#this concept has haunted me

[ghost-proofbaby]

okay but before i check my inbox can i entice you all in a thought that has haunted me for over a month now

being in a relationship with rich businessman steve harrington and international rockstar eddie munson. traveling with them, the way they would take care of you and never let you ever want for a single thing. steve taking you with him places in his expensive cars, always driving far too fast for the way he keeps only steers with one hand as one always has to be on your thigh to just be near and touching you. eddie flying you with him when he has to travel to studios in california, just for an excuse to see you on a board walk in short shorts and his sunglasses. you’re their trophy wife, an untouchable that every other ceo of the intricate world of businesses spanning across several countries and every single shady musician eddie has worked with knows to not fuck with. tabloids when the three of you attend rooftop parties in italy, pap photos of you tangled up with eddie, giddy off champagne or wine and fancy finger foods you two indulged far too much in as steve is networking. the internet headlines break whenever you attend a charity gala with steve, always looking pretty on his arm as he makes absolute heart eyes at you, his safe place amongst such a cold and frigid world of boring contracts and men twice his age. eddie always making it clear in interviews that he’s your eye candy side piece, claiming that you’ve always been the brains in the relationship while he and steve are just there to care for you. steve getting no work done when you visit him in office. eddie using you (and steve) as his muse for every album.

an extravagant lifestyle, a world of riches, but the best part always being that at the end of the day, both of your boys will always come home to you. every day will always end with quiet nights, the three of you wrapped up in bed sheets, soft sighs and silent contentment as you all finally feel at home in one another’s arms.

[froggydraws]

🎼❤️

[mysteryanimator]

Ok so this a word ramble that I originally shared to a few folks, and then went “what the hell sure” and I’m sharing this here. Though this is more word ramble rather than structured then anything I’ve written analysis wise. The only reason why it’s less structured then what I normally do is because if I were to do this properly, I would genuinely go make a PowerPoint and multiple animatic examples to prove a point for a made up what-if 😭 I have to go be productive haha

Ok here we go

How we could have a Mizrak and Olrox intimacy scene actually work

This is hypotheticals I’m not actually trying to say it should be this way, I’m just really interested on this concept because it CAN work and it makes my brain excited. Also side point- you can also very easily achieve all of these scenes without a sexual intimacy scene as well, it’s honestly just up for can be portrayed and want needs to be conveyed to the audience. As long as the main ideas that need to be said are said!

I’ll preface beforehand too, this will be having Mizrak in particularly lean into a more positive viewpoint on it simply because I think we need more positive accepting sex scenes in animated queer scenes, especially with a repressed gay man coming to accept vampirism aka queerness. I think that’s neat in contrast to a lot of intimate scenes that aren’t so positive :D this also means a lot of it will come with my a lot of my own personal opinions!!

First of all, it would build an entirely new perspective on mizrak for us as an audience! There is so much we viewers that we do not know about him. Yet Olrox is so comfortable sharing alot of his emotional vulnerabilities to him, unlike Drolta in the graveyard scene. This type of physical intimacy literally has some baring their entire self to someone else. Nakedness is vulnerability. Mizrak is also a ‘warrior monk’ who wears armour. So you’re literally stripping him of not only his armour, we’re stripping him of the label he’s had since who knows how long. We go from warrior monk to just Mizrak. Every single scene of him in Nocturne is just defined by his monk title, never Mizrak. Which is also why it’s hard for a lot of us to imagine him in clothes other than his monk attire.

His monk attire is now however gone because drum roll. He’s a VAMPIRE. This is important I swear!

(Side tangent his ‘rebirth’ scene at the end of episode 08 when he’s revealed to be a vampire was unbelievably really fucking good)

He’s going to be dealing with a lot of self identity issues, his self image and how he feels about himself. He was already pretty repressed beforehand, and now all the walls are crashing down. Firstly as mentioned before, nakedness is a form of vulnerability. It would be such an interesting and unique way to showcase an acceptance of his identity. It’s both of his new identity of vampirism but also his identity of being queer. Almost as if having the reverse occur in the story of Genesis, where Adam and Eve become ashamed when they realised they’re naked. The opposite happening for Mizrak would be just interesting!

Another point is that we can explore Mizrak’s acceptance of vampire’s having a soul/life! I semi-explored the concept in an animatic not that long ago just because the idea just intrigues me sooooo much. I kinda want to explore it further but busy atm 😔, though I would genuinely make space and time to work on something like that regardless of what show/film it is. Emmanuel learns the concept that vampires/night creatures have souls, that they remember their lives beforehand when he turns Drolta into a night creature. It is totally up to audience interpretation if Mizrak recognises learns vampires have souls through this line:

“If you have a soul Olrox, and maybe you do, I hope it finds peace.”

However, through an intimacy scene, you could absolutely cement Mizrak learning then and there Olrox does indeed have a soul. Solely because, I’m going to get pretty NSFW here, Olrox is reacting to Mizrak, he’s reacting to what’s happening to each other BAHAHA. He’s getting emotionally invested in the moment, beyond the physicality, which could click something in Mizrak’s brain. There is a life to Olrox because that vampire is sweating and moaning HAHAHAH, which if he were to be truly soulless and lifeless, he would not be doing all of that. He’s a breathing, living person who has a soul. Ensue Mizrak accepting and giving in 🏃

Sure this probably happened between episode 3 and episode 4 in season 1, but for us to only see it now would mark an importance for Mizrak. It’s important for us as an audience to see this recognition because it will fundamentally change him and progress both their narratives. Every Mizrak and Olrox scene from episode 03 of season 1 to episode 08, something changes and something moves forward.

Speaking of life, Olrox has not been living. He’s depressed and traumatised. He’s the what-if he just killed the person who killed his lover dilemma for Dracula (thank you Tack for that!) He hasn’t lived since his lover died UNTIL Mizrak. I personally haven’t had seen so much life in him until he was fighting Drolta, saw Mizrak wounded and then started RUNNING??? It’d be really interesting conceptually to see Olrox be ‘alive’ in a much more safer private space, just between him and Mizrak!

This is also something you can very very easily achieve in 2-3 minutes, which is how long most of their scenes together are because they’re side characters. Or even less, 30 seconds it’s entirely possible to convey all of the above in little time. Power of visuals is important!!! Censoring is also not an issue too, I think you could censor this to hell and back but with smart and powerful storyboard choices from whoever gets the blessing to do it, concrete writing, you can actually have something that goes along narratively with the love theme in Nocturne and it’s positive influence on people. Mizrak’s self-acceptance and Olrox’s life reinvigorated. Of course everything beforehand has to build this up to this before it happens. Me, the brainrot person I am, recognises how hands are like a super important thing for them so it would be very cool to have that incorporated in somehow. Also, having the Olrox holding Mizrak from behind thing come up again, but with Mizrak accepting it properly and leaning back into him (or even Mizrak holding Olrox from behind) during a scene like this?? During a emotionally and physically vulnerable moment? Actual shockwaves I tell you, I think you’d have the whole fan base in tears.

There are nuances here, visual metaphors to play off, unique storytelling pathways it could go down, interesting characterisation you specific to sex and so forth!

Anyways that’s my proper ramble for the week, I hope you enjoyed my season 3 episode 6 pitch (massive joke I’m joking I’m joking, tho honestly would be so funny though if I could pitch something like because I will do my proper research, I will pull up statistics if I must and make visuals. Though I generally do understand how intimacy scenes don’t happen often, though Cativi winning an Annie award would prove to help strength the argument I’m making :D )

[bibibbon]

Saw the concept art for jayce and viktor released, and I couldn't help but be reminded of Naruto.

[trebuchet151]

"I had to know if I imagined things. And then I found your arrest records, you were just a kid…but the picture matched."

"Who...whose records did you find?"

Wanted to fill out a more detailed stat template and got carried away. The discord had a fun mugshot drawing prompt and it inspired me

[cowchickenbeefpork]

no because Oswald sees his fallout between himself and Edward as a classic stage tragedy designed as punishment for his sins. Edward sees it as a psychological horror designed as punishment for his sins. Do you see it. Do you get the difference here.

[belowthesurface]

AU where Adrien (and Félix) are both transfem and their transformation to Chat Noire (and Argos) appear feminine - with a slightly higher pitched voice to match. Adrien doesn't understand at first, she is like "oh so that's what the magic does to hide my identity, especially since I'm so well known out of costume. Neat" and then probably, like, too-long-later down the line she is like Oh. Oh okay. Im a girl

heres more of this concept

[sketchmre]

upcoming val wip

[aenhanse]

interview with the vampire (2022- ) / mimesis definition by the britannica dictionary / the classical concept of mimesis, göran sörbom / adoration of the shepherds, palma vecchio / the kiss of judas, jakob smits / three studies for figures at the base of a crucifixion, francis bacon / mimesis: the representation of reality in western literature, erich auerbach (the brown stocking | introduction to the fiftieth-anniversry edition by edward said) / young man kneeling before god the father, egon schiele / shelter, peter macon

[beatcroc]

obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed obsessed

[lampost-in-winter]

Forgotten ecology

Rook finds Davrin carving wooden statuettes, which isn’t unusual. What surprises them is that he is looking at a book for reference. Davrin never needs reference: every nook and cranny of monster anatomy is etched into his brain, for good or ill.

“What do you have there?”

“You mean the book? I took it from Isseya’s lair, she must’ve gotten it from Ghilan’nain. Sorry I didn’t mention it.” He lets go of the piece he’s been carving—it looks like some kind of snake covered in feathers—and brings the book closer to Rook.

The tome hums with magic as Davrin passes the pages. Although Rook can’t interpret the text, written in ancient Elven, it is evident that it is a bestiary: each page depicts a variety of creatures Rook’s never seen before, all of them either aglow with foreign beauty or haunted by terrifying strangeness. The pictures move on the page like figures from a shadow play, portraying the different walks of the herbivores, the attack movements of predators, and the complex flight of four-winged and six-winged birds.

There is some flora depicted, as well. A two-page spread is entirely dedicated to the reproductive cycle of a translucent flower with iridescent blue filaments, which relied on wisps as its sole pollinators.

It is gorgeous. It is also concerning.

“Do you think Ghilan’nain created all of these?”

“Nah, I don’t think so. Look,” Davrin points at a stamp in the shape of a halla at the beginning of one of the pages. “I’d say only the ones with her mark are her creation. Everything else… maybe someone, or something, else made them. Or maybe they were there already when the first elves gave themselves bodies.”

“Wow,” Rook mutters, “Do you think we might still find one of these things out there?”

The elf shakes his head.

“Not likely. It looks like all the wildlife in this bestiary was specially adapted to live in a world with spirits and much more magic than our own. In many ways, their life cycles depended on it, so most of them couldn’t possibly exist as they were in our world.”

“Damn. That’s… tough.”

“Yeah. Could be the reason why Ghilan’nain kept a specific record of them.”

Rook feels a hole in their stomach, the shape left by a loss that’s not even their own, as well as the dread at the idea of life being able to just disappear, the terror of the frailty of existence. And whatever Davrin is feeling, it doesn’t look like it differs much.

“It’s kinda… weird, to think that all of these animals can simply be gone without a trace,” Rook says, “The magic and technology from ancient elven times at least left something behind, even if it’s just debris.”

“They might’ve left something,” Davrin muses, “Some of these creatures could’ve adapted to the world post-Veil and changed into something we might recognize. Like this one,” he picks up the feathered snake he’d been carving. “She could be the grandmother of modern snakes.”

Rook chuckles. “Wouldn’t that be something?”

“Mmm. I’ve also been thinking about it the other way around.” The warden takes a moment to gather his thoughts. Rook notes that they really like his thinking face, so solemn. “If these couldn’t survive in our world, it’s also possible that many of our own animals and plants would not be able to adapt to life without the Veil. Perhaps they wouldn’t die in the initial blast, but the change in their way of life would slowly end them.”

“See, another reason to stop Solas: what if the fall of the Veil destroys cocoa trees? I wouldn’t survive it,” Rook counters with a playful smile, and it gets a laugh out of Davrin.

“Jokes aside… it makes you think, you know? That when Solas talks about bringing back the old world, it doesn’t just mean restoring the ancient elves: it means to change the very core of how life works. And I know that all things end, and that these creatures had their time, but…” Davrin looks towards the cozy, feathered bun that is Assan sleeping by the fireplace. The unlikely survivor of two extinction events, as they now start to understand. “Who decides which form of life is more worthy of existence?”

Rook tries to think of something wise and soothing and motivating to say, but it doesn’t come to them. They’re not a philosopher: they’re just one of the alive things in this world trying to make it to the next day.

“So… drinks?” they offer, instead.

Davrin smiles. “Sure. And, hey, pick one,” he says, pointing at the carvings of ancient creatures he has been working on. “My treat.”

Rook observes the three statuettes that Davrin has finished so far: there’s the feathered snake, a unicorn with a horn as long as its whole head, and a bird with wings made of flames. They take the unicorn. They will put it up in their room later, because it’s from Davrin and it’s beautiful, and they will hope that this melancholy feeling they get from looking at it will recede. In time.

[funishment-time]

[harbingersecho]

[the-river-rix]

Crystal asks the dead boys about ghost rules specifically how they can touch and kiss and stuff but not feel it physically, and If it’s only that way between ghosts and mortals and Edwin fixating on figuring out the answer and demanding to do all this research and experiments and he’s working away and later he’s like I can’t figure it out Charles is like hey I have an experiment you should try and kisses him

[victorypointnote]

The Terror x TLT Quotes 1/?

[fisherrprince]

i have been. sitting on this since literally december of 2021 and just decided to finish the darn thing. brain tries to fix everything