nerd! nanami are mutuals and close friends on letterboxd (under aliases of course), but both of them hate each other irl — nerd gojo mocks him for spending time on “lame” things like movies, while letterboxd nerd! nanami scoffs at his blatant attitude of “not appreciating cinema.”

[lyricthecat-12]

I urgently needed to talk about the last scene between Sonic and Shadow in the third movie, because I think what they did is simply beautiful. 🥹💙❤️🖤

Before Sonic 3 came out, there was debate over who would be the one to change Shadow's mind since at that point, there was no solid indication that Amy or Rouge would appear. I was a fan of the idea that maybe they'd have Jojo be the one to remind Shadow of Maria's wish, since she was an established character from the start and fits the profile like a cheerful, caring, and optimistic girl.

However, seeing that in the end they made it so that Sonic was the one who talked to Shadow and convinced him to fight to save the world, surprised me and at the same time fascinated me infinitely more. Because they managed to make the change organic by connecting it with narrative elements that were also raised and developed from the beginning; Sonic's grief over losing Longclaw and his paternal relationship with Tom, making this moment something special and significant for both of them:

It is a moment of connection and understanding between two people who have lost the person who was once the most important in their lives, who loved them when no one else did and gave them a home,

That for a long time they had to deal alone with the pain and guilt of having been the trigger for their deaths but, as they emphasize in the film, While Sonic was able to find a family that would love him and help him get better and cope with that pain, Shadow was alone and the only person he interacted with after awakening, only manipulated him in order to fulfill his revenge.

Until this moment, where Shadow finally meets someone who not only knows his pain perfectly but has also learned to move forward and not let it corrupt him even in the most difficult moments, and who in turn motivates him to do the same.

All of this contributes fantastically to their connection, as it is no longer just that their personalities and ways of acting are opposite, but also the way in which their stories correlate and at the same time distinguish each other, creating a new and emotional parallelism between them: They are two sides of the same coin, two extremes that ultimately come together to bring out the best in each other.

Which is beautifully reflected throughout the final battle. Sonic and Shadow display effortless synergy, supporting each other, backing each other up, and even casually joking around.

A good reminder of the great chemistry and dynamism they used to have years ago. Unlike now that they make it seem like Shadow barely tolerates Sonic, before they both had a friendly rivalry where they respected each other, valued each other and helped each other without problem. And I'm really glad the movie brought back some of that dynamic and reflected it in such a natural and fun way, and I hope that continues for future SCU projects instead of sticking to the current direction.

And I'm not just saying this because I'm a fan of Sonadow, but because I genuinely believe that this is the most natural direction for their relationship after all this time.

[celestialtarot11]

what placements would most likely signify working in the media & entertainment industry??

Leo sun/rising—Enthusiasm for acting, projecting themselves out there. Naturally attracts attention! Loves the world of dress up as well. Can play dramatics really well. May even want to own a band of their own.

Neptune 1h—Great at acting. Shifts like a chameleon and sucks in energy to deliver the image everyone wants. Tunes easily into the moment. May also go on to make great music. Great at photography because of their attention to detail.

Capricorn/saturn dom— Great at depressive roles, making more of an impact on the mass. Focused on terror, sublime horror, the gross truth of reality to deliver a message. Used fear as a way to draw viewers attention. In their music their words are deep and powerful, profound. Grips the people who are too comfortable with their life and throws them in for a disturbing ride.

Venus-pluto—Great at thriller acts, horror, comedy. Sets the scene for drama and terror and enacts it very well. Exudes a timeless charm and manages to sway the industry with their appeal. Can be controversial. Probably the kind where someone snaps a random picture of them and uploads it and sudden everyone wants to know their name.

Taurus stellium—may play in a lot of rom coms, is known for their stunning beauty as an actor. Plays the mean girl very well. Their visuals are breathtaking. Jessica Alba has a taurus stellium. Taps into stereotypes very well and uses it to their advantage.

Scorpio moon—Channels their pain into acting. May play obscene roles with hatred, terror, sadness. Betrayal. These signs are great at channeling their past into their work because their body remembers it all. Great at scenes of sobbing from the depths of their soul. Great at action movies, thriller, psychological thriller.

Pisces degrees, pisces placements, pisces-venus asp- Love for music and film industry. Mostly into aesthetics and atmospheric films. Focuses more on creating mood and setting the environment. Loves to capture scenes of utter rawness and chaos. Yet it’s romanticized, they have a poetic way of acting.

Pisces also has an idol they look up to and take a lot of inspiration from them!

Gemini placements—Great at analyzing moments and scenes to deliver a great performance. Some Gemini’s go on to play roles involving a government, FBI, NCIS, CIA, etc. Mostly men are into calculated, pressurized roles such as playing a single father, Agent, cop, firefighter. Gemini women also tend to do the same, they play roles in which it describes an “alter ego,” “hidden” persona, like Natalie Portman in Black Swan. That film falls under psychology horror. These placements are great at character arcs/redemption arcs.

5h stellium, 5h venus, 5h sun/mars—Great for channeling creativity/passion!

10h Venus/Libra/Taurus—Ruled by aesthetics, romanticism, and fame. Popular individuals! May get stunning roles and get popular easily. Success follows them.

Jupiter 10h—Supreme reputation in their acting/media career. Always maintains a good image regardless of scandals, issues.

MC in leo—Ultimate get famous placement! Great actors of their time, almost timeless. Brings back an era of newness yet nostalgia everyone misses. Whether it be in their music or acting! Stunning and motivational individuals.

Virgo rising—May be into modeling and climb their way to the top! Loves photography, fashion and aesthetics. Finds art absolutely beautiful.

[electrosuite]

okay. al. i need something put into words. idk if you've seen it but in "we live in time" andrew and florence didn't hear cut when filming a sex scene. so i was wondering. could you do something where eddie has taken up acting. it's an experimental movie, so y'all are actually fucking. it's unsimulated sex. y'all don't hear cut, but you're so into it that neither of you stop. you don't notice until he cums, then you both remember the cameras.

warnings: swearing, fingering oral sex, descriptive sex, sex on camera

word count: 2.3k

a/n: i saw we live in time opening week and absolutely loved it. put andrew garfield's bare ass in more movies!!!

masterlist

One of the best decisions you'd made was moving to Hollywood to pursue acting. You loved it, and you were a natural. You could make yourself cry on command, you often lost yourself in scenes, and you weren't afraid to get nude on camera. That was something that was pretty common for the 80s, specifically female nudity.

You'd filmed many sex scenes in your career, but they were all simulated. Prosthetics, body doubles, cushions between bodies. But when you were approached to do an experimental film, one with completely unsimulated sex, your curiosity was piqued.

You were told you wouldn't meet the other actor until the day of, which turned out to be the first day on set. You were told that some studios, this one included, preferred to get sex scenes out of the way first and film the rest after. Your first impression of this guy would be when you had sex with him.

So when you were sitting on set in your tight black dress — which would be removed in the scene — and he walked in, your eyes widened. He was very handsome, just your type. He had long curly black hair, he was covered in tattoos, and immediately started joking around with the crew. He was wearing a suit, one which fit his body nicely.

When he spotted you, he walked right over and sat next to you.

"You my co-star?" he asked in a hopeful tone.

"That would be me."

"Eddie." He stuck his hand out and you shook it.

"Y/N."

"You look familiar. I feel like I've seen you in something else before."

"Maybe. Sorry, but I don't recognize you."

"I haven't been in anything big, just a couple of low-budget movies." He noticed your nervous energy. "You okay?"

"What? Oh, yeah. Sorry, just... I've never done anything... real. It's always been fake sex."

"Oh, yeah?"

"Mhm."

"Well, it's a first for both of us, then. It's a first-first for me, I've never done anything like this."

"Really?"

"Yep. Never even taken my shirt off on camera."

"And you're just jumping right in, huh?"

"Why not? If I'm gonna do it, I might as well go all in."

"Well, are you at least experienced?" you joked.

"Oh, I'm experienced. Yeah." You chuckled. "Also, I was told to tell you that they had me go ahead and put a condom on so it wouldn't disrupt the flow or anything. They said you were pretty adamant about it."

"Thank god. I really don't want to leave here today pregnant."

This made both of you laugh, but it was true. That was the most important thing to you when agreeing to do this movie.

"Alright, actors in positions," announced the director, who settled into his chair next to the camera.

Before you could get up, Eddie looked back at you. "Hey, I know we'll be recording, but don't let that stop you from telling me if I'm crossing any boundaries, alright?"

"Okay."

"Promise?"

"I promise. Thank you."

"Of course."

The scene immediately started with the two of you standing at the edge of a bed, inches away from each other. So that's where you went, your calves touching the mattress.

You'd read over the script for this scene numerous times. There was a camera a few feet from the bed, and one strapped onto the ceiling above where you would be laying. Neither of you would speak, just moan.

You were getting more nervous by the second, the lack of space between you two making your heart pound.

"Hey," he whispered, making eye contact with you. "You still good?"

You nodded. "Yeah. I'm good." You got yourself into the acting mindset as they finalized the cameras. "Ready."

"Quiet on set," yelled the director. Everyone hushed, the silence making you realize how many eyes were on you. "Action!"

You reached up and slowly undid Eddie's tie, his eyes never leaving your face. Once it was on the floor, he pulled you in for a kiss. It was gentle yet deep, both of you taking in a deep breath. His hands gripped your sides, your palms flat against his chest.

He reached around you and unzipped your dress, letting it fall to the floor. He then effortlessly unhooked your bra and you pulled it off of yourself. So far this was exactly like some of the other scenes you'd filmed. It was always a little bit nerve-wracking to expose yourself on camera — how could it not be?

He pushed you down onto the bed, his knees on the edge between yours.

He wasn't supposed to kiss you as long as he did. It was only supposed to be a couple before he moved on, but he was going off script a bit. His hand cupped the breast visible to the camera, which was now a bit closer.

He began kissing down to your neck a bit, then trailing along your body. He wrapped his lips around your nipple, his tongue circling it. You couldn't help but tangle your fingers in his hair, knowing it would help the scene.

As he kissed down your body, he maintained eye contact with you, watching to make sure you were still comfortable with this. Once he was to your thighs, he knelt down next to the bed and pulled you by the legs closer to him.

He slowly pulled your underwear off, dropping them on top of your dress. He continued to leave kisses on your thighs, making a genuine and impatient whine escape your mouth.

The feeling of his tongue on your clit made you gasp, your hands immediately finding their way back to his hair. This was weird with cameras, and at first it made it hard for you to really get in the mood.

But he was good with his tongue. You were so used to fake moaning that the real ones that came out of you felt foreign. His hands on your thighs, keeping them spread, were also keeping your hips still.

Usually when you filmed cunnilingus scenes, they kept their mouth closed and just positioned their face between your legs. So it was a foreign feeling to actually be eaten out on camera.

He couldn't stop staring at you, you looked so beautiful. Your head thrown back, back arched, tits out and nipples hard, fingers pulling his hair.

He wasn't supposed to make you cum, the script didn't call for it. He was supposed to do this for about thirty seconds and move on to the actual sex. But he was told that if the scene lasted too long, they could just edit it down. So he decided before even meeting you that he would make sure you had at least one orgasm today.

And it didn't take you long to get there. The camera had moved now so that it was behind him and to the side, getting a shot of his back and your face simultaneously.

"Fuck," you whispered to yourself as you felt your orgasm approaching, and fast. You were worried about how you would look, actually cumming and being recorded. You were trying to remain as calm as you possibly could, but you'd never been eaten out like this.

You were much louder than you anticipated when you finally came, and Eddie had to hold you down to keep you in the shot. When he finally stopped, he was immediately back to kissing you. He was still fully clothed, so you pushed his jacket off of his shoulders.

Instead of unbuttoning his shirt, he just pulled it over his head. He had a beautiful body, and you couldn't take your eyes off of him. You reached down and helped remove his belt, but he took over a moment later.

Within a minute, he was completely nude, and you got a good view of what he was packing. You were told before the shoot that you'd be having unprotected sex, and as you were already on birth control, it wasn't that big of a deal to you. Or at least, it wasn't until you were finally here. Now it was sinking in that you were about to be creampied by a guy you just met less than five minutes ago.

He was already rock hard, the sounds that escaped your mouth having gotten him bricked up immediately. He loved giving oral. It was one of his favorite things in the world. If it was up to him, he would've kept going, gotten you completely out of your mind before fucking your brains out.

He positioned himself back at eye level with you, reaching down and lining himself up with your entrance.

"That okay?" he whispered into your neck as he pressed kisses to your skin. He wasn't supposed to say that, the script calling for no dialogue aside from the natural swears that would occur. But he'd already gone against it, and asking for consent was something he insisted on.

"Mm," you moaned simply, nodding as minimally as possible.

With zero hesitation, he pushed into you, and the gasp that filled the room was almost comical. It was such a perfect porno moan that you couldn't believe it was genuine, even though it came from you.

He stretched you out so much, so perfectly, you weren't sure you could handle much of this. It was almost too much, too good.

He engulfed your mouth into his, kissing you deeply as he immediately picked up his pace. The bed was already squeaking, and your chest was already red.

The camera was above your head now, recording from an angle that showed the top of your thighs and your head thrown back as Eddie began sucking hickeys onto the skin of your neck.

That was when the scene was supposed to end. It was the shortest one in the script, which was another reason they wanted to get it over with first. But when the director shouted "Cut!", neither of you could hear him over the animalistic moans you both were letting out.

In fact, he called it about three times. But you two were so immersed, and your moans were so loud in each other's ears that it was useless. After a moment and after all the equipment was put down, the entire crew left the room and just allowed you to finish.

Out of all the times you'd had sex before, you didn't expect the best to be a completely scripted one. Eddie wasn't lying when he said he was experienced, he knew how to hit every nook in cranny in you like it was the millionth time.

When he felt himself getting close, he reached down and began circling your clit with his thumb. In the movies he'd seen, they always came at the same time. That didn't happen much in real life, but he wanted to make it look cinematic because, to his knowledge, they were still filming.

You gasped at the sudden contact, not expecting it. Thirty seconds later, you were cumming in sync, moaning into each other's mouths. He kept it going as long as he could but eventually he had to stop. Both his and your legs were trembling, sweat beading on your upper lip.

He kissed you for a moment, thinking in his head how great that would look on camera.

But when you both looked over at where the crew was, they were gone. You were confused, wondering why they didn't film as much as possible.

"Oh my god," you said, looking back up at Eddie. "Did they yell cut?"

His eyes widened. "Did they?"

"Did you hear them at all?"

"No, I didn't. Did you?"

"No."

You couldn't help but giggle at the situation. "Holy fucking shit."

"Jesus Christ, what the fuck."

"That's kind of hilarious."

He pulled out of you, pulling the condom off before grabbing one of the robes from the crates behind the camera, tossing another one to you. He opened the door to the rest of the set and the crew's heads shot up to look at him.

"Did... you yell cut?" he asked the director.

"Yep. Three times. You guys were so into it we figured we'd just let you finish."

That was when you laughed even harder, your head fuzzy and body tired.

After everything was cleaned up and you were heading back to your trailers, you caught up with Eddie outside his.

"Sorry we didn't hear cut earlier," you apologized.

"I'm not." He smirked slyly, and you felt butterflies flutter in your stomach.

"Do you think you'd do something like this again? Real sex on a set?"

He shrugged. "Maybe. With the right person."

"Well, if I get another opportunity like this, you're the first person I'm recommending."

"God, please do." His voice was raspy now, seductive, sultry. Normally you didn't pay any mind to men who flirted with you. But something about actually fucking Eddie seemed to form some kind of bond, maybe just in your head.

You reached into your pocket and pulled out a napkin, which had your phone number written on it. You leaned in close, wanting this to stay between the two of you.

"Well, if you ever want to do something without cameras, call me." You turned around to walk to your trailer, his eyes glued to your ass the whole time.

He swore he could get rock hard again right now if he wanted to. Something was different about you. You were one of the best fucks he'd ever had, and he intended on using that phone number sometime soon.

[itadores]

note: actor!nanami plaguing me frfr

tags: fem!reader, actor!au (you and nanami both), nanami is the most perfectest gentleman ever <3

actor!nanami who is so beloved by his audience for how respectful and polite he is. he’s not uppity like some actors of his standing, nothing like those who have let the amount of fame they’ve accumulated over-inflate their ego and level of self-importance. he treats celebrities and normal everyday people alike with the respect they deserve. nanami believes the bar must be in hell for him to be praised for having some common decency, but alas he also knows how fickle people of fame and fortune can be.

but it’s not just nanami’s well-mannered nature that has people singing his praises. no, it’s the way he treats you — his co-star. fans were excited to learn of the two of you starring in a film together and became even more ecstatic when they learned you would be playing each other’s love interests. you and nanami are both incredible actors, well-known and well-loved, but have never starred in the same film before until now. it has people buzzing to know how you two will mesh with one another on screen and wondering how the chemistry between you guys will take shape.

since the film is soon to premiere in just a short while, you and nanami do a number of various interviews to promote it. fans promptly lose their minds when the interviews finally air. not only do you and nanami complement each other very well much to their utter delight, but nanami is such a gentleman in each and every interview with you. he’s always offering a hand to you and helping you in and out of your seat at the start and end of the interviews. wordlessly passing you the water bottle by your feet when it seems like you may be getting thirsty. redirecting any potentially rude questions posed to you while chastising the interviewer in the process. it makes fans swoon watching how nice he is with you.

but what really has fans going wild is the way nanami helps with any wardrobe malfunctions you may have. if the strap of your top happens to slip down, nanami gently pulls it back onto your shoulder to its original place. if you bend over or lean forward too much and your chest becomes overly exposed, nanami is reaching a hand across to help cover you up. or if your skirt rides up, threatening to reveal your undergarments to the camera, nanami is carefully tugging the edge of your skirt down. he does all of this without missing a beat when speaking, his movements practiced as if he’s more than accustomed to doing this.

it quite literally breaks the internet. edits and compilations of you and nanami flood social media immediately, and rumors abound about whether you two are together or not. i mean, they’ve never seen nanami act so comfortable with a co-star before! he seemed to be throughly enjoying himself throughout the interviews, even cracking a smile multiple times, which is so unlike him. fans are divided on whether your guys’ closeness is just to generate more interest in the film or whether the chemistry between you two is real. regardless, many are shipping the two of you together, a mash of your names trending across all social medias.

it makes you laugh.

if you had known you’d receive this kind of reaction, you would have starred in a film with your husband sooner.

[someone-will-remember-us]

A leaden silence descended upon the courtroom as the videos began to play over three screens.

There was Gisèle Pelicot, the victim in the center of a rape trial that has rocked France, lying on a bed on her side, her arms limp before her, her mouth open. The sound of her snoring filled the courtroom. She appeared to be dead asleep.

In the videos, she did not respond to the touches of the men, who engaged with her body in sex acts.

Ms. Pelicot had fought hard for these videos to be shown publicly in the courtroom because, she said, they were incontrovertible evidence. While most rape victims have only their word and memory of events, Ms. Pelicot has a library of proof in the form of videos and photographs — taken by her own husband.

Showing them publicly was essential, her lawyer Antoine Camus told the courtroom, “to look rape straight in the eyes.”

It was another astounding moment in a trial that for the past month has gripped France as if by the throat and shaken it violently. The case has raised profound questions about relations between men and women, the prevalence of rape and conceptions of consent.

More than 50 men are on trial together. Almost all are accused of aggravated rape against Ms. Pelicot, a grandmother and retired manager at a big company, while she was in an unconscious state. Her former husband of 50 years, Dominique Pelicot, has pleaded guilty to mixing drugs into her food and drink and inviting others into their home, in a village in southern France where they had retired, to join him in raping her limp body.

While Ms. Pelicot, 71, had the right to request that the trial take place behind closed doors, she decided to make it public. She said that she did it not for her, but to protect other women. Shame, she said, must change sides — from the victims to the perpetrators.

The accused men appear to be a gallery of working-class and middle-class French society: truck drivers, carpenters and trade workers, a nurse, an I.T. expert, a local journalist. They range in age from 26 to 74. Many have children and are in relationships. Over four months, their cases are coming before the court in batches of six or seven a week.

All but 15 have contested the charge. Many have argued that they were tricked into coming into her bedroom by Mr. Pelicot, who had offered them a playful trio with his wife. Many say he led them to believe she was sleeping — or pretending to sleep — as part of the couple’s sexual fantasy. Mr. Pelicot manipulated them when they were vulnerable, some of them have said, and directed them in the acts like a stage manager. They said they had blindly followed his orders.

One said this week that he thought he was also drugged, and had no memory from the moment he entered the room until he returned to his car later. Another said he was so terrified by Mr. Pelicot, whom he regarded as a “predator” and a “psychopath,” that he interacted with Ms. Pelicot’s body calmly in order to “not show weakness, so he attacks me.”

“They took a precise line of defense,” Mr. Camus, one of the lawyers for Ms. Pelicot, told the court on Friday. Ms. Pelicot has said that while the men were perhaps tricked into coming into her bedroom, once they got there, she was so unconscious that it was clear that she could not have possibly given consent.

This is where the videos come in. Mr. Pelicot filmed most of the encounters, often with two cameras, and carefully edited and titled them. Over the course of their investigation, the police found more than 20,000 videos and photographs on his electronic devices, many of them in a digital folder titled “Abuse.”

After initially ruling the videos would not be viewed because of their “indecent and shocking” nature, the judges of the criminal court in Avignon changed their minds after a heated courtroom debate on Friday. Not all the videos would be shown, announced the head judge, Roger Arata — just those videos deemed “strictly necessary” for the “manifestation of the truth.”

A dozen videos and about 10 photos were shown over the courtroom’s three flat screens on Friday afternoon and projected into the overflow room for members of the public, who have continued to line up every day to watch the proceedings and support Ms. Pelicot.

The videos’ titles alone, packed with crude words and read out by the prosecutor, made many observers flinch. Judge Arata said at one point that he didn’t have any “particular desire” to read them out loud any more.

In many, Ms. Pelicot appeared naked, but in some, she wore a garter belt, underwear and white socks. In one, she had a blindfold over her eyes. Her husband told the police he often dressed her up after she was unconscious, and then at the end of the night, he cleaned her and returned her to her nightclothes.

The accused were seen stroking her sides and intimate parts with their hands and mouths. Five were captured putting their penises in her slack mouth. The camera sometimes zoomed in for close-ups. While Ms. Pelicot could be seen moving slightly in some, in none was she seen responding to the touches. She often snored loudly.

The videos played on uncomfortably long. One defendant lowered his face. Many lawyers and journalists stopped looking at the screens.

Thierry Postat, a 61-year-old refrigeration technician who is among those on trial, told the court that he had been involved in swinging and couple sharing since he was 30. He said that in at least three other cases, he had been invited into bedrooms by husbands to have sex with their sleeping wives — only one of whom woke up.

“I trusted Mr. Pelicot,” because most of the time among swingers, Mr. Postat told the court, “it’s the man who organizes things"

But he was pressed by Ms. Pelicot’s lawyer, Mr. Camus: “You really thought you were practicing couple swapping? You see a couple there?” Mr. Camus asked Mr. Postat, referring to the video that had just been shown.

“Yes,” Mr. Postat responded. “The way I remember it.”

Another video captured Simone Mekenese penetrating Ms. Pelicot, while she was lying on her side sleeping.

“You weren’t aware she was unconscious?” asked Stéphane Babonneau, a second lawyer for Ms. Pelicot.

“No,” responded Mr. Mekenese, 43, a driver on a construction site who was a neighbor of the couple’s at the time. “I thought she would participate soon.”

An argument heard repeatedly in court this week was that while they might not have gotten direct consent from Ms. Pelicot, the accused men did not go to the Pelicots’ home with an intention to rape her.

The day before, Mr. Postat had told the court that they might be rapists because they had not received consent, “but we aren’t rapists in our souls.”

After two hours of viewing videos, the court session ended abruptly. People drifted out of the courtroom, and the overflow room, stunned.

“We are in shock,” said Anne-Marie Galvan, 58, a nursing assistant at the local hospital. Her husband, Serge Galvan, stood nearby, tears swelling in his eyes.

“I’m almost ashamed to be a man,” he said. “You could see she was sleeping. It was obvious she was unconscious.”

The couple, and the rest of the crowd, clapped thunderously when Ms. Pelicot passed by, making her way with her lawyers to the court exit. She stopped, looked at the group, and put her hand to her heart.

“We are here for her. We must not let this lady down. We must give her as much strength as possible. It’s important for women,” said Mr. Galvan.

“This,” he added, thinking back to the scenes on the screen, “has to stop.”

[starsandsuch]

The Top “MEAN GIRL” Placements In Astrology 💄🎀👱‍♀️

Considering the most popular films & tv shows, with the quintessential “mean girl” character. I gathered the birth chart info of the actresses who played these characters.

Here’s the TOP 5 key placements that were seen in multiple charts of the actresses that played these roles.

*Using Vedic Sidereal Astrology*

Considering: Sun, Moon, Ascendant and Atmakaraka placements

#1 MRIGASHIRA NAKSHATRA

Mrigashira seemed to dominate in the archetypal “mean girl” roles. With this being a Mars ruled nakshatra these natives are naturally assertive and provocative. They simply aren’t afraid to say really blunt things, and speak harsh truths. They’re extremely intelligent and have sharp mental dexterity. They identify the intellectual weakness in others and exploit it cleverly. They’re great at being “mean” yet seeming to get away with it most of the time. They’d insult someone right to their face without them even knowing it. They always have witty clapbacks and comebacks, making them comical when delivering insults.

Perhaps most famous “mean girl” character of all time: Regina George played by Mrigashira moon native: Rachel Mcadams is a good case study on Mrigashira’s brand of “mean”. In the movie she is admired and fawned over by many despite being a mean girl. People just accepted it and even were eager to be treated badly by her. This is due to the natural charm and magnetism these natives have that make their not-so-nice behavior seem forgivable.

#2 VISHAKA & SWATI NAKSHATRA

Almost every other actress had Sidereal Libra in their big 3 or as their Atmakaraka. Libras as mean girls?!! (Shocking 😳😂) Mainly in Vishaka & a few in Swati. We can’t forget Libras have Aries in the 7th house, so the way they interact with people can be blunt, direct and sharp. These natives often have a controlling nature they keep well concealed. They especially seek to control the social networks they’re apart of. They have a way of obtaining control and influence, through their charming demeanor. They lower people’s defenses and often have ulterior motives toward moving upward socially. They had a two faced nature to them.

If these mean girls felt wronged in anyway, they’d stop at nothing to achieve revenge while simultaneously arising of the “fan favorite” of any feud their apart of. These natives often had fierce feuds with other women, arising jealousy and rage from them. Or being the girl other girls just hated for some reason. Except they’d own it and still be popular bc of it.

#3 MARS DOMINANCE

This seemed to be the most common planetary type to be a mean girl. Almost every actress considered either had Mars in their 1st, Mars conjunct a luminary, mars ruled nakshatras , or a mars ruled sign (Aries or Scorpio) as their big 3.

Mars dominance being common isn’t surprising considering the nature of mars is blunt, direct, ruthless. Mars represents violence, many mean girl characters usually partaking in “verbal violence” against they’re victims. Mars natives are competitive and feel comfortable in positions of power, control and influence.

#4 SIDEREAL CAPRICORN

Mostly Dhanishta and Shravana nakshatra was a common placement. Saturn is innately controlling, restrictive and judgmental. These mean girls were mean and took pleasure in it. We can’t forget there’s a sadistic nature to Saturnian energy. They were cold and intentional with their meaness and oftentimes didn’t feel remorse of whether or not they hurt someone.

These were mean girls who were extremely beautiful, so even if people didn’t like them, they were still lauded for their beauty. A lot of the characters played were the quintessential rich girl, or girl who has a rich dad etc. So they had socioeconomic power as well.

#5 PURVABHADRAPADA ATMAKARAKA

This one was unique because it was most common as the Atmakaraka placement instead of big 3. Mainly being in the Aquarius rashi. This nakshatra has a lot to do with the act of “punishment” and committing austerities. Natives having this as their AK kept a check and balance book of who wronged them, then exacted revenge on people they felt deserved it.

These were mean girls who’d go blind with rage, blind with power. Growing increasingly more ruthless as time went on. They start off being portrayed as a nice girl, but eventually be revealed as a nice girl but with diabolical motives. Since it is a Jupiter nakshatra, the uncontrolled growth theme so relevant in this nak particularly, was displayed in these natives who had it as their AK. Being mean with no filter, being mean to any and everyone, knowing they couldn’t be stopped.

HONORABLE MENTIONS:

+ ARDRA was another key nakshatra, many of the actresses were on the cusp of Mrigashira/Ardra. Sidereal Gemini overall seemed to be prominent. Ardra was often the ostracized mean girl, the girl who was feared more than anything. Didn’t mind playing the villain and getting revenge on people who were once mean to her in the past.

+ REVATI repeated a lot as well. Given the Mercury rulership of this nak, these mean girls were humorous and funny with their insults. Their motive for their meanness was revenge, or insulting who they thought deserved it most. They’re one of the more fearless mean girls , giving the aura of “who gone check me ?” 💁‍♀️ . A lot of their characters were considered “b!tchy” for no good reason. They also a lot of the time acted on their own without a mean girl “posse”.

+ SIDEREAL SAGITTARIUS mainly Uttaraashda and Mula were common placements of mean girls. These were girls who were arrogant and haughty, often depicted as being not too bright. They were bratty and sassy, usually displaying a straightforward attitude of sharpness. These characters were unapologetically mean, not two faced like other mean girl types.

+KETU GIRLS this one makes sense since Ketu is very similar to mars. Blunt, mindless, aggressive anger is seen here. Usually depicted as a “air headed” mean girl.

-starsandsuch✌️💕

[thesilverdoll]

This is the chance of ten lifetimes.

Every five years, twenty breakthrough actors compete over ten weeks for the name of TVs newest obsession, the silver doll. The winner, decided by the global audience, is historically known to make it big. You auditioned on a whim alongside your best friend, and somehow the both of you have made it to the final round of auditions!

Now, all you have to do is make the final cut, get along with your celebrity mentor, remember your lines and... win—all with a camera (or ten) in your face. Don't get discouraged, you made it this far for a reason.

❖ FEATURES

› Customise yourself! Groom yourself into TVs next biggest thing—pick your style, your approach to scenes, your public image, your strengths and weaknesses as an actor. As well as your appearance, personality, gender and your plan b... if you have one.

› Establish relationships with your peers! Befriend your competitors or betray them... engage in a behind-the-scenes rendezvous or two, try and gain a more intimate look into your celebrity mentors life, try and befriend everyone on stage, or keep to yourself and focus on winning.

› Compete! Participate in different challenges throughout the show. Put your best dance shoes on for theatre week, practice your screams for horror week, hope you don't get paired with someone waspish in romance week... decide how you approach each performance, and see how your choices impact your results!

› Furthermore... interact with your fans! Viewership is your best friend in The Silver Doll, so make sure you're on top of your social media game... or you can try to play the mysterious cards and keep away from public eye as much as possible, if you think that'll work out for you. Just... be careful how much you share, there's a gossip blog following the shows BTS that seems to know a little too much.

❖ ROMANCE

*full character profiles coming soon.

- Beck Taylor; he/him or she/her, 21.

‎ ‎ ‎ ‎ ‎Your childhood best friend that convinced you to audition beside them. Computer science student turned dropout to pursue a life on the big screen, Beck may not have years of acting under their belt, but they do have a natural talent for the dramatics. Plus, with you by their side and their on-and-off girlfriend, Sarika, at home cheering them on, they can do anything.

Beck is tall at 6'6, black, with dark braided hair and brown eyes.

- Stirling 'Sekani' Stokes, he/him, 24.

‎ ‎ ‎ ‎ ‎Sekani, as he wants to be known as, is the textbook example of a nepo baby. Born to two of TVs most recognisable faces, he's grown up in the spotlight. Sekani is here to prove to the world that he has the talent to grace the big screen, despite his family name... and also to prove to himself that acting is something he actually likes doing in the first place. Yeah… he’s a bit of a mess.

Sekani is 5'10, white, with messy black hair and pale green eyes.

- Troy Allard-Rose, she/her, 23.

‎ ‎ ‎ ‎ ‎An aspiring actress since she was making her barbies perform dramatic monologues at six, Troy is here to win, and she’ll be damned if she lets some amateurs stop that from happening. Acting is all Troy knows, she’s been in performing arts schools and film camps alike— this is her dream. She won’t let anyone tell her she’s not worthy of achieving it.

Troy is 5’5, white, with platinum blonde hair and dark brown eyes.

Esra Ihimaera, they/them, 27.

‎ ‎ ‎ ‎ ‎Esra is a member of the production crew, and your very own cameraperson. They’re in charge of doing the closed interviews, and also take care of a lot of the day-to-day filming. A little less extroverted than the celebrities surrounding them, but their sweet heart and eye for detail makes them a whole lot more interesting in other aspects.

Esra is 5’11, Māori, with short bleached hair and dark brown eyes.

Bethany Tian, she/they, 28.

‎ ‎ ‎ ‎ ‎One of the best stylists on the show, Beth is in charge of your hair, makeup and wardrobe for the next ten weeks. Talkative and energetic beyond belief, Beth is hard to get rest around, but she’s good to keep morale up. She’s styled celebrities for red carpets and space-exploration scenes alike. From SFX makeup to high glamour looks, there’s nothing you can’t pull off when Beth is the one styling you.

Bethany is 5’2, Chinese, with long pink hair and black eyes.

❖ THE MENTORS

*both mentors are romanceable

- Rome Alivia, he/him, 26.

‎ ‎ ‎ ‎ ‎ A successful child-actor turned even more successful actor into his adulthood, Rome is a family name. Though he’s scrutinising and hard to wrench out of his working mindset, Rome hasn’t let the fame get to his head. He’s dedicated to improving his mentee’s abilities as actors rather than having a focus on winning.

Rome is 6’2, white, with brown hair and brown eyes.

- Shaan Jha, they/them, 30.

‎ ‎ ‎ ‎ ‎The last Silver Doll, Shaan is happy to return to the set that kickstarted their fame and fortunes five years prior. Eager to mould their best mentee into a winner, Shaan is optimistic in the best of times and downright delusional in the worst. They've proven their talents, though, and are positive it will be one of their mentees that win.

Shaan is 5'8, Indian, with long brown and blonde hair and brown eyes.

The Silver Doll is rated 18+ for depictions of drug and alcohol consumption, strong language, infidelity, and optional sexual scenes.

[ash5monster01]

hey!! could you please write more neil perry smuts? they’re so rare and your writing is amazing

your wish is my command 🤍

It’s Just Practice

Pairing: older!Neil Perry x actress!FemReader

Warnings: 18+, smut, dirty talk, language, oral f & m receiving, p in v, fluff, MDNI!!!

Summary: It’s Neil’s first sex scene on a new acting job and not only is he terrified but he’s afraid he’ll be so uncomfortable it will affect his acting. You provide a solution.

word count: 4.2k

Masterlist

You don’t miss the way Neil wipes sweaty palms on the front of his jeans, eyes darting to the filming schedule for the week, eyes wide like a deer in headlights. Ever since you both had started filming this movie he hadn’t been nervous, in fact he was a natural, which you appreciated considering you had been doing this your whole life. That’s why his behavior has caught you off guard, the script pages fanning against your fingers as you flip through them in search of the lines you’d have to brush up on this week.

“What’s up with you?” your voice comes out sharp, startling him as he jumps to turn and spot you in your director chair, legs crossed, and script open on your lap.

“Nothing, I’m fine” he says unconvincingly and it almost makes you snort considering an actor should be much better at lying than he is.

“No you’re not, take a seat Bambi” you tease, watching the doe eyed boy nervously approach his own director chair beside you and take a seat. You know he hates when you call him that but someone so innocent looking like him exploring the world of acting on unsteady legs reminded you of the sweet deer.

“I swear I’m fine” he says, stretching his fingers over his thighs, looking anywhere but you as he clearly battles with whatever inner thoughts currently had him this on edge.

“Neil, I’ve been doing this a long time. So let’s skip whatever this is and get to the part where you confide in your experienced friend” his cheeks burn red, taking your words in a context you don’t quite understand yet, because he was currently freaking out about the scene scheduled for tomorrow.

“It’s about tomorrow” he nearly whispers, causing you to lean closer to make sure you don’t miss what he says.

“What about it?” you ask, eyebrows furrowed together as you close the script and plop it on the ground beside your chair. A nervous hand meets the back of his neck, massaging the flesh there as he attempts to find his words.

“I-I’ve never filmed a sex scene before” he whispers again and you can’t help the giggle that bubbles past your lips, shocked that of all things you two had already filmed together this was the one that shook him the most. “Please, it’s not funny”

“I’m sorry, I’m sorry. It’s just-, usually the men I act with look forward to those scenes the most” you offer, trying to calm your laughter down. Neil shakes his head so you reach to place a hand on his arm, offering as much comfort as you can.

“I’ve never done one before and if I’m being honest the guy who went to an all boys high school wasn’t actively getting laid in college” he tells you and this is something new about him that you hadn’t known, it could explain why he was still so nervous and sweet around women unlike some people in this industry.

“You have… right?” you find yourself asking and Neil wears a panicked expression.

“Yes, yes, I’ve been with a woman. Just not on camera, not like this” he gestures to the script, knowing the scene the two of you were to perform tomorrow was a high stakes passionate moment between lovers.

“Take a breath Perry, it’s easier than you’d think” you assure him, squeezing his arm once more before letting go.

“How could it be easier?” he asks, exasperated and little shaken up about this whole thing. He’s nearly positive that if he had known there was a sex scene he may have never taken the job.

“It’s easier because not only are we professionals but we’re friends. You can’t look at it like an intimate moment being watched by an audience, you have to be comfortable and trust me” you tell him, reaching for your water bottle. Neil lets the words sink in as you take a sip, eyeing how some of the water dribbles along your lip and your tongue darts out to catch it.

“Friends don’t kiss each other” he says with the shake of his head and you snort, twisting the cap back on your water bottle.

“In this business they do, it’s nothing, it’s friendly!” you assure and Neil can’t help but chuckle, finding a semblance of amusement in this minor crisis of his.

“Well if you don’t remember, this is only like my third acting job that isn’t theater” Neil says, leaning forward to rest his elbows on his knees and rub his hands together. You watch as his biceps flex under that thin material of his shirt and gulp lightly.

“Alright, here’s the deal. After filming today, come to my place, I’ll cook you dinner and we can…. practice the scene. Make sure you’re comfortable” you suggest, wringing your hands together and hoping the boy doesn’t take it in some weird way. You had been doing suggestive scenes a long time, long before it was probably even appropriate, so this should be nothing. How hard could it be to make Neil comfortable with you?

“Okay, that sounds good. Thank you” he says and you crack a smile even though you were suddenly the one who was nervous. There was nothing normal about cooking dinner for a man and practicing fake sex but then again nothing about this job had been normal so far. So you nod your head and prepare for the worst.

“Yeah, anytime”

It’s taking everything in you to tear your eyes away from them nearly empty casserole dish, the very one you and Neil had just picked at in order to delay the next part of this hangout. You felt silly even making it considering it was the only thing you ever learned how to cook and you had to double the recipe to feed more than one person. It was even more embarrassing digging through your kitchen for more than a single serve dish to cook it in.

“The food was great” Neil offers and it springs you into action, shoving the chair away from the table as you collect the dishes and start towards the sink.

“Thanks, I’m not much of a cook” you say, smiling as he meets you at the sink with his own used plate. He smiles back as you take it from his hands, setting it in along with the other stack.

“I brought my script, you know, just incase. Even though there isn’t a lot of dialogue” he says and you giggle, realizing your were more comfortable with him than you had previously thought.

“Great, why don’t we go to my room” you sound silly saying it, like a teenage girl unsure of how to get a boy in her bedroom but Neil doesn’t even flinch as he nods at you and waits to follow in your direction.

You use the opportunity to snag your empty wine glasses and the rest of the bottle from dinner to bring with you, flashing him a quick smile over your shoulder as he follows you up the stairs and to your room. He’s ever the gentleman as you set the glasses on your dresser, pouring fresh glasses as he eyes the minimal belongings around the room.

“Cozy” is all he says and you smile, handing him a glass while sipping from your own.

“Temporary, I travel too much for work to ever get comfortable in one place” the notion surprises Neil, considering he stayed in the same place for nearly his entire life. Even through all of college and into his adult years he still hadn’t even spent as much time out of Welton as he did in it.

“Sounds lonely” he suggests as he moved to sit on the end of your bed and you tip back the rest of the wine before joining him.

“Maybe, but I’m used to it” you tell him, taking the script from his hands and opening to the pages. If you were to survive this, you’d have to be as professional as you could.

“Alright coach, how do we do this?” he asks, lacing his fingers and stretching his arms out in front of him. You chuckle, shaking your head lightly at the boy who was so nervous about this earlier.

“Well the beauty of a sex scene is we have creative freedom. You only have a few marks you have to hit, other than that there isn’t much direction to follow” you explain, holding out the script to show how the script indicates where they kiss, where their hands should be, certain sounds, in only various places.

“Okay so make it your own but also hit the marks” he nods, glancing at the script as he lets the new information sink in.

“I find it best to count and also pace it as if it was real. So from the moment we first kiss, count to five and then put your hand on my cheek” you explain, pointing to the written direction on the page and Neil nods.

“Okay, so it starts with us at the end of the bed and I lean in for a kiss” Neil says, holding the adorable glasses he wore up to his eyes. You smile as he drops them back down into his front shirt pocket again.

“If it makes you more comfortable we can practice, I promise I don’t bite and I haven’t been told I’m a bad kisser” you shrug and he bellows a laugh, moving the script from out of between you both. He was nervous earlier but he also liked you, thought you were funny, and if you were this willing to work with him there was really nothing he should be afraid of.

“Tell me if I do something wrong” he whispers, ducking in close and tracing the tip of his nose along the bridge of yours. You suck in a sharp breath, unprepared for his causality about the whole thing.

Slowly you tip your head up, eager to chase his lips with your own and finally, just as in the script he meets you, unpracticed lips fumbling together as he kisses you like it’s real. You kiss back slowly, sighing softly as his hand meets your cheek and slowly slides into your hair, fingers lacing through the locks and grabbing a fistful to steady your mouth against his own. If Neil was truly unexperienced it would not be this good.

Following the next part of the script he slowly eases you onto the mattress, chest pushing against your own until your head meets the soft cushion of your bed. For once you’re thankful your character doesn’t have to do much of the work, you just let out soft sounds of delight as his lips trail down your neck and meet the front of your chest. You’re not even sure if you’re acting anymore when you roll your hips into his own.

“We can stop here” he mutters against your skin but you feverishly shake your head, hands meeting his face and keeping him where he was.

“No, it’s okay. We’re gonna see a lot of each other tomorrow, better to just get it out of the way” you urge and he nods, continuing to kiss your neck as he starts shoving your dress up the sides of your hips just like it is in the script.

“Tell me if you get uncomfortable” he mutters, lips kissing along the fabric on your chest and stomach, inching his way down.

This would be the scene where he removed your panties, the camera would be just on your face as you moaned out words of pleasure, as if he was actually giving you head. Ever the actor though, Neil has found himself with his arms hooked under your legs and head awfully close to your underwear where he can undoubtedly see the wet patch beginning to form there. You both freeze, realizing fairly quickly this wasn’t a scene surrounded by a hundred workers, that you were alone and he had made you wet.

“I-I’ve never” Neil suddenly says and your cheeks tint pink, hands already reaching to shove your dress back down and over your hips. “Could I?”

“What?” you can’t help the shocked voice that leaves you as the brunette boy gives you a sheepish look.

“I know we don’t actually have to but I really am comfortable with you and if you’d let me?” he suddenly feels like an idiot, coming over here for help and then nearly begging to eat you out. You can practically see the thoughts racing in his head and you slowly pull your skirt back up.

“Go ahead” you urge and despite the initial shock Neil doesn’t let it falter him as he slips his fingers into the hem of your underwear and slowly begins to slide them down your legs. If you had known the night would turn out like this you probably would’ve never invited him over but it was already too late, you wanted him hopefully as much as he wanted you.

“Just, make sure I do it right” he says and before you can respond with some sort of agreement his tongue darts out and glides through your folds, a squeak escaping the back of your throat as your head drops back against the mattress.

Neil realizes the reaction you made is a good one so he dives right in, relishing in the taste of you as he licks and sucks, exploring all the new parts of a female body he’d never understood before. When his nose nudges against your clit a loud moan break free from your lips, making Neil’s eyes widen as he dares to do it again in order to confirm that was the spot to get such a reaction out of you. When he realizes it was no mistake he moves to suck hard on that one spot and your eyes nearly roll back in your head.

“Shit Neil, you really sure you haven’t done this?” you pant, whimpering as he slides a finger into you. Neil hums in response, the vibration of it tingling up through your whole body. He doesn’t pull away to give a verbal answer and instead speeds up his movements that you begin to feel the coil in your stomach tighten.

It’s when he slips a second finger into you and he moans against your clit do you feel your orgasm near the edge. On instinct your hand flies down to tangle into his hair, thighs slowly tightening around him as his movements never cease. Your other hand is wound so tightly into your sheets you miss the sly look he gives when he realizes you’re about to finish. With one last pump of his fingers and harsh suck to your clit you’re cumming swiftly, tightening around his hand as he continues to coax the orgasm out of you. The whines that leave your mouth are delectable and when your body finally relaxes against the mattress he pulls away, a happy smile on his face as his heart thrums in his chest.

“How was that for practice?” he says, breaking the silence, and you laugh quickly. At least he was able to be confident in this situation.

“I’d say we were a little too professional” you respond, breath coming out in heavy pants and Neil stands from the ground at the end of the bed, smiling down at you. Yet it’s impossible to miss how hard he is in his jeans, the length of him pressed uncomfortably against his zipper, and you gulp. Neil notices your eye line immediately, suddenly nervous all over again.

“You know the next part of the script is me helping you out?” you say in the form of the question even though you both know it’s not. Neil chuckles even though nothing is entirely funny about how your suggestion has suddenly made him harder and the look in your eyes proves you’re not going to let him off that easy.

“You don’t have to, I’ve kinda already stepped over the line” he shyly says, that nervous hand once again returning to the back of his neck. It doesn’t matter though because you’ve already sat up and started tugging at the zipper of his pants, fingers fumbling the button open.

“Shut up for once Perry and let’s finish what we started. Practice or not” and with one fowl sweep your tugging his pants and boxers down in one go. You had never considered the size of him before today but you’re not disappointed, in fact you’re shocked to see he had been hiding all that all this time.

Neil’s the one whining now, member standing tall and proud, grazing his lower abdomen and leaking with precum. You smile at him, hands pushing the T-shirt up and over his head before standing and pushing him down in the place you just were. He shifts, clearly in need of some relief, but you don’t touch him just yet. Instead you reach for the bottom of your dress, slowly tugging it up and over your own head just to reveal you had forgone a bra.

“Oh God” Neil says at the sight and you just grin, hands falling to his thighs as you lower yourself to the ground, kneeling where he just was. Neil can barely watch as you place a soft kiss on his thigh, hand rubbing up to his pelvis and dangerously close to where he was desperate for your touch.

“You know Perry, of all things I never expected you to be so desperate” you tease and he goes to give a witty comeback, he really wants to, but you have your hand wrapped around the base of his cock and any words in his mouth are swallowed in an instant. You wait a beat before pumping your hand softly, when you earn a soft moan you finally dart your tongue out and slowly lick the tip.

Neil’s squeezes his eyes shut so tightly there is almost tears coming out of them. You smile at the sight before taking him into your mouth fully. The gasp he lets out is music to your ears and you take as much of him as you can. What you can’t reach you use your hand and just like that Neil Perry is a mess of a man in your bed, when not so long ago this was supposed to be an innocent and professional practice. When you speed up your movements he’s quick to snap his eyes open, sitting up in an attempt to push you off.

“Baby, I’m not gonna last if you keep going like this and personally I’d like to be inside you when I do finish” the pet name and the sentiment has your ears burning red but you release him with a pop anyway, arm wiping at your chin as you smile up at him.

“How does it go in the script? Me on top?” Neil blushes and you lift from your knees, crawling above him on the bed. His eyes dart from your own, to your breasts, to where the two of you will meet, and you can nearly see the gears turning in his head.

“God I’m in trouble” is all he says when you grind down onto his length, covering him in your slick.

“Why’s that?” you ask, an innocent look on your face as you settle above him and grind against his length again, not quite lining him up to slip inside yet.

“There’s no way I’m not going to get a hard on, on set tomorrow. Especially after I already know what it’s like to be inside you” he pants, hands gripping your hips as you move slowly against him, nearly killing him.

“You haven’t been inside me yet, in fact we could just stop right now and save you the embarrassment” you start to say lifting up, but his hands grip tighter, and bring you back down. You’re sure he might leave finger marks but at this point you don’t really care.

“Baby, I am painfully hard and this either ends with me inside you or me awkwardly going to the bathroom to resolve this little issue, and I’d much prefer the first one” the sentence makes you giggle loudly and Neil finally breaks a smile, grinding his hips up into your own and you’re quickly reminded of the sheer length of him nestled deliciously between you.

“I prefer it too” is all you say before you grab his member without warning and line it up with your entrance. Neil squeezes your hips tightly and watches with wide eyes as you slide down his length. Slowly, slowly, until you’re flush against him and your head is tipping back at the sensation.

It’s better than he could’ve ever imagined and without you looking he gains the courage to reach and grope your tits, shamelessly feeling them up. The action makes you grind against him and he stiffens, trying to make sure he lasts as long as he could. He didn’t want this to end. Yet you seemed to have enjoyed the feeling as well and without warning you’re grinding quickly against him, using his hold on your chest for balance. When the feeling doesn’t become enough you place your hands on his own chest and lift off him. His hands instantly leave your breasts and return to your hips where he guides you back down on him.

You stay like this for a while, filthy moans leaving both of your lips as you bounce on his length, your eyes rolling back every time he hits that spot inside you. When Neil is sure he can’t take it anymore he’s flipping you onto the bed, hovering above you and giving no warning as he starts drilling into you. The moan you let out is pornographic and as he continues to drive into you he leans down and takes one of your nipples into his mouth. When he feels you tightening against him he smiles and meets his lips with your own.

“Come on baby, finish one more time for me” he encourages before pulling back and thrusting into you faster. When his fingers meet your clit and begin to rub, you feel the coil tighten in your stomach, ready for release.

“Shit Neil” you gasp, hands gripping his arms and holding on tightly. Neil smiles and never slows his pace.

“Come on baby, so fucking pretty like this” he says breathily, moaning softly in your face and it’s enough for the coil to snap. You tighten down around his length, legs trembling as they try to close together and he never ceases his movements as you cum hot and fast.

“I’m not gonna last much longer” he warns and you wrap your legs around him, indicating to finish in you, and it causes his hips to stutter. When your lips meet his own he’s finishing, warm ropes filling your inside, and he pushes in deeply once more as he settles against you.

You both lay there for a moment, letting the weight of what just happened settle in. You had never let a coworker step over that line before but it wasn’t regret you were feeling. In fact your stomach was warm with desire that hadn’t quite burned out yet. You had found Neil charming and kind from the start but you had not realized the feelings that bubbled there all along. Brewing into something much bigger and deeper than you ever realized. Something that made you go through with what you just did.

“So that just happened” Neil breaks the silence and you giggle loudly, hand falling against the back of his head and keeping him against you. The warmth spreading from your stomach and all the way up your chest.

“I told you there was no reason to be nervous” you say, fingers grazing through his hair and he chuckles, arms wrapping tighter around your bare waist.

“That may be true but now I’m more nervous everyone on set will see how into you I really am” Neil admits, lips brushing against your chest softly and ending with a soft kiss.

“Good acting is all, Oscar worthy” you say and he laughs again, head lifting to look in your eyes. They’re so full of adoration your heart stutters in your chest and you realize just how gone for him you really are.

“Hopefully that wasn’t all it was, acting” Neil says softly and you shake your head, hands coming to rest on his shoulders.

“No, that was real” you admit and he smiles before leaning and pressing a firm kiss against your lips. One that conveyed he had no interest to stop kissing you after this moment. Maybe you were done for, in over your head, but at least you had this moment. A feeling, the idea of hope, that you could hold onto forever.

“It was real for me too”

[leclsrc]

in so deep ✴︎ cl16

genre: friends to lovers, charles has a huge crush and is a lovesick bloke, smut, humor, Fluff 

word count: 13.1k  

It takes you many cities, a botched Halloween costume and a failed break-in to realize how much Charles likes you. It takes Charles several years to realize he doesn’t need to do much to have you like him back. title from this

nsfw warnings under the cut!

18+ because... penetrative sex, praise central, size kink, unprotected sex

auds here… thank u for all ur love during my periods of being awol .... i wrote this over the course of a week and i hope u all like it!!! its very much a self indulgent thing... :P

The first time Charles realized he liked you, you were both posed for a picture.

It happened at a dinner party in London, in late autumn, thrown by you to celebrate your first year on the paddock as a reporter. Few friends had been invited but, with how noisy everyone was and with the ease of conversation, it felt like a houseful of people in your narrow dining area. Lando was in front of the mirror, tipsy, demonstrating his best rendition of an Irish accent to a genuinely interested Alex and Lily. 

Max was playing with your pet cat, Gene Kelly, and mentally plotting a heist to sneak him out with Pierre’s help. Your boyfriend, Liam, was making himself a cocktail. And Lewis had been roaming around with a glass of dry wine and his brand new film camera to document the night’s festivities—but the host was nowhere to be found. Unbeknownst to everyone, full off dinner and tipsy off cocktails, you’d ducked into the balcony to find where Charles had run off to for the night.

The music was muffled when you shut the door, leaving it ajar just a little bit. Lissie had played Cocteau Twins and was singing whatever gibberish lyrics played, fully drunk off a bottle of Tito’s. Still laughing over her predicament, you turned to Charles and refocused your attention on him. Is it boring?

What w… what is? He asked, turning to you. Briefly his eyes flitted to your hand, the bracelets clasped onto your wrist. He noticed you held matching bottles of beer but yours remained full, nail tapping idly on the semi-opaque glass.

My party, you responded wryly, cocking your head to the side. A loose tendril of hair fell over your eye and he itched to tuck it back in place, thumb over your ear. You continued, still pressing for an answer. You left to smoke but you didn’t come back. 

I like the view. A half-lie but truthful in some way. He squinted to try and make out blurry, faraway signage. I should move here. Monaco makes me sick. He tried to say it jokingly, but was betrayed by the raw tone of his voice. You hummed quietly, to signify you were listening.

So move. Who’s stopping you? You smiled slightly. Aside from your ludicrous career, of course. 

You had a natural disposition of—something. He didn’t quite know how to describe it, almost like the rest of him had yet to catch up with something only his heart was already decided on. You spoke and acted with some kind of smoothness that only the most popular kids in secondary school could have reins over, but you always claimed you weren’t very popular in your teenage years. He just knew he liked hearing you talk, watching you smile. He felt something—but he didn’t want to name it even if he knew exactly what it was. Instead he played into your joke. Yeah, I’ve been told I should move to Dubai instead, become a prince.

You laughed aloud. You are terribly unfunny, you know that?

Am I? He asked. Just then, as the cotton of his tee brushed against your bare shoulder, Liam brashly tugged the balcony door open to find you. He had this drunk smile on his face, brushing his blond hair out of the way and raising a Leica to the two of you.

Hey, I got Lewis’ camera. Smile, Liam had said, eyes squinted behind it. You remained still, half-turned to the camera, and Charles gave a smile whereas you remained in a neutral, half-smiling pose. And right there, at that very moment, as a giggle escaped your lips from having to pose so quickly and even awkwardly, Charles realized with a damning force that he had a massive crush on you.

Liam had left shortly after to resume taking pictures, but would later confront you over your “weird, odd, fucking closeness with the Monegasque bloke” that you would vehemently deny despite a gut-churning feeling boiling low in your stomach. But that’s later. Your conversation continued calmly, along the passive whir of London and the streets below. You both people-watched as you thought of things to say—finally Charles said, Are you interviewing me next weekend?

I always try to get out of it when it’s with you. You rolled your eyes, feigning irritance, then smiled to break the illusion. I think so.

I’ll make sure I have good answers. You’re too smart. Hurts to be in the same room. 

Like you aren’t, you said back, but the rebuttal is shy in nature, like he struck you with a compliment so high you couldn’t bear to return it. He felt then like this was the kind of moment where you would start holding hands any minute, timid touches between clinks of bottles. He remembered Liam existed and screwed his eyes shut. He wished so hard to be able to kiss you. Abandon all sense and just kiss you.

—

“It’s 2023 and still London has the most rubbish ass, fucking cunt, stupid wanker stoplights,” Lissie huffs beside you, checking her watch. “Right then. We’re going to be late. You know how Lando is when people are late. Especially because this is his event.”

“We’re not people to Lando,” you reason, tapping the steering wheel. The ETA on your navigation app tells you you’re still twenty minutes away. “We’re his best friends. If he can’t forgive us, we should kick him out of the group chat.”

“Ooh, and add Alex,” Lily pipes up from the backseat, where she’s redoing her eyeshadow to pass the time. “I keep telling you guys he’s funnier than Lando.” Both you and Lissie make faint, vague sounds of dissent and she grunts again, deflating.

“No boyfriends in the group chat,” Lissie repeats an age-old rule that’s been around for as long as you three (four, including Lando) have been friends. “Or girlfriends, in Lando’s case, but we haven’t worried about that much, have we?”

You’re all en route to watch Lando crank out a brand-new deejay set, one he’s spent the summer break working on. It’s all house and inspired by beach music, and he’s very proud of it, so of course you’re all showing up to laud him. You’re not the only ones, though, apparently—whoever’s in the city is showing up to show their support, which includes a whole stretch of drivers.

“Oh, my God!” Lily says all of a sudden, eyes wide at something on her phone; you both gesture for her to show you and she does with speed. “Do you guys remember this? God, Instagram archives are a godsend.”

“Your dinner party in Chelsea!” Lissie coos, immediately sidling into a fond awwww! You tap at the story Lily had then posted: a video of everybody eating. You tap again to view the one she posted a few days later, which was a collage of Lewis’ camera scans he’d gotten developed overnight. There in the upper right corner, you almost immediately spot your photo with Charles.

“Oh, Christ, that picture.” Memories of your subsequent arguments with Liam flash past your head. Playfully, all you say is, “And I never had a boyfriend again.”

“Liam was an Irish arse, anyway.” Lissie scoffs. “Nobody liked him. Lewis joked about cleaning his camera after he used it that night. Plus, you actively avoid dating, so don’t complain.”

“Fair,” you say with a slight smile. Your mind lingers on the picture, the imprint of it burned fresh into your mind. 

“You—it’s also because you can’t take a hint, babe.” Lily says matter-of-factly. “Who knows how many guys have, you know… fancied, or, like, had crushes on you, and you just never knew?”

“Are you saying somebody fancies me?” You ask, voice whittling out playfully as your eyes count down the seconds to the green light.

Funnily, silence is all that answers. Beside you, Lily and Lissie exchange a look—one that communicates their years-long amusement over your cluelessness. You whirl back to them, eyebrows raised, and double down: “Wait. Does somebody fancy me?”

“No!” Lily ekes out; you don’t miss Lissie’s poorly-hidden laugh. “No. I’m just—it’s just—no.” 

Truth is, it truly seems like the only person in the entire paddock (team and Sky Sports staff included) who hasn’t caught on to a certain somebody’s boyish crush is the crush herself, oblivious as ever, even years and years later. One might think you’d have realized eventually, but perhaps owed to your type A personality and immersion with work, and Charles’ pathetic and total inability to express how much he likes you, the crush has always remained just that, despite your two friend groups’ best efforts to hint at it.

It wasn’t to say, though, that you didn’t sometimes entertain the idea of liking him, too. On that one rainy race weekend when he’d brought you a plastic cup of soup, and embarrassed, laughed sheepishly at Lissie’s joking request for one; then returned twenty minutes later with soup for everyone in the media pen. Or that time in Monaco where he’d pretended to be your boyfriend at a bar to ward off a creepo from hitting on you any further. Or another time, in Budapest, when he’d drank half his body weight in jello shots and slurred out a goofy, heavy I’m soooo sorry, baby while you helped him into the passenger seat of his car.

That one, singular time in Cancun you told your friends once and never again.

But those are isolated incidents, you suppose; plus, dating someone you work with has never seemed like a remotely good idea to you, and you don’t think it ever will.

For all your thinking on the topic, you fail to realize that you don’t know much at all—you don’t know the fact that Charles has liked you for years, after getting to know just how charming and funny you were as a friend. You don’t know that he still gets gut-churning butterflies when he sees you, hands shaky and face tinged pink. You miss the fact that he’s not had any long-term partners in the years of his liking you. You don’t know anything. 

“Don’t lie.” You narrow your eyes as you rev the car and continue the trip. 

“We’re not,” Lily says loudly and a touch too defensively, crossing her fingers. Quietly, she continues, “You should just pay more attention.”

Whatever she meant to say is lost on you as soon as you make a left and spot the club Lando’s at, already teeming with high-profile guests and their high-profile cars. Half an hour later you’re in—valet and being on the guest list effectively cuts your entrance time in half. You separate at the entrance—you, to find Lando; your two girls, to find your reserved table. You find him eventually, busy behind the booth churning out high-frequency tropical music; he pauses for half a beat to flash a huge grin and a thumbs-up before redirecting his attention to the knobs and sliders you can’t seem to guess the functions of.

These kinds of parties are affairs in and of themselves. They mimic the afterparties during the season—nothing if not shows of opulence and networking: champagne paid for by business magnates, yachts that barely make dents in anybody’s wallets, thick CVs, fruity cocktails spilled on pieces of clothing that cost upward of 3000 pounds. You make eye contact with at least seven skeevy businessmen before you spot your friends, but only because you hear them first—by them you mean Lissie, her loud voice raised even more to match the noise at this club.

“I said I didn’t fu—ugh—I don’t want ye fahkin’ champagne,” she slurs out to an old man in a pressed suit, eyebrows knitted angrily. “Got it?!” Behind her, Lily and Alex (who’s arrived now, apparently) watch, concerned and helpless to stop her but equally (perhaps more) entertained.

You step closer and make a move to calm down the exchange taking place, but somebody whispers a “hey” in your ear and startles you. You turn, and come face to face with Charles. His black tee accentuates the breadth of his shoulders, which you connect to his crossed arms; there’s a shy, boyish grin playing on his face. “Oh, Charles!” You smile. “Hey! Haven’t seen you in a while.”

“Thanks,” he says with a grin, straining to raise his voice. “You look—you look well. Are you alone?”

“No, I’m—” You turn to your three friends nearby, and to Lissie’s argument heating up. “I actually have to go.” You raise your thumb, jabbing it toward them. “But hi again… again!” You both laugh, but he laughs much louder. “I’ll see you around.”

“I jus—” He says, and you stick around for a second to hear him say what he has to say.

“Yeah?”

He clears his throat and laughs stiffly, abandoning his previous statement in favor of a new one. “I just…. want… to have a great time.”

“Ohhhh,” you holler, nodding, clearly trying to mask your extreme confusion under a polite smile. “Okay, well… go ahead!”

You smooth down your dress and laugh again, evidently more forced but, unfortunately for Charles, not any less pretty.

You carry yourself in a very pretty, graceful way, loud and quiet at the same time, like your confident voice when you’re holding the mic and asking questions or making drivers laugh. He might sound creepy, though, a touch too observant, if he tells you so. He observes you instead, for a second, the low cut of your dress and the way the red overhead light shines on your exposed collarbones—and then you’re leaving. He watches you walk over to hug Lily, realizes how stupid he’s sounded, and smothers a hand over his face, humiliated. 

—

“I just want to have a great time?” Max’s jaw drops and he shakes his head, disappointed above all else. “Charles, what the actual. Like…. fuck?” They’re all camped out at the latter’s hotel room, around the dining table, in varying states of sober and doing different things to wear off the last hour of the night before they’re all due to train or debrief again in the morning. Charles had relayed the disaster of the night to everyone at some point, but Max is the last to hear of it; this, unfortunately, does not inoculate him from the shock and secondhand embarrassment.

“Pierre told me to—” Charles starts, forlorn.

“Oi, no. I told you to say something like I just wish… I’d seen you sooner,” interjects the Frenchman with a tut. “You know, flirting? Not… whatever the fuck you said.”

“I didn’t—I was—I lost my mind,” he groans, burying his head in his hands. It couldn’t possibly be entirely his fault when you looked so pretty tonight, hair down and a wash of glitter on your eyelids. Just subtle little flecks of them. They brought out your eyes, too. And your blush, the pink flush of it that sat high on your cheekbones.

“…llo? Charles.” He blinks and sees Carlos’ deep eyes, wide and staring right at him, so pointedly he’s genuinely startled.

“Jeeesus fucking Christ. What?” He places a melodramatic hand over his chest. “Yeah?”

“What do you mean with the”—Carlos mimics his confused expression—“I asked you a question, tonto.” 

“Don’t bother with him,” chimes in Pierre, half-distracted by his phone. He looks up with a devious smile and continues. “He’s still thinking of Miss Reporter of the Year.” A round of loud, jovial laughter makes its way across the table, a few teasing quips being chimed in here and there.

“I just,” mocks Pierre from across the table, adopting a sing-songy tone as he bumps his shoulder to Carlos’ with a mocking laugh. “Wanna have a great time.” His voice is much higher and more mocking, which is enough to send Charles into a fit of petulant embarrassment.

“This isn’t sixth year,” he grits out quietly, but the blush on his face could just as well be plastered on the cheeks of a twelve-year-old. “Give it a rest.” 

“Mate.” Pierre’s voice mellows into something more austere. “You do know she’s leaving the reporters’ job at the end of the season? She’s going to London full-time. No more seeing her all year round. You know this. And I keep telling you. If you are really, and I mean really, interested, I say go for it. C’est la fucking vie, yeah?”

“Plus, if she says no, you can go for pretty much anyone else, anyway,” concludes Max with a convinced smile.

“It’s not the same,” he admits helplessly, smothering his hands over his face in bleak frustration. Behind his eyelids he sees you still, beautiful and smiling and funny—he seriously needs to institutionalise himself before he goes even more mad with the years-long malady he’s called a crush. And seriously, for a twenty-something to have something he calls a crush is despicable in itself. He feels juvenile.

“I can’t tell her. She’s always told people that dating coworkers is a bad idea.”

“You’re not coworkers.”

“We’re—well, we still work closely together. It is the same.” He groans. “It’s just… I’ve said it before. If I admit I like her, things will become awkward. I’d rather we remain friends.”

“Well… see, nobody said you needed to tell her,” begins Pierre schemingly, eyebrows raising. Around them, everybody groans at the birth of another Pierre-brained scheme that will, no doubt, need the enlistment of everyone’s help and will likely end in disaster. “What?! I’m just offering… I’m just saying, mate—you’ve liked her since forever. Why not make a move?”

“—I can’t—”

“Without telling her?” 

“Pierre,” groans Carlos, ever the voice of reason, pinching the bridge of his nose. “I don’t—whatever this is you’re planning, it’s going to go to shit. I swear.”

“You are acting like I plan to take somebody hostage.” Pierre shrugs. “You know, girls like when you don’t tell them straight up. You have to show you like them. You know, be interested in the things they’re interested in, compliment them, make them laugh. And then they think, oh, how thoughtful, oh, how adorable, and before you know it, they like you. And you’ve got yourself a girlfriend.”

“Mmm. Uh-uh. Untrue.” Max says decisively, shaking his head. “I told Kelly I liked her.”

“Yeah, sí. I told Isa I liked her, too.”

“Will you two—just—” Pierre gesticulates and makes a funny noise that insinuates just go with it. “Okay?” he points out to the latter, rolling his eyes. He turns back to Charles with a ready, dazzling, so-French-it’s-scary grin and continues. “I suggest you let us be your wingmen and help you charm her.”

“Whoa, whoa, wh—us? You’re on your own here,” Max quips with a laugh. “It’s your stupid idea.”

“It’s not stupid, and it’s going to work. She probably likes you already.” His confidence carries the lie with gusto. “We just need—you just need to show her instead of saying the dumbest shit to her face.” Pierre leans back into his chair and shrugs matter-of-factly. “Max and I will be regular wingmen, but we have a secret weapon.”

“Don’t—” Carlos starts with a sigh.

“Yes. Lando, Lily, and Lissie are all close to her, eh? Well, perfect—Carlos will get information from Lando about things she likes, you gift her those things or talk to her about them, bam she’s in love. It’s literally a perfect plan.”

Maybe it’s worth it. Maybe—

“No.” Charles shakes his head firmly, setting the record straight. “This will not work. Who’s to say she even needs a boyfriend?”

—

Despite what his best and closest friends—on and off the paddock—might have you believe, Charles hasn’t always been so hopeless when it came to trying to catch your heart. His closest call came in Cancun, after a long weekend of racing and a flight to the area, early into the night where he thought he was the only one who decided to opt out of partying.

Your skin’s peeling. You turned from where you sat on a barstool observing the shore, startled, immediately relaxing when you found him standing there eyeing you. Your hair was still damp, crunchy with saltwater, and your skin had tanned considerably, a sunburn sitting on the bridge of your nose. You stuck your tongue out.

I spent the whole day swimming. He observed your bikini, yellow and green contrasting the colour of your skin. He blinked slowly, ordering himself a drink to hopefully pass the thoughts away. His eyes couldn’t stop, though, wandering, the translucent material of the scarf you’d tied loosely around your hips, the tinge of heat on your shoulders and nose. I’m burnt everywhere.

There are remedies for that. He smiled around his glass.

I’m aware, you said lightly, crossing your legs and sliding your finger along the salt rim of yours. But just in case I forgot, maybe you could refresh my memory.

Your voice was so sweet, so low, so tempting. Already he knew he was wrapped around your finger, the same finger picking up grains of salt to press on your tongue peeking between your smiling lips. You brought your glass to your lips. It had been some time since the dinner in London so he pressed, his voice deep and a little rough, Liam can do that for you, I’m sure.

Pity, you said meekly as you set your glass down and looked back at him. He’s not my boyfriend anymore.

Out of eyeline, the bartender’s eyes widened at the exchange he was overhearing. 

Is it a pity? He asked, leaning backwards and cocking his head to the side. It’s easy, an easy glide of conversation, flirt, something he’s wanted for a while now. To have you playing into him, and have himself playing into you, just like this. It was naturally easy in a foreign city where nobody knew who either of you were, where you were just two strangers flirting at a beachside bar.

Two strangers laughing while they dug their toes into the sand. Two strangers basking in the water, tinted orange by the sun dipping below the horizon, scarf untied in favor of one last swim before night fell. There was nothing keeping either of you from doing whatever you wanted. Nothing keeping Charles from finally acting on the attraction that honest to God crushed him.

You ended up leaning on the door of your hotel room, keycard fiddled in-between your sandy fingers. You combed a hand through your hair and offered a shy smile. So. 

So, he replied, leaning closer. So.

Sooo. You were laughing and your breath smelled like a mint leaf and vodka. You looked up at him, blinking slowly. I have a rule.

What rule is that?

I don’t date coworkers. He wanted to dip down, place a hand on the dip of your waist, and kiss you.

Pity, he said gruffly instead, a smile forming on his face.

Is it a pity? You chewed on your lip and looked at his barely parted ones, pink and pretty. When I’m about to break it? He was about to help you do just that—eyes fluttered shut already—when a crash resounded from down the hall and you both turned to find the culprit. You broke apart and with your separation, whatever atmosphere of tension you’d built up popped, too, leaving you awkwardly standing beside each other.

Oh m… Lissie? You asked, leaning closer as you recognized your friend more and more. You narrowed your eyes, watching the girl crawl her way through the carpeted floor. Oh, Jesus—let’s—get you—

You both hauled her up and wrapped either arm around your shoulders, unlocking her hotel room with great effort and tossing her onto the bed. You stood back and sighed at her half-blacked out state, slightly amused but ultimately relieved she ended her night unscathed.

She pried one eye open and sleepily, she groaned out, what were… you two… doing together outside your room?

Nothing, you said quickly, face warm and eyes wide.

Because you—Lissie raised a lazy finger in your direction—don’t date coworkers. 

I wasn’t—it wasn’t—goodnight, you spluttered, eyes refusing to meet Charles’ even as you both exited the room, paying him quiet thanks as he pulled the door back closed.

Sorry, you said, pretty as ever. The light shone on the red splotch on your nose. Goodnight.

And so he went to his room that night, bummed out and still high off your scent.

—

“You’re staring again.”

“I’m not,” he lies through his teeth, averting his eyes away from your figure by the shore. Sue him if he was staring (which he wasn’t… but most definitely was) but he finds you much too pretty. After the disaster that was the Mexican GP, he figures he could use some sort of stress reliever. Apparently he was not alone in thinking this, considering half the paddock hauled ass to Cancun and prompty partied.

Across Charles, Joris and Pierre share a knowing look that doesn’t go unnoticed.

“I said I’m not!”

“So you are not staring at her blue swimsuit then?” Joris tests, mouth twisted into a devious smirk. “It’s black,” Charles says matter-of-factly before catching sight of his friends’ smug expressions and realizing he’s implicated himself. He rolls his eyes and crosses his arms, petulantly almost. “And I wasn’t. Can you fucking—fuck off?”

“Just ask her out already,” Pierre groans, nodding when Joris chimes in with agreement of his own. “I seriously can-not handle another bar of this shit. It’s been years.”

“I don’t know how to,” he laments. “It’s going to be awkward if I do it all formal, and she’s going—she’ll laugh at me, and it’s…” He blows a raspberry. “Non. Pointless.”

“Just kiss her at the party,” reasons Joris with an easy attitude, shrugging. 

“Joris! Charles didn’t know about that,” Pierre says, trying to lower his volume, but it’s pointless since they’re barely a metre apart. “Fucking tattletale.”

“Party?!” Charles repeats, eyes wide. “Why don’t I know about a party?!”

“It’s a Halloween party,” Joris says, a wacky grin on his face. “And you said it yourself, didn’t ‘cha? You told us not to tell you if any functions were happening because you’re too tired to go to any. Too… too wrapped up racing.” He laughs. “Or something of the sort.”

“Well the season’s ending,” he huffs, wringing firm fingers over his face, his shut eyes, “and I still fucking haven’t… so I think I’m afforded a party.”

“Alright, then come to the party! Dress code, Halloween. Sexy Halloween.” Pierre wiggles his eyebrows. “You know, speaking of our plan, Carlos overheard Lissie and Lily talking about what your girl’s costume is going to be.” He leans in closer and laces his fingers together. “She’s going as a… Christina.”

“Christina?” The other two echo, confused. 

“Christina. I did some digging, and I think it’s this.” Pierre scrolls and dicks around on his phone for a minute before turning it back around to Joris and Charles, who peek with great interest. They seem to be looking at an outdated movie poster of—

“Cas-per the friendly ghost,” Charles reads aloud, trying to get his accent to dissipate. “Huh. What the fuck is that?”

“It’s a movie, idiot.” Pierre shuts his phone off. “Starring who? Christina Ricci.”

“Vraiment? You think his crush is going to show up wearing… a white gown?” Joris asks, his mind stuck on the outfit he’d seen just seconds ago. “This doesn’t make sense.”

“Well Carlos and I agreed, so. Two to two. And Carlos says she and her friends always wear silly costumes like these. So if she shows up as Christina, what better way to start conversation than to dress up as Casper?”

Charles’ eyes widen with comical horror. “No. No, no, no. Did the ghost and the kid fuck?”

“No!” The two men across him yell in unison.

“Right!” He gesticulates. “So it’s not a couples’ costume!”

“But it’s still—” Pierre pauses. “It still matches. Trust me on this one, mate.” He smiles. “We even brought the supplies.”

—

The party is a hit as soon as Charles and his group enter. The former finds refuge at the table, unwilling to socialize. Pierre roams for a bit and ends up finding you almost immediately—you’re wearing low-waisted pants, a strappy top, and you sport alternating streaks of blond and black in your hair.

“Hey!” He calls, jogging up to you. “I heard you were coming as a Christina. Guess who I am?”

You rake a hand through the streaks in your hair and smile. “Not just any Christina. The artist. Xtina? You know?” You twirl a bit, the dark material of your strappy pants swishing as you go, as if the movement will help Pierre deduce the costume’s identity. “Whatever. You’ll get it. Lando is—we’re matching tonight, but I g—it wouldn’t make any more sense if you don’t understand it.” You sigh a bit and gesture vaguely to the crowd behind you, referring to the Eminem-dressed Lando, who you guess is currently caught in the thick of.

“Xtina?” Iks-tina, he repeats, clearly confused. “I remember hearing… somebody saying you were going as a… a Christina.”

“Chris-tina, Xtina, yeah. Christina Aguilera.” You smile, fingers pinching at the material of your belt. “Anyway—where is everyone? I’ve only seen Daniel’s costume and then yours.” The recent memory of Danny’s neon orange traffic cone costume bumping into everybody flashes in your mind.

“Save yourself,” he huffs, smoothing calloused hands over the denim of his jeans. “Zhou and Esteban came as Bella and Jacob, Max as a Tifosi. Anyway”—he points to his ensemble—“guess yet?”

Your mental images of each cited costume are cut short. “Aha! You’re, um. Yes! You’re Ken from the Barbie movie,” you crack finally, remembering the revealing denim vest and jeans combo from the film you’d watched four times over in theaters a few months ago. “Wow, even your briefs say Ken. Very accurate. Minus the non-bleached hair.”

He tuts and shrugs. “I’m no Alex. What’d he come as?”

“He and Lily matched—Sonny and Cher.”

“Let me guess,” Pierre starts, and already you’re nodding because you can tell he’s going to predict exactly how the night has turned out, “Alex is Cher?”

“Wig and sequined dress and all.” You nod, laughing and squinting; Alex’s tall figure, head clad in a long, fringey, black wig, stands out above the rest. “Oh, I did see Carlos at the bar. Ricky Martin?”

Pierre really laughs at that, a loud, distinctly French guffaw involuntarily forced past his lip glossed mouth. “What the fuck, mate! Ricky Martin?! He’s El Profesor from La Casa de Papel. You know, Money Heist? Bella ciao? Oh, my God, he’s going to fucking freak if he hears—heard you said that.”

“He seriously gave off Ricky Martin vibes,” you defend in-between laughs of your own. “So that’s everyone? Oh—oh. Charles! What did… I never saw him! He kept telling me how excited he was for his costume, too…” Just a few hours ago, at that—a boisterous voice honing into the your voicemail inbox, boasting about a costume while you prepped for the party with Lissie and Lily. Your eyes peruse the room, but the lighting is too dark and vague for you to make out anything you haven’t already seen.

“Oh. Charles?” Pierre’s voice lilts higher. “Um. Yeaaah. Um.”

You, however, are sufficiently distracted by your own search for him, and you fail to notice Pierre’s clear scrambling attempt to stall you. He takes a long swig of beer and clears his throat. “He’s just, well, around. I should actually—excuse me, I need to actually go look for him. I owe him a drink.”

“Oh? Oh, okay. Well—be careful?”

You’re a bit surprised by his sudden, jolted departure, but bid him a rushed goodbye anyway. He waves back vaguely, his eyebrows furrowed into an expression of worry as he shoves his way back into the crowd and toward the area littered with tables. It’s only then that Lissie surfaces from the crowd, scratching absently at her nose as she crashes into you with a floaty giggle.

“Lis, you’re all sticky.” You place two palms flat against her shoulders and push her off. “Are you high?” 

“Yes but not drunk.” She giggles again, eyes fluttering.

“Oh—that’s not. Whatever, I guess.” You exhale and cross your arms over your chest. “Who’ve you been with?” She listens, plays with the braid in her hair, matching her getup as Lara Croft. 

“Um, the deejay. I gave him my number, but he’s actually pretty fucking weird. Come on, I want to pee.” As always, her speech quickens to something inhuman, an effect elicited by alcohol; giving you essentially zero time to react, she loops a hand around yours and drags you with ferocity to the nearest restroom. She moves so aggressively through the thickly-packed crowd you barely have time to react or say hi to people you’re acquainted with en route.

You whiz by the door, and in the rush, you notice Pierre entering the one adjacent with a worried expression etched onto his face. Just minutes ago you’d been conversing—you wonder why he’s suddenly become privy to worries.

“So the deejay,” says Lissie, effectively distracting you for the time being. You hum to signify you’re listening, fixing bits of your outfit in the mirror as she kicks different stalls open to judge their cleanliness. “One, he was dressed up as James Bond. Which is just about the most fucking pretentious thing ever. Two, all he played was Chainsmokers. You’re telling me this pub—club—whatever—in Mexico could only afford to commission this guy? Three, he was”—she kicks the last door open and a gasp escapes her and morphs into a semi-shriek—“a ghost?!”

“Ghosted you? Already?” Your eyes, focused previously on re-lining your lips, flits to Lissie’s in the reflection. She’s distracted, staring at the contents of a stall with comically wide eyes. “What’s up? S’that a fucking glory hole or something?”

“No!” She yells when you approach, immediately lunging forward to pull it shut. “No. It’s—I saw a roach. Serves us for going to a fucking… pub. Don’t go in there, it’s…” She exhales a long breath. “It was a mama roach and… with eggs.”

“What are you talking about?” This isn’t even a pub, it’s a nightclub—one with a door fee that definitely did not warrant rogue cockroaches in the water closet. “Lis, you’re drunk-hallucinating.” You’re not even sure if that’s a thing, but you shove past her and push the stall door open again, ready to come face-to-face with, maybe, a sleeping Tinkerbell or a puking black cat. Worst case scenario, shit on the floor; worst-er case scenario, Lissie is right and you’ve stepped into a den of roaches.

Weirdest case scenario, though, if that’s an actual thing: Charles Leclerc seated on the closed toilet seat, face painted white, wearing an all-white ensemble of a large white shirt, shorts, high socks, and sneakers. He’s got two hands on either side of the wall, as if he’d been preparing to escape; how or to where, you’re clueless. Why he’s here, you’re even more stumped.

His entire face is a stark white, with black smudges of face paint on his forehead (eyebrows, you’re guessing); his hair’s been curled by the humid air at this club, and he looks like himself in all the ways he totally does not, eyes big and caught when yours click onto them. 

Despite confusion, you chalk it up, as one would rationally do at a party, to intoxication. You spend a few bated breaths staring at him staring at you, his face of pure shock and embarrassment enough to sober up a drunk for a few days. “Hi.” You can hear yourself say it, but you’re so caught off-guard and full of confusion it feels alien.

“Hey,” he says, wiping four fingers over his stubborn face paint with a smile. The smile and the paint barely fade. “I’m a ghost.”

“I see. Classic.” You pause. “I’m Chr… nevermind. Um—are you okay?”

“A bit, uh—a tad bit drunk. I seem to be in the ladies’ room.”

“Yeah, you seem to be,” you recite back to him, amusement quickly overtaking confusion. “I think Pierre was looking for you. Let me go get him. Lis, make sure he doesn’t…” You gesture a puking movement, and the pair watch and listen to your shoes click against the tile, before the door swings open and then shut again.

“Coast is clear.” Lissie’s voice has been lowered to a conspiratorial whisper. “I reckon everyone you know is already looking for you?”

“This is a disaster.” He rubs frantically at the face paint, but it’s horribly futile. “You know, I didn’t even realize I was in the ladies’ room until you two came in. She cannot see me like this.”

“She already fucking has, mate.” Lissie sounds exasperated. “Whose idea was this? If you say Pierre I swe—”

“—Pierre—”

“—ar to Jesus fucking Christ, Charles—I can’t keep saving you from Pierre’s antics.” She grumbles out a sigh. “What are you supposed to be, even? Have you—did you see how hot she looks? This is like… you look like a… I can’t—” She lets herself taper off, so disbelievingly shocked at his odd costume.

“I’m Casper the Ghost!” Lissie mentally forms a crude picture of the kid ghost, which looks absolutely nothing like what’s in front of her. “Casper was opposite Christina Ricci. Pierre told me so.”

“That’s the dumbest analogy ever, holy Christ. You look like a poster child for some…” She regards him for a moment. “Anemia advert.”

“Take that back.”

“You don’t really have the upper hand here, Charles,” says Lissie with a grimace. “I’m texting Pierre. Are you—did you even get drunk?”

“No,” he woes. “I am totally sober. I had to lie. Pierre went to the table and told me that my—that the costume we planned—it was wrong, and I just—I ran to the bathroom.” Lissie can’t help but laugh at the story, raising her camera to record the incriminating evidence.

Mid-video, Charles’ white face droops and his painted lips part to ask: “You think she found me cute?”

—

Charles likes finding things about you. He supposes the first time he realized just how much he liked hearing you talk about yourself—which you rarely did—happened in São Paulo. He’d been stressing over a spiel to recite in front of a camera, rewriting over words for hours to make everything sound more natural.

Each margin had been hastily written on with pencil, run-on sentences with semicolons in the place of periods. The team scriptwriter didn’t do much to make his lines sound more natural and less like they’d just been spat out of an online translator. You peeked into the media pen and coughed. You don’t belong here, do you?

Tch, he clicked his tongue, turning to offer a smile. I’m working on a script for Sunday. Portugese stuff.

I can help, you responded, walking slowly over toward him. You smiled quietly, approaching slowly like you were waiting for him to greenlight your offer. He did so by pulling a chair out for you, and once you sat you traced a nail over each line, murmuring them under your breath.

You speak Portugese?

You looked up and gave a half-shrug, laughing like you were amused with yourself. Kind of. It’s not very good, but it’s enough. You resumed your editing and he felt content to stare, admire, watch every movement of your lips align with the syllables of the words. You asked for a pencil and began writing something much cleaner. He couldn’t help but let himself be in awe of your intelligence.

You read over the last few lines and turned to face him. Let me guess, you said. You want to make a pun on Ferrari before you say bye.

Ah, he laughs. Yeah.

See, I know you so well, you half-joked, scrawling idle edits on the margins of his script.

He was already looking at you when you turned back to him, seeking his response, agreement, anything. When your eyes met, something caught at your chest—it tugged, tugged, then tugged again, a dull feeling burrowed deep in you. Words failed to wrench themselves free, but once they did, all you could manage was a faint—What?

Nothing. He smiled and shook his head, like he was waiting for you to figure it out. You know… sometimes, I wish I met you sooner. He does. He wishes he knew you back then, when you first learned Portugese. Or when you were in high school, so you could see just how exponentially awkward he was in his own teenage years. He thinks sometimes that he’s lost too much time, met and liked you too late.

Hm, you breathed out, because you didn't know what else to. I know why—so you could always have me. As a proofreader. Right?

Hah. The tilt of his laugh was high and mocking, and he stuck his tongue out, as if to punctuate that. He looked away then, like he wasn’t ready to say certain things to your face just yet. Quietly he added, Always have you… something like that.

—

If you ask Charles what he’s doing hiding in a laundry basket of a luxury hotel in São Paulo, he wouldn’t be able to answer you, either. It’s been some time since the disaster that was Caspergate Cancun 2023, and if he’s perfectly honest, he doesn’t feel like facing you again for the rest of his life. Pierre, of course, has other plans. 

All he knows is last night, Pierre suggested he leave a huge vase of roses for you to arrive to in the living room of your hotel; as he planted it in said room, the door’s lock turned, and he sought a hiding place in the adjacent bedroom. Judging by the prevalent scent of Dior Sauvage, this is Lando Norris’ room.

Did u get to escape??? Pierre’s text irritates him. At the same time, the light flips on; Charles curls in on himself, remaining perfectly still. Lando’s voice trills through the room. “I didn’t leave those roses for either of you,” he’s saying to you and Lissie.

Charles hears you hum. “They’re so beautiful.” His heart swells. “I gotta run for a sec, pick up something from Will’s room.” A few seconds pass and the door opens and shuts, which means Charles is currently alone with Lando and Lissie. Which means he needs to plot his escape as soon as he can. Otherwise he’ll be caught in the crossfire and much too embarrassed to—

A foot meets his concealed body and he lets out an oof! as he’s sent flying out of the hamper, along with strewn-around clothes. He keeps his eyes screwed shut, scared shitless and in a fetal position; he only unfurls when a socked foot kicks at his ass. Above him are Lando and Lissie, both extremely confused. 

“How did you know I was…?!” He asks, aghast.

“My fucking laundry was breathing, mate, s’not that hard to leave alone,” Lando retorts sharply. “What are you doing?!”

“I left roses for her,” he explains fruitlessly, gesturing to the vase outside. “But you came in, and this was the closest hiding place. I was told this would be a great gesture.”

“Right. Where did you even get that advice?” Lando tries to suppress the critical tone in his voice, but judging by Charles’ embarrassed grimace, he’s failed. Beside him, Lissie makes a hm? noise, goading Charles to answer quicker.

“I got it from.” Charles pauses. “A friend,” he ekes out vaguely.

“No shit. Who?”

“Um—” Charles’ eyes are shut. “Pierre.”

In unison, Lissie and Lando both release incredulous gasps, throwing their hands up in the air. Lissie points at the mess of clothes in the corner of the room to emphasize her point and asks loudly, with comical cynicism: “This seemed like proper romantic advice to you?”

“Scratch that. Pierre’s words seemed like proper romantic advice to you? His girlfriend is—!” Lando places a flat palm a few inches off the floor and shakes it a few times to insinuate Kika’s age, his disbelieving expression growing funnier by the second. “Mate!” His voice cracks mid-syllable, though even this mishap seems to be the least crazy thing about tonight.

Charles, burning with humiliation, releases a shaky sigh. “I know! I know!”

“You don’t know!” They shout simultaneously in response, disappointed if anything. Just then the door opens again and your two best friends hurry to throw assorted pieces of laundry on the lying Charles, exiting to make sure you don’t suspect anything. 

“Hey,” you say slowly, because they’re both posed the exact same. “Am I… missing something?”

“A shower, girl,” Lando says, and you flip him off before retreating into your room.

Belatedly you ask, “Did you find out who sent those flowers?”

“Some loser, probably,” he calls right back. Charles emerges to poke him accusatorily, but Lando just shrugs. Charles definitely does not have the upper hand here, anyway. 

“Just get out,” Lissie says, completely done with Charles’ antics. “And stop. Listening. To Pierre.” 

He rinses the odor of laundry off him once he’s at his room, but thinks, despite himself, that you called the flowers beautiful.

—

Are you—

—no. I’m not. You wiped a hand over your face and caught mascara along with it. I’m fine, it’s fine.

What he said, it wasn’t…

I said, you turned to face him, eyes rimmed and mouth trembling. You didn’t finish your sentence, just tore the microphone off your lapel and buried your face in your hands. There was always going to be a first time. Your first time insulted on a live feed, after the Abu Dhabi weekend, was not any less shocking. You felt small. You felt humiliated.

You didn’t want to show Charles any of it. You moved around the green room, picking up shit to throw into your bag. Thank God the season was fucking over, you kept thinking. I feel so, you said, still failing to finish anything you started to say. You’d been called an annoying bitch by a fan of one of the drivers—to your face, as you exited the paddock.

He moved nearer. Charles, you said, a half-sob, and then you were allowing him to crash, allowing him to hug you. Your arms were weak when they wrapped back around him, linking softly in the small of his back. You sobbed hard into his chest until his grey tee was dark with tears. I want out, I just want out.

You’ll lord your career over that prick when you’ve made a million dollars doing this, he said. You do it too well to want out. You’re too smart. You’re too good. You cried harder, your face hurt and every word felt wrestled unintentionally, like it took too much work to say much at all. I’m sorry, you said. You should go. 

No, he said. He held you closer. Not until you feel better.

—

He cries after Abu Dhabi. Bad season, everyone’s said. You snap a few smiling pictures with Max, who wins, and Lily and Lissie and the lot of them, the people who made the year so great. You notice an absence in all the pictures and you find it in a room in the Ferrari motorhome.

You’ve found you both find solace in words. In reassurance. But you’ve also found that your connection enables you both to reassure without having to say anything at all. You sit beside him, lean your head on his shaky shoulder, and wait.

“I was waiting for you to come,” he admits brokenly. “I was just not feeling good.”

“I know,” you respond. “It was a bad race. Shit strat.”

He’s quiet. His breaths are ragged and wet and shaky. “Will you stay? Until I feel better?”

You don’t move. “I’ll stay for longer.”

—

In the kitchen Charles unscrews himself a beer. The sky outside is pink and the sun hides behind faraway mountains, gradually darkening the entire atmosphere, save for the few woolly clouds. He’s by the patio door so he can spot people in the wide yard: Pierre, exchanging a Frisbee with Lando. Max, Alex, and Lissie engaged in an intense match of Uno.

They’re all gathered here in Spain at Carlos’ behest to celebrate the dawn of winter, and the end of the season, Max’s third championship.

He’s yet to spot you—he’d been told earlier you’d be late—but it doesn’t matter. He’s been feeling uncharacteristically himself all day anyway. He wrote that on his notebook this morning, on the flight here, verbatim. Looked up the word to spell it right and everything. He remembers you saying it, that time in London where you and Lando took him around and annihilated Borough Market before lounging on the grassy knoll of a nearby park. I feel so uncharacteristically happy, you’d joked. The syllables were too stunted and too fast for Charles to nail it. But he feels it now. Uncharacteristic.

He tells everyone he’s fine, though, and does a good job of it. Three beers in and he’s beginning to trick himself into thinking he actually is doing fine. Nobody suspects he’s been feeling empty from such a bad finish to the season—the season that was already bad in itself. He hasn’t been feeling his usual drive, his usual appetite. He doesn’t know when it will return.

“Here you are.” Carlos has this goofy smile on his face when he bounds into the kitchen, depositing empty dishes at the sink. “Listen, I have to tell you something.”

Charles and Carlos have always shared an easy dynamic—they’ve both always wanted the same thing. Racing has always been at the forefront of their minds. It makes conversation passionate, easy, fun; it was what helped build their now-natural rapport in the first place. “Yeah?” He prods, leaning against the counter and tipping fizz into his mouth.

“I invited everyone here to announce… something important.” Carlos crosses his arms. “But I wanted you to be the first to know.”

“Me?” Charles knits his eyebrows and smiles. “Wow.” He gulps, cocks his head. “What is it, then? Are you switching teams?”

Carlos’ goofy smile grows. “Isa and I are engaged. I’m retiring next year.”

“You—you’re—” Charles laughs and shuts his eyes all at once. “Oh, my God, mate! Congratulations!” The overload of information isn’t lost on him, but he channels it all into a hug. “Are you really retiring, though? I mean. Wow, this is amazing news—but—”

“I was sure as soon as I asked,” Carlos says squarely, smiling as if he’s conjured an image of Isa’s smiling face (which is likely the case). “As soon as she said yes. As soon as I bought the ring!” He laughs aloud, so overwhelmed with happiness of recalling everything. “I’m so glad you were the first person I told.”

“Besides Lando,” Charles says, because he knows it’s true.

“Besides Lando.” Carlos smiles. “I’m… dios, I’m happy. I always knew I’d have something to look forward to after racing.” They hug again, and then he clambers past Charles and into the patio, where he resumes the façade of being unengaged and still a driver. Left behind, Charles thinks over it himself. What does he have to look forward to after racing? All his life, racing is all that ever existed to him. 

The announcement comes eventually—when it’s dark out, intermittent stars white and twinkly against the black above. Charles has once again turned into a blushy mess because you arrived a few hours prior, wearing a lovely dress and with your hair down in messy waves and you said hi to him earlier without him approaching first. They present a stupid, but very Carlos-and-Isa ring-shaped cake to announce it, and somebody queues up music and everyone’s cheering. Of course everyone’s cheering—it’d be impossible for this announcement to not come with bouts of yelling and cheering and goodbyes to Carlos, who accepts them with glee and—dare he say—excitement.

Charles remembers their first year as teammates, the jokes they’d made about needing to beat the other out. For both of them, he recalls, it’s only ever been the drive to race. He didn’t think Carlos would even entertain the idea of retiring yet. He wonders when he will. The thought of it alone is enough to send a well of anxiety run deep into him—which happens after he congratulates the couple, so he excuses himself to the empty outdoors area to get fresh air back into him.

He didn’t mean it, but he finds you already there. “Hi,” you say when he slides the door shut. “You okay?”

“Just… yeah, I’m fine.” You smell faintly like smoke. “It’s crazy, huh. Everyone’s… moving on.”

“So Carlos told everyone, then,” you say, pursing your lips and waiting for his response. He closes his eyes and lets a soft exhale escape him, warm air out and fresh air in, a welcome change from the heady atmosphere in the party. “I knew. I bought that God awful cake. I kept saying get a normal one but they both wanted it to be shaped like a ring.” You punctuate your sentence with a crisp laugh, a stunted exhale of air to break the tension.

You have a natural sway over words, graceful and beautiful and commanding, something he only wishes he could be. For so long he’d been told the feedback loop of one and the same thing: you’re good. You’re the best. You’re going to be the next big thing. And this season had just… aggravated every single insecurity he’s picked up in his years of racing. He wishes sometimes he’d been told something else: you suck. You’re normal. You’re irrelevant. Then at least he wouldn’t exist in some odd panopticon of feeling on top of the world and yet looking at it from the bottom of a pitch black abyss.

“Yeah,” he says instead, wringing his hands. He mimics the wrist movements he’s made to do during gym hours. “It’s wild how—I mean, not really wild, but. I just can’t… even picture my life after racing.”

“You’re young, that’s warranted,” you laugh. “You’re also… I mean, even if you drop out of racing tonight, it’s not like you’re going to become dirt poor or anything. You could become a bloody orthodontist and people will still love you.”

“Will they?”

He didn’t mean to say it aloud but out it comes, garbled and rushed and he’s a bit embarrassed for sounding like a child in front of somebody he finds so beautiful. The silence is suspended and dry, and for a minute all he hears and feels is the slow rise and fall of his chest. To somehow mend the vulnerability, he tries again. “It’s not—I just think I’ll be lonely if I decide to stop racing.”

The fact that Carlos can say with so much ease that he’s willing to drop his career to ensure his pending marriage lasts is almost terrifying, because Charles knows he wants that. He knows—he’s always known—that he wants that intimacy, that realness, but for it to come at the cost of something he’s known for so long is so scary it’s almost a dealbreaker.

“Lonely?” You echo, voice tinged with concern. “Charles—”

“Lonely.”

He says it with an edge to his voice, so final, so steadfast. Loneliness is what he’s always feared and he knows, with a deep drawling punch to his gut, that loneliness is what will come if he decides to stop racing. Even if he’s tired. Even if he’s so pent up with frustration and loss and anger. Racing is all he’s ever known, it’s all he is—when he’s not tied to it, who is he? “Like no one… like I’m just standing in front of what I’m supposed to be, and when people see me, that’s all they see—what’s behind me. Right through me.”

“Well, you’re off racing right now,” you respond, trodding carefully. “So, well. Do you feel that way?”

He knows what you mean: it’s winter break, so he’s not driving or doing some form of it every single day. And he knows in turn what to answer: no, not really, he doesn’t really feel detached from it because there’s a low anticipation in his belly that tells him he’ll be doing it all again soon. But he chooses to interpret it differently; differently, but not falsely.

“I th… I don’t feel lonely,” he says, “when I talk to you. You see me.” 

Your stomach drops and your heart begins to pulse a mile a minute, knuckles tightening where they’ve gripped onto the wooden post of the patio. You can feel the air in your lungs pass through every divot of your body as it escapes and arrives in long, shaky breaths. He’s looking at you, his eyebrows knitted like he wants—needs an answer, if you’d be kind enough to please give him one. 

“I…” You bite your lip, every thought in your head at odds with the other.

Time feels like rubber, like it’s been stretched and manipulated and Carlos is ducking out to announce that it’s time to blow out candles on the stupid ring-shaped cake and you’ve taken too long to respond and your body feels too heavy but your heart feels too light and your eyes are blinking, open and shut and open again, and you feel like the wind could honestly blow you away now because Charles has given you a neutral nod and left you alone again, to contemplate the weight of what he’s finally, finally admitted, tonight here under the sky of Spain.

You move a hand over your hair, watch him walk away. The words lodge themselves in your throat, but they’re there.

—

One minute after  you realized you liked Charles, you swallowed the feelings until they were barely decipherable.

In happened in Dublin, at a pub on St. Paddy’s Day, when you’d emerged fresh out of a breakup with the most arseholic Irishman you’d ever had the displeasure of meeting. And funnily enough, it happened without Charles’ presence. You’d spent the day at Liam’s, hours of fighting over so many things—the growth of your career and the decimation of his, where your relationship had soured, why you never came to visit him, Charles, the sodding bloke you like so much—until finally, you took your things and left.

Wise, because you might’ve honestly gone insane if you stayed a minute longer, attuning your ears to the deafening feedback loop of his voice. Also decidedly unwise, because you had a piece of luggage and barely any battery, in a full city of people you didn’t know at all.

There was no chance Liam would let you return, and no chance you wanted to, for that matter—the fact still stood, though, that you needed to kill the night before your flight to France left at 6AM. You entered the first pub you heard, deposited your bag at the coat check for an extra couple of euros, and accepted the first pint thrust into your hand and first leprechaun hat plopped atop your head.

In between watching people compare how they poured Guinness pints, Sinead O’Connor songs, and exchanging headdresses with a random stranger, you found yourself impressingly drunk. The Irish did it too well.

A university student stumbled past your stool, tears in her eyes; she stopped to steal a shot of whiskey lying unattended on the bar. You looped a hand around her wrist and stared at her menacingly. Manners?!

Fuck manners, she said wetly, wrenching every word out with great effort. Nobody paid either of you any attention. I just caught my best friend and boyfriend kissing. Her accent was unmistakably Irish and was stronger with the tears.

Oh, you said, loosening your threatening grip. Sorry.

Don’t be. I’m sorry I could ever be so stupid, she said, aghast, before finally stalking outside the pub. Half an hour later, you wound up at a table of thirty-somethings, all belting along to a folky sounding song.

Drunkenly you slurred out, I thought it was a stereotype.

What was, love? One of them paused her singing, dipping down to listen to you properly. Your cheek was smushed against the varnished wood, moving with every syllable you eked out.

The songs. You sound like… you belong in the 19th century.

She laughed at that, surfacing and yelling something to the band onstage you couldn’t quite decipher. The song reached its peak, loud and getting the whole crowd singing along, before fading into a familiar opening. S’this better? She asked, her voice slightly raised above the guitar.

You looked up. I liked the other one too, to be fair. M’not a fucking anti-Irish.

Nobody said that, love. Come sing. She hauled you upward, exaggerating her arm swinging in the air so you’d follow suit, which you did. You hummed the opening, eyes fluttering open and closed. You imagined opening them again and finding Charles across the room, already looking, with the same charming, boyish smile on his face that came to you as comfort.

You thought back to the dinner in London, the feeling of his shirt against your shoulder, the way he’d gotten you so easy and laughing and babbly, something you never got with Liam. You squeezed your eyes shut and exhaled raggedly. Fuck.

Linger’ll do that to you, your companion mused. Around you, the entire pub sang along to the song that served as the backdrop to your all-encompassing romantic epiphany. Missing a lover, huh?

No, just… You opened your eyes, watched the band sing out the rest of the prechorus before they slid into the next verse. A new kind of air had crept over the pub, one that exemplified just how much this song could mean to anyone, no matter who. You shut them again and saw Charles. The green of his eyes, mossy on some days and bright on others. The moles on his face. The grooves of his hand, the way it wrapped around things like pens, mics, bottles, your fingers. His voice, how he curved around words. He always knew exactly what you meant even if it took you ages to get to the point, even if you felt like you didn’t know what you meant exactly. 

You opened your eyes. Suddenly fights with Liam didn’t matter. Whatever little sympathy you had left evaporated as you listened to the lyrics and realized, with a damning force, that you were thinking of Charles. And this was not weak, this was not vague, this was a strong thing that took you off your feet like a gust of wind, hurtling you out of the pub. You thought of every time your eyes met his, both of you already laughing at something else present. Every time he saw you at the end of a busy work day and asked if you were doing alright.

Just this guy, I suppose. His name’s… yeah. We’ve been friends for ages. He’s really very talented. Very kind. Your voice was drowned out by the music but you didn’t intend for anything to be heard, anyway. And he’s the smartest person I’ve ever met. He always knows what to say. He’s not in Dublin tonight, not even in Ireland, for God’s sake. 

He’s your boyfriend, then?

You closed them slowly. No. T’wouldn’t be very smart to date him.

Is he an arse?

No either. It’s just too late.

I’m sorry, love.

Don’t be, you mused, eyes still shut as Linger came to a close. I’m sorry I could ever be so stupid.

—

Charles should be in Monaco. You should be in London. But at four-thirty PM, leaning against the counter of a tiny café in Dublin, you cross paths for the first time in weeks, and everything tilts on its axis.

He notices you first, because he hears you thank the barista quietly. It’s not your reporter voice, not the one you put one when you’re interviewing him or his teammate or his fellow athletes. But it’s your real one, and it’s the one he thinks he could hear through a snowstorm.

A tuxedo-clad man exits and suddenly you’re there. You’re wearing a white top, low neck and thin straps covered by a cardigan. You’re sliding coins into the pocket of your jeans and he watches your hand freeze, drags his eyes back up to you, finds you’re already looking.

You look beautiful, he thinks. You put on a lot of makeup for the cameras, and you looked gorgeous, but seeing you like this—caught, almost, in a moment you didn’t expect to see him—you look unbelievably beautiful. He aches with it. 

“You look well,” he says first when he opens the café door for you. “What’s your business in Ireland?”

“Acquainting myself with my new coworker.” You wait for him to follow and squint when the sun hits your eye. “We’ve been here three weeks, fly back to London next Monday. You?”

“It does seem weird for me to be here,” he observes absently. “I needed a change of pace, I think. Gear up for the season.” He shakes his half-full cup of coffee. “Where are you staying?”

“Just up ahead.” A slow silence overcomes you both. “Come over. I have beer. I know you can’t be fucked to have coffee.” He laughs and nods, following you through the road and up into a flat—a BNB, if he’s guessing. There’s a tiny landing and then stairs to a wider living area, where you proceed to unwrap the croissant you’d gotten a few minutes earlier. You chuck it into the fridge and produce two bottles of beer in one go.

“Sit,” you gesture to the spot beside you, and he sits himself there. “We can talk. We should.”

You’ve shrugged your cardigan off, and he observes every detail of your exposed skin, the way your hair layers atop it. Right as he opens his mouth to respond, a blond girl enters, rings of mascara caking her eyes and a wine glass twiddled in-between thumbs. She’s talking her head off and only pauses when she spots Charles.

“Hhhh…iiii.”

“Salut.” 

“You’re Charles?” She notices how close the two of you are seated together.

“Yes,” he says. 

“Charles, this is Robyn—my coworker’s friend. And by extension my friend.” You pat her knee and point to Charles to get them properly introduced. “She leeches off the apartment.” 

“You love me,” she retorts, mockingly—but sweetly. “Anyway, sorry to intrude. I was just on the phone with my situationship.” She rolls her eyes. “Does he think I give two shits about goodnight texts? It feels impossible to be romantically satisfied these days.”

Charles grunts. “I hear that,” he says, just to make Robyn feel less excluded. You get up then, to fuck around at the kitchen sink—he suspects you’re not actually doing chores—but you come back with wet hands and you sit yourself across Charles, on the loveseat, instead of next to him. 

“The thing is, right,” she gulps wine, “there’s such a thing with dating now,” Robyn says, not missing a beat, her Geordie accent curving round the syllables with a distinctive twang. She stares at the opaque red liquid in her glass, like that will supplement her with more words. “Like a deal. A big deal. Everyone’s making this huge thing out of it, and it’s like, can’t we be in our twenties and fuck around occasionally?” She laughs, a high-pitched, tapered noise.

You shift from where you’re seated, buried into the material of the seat. It’s quiet and beginning to touch awkward, so you speak in a rough voice: “I dunno, I kind of… get it.”

“Oh do you, now,” she responds, voice saturated with wine. “No, it’s—I was joking. Of course you would, you’re absolutely fucking gorgeous, is all.”

Suddenly you feel all too seen and inclined to touch a fingertip to your cheek, feather light. You blink so you won’t feel tempted to meet Charles’ eyes, because you feel them on you. “It’s—thank you, I mean. It’s nothing to do with that. I just always feel it’s impossible to find someone who loves you. I feel like I’m not very lovable.”

“You? You’re bloody fucking likable!” Robyn’s laugh is so disbelieving you find yourself semi-convinced. “You’re a bit intimidating, yeah, but you’re lovable as fuck, babe.”

You double down anyway, voice thin. “Right. I don’t think I’m very good at being… affectionate.”

“Hah. Bull. You’re affectionate with… with Charles! I’ve heard you talk about him to Jane.”

She turns to Charles before you have the chance to defend yourself. To him she asks: “Is she affectionate with you?”

But it’s basically rhetorical. Everyone speculates, sees the way you two bend the line between friendship and romance, the care with which you treat Charles, the way you two understand each other in ways impossible for anyone else in your orbit. Fuck if it’s not overtly physical. Robyn’s known you three weeks and has never even met Charles until seven minutes ago and already she’s sensed the energy, the difference, even if she hasn’t seen you do so much as embrace.

“It’s—” You say and say too quickly. You wind up slowing your speech so you don’t sound too defiant and lean backwards, willing yourself to relax. “It’s… different with Charles.”

“Different?” She repeats, miming every dip and rise of your voice. “Why?”

“We’re close.” You refuse to meet his eyes. “Be—because we’re good friends. I feel… things are… just. They’re different. That’s all, really.” Barely satisfied with the answer you eked out, you cross your arms over your torso like it’ll help shield you from the interrogation going on. Briefly you let your eyes fall on Charles; he’s reclined, eyes all over the place, blinking in quick flashes.

“But you admit it, at least?” She smiles. “That you’re affectionate, I mean.”

“Only with…” you taper off, unwanting to dig yourself a deeper hole. “Right. Sure, yeah.”

“Well then,” she says, eyebrows raising as she dows the rest of her glass. She sets it down on the low wooden table with a clink. “I’ll get going. Don’t let me keep you two from shagging or whatever.”

“We don’t f—shag,” you interrupt, voice sharp. “And you’re not keeping us at all. Me, at all.”

Us sounds so exclusive, you realize as it leaves your lips. Us. It tastes like sour cherries on your tongue, bleeds all over. Robyn gives you a look. In response, you insist on seeing her out, leaving Charles at the sofa, elbows on his knees, hands toying with the neck of the beer bottle. He can make out faint words but he doesn’t try translating or deciphering them, just listens to your muffled voice peek through every few words. You sound amused, also accused, also endeared—a bit irritated. You end it with a laugh.

You clamber back in after a few minutes and find him at the top of the stairs.

“Sorry,” you wave off, rolling your eyes to fend Robyn’s earlier interrogation efforts of. “She’s very strong-willed.” You climb the stairs, your striped linen shorts folding with every movement of your legs. Finally you make it to the top, on the second-to-the-last stair, staring up at him.

“You know,” he says, watching you ascend to the top finally, but you’re still staring upward. “You should know.”

“Should know what?”

“I missed you.”

You inhale and are grateful to find the air is all him. “I missed you, too.”

“In a different way.”

“Me, too,” you echo again, voice quiet. “I missed you. It feels like I’ve missed you all my life.”

He can hear your still, controlled breathing. “Thank you for seeing me. Even when, you know, it’s… hard. You know what I mean.”

“I do,” you say. “It’s never difficult, not…” With you.

He leans down and captures your mouth in his then, like it’s a thirst he’s always needed quenched. You allow it, kiss him back like you’ve needed this your entire life. His lips are chapped, but you don’t mind—Dublin’s cold. He kisses like he’s smiling, like he’s happy, and you think maybe that’s not far off. He moves downward, to your jaw; lower, along the column of your throat, around your collarbones, cornering you against the wall, letting you lean against it.

Charles’ kisses are light and soft, but also heavy, like he’s trying to waste as little time as possible. You sigh, feeling light, feeling ecstatic. He puts two hands on either side of your face, presses your foreheads together, and shuts his eyes. 

You feel the divots of his fingers on your hip, your waist, places he’s never touched before. “I’m sorry I left,” you breathe into him. “Back in Spain. In Madrid. I wanted to think about it. About what you said. About everything, about you.”

“I’m glad I found you here, then.”

You tiptoe to kiss him again, because now that you’ve had it once you’re terrified you won’t have it again. In-between kisses he picks you up, cages you fully against the wall, and you breathe shaky little exhales. It builds up quicker and harder; you feel his cock at your hip and shiver, eyelashes fluttering. “Upstairs,” you say breathlessly.

He likes knowing you want this, because he’ll give you whatever you want. He’d fuck you for hours. Have you shaking, eking out moans of his name. He’d whisper praise up and down your ear. He wants this just as much, if not more.

“I want you, so much,” you exhale when he lies you both down on your bed. “So much.”

He tugs your shorts off, then your panties. He doesn’t usually lack self-restraint, but he thinks he’s never felt this much temptation in his life. He’s so hard. He brings one hand to his thigh and squeezes his dick through his pants, but it doesn’t provide him with any kind of relief. You’re needy already, whimpering, mind dizzy. He slides a finger up your slit and watches you screw your eyes shut.

Slowly he sinks in, watches you accustom to the stretch. “Wanted this,” you breathe out.

He thrusts in further, feels your warm cunt stretch around him, feels your breaths get hotter and quicker against his lips. But he takes it nice and slow, so he can feel every little ridge inside of you as you take all of him. “You like it?”

You nod, too dumbed down to speak. “Good girl. Pretty, pretty girl.”

He’s wanted this for so long, fucking you deep and slow and desperate. He thrusts harder, watches you unravel and your hot breaths pick up in pace. He reaches down, smears wetness around your clit as your thighs begin to shake. Your pretty, flushed face is enough to send him into overdrive, your eyes rolling back as he goads you into orgasm.

You’re still cumming around him when he takes a shaky breath, pulls you tightly back against him, and lets the pleasure take over. He fucks you full, rides his orgasm out while you ride yours out—buries his dick all the way inside, so each spurt fills your contracting pussy up.

He pulls out and collapses beside you, pressing his lips to your shoulder before lying on his back. “I’ll clean you up in a minute.” It’s quiet for a second, just you two breathing.

Then: “I did, I did think about it,” you say, voice reedy. “I thought about you.”

“Yeah?” He watches you blink at the ceiling, lets you clasp your hands onto his.

“About me, too.” You open your eyes and stare into the green.

“D’you want this?”

“Believe me,” you say, threading your fingers into his tightly. Your hair’s fussed from the sex. “I do. But—”

His heart drops.

“I don’t want to… I want you to not…” You sigh. “You know, I like seeing you. I like being that. I like knowing I make you feel good. And I want you to know you… you make me feel amazing. Like you and I… we understand each other.” You pause. “Sometimes I feel like you’re the only person who understands every inch of me.”

“Ditto,” he says, and you smile.

“I look up to you, you know? I don’t want you to anchor yourself onto me. I want you to realize that on your own. You’re smart. You’re a great driver with a shitty fucking team I hated reporting on last season.” He laughs shakily. “You know I look up to you. You know… you know I love you.”

“I do. I love you.”

“I always have. It wasn’t… it didn’t always make itself clear, but I always have. And I know I always will.” You smile. “We’ll be in different cities, in separate timezones, but if we survived the years of not telling each other how bloody fucking much we liked each other, this is nothing. When we’ve sorted ourselves out, we’ll know the right time to finally call this what it is.”

He’s never thought of himself as a writer, but his notebooks might beg to differ. Many times you’ve told him yourself that he has an affinity for describing things, especially when he lets go of language as a limitation. He wonders what you’d say if you knew the amount of times he’s tried to write about you. Careful letters or typefaces, in an effort to form a coherent picture of you, the way he sees you, the way he loves you. But he’s so scared he tears the pages off before they get too intimate, too personal, crossing the border from having a crush on you to being in love with you.

For once he’s not. He nods. It’s bittersweet, but it’s a segue to a better ending. He moves a hand over your hair and holds you close.

“You could never be unlovable,” he says, pressing a kiss to your forehead because finally, he can. “I mean it.”

[jbaileyfansite]

When it comes to long-awaited films, there are few movies with as much anticipation as Wicked. Inspired by Gregory Maguire’s best-selling novel, it became a cultural juggernaut when it transitioned to the Broadway stage. Now, one can't talk about the Wicked Witch of the West without talking about Elphaba (Cynthia Erivo) and Galinda/Glinda (Ariana Grande). While the massive film has brought Oz’s witches to life like never before, it's Fiyero (Jonathan Bailey) who’s most benefitted from the stage-to-screen transition.

Fiyero's roots can be traced back to author L. Frank Baum’s original Oz lore, though the Winkie Prince himself is Maguire’s creation. On stage, Fiyero is a lovable troublemaker who flirts, and of course, dances, his way through life. The big screen version of Wicked honors this while adding a uniquely wonderful twist to his Lothario nature. When Fiyero arrives in the show, he charms Galinda in a very similar way to what he does on screen, but Fiyero’s actions in the movie aren’t solely to impress Galinda. Rather, he is out to create a real sense of joy for everyone, an effort that is made clear through his flirtation. While an ensemble number on Broadway, his stage counterpart spends the whole of the song with Galinda, where the film has him flirt and dance with a multitude of Shiz students to help them celebrate life.

While Fiyero mirrors some of cinema’s most iconic “bad boys,”one of the best changes the movie makes is his sexual ambiguity. He shares his seductive side with all of his fellow students, no matter their gender. And, what’s more, he genuinely enjoys it, sharing some of his steamiest flirtations with male cohorts. It’s a wonderful way to not only shake up the archetype but also makes Fiyero himself feel more fleshed out. But the greatest alteration comes from his relationship with Elphaba.

Elphaba Reveals That Bailey’s Fiyero Is Deeper Than He Seems

On stage, Fiyero starts to show depth in the second act, but Wicked doesn’t make audiences wait for the second film to see that there is more to the character. Both of Fiyero’s scenes with Elphaba exist on stage, but Bailey and Erivo fill their interactions with nuance. Both actors give their first meeting new meaning with the screen version. The musical usually plays this moment as an unpleasant introduction, but Erivo and Bailey play the scene as an undeniable flirtation. It’s a fantastic way to set up Elphaba’s upcoming conflict and solidify the complication that brews below Fiyero’s surface. Bailey brings a boyish charm to the scene that makes it clear he is undeniably taken with Elphaba (the first person in the film to be so), and he continues to add depth to the character after he and Elphaba free the imprisoned lion cub.

She gets under his skin in a way no one else can. While many in Shiz lust for Fiyero, no one can see his internal unhappiness except for her. When she touches him, Bailey shifts his performance and makes it clear that she is the first person to make Fiyero really look within and question what he wants out of life. It’s a beautiful way to foreshadow the conflict he will continue to face in the second part of Wicked and pulls on the heartstrings of moviegoers. He immediately goes from a lovable flirt to a relatable, deeply complicated young man who just might find himself in the woman who will eventually be perceived as Oz’s greatest villain.

Indeed, there is no denying that Wicked has used its new medium to reinvent Fiyero. From twisting an age-old archetype to Bailey’s fantastically intricate performance, he’s become a far more interesting version of the character. As audiences anticipate the next installment, it’s safe to say that Fiyero is set up for even more exploration.

Source

[xxsugarbonesxx]

retired!Miguel rambling

🩷 I love domestic Miguel he is my everything

i guess this is head canons??? idk i just wrote what i thought felt right lol

mostly fluff, some smut, no gender is specified for reader,

though it doesn't go into depth, pregnancy and pregnancy sex is mentioned so read at your own risk 🩷

MINORS DO NAWT INTERACT!!!!

Miguel is naturally warm, his skin is so soft and warm. He smells like firewood and citrus, trust. In the winter you’ll lounge over his body like a seal on a rock in the sun. In the summer, you drag the kiddie pool from the back and fill it up. Dipping your feet in the cold water while you two watch the kiddos and dogs play in the sprinklers. 

He makes chunky babies. If you have the ability to get pregnant, most people will assume you’re having twins ‘cause how big your tummy is once you’re with child. But you just got one chubby little babe in there, and then they’re born with a whole head of their papa’s coffee colored curls. 

Piggy backing off the previous: once he gets out of his office in the Spider Society, leaving the Spider Man role behind, he’ll gain some weight. He’ll get that daddy pooch/dad bod going down, his pubes thick and curly. A whole forest is growing under his pudgy tummy. He doesn’t think shaving is that important once he’s settled down and has his kids but is willing to shave if that’s what you prefer. 

He did do the thing where he shaved his face completely to show the baby when they were around five months old. Popping out from behind the corner to show the babe his clean shaven face with you filming it. It all ended with all three of you crying and snuggling with the baby once they started sobbing and screeching since all they’re tiny life they’ve seen their daddy with a neat, salt and peppery beard.

And if you CAN’T get pregnant, (whether you’re amab or infertile) bro will be going at it with you like an ANIMAL. He’s got fat breeder balls, full of hot, sticky cum to pump into your needy hole. Once he’s cum, he’ll give one last thrust, nice and deep into your gummy walls. Plugging his semen deep inside you, keeping it there. After care in this instance is nonexistent, since he falls asleep on top of you, still deep in your guts.

He just likes touching you, if you’re alone in the car, waiting at the red light. His palm travels up and down your thigh absentmindedly as his eyes bore into the stop light. (He wears those glasses that turn into sunglasses when he goes outside, argue with the wall) Maybe he’ll get brave enough or the light still hasn’t changed for awhile, his hand will dip under your shirt, his thumb pad playing with your soft nipple until it hardens.

As long as you’re alone, he’ll have his hands on you. Six times out of ten it leads to actual sex.

I don’t think of him as a god in bed really, he’s just a guy. He’s gonna do what he thinks you and him are gonna like (what you want will always be top priority for him I know it) Acting on lizard brain, he’s gonna do what he’s gonna do without much thought beforehand. He couldn’t edge you to save his life, if you’re whining or crying, he’s just gonna let you cum, he just can’t say no to you. :(

Foreplay is always important to him though, mainly just because I want him to rub my back, I think he’d go for the whole massage thing. Spending a good amount of time rubbing and massaging your shoulders, back and cunny/cock. His hand is so big, he’d be able to grip the space between your thighs with one hand no issue. Rubbing back and forth until you cum from his hands alone. He likes to have you cum at least once before he’s actually inside you. He’s a gentleman after all. :))) His favorite positions are full nelson, side fucking, doggy style (I will die on the hill he’s more of an ass then a titties man I don’t care!!!) and face sitting.

If you can get pregnant, pregnant sex is even more tender and loving. Usually taking brakes to pepper your body and face with little kisses. 

@cupcakeinat0r wrote a tasty yummy fic about growing old with Miguel, and I’ve had that stuck in my brain since then. Around his forties, Miguel’s really mellowed out. He’s not as a perfectionist or cold and irritable as he used to be. Having kids has helped him calm more, having a more relaxed approach to problems now. Then his quick to anger, slow to calm back down personality when he was acting as spider man. Getting married and having kids has helped him realize that he doesn’t have to be the tough guy in the room. Though his kids are just as stubborn as him now. 

I love the domestic potential of Retired!Miguel, you two having a song, that’s your song as a couple. Cooking dinner together for your little babies. Having a show you two watch an episode or two of after putting kids to bed. Sitting on the couch, your legs over his lap, drinking wine with a kids movie on as your makeshift date night. 🩷