#this applies to WAY more things than that but that is my perspective

[tododeku-or-bust]

How I Keep My Chin Up

Yes, I'm going to speak from the perspective of antiblackness bc that's my hardest, most comprehensive battle, but just try to apply. We gone be alright, y'all!

1. Be Willing to Fight for Something You May Never See

Here's the thing. I am my ancestors' wildest dream. No one could have fathomed I'd be where I am right now. I live in an entirely different world from my grandparents alone!

And yet, since the beginning of the Transatlantic Slave Trade, my ancestors and I have all been fighting the same- however beat down, rebuilt, replenished, repolished and reformed- tenants of white supremacy. It's been 525 years (if we start in 1500). HALF A MILLENNIUM, and we're still fighting WHITE SUPREMACY (there was a whole ass war, even 😭)

Okay. So. It is clear that if we based our willingness and ability to fight on seeing the end game, no one would ever do so!

We have to be willing to say "okay, look, I might not ever see the end of said bigotry, but I have to be willing to fight and survive so that those that come after me have a chance". We always wish our ancestors had done different- we are the ancestors that could be doing different! You are one part of a long war, and that's okay! Doing your part is all that is asked! Which gets into my next point.

2. The Glory is in the Act

You don't have to win the war. You don't even have to win the battle 😅 The glory is in the fight!

And I think that's what makes it a lot easier for me to continue on. Narrow your scope. Do I want to win and overcome these things? Absolutely. It'd be lovely! But I can't allow myself to move based on guaranteed victory. I can't control that. What I can control is my willingness to show up!

Even if all I do is make racism's existence a tad harder today in some way, every single day. To be willing to say "no, actually, this is full of shit and SOMEONE sees that". Do something. You don't lie down and die when shit looks bad. You could at least fight about it 😅 There is dignity in resistance! If nothing else, even as you go down, you know you were right!

Stop letting them take your humanity from you without a fight. You are worth more than that. They want your hope to die bc that means they win. Fuck em 😤 Lift your chin and tighten up, soldier!

[wander-wren]

unironically, telling myself “you are not a unique specimen of humanity” has become the most helpful mantra, as a neurodivergent trans kid whose teen years were (technically have been) spent feeling like some kind of extinct animal dropped into a close-but-not-quite-right ecosystem.

you are not uniquely awkward or strange or embarrassing. everyone struggles to communicate, to express themselves. everyone messes up. the cashier at the store has seen six people try to push a pull door or drop their change or what have you. it’s fine.

you are not uniquely smart or knowledgeable or enthusiastic, even about things that matter a lot to you. other people can know things and get things right and be excited, and you can even be wrong, and it doesn’t mean anything. it does not take away from you.

you are not uniquely unequipped for life. a lot of people struggle with things that should be simple. a lot of people can’t keep to schedules, or forget important tasks, or just plain need help sometimes. we’re social animals. there are a lot of skills involved in making it to the end of the week, and not everyone gets taught them all, or even the same ones.

you are not uniquely tortured. sure, your exact experience might be strictly yours, but broadly speaking? there is a name for what you’re experiencing. there is a community. if it is distressing you or harming your daily function, there is help. you are not alone.

you are not a unique specimen of humanity.

[mionkings]

The Deep Lands 🏕

Amity Park is strange; even without the ghosts' destruction, the ectoplasm is enough to change and make things strange. The residents just as eccentric and weird. But they can be friendly when they want!

However, the national parks near or in Amity Park are terrifying.

People disappear mysteriously to never be seen again without explanation or are found eventually either dead or alive in the most unexpected places ands strange circumstances.

Those that do come back, become different. There is no true explanation.

Amity Parkers or Ghosts take notice that there is just something— ancient and primal deep in the mountains, where stone and trees older than humanity bleed with energy of even the most deepest parts of the Infinite Realms. It is enough to ward ghosts to indulge in their obsessions away from nature and into Amity Park, something familiar.

Has the land changed with them? Or has it always been there, untouched until now?

For when Phantom flies by the large vaste land, he takes caution. Entering in with the respect one would have towards a home, or rather a haunt.

It calls to him.

[horsegirlhob]

Generally speaking I don't like to talk about really nuanced things on tumblr cause I think giving my two cents on the discourse of the day will just make people angry at me and ultimately make me feel worse. But god sometimes I really want to give my two cents on the discourse of the day.

[curiosity-killed]

i love my sister and for the most part, we are very close and genuinely like each other a lot but the one place where i'd just really, really, really like to see inside her brain is the part where she is still incredibly comfortable and cheerful—and even thinks it's really funny—talking about how much she didn't like me as a child while I'm like. yes. I am and was aware. and it sucked so so so much

[cakemoney]

i don't want to put my uninformed foot in my mouth or get involved with the Discourse but i've been seeing the two extremes of reactions to the korean low birth rates issue (on tumblr and twitter both) and i'm just kind of like. look. i feel like "low birth rates (in many countries but especially japan and korea as part of this conversation) are more broadly the result of capitalism/a culture of overwhelming overwork that makes social relationships and having families incredibly inaccessible to young people" and "low birth rates are very much a part of the current conversation about misogyny and social expectations for women in korea especially in the context of reproduction as 'unpaid labor' for women" are statements that can both be true

[chocymilksailor]

i love being fictional but in real life actually. like my identity being inherently rooted in """fiction""" and yet boom here i am . a fictional creatura. an embodiment of having passed thru many existences that many would consider fictional. oooooooooooo the bleed between reality and fiction. anyway

[beemovieerotica]

struggling with how to word this, but putting it out there anyway:

i can fully understand the posts on here from a lot of americans being tired of "vote blue no matter who" posts when the #1 thing that people are constantly (and sometimes only?) addressing is how the republican party is going treat trans/queer people if elected.

it's part of an unfortunate pattern of prioritizing the effects on a demographic that includes white + upper class people, when people of color and those in the global south are actively and currently being killed or relegated to circumstances in which their survival is very unlikely

it is genuinely exhausting to witness this, and i was also on the fence about even participating in voting because i a) felt like it didn't matter and b) every time i voiced being frustrated with the current state of the country, white queer people would immediately step in with "but what about trans people!" -> (i am mixed race trans man)

and i say this with unending patience toward people who do this, because i know that it's not something they actively think about. but everyone already knows how the republican party is going to treat queer people. you are probably talking to another queer person when you bring up project 2025. the issue is that, for those of us who aren't white, or for those of us who are but who are conscious of ongoing struggles for people of color worldwide, the safety of people around the world feels more urgent than our own. that is the calculation that's being made.

you're not going to win votes for the democratic party by dismissing or minimizing these realities and by continually centering (white) queer people.

very few people on here and twitter are actually talking about issues beyond queer rights that concern people of color, or how the two administrations differ on these issues instead of constantly circling back to single-issue politics. this isn't an exhaustive list. but these are the issues that have actually altered my perspective and motivated me to the point of committing to casting a vote

the biden administration has been engaged in a years-long fight to allow new applicants to DACA (Deferred Action for Childhood Arrivals, the program that allows undocumented individuals who arrived as children to remain in the country) after the Trump administration attempted to terminate it. the program is in limbo currently because of the actions of Trump-backed judges, with those who applied before the ruling being allowed to stay, but no new applications are being processed. Trump has repeatedly toyed with the idea of just deporting the 1.8 million people, but he continues to change his mind depending on whatever the fuck goes on in his head. he cannot be relied on to be sympathetic toward people of hispanic descent or to guarantee that DREAMers will be allowed stay in the country. biden + a democratic controlled congress will allow legal challenges to the DACA moratorium to gain ground.

the biden administration is open to returning and protecting portions of culturally important indigenous land in a way that the trump administration absolutely does not give a fuck. as of may 2024, they have established seven national monuments with plans to expand the San Gabriel Monument where the Gabrielino, Kizh / Tongva, the Chumash, Kitanemuk, Serrano, and Tataviam reside. the Berryessa Snow Mountain is also on the list, as a sacred region to the Patwin.

i'm recognizing that the US's plans for clean energy have often come into conflict with tribal sovereignty, and the biden administration could absolutely do better in navigating this. but the unfortunate dichotomy is that there would be zero commitment or investment in clean energy under a trump-led government, which poses an astounding existential threat and destabilizing force to the global south beyond any human-to-human conflict. climate change has caused and will continue to cause resource shortages, greater natural disasters, and near-lethal living conditions for those in the tropics - and the actions of the highest energy consumers (US) are to blame. biden has funneled billions of dollars into climate change mitigation and clean energy generation - trump does not believe that any of it matters.

i may circle back to this and add more as it comes up, but i'm hoping that those who are skeptical / discouraged / tired of the white queer-centric discourse on tumblr and twitter can at least process some of this. please feel free to add more articles + points but i'm asking for the sake of this post to please focus on issues that affect people of color.

[avelera]

Okay so I recently got low-key obsessed with Jayvik and I’ve been liking your posts about them (top tier analysis btw). Anyway I’m curious about your opinions on a couple of things:

If Jayce’s love language is physical touch, what do you think Viktor’s love language is?

What do you think the Anomaly actually is? My headcanon is that it’s caused by all the paradoxes/timelines that Mad Wizard Viktor keeps making, but idk why it would only be under the Hexgates.

Hmm, when taking into account that the love languages thing is basically horoscopes for real people, but they may have informed how the characters were written, I'd say:

1 ) I completely agree that Jayce's love language is physical touch. That much is obvious.

Viktor's love language is Quality Time - that would explain why he starts getting irritated and hurt with Jayce near the end of S1 and why he's so moved and touched by them solving equations and spending time together pre-time skip. Actually, so much of Viktor's attitude towards Jayce is explained by him seeing Quality Time as a love language it's actually making me a bit dizzy, I need to think about this a lot more because I think this might have cracked something for me...

2 ) Hoooo boy, I actually have an answer for what the Anomaly is in my mind, but it's a lot less character driven and a more metaphysics driven because I was feral about Arcane S1 before I had anyone else to talk to about it online and I've spent a lot of time thinking about Hextech and Shimmer. OK, here goes:

Hextech is an axiomatic (lawful) channeling of forces of nature, namely magic. However, magic to stay pure and reliable requires an anarchic (chaotic) AND the axiomatic (lawful) balancing act for each use of its power if it's to stay "pure" and reliable. Otherwise, you invite chaos in. Namely, the Anomaly.

In addition, every use of magic/the Arcane puts off a certain amount of "car exhaust" for every use, this allows it from a Doylist perspective to be a climate change metaphor but it does go deeper than that and follows its own magical rules. If you look closely, overuse of Hextech always puts off smoke. Early uses don't do so as much, though. In my opinion, each puff of that "smoke" adds to a potential Anomaly.

Now if you're good at magic, and skilled with it, say if you're good mage, as seen with The Mage / Viktor in 1.02, you make a point of scooping up up all the exhaust from any use of rune magic and pouring it back into the spell.

Look at how the mage scoops up all the exhaust coming out of the spell here and weaves it back into the spell!

Hextech doesn't bother to do that! Because Jayce doesn't fundamentally understand that advanced level of magic! He just keeps calling on its energy without dealing with the output of smoke/chaos/Anomaly fumes so it's just hanging in the air.

By the way, all the smoke in Arcane is hand animated so to my eyes, all smoke actually matters. I'm actually a little bummed that S2 didn't go deeper into explaining the smoke that comes off of some uses of the Arcane but not others but I'm assuming they'll delve more into in future shows because The Arcane Is Awake Now, thanks to my brilliant science boy dipshits.

The cleanest, clearest use of Hextech we ever see is the first time the science boys use it to float:

I draw a few conclusions from this:

1 ) The first hit is always free - first time you use magic, magic is happy to help you out! It will do the thing you ask! No consequences!

2 ) Magic gets more and more angry the more times you use it. Actually, by the time we get to Vi using the Atlas Gauntlets repeatedly in S2, there's a little puff of smoke every. time. she uses. them.

3 ) Magic requires some balance. Breaking a window before it let the boys float? Cool, that's balance. But if you just have it doing the same constructive motion over and over, like sending out airships, but you don't let it break some things too? It gets annoyed.

4 ) If it doesn't get applied in a balanced way, magic/the Arcane gets mad. Ekko compared the Arcane's frustration to a sigh. That smoke? Is the sigh. Again, first time you use Hextech, magic which is at least semi-sentient, is MORE than happy to help! The more you keep demanding repeated axiomatic actions, the more it sighs in anger.

Then we get to the crux of your question: what is the Anomaly?

The Anomaly built up at the base of a tower stuffed full with polished, axiomatic, reinforced Hexgems that do one constructive task over and over and over again all day, every day: safely send ships from one place to another.

The Anomaly builds up from the frustration of not allowing magic to be free. Jayce is an axiomatic thinker, he sees magic as a tool, not as a force of nature, so he's been channeling it super precisely and not scooping up all that extra exhaust and channeling it back into the magic and that means it builds up this... pearl of an Anomaly which is all this wild magic with tons of chaotic potential that can do basically anything, including time and dimensional travel but it's gonna be super weird about it.

Soooo... thanks for giving me the chance to yell about Hextech, hope that was sort of what you had in mind!

[coquelicoq]

how to write a sympathy card

so someone you know recently lost a loved one and you would like to extend your sympathy, but you have no idea what to say. here are some ideas to get the juices flowing. i did not even try to keep this short, so i've broken it up into four sections: general advice, what to include, some example cards i've written, and takeaways.

general advice

first, if you're reading this i'll assume that you have decided to express your sympathy in some way and just don't know how. the thing about doing this is it will always feel inadequate. it will often feel very awkward. you may be worried that everything you say sounds weirdly insincere even if it isn't. i'm here to tell you that that is all okay and normal and to be expected. i've written a lot of sympathy cards and afterwards i've never been like "wow, i nailed it!" and yet i've gotten a lot of comments from people thanking me for showing up even when all i did was send a measly insufficient card, because most people don't do that. it will mean something to the person that you did it at all, even if it's not perfect.

should you send your sympathy in a card or some other method? if you never send mail, if you don't have their address, if you don't even own stamps, maybe sending a card is not for you. but everything below also applies to an email you could send. i personally prefer a card because i like the physicality; it's something they can keep and look at later if they want to, and it's a way of showing a small amount of deliberation and care (i went to the store and picked this out; i sat down and handwrote this). more importantly, i feel like there's less pressure to respond to a card than an email, and a phone call can be overwhelming to someone who is already dealing with a lot of shit, while a card is just there whenever they feel up to looking at it. but that is entirely my own perspective; there are differences culturally as well as personally. you should do what makes sense for you.

do think about what you're trying to accomplish by sending this card. you may not be able to make things better, but you are certainly trying not to make things harder. one example of this might be: if your friend has just lost her mother, you might have a lot of complicated feelings about this that aren't really about your friend or her mother specifically (you also have a mother!), and that's natural and okay, but those feelings would perhaps be best to share with other friends of yours who didn't just lose their mother. another example: it's okay to be worried about your friend and how they're doing, but try not to imply that they owe you updates or that they're causing you a lot of stress by not keeping you in the loop. (of course, if they are instead sharing more with you than you can handle, it's important to set boundaries around that! though probably not through the mechanism of a sympathy card.)

it is okay to keep it really short and generic. again, i think just the act of thinking to get a card, getting a card, writing something in it, and mailing it already means something regardless of what is written in it. if you feel overwhelmed trying to figure out what to say, it is okay to keep it to "I'm thinking of you in this difficult time. I'm so sorry for your loss." i also sometimes add "I don't know what to say, except that [I'm thinking of you, etc.]."

one thing i've learned that makes this harder is that you cannot assume you know how anyone else feels. you may be thinking, "i also lost a parent, so i know how it feels," but you only know how you felt about it. there are infinite ways to feel about losing someone, including:

sadness for the deceased, that their life is over

sadness for themself, that the deceased is gone

sadness for the other people who lost the deceased

fear of their own mortality

fear of dying in the same way

fear of how their life is going to change without the deceased

relief that the deceased is no longer suffering

relief that their caretaking duties are over

relief that the deceased can no longer mistreat them

anger at the deceased for dying or for not doing something before they died

anger at god

anger at others/self for contributing to their death or not saving them

overwhelm from all the logistical things there are to deal with when someone dies

overwhelm from all the emotions

confusion at their own reaction

guilt for outliving the deceased

guilt for not feeling sadder or for feeling other things in addition to sadness (or for being numb/in shock)

this is an incomplete list!!!

i try not to project onto my friend or put words in their mouth, because it can be very isolating to be told how other people think you should feel if that's not exactly how you feel. because you're sending them a sympathy card, there is some baseline assumption that there is something to feel sympathy about. but beyond that i try to be careful not to get super specific about how "you must be feeling" or how hard "this must be". generally i try to avoid the word "must" because it implies that there is a certain way this is supposed to go, when there isn't.

if i know that they are struggling in some way but haven't talked to them much about it, i personally usually feel okay saying "Loss is hard" or "It's hard to lose someone", which might seem similar to "This must be hard", but avoids the word "must" and the direct reference to their situation ("loss" in general vs. "the particular instance of loss you are experiencing"). if i don't know much at all about how they're doing, i might say "Loss can be hard", which presumes even less, or i might not directly mention the difficulty of loss at all.

but also, it's okay to be more specific and personalized if you have been in contact with your friend as they've been processing the situation. it's good to acknowledge specific feelings that they've told you about, but try to also leave room for other feelings and/or ways their feelings might have changed.

what to include

here are some categories of sentiments you may want to include (all optional!):

thinking of you: even though it's kind of self-evident that you're thinking about them, this is something that is always appropriate to say and always nice to hear. examples: You're in my thoughts. I'm thinking of you often.

wishing you comfort/support: comfort and support are very safe things to wish somebody because they don't assume anything very specific about how they're feeling, and they express care for their wellbeing without putting pressure on them to be fine. I hope you can find moments of comfort in the coming days. I hope you're feeling supported by friends and family.

sorry for your loss: this is one of those things everyone knows is a stock phrase, but it's the kind of stock phrase that imo actually communicates something, so i do generally use it. I'm so sorry for your loss.

my heart goes out to you: this stock phrase is a little iffier, meaning it can be kind of a toss-up on whether or not it will sound insincere. it might depend on how close you are to the person. use your discretion. again, even things that sound insincere to you can still mean a lot to the recipient. My heart goes out to you. My heart is with you.

i'm here for you: offer logistical and/or emotional support if you want to and if you're reasonably sure that you could provide it. if you're able to be specific, that can be very helpful; one thing that can be overwhelming in the aftermath of a loss is dealing with lots of people wanting to help and having to come up with ways for them to do that. Please reach out anytime if it would help to talk about it. If you ever need to be distracted, I'm good at that! I'd love to bring over some food/help out with chores and errands; I'll text you to see if that would be helpful and not disruptive.

prayers: if you and the recipient are both religious/spiritual and it feels right to say, you could say "I'm keeping you in my prayers" or similar, in addition to or in lieu of "I'm thinking of you." if you are religious but the recipient isn't (or you're not sure if they are), i suggest not saying this, but use your judgment. some people don't mind hearing that someone is praying for them even if they don't believe in prayer and may in fact expect you to say it if you are known as someone who often expresses care through prayer, but for others, this can be actively offensive. i would say when in doubt, stick to "thoughts" instead of "prayers". You're in my prayers. I'm praying for you.

there are many ways to grieve: this one is harder to describe, but i like to include something that validates whatever the recipient may be feeling, despite not knowing how the recipient is feeling. the downside of a card is that it's not in real time, so you really have no way of knowing how your friend is feeling when they read it, even if you talked to them previously and know how they were feeling during that conversation. so i like to, in addition to not assuming any particular emotions, make space for the fact that their emotions may be shifting in ways that are confusing or distressing. but you have to be kind of vague about it, because you don't even know if that's happening. I hope you have the space to grieve in whatever way you need to/is meaningful for you. I hope you're getting through this time in whatever way is best for you.

you may want to express your own grief over the loss of this person, if you knew them. i think this can be comforting for the recipient to hear, but i suggest keeping it brief and not overwrought. the last thing you want is for your friend to feel they have to manage your emotions in addition to their own. if you can, do the below instead of or in addition to this.

now i will share my LIFE HACK!! for the very best thing to put in a sympathy card. this will not always be possible, because it relies upon a) you yourself having a relationship with the deceased (which is not always the case) and b) you being able to remember things (which i often cannot, especially when i'm sad). but if you can, i highly suggest something along the lines of the following.

say what you will remember the deceased for. (I will remember them for their wry sense of humor. I will remember them as a compassionate/driven/curious person.)

give an example of a memory you have of them in which they exemplified that characteristic.

if you can't do both, it's also good to do just one and not the other. if you have a favorite memory but it's too hard to think of adjectives to attribute to them, just share the memory. if you tend to think of them as [positive adjective] but no specific evidence is coming to mind, that's okay, this isn't a debate. in general it is comforting to people to know that they are not the only ones who will remember their lost loved one.

example cards

i will now give some examples of cards i've written. these all feel really awkward and inadequate to me, and you can see i didn't always stick to my own advice! but they were all deeply appreciated.

[to my coworker. i didn't have much detail except knowing her dad had been in the hospital a lot, and she was sad that he died]

I was so sorry to hear about your father. It seems like the last few years have been hard on your family, and loss is especially hard. I hope you are able to take the time you need to be with your family and cherish your memories of him together.

[to my friend's mother after the passing of her husband. i knew from talking to my friend that her mom was struggling especially with outliving him, because she was sick and had expected for a long time to die before him]

I'm thinking about you and [friend's name] a lot. I'm so sorry for your loss. Losing someone is so hard. Adjusting to their absence is, too. I hope that you're finding moment of comfort and feeling supported by friends and family. He will be missed. I will remember him for his wry sense of humor; I still have a "card" from him on my fridge (he cut out a sample "thank you" card greeting that said "The smallest good deed is better than the grandest intention" from a list of things to write in different kinds of cards (a sample message for a "Get Well Soon" card was on the back, crossed out) and simply added my name at the top and his name at the bottom. It's one of my favorite pieces of mail I've ever received and it's been on my fridge for many years). I am so sorry that he's gone. You are in my thoughts and my heart goes out to you.

[to my close friend and her husband i don't know as well, after a late-term abortion for a baby they had been very excited to raise. in this case i knew some of my friend's feelings, but not her husband's, and while i knew that many things about the pregnancy had been hard (lots of waiting for test results about the viability of the fetus, for one thing), i didn't want to imply that the decision to abort was hard, because my friend said it wasn't]

I'm thinking of you both lots. I'm so sorry for the loss of your baby. It sounds like it's been a difficult and fraught process, and I hope you're getting space and time to grieve and to come to terms with the loss. I hope you're getting whatever kind of support you need. If there's anything I can do to help, whether logistical or emotional, please let me know. I would love to be of service to you. I wish I knew what to say. You've just had such a fantastically shitty year. I do believe that things will get lighter for you both, and I hope that happens soon. Take care, and know you are cherished.

[to my grandmother after the loss of her estranged brother, when i was extremely unsure how she was feeling about it and had my own complicated emotions]

I just wanted to send you a card to say I'm thinking of you. Mom let me know about Uncle [name]. I know things had been strained for many years and I haven't seen him in a long time, but I'm sorry to hear that he's passed. I hope that you and [grandmother's sister] are able to reminisce in whatever way feels appropriate and meaningful to you. I'm not sure what else to say, other than I'm thinking of you, I love you, and I'm sorry. It was really nice to see you at [family member's] graduation the other day. The next time we're together, I look forward to giving you such a big hug! I feel very lucky to be your granddaughter and to have you in my life.

[to my grandmother after the loss of my 38yo cousin, which was hitting me really hard]

I don't know what to say, but I just wanted to tell you that my heart goes out to you and that I'm thinking of you, and [cousin], and [uncle], and [father], every day. It's so hard to lose someone, and I'm so sorry for your loss. My grief is a strange animal that sneaks up on me at the strangest times. I hope you are finding moments of comfort and feeling supported by friends and family. I'm looking forward to the day when I can hug you in person.

[to my close friend on the loss of her father after a long illness. she had been leaning on me for support, as another person who has lost someone after a long illness]

I'm thinking about you lots. I hope you're getting through this time in whatever way is best for you. Loss is hard even when you know it's coming and even when you get to say goodbye. I hope you are finding comfort and feeling how loved you are. He was a special person, and I'm so sorry he's left you. I know part of him will live on in you and the other people who learned from and admired him. It's still so hard to lose him, and grief is a strange animal. Take care. Reach out anytime. I love you so much.

takeaways

it will probably feel inadequate to you, but chances are it will still be appreciated.

remember that though you may not be able to make things better, you are trying not to make things harder.

it is okay to keep it really short and generic.

you cannot assume you know how anyone else feels. there are many ways to grieve. that said, it's nice to acknowledge any specific feelings your friend has expressed to you, while also leaving room for other feelings you may not know about.

if you want to offer support, it can help a lot to be specific in how you are able and willing to help.

it is usually comforting to people to know that they are not the only ones who will remember their lost loved one.

even if you do it awkwardly, just the act of reaching out is meaningful! people don't know you're thinking about them unless you tell them.

and remember to take care of yourself, too! watching friends lose loved ones can be hard for you as well for a variety of reasons. reach out to other friends for support when you need it.

[astro-royale]

What may save you..according to your rising sign…

Disclaimer, my opinion

Gemini Rising: the right kind of information. Especially information about navigating relationships, or advice from people you’re close to. Also maintaining your own personality in relationships.

Cancer Rising: Developing resilience and creating healthy habits to cope with your emotions, also Discipline. And doing things you know you have to do without excuses. Also communicate your needs directly, no need to manipulate people to give you pity. Just ask them to hold a safe space and be compassionate to you in that moment.

Libra Rising: Being confident about confrontation or creating separation if it means protecting yourself. Being around people which soothe your nervous system. I’ve noticed Libra risings can have anger issues , or suppressed anger they need to learn how to communicate in a healthy way instead of just blowing up at people or saying things they don’t mean.

Aquarius Rising: Not seeing people as lesser than you because they don’t know about certain topics or because they don’t do the things you do. And actually you may learn a lot from people you might usually avoid “basic people”. Just as you are unique, so are others. And maybe this is why you dislike people because this kind of perspective is making it hard for you to want to connect to others and acknowledge them as valuable. Also just have fun and try to enjoy the presence of other people more. Actively find things you like to fixate on rather than dislike, this will give you more of a balanced perspective.

Leo Rising: if you want attention, cultivate uniqueness and don’t look to others for inspiration all the time. Many Leo risings put people on a pedastal I’ve noticed. Become a leader and focus on carving your own path and individuality rather than always looking for “inspo”. You already are it, but take time to explore what your “It” factor is and find your uniqueness.

Scorpio Rising: my love, don’t wait for your external reality to give you stability. Go within. You are the shaman, the warrior, the truth the world needs. Go within where all your answers are. Faith and inner stability is what will give you the strength you need. No one will save you except yourself. Radically accept that your external reality will have ups and downs, and cultivate stability within. Also, indulge in some “Light” things to keep you balanced.

Sagittarius Rising: Just be honest with people bro. But do it nicely, that way you’re always going to maintain connections authentically. Dont be afraid of telling the truth because it will cause you to move else where. You’re meant to be a seeker but also to connect with people, and maybe you have big crowds you want to reach , but start off with your community. Share and try to inspire your community first, and if you can’t do that, create a community and inspire them and yourself.

Taurus Rising: Connecting with people who have spiritual values rather than materialistic. Connecting to people who don’t have something tangible to offer or just have a “use”. Connect to people your heart and soul yearn for rather than what your ego yearns for. People who can’t give anything but their heart, soul, experiences.

Aries Rising: If you want to confront people just apply for a sport. Take your energy out physically. Boxing, judo, basketball. Just anything to help you let out some steam so you can have a clear head and judge people from a balanced point of view.

Virgo Rising: chill with some artists. Or if you’re the artist, create some art. Do something to let you unwind and feel free and where you won’t judge yourself. Visiting museums and places where art and information are combined may be useful. Learn to balance play and work. Writing will help you more than you realise. Unconditional love affirmations.

Capricorn Rising: Therapy. You need someone to help you understand your feelings. Even a life coach to help you balance out work and play. Similar advice to virgo rising. You guys unconsciously rant to people and then all your feelings come out, but you don’t realise it. So try to become conscious about your feelings and when you can and when you can’t communicate them.

Pisces Rising: Have people in your life you feel like you can always count to tell you the truth and to help you see objective reality. But also try to organise your information so you won’t feel overwhelmed by it. Deffo organising will help.

[jadenvargen]

If I want to study someone's art or style, how do I do that? Like where do you even start when looking at an illustration that they made 😭thank you!!!

Here’s stuff i think about. i don’t do that many style studies, so idunno how helpful it is! pls sound in tha comments if anyone has tips:) 

Pinpoint what stuff you like, and focus on that. Focus on technique rather than exact replication, for example ( just first thing comes to mind) if you like rostov’s disco elysium cover art and want to study it, don’t just repaint the image, find what’s key in the style. looseness, maybe? then, instead of copying the image with your technique, try to apply the same looseness. (feat. shitty 5 min sketch plz dont judge example of how i normally approax paintings, versus a study. ALSO not to say u CANT do this it's just how i would study, myself. )

That being said, don’t force yourself to make art decisions that feel unnatural to you. a lot of the time artists make decisions based on their weaknesses as well as strengths. I do very shaky, hatchy lineart because my hands are very shaky. I focus on painting what I* feel is important and fun. 

Instead of copying a style from a picture, look at a variety of pictures and find technique. For example a lot of people redrawing a screenshot in “sailor moon style” or “ghibli style” will draw… let’s say, an old man, looking like a usagi because that’s the screenshot they looked at, instead of watching what stylistic choices for example takeuchi made when stylizing an old man. So the “studies” end up homogenous. I personally find it unproductive to replicate a painting for purposes of study, but like focusing on individual elements. say you like egon schiele, replicating whole paintings at a time IMO isn't gonna do much, but maybe you can set out on a series where you sketch copy his hands or feet from different paintings, and then try stylizing your own hands the same way? Or maybe your fave artist draws moonlight like a blue stream, or a red one? Try applying only that light to your paintings.

You could also color pick or look at the colors they make and paint whatever you want with those same colors, to understand how they work together and what can be done with them.

Also, if you can, look at their influences! Everyone learns art by seeing others art. Chances are they saw art they liked and picked from there what elements they enjoyed. Looking at the inspiration can help make some of the techniques more obvious.

Basically focus less on copying(not that copying is bad- but not always helpful for studying), and more on what you like. If you find what you like, you can work from there and try to think about your own art from the same perspective.

IDK if this helps as i said, feel free to add onto^_^

[theastrohub]

mars and relationship conflicts ♂

mars represents your drive, the way you assert yourself, your ambition and primal energy. mars in relationship analysis' indicate how you assert yourself interpersonally, how you navigate emotional conflicts and your level of emotional intelligence.

here's a breakdown of my opinion on how each mars sign handles conflicts in interpersonal relationships, jerk reactions to problems, and how they resolve interpersonal issues.

一

♂ mars in libra 一

emotional intelligence rating: 7/10

the mediator. compromise is your best friend and worst enemy in relationships. you avoid making firm stances initially. when your partner makes a one-sided decision, you mitigate tension by calmly explaining your frustration and proposing a more balanced decision-making taking into consideration both parties needs and wants. diplomatic and assertive at your best, passive aggressive and conflict-avoidant at your worst.

一

♂ mars in scorpio 一

emotional intelligence rating: 8/10

you handle conflict with calculated precision, often seeking control and capitalizing on any power dynamics or heirarchies, sometimes creating them as you see fit. your knee-jerk reaction to feeling slighted in conflict is to internalize anger or retaliate underhandedly or even at a later date. you resolve issues through deep emotional transformation and eventual confrontation when you are ready and in control of yourself. intuitive and methodical at your best, vengeful and controlling at your worst.

一

♂ mars in sagittarius 一

emotional intelligence rating: 3/10

you approach conflict with a blunt honesty and a desire for independence (especially from the truth). you are more reactive and impulsive than other signs but it's because direct conflict is restrictive to how you assert yourself. you resolve your issues through gaining understanding of complex situations by sitting down with your partner or friend and exchanging perspectives. you have an adaptable mind and your pursuit for freedom in turn makes for someone who easily escapes any mental prisons or lingering resentment from conflicts. understanding and philosophical at your best, flighty and rude at your worst.

一

♂ mars in capricorn 一

emotional intelligence rating: 7/10

the master strategist. much like mars in scorpio, you prefer to stay in control and on top of situations and conflicts in your relationship. you are extremely level-headed and it takes a lot to get you out of character. when faced with conflict you are composed, as you understand that it is important to still approach situations with others with respect and order. you resolve issues in relationships by applying practical solutions and playing the long-game, like doubling down on your values and outworking your partners and friends. collected and strategic at your best, calculated and cunning at your worst.

一

♂ mars in aquarius 一

emotional intelligence rating : 7/10

in conflict, your initial reaction is to distance yourself emotionally and do your own thing. while you do not outwardly display your emotions, the logical solution for any conflict you face with people is to not show your sensitive side, thus rebelling from the norm. when you regain mental clarity, you come back with solid solutions in your ideas and focus on the big picture and positive changes in your interpersonal goals. much like mars in libra, you are an advocate for the needs of everyone you care about as a whole. innovative and pragmatic at your best, detached and unreachable at your worst.

一

♂ mars in pisces 一

emotional intelligence rating: 9/10

notoriously escapist, you retreat into your own world at the first sign of conflict as a means of preservation of your inner homeostasis. outwardly emotional and sensitive, you can have strong outbursts when angry or completely stamp out your needs. you resolve your interpersonal conflicts through using your strong intuition to read the room and find a solution that puts everyone at ease. much like libra, you value peace and being non-confrontational, often to your own detriment. emotionally intelligent and compassionate at your best, escapist and erratic at your worst.

一

♂ mars in aries:

emotional intelligence rating: 4/10

much like mars in sagittarius, your jerk reaction is to take charge in conflictual situations, and sometimes by brute force. you are not scared to exercise any power or authority you have in interpersonal relationships with the intent of neutralizing any inefficiencies. this can mean getting into fights, verbal and even physical. you can be hot headed but move on just as fast. you navigate conflicts through being direct about matters and not shying away from hard truths. assertive and forgiving at your best, hot-headed and combative at your worst.

一

♂ mars in taurus

emotional intelligence rating: 2/10

much like mars in capricorn, you are not easily upset by others as you are stubborn in nature. your initial reaction in conflict is to grit your teeth and stay put in your stance on matters at hand. you make for someone who is actually grounded in your approach to issues but at times difficult to talk to as you are rigid to the influence of others. conflict resolution for you looks like being firm about structure and adherence to rules and order for the benefit of all parties involved. reliable and calm at your best, stubborn and intolerant at your worst.

一

♂ mars in gemini

emotional intelligence rating: 3/10

sharp-shooter with your words, your jerk reaction to conflict is to debate, argue, slander and criticize, much like mars in virgo. on the other hand, you resolve interpersonal conflicts through encouraging conversations and mental adaptability of logical problem solving (what are we doing that isn't working?). conversational and flexible at your best, argumentative and slanderous at your worst.

一

♂ mars in cancer

emotional intelligence rating: 8/10

the nurturer, you are extremely emotionally intelligent, to the benefit of yourself and your friends and partners. while you are not afraid to show your pincers in conflict and can actually be quite mean, you know exactly how to appease the people around you. whether it be having a heart-to-heart or comforting others, you always seek to understand how people feel thus becoming a safe space in conflicts. people feel safe voicing concerns to you as your end goal is equilibrium of everyone's feelings. comforting and emotionally intelligent at your best, mean and abrasive at your worst.

一

♂ mars in leo

emotional intelligence rating: 6/10

notoriously proud, you are not conflict-avoidant but you do not appreciate any public interactions that are dishonorable to how you treat others. your jerk reaction in conflict is to fight back, especially when you feel disrespected, overlooked, or slighted. much like mars in aries, you need to time to cool off but unlike mars in aries, you do not forget how you were treated. you observe and listen as to not exacerbate issues while planning a mutually respectful conversation later to restore dignity of both parties. compromising and validating at your best, dramatic and prideful at your worst.

一

♂mars in virgo:

emotional intelligence rating: 4/10

the problem-solver in relationships. you approach conflict by finding practical solutions that meet the needs of all parties involved. you might be quick to criticize or nitpick, but you resolve issues through careful planning, attention to detail, logic, and precise communication of feelings. when you notice your partner is always late, you might suggest setting dates at more convenient times for both of you. adaptable and thoughtful at your best, critical and mean at your worst.

一

thank you for reading 💋

@astrobaeza

(signed - a pisces mars)

for more: [ paidservices ₊ masterlist ₊ tips ] // gif by @meshikiari9gifted

[misstycloud]

Haunted House

Ghost yan x ghost reader

TW: suicide mention

——————

It was with curiosity you stared out the window. A car had pulled up in the drive way. Through the car windows you sa two adults and three children in the backseat. Well, it was definitely not a maintenance company then. It always bothered you so when they came and meddled with your house; though it technically didn’t belong to you anymore you still considered the building as you home, and prison.

You watched as the kids ran out of the vehicle to inspect the house. You had to admit, they were rather cute. Before you hadn’t really thought about having kids and weren’t sure if you ever would, but now you found yourself wondering if you would have made a good mother. One always ponder about the choices out of one’s reach.

They seemed happy, the family of five. Perhaps you would be fine with them around.

“What are you thinking about, dear?” A voice interrupted your dazed thoughtfulness as your mood instantly soured.

“Nothing so you can leave.”

The man behind you sighed. “Do you always have to act like this whenever I’m around?”

You couldn’t bring yourself to look back at him, fearing that the sight of him would send you into a frenzy. “I do when you’re the one who ruined my life.”

“Ruined your life? We were happy together, in fact, I remember you telling me ‘I promise to love you even in death’ but I guess that doesn’t apply, not with the way you treat me.”

You nearly gasped at his audacity. The nerve some people had!

“What? Are you actually serious right now- you can’t be? The way I treat you? You want to talk about the way I treat you? You killed me!” You shouted.

You had turned around now. Your eyes took in the handsome man you had once called the love of your life. Despite the hatred for true actions and pain he caused you, a small part of you still felt something when you looked at him. Maybe it was affection? Maybe it was the anguished feelings of a happy life that could have been? You weren’t sure.

He stilled for a moment before speaking again. “I know, and I am sorry it had to go that way-“

“Had to? You weren’t forced to do anything. At least take responsibility for your actions!”

“I wouldn’t have had to do it if you had just stopped flirting with those other men.” It seemed like it was his turn to become angry. “Don’t think I didn’t see how you looked at them, how your eyes lit up when you saw someone you very clearly fancied.”

“Oh my- we’ve been over this a hundred times, they were just coworkers nothing more. Besides, they have wives and kids of their own!”

It didn’t matter how much you insisted, your (ex)husband did not relent in his accusations.

“That doesn’t mean they’ll be loyal. You have no idea what a treasure you are, many would do anything to get to have you.” The man twirled a strand of your hair around his finger, entranced by your beauty.

“Oh, like you, you mean?” You fired back.

“Stop that.” He said. “I don’t want to fight with you, we’ve already done enough of that. I did what I had to do and nothing will ever change that. Now we’ll be together for ever, even in death, just like we promised each other at the altar. I wouldn’t have it any other way. I hope that one day you will understand how deep my feelings for you go and see things from my perspective. I love you, I really do.” He turned to leave you to your lonesome. Before he left, he told you one final thing, “No one else will adore you as much as I, especially now considering no man will ever see you besides me. You’re nothing more than a ghost after all.”

The tear threatening to escape earlier finally welled up. You cried and wiped your eyes with you cold, dead hand.

——————

Just as you had imagined, the family did bring you a new sense of happiness. Whilst not exactly ideal, watching over(spyin on) the parents and the children made your days more fulfilled. They brought laughter and fun back into your undead life.

Unfortunately you weren’t able to look out for them unless they stayed in the house. It was a real pain in the ass, not being able to leave the building. If you could, you would have left decades ago- much to your (ex)husband/ dismay. You suspected he was relieved to find that you were both confined to your place of death. It meant you couldn’t leave him, which was his goal the entire time. He got what he wanted in the end.

After stabbing you out of jealousy, you died in his arms, crying and demanding answers to why he would hurt you. When you (surprisingly) woke up again, you were in the same position you had been when your life drained out of you. Your man was clutching you tight to his chest and he was stroking you hair. At first you had believed it was all a dream, then you thought you survived the whole thing. He was still petting your hair and rambling on how he loved you and how he would rather die than be separated from you. You hadn’t expected him to be so literal.

You were shocked when you had pulled away from him, only to discover a second version of him lying unmovingly on the floor next to you. Then you noticed the pool of blood spilling out from his neck, and the knife he stabbed you with in his hand. With disbelief you glanced back at the ‘living’ version of him. He smiled somewhat solemnly at you as you took in his too-pale skin and the large scar he had on his throat.

You tried not to think about it too much. No matter what he did, you would never forgive him for taking your life away from you because of his irrational fear of you cheating on him. Well, it was impossible for you to leave or cheat on him now. You were the only ghosts in the house and didn’t have the ability to take even a small step outside the front door.

Instead of spending your days avoiding him as usual, you now followed the family around the house. Mostly the children of course. They had the habit of getting into trouble whenever their parents weren’t around. You had forgotten how many times you had saved them from tripping or bumping their heads. You were lucky you could touch things in the real world for a short second. You couldn’t before so you assumed it was because you were a young and weak ghost back then.

The whole babysitting act also appeared to bother your husband, which you relished in. You remembered one day when he approached you after the family had left for the grocery store.

“Don’t you think you’re spending an awful lot of time with those children?”

“I like them so I don’t mind.” You answered and continued staring at the drawings they made that afternoon, right before begging called to get dressed and meet by the car.

“Well, I don’t think it’s right for you to do the parents job.” He sneered.

Rolling your eyes, you said, “Like I said, I don’t mind.” Your wanted to leave it at that but your (ex)husband had other plans.

“Sweetie, I will be honest; I believe your getting too attached to this family, it’s not good.”

You sent a glare in his direction. “What’s that supposed to mean?”

“What I mean is I think you should let them be. They’ll eventually move on whilst you’ll be stuck here. I don’t want you to get hurt.”

You scoffed at the audacity he had again. “A little late for that, don’t you think? This is the only source of happiness I have, don’t take anything more from me, please.”

“I don’t make you happy, then?” He asked, though his tone suggested he already knew the answer.

You could look him in the eye, choosing silence. He grumbled something incoherent. After another long minute of silence, he sighed. He did that a lot these days, you thought.

“Alright, my love. Continue to look after these living people if it brings you joy, but remember, it won’t last forever. I will be here when you’re done.”

Once more he left you alone to look out the window. Despite your will to disagree, you knew he was right. These people- this family- they were all still alive. You were not. Your time was over, your life stolen from you. It was only a question of when they’d leave. Until then, you’d be their guardian in this haunted house.

[bumblequinn]

hi @sourpatchsquids! thank you for your question.

as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)

but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:

changing expectations

the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!

my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.

when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.

so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?

with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.

with that in mind:

#1: work slower

when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.

instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.

i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!

now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.

doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.

however, if you're still feeling truly stuck, all hope isn't lost. you can still try:

#2: switch projects

sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.

this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.

the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.

what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.

but it doesn't have to stop there.

#3: switch focus

maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?

let's say i can't figure out what i want to do with the melody in one part of the song:

what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?

and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?

what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?

any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.

or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.

but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:

#4: learn something new

when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.

for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)

it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)

that said, since our shared focus is music, a few resources i would highly recommend are:

music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang

mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix

general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!

(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)

of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:

#5: consume art you love

not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.

but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.

and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.

what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.

as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.

none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.

and finally,

#6: rest, and live your life

let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?

take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).

it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.

i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.

when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)

before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:

be kind to yourself.

being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.

i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.

i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.

thank you for reading, and i wish you the best of luck in your creating.

with care, bee 🐦

[janmisali]

what do you think of tone indicators in general?

unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.

speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.

the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.

the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.

most of the tone indicators in current use uh. don't work like this.

tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.

and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.

it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.

sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.

in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.

however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?

so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.

also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult