#this ending scene will continue to baffle me

[its-wabby-stuff]

So I got my dad, the smartest man I know, to watch the Rise movie with me as a seasoned TMNT fan. He likes to collect random facts, loves word play, and reading anything from philosophy to biology. If you haven’t guessed, his favorite turtle is Donatello.

Anyway, regarding the end of the movie. I have always hated how it goes from saving Leo on Staten Island to literally everything is fine now. And that New York looked to be built overnight with no injuries left, and it’s Casey’s first time eating pizza.

My dad came to the conclusion, in consideration of everything, that it’d actually been years. Considering their injuries, the state of New York, the Krang and everything, he said it would’ve taken years for it to be “normal” again.

Also he thought is was unrealistic that April had the same phone as before.

[deliciousangelfestival]

Another Ending - 6 | spy!Bucky

Character: ex!Bucky Barnes x Female!Reader

Summary: It was supposed to be a short week watching over your niece, who loves romance books. She thought you were just a normal aunt, but it turns out you have secrets.

Tags: Spies, action, threat, offense, fight scene, violence, romance, comedy.

Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 , Chapter 5 , Chapter 6 ,-

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

Lori was spinning around the room, singing with a mischievous grin on her face, "Aunt is a nasty girl, yeah, she's a nasty girl," mimicking the moves from a viral dance she must have seen online.

You rolled your eyes, wincing slightly as Bucky gently cleaned and treated the wound on your arm. He glanced at Lori with a mixture of amusement and annoyance.

Meanwhile, Henry, sitting nearby with a puzzled look, watched Lori's performance unfold. "What on earth is she doing?" he asked, clearly baffled by her antics.

"She's making fun of me," you replied, sighing as you glanced over at your niece. Lori continued her exaggerated dance, clearly enjoying herself.

Bucky, focused on wrapping the bandage around your arm, muttered, "She's not nasty." His voice was calm, but there was a flicker of tension in his eyes.

Lori suddenly stopped dancing and sprinted over to you, her eyes sparkling with excitement. "Tell me more about your ex!" she demanded, her curiosity getting the better of her.

You noticed Bucky’s hands falter for a moment as he tied the bandage a little tighter than necessary, his jaw clenched ever so slightly. "He's not my ex," you corrected, your tone firm but tinged with frustration.

Lori giggled, clearly enjoying teasing you. "Yeah... right..." she drawled, drawing out the word as she smirked knowingly.

You shook your head, exasperated. Your niece, always with her head in the clouds, had now latched onto the idea of some dramatic romance after discovering that you had encountered someone from your past.

And that someone was the very reason you were sitting here now, with fresh bandages and a sore arm. Lori’s song and dance were just her way of processing the excitement of what she imagined to be a grand love story, not realizing the pain and complexity it actually brought.

🥀🥀🥀🥀🥀

24 hours ago

"What you said is pointless because we don't have the data," you replied, frustration lacing your tone.

Henry shrugged nonchalantly. "Well, that might be true, but I know where they hide it."

A groan escaped your lips, and you brought a hand to cover your face. "I hate where this is going."

"Why?" Lori asked, her eyes lighting up with interest.

Bucky leaned forward, his expression serious. "You want us to steal it," he stated flatly, already seeing the direction Henry was headed.

Henry chuckled, waving his hand dismissively. "Steal is such a strong word. I prefer to think of it as... liberating the truth. Recovering what's rightfully ours."

You shot him a skeptical look. "Liberating the truth? That sounds like something straight out of a heist movie."

Lori’s eyes widened with excitement. "A heist? Oh, this is so cool! Can I help? Please, let me help!"

Bucky gave her a wary glance. "This isn’t a game, Lori. It’s dangerous."

Lori bounced on her toes, her enthusiasm undiminished. "I know, but I want to be part of it! I can do it, I promise! You said I was a good actress, remember? I could be the distraction or, like, the tech whiz or something! Whatever you need!"

Henry grinned, clearly amused by her enthusiasm. "See? The girl’s got the right attitude! Nobody would suspect someone like her to be involved in espionage."

You sighed but couldn’t help the smile that tugged at your lips. "Alright, alright. If Lori wants in, then we’ll find a role for her. But if this goes sideways, it’s on you, Henry."

Lori clapped her hands, practically vibrating with excitement. "Yes! This is going to be awesome! I can’t wait!"

Henry clapped his hands together, his smile broadening. "That's the spirit! Now, let's get to work. We have some planning to do."

At Charity Event

The grand lobby of the company was abuzz with activity. Children laughed and played, their faces painted with bright colors. The "Make It Together" charity event, hosted by the company’s CEO, had drawn a large crowd.

Both of you are planning to steal data from a CEO known for holding everyone’s dirty secrets. This CEO also loves to host charity events at his company to enhance his public image and boost his business.

Dressed as a happy family, you and Bucky played the part of doting parents, while Lori, full of youthful enthusiasm, easily fit the role of your daughter. Henry, blending in with the crowd, kept a vigilant eye on the situation.

Henry knew about the vault because he had been there when the CEO proudly showcased it and placed the secret data inside.

As you and Bucky moved toward the restricted areas, you leaned in close, whispering urgently, “If things go south, remember—no matter what happens, save Lori first. She’s the priority.”

Bucky’s brow furrowed in concern. “I don’t think—”

You cut him off, your voice firm but laden with emotion. “This is my only request, Bucky. Please.”

Bucky nodded, his expression serious. “I understand. But I’ll do everything I can to keep you safe too.”

As you and Lori approached the vault with Henry’s directions, Bucky positioned himself by the entrance, watching for any sign of trouble. You worked swiftly with the digital key cracker, trying to stay calm despite the tension.

Inside the Vault

The vault door opened with a soft click, revealing rows of safety deposit boxes and data drives. Lori, playing her role perfectly, had successfully distracted the guard, allowing you and Bucky to enter unnoticed.

“Got it,” you whispered, retrieving the data drive from its place on the shelf. “Let’s get out.”

Suddenly, a familiar voice cut through the tense atmosphere. “Well, well, if it isn’t my favorite double agent.”

You froze, hearing that familiar voice filled with spite. Standing in front of you was Romeo, your former colleague. He leaned casually against the doorframe, his eyes locked on you with a mixture of surprise and annoyance.

“Romeo,” you said, trying to remain composed. “What are you doing here?”

Romeo’s smirk was a blend of flirtatiousness and anger. “I didn’t expect to see you here, especially not with him."

Bucky stepped forward, his eyes narrowing. “We don’t have time for this.”

Romeo’s gaze flicked to Bucky, then back to you. His voice dripped with sarcasm. “I suppose it was only a matter of time before you chose another. I’m just curious—did you miss me at all, or was it all just part of the job?”

You kept your tone even, but the past echoed in your words. “It was always part of the job, Romeo. Nothing more.”

Romeo's eyes flashed with a mix of fury and betrayal. He leaned in closer, his voice dripping with contempt. “Of all people, you choose to work with him? The most wanted fugitive and the worst traitor?” His tone was laced with disbelief as he gestured toward Bucky with a sharp, accusing finger.

Bucky stepped in, his voice firm. “Well, she chose me.”

The words hit Romeo hard. His face contorted with anger. “Oh, so that’s it? You’re just going to flaunt it in my face? How charming. I always knew you had a talent for stealing—both hearts and secrets.”

Lori, watching from a distance, could hardly believe the scene unfolding before her. She stayed silent, her eyes wide with excitement and curiosity. This is a LOVE TRIANGLE!

You took a deep breath, trying to focus on the task at hand. “Romeo. This isn’t about us anymore.”

Romeo’s anger flared. “I guess some things never change. You always had a knack for making everything personal.”

Before you could react, Romeo lunged, reaching for the data drive. Bucky moved to intercept him, but Romeo’s partner appeared, grabbing your arm and twisting it painfully.

“Gotcha,” the partner sneered.

You struggled free, delivering a swift kick to his side. The fight erupted in full force as Bucky and Romeo grappled, exchanging blows. You managed to push back your attacker, but Romeo drew a knife, aiming it directly at Lori.

Without thinking, you threw yourself in front of her, taking the hit to your side. Bucky’s eyes widened in horror. “Y/N!”

You gritted your teeth, trying to stay upright. “Get Lori out of here!”

Bucky fought off Romeo and his partner with renewed determination, eventually knocking Romeo out cold. He helped you toward the exit, Lori’s worried face visible in the doorway.

Henry, who had been monitoring from outside, was already pulling up in the getaway car. “Get in!” he shouted.

Bucky helped you into the back seat, and Lori followed closely. The car sped away from the building, leaving the chaos behind.

As the adrenaline began to wane, Bucky pressed a hand to your wound, his face a mask of concern. “Hold on, we’re almost clear.”

Lori, her face pale but determined, asked quietly, “Aunt, are you okay?”

You managed a weak smile despite the pain. “I’m fine, Lori. Just a scratch.”

Henry glanced back through the rearview mirror. “Was it worth it?”

You held up the data drive, the evidence of the CEO’s wrongdoings. “We got what we needed.”

Henry grinned, relieved. “Then let’s get out of here before more agents show up.”

The car sped into the night, leaving the confrontation and the chaos of the charity event behind. You leaned back in your seat, clutching the drive tightly. Despite the pain and the narrow escape, you knew you had accomplished your mission.

🥀🥀🥀🥀🥀🥀

Present Time

Lori was still buzzing with excitement, peppering you with questions about Romeo. Bucky, visibly agitated, clenched his jaw and avoided eye contact, his jealousy simmering beneath the surface.

Meanwhile, Henry was in the other room, trying to uncripted the drive. He took a drag from his cigar but suddenly erupted into a fit of uncontrollable coughing. The sound echoed through the room, making him look vulnerable.

Lori quickly sprang into action, grabbing a glass of water and handing it to Henry with a concerned expression. “Here, drink this,” she said softly.

Henry accepted the glass with a grateful nod. “Thank you.”

Lori watched him closely, her concern deepening. “How long have you been sick?”

Henry looked up, surprised by her insight. “How did you know?”

Lori pointed at the medicine in his bag, her voice carrying a tone of familiarity. “I used to help my mother take care of my father when he was sick. I remember most of the names of the medicines he used.”

Henry was impressed by her knowledge. His gaze softened, though his eyes still held a trace of sadness. “I just found out,” he admitted. “My life is now just counting days.” The doctor didn’t tell him, but he knew. That’s why he doesn’t want to die miserably in the nursing home.

Lori’s expression reflected a deep empathy, recognizing the bitterness in his words that mirrored her own father’s struggles. She glanced at the cigar and whiskey near Henry, then met his eyes with a gentle resolve.

“Do what you love while you still can,” she said quietly.

Henry chuckled, a bitter but appreciative smile playing on his lips. “I will.”

🥀🥀🥀🥀🥀

As Bucky finished treating your wound, the dim light from the room cast soft shadows across his face. He looked up, his expression serious yet tender.

“You’re in the danger zone, James. Why did you try to find me?” you asked, your voice tinged with concern.

Bucky’s gaze locked with yours, filled with a depth of emotion that made your heart ache. “I realized that knowing I can’t be with you forever is haunting me.”

You studied him, feeling the weight of his words. The room seemed to shrink around you, making the moment feel intensely intimate.

Bucky continued, his voice hushed but resolute. “I know I’m a bad person. I’ve lived my life constantly looking over my shoulder. If I die tomorrow, at least I need you to know how I feel. I don’t want to leave this world with regrets.”

You felt a lump in your throat, a mix of frustration and tenderness. “You’re a fool, Bucky.”

He let out a soft, bittersweet chuckle, a faint smile playing on his lips. “I know.”

“That’s why I liked you,” you said, your voice barely above a whisper. The words hung in the air between you, carrying an unspoken promise.

Bucky’s smile grew, and he reached out, gently cupping your face in his hands. The warmth of his touch sent a shiver down your spine. “I’ve always liked you too. Even when I didn’t want to admit it.”

His eyes searched yours, and for a moment, the world outside seemed to disappear. You could see the vulnerability and longing in his gaze, and it mirrored your own feelings.

Slowly, he leaned in, his breath mingling with yours. “If we make it out of this, let’s promise to take whatever chances we can get. Let’s not waste another moment.”

Your heart raced as you closed the distance between you, sharing a kiss that spoke of all the unspoken words and emotions that had built up over time. The kiss was both tender and passionate, a release of all the feelings that had been pent up for so long.

When you finally pulled away, your foreheads rested together, and Bucky’s eyes were filled with a mix of relief and hope. “Let’s fight for a future where we can be together,” he whispered.

You nodded, your heart full of resolve and affection. “We will.”

As the romantic moment unfolded, a sense of quiet intimacy enveloped you and Bucky. But that peace was abruptly interrupted by the sound of a soft chuckle. Both of you turned, your sighs of frustration mingling with the realization that you were being watched.

There, peeking around the edge of the door, was Lori, her eyes wide with curiosity and amusement. You and Bucky exchanged a knowing glance, recognizing that your private moment had been intruded upon.

"Lori!" you called out, your voice a mix of exasperation and embarrassment.

Lori’s face broke into a playful grin, and she quickly darted away, her laughter echoing down the hallway as she ran.

Bucky shook his head with a chuckle, the tension from the moment melting away. You couldn’t help but smile at Lori’s antics, feeling a sense of warmth despite the interruption.

Bucky turned to you, his eyes softening with affection. “Well, at least she’s in good spirits.”

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[roo-bastmoon]

Off My Chest

Rant about Hybe under the cut. I give you my word I will try to post a majority of positive content, because the world (and my mental health) doesn't need more negativity, but sometimes you just gotta vent.

Folks, if you've known me for a hot second, you've realized I am a Jimin-biased Jikooker... but I am OT7, and I sincerely love and support BTS.

I believe Jimin is a grown man who can advocate for himself and I believe Jungkook absolutely supports and adores him, whatever their relationship status is.

I always try to accentuate the positive and avoid online drama and negativity as much as possible, but I need to get this off my chest.

I will never be gas-lit into believing that the way Jimin was treated in solo era was fair, or equitable, or even made any kind of business-sense. I've genuinely tried to entertain other people's points of view and listen to people who claim to have industry expertise, but...

I will never forget his mail being tampered with four times, his leaked insurance information, denial of more music videos, overlapped solo release, only 9 days of promotion, split title tracks, no radio or play-listing, no bio for his Spotify for months, no restock of his single CD for months, hundreds of thousands of frozen and deleted sales, millions of culled streams, shady articles in WeVerse and Billboard, insulting dialogue in In the Seom, failure to submit to RIAA certification for months, only a paywall documentary on WeVerse, zero official acknowledgement of his Hot 100 #1, 1 billion streams on Spotify, or wins for The Fact, MAMA, and two Webbys, plus broken in-ears, anemic little balloons and a sad background tarp as decorations for his fan events… and the company telling him how doing more would just be impossible.

I compare all that to the push that other members and other groups got, and I know it just isn't true. It wasn't impossible.

Hell, Jeon Jungkook put in more effort to promote Jimin’s work and showed more respect for Jimin as an artist during his at-home lives than that whole company did, which honestly makes no sense from a profit standpoint.

I will never forget it, and I will not entertain arguments that say I’m a solo or an anti or jealous about it. I have eyes.

I am not out to shade any other members nor put forth any conspiracy theories. I simply want all our boys to get everything they justly deserve.

And yes, other members have suffered mishaps and neglect, but nothing of this scale, this consistently. It baffles me, I cannot understand it, and I'm done trying. Something strange was going on behind the scenes and we may never be privy to the details.

In trying to put this awful feeling behind me, I will say I am elated that Jikook are serving together and can support each other. I am glad there will be a Jikook travel show. I'm continually impressed with all of Jimin's success (in the military and professionally) despite all odds. I will always love and support all of BTS with my full heart.

And I sincerely hope the company has been taking notes and course-corrects for PJM2, even if it rubs some higher ups the wrong way if they had a different vision. Considering Jimin’s unique talents and his amazing star power—even his ability to bring Paris and New York to a screaming standstill just for the opportunity to see him exit a car—I would hope the company will “do their best to promote all labels and artists without discrimination” going forward.

But what happened truly sucked, and I needed to get that off my chest. I am not interested in further discussion or debate. I am now going to do my best to shift my focus and energy on to the things I want to manifest, instead of the things that enrage me.

So let me end on a positive and hopeful note: I put all my trust in Jimin, who signed a new contract with Hybe and who unfailingly adores all his members. There can be no love without trust. I will always do my best to trust BTS.

But I'm watching carefully. For Jimin and all our boys.

Love, Roo

[niconebula]

I’m currently writing a college essay on the representation of Witches (and all Magical Girls) in Madoka Magica; I don’t know if I will be able to include this within the limits of the project so I wanted to share to Tumblr instead. It does not seem to be widely understood how much yonic imagery there is in the series and how important that is to the intended message.

For starters Kyubey is a walking uterus. The name of his species is literally Incubator (an enclosed apparatus providing a controlled environment for the care and protection of premature or unusually small babies; an apparatus used to hatch eggs or grow microorganisms under controlled conditions). He creates egg-shaped Soul Gems, and deposits the Grief Seeds back into his little receptacle. Why does he have such a weird design with two sets of ears? The lower ‘ears’ with the separated ends are actually modelled off of what Fallopian Tubes look like.

(Funny diagram but. It’s true! I’ll come back to this point at the end).

So then take this scene (thank god someone reuploaded it to YouTube):

“And you think a shit-for-brains hoe is going to be making that much in ten years? That body ain’t gonna last forever, you know.” “And then you dump ‘em, and they get all whiny!”

These two men are talking about the short term relationships they have with women, using them for their bodies and treating them like shit, and then dumping them immediately after - not understanding or caring as to how this upsets them.

It consistently baffles me how many people will completely throw out feminist readings of Madoka Magica. ‘Readings’ shouldn’t even be used - this is the main text of the goddamn show! You are free to argue that it failed at its message, or that the application was problematic, but for this scene in particular to fly over your head makes me discount opinions immediately.

Anyway, where have we heard this rhetoric before? “That body ain’t gonna last forever” - a young Magical Girl is always destined to turn into the Wicked Witch. “When you dump em’, they get all whiny!” - it is a Magical Girl at the peak of her despair who turns into a Witch, and Kyubey cannot and does not care for their human emotion.

The men cycle through their ‘hoes’ like Kyubey cycles through Magical Girls to get whatever his species supposedly needs to continue the universe.

I’m going to cut a break here for TW discussions of metaphorical rape and pregnancy involving minors, but this portion of the post is important.

Kyubey completely violates the concept of informed consent when he creates his magical girls - though he always argues that he did ask, and it’s in fact their fault (as fourteen year old girls) to not ask further questions.

Taking his form as a uterus alongside the yonic imagery of the show, it is implied that Kyubey has in some way ‘raped’ the girls. This is most evident in Sayaka’s arc; her insistence that becoming a Magical Girl has made her spoiled and that Kyousuke wouldn’t want to even kiss a girl like her.

Their transformations into witches further the idea that they have been ‘spoiled’, but also symbolize their transformation into adult women. Women who are ‘too adult’, and whose bodies are no longer attractive or useful to create babies anymore.

Goddess Madoka is even depicted as pregnant in the full Magia ending.

I feel like you could reason within all this symbolism that there’s a metaphor for specifically the coerced pregnancy and mothership of women. Something often considered the ‘ideal state’ for women and as you will see many conservatives argue, the necessary thing to continue society. In their minds, the subjugation of anyone they assign as women to these roles is necessary for society as they know it to continue for the imaginary people of the future who do not even exist yet.

Kyubey refers to the Magical Girls as cattle. He is there to help incubate and hatch the witch, and then throw the magical girl to the dust afterwards as she dies no longer useful. These girls are sacrifices to a far-off future that Kyubey promises them, he tells them that if no Magical Girls existed to hatch into Witches, humanity would not last long enough to see itself to the stars.

The incubator and his design, the soul gems and grief seeds, the pregnant madoka, the discussions about men liking their eggs a particular way by their homeroom teacher, it’s all very consistent. I’m not sure if my prospective readers have ever considered this within Madoka Magica - but try seeing it from this angle.

I didn’t find a way to work this into the post, but in addition: take the ancient myth of the wandering womb. This was the belief that so called over-emotional women were suffering from a condition where their uterus was moving in ways all across their bodies. It morphed into the more modern usage of female hysteria; hysteria coming from hystera- the Greek word for uterus. Kyubey thinks of the girls as constantly overreacting and overemotional. Hysterical.

[lunamond]

"And yet you toil still in service to men. Your father, your husband, your son. You desire not to be free, but to make a window in the wall of your prison. Have you ever imagined yourself on the Iron Throne?"

Rhaenys Targaryen, Ep 9

There are a lot of moments in Hotd that are quite dumb. But this is probably one of my most hated quotes in the whole show.

What does Rhaenys even mean by this?

"You toil in service of men"???

Ehm, Rhaenys?? That's literally all you've been doing this whole season?!

There could definitely have been a version of Rhaenys (based on the book) who is ambitious and focused on her own power, but that is absolutely not show!Rhaenys. Throughout the show, Rhaenys continuously helps Corlys to advance his various schemes to build his legacy.

Not her or even their legacy, no, it's all about HIS legacy.

She is even willing to sacrifice her children for this purpose (marrying Laena to Viserys, and Laenor to Rhaenyra). And while she is critical of this both times, she still goes along with her husband’s demands.

Her behaviour perfectly lines up with what Alicent says:

“We do not rule, but we may guide the men that do.”

And then the most offensive parts:

"You desire not to be free, but to make a window in the wall of your prison."

Ok? What should Alicent do then? Just casually dismantle the entire system of patriarchy?

This line is just utterly baffling to me. It would be one thing if this moment revealed a deep internal bias on Rhaenys' part, but based on the way this entire scene is framed and discussed by the fandom, it seems to be meant as a badass moment in which Rhaenys really calls out Alicent.

But, if we take this prison metaphor a bit further:

If Westerosi patriarchy is the prison and Alicent crowning her son and exerting power only through her influence over him is merely a window, then what does that mean for every Targaryen dragonriding princess or queen that have come before her?

What have they done to dismantle this prison?

I'm personally confused about what exactly Rhaenys is calling Alicent out for? Is she criticising Alicent for not elevating other women? Is she criticising her for not breaking herself out and seizing power?

If it is the former, then Rhaenys is being quite hypocritical, considering that Rhaenyra, in the previous episode, just convinced her to give Driftmark to Lucerys instead of Baela.

Rhaenys herself has scarcely done anything to liberate herself, her daughter or her granddaughter.

If it is the latter, then this is quite tone deaf, considering Rhaenys is part of the ruling dynasty, almost became ruling queen, and in her big show of defiance is literally breaking through the ground massacring hundreds on a dragon.

Rhaenys calling out another woman who has none of these things for not breaking free of these constraints while she herself couldn’t even manage it is quite frankly dumb as hell.

"Have you ever imagined yourself on the Iron Throne?"

This last sentence is probably the dumbest part of this entire quote.

I'm quite honestly baffled by what Rhaenys is even supposed to mean with this. Is she asking if Alicent ever considered ruling through her husband/son? Then, yeah, that's literally what she is trying to do.

But if Rhaenys is asking if Alicent imagined herself literally sitting the throne in her own right.

Like, no? Alicent is only a consort?! Should she do a coup? Overthrow the Targaryen dynasty?

Ultimately, this scene is just really indicative of Hotd's greatest flaw. The writers are aware that the driving source of conflict in both Alicent and Rhaenyra's lifes is the misogyny they experience, but not enough to comprehend this struggle in a nuanced and complicated way.

So instead, they end up putting their female characters in anti female oppression and pro oppression categories.

Either they're rebellious punk rock and not like other girls, or they are a prudish trade wife and are part of women for trump. Either they're Team Black or Team Green.

This is just super disappointing because for one feudal patriarchy doesn't work like that, but it also takes away all sympathy from the women who don't have the ability for open defiance out.

In the end, the show is more concerned with giving the "good" women, badass girlboss moments, showing how they defy the system.

[nayziiz]

Stay | LN4

Summary: A new romantic prospect puts things into perspective in the best and worst ways possible.

Pairing: Lando Norris x OC (Cara)

Warnings: Angst

Masterlist

CHAPTER 6

The music was louder than Cara expected when they entered the club. Maya immediately dragged Lando over to the bar to get drinks, and Max and Pietra went on a mission to find the private booth Maya had apparently arranged. Cara hung back for a minute and surveyed the scene. It wasn't her go-to place regardless of the country she found herself in. She sighed, defeated, knowing she would be spending most of her night being miserable.

Trying to make the best of it, Cara wandered over to the bar, deciding to get herself a drink. She squeezed through the crowd and managed to catch the bartender's attention, ordering a simple gin and tonic. As she waited for her drink, she couldn't help but notice Lando and Maya at the other end of the bar, Maya clinging onto Lando's arm as they laughed together.

Cara felt a pang of something she couldn't quite place—jealousy, maybe? She quickly dismissed the thought, reminding herself that she and Lando were just friends. Still, it was hard to ignore the growing discomfort she felt every time she saw them together.

“Here's your drink,” the bartender said, breaking her train of thought. She thanked him and took a sip, letting the cool liquid calm her nerves. She turned away from the bar and tried to spot Max and Pietra, hoping to find some solace in their company.

After a few minutes of searching, she finally saw Max waving her over from a corner booth. She weaved through the throng of people, grateful to finally sit down and escape the chaos for a bit. When she reached the booth, Pietra scooted over to make room for her.

“Never really been your scene, huh?” Max observed, a knowing smirk on his face.

“Not at all. But hey, at least I've got you guys to keep me company,” Cara shook her head, managing a small smile.

“Don't worry, we'll make sure you have a good time,” Pietra assured her with a pat on the shoulder.

“See, she looks so out of place,” Maya whined when she looked back at Cara. Lando followed her eyes and found Cara slowly moving towards Max and Pietra.

“Cut her some slack, she's trying,” Lando countered, a hint of frustration in his voice.

“Why do you defend her so much?” Maya asked, her tone a mix of curiosity and annoyance.

“Because she's one of my best friends, Maya.” Lando sighed, rubbing the back of his neck as he tried to find the right words.

“It just feels like she's always around, and I don't get why you prioritise her so much.” Maya pouted, clearly unsatisfied with his answer. Lando took a deep breath, trying to stay calm.

“Cara is important to me, just like Max, just like Pietra. We've been through a lot together. It's not about prioritising; it's about recognizing the people who genuinely care about you. You should give her a chance, get to know her better.” Lando continued. Maya rolled her eyes as she shifted closer to Lando, linking her arm through his.

“Baby, she's not like us, she doesn't fit in,”  Maya retorted, her tone dismissive.

“Like us? What does that even mean?” Lando asked, baffled by Maya's comment. “Alright, if you want to see me defensive, keep saying stuff like that.”

“Calm down, Lan. I'm just sharing my opinion,” Maya shrugged, trying to downplay the situation.

“No, you're being mean towards her, and that's not cool, Maya. She's only been nice to you,” Lando continued, his voice firm.

“Whatever, Lan. I just think you should focus more on us.” Maya rolled her eyes at him once more. Lando shook his head, feeling a growing frustration.

“It's not a competition, Maya. If you can't accept my friends, then this won't work.” Lando informed her. Maya stared at him, a mixture of anger and hurt in her eyes. “Give her a chance. You might actually like her if you got to know her.”

Maya didn't respond, instead turning her attention back to the bar. Lando sighed, knowing that this was far from over, but determined to stand by his friend.

Cara spotted Lando and Maya in an intense conversation from their reserved booth where she sat with Pietra and Max, who were also chatting away. She nudged Pietra, drawing her attention to the scene unfolding at the bar. Pietra turned to look at what Cara was indicating.

"Trouble in paradise?" Pietra asked, raising an eyebrow.

"Who knows?" Cara sighed again, feeling a pang of discomfort at the sight.

Max, picking up on the shift in conversation, turned his attention to the bar as well. "Looks like things are getting heated over there."

Cara nodded, taking a sip of her drink. "Yeah, it does."

Pietra leaned in closer to Cara. "You okay?"

Cara forced a small smile. "Yeah, just...it's been a weird night."

Max gave her a sympathetic look. "Weird how?"

Cara hesitated, glancing at Lando and Maya again. "Just...Maya's been making things a bit uncomfortable. I feel like I'm in the way."

Pietra put a reassuring hand on Cara's arm. "You know you're not in the way, right? You're part of this group, and we all want you here."

Throughout the night as the drinks flowed, Cara loosened up and even ended up on the dancefloor. She danced with some girls for a while, and then the men started approaching her. Lando ground his teeth, his jaw locked, as he watched her dance against a new man every few minutes, a goofy smile plastered on her face as she did so.

He could feel the frustration bubbling inside him, his protective instincts flaring up with each passing moment. He knew Cara was just trying to have a good time and shake off the evening's earlier discomfort, but it didn't stop the surge of jealousy and concern he felt seeing her surrounded by strangers.

Maya noticed Lando's attention was securely on Cara and nothing else the second she went on the dancefloor, so in a huff, she left the club without saying goodbye to Lando. She felt a sting of betrayal and disappointment as she pushed through the throng of people, heading for the exit. Her dramatic departure went unnoticed by Lando, who was too engrossed in his moment with Cara to see anything else.

Lando was able to contain himself until he saw another new man approach Cara. The man slid in behind her, grabbing her hips as they swayed, and pressed himself right against her. She didn't move away from him, not even when his hands travelled around to her waist and later to her butt and thighs. Lando's blood was boiling as he stood and watched.

Max, noticing Lando's agitation, nudged him. "You okay, mate?"

Lando forced a tight smile. "Yeah, just... keeping an eye on things."

Max followed his gaze to where Cara was dancing, understanding dawning on his face. "She's just having fun, man. Let her enjoy herself."

Lando sighed, running a hand through his hair. "I know, I know. It's just hard to watch."

Pietra, joining the conversation, leaned in. "Maybe you should go dance with her?"

Lando hesitated. "I don't know if that's a good idea."

Pietra gave him an encouraging smile. "It might be exactly what she needs. Besides, it's clear you're not happy just standing here."

He walked through the crowd to where she was. The man dancing with her had disappeared, and Lando took the opportunity to wrap his arms around her waist from behind to see what her reaction would be. Instead of pushing his hands away, she rested her hands on his and intertwined her fingers with his. She pressed her body against his and swayed to the beat of the music. She rested the back of her head against his chest and turned her head slightly so she could just, ever so slightly, brush the tip of her icy nose against the skin of his neck.

“You know it's me, right?” Lando asked, his voice soft yet tinged with a hint of amusement.

“Uh-huh,” she hummed, warm from both the alcohol and by Lando’s sudden presence behind her.

“I thought I'd join you,” he replied, trying to keep his tone light. “Looks like you're having fun.”

"I am. But I wouldn't mind a familiar face to dance with,” she admitted, a slight flush to her cheeks. 

“Well, here I am.” He grinned, relieved.

Lando and Cara continued to dance, their laughter and movements synchronised. The energy between them was palpable, drawing a few curious glances from onlookers but mostly just blending into the vibrant, carefree atmosphere of the dancefloor. Max and Pietra, seated in the booth, observed the scene with satisfaction.

“Looks like they’re finally letting their feelings take control,” Max commented, leaning back with a contented smile. Pietra nodded.

“It's about time. They both needed this.” Pietra agreed, hinting at all of the months and trips they spent watching Lando and Cara dance around each other and their feelings.

After their night at the club, the unexpected intimacy they shared on the dance floor lingering in their minds, Cara and Lando found themselves back at the apartment. The atmosphere was filled with a mixture of awkwardness and anticipation, as both of them tried to process the shift in their relationship. They had reversed roles for the evening: Lando took the couch, and Cara took his bed.

Cara lay in Lando's bed, surrounded by the scent of him that clung to the sheets and pillows. She turned over and buried her face into his pillow, breathing in deeply. His scent was comforting, but without him being close, it felt suffocating and incomplete. The bed felt enormous and empty without his presence. It was cold. Too cold. She pulled the blankets tighter around herself, trying to find some semblance of warmth, but it was no use. The events of the night replayed in her mind, especially the moment on the dance floor when she had felt so safe and connected in his arms.

In the living room, Lando tossed and turned on the couch. The cushions felt foreign and uncomfortable, a far cry from the familiarity of his bed. The eerie loneliness of the room gnawed at him, amplified by the silence of the early morning hours. He stared up at the ceiling, his thoughts consumed by the feel of touch and the way she had fit so perfectly in his arms. He couldn't shake the feeling of emptiness that filled the room without her presence nearby.

Both of them were restless, struggling to find comfort in their new sleeping arrangements. The distance between them felt greater than the physical space that separated the couch from the bedroom. They were both acutely aware of each other's absence, and it weighed heavily on their hearts.

His bedroom door creaked open, and Cara stood leaning against the doorframe, watching Lando toss from one side of the couch to the other. The sight of him struggling to find comfort tugged at her heart. She could see the unease etched on his face, and it mirrored her own feelings of restlessness.

“Not comfortable?” she whispered as she approached him, halting his movements.

“Something like that,” he admitted, sitting back with a sigh. He looked despondent, the weight of the night’s events clearly still on his mind. Cara took a seat beside him, their shoulders brushing. “Why are you still up?”

“I’m not entirely sure,” she confessed, pulling her sweatshirt’s sleeves over her hands. The fabric provided a small comfort against the cold, but it did nothing to quell the chill she felt inside.

Lando sat there, his heart pounding against his ribcage like a caged bird desperate for freedom. His mind raced, a flurry of doubts and uncertainties clouding his judgement. Was this the right moment? Would she think he was being too forward? A myriad of questions bombarded his thoughts, threatening to drown out the faint whisper of courage that urged him forward.

Yet, amidst the chaos of his mind, there was a flicker of something different—an ember of spontaneity and daring that dared to defy his apprehensions. It was that tiny spark that propelled him forward, urging him to take a leap of faith into the unknown. For a brief moment, he hesitated, his lips parting as if to speak, only to falter at the brink of uncertainty.

But then, with a surge of determination, he silenced his doubts and let his words spill forth into the space between them.

"Fancy a cuddle?" he suggested, the words hanging in the air like a delicate promise waiting to be fulfilled.

In that instant, time seemed to stand still, the world holding its breath as they stood on the precipice of possibility. Would she laugh it off, dismissing his offer with a gentle smile? Or would she embrace the spontaneity of the moment, taking his hand and diving headfirst into the unknown?

As the blush bloomed across her cheeks, Lando felt a surge of anticipation mingled with a hint of vulnerability. He watched her, his heart pounding in his chest, wondering what her response would be. For a moment, she seemed to retreat within herself, her gaze flickering away from his as if grappling with an inner turmoil.

Then, just as he began to fear that his suggestion had been too bold, she surprised him. With a deep breath, she rose from her seat, her hand extended towards him in a silent invitation. It was a gesture filled with a quiet determination, a silent affirmation of trust and curiosity.

Lando felt a rush of relief flood through him as he accepted her hand, letting her lead him back to his room. The air between them crackled with anticipation, the weight of their unspoken feelings hanging heavy in the space around them.

Once inside, he closed the door behind them, the sound echoing softly in the silence. He watched as she made herself comfortable under the covers, her movements graceful yet tinged with a hint of uncertainty. It was a simple act, yet it spoke volumes—a silent agreement to embrace the intimacy of the moment, to explore the connection that pulsed between them.

As Lando slipped out of his shirt, the fabric falling away to reveal the contours of his frame, it felt like shedding a layer of inhibition, a symbolic gesture of vulnerability and intimacy. It was a routine he had grown accustomed to, a small act of comfort and familiarity in the quiet moments before sleep claimed him.

With a silent grace, he joined her beneath the covers, the warmth of the blankets cocooning them in a world of their own making. And as he settled beside her, he felt a sense of rightness wash over him—a feeling of belonging that transcended words or explanations.

She welcomed him into her embrace with a natural ease, her body fitting against his like two pieces of a puzzle finally finding their perfect match. He could feel the gentle rise and fall of her breath against his neck, a soothing rhythm that lulled him into a state of contentment.

Wrapping an arm around her shoulders, he pulled her close, relishing the sensation of her skin against his own. It was a simple gesture, yet it spoke volumes—an unspoken promise of protection and comfort, a silent declaration of love and devotion.

With her hand resting on her exposed stomach, he felt a surge of tenderness well up within him.

“Tell me something nobody else knows about you,” Lando quipped in an attempt to distract himself from the feeling of her body against his.

“I am absolutely terrible at skiing,” she whispered with a small chuckle.

“Is that why you didn’t come to Finland with us?” he realised.

“Partly, yeah,” she chuckled. “I did have to work, too.”

“I can teach you, you know, how to ski,” he offered.

“You’d be teaching a wall how to walk, not going to happen,” she countered.

“Then it’s a good thing I’m a great teacher. Just look at how great you are now at karting,” Lando teased with a knowingly smile.

“Alright, fair enough,” she conceded, chuckling slightly at his cockiness.

The excitement of their banter dissipated into the tranquil embrace of the night as she nestled her head into the curve of his neck once more. Her breath, warm yet tinged with a hint of chill, ghosted across his skin, sending shivers down his spine.

Lando's fingers traced gentle patterns over her arm, the warmth of her touch a soothing balm against the tumultuous currents of his thoughts. He tried to coax himself into a state of sleep, to let the gentle rhythm of their breaths lull him into oblivion. But amidst the quiet darkness, the desire that simmered beneath the surface refused to be ignored.

With each passing moment, the urge to lean in and capture her lips in a tender kiss grew stronger, a silent plea that echoed in the depths of his soul. He turned his head slightly, his gaze meeting hers in the soft glow of moonlight filtering through the window.

Their eyes locked in a silent exchange, a wordless conversation that spoke volumes of unspoken desires and hidden truths. In that fleeting moment, the world fell away, leaving only the two of them suspended in the timeless embrace of the night.

“I really want to kiss you,” he confessed, his voice so soft it was barely a whisper.

“Okay,” she mimicked his tone and volume, her breath warm against his skin.

With a tender reverence, Lando cupped her cheek, his thumb brushing lightly across her skin. He leaned in, closing the small distance between them, and gently pressed his lips against hers. The kiss was soft and delicate, a gentle caress that spoke of all the unspoken words and feelings they had shared.

For the first time in a very long time, Lando felt butterflies fluttering in his stomach—the good kind that signalled something special, something real. It wasn’t a hungry or desperate kiss, but one filled with sweetness and tenderness, a reflection of how he felt about her.

When he finally pulled away, he watched her eyes remain closed, her face serene as she absorbed every moment of the lingering sensation. A smile curved her lips, and in that moment, Lando knew that this simple kiss had sealed something profound between them.

They spent the rest of the night wrapped in a cocoon of warmth and intimacy, gazing at each other with a mixture of wonder and contentment. The world outside their little bubble seemed to fade away, leaving only the soft glow of the moonlight and the quiet whispers of their shared breaths.

With tender curiosity, they traced invisible shapes into each other’s skin, their fingertips leaving trails of warmth and affection. Each touch was a silent declaration, a wordless conversation that spoke of their growing closeness and the trust they had built.

Her fingers played gently with his hair, twirling soft strands between her fingertips, while he marvelled at the delicate way she moved. In return, his hand found its way to her hair, smoothing it back from her face with a tenderness that made her heart flutter.

As the night wore on, their words grew softer, their touches slower, each moment drawing them deeper into the embrace of sleep. The rhythm of their breaths synchronised, creating a soothing lullaby that carried them towards slumber.

Finally, with their bodies entwined and hearts beating in unison, they drifted off to sleep, each wrapped in the comfort of the other’s presence. And as they slipped into dreams, the night held them close, a silent witness to the beginning of something beautiful and enduring.

[momentomori24]

I haven't seen anyone talk about it in detail if at all, so I'll just throw this out there: Is it just me, or are Ashley's feelings for Andrew very not romantic?

Just to be very clear-- this isn't me trying to sanitize the incest present in their relationship or twist it into pure unproblematic platonicness despite everything in the game being a hellish, dystopiant, grotesque, unapologetic mess (in a good way), just an observation that's been on my mind for a while.

We know Andrew is absolutely, 100% romantically attracted to his sister especially through both his inner monologues, relationship with Julia and of course, The Scene. But I never really got that same attraction from Ashley. She loves to degree where it can't be considered platonic, but there's a blunt edge to her affection I wouldn't call romantic either.

She's obviously been obsessed with him from a young age as he's the only person she had to cling to without worrying that he'd leave her. She doesn't treat him like a person, she treats him like a coveted toy that only she can play with. Between borderline neglegent parents, untreated apathy issues, a major abandonment complex and a parentified brother/psuedo-dad, unhealthy attachments and toxic tendencies can go real bad real quick. Go figure. It's possessive, referring to her brother as hers and something that's considered stolen the moment someone else has an interest in it, but it feels a lot more "innocent" than Andrew's possessiveness of her. Andrew is hers to have because he's her brother, just like how a plaything would be hers because it was bought for her-- there doesn't seem to be anything more to it than that.

I think the best example of that is their reaction to the Vision in the Burrial route:

Unlike Andrew, who is disturbingly flustered rather than reasonably revolted, she just... doesn't have a reaction to it. They've already trapped themselves in a box with each other and commited some of the worst atrocities imaginable, so she just chalks it up to another thing to add to their crimes list. Her causual playfulness and indifference to the situation is such a strong contrast to Andrew's desperate denial and really shows her feelings about the whole thing. Or lack of, as she isn't at all fazed about it. You'd think that she'd be thrilled, or excited or equally as flustered as Andrew at the thought of their relationship taking the next big step, but there isn't any of that here. Despite her jealousy, obsession, possessiveness and extreme closeness, it doesn't seem that there was ever any romantic intent involved on her end (or at least none that she knows of). Heck, she even voices her confusion when Andrew confesses he read her actions that way:

There is something funny about going through the story thinking ''ok i get it she's the obsessed yandere sister with a brother complex i see you game'' only to be hit with the revelation that it's the complete opposite way around. Basically just Ashley hitting both Andrew AND the players with the "wait you really saw me like that what did i even do to make you think that??" at the very end and it is baffling. The fact that she seems genuinely oblivious to how she comes off is both a little cute and unexpectedly innocent, but also cements just how little she grew up from when she was a kid.

But I think this line from her really encapsulates their relationship perfectly:

One way to keep him around. She won't sleep with him because of some repressed sexual tension or genuine (messed up) affection, but because she views it as transactional. She loves Andy, that version of her brother who went along with whatever she wanted and cared about her despite all her issues when no one else did. She always acts uncaring towards other people, but it's so obvious that she's lonely. That the people she cares about not caring about her has an effect on her. We see it with their mom, the way she continued to call her despite the abuse and neglect she put her through and immediately assumes she wouldn't have wanted them to find her because she feels that unwanted. We see it with her ''friends'', the way she felt so betrayed by how they basically left her for dead in that apartment without bothering to try throwing some food up their balcony. She didn't even care if they would've succeeded or not-- she just wanted someone to try. She clings so viciously to her brother because he's all she has left. She's been labelled unlovable by everyone else in her life, and the moment he leaves her for someone more stable, she's alone for good. Andy needed her the same way she needed him, but now he's gone, and Andrew is more unpredictable than ever. His nightmares have gotten better, so he doesn't need her to sleep easier at night (not that he did in the first place). He's better at having a social life too, so surrounding himself with others and getting his life together shouldn't be too hard. He doesn't need her the way she needs him anymore, but she knows that Andrew wants her, so she'll give herself to him before anyone else can if it means that he'll stay. Which, by the way, is such a good parallel to her mom's own mindset when it comes to relationships (like mother like daughter ammirite). It's so far from love; it's just blatant codependancy she doesn't acknowledge on her end, something we see Andrew both enable and take advantage of whether he realises or not. And I think that's a more nuanced, fascinating trait of her character rather than just the ''yandere sister in love with her brother'' trope.

Anyway, hope you enjoyed reading this messy, hopefully coherent analysis of our gravecest couple, mostly focused on Ashley. And who knows, maybe she IS in love with Andrew and I completely misinterpreted her feelings for him, but until proven otherwise I'll keep clinging to this theory. This GAME THE-- [GUNSHOTS].

[dalekofchaos]

Choices I would've added to Life Is Strange

I posted this on the LIS subreddit and thought I'd post it on here.

I wanted to keep to the same story without altering anything major, otherwise I would've stuck to the original plotline with Sean as the big bad, Nathan knowing about the storm, have Max, Chloe, Warren and Victoria team up to give Warren, Kate and Victoria more screen time and give them romance paths and add a ending where Max goes back to save Rachel, Chloe and the Bay.

I might be breaking a rule by adding more Warren, but cut content suggests we were meant to see Max, Chloe and Warren together as a team. Concept art sketch for a cut scene by Edouard Caplain, depicting Max Caulfield, Chloe Price and Warren Graham

Episode 1

Take photo of David harassing Kate. Rewind. Comfort Kate. Keep photo. To this day it baffles me that this is the only time - the only time - where the game breaks its own rules of "Max keeps things on her when she rewinds." Even small things like helping Joyce make breakfast respects this rule. If you tell Joyce you want one thing, grab all the ingredients, and then rewind to tell her you want the other thing, all the ingredients you grabbed are still in your inventory! You can have the items for both breakfasts in your inventory. Though the game does remove them all once you talk to Joyce and commit to making breakfast. You could make an argument that the photo didn't exist to the point she rewinds to, which breaks the semantics of how the time-rewind works (notably how if you pick up an object off say a table, then rewind to before you picked it up, it's still no longer on the table), but it still annoys me endlessly. Because that was my natural thought on that sequence, and the game just slaps your wrist and says "No. In this game all about rewinding and undoing your decisions and not having to commit to them, you have to commit to one." It becomes more relevant and thematic in later chapters, but it just felt oddly out of place so early in Chapter 2.

The choice between Help Warren before jumping into Chloe's truck or not. If you help Warren, Max kicks Nathan in the balls and Warren doesn't get a black eye. If you don't help, Warren gets a black eye as was in canon

Warren romance playthrough. A series of choices to help flesh out Warren as a character and a potential partner for Max. Continuing on the Help Warren choice. Helping Warren also leads to Warren hopping in the truck with Max and Chloe. Warren has a black eye from the headbutt and Chloe offers to use the first aid kit in the bathroom. Cute scene where Max helps Warren reduces the swelling of his black eye and you have the option to hold Warren’s hand or not. Warren takes off when his eye is healed up enough and wishes Max well in reconnecting with Chloe

If you choose to comfort Victoria, this leads to an actual friendship with Victoria. When she sends the thnx but we're not friends" text, you can reply insisting on it. This will prompt you to go back to the dormitories and when you go back to Vic’s dorm, Max and Victoria get to talk, become close, show Victoria the pictures Max has taken, have a laugh over the email situation and get Victoria to see the way she was treating Kate was wrong. Victoria will tell Max that she was jealous over her not caring what anyone thinks of her and thanks Max for coming and invites her to join the Vortex Club as it needs real cool people like her and not snobs and suck ups. Max asks advice on what to do with Chloe and tells her how guilty she feels for not keeping in touch and asks what she should do. Victoria tells Max to suck it up and get back in touch and make it up to Chloe and Max thanks Victoria for the advice and they leave as friends.

If you took Victoria's photo after Chloe proclaims "booyah skank, karma's a bitch" Chloe will ask to keep it because it gives her joy to seeing Victoria brought down to a peg and that Rachel would've loved it.(will add onto this for the other episodes)

Episode 1 ends with Max, Chloe and Warren together as the snow falls(evidenced by the concept art)

Episode 2

Romance Warren path. After Warren's offer to Go Ape, Max gets to explain her powers and the situation with Kate and Nathan. We get to prove it to Warren, we also get to learn more about Warren as a character. We find out Warren is basically the boy version of Matilda. Was neglected as a child, so he chose books and science as his passion and sci-fi and it made him feel whole.(idk this was the best I could come up with, but it’s more than what DONTNOD has given us) then Warren will promise that he will look around and help out with Kate.

Max will take photographic evidence of Nathan vandalizing Max's room and leaving the threatening messages. When Max accuses Nathan at the end of the episode, she presents it to Wells, Wells recognizes the message as Nathan's handwriting and Jefferson recognizes the photo as Nathan's style and this leads to Nathan spending the night in jail as well as being suspended.

Continuing on from Chloe and Victoria's paint photo. We are given the chance to tell Chloe about Kate's situation and let’s say in addition to showing off our powers to Chloe, Max tells Chloe about Kate’s ordeal and Chloe’s just as pissed as Max. Maybe in the Junkyard or on the way back to Blackwell, Chloe will offer Max to mass produce the pictures, post them everywhere at Blackwell and email the picture so she can post it online. She says “let’s call this Kate’s revenge” if you accept this will happen throughout episodes 3-4. -Victoria feels what it’s like to be humiliated and bullied and feels some humility -Everyone in the Vortex Club except Nathan turns on Victoria -Everyone in Blackwell calls her “paintgirl” and some things worse. -Victoria absolutely hates us and when she sends her texts, Max can either apologize or stand her ground and call her out like the bitch she is “karma’s a bitch ain’t it? this is what you made Kate feel. You deserved every bit of it.” -At the party, you can try to make nice and Victoria will learn a lesson that there are consequences for her actions. You can either forgive or condemn Victoria. Whichever you choose, you then choose to warn her or not about Nathan.

Continuing on the Victoria friendship. Victoria is genuinely nice to Kate and apologizes and says she deleted the video. This will prompt a hopeful Kate and a Taylor asking “wtf was that and Victoria laying down the law yelling “be nice to Kate and Caulfield, that’s an order” Continuing on after Max convinces Courtney to let her in the guest list and into Jefferson’s room, Nathan will be his mean self but Victoria will say “be nice to Max, she’s my best friend” Victoria will start calling Max Maxine, while Max doesn’t like it, Max will allow her to call her that if she gets to call Victoria “Tori” Victoria and Max will have a moment to talk before class starts. Catches up, Max shows the photos she’s taken in episode 2, asks how Kate’s doing and finally Victoria personally invites Max to the End Of The World Party and you are given the choice yes or no, obviously you choose yes. Which prompts Victoria to say “congratulations Max Caulfield, you’re officially a VIP member of the Vortex Club”

Episode 3

Warren romance path. Max, Chloe and Warren will be investigating Blackwell together. Warren will use his hacking skills to help them break into school. They each search for clues. In the Principals office of course, but also searching where the last Vortex Club was in search of anything that might help. Warren keeps a lookout while Max and Chloe skinny dips in the pool and Warren is the one to warn them to hide. You get the choice of choosing between going to Chloe’s place or going to Warren’s dorm. In Warren’s dorm, it will open with Max and Warren holding each other, Max at first blushes, but embraces the moment and the two taking a selfie together. We see Warren's dorm looking like this. Max talks to Warren, about how much she appreciates Warren for always being by her side, and Kate's. Warren tells Max that he loves her And a choice prompts to Kiss Warren or Hug. In place of Max wearing Rachel's clothes, Max wears one of Warren's nerdy shirts. They will talk and say they should go on a date to the End Of The World Party as a date and a means to spy on Nathan and make sure he doesn’t hurt anyone again. Chloe texts Max to come over and Max kisses Warren goodbye and says “see you later my white knight.”

Victoria friendship path. In the beginning of episode 3, Victoria sends a text congratulating Max and saying she’s proud she did something, while Max says she did more by the end and saying she’s proud of Tori

When we kiss Chloe, Chloe doesn’t push back, she embraces Max in a kiss

When we choose the “Side with Chloe” option in episode 3, we print out David’s evidence and take pictures of the surveillance footage as proof for Joyce. We talk about it but we don’t show it to Joyce and Joyce automatically sides with Max. I’d also have David snap and attempt to hit Chloe and Joyce stops him and finally puts her foot down with David and shows him the door. Always bothered me that Joyce only begins to side against David by Max's word. She might as well have screamed that Max was the golden child. Joyce spent literal years watching David treating Chloe like crap right in front of her, and even now that he’s raising his hand at her she’s not reacting, but the second he talks a little too harshly to Max, she jumps to take her side and honestly. Chloe cannot not have noticed that. Obviously she wasn’t going to start a scene about this since they were already all fighting with David, but I’m pretty sure she would’ve under different circumstances because. The audacity. I would’ve gone mad.

Max will get to stand up to Chloe. Basically she puts her foot down on Chloe. After Chloe snaps after finding out about Rachel and mocking Kate's suicide attempt/suicide, Max can then lose her shit and stand up to Chloe. Basically says the way she treats her is not okay and if she wants to help her find Rachel and seek justice for Kate, then things are gonna have to change or they are finished. Then Max leaves Chloe behind with Chloe realizing that she needs to change. I just REALLY wanted Max to stand up to Chloe at the end of this episode instead of just letting Max act like a doormat and take her shit.

Not really a choice. But I'd alter one thing about Alternate's Max's look. Give her long hair, and tied up in a ponytail like she was a kid.

Episode 4

Not really a choice, but after the returning from her time jump, Max returns to her dorm and goes to Chloe. Chloe properly apologizes for how she’s been acting since they got back together and agree to put everything in the past so they can work together to find Rachel and give Kate justice. Would've been better than just seeing the apology over text.

Before we begin our investigation in episode 4. Max calls Joyce and David so everyone could let it all out. It’s basically the therapy that Joyce wanted David and Chloe to go to but didn’t. Chloe calls out David for his abuse for the last 3 years of her life and the fact that he made her feel like a prisoner in her own home and how much the cameras made it worse. Then Chloe calls him out on Rachel. “Rachel was my angel. She was the only good thing that ever happened to me since my dad died and you and the spoiled rich kid took her away from me. Worse. You stalked her like you stalked Kate. And now Rachel is missing. Congrats, David I hope it was fucking worth it.” Then Chloe unloads on Joyce. For all the times she covered for David’s abuse, choosing to either ignore or condone the abuse and for the fact that she’d rather pretend everything was fine. Maybe end it with “I didn’t need a fucking step-father, I needed my mother when I needed her most and your first instinct was to chose the worst fucking man to bring into my life. Fuck both of you.” Maybe after David and Joyce say their piece.(hopefully both of them being remorseful) Max can either choose to tell Chloe to forgive them or “fuck them” basically Max calls out David for his bullying and abusive behavior, Max can call out David. “You saw Frank, who was an adult, perving on Rachel, a high school student, you even had the evidence and you did nothing? Kate needed help and instead of being that help, you treated her like shit” David admits he fucked up with Rachel and wishes he could’ve sent his evidence to the police. then Max calls out Joyce for being a shitty mother. “I used to think you ruled Joyce, but you are a terrible mother. Chloe needed a mother and you failed her. She needed you, she didn't need you to bring some man she's never met before, she needed her mother who was traumatized and hurt by her father's death. And you let David hit your daughter and don't even see anything wrong with it? You talk about Chloe like she's a problem, like a burden. She's your daughter Joyce and she deserved better. ” David and Joyce would apologize to Chloe for the past three years and do better for Chloe. I don’t know how forgiving them would play out, maybe it would be therapeutic and would result in closure for the Price-Madsen family and they have a chance to start over after Max helps them in that direction. After choosing condemn them. I think Chloe would tell Max. “Max, thank you. I needed to finally let all that shit out.” “You deserved so much better Chloe.” “I got better Max, I got you.” And if you chose forgiveness. “I will still hate them both for how life went for the last 3 years, but I think we can start fresh. Thank you Max.”

Chloe would enter Kate’s hospital room with Max. We’d see Kate talking with Chloe and we find out that Kate was there for Chloe when Rachel went missing and made Chloe feel a little better, that’s why Chloe said “she’s cool”

Max can warn Kate about the storm and tell her to leave Arcadia Bay immediately.

Reject Warren path. After the Warren/Nathan situation. If you're pursuing Chloe and only choose platonic actions with Warren. Max gets the opportunity to turn Warren down. Max will tell him she's sorry, she just doesn't feel that way about Warren and just sees him as a cool geeky older brother and points out to Warren that Brooke likes him and that he should totally hook up with her, Warren appreciates for gently letting him down and is glad they can still be friends and says that he's glad Max has Chloe. You will see Warren and Brooke together at the party.

Max calls out Frank on his bullshit. Instead of choosing to befriend Frank, Max gets to call him out. Calls him out for turning Pompidou into a violent attack dog, the fact he sells drugs to kids and his predatory obsession with Rachel. “You didn’t love Rachel, you were obsessed with her and whatever you did drove her away and honestly? You’re not just a creepy drug dealer, you’re a pedophile, Frank.” Frank of course would get violent and you have two choices. Rewind and call the police or let Chloe shoot Frank and afterwords Max calls to animal services to protect Pompidou and give him a new home. Either you get the client book off of Frank’s dead body or you get it after the cops arrest Frank. Either way you get rid of a predator. Sorry, not sorry. I have no sympathy for people who prey on children.

Warren romance path. Instead of Warren appearing drunk, Warren waits for Max and awaits her on the dance floor. Max takes Warren to dance with and it's like a moment of peace or like the scene of Alex dancing with Duckie. It ends with Max and Warren kissing and Max taking a picture to capture the moment forever.

Continuing the Victoria friendship path. At the party, Victoria says, she's late, but she's happy Max is there. Max fills her in on what her day was like. Victoria is proud she and Chloe stood up to David and Joyce and that Kate is doing well. Max warns Victoria about Nathan. and as they part ways, Victoria hugs Max and tells her to be safe and call her if she or Chloe needs anything. But instead of going to Jefferson, Victoria goes to the hospital to visit Kate. As part of a culmination of your choices in the relationship with Victoria, you can encourage her to go and visit Kate to apologize in person. It wouldn't even have to be an extra scene, just part of the ending montage to an episode showing Victoria knocking on Kate's door and Kate opening it and inviting her inside. Maybe this could have been what happens to Victoria instead of ending up in the Dark Room. So if you do well enough to befriend her and she accepts your warning, she goes to see Kate and is spared being kidnapped by Jeffershit. if she doesn't accept your warning, she ends up in the DR. Would have been nice and felt more rewarding than what we got! Also? Kate would tell Victoria about Max's warning, meaning both Kate and Victoria would survive the storm!

We are given the opportunity to enter a photo for the Everyday Hero Contest. We enter at the last minute as Jefferson would give Max the opportunity. So Max with Kate’s permission, Kate would let Max take a photo of her in the hospital. Which wins the Everyday Hero Contest. Max gives an inspiring speech about how everyone can be a hero and that Kate has always inspired her, how much she loves Kate and that she hopes that Kate knows that she is loved by everyone in Blackwell and everyone would cheer Max on. This would also give Jefferson the means and opportunity to drug Max. It honestly works better than Jefferson magically appearing at the Junkyard with no explanation(and it never being brought up).

Episode 5

We are given the choice to save Nathan or let Jefferson kill him. Cut dialogue indicates there was something more meant for Nathan in the final episode. Jefferson says this to Max “Like you Max, I… am a camera. And like some cultures believe I’m going to use my camera. To capture… your… soul. Now take a break. I need to deal with Nathan first. Don’t worry, our session is just… getting started." I think Max could’ve helped Nathan in the dark room, to owe her the favor, Nathan would help Max.

Since I didn't have Chloe killed in Episode 4, Chloe and David would've worked together to save Max. Max and Chloe rush to diner to save Joyce, while also to use Warren's picture to go back in time. While at the diner we get a chance for Max to confess her feelings for Chloe and to tell Joyce while she approves.

While on the journey to the Lighthouse before the Nightmare world kicks in, we are given the choice to save everyone in the diner or leave everyone behind. After you save everyone at the diner, Chloe asks if they should double back to the hospital to save Kate and Victoria, but Max insists the hospital is so far from the storm and they'd be safer there anyway

Third ending. Sacrifice Max. Max screams no, Nathan freaks out and shoots Max. David subdues Nathan and Max is rushed to the hospital. Inspired by this comic and video

An addition to the endings. I wish we could have seen the last entry in Max's journal after she saved Chloe or Arcadia Bay. It would give one last glimpse into her thoughts, as well as clarify the endings a bit more. Also not really a choice, but an addition to the Bae ending. I'd make this ending twice as long, and the extra 5 minutes would be scenes following each other over the next few years. Show how Max and Chloe head to Seattle to visit Max's parents. Show how they help each other cope with trauma (like Chloe comforting Max when she wakes up from nightmares, or Max supporting Chloe at Joyce's funeral, or how they grieve every October 11). Show how Max doesn't give up on becoming a photographer, and Chloe is there to encourage her to follow her dreams. Show how they begin a romantic relationship (including the kiss this ending deserves) if you romanced Chloe. End it on a positive note as Max and Chloe buy the RV and go traveling like they always wanted to, and the last shot is Max and Chloe smiling at each other before hitting the road (as in the original Bae ending). Also among a few shots we might see Max and Chloe hanging out with Kate and Victoria - the former would be if you saved Kate, and the latter would be if you were nice to Victoria. and Nathan appearing if you saved him. What we'd see with Nathan is Nathan in a blue jacket like he has in the alternate timeline to reflect his new change in behavior and redemption. Hugging Victoria, apologizing to Kate, Max and Chloe. Hugging Victoria, Max and Kate and shaking Chloe's hand. I'm tempted to say he could've been in the Brody role in LIS 2, since he kind of fits Brody, cause Brody's line about his family having money but no soul would fit a Nathan after surviving the storm. It would have made this ending more complete, it wouldn't have required their cameos in the sequel, and already in 2015 it would have disproved the theories that death would continue to haunt Chloe/another storm would happen. Addition to the Bay Ending. I like to think it would be a collection of the montages we already got and Chloe’s funeral. But more. We’d see Max dealing with Chloe’s loss, her grief, but ultimately showing Max living her life and moving on. Show that Max still misses Chloe, but show her living her life. And just show Max living her best life with Warren, Kate, Brooke, Dana, Daniel, Stella and Alyssa. Even show montage of a friendship with Victoria. Show Max having a tea date with Kate. Show Max Goin Ape with Warren. Max doing photoshoots with Victoria and shopping dates with Victoria, Courtney and Taylor. Max doing group projects and games with Warren, Kate, Brooke, Stella, Alyssa, and Daniel. Max being Dana’s official photographer. And show Max and her friends graduating Blackwell and living their lives in Arcadia Bay. We just needed to see that despite losing Chloe, Max is okay and that while she will hold onto the memories of Chloe, she can live. The final scene is Max and Warren visiting the Lighthouse. The Blue Butterfly appears and it touches Max and as the Butterfly flies away, Max says "Goodbye Chloe as Warren holds onto Max and shares a kiss at the Lighthouse."

[sreyaya]

late night drabbles, Part IV

Part III, His Birthday, My Present

Part V, Big Yet Gentle <3

Missing Underwear, huh?

College AU | Pervert!Norton Campbell x Reader NSFW

Content Warning: bj w/o relationship, Perverted!Norton, handjob, blowjob, getting caught, short drabble, 500 words, MDNI

(A/n: i purposefully wrote it this short cuz it was all just my late night imaginations! Sorry if it doesn't make sense or ends badly :[)

smut under the cut!

Being best friends with Norton since childhood had its perks, he was always THE gentleman, helping your parents when needed, accompanying you when they were away, and listening to your endless stories about college or work stress. He even applied and went to the same university just so you wouldn’t feel lonely.

On the contrary, Norton was also such a tease, making fun at your grades, your height, and a bunch of other things. It baffled you how so many girls went crazy for him. But who could blame them? His handsome face and flirty attitude were an irresistible combination. Sometimes, his flirts left your heart racing, especially when he does it to you.

But nothing could have prepared you for this moment. You were supposed to tell him your grades were better this exam, when you walked in on him, moaning softly in his bed with your missing underwear wrapped around his erection. It was no wonder some of your undergarments had been mysteriously stained.

As he sees you, he stammered, trying to form coherent words as you quietly closed the door behind you, setting your bags down, seems like it's your turn for all the teasing~

“Don’t stop on my account,” you grinned mischievously. “or do you want any help?”

His eyes widened, shocked at your suggestion, as he hesitated for a moment before nodding unassuringly, guilt and desire mixing in his gaze. You moved closer, positioning yourself on the floor as he sat on the edge of the bed. You grasped his erection firmly, feeling the heat and pulsing need beneath your fingers. Norton whimpered lightly as you began stroking him, your touch sending shivers through his body.

"So you're the one who's been stealing my underwear, huh?" you asked, your voice teasing yet firm. Your hand moved constantly up and down his shaft, occasionally flicking your tongue over the slit of the head, looking at him lazily. “I have to clean up everything twice because of your cum stains. It’s such a hassle, you know”, you continued.

Norton’s face flushed with a mix of embarrassment and pleasure. He couldn’t deny the truth. All those nights he had stolen your underwear, fisting his cock while imagining it was you, especially when you wore those low-cut tops that revealed too much of your breasts or the tight pencil skirts on Fridays that hugged your thighs and accentuated your ass, it was all in his head, roaming rent free. He bit his lip, his eyes locked onto yours, filled with a desperate hunger.

"sorry, 'm so sorry," he managed to whimper out, his body shivered at how much he enjoyed this, probably a little too much too~

You smiled, leaning in to lick the bead of pre-cum leaking from the tip of his cock. "Just make sure you make it up to me," you murmured, once again looking at him with that eyes, making him melt under your touch, your breath hot against his sensitive skin. "We wouldn’t want any more of my underwear to go missing, would we?"

Norton groaned, his hips bucking slightly into your hand. The line between guilt and pleasure blurred as you continued to pleasure him, muttering more 'sorries' and 'thank yous' as your teasing words only heightening the pleasure he's feeling. Patting your head every now and then for how good you were sucking him.

Truth to be told, this was one of his silent wishes. You walking in on him pleasuring himself with the thought of you. What other erotic scenes have he been imagining?

[d3m0nicdream]

Unexpected Arrival: Sam Golbach

Sam Golbach x Fem!Reader

18+ Minors DNI

You were alone for the weekend and decide you need some time to yourself, but the boys end up coming home early.

Tags: masturbation, p in v sex, quickie.

*************************************************************

'sigh' You inhale and exhale deep. You have cleaned the whole apartment and now it's time to relax. The boys were gone on an investigation so it was just you. Your phone vibrates next to you and you look at it. It's you boyfriend, Sam.

'missing you. see you tomorrow (kissing emoji)'

You smile at the text and reply with a bunch of emojis and tell him you love him. You drop your phone on the cushion and click through the tv channels. Every single channel you flip through has some type of innuendo or sex scene happening. if it were once or twice, sure you wouldn't notice but it was EVERY. CHANNEL.

You start to feel a type of way. You were home alone too, so it was definitely possible without interruptions. You head up the stairs and into you and Sam's shared bedroom. You head over to the drawer and pull out your pink vibrator. You change into some comfier clothing and sit on the bed, scrolling through your phone, looking for a video on the hub. After finding one, you turn on your vibrator and place it on your clit, making circles. You can't remember the last time you have done this, your core being super sensitive with the toy. You were already about to cum when you heard the front door close with a loud bang. You quickly get up and rush out the door, peeking out over the banister.

"Sam?" you call.

"Hey baby. we are home!" He smiles at you while putting down his bags.

"You didn't tell me you were coming home today. You made it seem like you were gonna be one more night!" You go down and hug him tight. he hugs you back and then places a kiss on your lips.

"Ah, we got enough evidence for the video. It was getting pretty dangerous so we decided to leave early." Colby rummages through the kitchen and you and Sam head back up the stairs. Walking in, you hear a faint sound but it's too late. Sam had found the source, sitting right on the bed on the highest setting.

"So uh.. did we interrupt something." He picks the device up and shoots you a look. Your face gets red and you get shy all of a sudden.

"I'm sorry. I couldn't wait for you to come home so.." You play with your shirt as he giggles at you.

"Well, I'm home now. You wanna continue?" You look at him baffled at his words. You lock the door behind you the minute he speaks again.

"Come on. On the bed." You do as your told and you climb up. You lay down on your pillow. He hands you the toy and waits.

"Come on." Sam stares at the device as it disappears into your shorts. Sam grabs them and rips them down your legs.

"I wanna see. Were you watching something?" He asks quizzingly. You nod your head and he undoes his belt before his pants hit the floor along with his boxers. His hand make their way to his hard cock as he watches you play with yourself. He starts to stroke himself slowly and sight turns you on even more than the videos you were watching. The sensitivity was getting too much so you go to stop.

Sam stops touching himself and crawls onto the bed, placing himself between your legs. His cock presses against your folds, the toy now in his hand abusing your clit. You squirm, reaching down to stop him but his voice booms.

"Don't you dare." You look at him. He looks wrecked already. the pit of your stomach growing. You need him inside you.

"P-please." You grab at his hips, wanting him to fill you but instead he just continues to rub his now slick dick on the top of your pussy. You whine and whine for what seems like forever before you finally reach a high. He rides you down before chucking the toy to the other side of the bed.

"Good girl." He grabs your hips and flips you over, sliding his dick in you completely. Finally, you were getting the feeling you craved. You were so wet from cumming that he slides in and out with ease. He picks up speed as your face presses into the pillows. Your muffled moans are like music to his ears as he picks up speed. You tense around him as you cum for a second time, him cumming inside you right after and riding out his high. You both pant as you catch your breath.

"I'm glad we came home early." He laughs and you laugh too.

"me too."

********************************************

Just a little quick thiiiiiiiiiing for our boy Sam. :)

[nipuni]

Some various lighthearted life updates 🏃‍♀️

It's been a very busy last few months! in a good way mostly. We had a friend visiting us from overseas so we showed him around the city and took him to all our favourite places. We also met new people and were invited to a bunch of events so it's been very fun! We are all out of social battery tho so now we are slowing down a bit and getting back to work. Nicolas is on a short work trip to Berlin and I'm back to painting. We also started running! aaand we are also back to watching a bunch of shows and to me talking about it here to like five people 😌

Under the cut cause it's a lot as usual!

We finished watching S13 of Doctor Who! (we still have the specials to go but after that we are all caught up!) I haven't updated in ages so here are lot of opinions!

We really did not enjoy S11 😞 I was aware it wasn't very popular but we were hoping it was for all the wrong reasons, sadly we found many to be valid. Some of the episodes were baffling, Rosa? Kerblam?! the writing of the whole season in general felt like a rushed school assignment. The first part of Spyfall was a strong start for the next season but that ending in the second part was really not it. We did love Sacha Dhawan's Master tho!! and we really love Jodie too, 13th is adorable and reminded us of Ten at times! Jodie is such a fantastic actress that it makes the quality of the writing and everything else around her even more frustrating 😫 S12 was an improvement in general. In the last few episodes It felt like the writing team suddenly remembered the companions could have a personality and agency lmao. Highlights for us were Spyfall one, Fugitive of the Judoon and Haunting of villa Diodati, tho we did also enjoy most other episodes of the season despite their issues.

The timeless child plot reveal felt a bit underwhelming? The idea on itself has potential but it felt mishandled (and it had a bit of a Moffat flavour to it? and not in a good way). I think it was meant to add more depth to the Doctor's lore but in a way it ends up having the opposite effect. Then the flux was just a complete mess. It read like a Marvel sort of plot, very comic book like which is alright I suppose if that is something you enjoy but it felt out of place. But mostly it was just way too much, it got out of hand. Anyway we still have the specials to watch! and I think the Master is in them so we are looking forward to it 🥰

We also watched Broadchurch!! and we LOVED it. We ended up binging all three seasons. Chibnall's writing on this is surprisingly great and Jodie's acting is spectacular she really shines here. Olivia and David are always brilliant!! honestly everyone's acting was amazing. This series had us both tearing up every five scenes. The direction and the music are outstanding. I could watch Hardy and Miller solve crimes forever I really love their chemistry and dynamic. We went into it expecting the usual detective fiction but it ended up being a whole study on grief with such a focus on family and community and trauma and a ton of touching interconnected character arcs, just really really good!!

Then we also watched Taking over the Asylum!! MAN we were not expecting to have our hearts wrung out like laundry by this!! We thought it was a lighthearted show!! GOD we are still not over it, what the fuck!! It was so good we loved it!! but we were not prepared lmao what do you mean 'the end'?? we'll be thinking of this for months, I was expecting an extra scene after the credits or something. Excellent characters, refreshing depictions of mental illness and trauma and so crushingly realistic. Every character is so loveable I really wish this was longer 😭

And our quest to watch everything with David Tennant on it continues. We watched Decoy Bride on Valentines day too and it was terrible but such a hilarious fever dream kind of bad that it was fun, it has David on it and he never disappoints. I feel so lucky that Nicolas and I are both in love with him, get yourself a man who shares your celebrity crushes lmao it's so fun!! We feel like teens again chatting about him and drawing little hearts next to his pictures haha 🥰 We watched the BAFTAs just for him and speaking of the baftas!! I was not expecting that last drawing of his outfits to get that much attention oh my god 😭 thank you!! you are all insane and I appreciate it so much!! and thank you for all the support in general, about my art and photos and just everything. I feel very lucky and grateful 😭 anyway I'll end this before I get sappy, that is all for now! I hope this week is kind to you all, I'll be sharing some more art soon 😊

[charcubed]

Disneyland's Rogers: The Musical, propaganda that turns Steve Rogers into more myth than man, and revisionist history (possibly) to a purpose

Any of my thoughts in this post could just be me reading too far into things. I'm very aware of that, and please know that this post exists just because this sort of thing is fun for me! This is a thought exercise where we propose "What if we live in a world where the MCU is actually doing a cool and interesting thing as a longcon?" If you have anger at Marvel, that's valid and relatable, but please don't get angry at me or imply I'm an MCU stan who doesn't think critically about the mouse. Thanks!

Breaking news: I'm back on my bullshit!

A quick personal recap: I infamously hated Avengers: Endgame for a long list of reasons (and I even rewrote the movie). One of those reasons is that I've always taken issue with Steve's ending. But in the years since then, and as the MCU's phase 4 has evolved, my frustration at Steve's "ending" has turned into an ongoing and legitimate theory that the MCU could be slowly leading into a loosely adapted Secret Empire plot line. I know we've all been joking about Steve being trapped or about an imposter Steve since 2019, but uhhh, it's kind of not a joke to me anymore? It feels weirdly plausible at this point and so I enjoy discussing the potential.

You can find a full elaboration on that here, where I wrote out my "Steve was snatched by HYDRA" theory in 2021.

In that post, one of the things I mentioned at the time was Rogers: The Musical being in the Hawkeye trailer.

[The musical's] very existence is an example of how in-universe the stories of the lives of the heroes are being commodified, especially (in terms of how they’re framing it) for Steve’s. The heroes are no longer seen as people, if they ever were. They are, as Kate Bishop says to Clint in a recently released clip, more about “branding.” Sam Wilson will be redefining the shield moving forward in a Cap context, but simultaneously, the world is still enamored by Steve Rogers as a symbol in his own right. And that is ripe for manipulation as a Trojan horse to control public opinion… whether in the context of things like this by themselves (is the musical portraying Steve accurately, or is it painting an inaccurate picture of him the world accepts as fact?) or in future (is this propaganda that makes the public see Steve a certain way and continue to love him, to set up a fake or brainwashed Steve coming on the scene later?).

Now a form of the musical exists in full, at Disneyland and all over Youtube. Considering some of its baffling content – which I will break down below – this perspective seems even more strongly worth considering.

I have two main reasons for why I'm defending examining this musical so closely:

1. It is (arguably) an in-universe piece of media that has bearing on the MCU canon. It isn't like any other typical Disneyland attraction; its very existence is meta and it was in canon first. Obviously it's seen in Hawkeye, but there are also posters for it in several different phase 4 properties. It's lurking in the background indefinitely. So what can this musical tell us about what the wider public within the MCU is being told about the life story of Steve Rogers?

2. This Secret Empire graphic – which is animated in the center of the stage of a prolonged period of time – feels like a literal sign to pay attention.

Granted, this is obviously still ancillary material. 99% of the MCU audience will never see this musical, whether in person or on YouTube. But just because it isn't a vital piece doesn't mean it's automatically an entirely irrelevant piece.

They've given me an inch with that sign and I'm taking a mile.

So if you're interested, please join me on this journey :)

For the record, let me just say that I salute the creative team behind this show. It's pretty fun and the songs are catchy, the sets and costuming are cool, and the cast is overall very talented.

It's also fucking maddening. LMAO.

Why? Firstly, because of the seemingly deliberate ahistorical inaccuracies. We all know Ant-Man is wrongly shown in the Battle of New York, which originally "came from [the Hawkeye showrunner] and Marvel, as something to further aggravate Hawkeye as he watched the show, and also as a comment on how movies and articles and people always get something wrong." It seems like they expanded those meta nods, but most inaccuracies are now in service of glorifying Steve and Peggy's "love story." Yes, romance objectively makes for good theater; but again, I feel that this is worth examining considering the full context.

And secondly, Steve's ending is framed as an offer presented to him, convincing him it's the happy ending he deserves because he's tired. In my mind, these two big elements go together, and I'll walk you through the details of what happens in the musical before I tie the thought threads back around into some theorizing.

For your reference, here's a list of the main songs and story beats:

• "U-S-Opening Night" - the Starkettes (who are basically a Greek chorus) frame the show's story, and then it turns into an ensemble that loosely takes place at the Stark Expo. • "I Want You" – Steve's "I want" song about trying to enlist in the army. • "Star-Spangled Man With A Plan" – Steve performing on the USO tour obviously, and then there's a reprise with an added voiceover that (very briefly) covers the Howling Commandos' rescue + the war via comic book imagery. • "What You Missed" – Fury and the Starkettes tell Steve some pop culture things he missed while he was frozen, + they tell him about the Avengers. Then Fury goes down a list of other hero characters, including the Guardians? Doctor Strange? Wanda?? It plays loose and fast with time, because many non-2012 characters are bafflingly mentioned in this nonlinear Avengers list – including the Winter Soldier (???). • "Save the City" – this is the song seen in Hawkeye, with the civilians + the Avengers all involved, but it's slightly different here and expanded to also reference other battles. • "End of the Line" – Old Steve presents main Steve with the time stone as an opportunity for his happy ending, and they reflect on things together. (Yes, this is insane.) • "Just One Dance" – Steve and Peggy reunite and sing about their love. • And then there's basically a reprise of "Save the City," with the Starkettes and the whole cast closing the finale out.

Right out of the gate, let's address this: the main reason you're going to see some fans pissed about this musical is not only that Steve and Peggy's ~epic romance~ is made a pillar of the story... but also that Bucky's importance/involvement in Steve's life is minimized as much as possible.

And they took Bucky-related elements from canon and made them center more around Peggy instead.

• For some weird reason, Peggy is in the Stark Expo scene. When a soldier is hitting on the Starkettes ("hey sweetheart, I wanna dance!"), Steve tells the soldier to show the ladies some respect. The soldier grabs Steve and throws him down, and then Peggy swoops in to yell "Pick on someone your own size!" and punches the guy before walking away. So she's given Bucky's TFA line verbatim, and she is given the role he had of saving Steve from bullies. There is blatantly no reason they couldn't have had Bucky still serve that function and be truer to "history," because he briefly enters this scene in uniform less than a minute later to announce he's shipping out to the 107th – and then he spins off with a date on his arm. (We don't see Bucky on stage again until the full cast comes out for the finale!)

• After the Star-Spangled Man show, Peggy rushes in to talk to Steve. Steve is excited about his USO performance (???) but she urgently tells him to listen as she says that the 107th has been captured. Peggy apparently knows it's Bucky's division, and she knows Steve is going to go, so she tells him that she's already arranged transport for him. This is a subtle twist from the truth of how it went down in TFA, in which Steve recognized 107 as the number of Bucky's division, and his dogged determination inspired Peggy to relent and help his rescue mission. Here, Peggy is given a stronger role in the Cap origin story. And before Steve rushes off, Peggy sings a short untitled ballad hoping for their dance, so Steve pauses before he leaves to ask her to go on a date with her when he returns. • The most egregious Bucky-to-Peggy change of all is the song "End of the Line," in which the infamous Steve and Bucky line/promise (that broke Bucky's brainwashing...) is re-contextualized to be about ???? Peggy waiting for Steve in the past??? Old Man Steve and regular Steve sing it together. But we'll go back to that in a minute.

Again, I get it, yeah? It's for theater. Whatever. But in reality, the obvious logical truth is that Peggy is centered (to the point of taking elements from Bucky's story, and in turn Bucky is downplayed) because they needed to convince the audience that Steve going back in time to be with her makes sense. Steve's time travel ending had to be justified, so the Peggy and Steve "love story" had to be a pillar in this with everything else being given lesser weight.

And the inherent selfishness of him doing something as big as going back in time also had to be justified... which is why they do their best to convince you Steve fought so much he deserved it.

Let me elaborate on that by describing the lead-up to the "End of the Line" song.

So, right before "End of the Line" is "Save the City" – which includes Steve belting "I can do this all day!" repeatedly, of course. It's the 2012 Battle of New York as the Avengers come together to win.

As they begin to disperse, the song then transitions to a voiceover alert mentioning Sokovia being under attack by artificial intelligence (a.k.a. Age of Ultron). The Avengers group rushes back to center stage to say "Save the city! Help us win!" together for battle again.

And then things get fucking weird.

Because the next voiceover threat is "Washington DC. Attack: the Winter Soldier." This is not accurate to the order of events! The Winter Soldier events were before Age of Ultron; the public of the MCU would also know this.

And suddenly on stage Steve is now in the center while everyone else gestures to him. Instead of singing with him, they're telling him "Save the city! Help us win!"

Then, another voiceover: "Wakanda, under attack" (Infinity War) and again, Steve is centered while everyone else points to him. The ensemble says, "Save the city, help us win! Save us all from the state we're in! Got to hear you, got to hear you, got to hear you say..." as Steve is buckling to his knees under their pointing. And as the lights go down to one spotlight on him and everyone else leaves, he says "I can do this all day" one last time, but now it's subdued.

The implication is that Steve has been fighting and fighting, people leave him or he loses them, and he's tired.

And then fucking Old Man Steve arrives.

He says "On your left," because yes, they gave him Sam Wilson's line. BATSHIT.

So now there's two Steves on stage! There has been no mention of Thanos or infinity stones or anything up to this point! (I can only assume that's because in the MCU universe no one would want to be reminded of the trauma of "the Blip" – though it's pretty wild that they're allowed to know about magical time travel?)

Steve is baffled by Old Man Steve's arrival. I, too, was baffled by Old Man Steve's arrival.

As Steve questions how this is possible, Old Man Steve shows him the time stone from his pocket – and only the time stone – which Steve recognizes.

OLD MAN: "You've got to remember where you've been to know where you're going." STEVE: "Where am I going?" OLD MAN: "A date with destiny." STEVE: “Destiny. So we’re the hero till the end?” OLD MAN: “That’s the thing about endings, Steven. They can be rewritten.”

Lmao???????

Steve starts singing about how he hopes this means they "win" and calls himself a "tired hero."

STEVE: "But sometimes I wonder, who will save the savior? Can we really do this all day? So here I am, now and also then. Just a man, looking back at where he's been." OLD MAN: "The road is rough but wounds are healed by a thing called time. You can't forget what's waiting at the end of the line."

Me, watching this: the fact that he says this out of the blue makes absolutely no sense.

There's a bit more singing, including "end of the line" repetition, and then Old Man Steve pulls out the time stone to essentially show visions of... I don't fucking know. Past, present, and future?

That's pre-serum Steve, Steve with Mjolnir, and Sam Wilson as the new Cap. This is the only reference to Sam in the whole thing.

More singing, and then: Peggy's silhouette.

OLD MAN: "Can't forget who's waiting..." STEVE: "I can't forget who's waiting..." BOTH: "Don't forget who's waiting..." STEVE: "At the end of the line."

At this point I'm like, what in the hell?

Did Old Man Steve just brainwash normal Steve into thinking "end of the line" is now about Peggy? Because uhhhh, sorry, that's what it feels like!

Then Steve uses the stone to go back in time, reunites with Peggy, etc. etc. finale.

It's truly some crazy shit.

[drags hands down face]

Look... there's a lot to unpack here, and there's a lot that gets me about it. I know this is dramatized for the stage! I KNOW! But the fact that Old Man Steve shows up to convince Steve he should go back in time makes me want to gnaw on furniture.

Another person essentially uses the lure of a life with Peggy to tempt Steve into doing this, dramatized or not. That is how it's framed.

It's a hell of a way to frame it, and it makes Steve's ending stand in even starker contrast to so many other things in phase 4. Desperately trying to go backwards when you shouldn't or to bring back a lost lover is an evil temptation, and it results in a trap or negative cosmic consequences for basically all of the other characters in the MCU.

• In Shang-Chi, Wenwu is tempted by the Soul Eaters beyond the Dark Gate. They use the voice of his deceased wife to convince him to set them free. • In "What If" episode 4, Doctor Strange becomes evil in a desperate bid to save Christine and he destroys his universe. Along the way, he tries to tempt/trap the good Strange who's fighting him by using visions of Christine, but good Strange knows she isn't real. • Wanda's grief and desire to bring back Vision leads to – well, you know. • In No Way Home, Peter trying to undo things is what causes the multiverse problems.

And the fact that they frame it as Steve being tired, so basically the argument is he deserves that time travel ending (just like MCU fans who defend Endgame say in real life)... Well.

There's no way to make it hold up, especially because in "What If" they explicitly subverted that and had Captain Carter not go back in time despite how she felt she'd "earned" it.

Lastly, in this musical as Steve decides to pursue time travel as his course of action, he basically has the meaning or memory of "end of the line" rewritten for him. I refuse to not think that is some nefarious shit. Yes, it's not out of the realm of possibility that it's just some general Disney erasing Steve and Bucky nonsense.

But... this is on another level to me. I do think that it's a blatant choice that they had to be aware even general MCU fans would call bullshit on. Everyone knows it's inaccurate. "End of the line" is embedded in pop culture consciousness as being connected to Bucky. It just is! Surely that means it's not a stretch to theorize it could be deliberate meta commentary.

How, in the MCU world, would the in-universe playwrights even know the phrase "end of the line"? How the fuck would it be accidentally applied to Steve and Peggy? Not to sound like a crazy person, but who the fuck was rooting around in Steve and/or Bucky's personal business or their brains in order to obtain that knowledge and then remix it, and why? Neither of them would flippantly mention it in the public eye or interviews ever. So where did its inclusion come from?

And in the finale ensemble, this is Bucky's line when he comes out on stage and salutes + points to Steve: "Don't forget who's waiting..." And Old Man Steve completes it with "...at the end of the line."

What on God's green earth am I meant to do with THAT?

Smh.

The vibes are fucked, folks.

The MCU public wouldn't know enough to say the vibes are fucked. The MCU public wouldn't know the origin of "end of the line" as a phrase. But us? The ones who know the "true story" via the movies? We can call bullshit.

Whether the creative team behind this musical did every aspect of this consciously or not, in my opinion the fact that they had to tweak canon "history" to A) make Peggy's involvement in Steve's life more central and B) emphasize Steve as a tired hero all works as commentary on and almost a condemnation of Endgame's frustrating ending. In a way, it's also what Endgame did with the compass and 1973 moment with Peggy as well.

Steve's ending had to be convincing.

It's theater.

And so, maybe the same is true for the in-narrative perspective of this musical in the context of the MCU world. What purpose would it serve to tell the MCU public a feel-good narrative about how all Steve Rogers wanted was to no longer be a tragic man out of time and get to make a life with his best girl? To frame it as being about how he fought so hard for years and so he earned a happy ending? To minimize and nearly erase Bucky's importance in his life?

Who would want to do that sort of propaganda, and why?

The MCU civilians are given this happy explanation and maybe don't widely question it. Who cares about the details or logistics if it makes a good story, I guess. It's a stretch, but maybe they mostly applaud it. Maybe they're happy for "America's favorite son" (not unlike people who uncritically liked Endgame). In a way, it's even a rehabilitation of his image (after the Accords) like putting the shield on the Statue of Liberty. And maybe they'd even be ready and waiting to applaud if Steve ever made a dramatically selfless and de-aged return to the spotlight or a position of authority.

But mostly, the public is being conditioned to not know or to forget that anyone else like Bucky Barnes or Sam Wilson would possibly know Steve Rogers the person well enough in the modern day to call bullshit on any of this – or on his hypothetical miraculous future return.

So. Sure, it's probably nothing.

But what if it's not?

-------

UPDATE: @faeriecap added to this post with some incredible information and further behind-the-scenes context about the MCU/Marvel stuff at Disney parks! Check it out here :)

[lurkingshan]

Japanese QL Corner

I am currently watching four different Japanese qls every week (is this real life?? I’m not used to this kind of bountiful access to Japanese media) and I don’t want them to get lost in the shuffle amongst the bigger Discourse shows, so I’m going to start posting this little round up at the end of each week. These are all on Gaga and I highly recommend watching!

Chaser Game W

Finally a high quality gl, we have been waiting so long. And this one is making some really interesting choices, namely in making one of its leads deeply unlikeable. It's clear that Harumoto broke her heart in a deeply foolish way (I smell noble idiocy), but Fuyu's revenge for her hurt feelings is way over the line of what anyone could consider fair. Not only did she pursue this job just to personally harass her ex, she is a terrible boss who is abusing her employees to work out her personal grudges, and she's awful to her husband, as well. This show is smart enough that I trust they have a point with this (likely one that will involve commentary on misogyny and traditional gender roles) so I am hanging in to see what it is.

Sahara Sensei to Toki-kun

This one is the latest in the Drama Shower line up, and it is really not working for me on the whole, but Toki is a great character and I wish I could port him to another show. This week's episode spent a baffling amount of time filling in a backstory for Sahara that we already understood, and didn't even connect it thematically to the ongoing plot in any meaningful way. In fact, given the backstory we saw, it made even less sense that Sahara would be encouraged to pursue a relationship with Toki. This show just feels very confused about both the social conventions of its universe and what it's ultimately trying to say. Looking forward to it wrapping next week and seeing what Drama Shower has on tap next.

Sukiyanen Kedo Do Yara ka

I LOVE THIS SHOW. Sakae is such a kind soul, and Soga is a dear. I love that this show is exploring the reality of what it looks like for an "opposites attract" pair to actually try to find common ground. Sakae falling for Soga at first sight, only to realize they have nothing in common and he will have to work hard to build a bond with him, is such a delight. And I like that it feels reciprocal and Soga is also making a sincere effort. And this show is doing nice things with the side characters, too. Tatsuta is a great Get A Grip Friend for Sakae, and Kazuyo is such a sweetheart that I really hope she'll stick around rooting for this pair once she inevitably gets let down gently. Also loved getting a glimpse of the exes this week and hope to see more filled in there.

Ossan's Love Returns

I am saving this one for last on Fridays going forward, because it's such a great note to end my week on. I already posted last week about why I'm so in love with it, and this week continued the love fest. This show is SO FUCKING FUNNY while also having some really awesome messages about relationships and love at any age. I love the way Maki and Haruta are given the same cute couple moments we'd see for younger bl pairs, and the casual affection between them really stands out among more reserved depictions of Japanese couples. Highlights this week also included father-in-law bonding, Takegawa trying out a Bachelor-esque reality show in his quest for a diaper partner, Chief continuing to be an absolute delight in every scene, and several new twists in the mystery of the neighbors (loved that Haruta was having all the same reactions to that backstory that I was). ONSEN EPISODE NEXT WEEK, BABY!

[starryredpandawrites]

“Born From the Same Ink” Ch. 15 Sneak Peek

Every room the unlikely duo came across was thoroughly inspected. At some point, Sammy started preaching to her again but Audrey ignored him, holding herself back from shushing him because they hadn’t seen any Keepers yet. Maybe Bendy had killed them all. She could only hope. 

Just before the end of a long hallway, they found a side room with a gent pipe upgrade station. Thrilled, Audrey counted up all the parts she had and compared them to the ones she needed. The thrill was swiftly replaced with frustration and she let out a loud groan. 

“What ails you, sheep?” Sammy asked curiously, pausing his search of the room. 

The nickname didn’t help Audrey feel less annoyed, quite the opposite in fact so she let out an angry sigh. 

“I am this close,” she held her fingers together to the point they were almost but not quite touching, “to upgrading my weapon. I just need one more Gent toolkit but I can’t find one anywhere! I’ve been searching ever since I found these stupid blueprints but they all must have evaporated or something.” 

Tilting his head to the side in consideration, Sammy wondered, “Have you tried asking the Ink Demon for guidance?”

Audrey rolled her eyes. “No.���

“Well, my sister in ink,” he replied smoothly while cracking his knuckles together. “That is your problem. This is clearly a test of faith.” 

Before she could do more than scoff, the man spread his arms out and raised his mask to the ceiling in a supplicating gesture. 

“Hear us, Bendy!” he shouted in a voice so loud Audrey could've sworn it shook the room. 

“Shh, they’re going to hear you!” 

Deaf to her protests, he continued speaking as though he had never been interrupted. “Reveal the location of the final item we require to defeat your enemies on this quest to prove our devotion!”

Mortified, Audrey covered her face with her hands, certain they were about to be swarmed by Keepers.

There were some sounds of rummaging, opening and closing lockers, then silence. 

“Ahem.” Rather than coughing, he spoke the word aloud in a dry, unamused manner. 

When Audrey uncovered her face she was greeted by the sight of a Gent kit dangling from the musician’s fingertips. 

Baffled, she retrieved the kit, staring at it with wide eyes. 

“How did you-what-” she stammered, looking between it and Sammy in amazement. “Where?”

The man pointed to a drawer she swore she searched through when they first entered the room. 

When she told him that, Sammy gave her a disbelieving look, then nonchalantly suggested, “Perhaps a lack of faith wasn’t the problem.”

Narrowing her eyes at the snide undertone in his words, she asked, “What’s that supposed to mean?”

“The Ink Demon blessed you with eyes. Use them.”

Oh, Sammy, you wonderful sassy dirtbag, please stop stealing the spotlight. This story is supposed to be about the siblinks.

Guys, I've been dying to share this scene ever since I first started outlining Audrey's side adventure with him. Seriously, I've had it written for months and almost turned it into a Bendy Bite but I knew it would be better if I held back. SO happy I'm finally at this point of the fic.

Anyway, thank you SO MUCH for reading and I'm hoping to have the next update ready by Saturday. Wish me luck!!!

[miss-tc-nova]

Bird Watching - Leona Kingscholar x Reader

I've noticed recently that I have a habit of gesturing to my cats when I catch them staring at me. They don't care. But I think Leona would.

Premise: It bothers Big Kitty when you make rude gestures at him

Words: 632

~~~~~

               Warm sun lights my path, the world left in a comfortable atmosphere perfect for just about anything I could think of. So I figured I might get a head start on some homework.

               Trailing along the sidewalk towards the library, I spot the lion threatening to nap among rustling leaves. Those chartreuse eyes take notice of me, gaze boring into me—waiting. Without thinking, I lift a finger. There’s no malice or real meaning behind the gesture; it’s just some silly habit I picked up when I noticed Big Kitty staring at me. And to show its dismal insignificance, I continue my way into the school without a fuss.

               Or at least I try to.

               As I round a corner, a hand snags the back of my uniform. I nearly fall as I stumble backwards to keep up with pull. One of the spare study rooms flies open and shuts with a bang before I’m let go. In a bit of a fluster, I turn to come face to face with Leona, far less lax than he’d been earlier.

               “Are you mad at me?” he demands.

               The sudden question has me baffled. “Huh? No. Why would you think that?”

               His eyes narrow. “Because you keep flipping me off.”

               It takes me a moment before it clicks. “Oooooh.”

               “What the hell is that about? You still pissed that I made you late to your potions class?”

               My face falls deadpan. “I wasn’t, but now that you bring it up, yeah. I got detention from Professor Crewel and had to collect all the plants for the next day’s classes.”

               “It was one detention.”

               “It was mandragoras.”

               “You had earplugs.”

               “Earplugs don’t stop them from biting!”

               “So you are mad at me.”

               “I am now.”

               He holds a hand up, pinching at his nose. “If that’s not the reason you’ve been flipping me off, then why?”

               “I don’t know, because I can?”

               Whatever retort he thought he had catches in his mouth. He stares at me utterly dumbfounded.

               When he regains his voice, he repeats his question. “Wh-Why?”

               So I repeat my answer. “Because I can.” Then I turn the questions on him. “Why are you staring at me anyway?”

               He didn’t expect that. “What?”

               “Don’t think I didn’t notice. You wouldn’t even know I was flipping you off if you weren’t staring.”

               That scowl returns but there’s no way in hell he’s intimidating me when I have the upper hand.

               “Who in their right mind would stare at you?”

               “You apparently. Unless you’re telling me you’re not in your right mind.” I grin. “Is this a cry for help? Do I need to take you to the infirmary?”

               His ears pull back. “You’re a real pain in the ass.”

               I jam a finger against his chest. “You’re the one who dragged me here!”

               “Because you keep flipping me off!”

               “Because you keep staring at me!”

               “Because you’re too fucking cute!”

               “Because you—wait what?” I was not prepared for that.

               He stares at me, mouth clamped shut, looking as if he was just blindsided. Without warning, he opens the door and walks out of the room. Not satisfied with letting it go, I rush after him.

               “Hold it! What did you just say?!”

               Ignoring me, he keeps walking. Jumping in his path doesn’t work as he has the strength to just push through me. Even grabbing his tail and pulling, which should be death sentence, doesn’t stop the man who now refuses to acknowledge me. Though I think we end up making more of a scene when I end up climbing onto his back, still yelling at him to talk to me. Strangely enough, nobody does anything more than stare and go about their day.

               Just another day at Night Raven College, I guess.

[yourlocalrandombisexual]

alright so i’ve been seeing the watcher posts and gathering my thoughts so i’m gonna put all my watcher stuff in one big post under the cut cause it’s gonna get long and i need to get this out of my head.

i will say 99% of the fandom was expecting a fun, exciting, omg can’t wait for it type of announcement and seeing the title and thumb nail for the first time made me really nervous.

also, side note, why on earth would they choose a thumbnail of the three of them sitting on a couch like that with the title “goodbye youtube”?? just the imagery alone makes you think of the try guys and their now infamous video like why would you want that comparison right out the gate before you even say anything?? super weird choice.

then the video is all nostalgic and wistful, clips of steven’s, ryan’s, and shane’s, pre-buzzfeed youtube videos and i’m thinking “did someone die cause this feels like a video obit” none of this calmed my nerves and made me more anxious about what could be coming. and then we all know what happened next, they announce that they’re paywalling everything yada yada yada

and after seeing everyone else’s takes and the general vibe of the fandom being “fuck watcher” it continues to baffle me why they thought this was gonna go over well. because to me it feels like they went from “yay we have our own youtube channel” to “give us your cash we’re a media empire” and missed A LOT of steps in between.

and i dunno maybe watcher did try to change things and tweak their business model and things weren’t getting better but as a fan and someone who watches a lot of different youtubers you kinda see this one coming. like creators drop little crumbs beforehand to gauge how people will take it or they try weird series/shows that have like 3 episodes to see what their audience is more interested in. there are a signs as a fan you can see but i think one of the reasons this went so badly for watcher is because it was so far out of left field. there was never a hint that the youtube model wasn’t working for them.

but again maybe they did try x, y, and z without it working or being transparent about it and if they were trying things why not lean into that to garner compassion from fans? we all know the youtube algorithm sucks and if they had started the video talking about the things they tried and how nothing was working and how much it sucked to leave youtube i think people would’ve understood. then they could’ve had shane talk about how subscriptions suck and there are too many of them and they tried to find another solution but couldn’t. now not only do i have sympathy for what there going through i had my feelings validated. then they could’ve gone into why this is better and what i’m going to get out of it as a consumer.

like it’s not that hard. but instead the vibe i got from them was a real palpable relief that they were leaving youtube which felt like a slap in the face.

and while i don’t agree with the steven bashing at all i do think it’s a little bit funny that they kinda dug themselves into that hole with their end of the year behind the scenes video they put out last fall. they really painted steven as a genius ceo while ryan and shane are just on screen talent. so while i feel for what steven is going through they kinda put themselves in that position.

all of this to say that it doesn’t feel like they hired anyone to field this idea by or do any kind of market research at all and the vibe that i’ve always kinda gotten from watcher is one where they want to jump over the messiness and growing pains of being a new small business and be established. be this huge force a la dropout/college humor without putting in the time to get there. and i do think watcher showed it’s true colors here where they only think of fans as cash cows they can deposit whenever.

and just the arrogance of thinking their fans will follow them to a subscription and trying to spin it as it being the same thing as leaving buzzfeed drives me up the wall. it’s not the same.

anyway i think that’s it. if i think of anything else ill edit this post ✌️