#we have to think that she was almost certain he was dead at this point

[california-112]

- Answer the question, Miss Scully! - What is the question?

The X-Files | S04E09 'Terma'

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[acotarxreader]

Other Worlds

Azriel x reader

Synopsis: Nesta accidentally pulls you from our realm into theirs and a certain Spymaster can't help but be enamoured.

Original Request: "So I was wondering if you could do like Reader is from the modern world but ends up in the ACOTAR world, and ends up like falling in love with one of batboys."

Warnings: Fluff, mentions of cuts from a fall, my silly wordplay

A/N: I loved writing this, it really had me in my silly sense of humor (at one point Azriel is jealous because he thinks Xanax is a person) and just like also so happy to have written my first request! I hope you like it Anon and tolerate my silliness.

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“Do you think she’s dead?”

“Hard to say, you fall that height and would expect it” Nesta gently rocked the body back and forth with the sole of her shoe and you groaned.

“This is exactly why you shouldn’t practice without Amren Nesta” Feyre bit out.

“And how was I supposed to know that a human would fall out of the sky? And besides, I did catch her before she hit the ground” Feyre gave a huff to her sister’s bored tone. 

“But not before all the trees Nesta”

“Details, details”

“Rhys is gonna kill you, we have to move her before he finds out” Feyre got level with your marbling body, sticks and leaves sticking out of your hair from your fall through the canopy above. Nesta folded her arms across her chest in protest as Feyre rolled you onto your back, a deep whimper escaping your throat.

“Well she’s not dead”

“For now” Nesta raised an amused eyebrow before rolling her eyes and squatting to lift your feet as Feyre caught your shoulders with her own disapproving look. 

“Her clothes are so odd, is it continent fashion?”

“Hard to say, the material on her legs is so…dense?” Nesta replied, a thumb rolling over the cuff of your jeans, your Doc Marten burying into her sternum.

The two sisters carried your weak body through the hillside towards the cabin they had retreated to for a break from the Illyrians. They reached the humble home after a small uphill climb in the Winter air and gently placed you down on the couch again. The two stood then at the foot of the couch, unsure of what to do next with their new house guest, a thud from outside followed by a swear interrupting their thoughts. 

“Shit it's Azriel with the food supplies you forgot”

“You forgot” Feyre returned

“Whatever, here help me cover her” The two sisters sheathed you in a thick woollen blanket as Azriel pushed through the door causing the females to shoot straight up, standing shoulder to shoulder to try to hide you behind them. 

“Hey, I dropped a bottle of liquor on the path sor- what are you two doing?” he looked suspiciously at the two, plopping the crate of food down by the mouth of the door. 

“Nothing!” their heads snapped to one another at the same time, cursing their simultaneous reply. 

“You two have the same look on your face that Cassian had when he was trying to hide the blood ruby he got from Summer Court after his experiment with arson” he gave a laugh that turned nervous when the females didn’t do the same, another almost panicked glance shared between them. 

“Well if that’s all Az, thanks for coming” Feyre made a quick movement to Azriel, catching his shoulders and turning him back towards the door, Nesta taking a wide stance to try to obscure more of you. 

“Fucking hell” your voice rattled out in pain as you pushed to sit up, the wool sinking down to your lap as your heavy hand found your bleeding head. Azriel’s eyes grew to nearly the width of his skull as he looked frantically between Nesta and Feyre. 

“She did it!” they said in unison again, pointing to one another. 

“Oh Rhys is going to kill you” he whispered angrily, moving to the couch as Nesta sidestepped, throwing an anxious look at Feyre.

“Whe-re the fuck a-m I? What happ-ened?” your hand traced through your thick hair, branches catching in the locks. You squeezed your eyes together tightly, trying to bring the cozy cabin into focus before swinging your legs to the ground and supporting your weight with one arm. Your movement went entirely still as you looked up to find the three members of the Night Court staring at you with matching bewilderment. 

“Am-am I dead?” Your stare landed on Azriel’s wings, conclusions forming quickly.

“No unfortunately not” Feyre elbowed Nesta into the ribs as Azriel analysed your whole figure with his hazel eyes, his shadows swirled around his feet until they wrapped around yours. Your shriek of pure terror caused them to dash back to their master. 

“You're okay!” Azriel tried but it was too late, you were in full panic mode, your system shutting down in utter distress until you felt your blood pressure hit the soles of your feet after hitting the ceiling, sending you into a loss of consciousness. 

“Nice going you big bat, you killed her” Azriel gave a dirty look towards Nesta, her eyes rolling for the thousandth time that day. 

“Send for Madja-”

“-Rhys will kill Nesta for this”

“Well I think her little magic trick will die without her” Feyre folded her arms into her chest, weighing up the options. 

“We could give her the tonic that's here, let her heal without everyone gawking at her at home. I’ll go back with Nesta and explain, by the time we’re here again perhaps she’ll be healed and Amren will be home from her travels and can send her back” 

“And am I supposed to play healer Feyre?”

“Well you have more experience with healing because of the battlefield than us and besides, Nesta isn’t known for her bedside manner” Azriel sighed before rubbing a hand across his face at Feyre’s logic, she showed him how you got here in his head to help her point.

“Okay fine, go but if she dies, I’m not to blame” They nodded in agreement, taking another look at your floppy body before heading for the door with their things, kicking the box of supplies out of the way. 

Azriel lifted your legs slowly back onto the couch before fetching a dish full of mountain water and healing tonic. He hovered the cloth over one of your large gashes that had cut straight through your straight-leg jeans. He looked over your body, unable to hide his curiosity towards the university logo decorating your sweatshirt, the deep purple colouring at the very ends of your hair as well as the multiple pieces of metal piercing through your ear's cartilage. Despite the series of cuts and bruises generously coating you, Azriel believed you might be the most beautiful creature he had ever seen and you were entirely out for the count. 

He sighed, dropping the cloth back into the dish and going to make tea with another healing concoction. He rolled his shoulders back and tucked his wings in as tight as possible to minimise their appearance before gently tapping your shoulder to bring you around. When that didn’t work, he fetched one of Cassian’s training boots and ran it beneath your nose, you stirred immediately. You went to shoot up in shock, his strong steady hand, gently pressing you back down. 

“You’re okay, you…you just fell but you’re okay.” he said as softly as possible, the ease of his voice unable to settle the rising worry across your face. 

“I-I fell?” he gave you a small nod, not entirely a lie he thought to himself. 

“Fucking hell my head-” you once again ran your hands down your face, the dry blood slightly flaking in the movement “-do you have any paracetamol or something?”

“Para-what-almol?” Azriel’s eyebrow raised in question before he reached for the tea he made for you from the small table behind him. You removed your hands from your face and looked towards the squatting Illyrian, taking in the beautiful male in front of you, pain being replaced by embarrassment. You pushed up despite his disapproval look, returning to the same position you were in before you fainted.

“Sorry, I should-I should go? Emm…where are we?” 

“This is Velaris”

“Velentia?! How did I get here?!” You shot to your feet in surprise, the blood rushing and sending you shakenly back to the soft fabric almost as quickly. 

“No, I’m not sure where that is but you’re not there, here take this” he passed the cup with a half laugh and you looked down unconvinced. 

“No thanks man, not here to be poisoned” Azriel scoffed in slight offense as he watched you wince to put it back on the small table. You look down at your freshly ripped jeans, your fingers tracing the fresh wounds. 

“I’m Azriel” His voice brought your eyes back to him as he passed you the soaked cloth, allowing you to run it over the gashes. 

“YN” You gave a small smile back, fighting the singe of the elixir. 

“YN? That’s an odd name”

“You say that as if there’s an Azriel at every petrol station in town” You half laugh, more questions entering Azriel’s head than answers. Azriel rose to his feet and headed into the kitchen with the abandoned groceries as you finished with your leg, starting on your forehead. 

“No paper here or something?” Azriel looked towards you as you took the cabin in in all its glory, Feyre’s artwork the object of your marvelling. 

“They’re Feyre’s, she was here earlier. She went a bit mad up here when she found out Rhysand was her mate”

“Mate? Oh she’s like Australian?”

“What? You speak in riddles” he laughed, joining your side on the couch with his own cup of tea. You looked at it with an air of hunger, not unnoticed by the Spymaster, he looked from the cup to your face. 

“You can drink it YN, it’s not poisoned, here look I’ll take a sip” You watched him take a taste before offering it back to you where you took it from him, its fresh floral taste having an almost reviving effect, you drank it almost one gulp. 

“Now, I’m afraid you can’t go home just y-”

“Fuck I knew it! What’s in this tea?! I’m being kidnapped!” You shot towards the door, almost knocking the dish of water all over the floor, sending Azriel swearing. You reached your exit and with a wave of his hand, Azriel locked it from the inside.

“YN, no one is going to hurt you, you just, this is going to be hard to explain, one of my…friends brought you here by accident” You still tried to pull on the knob of the door, glancing from it to Azriel as he stood to close the distance.

“Stay back! I know self-defence!” Azriel couldn’t hold his laugh at the small human girl before him threateningly looking at him. He went to catch your arm softly, only for you to send your heavy-booted Doc straight into his instep, followed by the base of your palm up and into his nose, the shock of your sudden movement catching him off guard. He groaned slightly reaching for his nose as it bled, missing your hand reaching for the keys in your pocket and the mace on the keychain. Azriel roared at the feeling of the spray of chemicals burning into his eyes, sending him onto the floor writhing in pain.

“Fuck! Fine! Die in the snow!” He shouted out, waving his hand and releasing the door. You hardly heard him, whipping the door back as the now night air lashed in near-freezing gails of icy snow. You fought the tornado of air as you put the oak door between you and it, sliding down the wood to the ground, your body screaming in pain still from the fall. Azriel sat up, still blinking hard to clear the burning liquid. 

“And you thought I’d be the one to use poison” A breathy laugh left him as his red eyes watered and you found yourself matching his smile.

“I promise I won’t kill you, if you don’t kill me” he gave you a genuine look and for some reason you felt such a wave of trust hit you. You agreed, too tired to run from him or face the snow and you rolled your head along the door before looking back at the Illyrian, tracing your eyes along his linen shirt and leather pants

“Are you in a motorbike gang or something?”

“Gods I hope you start making sense soon” he pushed up from the ground, doing his best to not untuck his wings for balance. You looked up at him and reluctantly took the hand he offered, noting the deep scaring covering them like burls on a tree. He followed your eyes to his hands before he gingerly took them back to replace them across his still-stinging eyes. Azriel threw himself back down on the couch and you followed suit.

“I’m sorry about the-” you gestured to your own eyes and he gave a small laugh.

“It’s okay, I’m impressed a human would have such speed, to be honest”

“Human? And what are you a fish?” 

“No” he didn’t return your laughing tone, only reaching for your disregarded cloth and placing it over his eyes. Your hand ran down the side of your jeans until you retrieved your phone, the screen fully destroyed from your dance with the trees. 

“Great” you sighed, throwing it down on the table, Azriel watching the action. 

“Nesta couldn’t save your mirror from the fall?”

“Nesta? Rhysand? Azriel? No one called like Dave around here?” 

“Not really the fashion in Prythian” he smiled.

“Prythian? Like from the children's stories?” you chuckled at him.

“No, Prythian like the realm” he tossed the cloth back into the dish, the red in his eyes subsiding. 

“My mom used to tell me stories about Prythian and these like great bat boy warriors with these really big-big-win…” you trailed off as you looked to see the shape of Azriel’s wings over his shoulder. 

“Really big? Well, thanks for the flattery” He laughed aloud as your face greyed. 

“Fuck, it’s happened, studying for my physics final has finally driven me insane, this is all in my head, a stress-induced dream” Azriel reached to your thigh and gave you a gentle pinch following your matter-of-fact speech, causing you to flinch a little.

“Okay so not a dream…”

“Not a dream, my brother’s lovely ma-wife’s sister, pulled you through a sort of rip in the realm and landed you here…not very carefully might I add” He said softly so as to not have you black out again, you nodded very very slowly to his words. You faced away from him, fixing your stare on the smashed phone, you thought of your physics lectures. The theories of tears in the fabric of time being possible, the possibility of alternative realities, the possibility of unexplored realms before settling finally that this wasn’t a possibility, this was a reality. 

“So, okay, right-” you bit your lip, working through the thought, Azriel trying to push the shiver down his spine away at that action “-okay cool, right, so I’m gonna need like an excuse note or something for the exam and then, right, cool, Xanax maybe”

“Is Xanax a friend of yours who can help?” Your head shot towards Azriel at his genuine question and you let a roar of laughter leave you. 

“Definitely although I don’t think they’re here somehow” you offered with a smirk, Azriel feeling a weird sense of jealousy at not being the object of this smile. 

“Well, we’ll make do and try to get you home” You nodded sheepishly to him.

“Do you not want to go home YN? You seemed pretty eager when you tried to break my nose earlier” he smiled and you gently knocked into his shoulder playfully. 

“I mean…I’m not in a rush to get back to the test” 

“Okay well, it will be a day or two before my friends are back and Rhys has calmed down over Nesta bringing you to greet us so you’ll have time. As for now, care to have something to eat? You can help me make it so we both know neither is trying to poison the other” he gave a light laugh while standing again, and you followed him along to the kitchen. 

For the rest of the night, the both of you spent your time cooking, laughing and teaching one another about your worlds. Azriel explained the Courts, his role and his family’s as well as giving a shortened version of their relationships with one another. In return, you told him about your studies, what Instagram was and how democracy works. Azriel wasn’t sure he’d ever felt such strong feelings towards someone he’d just met before and it confused him almost as much as what microwaves were. 

“Here you go, a glass of our best liquor, you deserve it” Azriel passed you the tumbler as you sat cross-legged on the couch beneath the woollen blanket you were previously hidden under.

“Oh slay”

“No, I didn’t kill anything to get this for you” You almost choked on the drink with the laugh that left you at his confused words. 

“No Azriel it’s like-actually maybe I’ll explain drag culture to you another day” He nodded eagerly at the prospect of learning more, sinking into the couch alongside you with his own drink. 

“So have you girlf-mate type person like Feyre and Rhys?”

“No, no girlf-mate type person-” he teased back and you sighed, clipping him with the pillow from under your elbow “-do you?”

“Nope, to be honest, I don’t think I’ll be missed from home, I lost my parents young and never really found my flock at college either” you shrugged. 

“How could anyone not miss you YN?”

“You have to say that, you’re my captor”

“Actually Nesta captured you, I’m just minding you-” You returned his smirk “-speaking of which, time for sleep, tomorrow they should be back to figuring getting you home for your exam” you whined like a misbehaving child but you’d been fighting off sleep since dinner so agreed with him.

He lead you to his room in the cabin before offering you one of his clean linen shirts and leaving you to sleep. You practically swam in the fabric, with no wings or Illyrian muscles to fill it out, feeling the same way about the colossal bed that you slipped into. You looked up at the ceiling where Feyre had painted delicate little consolations, the day washing over you, had all your prayers finally been answered? You smiled as you gave into the sleep that hunted you all day.

----------------------------------

“We are sending her back!”

“Amren can’t guarantee she’ll end up in her realm, she’s not going anywhere!” You wiped the sleep from your eyes, Azriel's blunt tone waking you from the best sleep of your life.

“She can’t stay here Az!”

“And what if she ends up somewhere a lot worse, she coul-oh YN you’re awake” You looked from the doorway between the two gorgeous Illyrians. 

“This is Rhysand”

“Oh, your majesty I suppose” you did a half bow after stepping closer to the males, a small laugh leaving Rhysand at the action. 

“Don’t flatter him YN”

“YN, flatter me if that would make you happy” he grinned, Azriel rolling his eyes. 

“You’re exactly as described” You shrugged at him, settling down on the couch between where the lllyrians stood

“I would like to apologies for Nesta’s…interuption to your day to day life and more so for…probably being all Nesta when you woke up” Rhysand offered, Azriel folding his arms tightly across his chest as he inspected you closely, you in his shirt may now be his favourite sight. Rhysand watched the slight change in his brothers demanour at your presence, this increasing his worry. 

“Now YN, it’s time we get you back to-”

“-I heard you guys say you can’t say for certain I’ll get home” you cut across Rhysand, his eyes darting back to you, Azriel trying to bury his smirk.

“I’m confident we know how to get you there”

“Okay cool, so Feyre will accompany me” 

“What?” Rhysand bit out.

“Well its just if you’re so sure you’ll get me in the right spot, surely you’ll have no issue allowing Feyre to accompany me yanno, since you’re confident” Azriel lost his battle in holding in his smirk. 

“She’s got you there Rhys, if one of us wouldn’t do it, why should she?”

“Because she doesn’t belong here” Rhysand chewed out, locking eyes with his brother.

“She is sitting right here and she isn’t going near any wormhole or whatever if you’re not sure I’d get there safe” You forced his attention back to your with your sharp words.

“Who said anything about worms?”

“YN has a habit of speaking in riddles” Azriel sat alongside you, giving you a somewhat proud smile, his arm instinctively resting on the back of the couch behind you. 

“YN, I’m sure you’re great but I can almost guarantee that our world is vastly different to yours, it’s a lot to take on for your mortal mind, perhaps we could arrange a home for you in the mortal realm?” you tilted your head side to side weighing up his offer before Azriel replied for you.

“I can teach her our ways, I can school her like you did Feyre” Rhysand sighed out but couldn’t deny the way Azriel looked at you and you at him was deeply familiar to him. 

“Fine, a week, you may stay a week and if it doesn’t work out then the mortal realm it is, we’ll set you up with a nice manor and you’ll live very comfortably”

“Like Downton Abbey?” you teased despite your audience.

“I’m not familiar with that region”

“Is that where the drag culture is?”

“Of sorts” you laughed at Azriel and his quizzical words, his hazel eyes so enamoured by the sight, further cementing Rhysand’s suspicions. Rhysand sighed deeply ensuring you agreed to the terms and to be taught by Azriel before he left to continue to reprimand Nesta. 

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Over the next week it became abundantly clear that despite being from two different realms, you and Azriel were made for one another. You both had the same humor and intelligence as well as thirst for knowledge. You continued to teach him about your home and he taught you about the new world around you and the more you learned the less you wanted to leave. On your first day in Velaris, you thought your heart may burst with the growing love for the place and even more so for your guide. 

“And then Cass completely blew the building up, I thought the vein was going to burst in Rhysand’s head” Azriel tilted his head back and laughed loudly while you both crossed the bridge of the Sidra, your last official day in the Night Court before you had to decide. Somewhere along the way, Azriel and your hands became interlocked and forgot to separate.

“You live such insane lives here”

“And you could too” he stopped you in your tracks, his eyes warming over your body as he looked down on you, the sinking sun reflecting off of the snow. 

“Maybe with less arson though” he added with a grin you loved so much. 

“Az, I’d love to stay but-”

“-No, just say ‘Az I’d love to stay’ and leave it there” he fought his faltering smile as you looked down at his shoes, both hands held in his now. 

“But Az-” you couldn’t find the end of the sentence, the words lost on Azriel’s lips as they met yours with such searing passion. His mouth slotted over yours with such a perfect fit it was like they were always meant to be there. You stood further on your toes to deepen the kiss as his hands traced around the nape of your neck and yours landed around his torse. You separated when the need for air almost matched the need to never let go. 

“I-I can’t remember the end of my last thought” you laughed lightly and he grinned. “So you’ll stay?”

“I don’t think I was ever going to be able to walk away from you…well not without mace anyways” you smiled back into another kiss, the second of many many more.

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Let Me Know What You Think Friend!?

Part Two

[azrielwingspan]

A 'TEA' PARTY (AZRIEL X READER)

Summary : The prince of Montesere was a heartthrob with his exceptionally good looks and charismatic words. You were raving about him to the girls but Azriel was having none of it.

Warnings : Nooone

A/N: You guys have no idea how EXCITED I was to write this. This is definitely one of my favourites. Enjoy !

"And he said 'I'll make time for you. Always.' I DIED. LITERALLY DEAD DIED." You said waving your hands animatedly.

The girls oohed and aahed while clutching their drinks. Feyre pretended to swoon, Mor was holding a hand to her heart and Elain went starry eyed. Nesta remained stoic but you could see the hint of a smile gathering at the corner of her lips. You would bet a 100 marks that it was straight out of one of her romance books.

"What's going on ?" heads whipped to the door where Gwyn and Emerie stood holding more snacks.

"Just in time! Get over here. You guys are missing out on top secret information." Mor helped them out with the snacks, sharing a shy look with Emerie.

"The Prince of Montesere is what is going on." Nesta said, a sly smirk on her face.

"Ooo..I've heard he's quite the charmer." Gwyn piped in and everyone nodded their heads enthusiastically.

"We think he has a crush on Y/N." Elaine said making a stupid grin crawl onto your face.

"What the fuck? Details PLEASE." Emerie grabbed the bowl of popcorn placing it on her lap to share with Mor.

A rush of joy consumed you as you looked around the room. All the girls were finally taking some well deserved time off and you were glad that you could spend it with each other.

"Okay." leaning forward as you channeled your inner storyteller. "Sooo...let me just start off by saying he looks DIVINE. Dark hair, dark eyes and don't even get me started on his voice...UGH. I think my ovaries might have exploded."

"Wait hold on." Feyre carried a confused look on her face. "Are we talking about the Prince or our shadowsinger?"

Silence engulfed the room.

Someone snorted and the entire room descended into laughter. Your face heated up. From embarrassment or from laughing you weren't sure of.

"She definitely has a type alright." Nesta said setting off a new round of laughter.

"OKAY LISTEN IN MY DEFENSE---" you shouted over the chaos.

"Don't even try." Mor was clutching her stomach, slightly wincing at the pain.

"OKAY SHUSH. Y/N CONTINUE !" Gwyn came to the rescue and you shot her a grateful smile.

"Anyways as I was saying.." you shot a pointed look at the girls daring them to say something. All of them had shit eating grins on their face.

Emerie and Mor had already finished half the popcorn.

"He showed me around the city and took me to all his favorite spots. It was very---"

"Did you make out?" Emerie interrupted and the girls leaned forward their eyes twinkling in anticipation.

You were about to respond but your face had already betrayed you , turning a scarlet red. Elaine and Mor squealed , almost falling off their seats. Feyre had a wide eyed expression on her face, her drink long forgotten.

"You should have STARTED with that, you idiot !" Emerie shouted, an incredulous look on her face.

"OKAY SHUSH. The most important question. How was it?" Gwyn made everyone settle down again as she awaited your answer.

You'd just opened your mouth to respond when Nesta asked "How big?"

Spluttering in shock, you smacked Nesta's arm. "I didn't sleep with him!" You hissed in a whisper. "We just made out. He is a really good kisser. I'll give him that."

"Tell me what this male is bad at. Why aren't you with him already?" Elain asked taking a sip of her tea.

"Honestly, he's too good to be true but.."

"He isn't a certain someone." Feyre finished for you, eyes softening in understanding. You'd never told the girls about your infatuation with Azriel but they knew. Somehow, they just knew.

You didn't bother denying it and just shrugged nonchalantly. A wave of understanding passed through the room. Almost everyone had been in a similar position before. Sometimes your soul craved another's so violently, it made you blind to anyone else.

"Well..it was fun while it lasted." you said breaking the silence.

"For two days." Emerie laughed softly.

"You should tell Az---" Mor was interrupted by the opening of the door. Seven pairs of eyes focused on Azriel as he stood at the door , looking sheepish.

"Look who's hereeee." Feyre said playfully, a blush rising on Azriels cheeks as he bowed his head.

"Rhys wanted me to grab a book." he muttered softly, edging towards the wall and trying to ignore the six pairs of eyes with a mischievous twinkle in their eyes.

You were just utterly mortified. Did he hear everything?

I put up a sound barrier. Wouldn't want the Illyrian babies snooping around. Feyre's voice echoed in your mind.

You shot her a grateful smile which immediately fell as she shot you a wink. Oh no. She was upto something.

"Az, tell Rhys I'll be there as soon as Y/N finishes telling us about her Prince."

Both you and Azriel stiffened, his back still facing you. Emerie dissolved into a fit of laughter that she was trying to hide behind her palm. Nesta's eyes twinkled at the prospect of messing with Azriel.

"I can't believe you're going to be a princess, Y/N !" Elain played along. You swiped a hand across your throat repeatedly, indicating at them to cut it off.

"He basically professed his love to you already. I don't know what you're waiting for." Nesta said looking like she was ready to plan the imaginary wedding if she had to.

Azriels shadows were growing a little agitated, rapidly bouncing off bookshelves trying to find the damned book.

"If he had wings, I'm sure he would have the biggest---" Mor cut off , finishing her sentence by widening her eyes and looking down.

Emerie choked on her tea, making it go up her nose. Mor rapidly hit her on the back trying to help and stop laughing at the same time. In her urgency to move, she'd knocked over the tea pot spilling hot tea over Gwyn's leggings.

Gwyn stumbled out of her seat fanning her hands at her legs like it would help. Elain grabbed the jug of water and threw it on Gwyn's leggings soaking the carpet beneath her. Feyre who had been about to fill a glass with water for Emerie stared at her empty hand where the jug had been.

Nesta watched the entire scene unfold before her eyes with mild interest , sipping on her tea.

You just stared, absolutely and completely horrified by the turn of events.

A tendril of shadow made its way over to you and tucked a strand of hair that had fallen in front of your eyes behind your ear. You shivered from the sudden coolness and turned your head towards Azriel.

Wearing a cool mask of indifference, he walked out of the room pretending like nothing ever happened.

A/N: AHHHH, this entire thing made me feel some type of way.

Please take a min to leave a comment and let me know if you liked it as much as I did !!

[hazeldragonblossoms]

aita for trying to summon a god to resurrect my wife?

i (142m) recently lost my wife (139f) to terminal illness. we were married for nearly 127 years, and were survivors of a disaster that destroyed our home city and killed nearly everyone in it. she was my best friend, the love of my life, and the light of my world. i’ve spent months trying to move on, but the pain of losing her has only grown stronger since her death, with my grief eventually leading me to quit my job and travel in the hopes of finding something else to live for. i will be upfront in admitting that, in the process of quitting, i blew up the school i worked at (no one was hurt), almost killed my assistant (he’s fine), and released a bunch of monsters from the abandoned gated community i had contained them in a few decades prior (long story).

anyway, during my travels i came across a relic that contained immense necromantic power, but i quickly realized that i would be unable to utilize it for my purposes on my own, as my wife had been dead for several months by that time and was well past the point of resurrection by conventional means. long story short, i decided to harness the power of the same god that caused the disaster that destroyed my and my wife’s former home.

as it turns out, my former boss (????m) picked up a kid (13x) off the street around the same time this was happening, and tasked my brother (also 142m, we’re twins) with teaching them magic. i won’t bore you with the details, but this thirteen year old now keeps following me around and fucking up my plans to reunite with my true love, which i’m frankly tired of.

(side note: this kid also won a fighting competition that hasn’t been won by someone from our school since i attended. i need to remind you, they are thirteen. i’m not certain they’d ever used magic before my boss picked them up, so i have no idea how this possibly could have happened, or when they had the time to even attend the fights since they’ve seemingly dedicated the majority of their time to fucking me over for no good reason.)

my ex-boss seems to think that summoning this being is a “bad idea” and could “destroy the world,” but 1. i’m doing it in my already ruined hometown and 2. i think that the world is a small price to pay to have my wife back. it’s not like it’s worth much without her in it, anyway.

edit: shut up about the fucking giant tree it’s an unrelated current event. you can’t prove that i actually did anything to him, and it’s rude to accuse people baselessly

[sirfrogsworth]

Let's talk about vintage lenses.

Here is your cool samurai show with modern lenses.

Here is your cool samurai show with vintage lenses.

Hollywood is no stranger to fads.

We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."

This is Zack Snyder with a Red Monstro 8K camera.

He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.

This old lens is put inside a fancy new body that can fit onto modern cameras.

Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."

But it is a funny juxtaposition.

The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.

[ Peter Thoeny ]

It has vignetting and distortion and a very strange swirly background blur.

[ Gabriel Binder ]

Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.

"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"

And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.

[ Peter Theony ]

Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.

That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.

Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.

I mean, Zack Snyder overdoing something? I can't even imagine it.

Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.

The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.

[ Peter Thoeny ]

Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.

There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.

Here is a blueprint that you can't really see.

Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.

Looks like Zack nailed the area just above the eyebrow here.

Let's try to find the point of focus in this one.

Ummmm... she is just... blurry. Missed focus completely.

But Zack isn't the only one going vintage. I've been seeing this a lot recently.

Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.

Vingetting is a darkening of the corners of the frame.

Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.

Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.

It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.

And then you have distortion.

In this case, barrel distortion.

This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.

And sometimes this was a positive contribution to the image.

I thought the curved lines matched the way they were sitting here.

But most of the time I just felt like I was looking at feudal Japan through a fish's eye.

It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.

I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.

This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.

But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.

And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.

[eroscomet]

Make it Right

Chapter two- Hauting for Home

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Paring: Astrid Deetz x Fem!Ghost!Reader

Warnings: Mentions death, a bit angsty, bad writing. (Let me know if I missed anything!)

Word count: 3k+

A/N: Hello, lovelies! I'm so sorry that this chapter took a while to make. I was busy on the weekend; however, I found time to finally finish the chapter for you all! I really do hope you guys enjoy this one! I will try to get a specific schedule for updates on certain stories. If you guys are wondering about updates for 'Picking Up Pieces That Aren't Yours,' I will try to update that as soon as possible. I will also be doing a couple drabbles on different characters and or drabbles of characters I've already written for. I would also like to thank you guys so much for all the support you all have been showing me! I am so thankful and grateful for each and every one of you! Thank you so much for every like, reblog, and comment, it means a lot to me!

Not proof read

╰┈➤Series Masterlist

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"You talked to my dad?!" Astrid had exclaimed with an amused smile on her face. There it was, that twinkle in her eye that you had missed so much. She hadn't been very happy recently, with you not around and everything else in her life that had been happening.

"Yeah, when I had first died. I got sent to the immigration office, and what do you know? There he was behind the glass. He's just as kind as you always told me he'd be. Surprisingly, he immediately recognized me. He told me that he had been watching after you and practically watched our love 'blossom,' as he put it." The two of you continued walking outside.

You couldn't help but think about how people must be seeing this. Astrid looked as if she were talking to herself from an outside perspective. Aware of her past, you knew people had a tendency to bully her, so when nearing Miss Shannon's School for Girls, you tried to get her to talk as much so that others wouldn't look at her funny. So, you took up most of the time on the way there, talking as much as she could so that she didn't have time to talk. Which was odd because she was usually the one who'd talk while you'd listen.

"He said he liked me, which is a relief. Sometimes, I feel like your mom is more confused but is trying to be supportive. I mean, remember when I had first come over, and she started talking about how she too 'experimented' as she said. Anyway, that isn't the point. I met your dad, and we actually frequently visited you together. It's funny, sometimes we'd bond over how much we missed you."

Astrid's eyes had furrowed as she had begun to notice that every time she began or wanted to speak, you only spoke faster, almost sputtering out information. A frown tugged at your lips as she had caught on.

"I just don't want people to look at you even more weirder than they already do. If you're talking to yourself, they'll find that an easy target. Try...putting on some headphones and pretending you're on the phone? Or you can just put your phone up to your ear?"

She smiled as she took her phone out of her pocket and brought it up to her ear.

"Thanks, you're right. So, what else did he say about me? Did you see my grandfather? What's the afterlife like?" Astrid felt like she had a million different questions to ask.

"Your dad says he's proud of you and that he sees himself in you all the time. As for your grandpa, no. I mean, I feel as if it's harder to find him since he did lose his head to a shark. The afterlife is a bit weird. I can't tell you much about it since I haven't exactly crossed over. I basically only know what headquarters and a few shops look like. I mean, there's a 'Soul Train' which essentially takes you to the 'Great Beyond,' but I never went because I don't want to risk not being able to watch over you."

You grabbed Astid's shoulders, moving beside her to walk toward the street end of the sidewalk. Even though you were dead, the sidewalk rule never really left you, even while Astrid couldn't even see you.

"Yeah, I figured. I almost can't believe that a shark bite ended his life, I knew my family wasn't normal, but we can't even have a somewhat normal death? The Great Beyond, huh? Soul Train is a clever name though. Does no one know what's on the side?"

"I mean, I've never seen someone leave then come back from the train in the full year, almost two years that I've been here. I'm not taking the risk and crossing anyway, I can't lose you again after we just got back to each other."

"You're right..." Her eyebrows furrowed, her attention on the sidewalk as they continued to walk. She thought to herself for a moment before speaking again.

"So, you don't have any ghost tricks you learned?"

"Of course, you'd ask that, would you be disappointed in me if I said I didn't?"

"I mean, you've been gone for a year almost two, I'd expect you to know at least something to make me feel better for all the time you've been gone."

"Okay, uhhh... I can walk through walls and, I guess, float a bit."

"That sounds like every other ghost."

"Just because i'm a ghost doesn't mean I have super powers, Astrid."

"Just saying."

"I mean, I do have this nasty scar from the accident." You lowered your shirt neckline, showing the scar on the lower part of your neck. Astrid winced at the scar before looking away.

"Right. Weird how all it took was one neck twist for you to die.

"Well, it's more like my neck twisted as if I was a cartoon character that got punched, and my head began spinning-"

"Ew, shut up. Don't talk about it like it's something light."

"I'm sorry, you're right."

It was silent for a bit as you guys walked into the school, Astrid opened one of the doors while you phased right through the other door. Astird put her phone back into her pocket as she walked upstairs and past the other students. You followed after her, your eyebrows furrowing at the other students nearby her dorm. Some of them whispering to each other while giggling.

That's when Astrid opened her dorm room's door, a bedsheet attached to the ceiling by a rope coming straight towards her. The bedsheet makes out a ghost with a 'Boo' sign in its chest area. Astrid stumbled back before turning around and looking at the other girls, who began to burst out into laughter behind her.

"When you're all driving carpool and banging your pilates instructor to fill the empty voids in your life, we'll see who gets the last laugh."

The girls smiles and laughs quickly died as she finished speaking. Astrid turned around as she went into her room, shutting the door behind her. You smiled proudly, a laugh escaping you as you saw the looks on the girls faces as they disburst from Astrid's door.

"Witty as always." You said as you phased through her dorm room's door. The make-shift ghost on the ceiling startling you a bit as you had almost 'ran' into it. Sometimes you forget you're a ghost even if it's been a year.

"They have not toned down with the comments? You had always been careful about this topic, not wanting to bring it up too much with Astrid.

"No." It was a simple and straightforward answer that made you not want to question further. A part of you felt angry that you were helpless to all of it now that you're dead. You had gotten so used to defending her against everyone but now your words would only fall on deaf ears.

You sighed as you plopped yourself onto her dorm room's bed, thinkiing for a moment on how to steer away the conversation of bullying that she obviously did not want to talk about.

"Did you hear that my sister's pregnant? I know that I shouldn't bother looking over them since they're perfectly fine.."

"I'm not surprised."

"She's naming the baby after me."

"God, that's ridiculous! Naming their kid after a relative who isn't even dead yet-" Astrid's voice faltered for a moment. The fact that you were dead and have been for almost two years was still a punch in the gut after all this time.

"That's what I said, baby." You offered her a small smile as you played into the bit that you were still alive for Astrid. She still wanted to make her at least feel a bit better.

'Baby.'

Your words - and your smile, even if it was for her benefit - just made Astrid's heart twist further in her chest.

"You're killing me here."

"Why?" Your head tilted to the side as you looked at her.

"Because you're supposed to be dead." Her voice came out in a strangled whisper as she looked down at the papers scattered on her desk.

You bit your lip, you didn't want to show that what Astrid had said hurt you. Even if you were dead, you still had emotions and feelings. You paused for a moment before deciding to drop the topic.

"So, they're having a baby shower. You should go."

"Oh god, a baby shower? Is it too late to make you disappear again?" Her face had immediately scrunched up with distaste at the idea of being forced to go to a baby shower - especially your self-centered sister's baby shower where she'd name her child after you for her own gain.

"Come on, you couldn't see me for a whole year, and now that you're finally able to, you already want to get rid of me? That's cold, babe, even for you. Even for me who's dead cold. Get it? Huh? Dead cold. Because i'm dead? And i'm cold now because I have no blood. No? Okay."

"Oof, that was horrible." She said as she shook her head and grumbled in response.

"Come on, admit you missed me. I heard all your late-night talks that you thought weren't reaching my ears."

"I did miss you - I've missed you for a whole year." She confessed, sounding a bit surprised by her own confession. The room fell silent, the weight of everything that had happened falling onto the both of them. Neither of them wanted to address it, though, they didn't want to have to deal with it now.

"Did you ever-" She paused for a moment as she thought of the right words to say, "When I'd lay in your bed and mope, were you just...watching me?"

"No, I hated that. I'd still do what I would've done if I were alive. I tried holding you and whispering sweet nothings into your ear that never got to you."

"Sweet nothings, huh?" She teased, which earned an eye roll from you. Again, the room had fell silent as the two were lost in thought before Astrid spoke again, breaking the silence.

"How bad did it hurt?"

"Uh.. Well... I just remember being on the ground one second, then in the air the next. I landed, and well- You know what. It had hurt for that second that I was alive, but it had been an instant death if anything."

Having to talk about your death wasn't an easy topic. It was a reminder of how quick you had lost it all. The blood in your system, the beat of your heart, Astrid. The sight of you nervously fidgeting with your own fingers made Astrid's heart ache.

"I hate that." She muttered, her voice coming in strained, almost as if she was forcing herself to get the words out.

"I'm sorry." Your words were mumbled as she continued to fidget with your fingers, now more anxiously than before. The apology caused Astrid to shut her eyes, trying to hold herself together. She felt that now was not the time to start breaking down.

"Don't. Don't apologize." She had almost snapped at you as she opened her eyes to shoot a glare at you.

"Okay." You were never one to go against her word, you didn't want to start a fight. Especially not now. All you could do was bring up one of your hands, beginning to gently pull on the hairs on the back of your neck as you avoided Astrid's eyes.

"Is that a nervous habit of yours now? Pulling your hair." She asked as she reached her hand out idly to brush your hair out of your eyes.

"I had gotten it when I first reached the afterlife. When you watch the people you love hurting, and all you can do is ghost around them..." Your voice had faltered, forcing yourself to clear your throat and then begin to speak again.

"You feel so helpless. Watching everyone who used to be around you and love you so miserable about your death. It makes you feel guilty but, most of all, useless. There's no way to hold, touch, talk to, comfort them... It's hard."

The room had fallen silent after your words. Astrid's fingertips gently brushed along the back of your head - tracing the place that you usually pulled at. She let her hand rest there, trying to keep you from pulling at your hair again.

"How cold am I?"

Your words made Astrid pause for a moment. Leaning closer to you as she wrapped an arm around her now ghost girlfriend. The chill of your skin made her shiver involuntarily - but Astrid tried not to show the way her body automatically wanted to shy away from the cold.

"Really damn cold. It's like you're an ice cube almost." Her words a mumble as she got closer to you, laying next to you as she rested her head on top of yours.

"I'm sorry that I'm not warm anymore." Your own words come out as a mumble as well, instinctively, your head rests on her shoulder.

"I know you don't much like when it's really cold. I thought I was keeping myself with this sweater but now that someone's actually able to touch me, I realize it's doing nothing for me."

"Gosh, you don't have to apologize for that. At least you're here." She pulled you closer against her, her arms wrapping around your waist - burtying her face into your shoulder, even if your skin was freezing and caused a slight burn against her own warm skin. She ignored the way that her body had involutarily shivered at the contact - focusing instead on the fact that her girlfriend was here.

"Barely." You mumbled quietly as you gently pulled away from your girlfriend, knowing that you were probably burning Astrid's skin with your own cold, dead skin that was now a pale blue hue.

"Don't be like that. You're talking as if you have no more hope."

"Death has a way of doing that."

Astrid let out a quiet huff at your words. Her eyes flickered back and forth from you and her own hands that were now gripped tightly on her bedding - but in the next moment, she let go. Almost as if with a full burst of speed, she darted to you. Her arms wrapping around your body, hauling you into her bed in a tight, crushing embrace.

"Astrid-" You had said in surprise and protest. You knew that you were cold. Dead. The cold would burn Astrid at one point, and you didn't want that. Not when you used to be alive and warm for her. You used to keep her warm and now you can only burn her with your icy dead skin.

"Don't even think about complaining. I don't care if you're cold." Astrid snapped as she held you impossibly close against her. Her body shivered once again as your cold skin was like a bucket of cold water dumped over her body - but she ignored the cold, focusing on the sensation of her girlfriend in her arms.

A frown had tugged at your lips, knowing that eventually, Astrid would get too cold, but after a year of being a lone ghost who watched your loved ones move on or suffer because of you, you couldn't help but be a little selfish. Your arms wrapped around her as tightly as you could.

You missed your girlfriend so much. Watching over her for a year, her suffering for a full year over your death, had done a number on you. You'd cry if you could, but all you felt was this deep internal sadness. You had no heartbeat, you had no blood to warm your body, you had no tears to shed from your dry eyes. Your chest was the most still it had ever been, you had no air to breathe anymore.

It had begun to feel like too much for the both of them. Being this close to each other after a year of thinking they'd never be able to have contact again, feeling each other's skin despite the feeling of a small burning on her own skin from your own. It was almost enough to make Astrid cry.

The cold was beginning to seep into her skin - making her shiver and leaving her skin prickled. But Astrid wouldn't - couldn't - let go of you. Not when it had been a year since she was able to hold you. You had only frowned as you held her tighter. A small hiss escaped Astrid from the cold contact as she tried to get herself impossibly closer to you.

"Damn it, it's getting too cold." She hissed, speaking between clenched teeth as she tried to bury her face into your shoulder further.

"Warm up with the blankets, I'll just lay beside you. I promise I won't disappear." You pulled away, gently moving Astrid off of yourself as you carefully pulled her bedsheets over her body. When you finished tucking her in, you lay beside her, admiring every detail you could land your eyes on.

She only huffed a bit, feeling oddly petulant about the fact that she had to let go of you However, she did as she was told. A small shiver rattled her body as her eyes locked onto yours. She managed to mumble something incohereently as she reached for you, trying to tug you close again.

"Too cold, baby. Just give it a moment. I'm here, you see me." You tried to reassure her as you gently tugged a strand of hair behind her ear.

'Baby.' The soft nickname only made her want to pull you close again, but she knew that you were right. Her body was cold - skin still pricked and burned from being in contact with her girlfriend. She snuggled further into the bedding, her hand gently reaching out to yours. Linking her own pinky with yours, causing you to smile. Her eyes looked into yours as if asking if it was okay to which you had nodded.

┗━━━✦❘༻♡༺❘✦━━━┛

A/N: I don't know why this felt like such a short chapter to me despite it being the most words I've written so far?? I might have some filler chapters for this and 'Picking Up Pieces That Aren't Yours' sometimes. Then again, there is still a lot to write for the storyline themselves. Thank you, lovelies, for all the support on my posts! I hope you guys enjoyed this chapter. I'm so sorry if some days I do not have time to update. Also, if there's anyone that wants to be tagged for updates on this story, leave a comment saying so! Bye, loves!

[desos-records]

The part I appreciate the most in the Lockwood and Co show is how it handles depression and suicidal thoughts in teenagers. As a theme, it’s not often (ever) done well. Lockwood and Co is the only story I can think of that depicts it in a nuanced, realistic, non-romanticized way

but first, before I get into it: [if you’re in crisis or need someone to talk to and don’t want to/can’t use your national hotline, highly recommend Samaritans, genuinely saved my life] okay, let’s go

Lockwood is the most obvious, with his general disregard for his own life and admitted suicidal ideation. Lucy struggles with her self-worth and the intensity of the emotions she’s subjected to. George worries that he doesn’t belong, that there’s something useless or wrong about him. The show depicts these thoughts and feelings in a way that isn’t overblown or dramatized, it’s all but casual. Which is how it happens. Depression or suicidal thoughts don’t crash into you all at once, they creep into your life without you noticing

But more importantly (and again, something I’ve never seen anywhere else), the show also offers counterpoints to those thoughts and feelings. It shows that there is a way out, even though you may feel trapped and hopeless. This is crucial for the show’s target demographic. Bad media depictions of depression or suicide get internalized, contribute to the stigma, and make it harder for people to ask for help. This show doesn’t do that. This show tells its audience that, yes, things are scary and painful and it fucking sucks, but it’s not hopeless. And it says it so well

In the second episode, when Lucy wants to quit, she admits something that I’m almost certain she’s never told anyone

“sometimes I just think I’d be better off dead”

And when I watched this the first time, I expected Lockwood to react the way I’ve seen people react in my own life; with silence or panic or downright dismissal. But he didn’t. He stays calm and he says something that is so so important to hear when you’re struggling under the weight of feelings like this

“I understand that”

Saying this tells someone several things: that you’re on their side, they aren’t strange or monstrous for feeling like this, and that you’re not going to attack or abandon them because of it. And you can see the impact it has on Lucy, the way her face clears. She went from struggling to breathe and near tears to calm and steady. It’s no mistake that in this moment we hear his and Lucy’s theme for the first time (those simple, beautiful guitar strings)

The next thing he says is also important

“and it’s not true”

Simple, to the point, directly addressing her feelings, and (the most common mistake) doesn’t make it about him. Telling someone that you love them or that they’d be upset to lose you might sound nice, and it can be later on in the conversation, but in a moment like this, it’s infinitely more helpful to confront the thought itself

A similar moment in the first book stuck with me too, when they’re underneath Combe Carey Hall and Lucy almost steps into the well. What she’s hearing in her head (and the general phenomenon of malaise that ghosts produce) is very similar to depressive or suicidal thoughts. Before she can fall, Lockwood pulls her back

“no, Lucy, that’s not the way it’s going to be”

Depressive and suicidal thoughts deal in absolutes, so sometimes it takes an absolute to counter it

In the last episode, George has that heart-breaking moment where he says all the awful things he thinks about himself, partly because of the influence of the boneglass and Bickerstaff, but it’s also been building up, there in the background. Increasingly, it’s Lockwood and Lucy working together and George working on his own, which picks at old wounds (engineer, engineer, engineer, weirdo). He bonds with Joplin because he feels like she understands him in a way the others don’t

“it’s nice to have someone to show off to”

But Lucy pushes back against all that because she sees herself in all the ugly things George is saying, because she’s felt that way too. She understands that. She’s so surprised and horrified to hear him saying those things, resigning himself to dying down there, she’s not going to let him go on believing them

“you’re not a third wheel or an oddball or whatever it is that you think you are”

“you’re the best of us”

“we are not losing you, Georgie”

Flo called him that earlier too, but Lucy wasn’t there for that and coming unprompted from her it sounds so much like something you might call your slightly annoying younger brother. She’s so absolute about it all, with no opening for doubt, and you can see something like surprise on George’s face (but also pain because now Lucy’s in danger too)

For all Lucy knows, the boneglass will kill her. I don’t think for a second she genuinely believes her talent will protect her; she told Joplin that to protect George. It’s unclear when exactly she came up with the plan to use the skull, but she was willing to risk it anyway. And she knows, she knows, George will blame himself for this (because she would too, if it were the other way around), but even then, she’s very clear

“this isn’t your fault”

Their whole scene down in the catacombs is two kids trying to keep each other alive, physically obviously, but on the inside as well. And, oh god, George almost crashing down next to Lucy after he’s knocked over the boneglass, trying to wake her up. His voice

“Lucy, Lucy, it’s me, it’s me, say something, speak to me”

I think it’s down in those catacombs that George and Lucy really understand each other for the first time. In their own ways, they’re both curious and suspicious about the Problem and what causes it, trying to learn more about it (and stressing Lockwood out in the process). They both left their families; they both struggle with feeling strange and different than everyone around them. That connection pulls them both back from the edge

Lockwood, for all his confidence, is practically in crisis or was fairly recently (I suspect living with George helped). It’s fairly common, actually, for someone suicidal to overcompensate with an exterior shell to hide it, which can manifest in different ways depending on the person (they may not even realize they’re doing it, I didn’t)

And I love how the show handles it. He’s not made into this dark, tragic figure. He’s so full of life it hurts. He jokes around with George and Flo, fights with Kipps, admires Fairfax. He has dreams (plans) for the future. He’s struggling with trauma, they all are, but he’s not Broken™ in the way similar leading characters are often made out to be, in the way we often fear we are

And, of course, there’s Lucy, a wreaking ball through the precarious balance of Lockwood’s life. It’s not so much that she gives him a reason to live (although she definitely helps), but she holds him accountable in a way no one else does. This is the difficult part of recovery that no one talks about. Having people care for you (George) and sympathize with you (Flo) is great and necessary, especially early on. But at some point, you have to take responsibility for yourself and the noise in your head (you have to open your door on the landing)

What that looks like is complicated and messy and different for every person, but seeing it played out in a story is remarkable. I’ve never seen anything like it. This is a difficult thing for anyone to learn (many adults never even try)

That shot of George, Lucy, Lockwood (and Kipps) rising up on the catafalque sums it all up for me. Each of them fell into darkness alone and rose out of it together. They inspired each other to fight and win their individual battles, even when they couldn’t be there to help

[goquokka00]

The Little Things (Changbin Ver.)

The small things he does every day that make you feel oh, so special.

Bangchan | Minho | Changbin | Hyunjin Jisung | Felix | Seungmin | Jeongin

| Piggy-Back Rides |

We all know that Changbin is strong. That's not really a secret to anyone who's a stay. And knowing this sweet man, he'd give you piggy-back rides whenever. In fact, I'm almost certain he'd just randomly come up to you and be like, "Hey, want me to carry you?" I just think it's a Binnie thing.

Now, if he knew that your feet were killing you, or you had a random pain in your leg? You bet your ass that he's not letting you walk. Nope. He's picking you up piggy-back style and carrying you wherever you want to go. You can whine and complain about how its not that bad, or how you can still walk, but he's not setting you down. Nope. If his baby girl's lower half isn't doing well, she's not walking. End of story.

I also kind of feel like if you both went out drinking with friends and you got tipsy, or if you were tired, he'd carry you then, too. Just in case you were to fall or stumble. He wants you safe at all times, no matter what condition you're in.

| Lays His Head on Your Lap |

Again, we all know that Changbin, who can seem intimidating, is really this big teddy bear who wants to just love and be loved. And that includes using your lap as his pillow. It's probably his favorite pillow if we're being honest. Your skin is so smooth, and your muscle just feels so nice under his head.

If you both are on the couch watching a movie or just relaxing, his head will more than likely be on your lap. He'll do it whenever he pleases, honestly. But if he's exhausted after being in the studio all day, writing music, he'll take you by your hand and will literally drag you to the couch just so he can lay down on your lap.

He's 100% fallen asleep on your legs, too. Most of the time, it's because you're gently scratching his scalp and running your hands through his hair. That, paired with your smell and the plushness of your legs just lets him relax to the point where he just clocks out. Not that you care. He's absolutely adorable like that.

| Hugs From Behind |

You guys, this man is so sweet and cute and adorable. That's why I'm a firm believer that Changbin will always approach you from behind just to wrap his arms around your waist, pull you back against him, hold you close, and rest his head on your shoulder or head (at least, if he's taller than you lol).

Changbin will do this literally whenever he can. If you're cooking something, he'll give you that back hug while watching you cook and ask what you're making (and he might steal some food, too). If you're at a gathering, he'll hug you from behind and just rest against you while you're conversing with someone. Whether it's because he just loves you or he's getting jealous, he's doing it regardless.

But he'll definitely back hug you when he's jealous. He'll hold you tighter than usual (the dead give-away that he's jealous to you), and while you're talking with whoever is making Changbin jealous, he'll shoot a death glare at them, almost telling that person you're his. And that way, you won't see him being all menacing (even though you're fully aware of it).

| Playful Arguments |

Alright. We know Changbin is loud. And I feel like the playful arguments would be an excuse for him to be loud with you. You guys do it all the time, no matter where you are and who might be with you. Half the time, it isn't even arguments. It's Changbin whining about something loudly, and then you yelling at him to stop, and Changbin just whining louder.

"I'm hungry!" "I told you to eat before we left, Binnie!" "YOU WERE RUSHING ME THOUGH!" "Was not!" "WERE TOO! CAN WE PLEASE JUST STOP?!" "No! You're just gonna have to wait until after we're done with our errands!" "BUT I'M HUNGRY!"

Half the time, it is because Changbin is hungry. Other times, it's literally about the dumbest shit ever. Most of the time, when you both are "arguing" around the other Kids, they just laugh and claim that you both are like an old married couple. And that usually makes Changbin get louder and complain that he's not old.

| Makes SURE You Eat |

It's no secret to anyone that Changbin loves food. It's the most important thing to him after you. And that usually results in Changbin constantly checking in on you to make sure you've eaten something. He'll ask in person, or he'll text you while you're at work. If you haven't, he's going to pick something up for you and drop it off so you can eat.

Now, let's say you are someone who tends to just...not eat. Maybe you've never been into eating breakfast in the mornings, or you don't eat lunch because you want to just get some work done during your lunch break. Changbin will snap you out of that habit REAL quick.

Guys, I'm not kidding you. He will spam your phone every 3 minutes saying, "EAT," or "Baby you gotta eat something. If you don't, I'm gonna pick up something for you and force it down your throat 😡." And if he does bring you something, he'll literally sit with you and make sure you eat everything. And if you can't finish, he'll eat whatever you can't. Why? Because it's Changbin.

Hey! Firstly, thank you so much for reading this post, and I really hope you enjoyed! If you did, please like, reblog, or comment so I can see how I'm doing with writing and getting feedback! I hope you have a lovely day! Sleep well, stay in good health, and eat something if you haven't! ❤️❤️❤️

[parachutingkitten]

Just so everyone is aware, ayathefly, the account who claims to be a temp voice actress for Dragons Rising, is almost certainly my cyber stalker from last month.

She has almost the exact same story as one of the stalker accounts used to try and befriend me. Back then she was a 23yo temp voice actress named Maya who had a comedically whimsical story about her not knowing information about the ducktales reboot she was hired for. This time she's a 23yo temp voice actress named Aya who has a comedically whimsical story about not knowing information about the Ninjago reboot she was hired for. Both the accounts used generic profile pics from classic cartoons, reblogged posts of mine shortly after creating their account, and had this manner of speaking in their posts which immediately set off alarm bells in my head.

In case you are not privy to the saga, this person made a bunch of false accusations about me on one account while defending me on another in order to, I guess, try and win my favor. This after harassing, threatening, and otherwise pestering me on a number of spam accounts. This includes the full range of pretending to be a fan with a tragic story about a dead brother, to weird sex foot fetish fantasies. Since then I have received emails claiming to be showrunners interested in my feedback which I'm also certain are her.

I have also linked them back to the zanenindroid account, and the parachutingkitfanpage, both abandoned at this point, presumably because they didn't get traction.

I need you to understand I was on the fence about sharing this information. Even if they're making my life annoying, this person has at times claimed to be 16 in messages to me in the past (I figure it's possible that the 23yo thing might just be her pretending to be my same age) and I don't want to be the guy who calls out a kid who lied on the internet to try and get friends- even if what they're doing is ABSOLUTELY inexcusable, it's only really affecting me. I know how to use the block button. Turning off non-follow messaging and anon asks is annoying, but not that huge a deal if it means cutting off avenues for them to contact me.

But recently my MOTHER informed me that she got some strange messages from someone claiming to be a 23yo voice actress, and tried gaslighting her into believing she knew her mom from a writing group like 10 years ago (which is not possible btw), and should TOTALY introduce her to me, because we're the same age, and both interested in animation.

I can't not talk about this anymore. When you bring my family into this, you lose any attempt at mercy from me.

Especially given we have quite a few minors in the fandom, I feel obligated to say something. I would not feel comfortable with anyone I know or care about interacting with this person, regardless of how harmless this person thinks their intentions are. They have proved themselves to be a manipulative, lying, unhinged, and obsessive personality willing to put someone they presumably like through some of the scariest scenarios you can find yourself in on the internet- and then drag your family into it. I would ask that you do not interact, do not give them the time of day, do not try to reason with them, and try your best not to be fooled by new accounts that pop up a week from now with suspiciously similar behavior, because I'm almost certain that will happen if Aya goes silent.

Maybe you think I'm paranoid, and over blowing things, and that's your call to make, but I would not be making this post if I did not feel strongly about this.

Even if somehow this is not the same person, and I am falsely linking these two nearly identical identities, at the very least Aya is not who she proports to be. She claims to have provided temp voices for season 3 just this month (temp voices being temporary voice work done before the actual actors are able to record their lines), but Devon Mack (voice actor for Arin) has confirmed that he was in the middle of recording the official dialogue for season 3 back in January of this year. The idea that the production team would only just now be recording TEMP dialogue for animation that's going to release in just a few months is an absolutely WILD claim. I can not convey to you what an insanely truncated timeline that would be. I don't even think that Dragons Rising is a the kind of show to use temp dialogue, none the less have the budget and time to hire out if they did need temp voices, rather than just using production members like most temp work.

Please, be careful out there everyone.

I'm praying I never have to address this again.

[kalims]

the day we met.

and to think i promised i wouldn't fall in love.

characters. dorm leaders

cw. not proofread

note. just some random hcs.. I wonder who can recognize what post this resembles hehe.. AKA title

pls read malleus' part mwahahaha I like it

riddle rosehearts keeps you on your toes (quite literally.) if it weren't for him you're sure you would have fallen off the horse that seems awfully intent on driving you off it's back to a face full of mud. clearly he was lying when he said 'beverly' was a fairly nice horse... she's literally the living spawn of a demon! but you can say that she counts for a pretty great wing.. horsewoman? how else would you get the esteemed riddle to handle you so delicately?

leona oddly resembles a cat... (technically he is one.) but he really likes to nap, you're sure his daily schedule involves sleeping, eating, looking dead every time of the day he's awake then going back to sleep—let's not forget the favorite thing cats love to either knead with their paws or lay on! in this case it's you. at some point you had to tip toe and keep quiet everywhere so he doesn't hear, and promptly snatch you for the rest of the day.

the bounds azul would go for you is a little concerning but you're there for them all the well. as far as you knew on campus he was banned from making contracts but the cheeky little octopus had simply smirked when he casually says that the headmaster never said out of campus.. if he isn't there then how would he know? he just has to lure out whoever was the one that was stupid enough to bother you out of campus, hm... this is a job for the eels, no?

to be honest. forget about azul, kalim would do anything for your expense. it doesn't matter if you ask directly or not, just an implication is enough to trigger his impulsive decisions. seriously though, jamil is begging you to be considerate of what you say around kalim. you don't want him actually purchasing a whole country if you accidentally imply you want to rule one. again, be careful or you'll be smothered by his love, and deep gold pockets.

vil has a tendency to stare. believe it or not, even though it might seem like it would be the other way around you do catch his gaze sometimes but he always ends up trying to play it off. maybe he's sick or something? was there something on your face? (vil: yeah perfection) you find out not to point it out though, last time you did you got ignored with a huff. more so when you catch sight of a furious blush you almost mistook as too much of the makeup product. (no such person like vil wouldn't notice how red his cheeks would be if it was that case.)

besides the unintentional spoiling from kalim (who genuinely just thinks you deserve it all as a form of his love and affection.) idia is by no means poor. how else could he afford all the latest parts for his technology? let alone whale on the games he likes to play. this man spoils you intentionally. if he knows you want a character, weapon, or certain item he's getting his hands on it and giving it all to you. a collector's item? easy. it doesn't matter if the price is too high on the bar, nothing would ever compare to you anyways.

malleus is on your side, always. it doesn't matter if you're actually wrong about something, he's siding with you and defending you with his life 💀 you burned down a building knowing full well that the fire is a big possibility? everyone makes mistakes though... according to malleus draconia everybody. one of the strongest person in twisted wonderland is either the next 100% win rate lawyer or some random person making third grade defenses. there's no in between. that or he's making the dumbest excuse and actually making good points right after.

[whor-pheus]

BIG WILD LIFE FINALE SPOILERS!!!!

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ive been thinking ab joel's final death sm since i watched his episode and im gonna get tism about it

Disclaimer that i DID realise some of this from another post but i cannot for the life of me remember who it was from aaa

SO! Lets look at all the other winners' deaths first. and lets take the context of minecraft out of this, esp for when we get to joel's Grian - Jumped off a cliff. Simple and effective, but also quick considering he was low health and had no armour. In a real life version, he probably would have broken his neck and died instantly Scott - Struck by lightning. I know technically it was the Watchers, but 'divine intervention' isn't exactly an IRL cause of death, nor are 'kill commands' from a non-story pov, so we'll stick with the lightning. ANYWAY, yes, lightning. In terms of death, it stops the heart. So, pretty fast, but definitely painful Pearl - Exploded. Once again, technically that's not her actual C.O.D but once again, soulmates do not exist (in the same capacity as DL, at the very least) in real life, so we're going with this. Because of how close Pearl was to Scott when he set off the TNT, she likely would've died from internal organ damage, possibly even having her heart muscle walls rupture, plus any additional damage from the schrapnel that no doubt wouldve hit her (although she definitely would've already been dead by that point). Alternatively, you could say she died of 'Heartbreak' (because her soulbound died), which I'd probably compare to a heart attack. While you can't say for certain how long the explosion death wouldve taken because of the variables, a heart attack has an upper limit, so to speak, of about 3-4 hours. Unless we're talking about Sudden Cardiac Death which is, as you might expect, instantaneous suspension of heart activity. It's pretty interesting that both of Pearl's death possibilities link back to her heart in some way in DL, but I digress Martyn - Same as Scott's lmao Scar - He's actually the only one, to my knowledge, who did not die. Which, again, is very interesting when you tie it back to his Earth (? i think? i forget lmao) association. hes not allowed to die

NOW we look at joel. Teleportation is, naturally, not a thing we can do irl (at least currently lmfaoo), so there's not an easy way to compare it like with the others. BUT that doesnt mean we can't do our damn best first, teleportation is what kept Joel alive for so long during part of the session. The fact that he uses the very thing that saved his life for so long to end it is just beautifully symbollic. not to mention the way he was laughing and making fun of his literal hunters as there were at least 5 or 6 people trying to kill him at any given point despite the fact that the entire episode he was nervous and worried about dying last minute is so painfully joel. but lets look at the actual contents of his death for a minute. Joel dies from fall damage after repeatedly throwing enderpearls into the air. He does not remove his armour for this and is at almost full health. He is, effectively, torturing himself. In minecraft, you can throw an enderpearl directly up into the air about 30 blocks. since he was throwing them forwards, as well, we'll say its only going up 25. that would still be 25 square metres, and almost 270,00 feet. but, obviously, we're taking liberties here because it's minecraft, so lets just say its 25 feet. Still, that is an insane number. That is half the length of a basketball court, the width of about four cars (on average) and four fridges (again, on average) stacked on top of eachother. And he does this (by my count) seven times in a row before dying. Everyone else died instantly in game, and more-or-less instantly from a real life standpoint, as well If that doesn't put in perspective how violent Joel's death was, i dunno what could

big fan of the angst potential here chat

[promitto-amor]

Should Something Happen

Pairing: Mark Hoffman x You

Summary: While working as Jigsaw Apprentices, Amanda spoils some quality bonding time between yourself and Hoffman.

Warnings: Cursing!

Might this actually be a little bit of fluff? I wanted to do something involving the main Jigsaw crew and a protective Hoffman. 👀

Perhaps the only aspect of being an apprentice Mark enjoyed was the opportunity to work alongside you. Every trap crafted, every game played and every eventual death led Mark one step closer to his freedom. A life no longer in servitude for an impulsive act of vengeance. Mark had always struggled to quell his impulsiveness. It made him good in the field, Mark had earned a fair share of promotions for his quick actions, but his greatest mistake had cost him almost a year of servitude to Jigsaw himself. Until his sentence was up, until mark could be certain both John Kramer and his helper monkey were dead, he would carry out his part in the games with minimal complaint. In the meantime, he could find a steady contentment in watching the slackened, dream-like expression on your face as you fiddled with some shards of broken glass. 

“Careful,” Mark finds himself saying, “It’s not intended to spill your blood.”

You drop the shards back into the glass coffin and wander back to the workbench you’ve commandeered as a desk, “There’s so many traps,” You whine and if it were anyone else Mark would be grinding his teeth together. You flip your notebook onto a fresh page, “Who is this one for again?”

“I try not to make a habit of remembering names.” Mark answers, “Once you name something you get attached.”

You nod, “You’re right.” You pick up your pencil and hover it over the page. “Sadly I don’t have that luxury.” Mark keeps one eye on you as he cleans up his workbench, placing a set of screwdriver heads back in their assigned places. You think for a couple more minutes, your expression growing more pained till you drop the pencil again. “How can I write the tape for someone I know barely anything about?”

“Don’t ask me,” Mark says. “I’ve never been one for words.”

You give him a shrewd look, as if confirming his words. “You have special uses.” You say, jumping off your stool and heading over to a stack of boxes, freshly delivered.

“Oh yeah, like what?”

You send him a small smile, “Brawn, muscle, inside info…” 

“Is that all I am?” Mark can’t help the flicker of irritation he feels, “A meathead?”

“No,” You return to him, catching on you may have offended him. “You…” A couple teeth sink into your lip, “You’re the only one whose behaving.” 

Mark glances towards the open door, connecting the room to the rest of the Nerve Gas House, “Go on.”

You turn cagey, “Ever since Mexico…”

“Ah,” Mark nods, “Say no more.”

“I don’t like what I’ve been hearing.” You admit, “The aim of all this was never revenge.”

“Was it not?” Mark enjoys how your head lifts up to meet his gaze, “Was that not why you got mixed up in all this?”

You fix him with eyes of steel, “Maybe…” You admit, “But not anymore. Seems we’re cut from the same cloth, Detective.”

Mark likes how you say his title, pronouncing every syllable distinctly, “You don’t know me. Not really.”

“Maybe we should work on that?”

Something gives a leap inside Mark. Before he can answer you’re back at the delivery boxes and Amanda is thudding through the door. Her steel toe capped boots echo on the wood, little patches of dust springing up where she steps. She pauses on catching Mark stood in the centre of the room, “Admiring my work?” She asks, tilting her head.

“I thought John made this one?” You pipe up, before Mark can.

“He did.” Mark confirms, “That’s why this one has some refinement.”

“But it was my idea to add the…” Amanda’s points to the walls and then places her hands a couple inches apart. She presses them together slowly, applying pressure. The visual is enough for Mark to look away.

You busy yourself with the boxes again, “There’s nothing but syringes.” You take out one to show the two apprentices.

Mark tosses you a pair of gloves, “Put them on, they probably aren’t clean.”

You make a face and drop the syringe you’re holding, “Great. I’m going to need a check-up after this.”

“Be thankful you’re not the poor bastard diving in there.” Amanda smirks, heading over to inspect the coffin trap. “Is this one done yet?”

“Just needs a couple tests,” Mark says. “Any volunteers?”

“You first.” Amanda holds her arms up as if she’s a presenter, “Get in there, Detective.”

“What about you, babe?” Amanda slinks over to you and throws an arm around your shoulders, “The glass isn’t in yet, it’ll be like taking a good nap.”

“Stop trying to scare her.” Mark’s voice comes out with more bite than he expected. 

Amanda’s eyes flash, “Why you protective all of a sudden, Hoffman?”

Mark would never confess to the bitch before him, but he’s made a mistake and Amanda knows it. “We’re not testing anything without John here.”

Amanda makes a noncommittal noise.

“If John approves it, I’ll test it.” You offer, “I trust him.” Amanda jumps back into performance mode, “Aren’t they precious?”

“If you put this on.” You gingerly remove from another box a very familiar contraption and hold it out for Amanda to see. Mark grins behind Amanda’s back. He can just picture the colour draining from her face. Amanda doesn’t move as you walk past her with the Reverse Bear Trap in hand, “Very funny.” She calls, trying to reclaim some of her bravado.

“I thought so.” You counter, placing the device on the workbench.

Amanda’s scowl only becomes more prominent the longer she stares at her old trap, “Why is that here?” “Inventory.” You supply, “Or so I’m guessing.”

“Something old can always be re-used.” John wheels himself into the room. Wheelchair bound, he surveys the glass coffin standing pride of place in the middle of the room. “Is Laura’s test finished?”

“Almost,” Mark busies himself with checking over the gears situated behind the coffin.

“Laura,” You repeat, scribbling something on your pad. “I couldn’t for the life of me remember.”

John appears amused at your choice of words, “Writer’s block?” You look up as John wheels himself over to you. The Reverse Bear Trap is sat just a few feet away, Mark doesn’t like how close you are to something so barbaric. With you showing John your tape speeches and Mark still preoccupied with the gears, Amanda sulks in the middle. She makes her way over to Mark’s toolbox and grabs a wrench, right in John’s line of sight. Mark thinks it’s pathetic behaviour, how co-dependent she’s become since Mexico. He can see that your worries were justified. She makes her way over to the trap, but Mark has left her with nothing to do.

“There’s one glaring issue I see with this entire game,” You say in a low voice. You glance over to Amanda, “Won’t they all get suspicious if every one of them has a trap but her?”

“What did you say?”

“Amanda,” John cautions as his apprentice as she wheels round on the spot.

“I just worry that something will happen.” You say, closing your notebook and leaning against the workbench. “Are you really betting on all them failing and Daniel just being the last one left alive?”

“He doesn’t have a trap either.” Amanda points out, “I’m not the only one.”

“He isn’t being tested.” John states simply, “That is why you are there, Amanda. To protect him.” He turns back to you, “Nor is Amanda being tested.”

‘I still think we should put something in there.” You hold up your hands, “I think it’s foolish to leave it to chance.”

“Not if you can predict the outcome.”

Mark has heard it all before from John Kramer. He knows your attempts are futile, so he finishes up his work on the coffin and with nothing else to do, makes his way to the door. “I’m done for the night.”

“Thank you, Mark.” John says, “The game begins tomorrow. I presume you’ll be in position?”

“On the monitors.” He nods.

He’s been excused. Mark should go home and rest up for a long day ahead tomorrow. But he can’t quite bring himself to leave. John has resumed helping you with writing out the tape for the trap, but Mark doesn’t like how Amanda won’t leave the two of you alone. Her new behaviour has made him protective. Mark would have liked you to finish up at the same time as him. Perhaps he could offer to drop you home and they could work on getting to know each other.

“You want to put me in that.”

You, John and Mark all turn to Amanda, “What?” You ask.

Amanda nods, “That.” She points to the Reverse Bear Trap, “You want that to be my test. You want me to do it again?”

John glances imperceptibly to Mark. He swallows, so John shares their concern about his favourite apprentice. “Do you know how stupid you sound?” Mark cuts in, taking up what he hopes is a casual position beside you. “Everyone knows you already escaped it. 24/7 news coverage.” You’re still leaning against the workbench as Amanda walks around it, her eyes fixed on you as if you were prey. 

“It’s not a bad idea,” You taunt, “Some poetic justice”, but Amanda doesn’t find it clever. 

She shoves the Reverse Bear Trap toward you, “You don’t deserve to be here.” She hisses. Mark swears he can hear a ticking sound as you brace your arms on the table, “Of all the people to win, it had to be you didn’t it?” “Fair and square.” You return and Mark finds himself wondering for the umpteenth time just what your own game was. Before Amanda, before Mark himself joined Jigsaw, you were tested and won. His eyes fall on the scar on your neck, all that remains of your own brush with death.

“Use your brain,” You counter and your face is far too close to the trap as you glare back at Amanda Young. “You’d have to wake up in it, or someone would have to put you in it. I don’t think either of those are going to work in this game.”

“How about you wake up in it, you bitch?”

Mark’s hands snake around your middle and yank you back just as the trap rips open with a loud bang. The ferocity makes both you and Amanda jump. You would have fallen off your stool if not for Mark’s chest breaking your fall. He can feel the sharp breaths you take as the Reverse Bear Trap cools down and lies dormant once more.

“Amanda, take the trap and put it in my office.” John says. His apprentice turns wide, teary eyes on him, but John’s face is expressionless. “Now.”

She obeys instantly, taking the trap and striding out of the room.

Mark slides you back onto your stool, “Thank you.” You murmur, hand jumping instinctively to your neck.

“Are you alright?” John asks and you nod. Mark can see right through you, he could feel the tremors of your body against his. That was a close call. 

“She’s out of line, John.” Mark says, “I don’t know what the fuck happened over there, but it’s messed with her.”

“Amanda will be fine.” John insists, “She will play her part, so long as she isn’t provoked.” You nod, understanding your own fault but Mark refuses to admit to his own. “Now Detective, I believe we’re finished here. I will see you both tomorrow for the final preparations.”

Mark watches John wheel himself out. The moment he’s gone you rest your forearms on the workbench and place your head on them. You let out a deep sigh. Mark’s never been good at consoling anyone. It’s just not what he does. Not since Angelina…

He spots your fallen notebook and places it beside you, “Need a ride home?” “I don’t think I want to go home.” You say, your voice weak.

“You don’t want to stay here.” Mark says, “You can’t anyway. They all…arrive tomorrow.”

“How can you do that?” You lift up your head, “How can you willingly put people in here knowing they will probably die?” Mark meets your eyes, “I convince myself they deserve to suffer.”

“You don’t lie awake thinking about it?”

“No,” He’s being honest. “I think it’s one less shitty person out there.”

“Then you must think that about me.” You push some hair out of your eyes and wrap your arms around yourself. “I’m not…you know what I did-“

“And you know what I did.” Mark takes you by your forearms, “Do you think I’m a monster?”

Your eyes dart around the room and then land on the glass coffin, “Sometimes.” Mark allows himself time to digest that, it isn’t what he wanted to hear. But your hands come to rest on his own forearms and then you’re pressing your forehead into his chest, “But you make me feel safe. You help me.”

He didn’t expect to earn such close proximity again, this time deliberately. Mark pulls you closer, your hands slide up to rest on his chest and Mark curses his choice to remain in a jacket. Your warmth is tantalising as it seeps into him. Mark tucks you into his large frame and winds his arms back around you.

It feels good to be wanted.

With your face smushed into him, Mark rests his head atop yours. He doesn’t know what else he can do, so he lets his eyes close. “We can look out for each other.” He proposes, “Should something happen.”

“I’d like that.”

[skaruresonic]

The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else. It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever. Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up. "'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing. Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell." And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange. Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place. In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.

Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.

Other tells that the author is taking their cues from fanfic mores rather than books: >>too much minute description of eyes, especially their color and their movement >>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication) >>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.") >>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth") >>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall) >>uses too many dialogue tags >>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy. >>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls. >>"X released a breath he didn't know he'd been holding" >>every fucking Hot Guy ever is described as lean and sinewy >>sobbing. why is everyone sobbing. some restraint, pls >>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people. >>pushes the "Oh." moment as the pinnacle of Romantic Epiphany >>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist >>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop >>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?

>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned") >>why is everyone muttering and murmuring. speak up >>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly") >>too many epithets ("the younger man" or "the brunette detective") >>too many filter words ("he felt," "she thought," "I remembered")

>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice. Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book? First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.

[xjulixred45x]

I HAVE A ANGST IDEA FOR A HADES GAME READER!

SPOILERS AHEAD!!!!

Did you see how Demeter made all life on earth incredibly difficult for mortals as punishment for having "stolen her daughter"? Well, based on the fact that in myths people literally DYING OF STARVATION (and apparently in the game, of cold) this idea came to me.

Imagine that the reader is a normal mortal, nothing particularly remarkable, EXCEPT that she is a farmer with the rest of her family, who just before the eternal winter came, they worshiped Demeter so they could have good crops and so on.

but then, without warning, winter arrives.

At first it's not so bad, because they can ration certain things and get by with some groceries, but as the months go by and the winter continues to get worse, so does the situation in the reader's house.

The surrounding villages begin to have pests, have problems with resources, not having to eat, etc. and the first deaths begin thanks to this, which quickly spread throughout the community where the reader lives.

The first to fall from the family are the most vulnerable, the grandparents and children of the reader's younger siblings, to whom they perform the appropriate funeral rituals along with all the people who had already died due to the winter.

Everyone's life is turned upside down trying to find ways to survive without having a coast to fish and with now few animals, and the cold gets worse and worse...

The community soon begins to decay and reader participates in the funeral rituals out of respect and to not think about the horrible situation, becoming more educated in the chnotic gods.

They are all desperate to survive, but the snow makes it almost impossible to leave the city where they live, so they are stuck.

It doesn't take long until the reader's parents also succumb, either from illness, from the cold, or from starvation from giving all the food to their surviving child.

and it's not even the worst.

reader is now sick too. So the remaining people of the town cannot allow her to make them all sick and kill them, so after giving the proper services to her family, they lock her in her own house.

but at this point the reader is so tired that she doesn't even mind being isolated. but she knows one thing. she can't allow herself to die like this. not because it is degrading or unfair, but because she knows that if she dies and no one performs an adequate ritual for her, she will not even see her family in the afterlife.

all the pain and suffering in vain.

So against all odds, the reader finds ways to survive on her own at home, constantly being in the limbo of life and death due to her horrible health.

and, thanks to this, the reader meets Thanatos.

I think I'll leave it vague if the relationship would be platonic or romantic, but they definitely got off to a bad start.

We already know that Thanatos finds his work exhausting, so the fact that the reader clung to life and did not want to leave even when she was in horrible conditions bothered him to no end.

and on the other hand, the reader OBVIOUSLY did not want to die and it was annoying that he wished her dead (even if it was technically his job?) and that led to several verbal fights. at first.

Thanatos appeared at the reader's house when she was especially weak, whether she could not move on her own, had respiratory attacks and/or was in special pain, etc. episodes that, although temporary, were still close encounters with death.

When Reader and Thanatos eventually get tired of insulting each other in these moments, at first they just wait to see whether Reader will survive this particular episode or not, in a rather tense silence.

It is not until the third or fourth time this happens that the reader begins a conversation with Thanatos in an "informal" way.

As one can imagine, at first Thanatos didn't even react or try to continue with said conversation, just do his job and leave, but as time went by he began to show more signs of listening to what the reader was saying. and eventually even give short answers.

He doesn't share much, but now the reader doesn't go crazy being alone.

I also imagine that on some occasions, when the reader can't move much, she DRAG to go get food/medicine, which bothers Thanatos because it seems 1- unhygienic and 2- stupid in a certain sense, mortals get sick because of it. not taking care of themselves, does she NOT want to get better?

It is from there that their relationship begins to improve, but the reader's health worsens every day.

It's the same as what happens with the other villagers that Thanatos collects, weakness, coughing up blood, pain in the rib cage, inability to eat, difficulty breathing--

but even so, the reader STILL wants to cling to this miserable existence, she can't even eat or stand anymore and STILL doesn't want to leave...

WHY? WHY SUFFER THIS WAY INSTEAD OF SIMPLY DIE?

and the reader's response is quite simple.

There is no one who can give her a burial, but her family did have one, without that she would simply wander through the Underworld and be alone AGAIN.

but at the same time, the reader no longer has the strength to continue holding on, the pain is UNBEARABLE and the little energy she has leaves her...

Thanatos is there, at least.

I like to think that the reader would agree to go with Thanatos VOLUNTARILY if he even lets her see her family one last time, thus dying peacefully.

And it would be especially ironic if by chance the reader ends up as a shadow in the house of Hades😅

I think that in general, a deceased reader would be like a more responsible Hypnos, she is not going to bother the GOD OF DEATH so she does the minimum ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

She is definitely happier now that she is no longer in pain, but she was quite traumatized by the experience :') although on the positive side, she is one of the few people who can play pranks on Thanaros with almost no consequences!

simply....mortal reader sheneigans.

Shares, reblogs and comments are very welcome!

Maybe i could use this Reader with another characters? Idk. I didn't know how to finish this but i like it!

[holmesianlove]

Chapter 10 - Kitten

Sherlock stormed into the lab as usual with all the confidence of a man who owned the place.

“Molly. Good, you’re here. I need to see the body. It's imperative that we do it as quickly as possible. I have suspicions about new bruising and you know how time is of the—“ Sherlock froze and blinked at the sight in front of him.

“Oh, hello Sherlock, John. Lovely to see you both,” Molly said brightly.

John also froze and looked at the desk where Molly was working. Her hair was in a mess, a knot clasped violently with a clip and almost as much hair falling out of it. She was typing away at the computer, her desk covered in papers. On top of the papers, though - and the cause of their staring - was a small ginger kitten padding up and down over her work. As they stared, it found a pencil to paw at.

“Ah… Molly…?” John began, looking up at Sherlock and back at the bench. Sherlock looked deeply offended.

Molly had paused to take a sandwich out of her mouth when she first spoke to them but had already returned it back to its resting place in her mouth, as she typed furiously again. “Hmmm?” she asked, not even looking up at them.

“Cat,” Sherlock spat out.

Molly lifted the sandwich out again. “Sorry?”

“You have a cat,” Sherlock said stiffly.

“Oh yes, this is Milo. Say hello, Milo,” she said to the animal, which only seemed to offend Sherlock more. The kitten meowed back appropriately.

“Molly, this is a lab,“ Sherlock said with a frown.

“So?” She laughed, abandoning her sandwich to the plate this time.

“Well, there’s… certain levels of hygiene that should be… should be…” Sherlock didn’t really have a good answer for her and looked to John for support.

“Sherlock, everyone here’s dead except for me. I'm fairly certain it's not going to cross contaminate or anything is it?” She laughed at him.

“The cat’s walking all over your paperwork. What about your filing system?” He tried instead.

“What about it, Sherlock?” She looked over at him and he was clearly beside himself. “You can't seriously be worried about a kitten?

“Well now I've lost my train of thought,” he sighed in frustration, watching the cat bite at some papers and spin around to tackle the pencil again.

“Do you not like cats, Sherlock?” Molly asked, mildly horrified.

“They’re dreadful creatures. They have no respect for human emotions, or personal boundaries. They can ignore the people close to them for days on end,” he scoffed angrily.

“Sounds familiar,” John mumbled.

“Excuse you?” Sherlock turned to look at him, wounded that his partner was not agreeing with him.

“Pretty sure that's the criteria you gave me before I moved in,” John reminded him.

Molly giggled. “I think you might be right, John.”

“Yes, I think you are, indeed, like a big cat, Sherlock. And you always curl up on the couch in funny positions… run around restlessly in the middle of the night...” John continued, starting to enjoy himself.

“You actually are very like a cat,” Molly agreed.

“Shut up,” Sherlock huffed, no quick retort ready to hand. “I was here for actual work.”

“Yes, yes. You wanted to see a body? Is this about the man with four wives?” Molly checked.

“Three wives… and a husband,” John pointed out.

Sherlock didn't miss the fact that John was once again stuck on that point.

They began to follow Molly out of the lab to head to the other room with the bodies. Sherlock felt something tug on his pants, and looked down to find the kitten biting at the hem.

“Ugh, Molly,” he groaned.

She turned to see Milo, biting and pulling at his expensive suit pants leg and couldn’t help smirking, before putting on a stern face. “You wanted me to get the body out? You deal with the cat.”

Sherlock let out a frustrated sigh, bending down to pick it up so he could keep walking. Milo immediately leaped out of his hands, and onto the shoulder of his coat, startling him. John snorted at the expression on Sherlock’s face. He looked mortified, horrified as the cat crawled along his shoulder and then up over the lapel to find a position between his coat collar and his curls, snuggling against his neck.

John suddenly blushed and was surprised by his reaction. He wasn't sure why, but the cat looked so comfortable snuggled against his flatmate. It seemed to be a cozy position that gave the kitten great satisfaction. Sherlock always seemed like such an uncomfortable being. He didn't seem like someone who would like to be cuddled, or enjoy affection. He didn't like attention from what John had seen. Never had dates over, never mentioned going on them. Was he asexual? Aromantic? Just generally disinterested? John had given up asking after the one attempt he had made to gauge Sherlock’s relationship status. The man certainly seemed oblivious to any of Molly’s advances, in any case. And he always mocked people in relationships when it came up on cases, or seemed to not understand the intricacies of them. John was always having to fill in the gaps for him.

And yet this cat had cuddled right against him. No hesitation. And suddenly, John kind of wished, just for a moment, that he was the kind of friend that Sherlock would like to cuddle up to.

“Do you need any assistance?” John asked.

“No, I suppose he can just stay there now,” Sherlock asserted.

“Oh, look! How adorable, he loves you already!” Molly exclaimed as she looked over to see what had happened.

“Yes, well it's quite a nuisance that he's making of himself,” Sherlock grumbled.

“Oh, you like it,” Molly scoffed.

“It's like a little massage gun that's purring against my neck,” he scoffed back at her.

“People pay good money for those massage guns,” Molly commented.

Again, John blushed at the idea. What was all that about all of a sudden?

“Yes. Well, that was all very cute,” Sherlock said to the kitten, “but I have work to do.” He tried to remove it and put it on the ground again. Milo meowed in the most adorable little cry and padded along behind Sherlock as he moved forward again.

Once they were all in place, Molly unzipped the body bag and Sherlock pushed forward impatiently. He grabbed gloves from the nearby container and snapped them on, leaning in to start taking note of the body. As he was looking, the kitten clawed its way up his pants leg, then onto his coat, to get back up to his position against Sherlock’s neck. Even from a couple of feet away John could hear the purring, like a little engine. He smiled, covering his mouth to stop himself from laughing aloud, afraid of embarrassing Sherlock. The kitten was struggling to balance while Sherlock leaned over the body, desperately shuffling, and adjusting its weight to stay perched there. It was irritating Sherlock to no end. He kept trying to flick it angry glances, but hidden under his chin, he couldn’t level the right amount of irritation at it.

“Why don't I do this and you can direct and observe?” John suggested.

“Fine,” Sherlock announced angrily, stepping back and snapping his gloves off throwing them into the nearby bin. He folded his arms across his body in absolute defeat and fury.

John grabbed some fresh gloves and took over, moving the victim’s arm to lift it and look at his ribs. “You're right, Sherlock, there's fresh bruising here that wasn't there the other day,” John said. “Just as you thought.” He looked up and couldn’t help smiling at the scene before him. Sherlock, looking like an aloof security guard, but with an adorable orange kitten nestled and purring under his ear, eyes closed in absolute ecstasy.

“I have to think about all of this, Molly. Can we get photos please?” Sherlock asked.

“Oh, yes, certainly.” She moved to the side and got a camera and then started taking some photos. “Um… actually… I was going to ask… if I saw you… if you would like to maybe come to my Christmas party?” She stumbled over the words awkwardly.

“Oh, we already have a couple of Christmas events,” Sherlock said absently, not making eye contact.

John gave him a stern look. “Didn't think there was anything going on. When is it?” John asked her.

“Next Saturday night?” She asked, her face lighting up.

“I’m sure we can make that work,” he agreed. “Can't we Sherlock?”

“Fine. Send me the details,” he grumped as he started to walk out of the lab.

“Ah… Sherlock?” John called after him.

“What?” Sherlock turned around to find Molly and John watching him expectantly.

“You can pack that up for us, can't you, Molly?” he said, assuming he was in trouble for leaving without cleaning up.

“No… ah…” Molly stuttered out.

“Sherlock, just…” John tried. Sherlock was clearly oblivious.

“What, John?” He asked in annoyance.

John sighed, removing his gloves as he walked over to Sherlock, grabbed the kitten from its position against Sherlock's neck and gave him a look. He walked it back over to Molly. “Sorry, Molly,” he said, handing Milo to her.

Sherlock, who now felt slightly embarrassed and affronted at the error, left the lab in a huff.

“Thanks John,” she said with a little smile. “Doesn't like cats,” she mumbled under her breath.

“Oh, he says that about a lot of things,” John said. “But we know his bark is always worse than his bite. I think he quite enjoyed that kitten cuddle. Milo is very cute, Molly.”

She giggled. “Thank you,” she said sweetly, as John left to find his sulking detective.

— —

Thanks @notjustamumj for the prompt list

This one is for @phoenix27884 today. You know which kitten this is. His name’s been changed for anonymity 🤭

@lisbeth-kk @helloliriels @totallysilvergirl @221beloved @safedistancefrombeingsmart @a-victorian-girl @peanitbear @starlitkeys @lumilama @yorkiepug @talkativeanxiousturtle @kettykika78 @kittenmadnessandtea @whatnext2020 @egregiously-chuffed @chriscalledmesweetie @catlock-holmes @battledress@kholkate @randomquadballpun @little-owls-things @daltongraham @sillygirlsmindpalace @naefelldaurk