#this could be a case for mulder and scully
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california-112 · 4 months ago
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- Answer the question, Miss Scully! - What is the question?
The X-Files | S04E09 'Terma'
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aardvaark · 1 year ago
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i’m not in the x files fandom but every so often, due to tumblr, i will accidentally absorb some info about it. and every time i do it’s something like "scully refused to look at the visage of death one time, which caused her to become immortal, and we guess she still is, but her literal inability to die and speed-healing superpowers basically never get brought up again" and then i’m forced to spend hours googling this because what the fuck
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The X Files is the ultimate TMA brainrot media actually because not only is it impossible to get through 90% of episodes without assigning a Fear to the monster of the week, but between Mulder's childhood supernatural trauma and Scully's skepticism both give very Jon Sims Moments at different times
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beesarthur · 11 months ago
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Where in the world were Mulder and Scully?
I'm sure someone else has already made this list, but I've decided to keep track of how many U.S. states (and DC) (and Puerto Rico) Mulder and Scully investigate an incident in. Not counting other locations where part of the incident happens but Mulder and Scully never go to (like England in 1:12). (edited 3/27/24 after watching 2:19) This started as a list of US states and I continue to be interested in counting US states and territories, but the time has come to set up the list for other locations as well. This list includes places that Mulder and/or Scully go to during the episode to investigate a case. Action in DC that is not related to a case in DC does not count. If the action is in DC and spills over to Maryland and/or Virginia, I just count DC, but if the thing starts in VA and then things also happen in DC, I count both. I don't know, it's not an exact science, and the DC area is fluid to me. So far we have...
US States & Territories:
Oregon (1:1)
Idaho (1:2, 2:18)
Maryland (1:3, 1:15, 1:21, 1:24, 2:16, 2:17, 3:7, 3:16, 3:23, 4:8, 4:9, 4:16, 4:21, 5:3, FtF, 6:6, 6:12, 7:4)
Iowa (1:4)
New Jersey (1:5, 2:2)
Pennsylvania (1:6, 2:3, 2:16, 3:9, 4:2, 4:3, 4:12, 4:13, 4:14, 5:13, 5:14, 5:18)
Virginia (1:7, 2:5, 2:6, 2:21, 2:22, 2:23, 3:7, 3:17, 3:24, 4:8, 4:10, 4:16, 4:21, 4:24, 5:1, 5:11, 5:13, 5:17, FtF, 6:7, 6:11, 6:18, 7:4, 7:5)
Alaska (1:8, 2:17)
Texas (1:9, 5:12, FtF)
Wisconsin (1:10, 2:10)
Connecticut (1:11, 2:4)
California (1:11, 2:7, 3:15, 3:19, 4:11, 5:6, 5:7, 6:2, 6:15, 6:16, 7:3)
Massachusetts (1:12, 1:14, 2:11, 2:16, 3:12, 3:18, 4:10, 4:19)
North Carolina (1:13, 2:15, 6:21)
Washington, DC (1:16, 2:8, 2:21, 3:14, 3:16, 3:21, 4:16, 4:22, 4:24, 5:1, 5:2, 5:11, 5:18, 6:9, 6:14, 6:22, 7:1, 7:2)
Tennessee (1:17, 1:18, 4:5)
Washington State (1:17, 1:20, 1:23, 2:9, 3:8, 3:20)
Montana (1:19)
New York (1:22, 2:4, 2:16, 3:16, 4:3, 4:8, 4:9, 4:15, 4:17, 4:18, 6:10)
Puerto Rico (2:1)
Missouri (2:12)
Nebraska (2:12)
Minnesota (2:13, 3:4)
New Hampshire (2:14, 3:13)
Florida (2:20, 3:5, 4:9, 5:4, 6:13, 7:4)
Arkansas (2:24)
New Mexico (2:25, 3:1, 6:22)
West Virginia (3:2, 3:9, 3:10, 4:20)
Oklahoma (3:3)
Ohio (3:6, 3:11, 5:18)
North Dakota (3:16)
Georgia (3:22)
Rhode Island (3:24, 4:1, 4:23)
Michigan (4:4, 5:9)
Illinois (4:6, 4:19)
South Carolina (only Skinner 4:21)
Indiana (5:5)
Maine (5:10)
Delaware (5:16, 5:18)
Arizona (6:1)
Nevada (6:2, 6:4, 6:5, 6:20)
Kansas (6:8)
Mississippi (6:17)
Places Outside the US:
Norway (2:19)
Hong Kong (3:15)
Canada (Alberta - 4:1, 4:9; Yukon - 4:24)
Russia (4:8; 4:9)
Antarctica (FtF)
Sargasso Sea (6:3)
Côte d'Ivoire (6:22, 7:1)
#beesarthur hasn't watched the x-files#some of these that are in the DC area i am trying to not overthink and just assign the state or DC that they seem to most take place#cause for exampel 1:15 i think parts of it might technically be in VA or DC but the action starts in maryland#and of course DC sort of doesn't count not because it's not a state but because it's the home base#i write those tags after 1:15 and then of course in 1:16 the action really is mostly in DC so now we've got DC properly on the list#scully WAS the case in 2:8 and it appears to take place in DC or at least in the DMV so I'm calling it DC#2:16 was a doozy but i included everywhere that mulder and scully physically were except for DC because the case wasn't happening in DC#(probably)#so massachussetts ny pennsylvania and maryland#2:25 went everywhere man but i counted it as New Mexico#also considering how many times Mulder has talked about Roswell 1947 it's wild it took this long to get to New Mexico#i certainly haven't counted new York everything the 46th street group shows up but i counted it this time because Mulder went there#this time being 3:16#in 3:18 again we only count massachusetts and not ecuador because mulder and scully didn't go to ecuador#4:7 isn't on this list because mulder and scully don't go anywhere!!#4:9 is a doozy#4:16 is another DoD episode and another True DMV episode - we get the District Maryland and Virginia!!#i didn't want to count south carolina for 4:21 since Mulder and Scully don't go there but i've marked it since Skinner went there#and this case is clearly happening anywhere the bees can be sent through the mail#5:3 counts because it meets my threshold of either mulder or scully being there#undecided about how to count 5:15#I DO NOT think it is a coincidence that they go to 'Arizona' for the first time in 6:1 aka the first regular episode that was filmed in LA#instead of Vancouver!!#and in another shocker the second episode they filmed in California is the first time an episode is set in Nevada!#maryland in 6:12 according to the idea that 'fort marlene' is fictional fort dietrick#el rico air force base could be anywhere in the dmv and honestly i'm not going to make a guess#didn't add 6:19 because Mulder and Scully just stay in the DMV and the “case” is not there#but Arthur Dales the brother and Josh Exley were in New Mexico in the 1940s#i didn't record DC in 6:22 originally but i probably should; i feel like in 7:1 Mulder is fully the x-file himself#please note that 7:2 also includes whatever suburban dc area location the csm's witness protection neighborhood is in
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niekiddo · 4 months ago
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Things are getting strange, I'm starting to worry This could be a case for Mulder and Scully
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aperrywilliams · 5 months ago
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That Green Monster (Spencer Reid x Fem!BAU!Reader)
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Author Masterlist
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Pairing: Spencer Reid x Fem!BAU!Reader.
Summary: Your relationship with Spencer is fresh new, and some of his insecurities arise when someone new joins the team, making him react in a wrong way to you.
Word Count: 4.8k
Warnings: Fluff and Angst. And then fluff at the end (I don't even understand myself). Spencer lashes out. Spencer is insecure. Reader is mad. Both are so madly in love, though.
A/N: This one has been sitting as a WIP for way too long, so I decided to finish it today!
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A shot in the neck.
That's what it took for you and Spencer to - finally - get together. To confess you loved each other.
Everything happened while working a case in Texas. You had cornered a suspect who was hiding in a restaurant. You wanted to open a communication line with him, but out of nowhere, shots got fired. And one of them ended in your neck.
What happened next was a blur to everyone, especially to Spencer. He barely remembers Morgan pulling him back so that the paramedics could check on you.
The ambulance ride to the hospital and the hours of waiting for news were excruciating.
In Spencer's brain, only the thought that he might lose you forever without coming clean about his feelings for you.
You have been in a similar situation before, but this time, he thought you wouldn't make it.
It would be the loss of a friend and the loss of the love of his life.
If Spencer has to be honest, he realized he loved you after your first month working at the BAU. And with every passing day, the feeling only got stronger. But he was scared of saying anything, afraid of changing - or losing - the strong bond you guys already had.
So, he kept it to himself for years. For six years, to be exact.
But what he didn't know was you had fallen for him, too.
And how could you not? You both went through so many things over the years: Spencer's kidnapping, his Dilaudid problem, your family issues, the injuries, bad cases, unsubs attacks, hospital visits, and so on. With every bump in the way, you both were each other rock. Always together, no matter what.
The team affectionately called you Mulder and Scully, but in reverse roles, of course.
But even if, at some point, both of you realized what you had was much more than a friendship, neither of you did something about it.
Until you got shot in the neck.
In that uncomfortable waiting room chair, Spencer prayed, to whatever or whoever could listen, for a chance to make things right.
So when you woke up in your hospital bed hours later, the first thing you saw was Spencer's face.
He was by your side as always. But this time, he had something to tell you. Spencer didn't have the chance, though, because before he could say anything, three words blurted out from your lips: 'I love you.'
Between happy tears, you both spent hours talking and coming to the conclusion you were both idiots in love.
You didn't say anything to the team, but you all knew they knew, so it became unspoken knowledge after you were released from the hospital.
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With you home due to your neck injury and JJ on maternity leave, Hotch decided that some help would be better than putting more pressure on the remaining team members.
That's why he borrowed an agent from Sex Crimes.
Spencer had already told you that there was a new agent, but he hadn't developed this information in detail.
You knew him on your first day back, a month after you got shot.
Once you exited the elevator on the sixth, you headed through the bullpen glass doors. When you pushed them open, you didn't realize that someone was going in the opposite direction, and you almost hit the guy in the face with one of the doors.
"Oh, my God. I'm sorry!" you exclaimed when you realized what almost happened.
The man shook his head in dismissal. "No, no. Don't be. Nothing happened."
"But I almost hit you with a glass door," you pointed. The guy didn't seem phased by it, though.
"I'm okay, really," he insisted, flashing you a smile. You hadn't picked much of his appearance, to be honest, but the guy was easy on the eyes. Another thing that caught your attention was you had never seen him before.
"Do I know you?" You asked with curiosity.
"I don't think so. I'm Agent Dodds. Jake Dodds," he introduced himself, extending his hand. You've heard that last name before. You told him yours, shaking his hand.
"Really? You are a BAU member, right? I'm the backup agent Hotchner brought to the team," he explained, and then it clicked. He was the new guy.
Jake Dodds was young, fresh and motivated. After his first year in Sex Crimes, he already has a lot of accomplishments to show off. And, of course, he was doing his best to impress Hotch and the team.
Coming to the office bright and early and being the last to leave gave Dodds a chance to engage with the cases and the team members - you included. Due to your neck injury, you were mostly on desk duty, so you had enough time to help Jake with paperwork and all the questions he might have about past cases. And Dodds had many.
In the weeks that followed, he has spent a lot of time by your side, working with you when the team wasn't out of town.
It was part of your nature to be forthcoming and willing to teach others. And having worked at the BAU for almost six years, you felt like you could teach one thing or two.
Spencer loves that from you; it's one of the many things that made him fall in love with you. But for some reason, Jake's closeness to you started to bother him.
Spencer knew it was irrational and without foundation. Still, in the past weeks since Dodds joined, with each laugh from you when Jake cracked a joke, every time you sat together at the office a little too close, or every day you decided to have lunch with Jake rather than him, Spencer's jealousy only got stronger. It didn't help the team's comments about you and Jake.
'Dodds looks hooked by her'; 'The newbie definitely is flirting with her'; 'Really handsome view she has over there.'
Spencer could only bite his tongue. He could easily assume that the team was only messing with the situation, but the green monster growing inside didn't let him think clearly.
Spencer knew you, and you would never do something to hurt him, so why did he feel that uneasiness inside of him?
Maybe the fact you were in the early stages of your relationship made Spencer insecure. It was all new and fresh; he was happy with you, but although you both have known each other for years, he was inexperienced in the love department. Being friends was one thing, but being a couple was different.
So instead of talking to you—which he knew was the right thing to do—Spencer did what he usually does when he feels overwhelmed: he shuts people out.
And you did notice, of course.
Something was troubling him, you knew that, but every time you brought up the topic, he dodged it. You didn't look much into it at first because you knew Spencer would talk to you eventually when he felt ready. Or you assumed he would.
But the days went by, and Spencer still hadn't told you why he had been so distant, so you decided to confront him.
You both were watching a movie at your place, but you noticed Spencer wasn't paying attention to the TV. After an internal debate about whether it was a good idea to bring this up, you tested the waters.
"Spencer, are you okay?" you asked him, genuine concern lacing your voice.
The question hung in the air enough to make you think he might not hear you.
"Spencer?" you tried again, swearing you heard him huff even if he tried to be subtle.
"I'm okay, just tired," he hastened to dismiss, not looking at you.
So he heard you, but you had to call his name again to get an answer. Something is definitely wrong.
Contemplating your options, you chose to end the 'patiently wait until he comes to you' strategy. You were his girlfriend now. Why he couldn't trust you enough to tell you what's going on?
"Okay. This bullshit needs to stop now. You have been weird for too many days to tell me now you are okay and just tired. I know something happened and need you to tell me what it is," you demanded.
Shifting uncomfortably in his spot, Spencer had an inner debate about coming clean to you. He didn't want to admit how much Jake's closeness to you was bothering him. Spencer didn't want you to think about him as the possessive and clingy boyfriend who can't see his girlfriend near other guys.
He wasn't like that, right?
"You are imagining things. I'm perfectly fine," Spencer deadpanned, eyes returning to the TV.
Your mouth went slack. Were you imagining things? Was he thinking you were stupid?
"So I'm imagining things, uh? It's not you being defensive right now, isn't it?"
"No." He gave you a curt answer that meant precisely the opposite of what he was implying.
You wanted to give him a chance to open with you, but Spencer wasn't engaging.
It seemed easier to talk about what was happening to each other when you were only friends. Why is it so hard now you are a couple? You couldn't understand, and your patience was running short.
"Are you fucking kidding me right now?" you called him out in frustration. "Who do you think I am? A random person who hasn't known you for fucking six years?"
Spencer internally flinched. He saw the confusion and anger mixed in your eyes, and he felt the urge to hug you tight, telling you he was being an irrational jealous asshole. But Spencer didn't bring himself to do it, and instead, he tried to play cool and detached.
"I already told you. Everything is wonderful, at least for me. Not for you?" Spencer asked casually.
You narrowed your eyes at him. He looked calm and collected, but you could feel he was anything but.
"Okay. I'll bite the bullet. So the distance between us in the past weeks doesn't bother you as it bothers me," you concluded.
Spencer let out a bitter chuckle.
"Funny you're bothered by that. You have seemed very busy in the past weeks," Spencer mumbled.
A slip that didn't go unnoticed by you.
"Very busy?" you echoed his words. "What's that supposed to mean?"
Spencer shrugged, unamused.
"Exactly what it is. You have been very busy at the BAU lately. I only have been giving you space."
You squinted your eyes, raking your brain to understand Spencer's meaning. For your mandatory desk duty, you have spent more time in the office than in the field, but besides that, what has been different?
And then it clicked on you. Jake Dodds.
Sure, you've been very willing to teach him things and help him with his work, but that only explains Spencer's annoyance if there is another reason.
"Is this about Dodds? Are you jealous of Jake?" you questioned in disbelief.
Spencer's face paled. You had caught him.
After your deduction, he should have told the truth, but Spencer is stubborn enough not to give in, especially if that meant recognizing something he felt embarrassed of.
"W- what?! No! Where did you get that? I'm not jealous or remotely close to that," Spencer rebutted defensively.
Oh, he was definitively jealous. At the realization, you let out a giggle, eyes softening at your boyfriend. For you, there is no guy he should be worried about- not for Jake or any other person. Your heart is his, and you know there is nobody in this world you want to be with more than Spencer.
But Spencer's face deflated. You were laughing at him, and he felt even worse.
"Spencer, there is no reason for you to be -"
You couldn't even finish your sentence when Spencer cut you off, standing from the couch.
"I already told you! Am I not speaking English to you?"
His face was red, but not by embarrassment anymore. Now, it was a kind of contained rage.
Stunned by his reaction, it took you a few seconds to say anything.
"I - I'm just trying to understand what's going on. Don't be rude," you chimed.
Spencer let out a humorless chuckle.
"Rude, did you say? Am I rude because I disagree with you? Is that? Or am I rude because this doesn't have to do with you?"
"Excuse me? When did this turn into a problem related to me?"
You stood to mirror his stature so as not to look vulnerable.
"I don't know, you tell me. Are you disappointed because not everything or anyone in this world is revolving around you?"
Spencer's voice was cold and sarcastic, something you had seen in him before but never directed toward you. He was outrightly saying you were self-centered.
"Spencer -" you tried to warn him to back off, but Spencer didn't stop.
"No. I get it. You like the attention. But, I'm sorry, I'm not in the mood to indulge your childish self. Maybe the young and funny Agent Dodds could help you with that. But not me."
A dead silence settled in the room. If a needle had fallen on the floor, it would have made a noticeable noise.
You couldn't believe that man was your boyfriend—the man who was telling you such hurtful words.
Spencer saw how your features morphed from confused to hurt and then to offense, and with a twist in his guts, he knew he had fucked up.
"Are you done?"
Your tone was flat and collected, even if, on the inside, there was a storm of feelings. Spencer was deflated and looking for the right words to apologize.
"Hey, look, I'm -"
"I asked if you were done." You questioned harshly this time, and Spencer only gave you a shy nod.
"Okay, now get out!"
Your command was only followed by your actions as you walked to your entrance to open the door.
With horror, Spencer tried to sputter words to change your mind.
"I'm sorry. I - I didn't - Please, don't do this."
"I said, get out! I don't want you here!"
You emphasized your words, gesturing to the open door.
"Baby, I wasn't - I didn't mean what-" Spencer tried again, but you had made up your mind and didn't want to hear him.
"I don't fucking care! You had your time to explain yourself, and I don't want to hear anything else from you."
Spencer knew that nothing he could say at that moment would help his cause, so like a dog with the tail between his legs, he slowly made the walk of shame towards your door, but not before looking at you and begging for forgiveness with his eyes. It was a useless thing because you didn't even look at him back. Once he was out of your sight, you slammed the door shut, and your facade crumbled.
Tears started to fall freely, in a combination of pain and frustration.
It's needless to say, you couldn't sleep that night.
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Spencer looked distracted and visibly sad.
Morgan knew something had happened to him, even if the man had denied the fact for the past two days. And Morgan was sure it was something related to you. It looked like Spencer would combust from guilt whenever his eyes landed on you. Morgan's suspicion turned to be right the moment you caught Spencer's gaze, and you purposely averted it.
"Okay, pretty boy, what did you do?" Morgan questioned Spencer when he caught him pouring coffee in the kitchenette.
"What? Me? Nothing!" Spencer defended himself, but the crack in his voice did nothing to help his cause.
"So she's not talking to you just because?"
Spencer shrugged, leaving the pot over the counter.
Was he being so obvious? If Spencer wanted to maintain the facade that 'nothing is wrong here,' he was failing miserably.
Morgan scoffed, grabbing a mug to pour some coffee for himself.
"Come on, Reid. There must be something. Since yesterday morning, you look like a kicked puppy, and she seems visibly upset, and you're both always attached to the hip."
Dangerous territory, Spencer thought. But at this point, his regret was more powerful than keeping your relationship private.
"She is mad at me," the man recognized. It was a 'vague' recognition, but it was something.
Morgan seemed not surprised, though.
"No shit, Sherlock. The question is why, pretty boy," Derek prodded.
Spencer sighed deeply. How could he express what really happened without telling the whole truth?
Morgan saw the struggle in Spencer's eyes.
"I know you are both hurting by whatever happened. Maybe talking would help you clear your head and think about how to fix it."
Spencer took in Morgan's words. Some advice could help, he decided.
"We fought. I mean, we argued two nights ago, and she kicked me out. And now she is not talking to me, and I don't- I want to apologize, but I don't know how."
Spencer winced, just remembering your fight.
Derek looked at him incredulously.
"She kicked you out? What in the world did you do so she reacted like that?"
The actual question was 'what he said' because, strictly speaking, he didn't do anything besides let his mouth run on its own accord.
He regretted every word he said to you the second they left his mouth, but the damage was done, and you were fed up enough to listen to his apologies, so you yelled at him to let you alone. He didn't blame you. But he was feeling miserable, and it showed.
Spencer told Morgan exactly what happened—word by word.
"Jesus, Reid. I didn't peg you like the jealous type," Morgan acknowledged. Spencer shook his head.
"It's not like that. I mean, I know she loves me..."
"But?"
Spencer sighed. "What if - what if she realizes there are better men than me? That I am not enough for a romantic relationship?"
Morgan's eyebrows knit together. Spencer's face was pure panic, only thinking about the possibility.
"And Dodds would be better than you? You know he's like a kid, right?" Morgan pointed.
"Yeah. A young man with a lot of confidence that makes her smile and has her undivided attention. He's smart and qualified for this job like any of us. I'm not better than him. And I can perfectly be disposable in comparison."
That was the thing. Spencer felt insecure about you finding someone better than him.
Morgan looked at him empathetically.
"Man, I think you are looking too much into it. I don't think you should feel threatened in your relationship with her. And I guess she thinks the same and feels hurt for you thinking that."
Spencer nodded. "That's why I know I fucked up. I hurt her for my insecurities. It's all my fault," he lamented.
"You need to talk to her," Morgan advised, and Spencer whined.
"How? She hasn't spared me a glance in two days!"
"You're a genius, Spencer. And above all, how long have you known her? Five years? Think of something."
"Five years, eleven months, three weeks, and four days," Spencer corrected without hesitation.
"That's exactly what I'm talking about. You'll figure it out."
Spencer sighed deeply as Morgan patted his shoulder before leaving the kitchenette. Derek was right; they should talk. Spencer just had to figure out how to make that happen.
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That night you were sulking at your apartment, laying on the couch and watching some crap on the TV, when three knocks alerted you.
You weren't expecting anyone, and you didn't think Spencer could be outside your door. You were clear in telling him you didn't want to talk to him when he cornered you in the breaking room this afternoon.
But if you knew something about Spencer Reid, it was that he could be stubborn as fuck. So when you looked by the peephole and saw him standing there, you only closed your eyes and sighed.
Spencer knocked again. "I know you are there. And I know you don't want to talk to me. But please, let me do the talk. Please, at least listen to the things I need to say."
"You already said enough," you spat from your spot on the other side of the door. Spencer gulped hard. He said enough hurtful things to you to kick his ass, but he was determined to gain your forgiveness somehow.
"I can't stress enough how sorry I am for that. But I need you to know that I didn't mean any of it." Spencer paused, and when he didn't hear you say anything, he continued. "I'm an asshole, and I would understand if you want to break up and never see me again. I mean, well - it - it would be kind of difficult not to see each other because we work together, but you know what I mean. Or maybe not, I don't know. Jesus, what the fuck am I saying?" Spencer chastised himself, trying to control his nerves.
You could hear him struggling, so you decided to spare him a panic attack in the middle of the hallway. You opened your door and saw him still trying to sputter what he wanted to say.
"If this is your way to apologize, you are doing a terrible job." Your voice was not angry but tired. Because if he had had two tortuous days of you not talking to him, you haven't done it any better, overthinking about your fight over and over again.
Spencer's glassy, pleading eyes found yours.
"I know. It seems it's another thing I suck at," he admitted fidgeting with his hands. "Would you, uh. Would you let me try again? Apologize. That is."
It's true you were still mad with him, but you really wanted to understand why he reacted the way he did that night and said all the things he said. You know him too well to ignore that something else beyond mere jealousy clearly triggered his outburst.
Without saying a word, you gestured for him to get into the apartment. Spencer was quick to comply before you changed your mind.
You both took seats on opposite sides of the couch, eyes overly interested in your living room rug. After some minutes of silence and knowing he needed to say something, Spencer cleared his throat.
"I guess I'm going to start with the beginning," he prefaced, keeping his hands in his lap as you turned to contemplate him in silence. "Uh - you know it took me time to come clean with my feelings for you. A lot of time, almost six years," he chuckled nervously. You nodded, not wanting to interrupt him, fearing to get him more anxious.
"The thing is- I have been in love with you for so long and creating scenarios of us in my mind that - that now I know it is real, I don't - It's still difficult to grasp the idea we are together, you know?"
As Spencer raked his hair, collecting his thoughts, you couldn't help but remember all the things you both went through until you decided to tell the truth to each other. Six years is a long time. But you wanted to believe it has been worth it.
"I'm not used to a life where I get to be happy; when I think I am, things crush down, and I lose everything. It's a rule: good things don't last in my life."
You know how difficult it has been for Spencer to accept that he is not cursed or anything like that—a very difficult task, knowing the things he has been through.
"So my mind began to be haunted by the idea that it was a matter of time before you realized you could do better than me, and I'm only worth it as a friend."
His words made you recall the times you both discussed your love life in the past and all the doubts weighing on Spencer's shoulders. After those conversations, you always swore to make him feel loved and appreciated.
"And then you came back to work, and Dodds was there. I created this whole scenario, telling myself that you would be better with someone like him."
Spencer paused to gauge your reaction. You were openly listening to him, taking in every word.
"I know it's unfair to you. I - I betrayed your trust by mulling those ideas and saying all those hurtful things I truly don't believe. I'm so sorry; I don't have a defense other than my incompetence in dealing with my insecurities," Spencer concluded, letting a deep sigh escape from his lips and averting your gaze. He looked embarrassed and vulnerable, and it hurts you to acknowledge how small he feels about himself. You reached your hand tentatively, touching his forearm, and Spencer's eyes drifted back to you.
"Spencer, you have to know there is no one in this world who I love so deeply as I love you. No man could compare to you. No matter how young or confident or whatever difference you can name. You are the most thorough, caring, and selfless person I know, and I love you so fucking much it hurts," you gave his arm a gentle squeeze to emphasize your point. Spencer's cheeks flushed a bit. He still needs to get used to your compliments.
"What I still don't get is why you didn't tell me. Don't you trust me enough to talk to me about how you feel?"
Spencer hastened to reply, taking your hand in his. "No! It's not that! I do trust you with my life!"
"Then why didn't you tell me the truth at the beginning?"
"I - I don't know. I thought you would see me as the shitty boyfriend who can't see his partner near another man. It's as if I wanted to control you. And that's far from what I want," Spencer explained, scooting by your side as his grip on your hand tightened. "It was my problem, not yours. You did nothing to make this happen. I'm the one who must have to fix it." You shook your head.
"Baby, no. If it is something that upsets you, it is my problem, too. Spencer, we need to talk about those things and resolve them together."
Spencer's head hung low, taking in your words.
"But why? I am the insecure one, and you have done nothing more than show me how unfounded my fear is."
"Well, because you're still my best friend, and I care about you." Spencer's gaze met yours again. "It's the thing I first loved about us, you know? I love feeling safe with you and having the trust to talk about what is happening to us." With loving eyes, you brought his hand to your lips to kiss it.
"I want you to keep being my best friend, too," Spencer said with a hopeful smile. It was all you needed to hear.
"Then please don't forget that. You can always talk to me, and I promise to do the same, okay?" Spencer nodded at your words, a smile tugging at his lips.
"Okay. I promise," Spencer replied before wrapping you in a tight embrace. You melted in his arms, feeling his warmth and inhaling his scent, something you have been missing in the past two days.
"I love you," you mumbled into his chest. "So so much."
"I love you too. And I'm so sorry for my behavior two days ago," Spencer muttered in your hair.
You chuckled, slightly parting to look at him.
"Yeah, we have to work on taming that green monster, doctor. Otherwise, Hotch won't be able to bring anyone new to the team," you pointed, leaning to kiss his lips. Spencer smiled into the kiss.
"That means you forgive me?" he asked hopefully. You narrowed your eyes.
"Yes. But you still have to make it up to me," you teased, faking seriousness.
Spencer nodded eagerly nonetheless. "Whatever it takes."
"You could start making something to eat. I'm starving here after two days with a hole in my stomach," you rubbed your belly for emphasis.
"Yes, ma'am," Spencer smiled, standing and strolling quickly to the kitchen. He felt so relieved after coming clean with you that he swore not to make the same mistake again. That green monster fed by his insecurities dissipating as he thought how lucky he was to love and have you in his life.
------------------
Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers
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actual-changeling · 8 months ago
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It's "ice queen" until they're waiting in front of Skinner's office and Mulder makes her laugh so hard she has to half-bury her face in his shoulder to keep it contained. Until she is breathlessly blushing and whispering something that makes him bend over in return. It's the first time any of the agents passing by have heard her laugh.
It's "ice queen" until Mulder brings her a hot coffee and her favourite kind of muffin for an early meeting, and her smile could melt glass. Until a room full of accountants watches them pass the paper cup back and forth without even looking, spilling not a single drop. Until she gives him an undecipherable look and Mulder comes back after their ten-minute break with yet another one to share. Until she leans in like she is going to kiss him before simply bumping her shoulder against his, her lips parted and her cheeks flushed.
It's "annoying" and "insufferable" until Mulder almost trips over his own feet while clinging to every single word spilling from her lips. Until he walks straight into Skinner because he was looking at her and only her. Until he listens to Scully and Scully only, until he silences people with a glare when they interrupt her during meetings, until he starts introducing her as Dr. Special Agent Scully, daring anyone to contradict him or drop an honorific.
It's "ice queen" until Mulder gets injured, and she refuses to leave his side even as they make their way through the crowded building. It's just a hair fracture, Scully, and she almost shoves someone into a doorway to make space for him. Your ankle is broken. Hair fracture. Broken.
It's "prudish" and "prissy" until people occasionally catch them in an empty corridor, watching as Mulder wipes away dark red smudges from the corners of her mouth while the same colour is smeared across his lips. Until there is enough visible adoration in the way their hands brush together that it makes any bystander blush.
It's "standoffish," "uptight," and "unapproachable" until they are no longer in the basement, and no matter how hard she might try, she cannot hide the person she is around Mulder. Until she drags her chair towards his desk more days than not, until they move in sync, sit down in sync, breathe in sync, and they both don't seem to be what everyone else always imagined.
Soft. Warm. Loving. In love.
Scully smiles at Mulder like he's her whole world, and he smiles back like she hung every single moon and star into the sky.
It's "Mr. and Mrs. Spooky" from their very first case right up until the day a ring is glinting on Mulder's finger and another one on a thin gold band around Scully's neck, resting above her heart.
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super-lupus · 2 months ago
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The way Mulder says "and my report will reflect that, in case you're worried." to Scully in 7x7 makes my brain fuzz out. Like it's so obvious. Like how could she be scared about that. Like 'of COURSE I'm going to lie on an official FBI document about you killing someone in order to protect you, silly. Don't even worry abt it.'
And her reaction is perfect too because she almost looks like she wants to chide him, tell him that that's against policy (and probably a crime??) and it's not the right thing to do. But she knows she would do the same thing for him and that she has before. So who is she to talk?
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xf-cases-solved · 5 months ago
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headcanon/fic idea where during the cancer arc, mulder is over at scully's place on a saturday morning going over a case file (that probably could have waited until monday, but he wanted to check on her, and scully knows that, and mulder knows that scully knows, but they both just keep it to themselves). and at one point, scully checks the time and sighs and says she needs to call and cancel her nail appointment for that afternoon, and when mulder asks her why, she says it's bc her dr prescribed her a new med and it's giving her slight double vision, and "it's a common side effect and it's temporary, but i don't want to drive until i adjust to it, and it's not worth it to pay for a cab just for a manicure"
and mulder is like, "i'm not doing anything today, i'll take you"
and obviously scully dismisses the offer, but he keeps insisting, and the truth of it is, with all the constant med adjustments and (occasionally gross) physical side effects of medication and just being sick in general, she hasn't felt particularly attractive in weeks, and while it's not like she is trying to impress anybody, she takes a lot of pride in her appearance and how she presents herself to the world, and her nails are so brittle and the polish has completely chipped away from her last manicure, and honestly, this one little thing, no matter how inconsequential, really would go a long way to making her feel more like herself
so she eventually relents (which pleasantly surprises mulder bc she is stubborn af)
on the way there she's already apologizing for how boring he'll probably find it -- how frivolous and feminine -- and "it shouldn't take too long, i'll tell her to skip the hand massage," and mulder is like, "if you tell her not to give you a hand massage i will hold you at gunpoint until you let her do it" bc he is NOT about to let her skip out on some self-care bc she's worried he'll be judging her for indulging in something "girly"
(he knows she constantly walks a fine line between expressing her femininity and keeping it to herself bc she's worried it will make her male peers view her less seriously)
her nail tech immediately asks if mulder is her husband, even tho she knows damn well he's not bc she asks him if she's found a man yet at every gd appointment, and when she says no, the nail tech is like, "why not? he's handsome and he took you to your appointment, he seems like good husband material"
(they side step out of the conversation, but she is painfully aware of mulder's smirk)
her nail tech asks mulder if he wants a manicure too, and scully thinks she's probably joking, but mulder is like "hell yeah," and scully feels like how she does when he talks about aliens with random cops and witnesses with a straight face -- like, a little embarrassed, but also in awe of his complete lack of giving a fuck
so they are seated side-by-side and get manicures at the same time
mulder doesn't get any polish, but he lets his nail tech shape his nails and apply cuticle oil and, yes, give him a hand massage
he and scully have a brief debate about her nail polish, bc she always gets a super light pink or just a glossy finish (bc anything bolder would feel like overindulging in her femininity and she doesn't want to give any of her misogynistic peers more ammo), but mulder is mercilessly persistent, saying shit like, "that peach color would look good on you" (it wouldn't, she thinks, she's too pale for it) or "that burgundy one would match the new dark lipstick you got a while ago," and she's sat there wondering when the fuck he noticed something as trivial as the shade of her lipstick, and does that mean he's paid attention to other aspects of her appearance? and if so, what does he think of them?
(eventually she lets him talk her into an insanely light shade of baby blue, mostly bc he said it would complement her eyes and she was too caught off guard to tell him to stuff it, and the nail tech makes another casual quip about how good of a husband he would be, and a teeny tiny voice in the back of her head that she can barely hear is saying, "yeah, actually, he would")
when they're finished, he slips the nail tech his credit card while she is searching for her wallet in her overcoat pocket, and he does not look remotely remorseful when she reprimands him, that bastard
in the car, she can't help laughing at the way he keeps checking out his nails, tilting them so the sunlight hits them through the window and he can see how uniform and shiny they are (his nail tech talked him into a clear top coat)
he offers to drive to the chinese restaurant a few blocks from the lincoln memorial, bc she mentioned to him two weeks ago that whenever she is too nauseous to want food, she can for some reason always stomach that restaurant's egg drop soup, and even tho she's not nauseous rn and has also eaten enough egg drop soup lately that it actually sounds a little abhorrent, she says yes anyway, bc she's so touched that he remembered that small detail
they end up getting an order to go (she orders a full entree of vegetable shrimp along with her soup, and the look of relief and delight on mulder's face when he realizes she has an appetite for once makes her blush)
they go back to her place and watch The Thing, and then a rerun of jeopardy (they're pretty evenly matched in terms of useless trivia knowledge, but the final jeopardy question is "this man is the only doctor in history to have a 300% mortality rate," and scully was saying "dr. liston !" before mulder had a chance to process how that was even possible)
she gets drowsy early (another side effect these days), and mulder is discreet in not pointing it out, and instead makes an excuse about needing to feed his fish so he should probably get going, and once again, they both know what he's doing, but they both keep it to themselves
she walks him to the door, and before he leaves, he takes her hand. she lets him raise it up beside her face, even tho she's not sure what he's doing, until he says, "yep, i was right, these make your eyes even prettier," and like ??? what is she supposed to do with THAT??
in the end she does nothing except let him kiss the tips of her fingers, right on the light blue polish, and then lets him kiss her on the forehead. (she tries not to think about where else she'd like him to kiss her, and fails miserably)
they part with shy goodbyes, and it's only in retrospect that she realizes she hadn't actually thanked him, not really
when she is dressed and ready for bed, she slides under the sheets and calls his cell
"mulder, it's me," and somehow he sounds delighted to hear from her, as if they hadn't just spent the entire day together
"i just wanted to thank you for today. i really needed it"
she isn't able to express her gratitude in full, bc that would require being emotionally vulnerable and she's not v good at that, but she suspects mulder hears what she isn't saying anyway
"anytime, scully," he says, and she knows he means it sincerely. "my hands are so soft, i might have to make this manicure thing a regular occurrence"
she laughs
"goodnight, mulder"
"goodnight, scully"
in the morning, the first thing she notices is the blue of her fingernail polish, and the warm feeling it gives her stays with her through breakfast and all the way through the afternoon
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thursdayinspace · 6 months ago
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his whole life mulder had to bend himself into various shapes to fit into the spaces that other people made for him in their lives. the dutiful son for his parents, the brilliant student with a bright future, the spooky guy in the basement office who knew he could never escape his reputation. even for his absent sister he bent himself into the shape of nothing but the loyal brother, taking a different shape even for a person who wasn't even there. he never got to be the complete mulder for anyone. nobody ever needed all of him. most people didn't even look beyond what he could do for them.
and then scully shows up. she disagrees with him on pretty much everything on their first meeting and then comes back. again. and again. knowing he's still going to believe things she can never believe. he ditches her on their second case and she follows him, rescues him. and still keeps coming back. she tells him she wouldn't put herself on the line for anyone but him. she listens to what he's saying and argues her point not to contradict him, but because she values his opinion enough to make any argument worth her time. she never just agrees with him to get something from him. she never uses him to achieve her own goals. she doesn't make him feel stupid or spooky or damaged or in any way deficient.
she becomes his friend. not a friend to one version of a mulder she can fit into her life. she becomes *his friend*. she doesn't clear a space for him that he can fit himself into, she opens the door to her life and invites him in and lets him have the room he needs and even allows him to bring all his baggage and offers to help him carry it. he's never a means to an end for her, he's not just good for some fun, he's not something to be studied under a microscope, he's not convenient. he's actually pretty damned inconvenient sometimes and he knows it, but she looks at the complete picture of him and sees more than the sum of all his parts.
she sees him. she sees *him*. and she wants him in her life. all of him. the whole mulder. he doesn't have to play a part for her and he doesn't have to bend himself into any kind of shape. there's room for all of him in her life. if he wants it.
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great-and-small · 10 months ago
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I just have to say it’s really refreshing to read your thoughts on the walrus/fairy post, as I also have very strong feelings about it. Thank you for sharing your opinion
For someone such as myself who is very pro-whimsy, tumblr’s collective willingness to believe in fairies is actually quite charming. I would like to be the type of person to quickly and without question accept that fairies are real if one knocked on my door but honestly I’m a bit of a skeptic and that’s not how my brain works. I’m just more of a Scully than a Mulder I guess!
I think my bias here is that I studied wildlife forensics in vet school, and as a result I dare not underestimate the determination of wildlife smugglers. Yes, it would be hard to smuggle a walrus (even a juvenile) into a private residence. That said people have similarly smuggled Nile crocodiles, lions, spotted seals, cheetahs, chimpanzees, and so so many more species. There was even a case of a gentleman who was taken to court for planning to steal a walrus from an aquarium.
I also think some folks are underestimating the athleticism of a walrus. They aren’t lazy slugs that just lay on a beach all day, but rather extraordinarily powerful and intelligent animals. People saying a walrus would never make it up their stairs make me chuckle because walruses in the wild can and do climb 200 ft cliffs. A walrus’ tusks could also glance against a door in a way that resembled knocking. It is highly highly highly improbable for a walrus to be on your doorstep. But not impossible.
If I find a walrus at my door, I have a bizarre but intriguing puzzle that I can immediately start trying to solve. If I find something like the tooth fairy at my door (and am able to discern it is no hoax), I have to re-evaluate my entire understanding of reality. Of physics, and biology, and my perception of the universe around me. That would definitely shock me more than an unexpected mammal in a place it shouldn’t be!
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chellestrash · 1 year ago
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After work
Fox Mudler x F!Reader summary: You decide to make the unwinding after work a bit more interesting for Mulder warnings: teasing, mentions of smut, implied smut. Just something short, sweet and fun for the end of the year. word count: 2.2K a/n: this is me trying to get out of my writing/art block. ALSO, first time writing Mulder! Thank you @chelseasdagger for editing this!
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You lay on the small couch in Mulder’s apartment, resting on your side, turned to face the room as the gentle light from the TV shines onto your face. Some low budget horror movie plays quietly on the small screen, but to be completely honest, you don’t pay much attention to it, choosing to have it on as a means of killing time. You usually finish your work before Mulder does, even on the off chance he might leave the office at a normal hour. Killing time until you get to see him in the evening wasn't an unusual thing for you now you didn't mind it.
A cheap gag in the movie makes you sigh quietly before you look away, glancing up at the small window above Mulder's desk. You frown, suddenly realizing the late hour. 
You check the time, squinting at the clock on the bookshelf next to the sofa, before glancing at the phone on the desk. 
The thought of calling him passes by your mind, but you brush it off quickly. You weren't too worried about him, not today, the case him and Scully have been currently working on didn't seem particularly dangerous or high risk, at least not from what he's been able to share with you over the phone. 
The subtle sound of house keys on the other side of the door to the apartment makes you smile, perking your head up and turning to face him.
“Well, well, well…look who's here.”
He speaks first, pretending he wasn't expecting to see you there. 
“You mind telling me how you managed to get into my apartment, ma’am?”
Rolling your eyes at the tease, you turn away to face the TV again.
“I broke in using the keys you gave me.”
You explain without taking your eyes off of the movie, snuggling into the pillow harder while he pulls the work jacket off his shoulders and makes his way over to the couch. 
“Well, damn.”
He mumbles quietly, his usual monotone voice makes the corner of your lips pull up slightly.
“I need to be more careful about handing out my spare keys, huh? I mean, what is this? It's like anyone can just walk in, lay on my couch and make themselves at home.”
“Oh, anyone?”
You raise your eyebrow, glancing up at him in an accusatory manner.
“Well…”
His lips push into a small pout.
“You got me, I give up.”
You breathe out a small laugh as he leans down, pressing his lips to the side of your head gently before moving away. He loosens the tie around his neck and tosses it off to the side before he unbuttons the top couple of buttons on his shirt.
“So…”
He starts after a moment once you pull your legs closer to your chest to make room for him on the couch by your feet. He sits down, lifting your legs up slightly just to rest them gently in his lap.
“What are we watching?”
He asks, fingers slowly rubbing up and down your calves.
“Ummm…not sure. Killer clowns, I think?”
“UUUuu, spooky.”
Mulder hums, unimpressed, and you chuckle at the reaction. There's a pause and you both actually pay attention to the movie for a short while.
“Aliens?”
You glance over at him, catching the small smile when you ask the work related question.
“No um… no, it was vampires, actually.”
He explains and you nod.
“Real ones?”
The smile widens as you seem genuinely interested. At least somewhat.
“Well…technically, yeah, you could say that but, you know.”
“No evidence?”
He shrugs.
“No evidence.”
“I mean, it's a possibility, right? You've handled cases like that before.”
You state, and Mulder nods, agreeing with you, his hand slowly rubbing over your thigh. He turns away from the TV, now looking directly at you.
“Do you think I should remind you that that is classified government information, you technically know nothing about, huh?”
“Oh, I'm soooorry.”
You talk back, head now propped up in your hand, face turned away from the movie you found yourself no longer interested in watching.
“Guess I just overheard it when you were talking in your sleep.”
“Hey!’
Mulder reacts immediately, and you can't help the laugh leaving your body when he pulls you up and into his lap with a slightly offended expression.
“.... I talk in my sleep?”
He asks, hands rubbing over your lower back while you throw your leg onto the other side of him, straddling his thighs in effect.
“Oh, not at all.”
You mumble quietly, pushing a couple strands of hair that fell forward onto his forehead away from his face with a soft smile, and he offers a small one in return.
“You know what? If I didn't know you any better, I would've said that didn't sound too convincing.”
He points out in the quiet, monotone voice, and you shrug your shoulders softly.
“I mean, I could’ve just read your mind, and you'd never know.”
“Oh, yeah?”
He asks with a slightly raised eyebrow.
“You're changing your confession now?”
He teases in a typical Mulder manner, and your smile grows bigger as you tilt your head to the side, letting him continue after a moment.
“So what-what you're trying to say is I work a case all week, and then I come back home to relax, and now I have another X-file on my hands? Is that what you're trying to say?”
You smirk, glancing up at him innocently.
“Oh, I'm not trying to say anything except that I missed you.”
He smiles so big, his teeth shine in the light of the TV screen.
“Me? You, missed ME?”
You hum quietly, confirming your confession as you rub your hand up along his chest.
“Well, that's good to know. Why didn't you call to tell me earlier, hmm?”
“Didn't want to interrupt you at work.”
You explain yourself, and he shakes his head gently before whispering your name softly. 
“You are the only person who I want to interrupt my work, okay?”
His thumb brushes over your cheek, and you lean into the touch, staring into those dark brown, puppy dog eyes. 
“Okay.”
“So you missed me?”
He goes back to your earlier point, and you breathe out a small laugh.
“I need to try and remember that next time I'm at the office, huh?”
“I mean.”
You brush your hand over his shoulder and down his arms.
“I wouldn't complain.”
You shift your position in his lap, and he grunts, feeling the weight of your body now directly between his legs, his grip on you tightening slightly. 
“Oh, but I know you have your vampires and aliens and things you need to deal with over there.”
You speak softly, your fingers gently tracing over the shirt. Your head tilts to the side slightly as you try to make sure your words actually reach him. His eyes jump around your face as you talk, stopping at your lips for longer than they would in a usual conversation before he tilts his head down, eyes now fixed on the spot where your body presses against him between his legs. His hand moves up your back, pushing at the hem of your shirt.
“Hey.”
You start again when he doesn't respond.
“Earth to Mulder?”
“Hmm?”
He mumbles, questioning what you've just said, clearly too lost in the situation to pay actual attention to what's being said.
“When did you stop listening?”
“What?”
He blinks a couple of times before frowning, offended that you’d question his ability to listen to you…under the circumstances.
“Oh, I actually heard everything, for your information.”
He states confidently, and you raise your eyebrows, doubting his words.
“Oh, you did?”
He nods, slipping his hand right under your shirt, his palm flat against your bare back now.
“Yep, everything, yeah. Loud and clear.”
Still slightly out of it, he nods again quickly, doing his best to sound as convincing as possible despite the evidence you feel, oh so clearly, pressing against your body from underneath you.
“So, what did I say?”
You push.
“You said you missed me.”
He starts, and you can't really argue with that.
“And then you also mentioned how I am the best looking federal agent you ever dated, I'm pretty sure.”
Not giving you much time to disagree, or call him out, he raises you off of his lap, swiftly helping you lay back down on the couch. You lay under him as he leans closer to you, his hands playing with the hem of your shirt, his eyes stuck on yours. 
“I don't think I said that.”
You frown.
“But you said you missed me.”
He points out again.
“And you called me an X-File.”
You mumble, unimpressed, and he laughs, shaking his head before it hangs low above your chest.
“I mean, you could argue that was a compliment? Maybe?”
You roll your eyes, a smile back on your face as you decide to let him have it this one time.
“Okay, yeah, that's what I'll do.”
You glance down, slowly raising your knee up, nudging at the bulge in his gray slacks. 
Mulder hums quietly, grinding his hips down slightly as a response to your move. His hands linger over your body, one now under your shirt, the other on the side of your neck.
“Yeah?”
He asks, his voice soft, his touch gentle but impatient.
“Yeah.”
“Yeah and-”
He leans down, pressing his lips against your neck, and you tilt your head back slightly in response, a silent invitation for him to continue.
“I think I deserve some extra credit.”
He mumbles, his words breaking up between the kisses. He slowly moves lower and lower down your torso as he pulls the fabric of your shirt up to expose more and more of your skin, until finally pulling the fabric off and over your head. He tosses the shirt off to the side and his lips find their way back to your body, right above the waistband of your jeans.
“Credit for?”
You glance back down, your hands pushing through his hair when he looks back up into your eyes, lost in the moment, in the kisses and in the feel of your body under his.
“Creativity?”
You laugh, head falling back down onto the couch, fingers still in his hair as you feel his lips back on your body.
“Yeah, okay, I'll give you that.”
You purr softly. As gentle as possible, you scratch at the back of his neck, the short hair prickling the tips of your fingers softly. He lets out a satisfied hum, resting his head right below your belly button, facing you with his eyes directly on yours. You push your hips up slightly, feeling his fingers brush over the sides of your body, and he glances down between your legs before turning his head up to look towards your face again.
“Yeah?”
“Yeah, you get extra points, Agent Mulder. Now c'mere.”
Instructing him to move closer to you, you push your lips against his when his face is inches away from yours. He moans into the kiss, and in response you do the same as the kiss deepens more and more. Feeling his touch firmer on your body now, you reach down, palming the bulge through the fabric of his pants. There's a loud grunt, he breaks the kiss, his lips parted, eyes closed as his lips curl up into a big smile.
“Well, good job, me.”
He mumbles quietly, tracing his hand down your body, fingers curling under the waistband of your jeans while his big, brown eyes open and find yours once again. 
“I think maybe-maybe I should try to earn more of these points, huh?”
Mulder asks, his thumb rubbing over the skin above your jeans.
“I think you really should.”
You agree quickly, nodding and pushing your hips up slightly at the same time.
“You got any-”
He pauses for a moment, placing a wet kiss on the skin right under your belly button, and you feel the warmth between your legs grow significantly stronger.
“Any idea how I could do that?”
He kisses the same spot again, then moves slightly lower, then lower and lower again before working the zipper open. Slowly pulling the fabric down your thighs, he brushes his lips over the newly exposed skin, and a moan slips past your lips.
He chuckles loudly at the sound, shaking his head when you look back down with a soft smirk.
“Oh, Agent Mulder, I think you know very well how you can do that.”
“Oh, yeah?”
He asks, in a lighter tone this time.
“I mean, I'm pretty much just guessing here, I-”
He quickly glances between your two bodies.
“I have precisely zero idea what I am doing here right now.”
You scoff loudly, pushing his face away and letting your head fall back onto the couch again.
“Too much sarcasm, too little action there, Mulder.”
You squirm impatiently under his body, hungry from the promise of pleasure.
“Copy that.”
He nods quickly, the big smile never leaving his face for even a second before he buries his face between your legs.
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ylfas-bottleneck · 1 year ago
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S1 ep13 of the x-files: what if Scully, struck with grief from her father's death, has to deal with a guy claiming he can talk to ghosts being their only lead in a case and said case landing Mulder in critical condition with a chance that he could die and the episode explores her emotions and is heartbreaking and incredibly well done
S1 ep14 of the x-files: what if the amish were genderfluid
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azure-firecracker · 4 months ago
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Fic Rec Roundup!
In honor of my going off to college (my posts will be slowing down), and finishing 3 seasons of TXF, I asked y’all what sort of “special post” you wanted me to make. You voted on a roundup of some of my favorite TXF fics, so here it is! Prepare to watch me gush profusely about the phenomenal writers in this fandom.
This will be in chronological order, so first time watchers like me need not fear spoilers:)
I’m not including my own writing here, but you can find it in my masterpost.
Without further ado, let’s get into the fics!
Season 1:
starstruck by @thursdayinspace (General Audiences, 671 words): Set post-Pilot. The title says it all. This is quite possibly the cutest thing I’ve ever read.
Something Bigger Than Us by Mungo_of_Maundery (General Audiences, 721 words): A nice coda to Deep Throat after Scully rescues Mulder from the air base. Internal monologue is great.
humans in nature by @theswisscheeserag (General Audiences, 2,733 words): Mulder and Scully’s conversations post The Jersey Devil. Philosophy mixed with fluff and some laugh-out-loud humor. Perfectly captures the vibe of early MSR.
Still Feeling My Father Ascend by @cecilysass (Teen and Up, 13,073 words): Mulder and Scully share some tender moments post Beyond the Sea. Both of them have a lot of healing to do, for different reasons. Some of my favorite MSR introspection can be found in this fic, and you can tell how much thought and care this author puts into the characterizations. There’s also several excellent funny moments - a true gem of a fic!
Egit Genius Loci by snow_and_rain (Teen and Up, 21,937 words): Case fic set right after Beyond the Sea. Featuring early-onset MSR, angst, mutual pining, and hurt/comfort. A little whimsical, a little eerie, a little sad.
Between Two Truths by @agent-troi (Teen and Up, 1,621 words): Missing scene from E.B.E after Scully’s speech to Mulder. An excellent internal monologue from Mulder’s POV followed by some top-tier MSR banter.
the progression (and regression) of first names by skuls (Teen and Up, 5,421 words): A series of vignettes exploring Scully and Mulder’s relationship as it evolves throughout Season 1. Pitch-perfect Scully characterization and several moments that really showcase her inner conflict fantastically, but also many wonderfully tender MSR scenes (keep an eye out for the coffee scene - my favorite!)
never learned to read your mind by @swinging-stars-from-satellites (General Audiences, 1,071 words): An alternate version of Season 1 where Scully leaves after Deep Throat. Profound, heartwarming, wistful and a bit sad, this takes an interesting concept and really tugs at your heartstrings.
Season 2:
distractions by @thursdayinspace (General Audiences, 1,181 words): Post-abduction. Mulder does his best to help. Absolutely heart-melting, sweet and tender and a little sad too.
The Safety of Guilt by the_status_clo (Teen and Up, 732 words): Mulder’s guilt post-abduction. Do you like to feel miserable? Do you like to slip into a pit of unwavering guilt and wallow in beautiful words? Read this!
Redial by @theswisscheeserag (Teen and Up, 7,423 words): A frequent reread of mine! Set during Mulder and Scully’s quarantine post-Firewalker and told through a series of phone calls. This fic has everything you could possibly want: introspection, angst, fluff, humor, friendship and romance all mixed into one…it’s just really good in 1000 different ways. Endlessly rereadable.
until it heals by @actual-changeling (Teen and Up, 2,351 words): A post-Irresistible fic that captures all of the poetry, panic, and drama that is Season 2 MSR. Incredibly tender with some stunning inner monologue moments. A perfect coda to my favorite episode.
Authority and Gravity by Xecotcovach (Teen and Up, 2,338 words): Another excellent fic where Scully (with Mulder’s help) tries to deal with some of her season 2 trauma. Their dynamic here is very tender and their banter is just the right amount of sassy and quippy. Set after Fresh Bones.
If You’re Sinking, I Will Jump Right Over by SammyLovesASOIAF (Teen and Up, 1,642 words): An alternate version of End Game where things go…badly-but then Mulder has to confront his emotions!An interesting alternative, angst with a happy ending. Lovely poetic language; I have some lines from this that I remember word-for-word.
Our Town by @leiascully (Teen and Up, 813 words): Scully’s thoughts during and after the climax of Our Town. Very in-character, appropriately intense, really conveys the fear and desperation intertwined with Season 2 MSR.
Season 3:
Light in Dark Places by @agent-troi (Teen and Up, 2,697 words): Set in Season 3 but it’s really about Irresistible and Scully’s insecurities in general. Peak hurt/comfort, this one makes your heart hurt in the best possible way, and then it feels like a warm hug with the resolution.
Got You(r) Back by @shearmouth (Teen and Up, 4,933 words): This is THE injury fic for me. Set post-731. The hurt/comfort levels in here are unmatched. Scully’s internal monologue is perfect. Mulder is an actual puppy and Scully takes care of him and it makes my heart melt in all of the right ways.
stay close, listen by @actual-changeling (Teen and Up, 2,667 words): Post Pusher. Very angsty, but in the best possible way and with an extremely satisfying resolution. This fic definitely wins best-written: it’s essentially poetry, and its uses of metaphor and literary references are stunning. I can’t recommend this enough.
find me defenseless by @impulsive-astrophile (Mature, 7,421 words): Case fic! Do you like Mulder torture? Do you like badass Scully? If so, you will love this fic because it has both in spades (plus-spoilers-a wonderful ending to make up for the pain). Whenever I’m fed up with the show’s kidnapping ratio, I read this: it’s probably my most frequent reread. I will say that it is more violent than anything I’ve written, so be aware.
Unconfirmed timing but spoiler-free:
unravelling by @actual-changeling (General Audiences, 2,208 words): Scully wakes up to a familiar voice theorizing on her television. What follows is as sweet and humorous as it is charged and just a little tragic.
Shakespirited by orphan_account (Teen and Up, 13,670 words): A fic that I’m pretty sure was written specifically for me. Mulder and Scully go undercover in a Shakespeare troupe plagued by strange murders. If you like TXF and are a Shakespeare nerd, you will love this. Definition of a good time (but there’s some angst too-how could there not be?) I think there are some minor spoilers in here, but nothing to really tell you anything as long as you’ve seen up to Anasazi.
Sometimes You Need to Have Fun by @baronessblixen (Teen and Up, 1,192 words): Fluff written by the queen of fluff herself! Mulder and Scully go ice skating. It’s as adorable and sappy as it sounds.
Stupid Cupid by @mulderwearingglasses (General Audiences, 5,325 words): A Valentine’s Day fic! This features jealous Scully (a delight) as well as some excellent humor and fluff. Overall just a lovely time. There may be some minor spoilers in here, but nothing that told me anything.
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cecilysass · 12 days ago
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Beacon (1/6)
Read on AO3 | Tagging @today-in-fic
A delight to write this as a secret Santa gift for @libbytxf whose work I've enjoyed so much myself. She enjoys slow burn, and this is as slow burn-y as I could manage. She has literary sensibilities, and I tried to weave those in. There's a very subtle Pride and Prejudice allusion, as she and I both are fans. I hope you enjoy this, Libby. I'm going to post a chapter a day; I hope that's okay!
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Chapter 1
Mulder drives them through the last leg of the icy woods, wind rattling through the spindly trees hanging over them. It’s just early evening, but the rental car’s headlights are already slicing through the winter gloom. From the passenger seat, Scully watches sprays of snow dust blow off of the birch trees.
They round a bend and the trees suddenly disappear: a New England town appears from nowhere, lit with golden streetlights that bounce off the old-fashioned brick and clapboard buildings. Scully looks around with interest. At first it seems eerily still, like a postcard, but then she notices a few locals walking along the sidewalks, pulling their coats tight and huddling close together.
“Temperature is really dropping,” Mulder remarks, reaching down to turn up the heat. He brings the car to a halt at what seems to be the town’s only stoplight. “You bring some sweaters, Scully?”
Strands of glowing holiday lights hanging over the streets sway back and forth in the wind.
“Of course I did,” Scully replies, but wonders how many sweaters he expects her to have packed. Just what kind of case does he imagine this will be, a week before Christmas? There are suspiciously few details and she has a feeling there’s more he’s not telling her. It wouldn’t, of course, be the first time.
She turns to the window again to observe the little downtown. It vaguely reminds her of a full-sized version of a painted porcelain Christmas village her mother owns, every building conspicuously charming. All sharp edges blunted with snow, vaguely glowing with bulbs, the downtown is old-fashioned in a way that makes one think of Bedford Falls, of Jimmy Stewart.
“You’re sure we’re in the right place?” she wonders, peering intently out the passenger window. “This is the location of your ghost deaths?”
“Hellespont, Vermont,” Mulder agrees, nodding, tapping on the steering wheel restlessly. “Established 1785. We’re looking for the Beacon Inn, so keep your eyes peeled.”
The light changes, and he drives past a historic town hall. There is, honest to god, a grouping of rosy-cheeked children in wool caps singing in a formation on the front steps. Scully observes them closely as the car moves by. Electric candles in their hands, ruddy glow on their faces: angels we have heard on high.
“It doesn’t seem like the site of supernatural murder.”
“Well, Scully, like I said, the deaths haven’t officially been described as homicides,” Mulder says. “They’re all—”
“Yes,” Scully says. “Sudden cardiac deaths. You did say.” She isn’t in the mood for Mulder’s withheld key information and sudden reveals. “Which, as it happens, is one of the most common causes of death in the United States.”
“Three cardiac deaths in six months in one New England inn,” Mulder reminds her. “That’s a little uncanny. And my source says—”
“That it’s a ghost,” Scully cuts in again. “Some tortured soul who has made the journey back from the great unknown to attack with the power of coronary artery disease.”
“Sure,” Mulder says uneasily. She feels him glancing at her. “We both agreed this one was worth poking into, didn’t we?”
A slight pause. “Yes,” she says. “Of course we did.”
“Good,” Mulder says. His eyes bounce off of her again. “I’m mostly going off of what the source told me, the inn’s owner. There aren’t … many details. It’ll probably be too late tonight, but I’m hoping we can both run through the whole story with him tomorrow morning.”
She takes a breath, pushing back her irritation. “I assume we’re staying at the haunted inn.”
Mulder flashes her a placating grin. “It’s actually a much nicer place than what I usually book.”
“Besides the high rate of sudden death, of course.”
“Hopefully we can help them out with that,” Mulder says. He drums on the steering wheel again and serenades her. “‘Something strange in your neighborhood. Who you gonna call, Scully?’”
Scully smiles tolerantly and turns back to the window. She’s unable to stop herself from peering out to watch the people milling around downtown Hellespont: cozy scarves pulled over their faces, shopping bags over their arms, hand in hand with significant others. Ordinary lives that seem increasingly distant from her own.
“I, uh, know you’re probably eager to be finished up before the holiday,” Mulder adds. “Get back to your mom’s.”
Scully nods slowly, her gaze still out the window, unable to respond right away. Yes, she is eager to be back with her family for Christmas, and yet it’s also the very last place she wants to be. Her sister absent. Her sister never coming to Christmas again. Her mother’s dull-eyed grief. It might be better to turn her energy to ghostbusting after all.
“What are you doing for the holidays, Mulder?” she asks the window, keeping her tone light and conversational. “Going on an adventure? Going skiing with the Gunmen? Hot date?”
“Hot date, for sure,” he says. She turns to look at him, and he’s picking some sunflower seeds out of a bag he’s stashed in the console.
“Ah, then you must be eager to finish the ghostbusting case up, too.”
“Oh, I’m not worried,” he says. “You know we tend to wrap these cases up fast and tidy, Scully. We’ll be back to family and holiday love in no time.” Just as she is about to give him an incredulous look, he gestures out the window. “Oh, look, there it is,” he says suddenly. He’s pointing to the ornate sign outside a Victorian house perched on a hillside. “Beacon Inn.”
***
There is ice coating the uphill walk to the Beacon Inn, and Mulder resists the urge to offer Scully a steadying arm. She might refuse it, and that would needle him, even though it has nothing to do with him. Well, it might have something to do with him. But mostly, he thinks, it isn’t about him at all.
He’s aware that Scully’s grieving this holiday; this first Christmas without her sister. He sees it in the slump of her shoulders when he mentions time off coming up, the way her eyes focus on some unseen place at work, the way he finds her sister’s file left sitting out, thumbed through yet again. Still raw, still unsolved.
His own sister’s case has haunted him for more than twenty years. Everyday he has to grapple with what it means to still not have justice and to still be seeking even the barest minimum of answers. Does Scully fear the same for herself? Does she look at him and see a bleak future? This recent interest of hers in religion: it troubles him. He knows she’s started going back to Mass, after the stigmata case, the case with Kevin Kryder. It’s like she’s searching for something to hold on to, any port in a storm.
He doesn’t know what it portends.
In quiet moments he’s studied her across the office. Every day he half expects to hear her say she’s giving her notice. He wonders if he shouldn’t encourage her to.
But what would the work be like without her? What would the basement be like? Who would he talk to about his ideas, his theories, his weekend? He’s not quite selfless enough to urge her to walk away.
This case—haunted deaths in bucolic New England—has sat in his “maybe” pile for weeks: intriguing, definitely, but with a distinct odor of “junior high ghost story.” After observing Scully for one listless morning last week, he pulled the file out again, spread out the pages, and began putting together a slideshow.
She’s always one to find her purpose in work. They’re alike that way. And Vermont in the snow, a haunted inn—there’s a certain ambiance to this one, right? He knows he’s charmed by this sort of thing, so she might find it charming, too. At very least she’ll be able to complain about having to tolerate junior high ghost stories.
And he thinks she does like complaining about that, sometimes.
At the root of it, it’s just plain selfish. He can’t stand to be in the office and see that expression on her face anymore. Anything is better than that. So over the river and through the woods to the haunted inn they go.
He turns to look at her now as they approach the front steps. She’s wearing her long black trench. Her cheeks are pink from the cold; her expression is perfectly neutral. She notices his stare and looks back at him quizzically.
The case has yet to engage her full attention, he can see that perfectly well. But they’ve only just arrived. There is plenty of time to pull her in. On any case it sometimes takes a while for her to pluck at the thread that interests her the most. She always finds something, her own distinctive way into the labyrinth. It’s one of the things about Scully he likes the very most.
Stepping gingerly around piles of snow-crusted lumber and plaster debris around the front porch, they glance at one another.
“Under construction.” Scully gestures to a tarp over the front of the porch.
“Apparently they’re doing some remodeling,” Mulder agrees.
“Some remodeling,” calls a voice from inside the slightly-open door with an audible huff. “Tactful understatement. Did you hear what they said, Duncan? They said you’re doing some remodeling.”
The door, which is adorned with a fat evergreen wreath with bronze ornaments, cracks further open, and a slight white man in his late forties, clad in a thick wool sweater, an apron, and wire frame glasses, sticks his torso out. “Agent Mulder?”
“Yeah, hello,” Mulder says, stepping over piles to approach. “I’m Agent Mulder, and this”—he gestures with a sweeping arm to Scully, who steps next to him—“is my partner Agent Scully. You must be Duncan Macneill?”
“Just Duncan, please,” the man says. “I am the co-owner of Beacon Inn. As well as manager, cook, historian, night watchman. Come inside, please. It’s bitter cold.”
He beckons for them to follow him, and Mulder and Scully step inside after him. Immediately they’re greeted with a blast of warm air and the woody, aged smell of a historic house.
As they wipe their wet feet on a woven mat, Mulder carefully eyes the lobby, which is really a living room. It’s rustic, cozy, a mix of antiques and newer pieces, with somber historic portraits on the walls and some quirky mismatched furniture scattered with brightly-colored pillows. There is a giant glowing Christmas tree festooned with large red velvet bows. Mulder’s no expert, but it looks like a lot of care and love has gone into decorating.
“We’re so sorry about the mess outside,” another voice chimes in. A round-faced Asian man about Duncan’s age sits behind a desk across from the door. “It’s just inhospitable, isn’t it? I keep telling Duncan we need to wrap the project up, but it drags on and on through the seasons.”
“The new exterior will be worth it,” Duncan proclaims confidently. “Although I admit, it has taken a while.” He winks at the man behind the counter, then turns to Mulder and Scully. “This is the inn’s other co-owner… my partner, Banoy Borja.”
Mulder walks over to shake Banoy’s hand. “Agent Mulder—and my partner, Agent Scully.”
“So nice to meet you,” Scully says with a smile.
“Oh,” Banoy says, stepping back to look them over. “I’d reserved two upstairs bedrooms, both singles. Should I prepare the Beech Bedroom instead? It’s got a queen.”
“It’s fine,” Mulder says quickly.
“Two singles is perfect,” Scully adds.
“Different kind of ‘partner,’” Duncan stage whispers to Banoy.
“F.B.I. partners,” Scully clarifies quietly.
“Right, I just thought maybe both...?” Banoy explains.
“No,” Mulder says emphatically. “No. Just F.B.I. partners.”
“Ahh, of course,” Banoy says, his eyes flickering between them. “My mistake.”
Scully spins abruptly towards the porch again. “Your renovations look quite extensive,” Scully says, changing the subject. “Are you building on to the house?”
“No, no. The porch was falling apart,” Duncan says. “We’re modernizing it, rebuilding, but this is New England, so naturally we have to adhere to the town’s historic preservation code. And of course we want to maintain the inn’s Victorian exterior, too.”
“We had a tiny bit of trouble,” Banoy says. “It can be tricky. You know. Historic preservation commissions in small towns.”
“It’s all resolved now,” Duncan says, waving his hand dismissively.
Scully nods, but Mulder notes her eyebrows are drawing together the way that she does when she’s thinking about something.
“We’re going to want to ask you both some questions about the recent deaths,” Mulder tells them. “But … maybe not tonight.”
Banoy looks stricken. “Yes, of course, but please—” He lowers his voice and looks around nervously. “Just make sure that there’s none of that talk about death in front of guests.”
Mulder discreetly glances from side to side and sees no one else around but the four of them. He nods understandingly. These are touchy topics. “Sure, of course,” he says. “‘Maybe we can talk tomorrow morning, somewhere quiet? Mr. Macneil, you were the one to contact us—does that work for you?”
“Duncan, I told you,” corrects Duncan. “And yes, Agent Mulder. Why don’t we have coffee and pastry in the kitchen? Say 9-ish?”
“Duncan loves to talk about the ghost,” Banoy says with an affectionate eyeroll. “You’ll never shut him up. But let’s get you checked in and settled. You must be so worn out.”
“Grab the bags while I check in?” Scully says offhand to Mulder. He nods automatically. It’s a well-established system by now. Mulder turns for the door as Scully speaks to Banoy.
When he comes back in, Scully is still chatting with the two men about the inn’s renovations. Mulder’s eyes narrow as he drags their bags by; some detail has obviously attracted her interest there. Which is good, really. He wants to see her involved in the case. If it’s important, she’ll update him later.
He decides to take their room keys and go ahead with the bags upstairs.
Upstairs, he’s met by a long narrow hallway with six doors, three on each side, historic brass lanterns outside of each one, producing an uneven amber glow. It’s atmospheric. He likes it, New England boy that he is.
At the end of the hallway is another impressive Christmas tree, twinkling with white lights and draped with swaths of crimson velvet. The wooden floor boards, worn smooth by years of foot traffic, creak underfoot as he steps down the hall. He discovers his and Scully’s rooms are side by side.
Just before he tries to go inside, he stops. He looks back and forth, up and down the hall.
He has the strangest feeling he’s being observed. But there’s no one there. No one he sees, anyway.
Look at you, going full on junior high ghost story, he thinks to himself. He reminds himself that Scully probably thinks he’s always full on junior high ghost story. She probably thinks her career has turned into one big junior high ghost story after another.
He unlocks his own room first, stepping inside only to get a quick lay of the land: a simple star-patterned quilt on the bed, another faux brass lantern, an old-fashioned washing stand with a pitcher, and a framed silhouette of a young woman with her hair up above the dresser. There’s no adjoining door.
He puts his bag next to the bed and goes next door to unlock Scully’s room. Her room appears to be essentially identical, a mirror image of his own, except for the quilt is a slightly different star pattern, and the silhouette above the dresser is a young man instead of a woman. He looks at the silhouette for a moment, trying from idle curiosity to decide whether he can make out if the man has a mustache.
He wheels her bag inside and sets it next to her bed, too.
He’s locking up Scully’s door, about to go back downstairs to find her, when he again has the unmistakable, creeping sensation that someone is watching him.
Come on. It’s just one of the other guests Banoy mentioned, he thinks, his eyes still firmly trained on the key in the door.
With a slowness and caution he couldn’t fully explain if asked, he turns his body towards the far end of the hall.
And that’s when he sees it.
When he sees her.
What he sees certainly appears to be a her, anyway: a woman standing at the end of the hall staring at him.
His first impulse is to reach for his phone to call Scully, to insist she come up and see, but he isn’t sure if he should move. Instead he stares back at the woman stupidly, his mouth hanging open, his hand still holding the key to Scully’s room.
The woman is wearing a long white empire waist dress and a piece of fabric drawn around her like a shawl. She has dark hair parted in the middle and curling around her face. Her expression is hard, uncompromising, calculating.
And she is transparent—there’s no other word for it, that’s what she is. She’s entirely without solid substance. Ephemeral. This fascinates Mulder. He can peer through her body to make out each point of light spangling the Christmas tree at the end of the hallway behind her. If he stepped forward and put his hand out to touch her, would it go through? A very reckless part of him would like to try.
Standing contemplating her in frozen wide-eyed fear and wonder, he wonders what to do now. More than anything he wishes Scully would come up the stairs right this second, would stand here and witness this with him.
Before he can decide how to react, the woman, much to his alarm, takes a step. Towards him. Mulder hears his breath hitch, feels the little hairs on the back of his neck stand up.
“My love,” she whispers, ever so softly. Her voice doesn’t sound ephemeral at all. It’s husky and tremulous. “How I miss you.”
All at once, Mulder remembers the danger associated with this case—what’s happened to the victims who had reportedly seen the spectral figure. The adrenaline of fear courses through him more powerfully.
“My love,” she repeats almost tenderly, holding her hand out towards him, her fingers beckoning. “Come to me. My love.”
Mulder moves his own hand in alarm, and looks down at his chest to see his left palm instinctively covering his heart in protection. He’s breathing a little fast for sure, but he feels no other symptoms, no impending heart failure.
When he looks up again to see the woman, he’s staring at an entirely empty hallway. There’s no one there. He’s alone, clutching his vulnerable heart.
***
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numinousmysteries · 12 days ago
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@poangsecretsanta
[on Ao3]
Vrooom, vrooom, let's basketball! For the delightful @xf-cases-solved aka diz who loves Milagro:
Agent Scully is already in love .
The words taunt him as she digs her nails into his back. She's crying hot tears onto the shoulder of his sweater and clinging to him like a life raft in a storm. He tries to focus on the thumping of her heart against his chest, the frantic breaths she gasps into his ear—signs that she’s alive, that he hasn’t lost her—but he can’t get Padgett’s words out of his mind. 
Padgett's a liar and a murderer, he tells himself. The guy would say anything to get a rise out of him. 
But he loves her. He's known for years although he doesn't know how to admit that to her, or even to herself. The possibility that she could feel the same way is too overwhelming to even consider. And the potential consequences too enormous. 
The paramedics arrive and give her a preliminary exam on his living room couch. Despite the volume of blood on her clothing, there doesn't seem to be an entry or exit wound and her vitals are normal. They offer a ride to the hospital just to be safe, but she declines.
"Alright," one of them says, slightly baffled. "Well, don't hesitate to call us again or come into the ER if your condition changes."
“Yes,” she says, her voice firm, the Dr. Dana Scully tone she uses for the rest of the world. For everyone except him. 
He shows them to the door. 
"Are you sure you're okay?" He asks her once they're alone.
"Yeah, I think so," she says softly.
"Why don't I get you a change of clothes? Or, do you want to take a shower?"
"I-I'm not sure," she says and he realizes she's shaking.
"Oh Scully, come here," he says, taking a seat next to her on the couch and opening his arms to her.
Her lower lip trembles as she closes her eyes and rests her head on his chest. He wraps his arms around her and rubs soothing circles on her back. Her blood stains his sweater, marking him. 
"It's okay," he says. He leans down to kiss the crown of her head. It's warm and damp with sweat. She smells like fear. 
He hears her sniffling and trying to catch her breath. After a few moments of sobbing, her breathing slows down and becomes more measured. He feels her pulling back and he releases her from his embrace. 
"I'm sorry," she says. "I should go."
"Hey, wait, Scully," he says, grabbing her onto her wrist to keep her from rising from the couch. "You don't have to go just yet. I don't know if you should be driving like this."
"I'm fine," she says, although her warbling voice betrays her vulnerability.
"If you think I care about anything he wrote in that book—"
"Oh, Mulder, stop," she protests, but he continues.
"He didn’t know you at all. It was just the fantasies of a mad, lonely man."
"That's the thing," she sighs. "I think he did know me. Some of that was eerily accurate. It was almost like he was profiling me. I felt so exposed."
"But not all of it, obviously," he says.
"You mean, that I’m not in love?” 
He pauses, frozen in his tracks. He meant the part about her sleeping with Padgett. He wasn't expecting they'd actually discuss that part. 
"Scully, I'm sorry. We don't have to talk about it."
She sucks in her top lip and bows her head, tears still wet on her face.
"What would that mean?" She asks. "I mean, to you? What would it mean to you if I were in love?"
He's confused, tiptoeing carefully around her question. "Well, I'd buy the lucky guy a beer to congratulate him. Let him know he's in for a lifetime of being second-guessed. But also that I'm damn jealous of him for getting to spend it with you."
A soft laugh catches in her throat and turns into a cough. "Mulder," she starts, looking down at her hands in her lap. "You know there's no one else...in my life."
"No one else besides..?"
She sighs again, this time more in frustration, and looks up at him with wet, blue eyes. "You're really going to make me say it?"
"I don't want to assume anything. But if you were to say you were in love with me, I'd assure you that there's nothing in the world that would make me happier. And that the feeling is more than mutual." 
She stares at him in stunned silence and he immediately wants to take his words back. Not because they aren’t true, but because he isn’t sure he’s ready to face their implications. 
“Shit, Scully, I’m sorry,” he says, shaking his head. “I shouldn’t have said that. You’re in shock.”
“No,” she says quietly but resolutely, bringing a small palm to the center of his chest. Her touch feels firm. “I feel the same way. I have for a long time.”
“I’m flattered, truly,” he stammers. “But it doesn’t have to change anything between us. We wouldn’t be having this conversation if it weren’t for Padgett and I don’t think we should give him that much power.”
He expects her to withdraw her hand but she doesn’t. With each fervent beat of his heart he feels the gentle but assured pressure of her touch. Not for the first time, he feels as if his heart will stop beating if she pulls away. 
“Can we really go back, though?” She asks, her eyes pleading. “To the way we were before?
He thinks, No, please, anything but that. He says, “Of course we can. We’ve made it through far worse.” 
“Maybe I don’t want to go back,” she says quickly, just barely above a whisper and he freezes. 
“Well, then.” He doesn’t recognize his own voice. It sounds strangled in his throat and he’s terrified of saying the wrong thing. Or the right thing. “Then maybe we don’t have to. What's stopping us?"
"I'm scared," she admits, with a furrow of the soft skin in between her eyebrows.
"I am, too," he says softly, stroking her back with one broad palm, feeling muscles easing underneath his hand.
She stares at him in puzzled amazement and he fears he's gone too far. But he sees her lips starting to part and they simultaneously lean in to meet in an impossibly soft, delicate kiss. It's sweet and sad and endearing. They're both scared to push the envelope so they barely move as their lips touch, as if just getting used to the sensation of touching in this way. It feels ancient and new at the same time. Like coming home while also jettisoning out of the earth’s orbit. 
She sucks in a sharp breath of air and pulls away.
"I'm sorry," he says.
"No, no," she says quickly. "Please don't apologize. I want this so badly, too, trust me. I just...I don't know what it will look like. How it will change things between us."
"I don't know either," he admits. "But I think it's worth a try."
He has all the same questions she has. Do they keep this a secret? Can they ever be seen in public as more than just coworkers? Can they sleep over each other's apartments? They've been followed and trailed and bugged before so they know any change in their normal activities would quickly get noticed by their enemies. Although, in light of recent events, it seems that the group of men who've been conspiring against them might be much smaller in numbers now.
"I don't know what this will look like," he reiterates. "But I don't think I could live without you."
She nods solemnly. "What if they use this as an opportunity to tear us apart?"
"Who? The bureau?" he asks. "I'd quit. I don't care. You're more important than all of this."
She pauses thoughtfully as his proclamation washes over her. He knows what he's saying and he means it. Six years ago he told her nothing else mattered beyond finding his sister. At the time it was true. But six years later, his priorities have shifted. He's been lied to and fucked over too many times to genuinely believe that the truth about his sister is knowable. And if it is, he'll only find it with Scully at his side.
He told her once that she made him a whole person and it's truer now more than ever. Losing her would be worse than losing a part of himself. 
"I want to try then," she says, embarking on this shift in their relationship with the same seriousness she applies to everything she does. Scully does not leap without looking. He felt hurt in the past when she had her one-night stand with Ed Jerse, confused how she could do something so rash and frankly, stupid, but he realized she was only able to act so quickly because it meant so little to her. When the stakes are high, she takes her time.
"Me too," he says.
She gives a little laugh out of overwhelm. "We're talking a lot about this for people who have just barely kissed."
He smiles, feeling love and warmth emanating off her. "Well, I plan to change that as soon as possible. Why don't we get you in the shower to clean off and take it from there? Only if you're, um, comfortable of course." He wants this so badly but he also doesn't know if he wants their first time to be marred by the brutality of this attack. 
"I think I'll be very comfortable with that," she says. "Will you join me in the shower?"
"Pull my leg.” 
She rolls her eyes at him and he remembers, It’s Scully . No matter how their relationship changes, they’ll still bicker and disagree and she’ll still give him that look. 
He stands up and offers her his hand. She takes it and he leads her to the bathroom. The water takes a moment to warm up so he twists the knob first before addressing their clothing. She's already discarded her jacket on the sofa when the paramedics were examining her, so he starts with slowly unbuttoning her bloodied blouse. He moves so slowly, wanting to memorize this moment. He wishes there wasn't any blood.
After each button, he looks up at her, silently asking for permission to keep going. Her pupils are big and glassy but she nods each time they make eye contact so he continues. Her skin is soft and unbroken underneath her shirt but still marked red with blood. Her skin goose-pimples from the cold so he pulls her into his chest before sliding the shirt off her shoulders. 
"I love you," he whispers into her hair. "You know that, right? I've loved you for so long."
She leans against his body and sniffles. 
"I know," she says, and he kisses the part in her scalp, the white skin where her red hair originates. "I love you, too.” 
He returns to undressing her, moving more quickly now as he's eager to get her into the warm shower. Once she's naked in front of him, he pauses for just a moment to admire her before quickly pulling off his sweater and t-shirt and stepping out of his jeans. Her intellect and integrity loom so large in his mind that he forgets how physically small she actually is. He can span her waist with two hands. He’s terrified of what a man with less noble intentions could do. 
They take the final step into the shower together. She gasps when the hot water hits her skin and he feels a jolt of panic before seeing her visually relax in front of him. She closes her eyes and tilts back her head. On the shower floor beneath them, the tide runs scarlet.
The water is hot but she's still shivering so he pulls her in, wrapping his arms around her, pushing his torso into hers. 
He imagines Padgett touching her like this, his leering gaze lingering on her skin as he skimmed his hands over her breasts, her waist, her hips. He grips her more forcefully imagining how much this stranger wanted to do this to her, but never will. Mine , he thinks to himself as he goes in for another deep kiss, his hands on her neck feeling her stubborn, insistent pulse. She perseveres.
"I want–" she says into his chest. She doesn't finish her sentence but he knows what she wants. He wants it, too.
He takes a step back, still with his arms around her but at a distance so they can meet each other's eyes.
"There's no going back after this," he says. "You know that, right?"
Even amid the running water he can see tears forming in her eyes.
"No going back," she promises. Her voice is firm, strong. It’s the voice he’s come to trust above all others.
He's kissing her again, this time without hesitation, searching furiously within her mouth with his tongue as his hands explore her body. He's hard, now, aching for her and he doesn't shy away when he feels her soft belly press against his erection.
The water is running clear now, all the blood rinsed off her skin. He reaches for the faucet handle, seeking approval in her eyes. She nods and he turns the water off. Without stepping out of the shower, he reaches for the nearest towel, wrapping it around her. She's shivering so he brushes his hands vigorously against the cloth, hoping to warm her up. He's still wet, naked in front of her but he doesn't care. There's only one towel on the rack. Why would there be another? He always thought he'd die alone here. It's been years since he knew she was it for him. Either she'd come around or she wouldn't and he'd have to be content with their friendship. But now she's here. Naked in his shower wrapped in his only towel.
"Just a second," he says. He pads out of the shower, leaving a trail of wet footprints through to his bedroom where he finds an old threadbare towel in the closet. It smells vaguely mildewy but he doesn't care. He just needs to get himself sufficiently dry. He towels himself off then tosses it in the corner of the bathroom and returns to her.
"Cold?" He asks.
“A little, yeah.” 
He  embraces her once again, the towel she's clutching under her chin the only thing between them.
"Come get warm."
He guides her to his bed, pulling the sheet and coverlet over her, lifting her wet hair up on the pillow she lies on so it spreads out around her like a halo.
"You," she says.
He knows what she means. He slips under the covers to hold her against him. He's kissing her neck and whispering I love you, I love you, I love you into her collarbones when she stops shaking.
She snakes a hand between them and she feels her small, thin hand wrap around his cock. He gasps, involuntarily, the novelty of a touch that isn't his own for the first time in years is enough to set him off. The knowledge that it's Scully's hand is enough to make him cry.
"We don't have to...tonight," he says.
"I want to," she says.
"Well then I'm not going to argue with you," he says, smiling. She grins back at him and he feels the weight of the universe lifting off him. 
“That’s a first.” She grins. It’s a challenge and an invitation.  
He pushes himself up so he's on top of her, kissing her hard as she holds his rigid cock in her hand. Then, he starts working his way down her body, giving a little sigh when he's low enough that she has to release him. He wants this to last forever. He doesn't know if they'll have another chance. If she'll wake up in the morning and realize she was acting on fear and adrenaline and tell him this can never happen again. It's entirely possible, so he wants to savor every moment in case this is their only time. He wants to see her body respond in pleasure, instead of fear or pain.
She's already moaning by the time he makes his way to her navel. He tongues the concavity, then turns his head to face her gunshot wound. It's only a few months old, still dark and angry against her pale skin. He kisses that, too. 
Lower still, he gently parts her legs with his palms, pausing to glance up and lock eyes with her. He’s looking for a nod, a sign she wants him to keep going. She keeps her gaze steady on him, though, then opens up her legs further and wraps her calves around his back. 
He’s seen her naked before, but never like this. Never so open, so vulnerable and welcoming, and he knows how significant this is for her. For both of them. He presses a kiss on her mons, the soft hair still damp from the shower. He smells his own soap but underneath that, her . She tenses her thighs around him and lets out a little frustrated gasp that makes him smile to himself. 
He can’t deprive her what she wants. He gives her leg a squeeze, then licks her slowly, running his tongue from her opening up to the hood of her clit. That last part makes her gasp again and he focuses solely on her clit next, pursing his lips to suck while teasing her with his tongue. Just like he’s learned nearly everything there is to know about her over the years—when she’s truly angry at him or just needs a lame joke to break the tension; the way she licks her lip when she’s pondering a mystery—he takes the time to learn what she likes. She isn’t loud, but he seems to be expertly interpreting each of her little sounds as her body responds around him and she grinds her hips up to meet him. 
“Mulder—” she calls out and squeezes his shoulder.
He stops suddenly, panicking that he's done something wrong. She reads him easily, though, and gives him a reassuring smile. “Get up here,” she whispers.
He kisses his way back up her body until they’re face to face.
She takes the lead now, pulling his head down to meet hers and kissing him hungrily. He’s achingly hard against her and terrified he isn’t going to last long enough to make this memorable. 
“Can I?” He whispers into her, grinding against her like a teenager.
She answers by reaching down and guiding him inside her. She’s wet but so, so tight and he looks to her to make sure she isn’t in pain as he lowers himself down into her inch by inch. He’s trying to move slowly, fighting against every instinct in his body to plunge fully inside her. She takes him out of his misery by sliding her hands around to palm his ass and bring him closer to her. 
“You feel incredible,” he whispers into her ear.
He wants to remember every sensation—the warmth of her breath on his neck, the smell of her sweat, the grip of her inner walls around his dick. 
They start moving in unison, their bodies finding a rhythm that mirrors the intellectual volley they’ve established over the years. Burying his face in the curve of her shoulder, he hears her moaning into his ear. Thankfully, it seems like she’s close because he doesn’t think he can last much longer. 
“Oh, Mulder,” she purrs as her orgasm ripples through her body. His name on her lips is enough to make him surrender, thrusting quicker and harder until he comes hard inside her. The scope of his universe is suddenly reduced to their bodies, tangled and intertwined on his bed. 
Coming down from his high, he rolls off of her. Without speaking, they turn to face each other. Burgeoning tears blur his vision. He blinks to see her more clearly and she wipes them off his cheekbones with her thumbs. 
“That was…” He pauses, struggling to find the words adequate to describe the immensity of his emotions.
“Perfect,” she finishes for him. 
Their lips meet and this time the kiss is languid and indulgent. Worn out from physical exertion and emotional exhaustion, they take their time. His fear that she’d immediately regret what they did and they’d have to go back to being partners evaporates. It’s not an ending. They’re evolving into something new. Just as they’ve gone from coworkers to friends, the road to this next level of their relationship, he knows, won’t always be smooth but will be more than worth the journey.
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