#this also confirmed some story elements i was hoping for

[deep-love-fan-blog]

'Seven Bullet Gun (Demo)' by The By and By is on SoundCloud

Pretty sure this show is gonna blow my nuts off if anyone was wondering

[litlunacy]

Thinking about the implications of playing a Dalish Rook and dealing with actual elvhen gods and having said gods look at your face and see your vallaslin and like...just assuming they own you since they were originally slave markings. And extending that to Davrin and Bellara as well. Which led me down a hole of trying to figure out which vallaslin they both have (1. Because I am a sucker for anything Dalish related and 2. Possible story ramifications? Who knows).

Davrin seems to have a fairly straightforward Ghilan'nain vallaslin, though slightly altered from before, which isn't surprising. The blood writing has already undergone changes between Origins/2 and Inquistion (Regional variations I suppose? Would definitely make sense for Merrill's Ferelden clan and Quiz's Free Marcher clan to change them slightly. Anyway.) But he has the delicate curved branches on the forehead and the small chin design so I'm fairly confidant about that one.

But Bellara has absolutely stumped me. I kinda figured that since we got confirmation that it was Ghilan'nain and Elgar'nan at the end of the gameplay trailer, that since Davrin's is Ghilan'ain it would make sense for Bellara to have Elgar'nan's. But hers looks absolutely nothing like the previous versions.

So that's out. But it does bear a very very slight resemblance to the June vallaslin.

Or at the very least has a lot of similar elements, such as the cross-hatching, the double series of dots, and a focal point in the central forehead.

My only other guess is Andruil or Dirthamen, because the DAI versions of both of them also feature series of dots, and none of the other Vallaslin do from either Origins or Inquisition.

Maybe somebody will ask the devs for confirmation on twitter or in another Q&A or something. Because I am vibrating with curiosity.

(Honestly, since we're gonna be dealing heavily in this game with a lot of ancient elf stuff, I really hope we at least get a little bit more from Dalish characters about their specific vallaslin. Like, I wanna know why my party members chose the vallaslin of that particular god. You don't sit for hours in total silence as your Keeper pokes your face with a needle without putting some kinda thought into what's going to be on your face for the rest of your life.)

[felassan]

Shinobi602 comments on ResetEra:

"If Anthem was a runaway success, you'd be seeing a very different BioWare right now who'd be all in on the live service model. They're running uphill because they've got goodwill they need to earn back after the fact, but its failure (plus Fallen Order's success) is what allowed them to pivot right back to what they're good at: single player character driven RPGs. Silver lining but still." [source]

User: "I don't think its unreasonable to have hoped that a Dragon Age game would have similar gameplay to previous Dragon Age games." Shinobi: "Veilguard does have similar gameplay though, just not the exact same gameplay." [source]

"Open world doesn't automatically mean better. Inquisition's open world zones were basically Bioware's response to Skyrim and anticipating that's what players wanted. The big zones were cool but they were also bloated and full of uninteresting quests. Andromeda also took Mass Effect to huge open world zones and they had the same result. It was ass and the game benefited nothing from it. It's better for Bioware to stick to what they do best which is tighter, more structured play spaces." [source]

"they'll do what they think they're good at. Inquisition was highly rated, but the big open areas were also flawed. If they felt that's not what they'll excel at, that's fine. There ARE larger open areas in Veilguard though. If that's your very strict definition on what will make the game good apparently." [source]

"If you're sole definition of a Dragon Age game is that you can take direct control of companions and a tac-cam, it's understandable. But I think it's completely false that this is somehow unrecognizable as a Dragon Age game. There are tons of different aspects that define the series outside of that." [source]

"It's been evolving and changing for over a decade." [source]

"They did say there are some "killer cameos" they're keeping secret. My mind's going to several different possibilities..." [source]

User: "Yeah, they need to wrap up this story in this game. I'm already a little annoyed that we are getting another "the veil is torn and demons are wrecking havoc" story. They cannot stretch that to a third game." Shinobi: "It's a lot more than that. It's not a repeat of Inquisition or anything." [source]

"This might genuinely be the most in depth CC in a mainstream RPG that I've seen." [source]

"Yeah this is more like Inquisition, though you could still change out companion helmets in that one." [source]

"They did confirm tavern songs are back so that's good news, and The Swan (Minrathous tavern) has a bunch." [source]

"Yeah there's a good amount of veterans working on Veilguard. Though I always find that to be such a weird qualifier, and it seemingly always comes up with Bioware in particular. As if there aren't tons of talented non-Bioware devs from across the industry who could join the team and still write and design a great game. Like nah, it can't be a good game unless it's got people who've been there for 20 years! 😄" [source]

"There are also rune items you can equip that provide different effects and act as their own abilities basically, plus ultimate attacks for each class specialization (so 9 total), plus finisher moves and things like elemental combo detonations for extra damage." [source]

"there are definitely 'open areas' you can explore around in. It's not more linear than ME2." [source]

User: "Is my reading of "mission-based" it being like ME2/3 correct?" Shinobi: "Yeah, in that regard, it's more structured like Mass Effect, which I think is to its benefit. DAI just suffered way too much from open world bloat. I think the tighter, handcrafted structure works a lot better." [source]

User: "How big are the areas? Like the first game where you open the map and pick a location?" Shinobi: "Don't know exactly. But that's what I was told. There are several open ended areas that are explorable in the story. Plus a hub area." [source]

"I think if fans have been yearning for a quality Bioware game like they were used to before, this is that. Tight design, great character models, environments, animations have gone next level, combat fluidity, etc...it's all here. I compare it to the jump from ME1->ME2. [re: the jump in quality/fidelity/presentation.] This isn't a spoiler, as Game Informer said, it's a full on action RPG, and you can still pause and issue commands. But this is not DAO. Preferences put aside, Bioware's moved on from that ages ago. This isn't BG3 at all. But they've put a huge emphasis on making combat feel good to play. As in engaging the player, more real-time, more Mass Effect. It's a meaty, single player RPG with lots of systems going on inside. Also, like they said, this is the prologue, the beginning of the game. Keep that in mind if you don't see everyone's powers unlocked or intense pause and play. If you keep all that in mind, I think you'll really like this." [source]

"But it's a big jump for Bioware. [re: animations]" [source]

"[rogues are] flashy, jump around a lot, etc." [source]

"Party members can definitely get knocked out in battle" [source]

"It's important to note that what was shown was completely level 1 combat, and likely on easy mode for demo purposes. There is way more to it in more advanced battles. When it opens up with way more abilities, unique momentum attacks, ultimates, and other...things they haven't shared yet, on higher difficulties, it will look and feel way different." [source]

"It'll be rated M. It's got its share of nudity lol." [source]

User: "should we expect a comparable level of dialogue role playing as we had in Inquisition? I don't mind the changes to combat but there seemed to be more auto dialogue here than I remember from Inquisition or Tresspasser." Shinobi: "Yeah. That was just the intro. They just like to keep the pace going for a big start to the game." [source]

"This isn't accurate at all though, and it keeps getting perpetuated. Yes, there's been departures like Casey Hudson, Aaryn Flynn, Mike Laidlaw, etc, but I could easily list dozens of people at Bioware right now that have been there for 10-20+ years, some even longer. Do they just...not count for some reason? The entire core team building Mass Effect right now were OG leads on ME1-3, been there for over 20 years. And even outside of that, like, does this really matter? Do you know one of the game's premier VFX/lighting designers worked for ILM? Or one of the cinematic leads is an alum from Blizzard? Or one of the creature animators was a senior creature animator on Horizon Forbidden West? Talent is talent. And if we look at the industry through that lens too, sure, tons of studios are just "X, Y, Z studio in name", in many ways. There's no studio in the industry that holds on to their entire team for 30-40 years." [source]

"They do have that data. And I think even this thread would be shocked at how tiny of a % of players took direct control of other companions. Or went into tac-cam. Not just Inquisition but the whole series." [source]

[navybrat817]

What Happens in Vegas

Pairing: Bucky Barnes x Female Reader Summary: You get more than you bargained for when you decide to get married in Vegas. Word Count: Over 2.8k Warnings: Drinking, drunk wedding, accidental marriage, supernatural element, dubcon elements, soft!dark vibes, Bucky Barnes (he's a warning, okay?). A/N: I wasn't able to get all 4 birthday stories done, but I hope you lovelies enjoy the ones I plan to share. Here's 1 of 2! ❤️ Beta read by the lovely @whisperlullaby (thank you for spitballing), but any and all mistakes are my own. Thanks to @targaryenvampireslayer as well for letting me scream about this. Divider by the talented @firefly-graphics. Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

The fluorescent lights of the strip flashed as you stumbled along the sidewalk. Fast paced and surreal, the city that never sleeps offered a little something for everyone. Entertainment, architecture, adventure. While your intention for the evening was to grab a drink with some friends and nothing more, you decided to do something bolder. Crazier. Because what happens in Vegas, stays in Vegas, right?

“Goin’ to the chapel and we’re… gonna get maaaaaaried,” you sang, squinting as your guy, date, whoever he was, helped steady you. “Who or what was your name again? Randy?”

“That’s not my name. It’s-”

“Randy. ‘Cause you’re a rando,” you declared, making him laugh.

Forgetting the guy’s name should’ve been your first clue to call it a night and go back to your hotel. Randy was cute enough though and bought all of you drinks. When you told him most of your friends were hitched or close to getting married while you were still single, he joked that he’d marry you.

“Fuck it! Let’s get married!”

Which was how you found yourself on his arm heading to a chapel.

Your second clue to go back to your room should’ve been that none of your friends stopped you. Not a single one told you to stay or offered to go with you, which was strange. Not that each of you hadn’t done stupid stuff before. Letting you go off with a stranger though? In an unfamiliar city?

Bitches. All of them. Noooooo. I love my girlfriends. They’re just DRUNK, like me.

You did feel sad for a second. While your friends all had family who would’ve thrown a fit if they eloped or married a stranger, you didn’t. Your dad would never give you away. Your mom wouldn’t wipe her tears as she heard you say your vows. So who cared what you did?

You sure as hell didn’t.

“Here,” Randy said, pulling you toward a door. “This place is supposed to be really nice.”

“OOOOOOOOH. Reeeeeeeally nice,” you said, gasping once you stepped inside.

You expected cheesy decor to smack you in the face, but instead found yourself in a luxurious entryway. Sparkles of gold lined the sleek floor and walls all the way up to the high ceilings. The art depicted landscapes you only had the pleasure of seeing in dreams. The room almost had a glow to it.

Or maybe it's the alcohol blurring my vision.

A voluptuous redhead walked through a set of doors to greet you. Her heels didn’t make a sound as she glided across the floor. Glancing at Randy, you caught him adjusting the front of his pants. Was he drooling? You found it amusing rather than let it upset you.

“Welcome to the Enchanted Valley where all your dreams come true. My name is Natalia. How may I help you this evening?”

“We’re getting married,” Randy answered, though he didn’t glance at you.

“Is that so?” she asked, tilting her head as she turned her attention to you. The gold from the walls sparkled in her eyes as she waited for your confirmation.

Swaying a little, you gave her a two finger salute. “That is so,” you answered before you added, “Do you also do annulments?”

Snorting, she gestured behind her. “Before we get started, you must be at least 18 years old, must not be currently married, must not be kin, and I’ll need to see a government form of identification. As long as that’s clear, you’re free to proceed with your ceremony. Do you have witnesses?"

“No ‘cause my bitchy friends didn’t come here. I don’t even have flowers,” you said, hiccuping a little. “Don’t tell them I call them that. I love them soooooooooo much.”

“That’s just fine. I’ll ask James and Wanda if they wouldn’t mind witnessing this…” Natalia tried to find the word as her eyes darted between you. “Blessed union.”

Randy followed Natalia like a lost puppy into the chapel as he struggled to get his wallet out. “You single?”

Your eyes rolled in the back of your head. “Why am I doing this?” you mumbled, swaying as you dug your wallet out. “Why didn’t I just get a tattoo or something?”

“Because a ring on your finger is easier to remove than ink on your skin.”

“Holy fucking… fuck,” you said as you looked up. “Where did you come from, you… gorgeous specimen?”

You understood why Randy practically eye-fucked Natalia since you were doing the same with the man in front of you. His steel blue eyes reflected the gold of the room the same way the redhead’s had and you were scared you’d fall into an abyss if you stared for too long. His light brown hair had to be the softest you’d ever seen. If you had to guess, he was at least 6’4” with a broad chest and shoulders and didn’t have the audacity to button up his shirt.

Is his left arm made out of gold? Or is it painted gold? How drunk am I? Would Randy object to me giving this god of a man the ride of his life?

“I’m James,” he said, the timbre of his voice causing your knees to wobble as he held up a bouquet of colorful flowers. “I’ll be one of the witnesses for this blessed union.”

“Nothing blessed about it. I don’t even know the guy. But he said he’d marry me and I said ‘fuck it,” you giggled, taking a step forward. Your shoe caught on nothing. Nothing. You just fell forward.

And the beautiful man caught you in his embrace.

“Careful, beautiful,” he said as he helped you stand upright and placed the flowers in your hand. His touch warmed you as he ran his hands along your bare arms. “You would marry a stranger then? With no friends or family here?”

“You smell really good. How do you smell so good?” You said, putting a hand on his chest with a grin. “Friends are busy and I have no family.”

His brows furrowed and you wondered how pathetic you sounded. You weren’t looking for pity. “Did he give you any token of affection?”

“Mmmmm. You know, he didn’t. We don’t have rings or anything.”

James traced a finger along your cheek. “And he dares to call himself a man,” he whispered, tutting when you leaned into his touch. “Doesn’t seem like he's fit to marry such a delectable creature.”

Eat me up, James.

“It’s okay,” you said, hoping the sad feelings of alcohol weren’t about to hit you. It sucked being alone and you knew you’d come to regret this later, but who cared about tonight? “Do you have gold streaks in your hair? Why are you so pretty? It’s like you’re not even REAL.”

“I’m very real, beautiful,” he smiled, flashing his pearly white teeth as your cheeks got hot. “Do I have the pleasure of knowing your full name?”

“My full name? So formal,” you teased, giving it to him without hesitation as you ran your fingers through his hair. You should’ve asked permission before touching his soft hair. You shouldn’t have touched him at all. But logic left your mind the moment you stepped into the city.

James closed his eyes as he repeated your name, making it sound erotic and sensual. You liked hearing it on his tongue. “You will not marry him,” he whispered, opening his eyes. A ring of gold surrounded his pupils before it went away. Maybe one of the girls slipped a little something into your drink to help you relax more.

Whatever it is, I want more of it.

“Tell you what,” you smiled, booping his nose with a giggle. “If you object with good reason, I won’t marry Randy Rando. Deal?”

James smirked after a moment, a darkness clouding his eyes as he stepped back to shake your hand. “Deal.”

Before you shook it, you noticed a gold ring on the floor by his foot. Did he drop it? “Is that yours?” you said, crouching down to grab it. It wasn’t very dignified how your dress rode up, but he didn’t seem to mind. “Here.”

He didn’t take it from you. “It is mine, but do you not wish to keep it?”

You frowned, confused as you glanced at the band. It had some sort of lettering around the solitaire diamond that you didn’t recognize. “This isn’t ‘finders keepers’. It’s yours. It’s nice, but it’s rude of me to take it.”

With a low hum, he accepted the ring back. “There aren’t many who would return something of value,” he said, slipping it on his right pinky finger. “You have a giving heart.”

“Oh, it… It was nothing,” you said, shrugging a little to hide how badly you wanted to preen at his compliment.

I’m really acting like I’ve never seen a good looking guy before.

He kept an intense gaze on you as he slipped a hand into his pants pocket and pulled out a small stone. It would’ve looked like a normal pebble if not for the gold speckles. “I know this may not look special, but would you take this as a token for giving my ring back?”

Whaaaaaaaat?

“Um. Yeah. Sure. Thanks,” you said, tucking the stone into your purse before you selected a flower from your bouquet. “Would you accept this from me?” you asked, wanting to do something nice.

A pleased look crossed his face as he took the flower and inhaled. Your head spun a little. Something felt different, but you couldn’t put your finger on it. “Thank you,” he said, running his teeth along his bottom lip as he fixed the bottom of your dress. “You really are the most beautiful bride.”

“And you, James, you beautiful, gorgeous, sexy, god of a man, will make the hottest groom when you get married.”

“Hey!” Randy shouted from the chapel when James opened his mouth. “We doing this or what?”

Oh, yeah.

“Wish me luck!” you said, giggling as you went through the doors and not looking back to see if he followed. “Wow.”

It was as if you stepped into an enchanted forest. The colors of the room were lush and welcoming, a blend of evergreen and sage. Flickering fairy lights and flowers adorned the dark brown pues. Natalia stood in front of Randy and a slender woman you didn’t recognize sat on his side of the chapel. The lights were playing tricks on you again when she looked at you, her eyes a flash of red as she smiled.

That must be Wanda. And I’m never drinking again.

“Ready?” Randy questioned when you got to the end of the aisle.

How romantic.

“Yeah, I guess,” you shrugged, looping your arm with his as you held your bouquet. “Take it away, Natalia.”

“Dearly beloved,” she began.

Truthfully, you didn’t pay much attention to the ceremony as Natalia spoke. You didn’t question that she hadn’t looked at your identification card or confirmed anything else she named off. It probably wasn’t a real wedding ceremony. You weren’t going to be Mrs. Randy Rando.

Not when James is here. Wait, what?

“If there are no objections,” Natalia spoke, glancing over your shoulder. “Speak now or forever hold your peace.”

“I object,” James announced behind you, making you cover your mouth as you giggled. He did say he’d object with good reason. You wondered what he’d come up with.

“On what grounds?” Natalia asked, smirking as if she expected him to interrupt.

“Because she’s my wife,” he answered.

What the hell did he just say?

“What?!” You laughed louder as you spun around, falling against Randy with wide eyes.

"What's wrong?" He asked, barely holding you upright.

James walked down the aisle toward you, a gold shine covering him from head to toe. Pointy ears stuck out through his hair and his eyes had a hypnotic glow as he smiled at you, his teeth sharper than before. He looked like a beautiful nightmare.

Ready to eat you up.

“You can see me as I really am, beautiful, can’t you?” He asked, a melodic lift in his tone that was both sinister and alluring. “Glamour doesn’t work on mates.”

...the fuck?

“M-Mates? We’re mates? What does that even mean?” You asked, looking at Randy for help. His eyes had a glossy glaze to them, like he wasn’t seeing you. Was he in shock? Did he know what was going on? “Dude, snap out of it. Look at his gold skin! And his pointy ears!”

“She can see you,” Natalia said with pride. “Congratulations, Bucky. You’re finally married.”

“Thank you, Natasha,” James smiled, waving a hand at Randy. His nails looked sharp enough to claw through his skin. “Get rid of him. He’s crowding my bride.”

“I’m… I’m way too drunk for this,” you mumbled, your knees giving out. With unnaturaul speed, he made his way to the end of the aisle and caught you.

“Hey! That’s my…” Randy looked confused as he blinked. “Well, she's not my girlfriend, but. Huh?”

“No, she isn’t your girlfriend. She’s my wife. And when you wake up tomorrow, you won’t remember being here,” he said, nodding over to Wanda. “I’d wipe your memory myself, but I’m not letting my mate go.”

“The fuck are you…” he trailed off when Wanda waved her hand, a ball of red light floating in front of his face.

“You sleep now,” she said as the light touched his forehead, not bothering to brace his fall as he collapsed.

“What the hell?” You slurred as Natalia grabbed his ankles to drag him out of the chapel, Wanda on her heel.

“I wouldn’t worry about him since you accepted my hand in marriage,” James said, touching your cheek with a fond smile. “I’m sorry for not courting you longer, but we didn’t exactly have much time, did we?”

“We’re not married,” you argued.

“By Fae law, we are,” he explained as your eyes nearly bulged out of your head. Did he say Fae? “You returned something of value to me that I dropped, which was you saying ‘yes’ to my marriage proposal.”

“No,” you whispered. That couldn’t be true.

“You accepted my token of my affection, which was me pledging myself as your husband. And you gave me a token of affection in return, which was you pledging yourself as my wife.”

The stone. The flower. No. Fucking. Way.

“I don’t understand,” you whimpered as he propped you up in his arms.

“I wanted a bride, so I came here. You’d be surprised how much of my kind has infiltrated this city. We do love our realm, but your people are so easy to manipulate,” he said, gesturing to the room. “Gambling, drinking, strippers, quick weddings. You just throw your hard-earned money away like it’s meaningless. Your currency goes a long way where I’m from.”

“I want to go home,” you said as he tightened his hold on you, even stronger than he looked.

“You didn’t see me at the bar tonight, but I saw you. I knew you were destined for me,” he continued happily as if you didn’t say anything. “And when he suggested marrying you on a whim, I made sure your friends didn’t try to stop you and that your path led here. Don't worry. They're safe. I wouldn't harm them.”

Who is he? What is he?

You shook your head, surprised that you hadn’t gotten sick from how your stomach turned. “I’m not your wife,” you said, trembling when his entire body began to glow.

“You are not just my wife. You are my queen. Even if you hadn’t accepted my token of affection, I wouldn’t have let you marry someone whose name wasn’t worth remembering. You’re mine,” he said through his teeth, angry at you denying him before he took a breath. “My poor bride. A woman with no family and friends who don’t look out for her. You have me now. And you’ll be happy by my side.”

You bit the inside of your cheek, hoping by some miracle a bit of pain would wake you up. But the creature who called himself your husband wasn’t going away. “This is a bad dream,” you whispered, as if lying to yourself would help.

“Oh, my love,” he said in false comfort. “There are no bad dreams in the Enchanted Valley. And this isn’t the Vegas you know where you can simply write this off as a mistake. There is no divorce in my world. Well, your world now.”

“James, please,” you begged as your heart pounded.

“We’re married now, beautiful. Call me Bucky,” he smiled, smothering your protest with a kiss. Heat spread along your lips and flowed through your veins, wrapping around your heart like a vice. It was enough to suffocate you, but fate wasn’t ready to claim your life yet. “Now sober up. We have a honeymoon to start.”

I couldn't tag Bucky as "fae" without giving some of the surprise away! This idea was inspired by @adayka's beautiful art here. Maybe we can revisit this new couple down the road. Love and thanks for reading! ❤️

Masterlist ⚓ Bucky Barnes Masterlist ⚓ Ko-Fi

[queerly-autistic]

I've seen a lot of OFMD fans pointing at other fan campaigns recently, especially the failed campaign to save Anne with an E, and getting disheartened by what they see, and I think something that's missing in those discussions (particularly after the weirdly negative slant at the end of that Guardian article) is that not all fan campaigns are the same.

The campaigns to save shows that started out on Netflix (Warrior Nun, Sense8, Anne with an E, Shadow and Bone, etc.) are very different to what we are facing with OFMD, because Netflix is much more protective of its IP - and yes, they even hold the IP of shows that they've cancelled tightly to their chests and very rarely let them go. Some have been able to make the jump to different platforms, but not many, and it's actually pretty hard to do so (“For most shows, shopping away from Netflix is reportedly very difficult when Netflix owns the underlying IP”).

Because of this, fans of shows cancelled by Netflix are often campaigning directly for Netflix to reverse that decision, rather than campaigning to get it picked up elsewhere. Warrior Nun (I saw people panicking at the length of effort and the numbers they had to put in before they got their success) and Sense8 were both granted final films by Netflix to wrap up their stories after long-running successful fan campaigns - they were not saved by a different platform, and likely couldn't have been because of Netflix's strict grip on its IP. So comparing ourselves to fan campaigns for shows cancelled by Netflix isn't accurate or fair to us or to those other campaigns.

It's also worth pointing out that Anne with an E was a joint venture between Netflix and CBC, and that relationship appears to have fallen apart, which may have been a factor in its cancellation (see more at this tweet). This is also likely a contributing factor as to why, despite the campaign to save it being huge, it didn't get the reprieve from Netflix that other shows have received. That is baggage that OFMD simply doesn't have.

OFMD is in a very different position to many of the shows that were cancelled by Netflix and then went on to have fan campaigns around them, in that we have confirmation from HBO Max that they are happy for it to be shopped around. HBO Max is not holding a firm grip on the IP the way that Netflix does. We are able to try to find OFMD a new home. And that's a very different sort of campaign and trajectory than trying to convince the platform that cancelled us to reverse/amend their decision (I'd also argue it's slightly easier - nothing is certain, nothing is easy, but I think we have a better chance being allowed to look for someone else to pick us up rather than relying on the company that cancelled us to show us mercy).

Yes, some fan campaigns have had many more petition signatures than us (don't sniff at 80,000 signatures in two weeks, that's huge and fast), but that is only one part of the story. Petition signatures alone won't be the thing that clinches it. There are fan campaigns with hundreds of thousands of signatures that have failed, but there are also fan campaigns with way less signatures than us that have seen their show saved. There's so many elements at play, and every single one is unique. It's very tempting to play 'like for like' with these sorts of campaigns, but it's simply not a truthful reflection of the situation.

Every show is different. Every fan campaign is different.

We have every reason to be hopeful, and every reason to keep fighting. OFMD's numbers are good, it's already incredibly marketable to other streamers, and then ON TOP of that the fan reaction has been loud enough for a lot of people to take notice.

Yes, we're in a dip right now because that's what happens - every campaign has peaks and troughs because nothing sustains at the same level forever, and, again, it's only been just over two weeks and look at what we've done - but the impact we had, and the noise we made, happened at exactly the right time and kept happening for long enough to make an impression. A lot of things will be happening behind the scenes right now that we don't know about, and there's so many factors at play that we have no control over. It's a long game.

So don't look at other fan campaigns and be disheartened by what you see. Because what you see on the surface is nowhere near close to the full picture.

Even if we don't get our S3, lets celebrate the fact that we have made a huge impression, kicked up a huge stink, and been the thorn in the side of some people who absolutely fucking needed a couple of thorns in their side. And I think that's the best legacy that our rebellious little gay pirate show could possibly have.

[buckets-and-trees]

Warm Shadows - Carving Through the Dark (3/4)

Fandom: MCU Collection: Warm Shadows [ part one | part two ] Title: Carving Through the Dark Characters/Pairings: established Alpha!Bucky x f!Omega!Reader, Alpha!Steve x f!Omega!Reader Word Count: 14.4k

Summary: Worse than a nightmare because it's real, Bucky has to track down his kidnapped omega and the man - the super soldier - who had been his closest friend turned into the dark, rival alpha, Captain Hydra.

Content Warnings: DARK, a/b/o dynamics, angst, explicit smut, vaginal intercourse, consensual forced orgasm

Logistical Notes: Shhh - yes this was the final story update I had planned for the Dark Forest Fest and it's the first week of January! But. Well. The word count. But we're here now, okay? Title taken from Hozier's Who We Are.

Additional Notes: Okay, I know that I did a poll asking last month if folks wanted the final chapter split into two parts or just one long chapter and - er - I kind of did both. I did not split this chapter, but a couple of days ago I realized we needed a fourth and final part. Lastly, @biteofcherry has been an absolute lifeline during the composition of this chapter - thank you for putting up with my conjectures and letting me piece together some of the elements. And even a little thank you to @rookthorne for cheering and bullying me over how long this got.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

“I can’t help you,” Shuri states, though there’s the flicker of it almost being one final question of it in her eyes.

“No,” Bucky confirms. “No more than you already have.”

He knows she says it as one last opportunity for him to change his mind, but also in acknowledgment that he must do this on his own. They clasp hands and then he turns to walk up the ramp of the aircraft.

“James,” she says when he’s nearly gone. He turns back to look at his friend, one who has seen him at the best and worst of times. “Whoever he is now, he knows Bucky, he knows the Winter Soldier, he will have learned everything about the Soldat from their archives, so you must truly be the White Wolf. She knows the wolf, but he does not.”

He nods and then walks further into the aircraft, leaving Shuri behind.

After you’d been violated and taken from him, Bucky had lain in anguish until just before dawn, raging over the loss of his world and everything he’d worked for, built, found, cherished. He would find you again – when he’d sworn, “There’s no corner of this earth you can go where I won’t find you,” it had been a promise to you as much as a warning to the monster – but none of you three were the same after that night.

To be the White Wolf…

It will take all the tactics he learned in the army, that he was forced to acquire as Hydra’s finest assassin, and since he escaped and then truly reclaimed his freedom. As angry as he is, as desolate as he feels, he holds the emotions at arms’ length, he needs to be at the eye of the hurricane so he can maneuver the way he needs to.

Bucky hasn’t been able to feel you. His desperate hope is that it’s because you’re sedated and unconscious and not … not anything else.

In Wakanda he and Shuri hadn’t been able to find even a sliver of a trace of the jet that had come and gone for Steve to enact his plan. It was a statement that whoever he was now, Captain Hydra was utilizing every ounce of knowledge Steve had and blending it with whatever Hydra hat put in him.

Bucky won’t leave a trail either.

It will take Steve time to figure out how Bucky left Wakanda – on foot, ground transport, or air transport – if he can figure it out. But Bucky was the untraceable ghost over fifty years of missions for Hydra, and he didn’t have the motivation he does now.

Bucky devised that going on the already-scheduled aircraft to the Wakandan Outreach Center in Oakland gave him the best options. He assumes Steve would have managed to get into the networks used by the Avengers and SWORD, and since he flew an aircraft in and out of Wakanda undetected and Bucky won’t be able to use Wakandan technology to best him either, so landing in Oakland also puts him in proximity to the hardware, software, and network resources he would need to build his own tech. During his convalescence in Wakanda before the Infinity War, it had been days of goats and technology research and development in the most advanced science facility in the world. He is not the expert that Shuri is, but he knows enough. His aversion to much of “modern” technology has always been due to how primitive it was compared to anything from Wakanda.

It takes weeks, but Bucky acquires the hardware he needs, modifies software, creates the network and protocols he needs to start Hydra hunting, and puts it all to work. He knows what to look for – the patterns, the seemingly innocuous inconsistencies – and he knows it because he was running data point for the team of analysts dedicated to Hydra hunting before this. He had taken more responsibility at the base of operations and fewer and fewer field assignments to be home and build his life with you.

Bucky doesn’t hesitate in ignoring any ethical limits whatsoever for his surveillance protocols. When he was working within the system, they had established some lines they weren’t willing to cross.

With seven billion humans in existence and him alone looking for two, lines to cross no longer exist.

He knows he will never get his life back, but he will not let anything prevent him from getting you back.

He puts every piece into play immediately as he builds, sleeps only the bare minimum. Truthfully he had only indulged in more than the minimal sleep a super soldier needed these past years because it was time spent blissfully with you.  Without a reason to rest, he didn’t have any problem cutting back to short sleep allotments to keep him operating at peak condition.

In putting his own tap into the Avengers’ database, he studies the work that had gone on while he was gone for his annual retreat away with you. He discovers that Steve and Sam followed leads in Europe.

“Damn you idiots,” he murmurs.

The reports show his two friends go dark after losing comms nearly a month ago. A team went in after them and their debrief says they found only their communication devices. ‘Search ongoing…’

That was a month ago.

He knows the status of Steve.

Sam could be a live asset in play, an asset still being trained and molded by Hydra, their prisoner for torture, or he could have been eliminated already.

It takes him sixteen days from the beginning of his build to finish – he’d been collecting intelligence, but once everything is in play and he continues to hone in on incoming results, things progress systematically, satisfyingly, in a foreign familiarity that evokes memories of this time hunting as the Winter Soldier.

Two more days and he’s got enough evidence in the intelligence to confirm you’re somewhere in Europe. Within two hours Bucky recalibrates calculations based the new findings, conducts new searches, gets confirmation of a face on a traffic camera in Gdańsk that looks like Steve, and when he’s able to piece a clear trail that follows him through the city and then to an aircraft that he’s further able to track until it disappears over northern Italy. He knows this for what it is – a trail tempting him closer to the trap. A challenge, an invitation, but only if he can put together more pieces to find you. How many times did he set beautifully complex traps for some of his prize targets when he was the Winter Soldier? Breadcrumbs to entice, to drive his opponent to work harder, to put their prowess to work, to make them feel confident so he could trick, trap, and kill them in the end.

This monster of a man tricked him in Wakanda. It will be the only time. Expert and intricate traps of this sort are something his opponent has been playing with for a few weeks. Bucky has more practice and expertise, infinitely more motivation, and no distractions.

He travels under cover of transports between Wakandan outreach centers from Oakland to Washington DC, and then from Washington to Bilbao. When he touches down in Bilbao, his information relay device has a new lead based off a visual of Steve in a bookshop in Turin twice in the previous week.

He takes the train to Turin. Within twelve hours he finds the location of the Hydra facility, and Bucky makes enough noise to reveal to Hydra that he’s in the city and trigger the personnel to raise the facility to its red alert security status. He plants a false trail indicating that he’s given up and gone further north, all the while watching every aspect of the base, making plans to infiltrate, and ensuring sure none of the vehicles or teams moving in and out look like they’re transporting you somewhere else. They drop to an orange threat level, and then yellow – standard caution and operating procedures.

Bucky would have been floored that they believed he’d missed them in Turin and moved on to search somewhere else, but it spoke to one of the weaknesses of Hydra’s organization: the arrogance. Instead, Bucky hacks into their base network as well as their external communications channels.

This observation, research, recon, and analysis Bucky does not rush. Everything he cares about is at stake. If he’s going to be successful in getting you back there can be no room for error as he’ll be up against Hydra and the only other super soldier on the planet who could potentially match or outmatch him.

And as the weeks wear on, the other thing he cannot deny, that he’d known from the beginning of this nightmare even if he’d wanted to try to ignore it, it that he isn't in this to rescue only you.

When all is said and done, the reality is he has to get Steve back, too.

Bucky knows the longer it takes, the more dangerously close he gets to your next heat. He knows an omega being in a distressed environment will affect the heat cycle. It could bring it on early, or potentially also push you to the extremes of a dry heat depending on the conditions they are keeping you in, and how you’re feeling. Once he determines he knows enough to start putting together a plan of extraction, he also determines it’s too close to when your heat might hit, and he can’t risk trying to extract you if you’re in heat – it becomes an element he can’t predict and ensure that his plan will still be successful.

His own senses are strained with the tenor of your unease in a way that’s different from before. It’s driving his alpha side mad, and he wants to storm the facility and reclaim you, and that’s one more element contributing to the volatility of the situation. He knows he can’t gamble on so many unpredictable elements.

He must wait.

But when he sees Captain Hydra leave in his jet right when Bucky is certain you are close to your heat, Bucky is stunned.

It might be too damn close to your heat, but clearly you’re not in heat yet or the other alpha would not leave you. This was not his plan, but it is a prime opportunity he can’t ignore – not if he can get to you alone and save you from a heat away from him. His heart can’t deny this unexpected opportunity.

After Bucky had hacked into the Hydra base’s network, he’d discovered that the small jet Captain Hydra had exclusive use of had been excluded from all navigational tracking and that the man only communicated by radio with one individual whenever he left. He’d further discovered that Captain Hydra was a weapon still cloaked from most of Hydra, with nothing about him other than his existence as a new asset available on the network. Even his former identity was not yet disclosed or recorded anywhere digitally.

This means Bucky has no idea where the man is going or when he will be back, but he hears Captain Hydra and his liaison discuss and confirm his time of arrival and his estimated time of return. Bucky must work quickly, but there is a window.

As he had not anticipated infiltrating so soon, he still has to finish putting things together for the actual extraction – like transportation, supplies, and thoroughly planning out three escape routes and destinations – and while he works quickly, he does not rush those final preparations, and so that takes him a significant amount of the window of time he knows he has.

But he only needs long enough to get you out.

He will have that.

He ambushes the delivery truck bringing in the week’s food shipment with no trouble and drives it right into the base as he has all the proper credentials on his person and its still pre-dawn hours, so lack of light works in his favor to get through the first gate.

But of course when he doesn’t follow delivery procedures once he rolls up to the shipping and receiving dock, that’s when his limited time really begins. The first decision he must make is whether or not to take out a man of average height but portly build that approaches the truck – one of the cooks, Bucky has studied the personnel files for everyone registered on this base – and Bucky evaluates as he steps out of the truck. He could kill him, but this man should probably be spared. Bucky doesn’t want unnecessary blood on his hands. So with lightning fast moves and a choke hold, the man goes down. But next are two security personnel, and them Bucky shoots point blank, taking each of them out with single shots. He leans down to lift the comms off one of them, putting the piece in his ear so he can hear everything as it unfolds across the base.

He yanks open the first door and moves down the hallway. And then there’s a frantic message over the comms, “Code Red! Winter Soldier, loading docks, two personnel down, in pursuit!”

Bucky growls and turns back down the hallway and swears when he sees the man putting comms in his ear and squaring up a gun he’d clearly lifted off one of the security guards was the cook he thought he’d put out cold. Apparently the man had more in him than Bucky had accounted for, and so now Bucky takes aim and shoots him once he’s close enough to secure the kill shot, only having to dodge two close but errant bullets himself as the cook had tried to run him down.

Lethal force for everyone it is, he thinks.

He’s irritated he wasted extra time on this man trying to keep down the body count.

He does not make that mistake again, killing everyone who comes across his path. The silver lining working in his favor is that this base in Turin is a science facility, not a military facility, so he has fewer muscle personnel to deal with than other places you could have been kept, and he can hear over the main comms that scientists and researchers are being given orders to shelter in place while there are instructions given over the security comms in Bucky’s ear that prime-level scientists are to be evacuated. It’s the directive he expected, which benefits him as the security personnel are split between pursuing him and evacuating those individuals deemed indispensable.

But dealing with those who are in pursuit of him is simple. When he’s out of ammunition, he makes quick work dealing what should be lethal wounds with his knives. Every man or woman down is one less he will need to contend with while trying to safely get you out, and while he’s reasonably sure he’s dealing death to everyone, there are a few he thinks may survive.

He has studied every aspect of this facility while making his preparations, and he sends a message to Captain Hydra that he was prepared by shooting glances cleanly into every camera he knows he passes.

There’s a flash of fear that ripples through him – it comes from the bond he’s tried to keep dormant between you since you were taken, but this is too powerful, and it’s a barb he can’t ignore. It flares and then dies out, which could be either a good thing or a bad thing. He squares his shoulders and moves more quickly.

As Bucky reaches the quadrant they’ve been keeping you a few moments later, the words, “The Omega is secured, sedated, and ascending to the roof with team Foxtrot, thirty seconds until air evac.”

“Fuck, fuck, fuck!”

He knows he can’t make it in time, but Bucky still races down the hall to the stairwell, launching through the door and then hurtling up the stairs, taking them three and four at a time. His super speed isn’t enough to scale four flights of industrial facility stairs, and he bursts out on the roof to see the coaxial helicopter already twenty meters up in the air and navigating away to the north.

He wants to shout until his lungs bleed because he was so close, but he knows he can’t afford to indulge in emotions that strong in this moment. Instead, he takes huge gulps of the fresh air, pulls the door from its hinges, and hurls it across the roof before going back down the stairs.

He does not engage with anyone but comes across few through his retreat. Instead, his focus now is decimating what he can of the facility without wasting time or going out of his way as he escapes the base, rigging explosives quickly in key areas on his way out.

While he left destruction in his wake, and he leaves alone, he was precise in how much damage he dealt. He left the area of main logistical operations intact because he didn’t want to destroy their network and communications, eliminating his ties to tracking their next moves.

Bucky immerses himself in tracking and monitoring everything the second he’s back in his hideout with his tech. He sees the Captain return. He watches the final evacuations. They send him to Geneva, and Bucky is ready to follow, knowing exactly where the Swiss facility is located since he’s fully infiltrated the Hydra network of information. He can’t travel as quickly since he doesn’t have access to any Hydra aviation, but he makes it there by sundown.

He wouldn’t risk trying to disrupt your heat now, not with everyone moved and on high alert, it would be dangerous for you. Instead, he works on setting up his new undercover observation point in Switzerland. He fine tunes his information tap into the Hydra system. As he works, he notices the rise of an anxious feeling pulling at his hind brain. He’s felt the press of you trying to reach across the bond while you’ve been apart, but this is different – there’s a frantic, wild tug, and while it’s insistent, it’s more erratic, like the flickering of a flame, as if you aren’t even concentrating on the connection to him.

He knows so much of you that he knows you have to be on the brink of your heat but that you must desperately be trying to fight it. The discomfort he can sense continues to ebb and flow. It morphs. It becomes tinged with more discomfort. Then there’s a lick of desire that is almost imperceptible. That’s followed rather quickly be a flare of adrenaline – or is it fear? Another shift a few minutes later, and tone of this is pure arousal, the feeling he’s shared so much of with you, and the thought that you…

He grits his teeth, shuts his eyes, and abruptly stills every muscle in his body. You are his omega. Another alpha bonded you. Your heat is undeniable. His brain knows that – it’s one of the things he’s been focusing on, acknowledging the various scenarios that could play out for this heat, he just did not want this, nor was he prepared for what it might feel like. And so, with forced, measured breaths, he does everything he can to concentrate on shutting down the connection, to put his alpha side to sleep, because he can not bear this. He has suppressed so much of everything since losing you, only holding onto the faintest tether, but he cannot endure this – not and keep his rationality and do what he needs to do now, which is to formulate the next steps, the things he needs to figure out and watch for now that this cruel game has changed. Emotion will distract him, but there’s also the flow that could go the other way and throw you off, and he swore to keep you safe.

Diving into the network databases of this new Hydra facility, Bucky notices something he noticed in Turin: there are no records that contain any of your names on file – not you, not Steve, not Sam. He thought it was strange before, but he had a theory it could have been the nature of secrecy around all the projects at the research facility in Turin – there were very few data files on the science being explored on that base. But in transferring the Turin personnel out, with a contingent of them going to Geneva, he pours over all the documentation and the only he finds is the transfer of a high-level asset referred to only as Waffe SR4718. He easily knows the German word for weapon, and without missing a beat Bucky knows the letters and numbers are supposed to seem random but clearly refer to Steve Rogers whose birthdate is the fourth day of the seventh month in the eighteenth year of the previous century. It’s innocuous to anyone coming across it, but abundantly clear that it’s specific for those who were supposed to know.

With all Bucky knows of his own time with Hydra, how there were always layers within layers, secrets buried, hidden, withheld, he’s certain the acquisition of Steve and metamorphosis into Captain Hydra is as dark and as quiet as his own existence as the Winter Soldier.

There are quarters assigned to Waffe SR4718, and Bucky tags it track all status alerts – comings and goings, services, requests. He also puts the cameras for that hallway up on a constant feed monitoring protocol with the AI he’s adapted to bring up the imagery if there’s any movement in or out of the door.

Knowing you’re in heat, Bucky concentrates on new extraction tactics and mapping out escape options from this new facility.

But at three in the morning during the second night in Geneva – the second night of your heat – the door movement alert goes off, and Bucky immediately turns his attention to watch as Steve slowly emerges.

Why would he have any reason to leave you during your heat? He knows he could order food, clothing, bedding, medical personnel if absolutely necessary…

A quick check of the log shows that there have been no such requests.

And then he sees the unthinkable.

You’re right there behind him, following as he starts to make his way down the hall, dressed in darker clothing as he is. He has a small tactical pack slung across his back.

“What the hell are you doing?”

The question is only uttered out of frustration and disbelief because he could immediately decipher what is happening.

As precarious as it is to interfere with your heat, the two of you are clearly on the move.

The other alpha has no intention of staying at this base.

But why?

His mind begins deciphering even as he’s pulling up security cameras as the pair of you move through the facility, tracking your movements and actions.

The calculated risk is to get out when you’re supposed to be in heat. Bucky did see that status reported on the log – omega in heat. The protocols were to leave alpha and omega Hydra personnel undisturbed unless a priority one situation developed – typically reserved for life or death and rarely anything less urgent or pressing. It meant no one would think to check after the asset immediately. Even if an alpha skipped regular ordering for a meal or two to the living quarters, that wouldn’t be taken as out of the ordinary, merely unnecessary or forgotten due to being otherwise occupied, or deciding to make do with the food already with them.

The movement logically progresses toward the transportation hangar under the building – intending to employ ground transport.

On the way, the two of you duck into a room and close the door. Bucky accesses the schematics to discover it’s a data analytics workspace – cooperative computer sharing area. There weren’t any goons to hide from, so Bucky works quickly, trying to pull up the specific workstations in there. He sees the log in for a science officer. The user accesses the personnel transfer files for everyone from the Turin base submitted due to the evacuation. Four names are brought up on the roster and their locations are changed from Turin to the other the other bases anyone from Turin was reassigned to – a pair of them to Odessa, the other pair to Trondheim.

Subterfuge. He’s displacing security agents – or at least their location statuses.

Bucky frowns.

The rest of your course takes you directly to the vehicle hangar. Moving in the dead of night has capitalized on as few people as possible moving around the base for you to encounter, and it paid off. The other alpha selects a smaller SUV, loads some readily available weapons and supplies from the nearby vicinity into the back and then – faster than lightning – he withdraws something from a pocket near his chest, presses it over your mouth, and Bucky can see you seize up and then slump into his arms. He tucks you in amongst the supplies before throwing a canvas over everything and closing the hatchback.

Clearly you had been cooperating with this escape, so why was it necessary to knock you out?

Then he leaves the vehicle, leaves the hangar, goes back up two floors to the security personnel floor, and knocks on one of the doors.

Bucky accesses the database to see who’s assigned to that room as he watches this man converse briefly with whoever answers the door.

The two names assigned to the room match the two names reassigned to the Trondheim base on the evacuation transfer records.

“What larger game are you playing, Captain Hydra?” Bucky murmurs.

Because it’s back down to the hangar and the SUV with you stashed in the back, but then he waits.

And within five minutes, two men in full tactical gear get in the vehicle as well, and only then does he start up the car and leave. There’s a tracking device on this vehicle, so Bucky starts to pack up his tech, and pulls up the tracking on his smartphone.

He’s about to shut and pack away his laptop when he thinks of doing one more thing. It will take time, and this is why he knows Captain Hydra didn’t do it, but it will be worth it. But after his time in Wakandan labs and building up his own robust systems, within twenty-five minutes, Bucky has gone through the security camera system and successfully removed all footage of you and the captain moving throughout the base, rewriting it with the empty hallways from just before and after, effectively erasing the evidence of your escape. This will buy more time. No one may have thought to look for any movement in and out of Waffe SR4718’s quarters, but now they won’t find it when they ultimately go back and try, extending Bucky’s time to tail you without Hydra in the mix. They will assume the alpha and omega are still in heat seclusion now without any reason to doubt it.

Bucky leaves his temporary Geneva hideout with the essentials he arrived with. He chose this location because it was two streets down from one of the larger private car services in Switzerland. Bucky knows he can pass as a mechanic with his clothing, and the service staff works overnight to keep up maintenance for the large fleet of vehicles that provide VIP transportation, airport pick up and drop off, limousine transfers, corporate chauffeur services, ski transfers, and event chauffeuring. Acquiring a non-descript vehicle is as easy as he hoped, and it’s more than simple to de-activate this car’s GPS tracking system.

Within half an hour, he’s comfortably in pursuit. The vehicle he’s tracking has maintained its course and is an hour out of the city now, but an hour ahead is reasonable.

When the Hydra vehicle is three hours outside of Geneva, it makes its first stop. Bucky presses a button on his phone to pin the location. The stop is for less than five minutes, and then it continues, but Bucky will stop there as well to assess the purpose and glean any information he can.

Bucky is an assertive driver, making up speed, but not at a point to draw attention. When he reaches the pin he’d set on the route for the stop your vehicle had made, it’s on a bridge.

There’s only one reason Bucky can think of to stop on a bridge.

A reason that could make Bucky’s heart stop with devastation, but he must continue to operate under the assumption it wasn’t your body dumped into the river. Anything else wouldn’t make sense.

Unless the other alpha has become completely unhinged and all of this is an elaborate game to drive Bucky beyond all limitations of his own reason.

Within the next two hours, he sees you pass the border into Germany, and then another stop is registered on the GPS tracking near the city of Albstadt. Bucky has made up a significant amount of the head start the other alpha had had. When he arrives in Albstadt, he finds the SUV. It is most likely that this vehicle had been abandoned for another, but Bucky has to stop at this point and tap into security feeds for the city to see whether you’re here or not. He picks a spot that advertises wifi with their sandwiches, refueling his body while setting up his tech in a spot most won’t question him to hunker down for some serious work on a laptop. He gets into the city’s street cameras, sees Steve steal another vehicle, pulls the license plate, and then he programs his algorithm to watch for the number to track the route now. He won’t be able to smoothly follow the route of a GPS-tracked vehicle anymore, but Bucky knew this would grow more difficult. As long as his goal was to draw out the Soldat, Captain Hydra will still leave a trail of breadcrumbs, but it will be scant if he’s trying to evade Hydra.

While Bucky has questions of intent, he has no question that it’s what the Captain is doing now.

Bucky is able to pick up the trail with license plate tracking and route mapping into Stuttgart. All the way to the train station. But this is where the other alpha shows incredible skills for blending in. It’s a busy station. Bucky will have to run thorough security camera assessments of the Stuttgart station, figure out when – or if – they got on a train, and then continue tracking from there. If the alpha and omega got on a train, Bucky can at least narrow his search to that route and its stops for that schedule, but Bucky used train stations to cover his tracks as well, and sometimes that involved never boarding the train but leading anyone tracking him to believe that he had.

With that much information, he writes new coding into his overall system, sends it back to the larger machine he left in Oakland to do the heavy computing so it can start the work he’ll need to fine tune once he can settle in a more permanent stopover, pays for his meal, and then drives to Stuttgart. The hacking into facial recognition has been so enhanced beyond boundaries though – especially because he can tailor it to look for only two faces he knows as well as his own – that he sees the two of your board a train headed west, targets the route, sets up the watch parameters for the schedule, and catches you getting off in Paris.

Another smart move blending into the vibrancy of a large city, but Bucky is sure it’s not the final destination either. But Steve knew enough French to blend into the country, as well.

It takes Bucky and his systems six more days, but he confirms three separate facial recognitions for the other alpha in a town outside of Bordeaux small enough to be off the beaten path but big enough to blend in and go unnoticed by its people.

Bucky travels there as quietly as possible. He does not want to tip his hand. He’s too close now to have you slip through his hands again.

After two more days and with the assistance of satellite imaging, he has found the small house in a forested area outside of the town.

Bucky grips the edge of the small desk he’s been working at, grounding himself. Adrenaline had immediately surged through his veins, but he must keep everything contained. He has practiced so much control and restraint that if his heart betrays him now, he’ll carve it out himself and leave it behind. He cannot compromise this delicate situation.

He drives out to the area and leaves his vehicle well-hidden a kilometer out from the house and approaches on foot, circling at a large perimeter and slowly moving further in, cautiously, taking in everything. He doesn’t want to trip anything the other alpha may have set up to alert him to intruders.

What he discovers is minimal, and all old tactical elements – things they’d done as

Cap and the Howling Commandos back in the old war.

Effectively things that would have worked on anyone from this day and age but that only Bucky would know to look for.

He doesn’t trust it.

This is another trap.

But he has to walk into it and fare as best he can.

That’s what Captain Hydra had said was his plan from the beginning – draw out the Soldat.

The White Wolf would enter the trap but would need to control it and come out on the other side with his omega. 

He can’t even think those words without his pulse racing now, and he digs his vibranium fingers into the trunk of the tree under his hand, splintering the wood while he closes his eyes and stamps down everything that wants him to sprint to the house he can see, break down the door, and launch himself into your arms.

He timed his approach when he’d seen the other alpha leave – likely for more food and supplies – but he knew the time alone would be limited.

Bucky takes measured but determined steps to the green wooden front door of what’s essentially a little cottage.

Straining his ears and focusing on his enhanced hearing, he doesn’t pick up anything beyond ambient noises – and your soft, slow breathing.

He takes a deep breath, slowly twists the doorknob, and opens the door.

There you are, curled up in a cozy armchair, dozing, hand pressed up against the spine of a book that has fallen to your chest after you clearly fell asleep reading, and this.

This simple scene nearly knocks him to his knees.

The way you’re there, feet away from him, it’s the most beautiful sight of his entire life.

But still, he is quiet, cautious.

His entire chest aches for you.

He shuts the door softly behind him, then crosses the small living room and kneels next to you. He eases the book out of your hands and puts it on the small side table. He’s done this before so many times. You make a slight hum through your sleep.

Brushing his fingers over your cheek is almost enough to make the nightmare of the last six weeks vanish as if it really had only been a nightmare.

He almost doesn’t dare to breathe.

But the warmth of his hand against your skin evidently reaches in to stir something in your subconscious, because you shift slightly, sigh, and tilt your head into his touch and murmur, “Bucky…”

The stutter of his chest is both painful and euphoric at once, and everything wells up in his chest, everything he’s been holding back.

He drops his hand from your cheek to your shoulder, gently trying to nudge you awake.

Coming back into consciousness, you take in a deep breath before blinking your eyes open. Your gaze drifts to him, and then your body seizes up one moment, and the next you’re scrambling up and away from him, whipping over the back of the armchair you’d been curled up in.

“Bucky?” your voice comes out in a wounded whimper of a tone that pierces him, confounds him.

“Yes, it’s me,” he answers, brow furrowing. He hadn’t allowed himself to think over what this moment was going to be like – he knew the fixation would have been too painful to hope over – but it was not supposed to be this, with you looking at him with caution, with hesitancy, with your guard up.

“Omega?” he questions tentatively, rising from where he’d been crouched on the floor.

You don’t move your position, but you draw yourself up to your full height as well.

Bucky maneuvers around the furniture, wanting to remove the barrier between you, but he changes his position slowly, allowing you time to retreat if you feel compelled to. You hold your ground but do keep yourself squared off facing him as he moves. He does what he hasn’t done since this ordeal began and definitively opens up the gateway of the bond between you, tentatively reaching out, trying to read you.

Your mood is hard, and it doesn’t fluctuate. There’s a steady mix of fear, doubt, and what he thinks is exasperation there.

No, it’s more than that.

“You’re angry with me?”

“I’m more than angry with you!” you hurl the words at him and cross your arms over your chest. “I’m livid.”

“I came to you as fast as I could!” He steps closer, and now you step back. He moves closer again, but with a smaller step.

“It’s not that, I know you worked as hard as you could–“

“Then what else could you possibly be upset about, Omega?” His tone is desperate, earnestly seeking the answer, but also tinged with a warning he can’t help from bleeding into the question.

“I couldn’t feel you.” The anger gives way to let the anguish of your words bleed through, and they sweep over both of you. “You cut yourself off from me. I was desolate and scared and alone, and you withdrew any hint of our connection.”

He steps forward once more, finally close enough to reach for you, and as he continues to close the distance, you unfold one of your arms and backhand slap him. “I needed you!”

Bucky staggers a step back from the raw force you hurled at him, but it only takes him the space of a breath for him to recover enough, and he surges forward and pulls you into his arms, uttering your name the way one pleads in a fraught prayer. You try and push against his chest and squirm out of his arms, but he only secures you more firmly, holding you dearly and desperately to him.

“I needed you,” you sob out. Instead of continuing to try to struggle away from him, to hold your hurt at bay, he feels you stop fighting and the turn as you let everything out. He holds you, soothing you, but not trying to quell any of this yet. He knows everything you’re feeling is warranted, can feel now that you held back as much as he did while you were apart. Endured as much hurt as he did – more in many ways. He won’t tell you to settle down, because the hurt needs to be acknowledged and not minimized.

Once your chest is no longer wracked with sobs, when your crying has abated from steady streams of tears to the small sniffling, he gently wipes the tears from your cheeks. Then Bucky decisively nuzzles his face down into the crook of your neck. Slowly, tentatively, he presses his lips to the place he claimed and bonded you as his omega, his mate. You whimper, but your hands clutch at his shirt, and the immediate flood of relief, of love, of devotion, washes over you both. He can feel it, he knows you feel it.

His large hands are planted firmly on your back, one at the curve of your spine, and one between your shoulder blades, pressing you as close together as he possibly can. He plants a longer, more concentrated kiss to the mark, and your right hand slides up to thread your fingers into his hair and press him closer.

The more he kisses into your neck, the more whole he feels. He had ignored the hollow, empty feeling in his chest, had truly rejected all feeling, as cold and empty as he’d operated while being the Winter Soldier. He’s feeling human again. Himself again – or at least it’s all coming back to him now.

He doesn’t even realize when your body has fully melted into him, too caught up in the mending of the connection, but then you’re urging his face up away from your neck, but only so you can press your forehead to his, and you say, “I need you, Bucky.”

He nods, and then you kiss him. In a movement familiar to you both, his hand moves down, curving over your ass and to the back of your thigh, and he picks you up. Your legs wrap around him as you deepen the kiss, nipping at his lips. He carries you across the big open space to where there’s a bed in the far corner.

He sets you down gently on your feet, and his hands are already reaching for the hem of your shirt, and you readily lift your arms so he can pull it cleanly off your body. You’re reaching for his belt, and he’s pulling his own shirt over his head. Your lips eagerly seek each other as much as they can. You push his dark jeans down, and he huffs and sits down at the foot of the bed so he can hastily unlace and yank his boots off, so he can shuck his pants off all the way. When he raises his head, you stand before him in nothing but your simple underwear, one hand pressed against your torso, biting your lip.

You’re so damn beautiful to him, his heart aches again at the sight of you nearly naked before him again after so long torn apart.

He reaches for you, and though you don’t hesitate to take his hand, as he tugs you into his lap, your thighs straddling either side of his hips, he doesn’t miss the slight tremble of your body, and it kills him but there’s a deep part of him that resonates, recognizes the feeling. The separation had been hell on an alpha and omega level, and this is still too much, overwhelming, and altogether not nearly enough to soothe the deep loneliness he had pushed beneath the surface. His arms wrap around you again. While your left arm wraps around his neck, your right hand roams over his bare skin – shoulder, arms, chest, neck, face – questing to rememorize him.

He wants to be inside you, but having your chest pressed into to his chest, it’s like your heartbeats are syncing back together, and he almost needs this more. The side of your face rests against his, and the way he can hear you breathe in and out right next to his ear, can feel the warmth of every exhale, it’s yet another inimitable balm he didn’t know he longed for.

He murmurs your name softly against your shoulder.

“Mmm?”

He knows you can tell he’s working out something to say. Every season you two had been together had been time you had worked to only continually knit your souls more tightly to each other, not only to love each other more, but to understand each other, to work together, to support and lean into each other as true partners.

It had made the separation all the more painful.

He squeezes you more tightly for a moment, then inhales to speak. “I need to tell you why I put up the walls I did.”

He feels you tense slightly in his arms – of course he does, there’s no way for him to miss it any more than there was any chance for you to try and hide it when this intimately entwined. He bestows a soft, light kiss to your bonding mark, and you whimper, but turn your head to brush your lips over his cheek, and then both of you draw back just enough to look at each other.

“I’ll never know if it was the right or wrong thing to do to you, but it felt like the only way I could hope to survive navigating back to you. Immediately I knew I couldn’t allow the anguish of pain and anger I was feeling to flood to you when I knew you were living your own nightmare. When I held that back, the way Hydra had conditioned me to repress all feelings when I was their fist resurfaced, and I knew shelving the emotions would leave me to focus and be more effective in everything I was doing to track you and find you.”

“Bucky,” you start, but he shakes his head slightly, his eyes pleading for you to let him continue. You give a little huff. “Okay.”

The corner of his mouth lifts, and he pecks your lips before going on. “When I was closing in on where they were keeping you, I didn’t want to alert you and have you have to worry about how to hide that.”

“That’s a fair strategic tactic,” you grudgingly admit.

He grins at your tone, but it abates quickly. “I also…”

He pauses for half a beat and takes a breath to steel his resolve because you deserve his raw honesty as it’s still a concern in play.

“Also what?”

“I didn’t know how much of our bond he would feel. I didn’t want to tip him off, but I – I didn’t want to feel what might go the other way and bleed from him through you either.”

“Oh, Buck,” you bury your head into the crook of his neck now, nuzzling against the bonding mark you’d given him. “Our bond is ours, not his.”

“It’s not?”

“No, no,” you press quick successive kisses against your bonding mark on the juncture of his neck and shoulder. “You might feel the wake of what I feel from his bond to me, but the ties to each of you are very distinct within me. I’m especially sure of it now that ours isn’t dormant anymore.”

He holds you close while he sorts through this revelation from you. “I didn’t know – and I was worried if I felt him it would either devastate or enrage me and either way make me overrule logic and slip up, do something rash.”

“Now I understand,” you speak right into his ear. “Concentrate though, what do you feel right now?”

He breathes in. Breathes out. Another breath in. Out.

“Only you,” he says, no question.

Your lips drift back down his neck, and you press an insistent kiss to your claim on him this time, then you open your lips and suck over the spot.

Bucky shivers and groans, and you wince and laugh when his arms flex around you so tightly it actually hurts. Because he reacts so strongly, it doesn’t shock him in the slightest that you’re spurred on to seek more, but now he’s ready, so when you’ve satisfied with your initial torment and he feels you slot your teeth over the mark, he bares his neck, ready when you bite down to renew your claim on him, and he shouts – euphoric, flooded and overwhelmed with the way everything opens in such a raw way when a bonding mark is refreshed.

It drives you to rock your hips against him. You’re both still in those last pieces of underwear, but the friction of your cunt against his cock is glorious, and he can’t help the satisfied rumble in his chest in answer to the simple action.

His hand clamps on your plump, round ass, and he pushes you hard against him and holds you there – he doesn’t want the rocking, for a moment he just wants the intense pressure, the reality that you’re here with him.

You crash your lips to his desperately. He slants his head and works his tongue along the seam of your mouth, which willingly parts for him, an open moan passing between you both, your tongue inviting him into your mouth, stroking against his. Both of you fiercely hold onto each other, keeping that close chest to chest contact while you kiss more than you breathe. When you ultimately have to break off from each other to get air back in your lungs, the heaving expansion of your ribcages against each other is such a simple but intense intimacy, breaths mingling – another moment that adds to the replenishment for how much his soul had been depleted without you.

“Need you inside me,” you plead.

He nods while turning and tossing you onto the bed.

As he climbs up to join you, you quip, “No more clothes, Alpha.”

“Bossy Omega,” he chuckles, but complies in pushing his boxer briefs down and tossing them away.

You quirk your lips. “Give me what I need, and I won’t need to be so demanding.”

He growls, but it’s teasing, the feeling in his heart is a light one, a feeling he feels echoed in you, lines of it running through the overwhelming need.

Bucky moves up the bed, hooks his fingers beneath the band of your underwear, and you lift your hips so he can remove them immediately. He leans down and presses a broad flat lick of his tongue over your hip bone, causing you to squirm – desire and a sensitive spot of skin he discovered on your years ago. “I know what you need, Omega.”

“Yes, Alpha,” you nod eagerly, and he flips you over onto your stomach

He hears your breath hitch. He knows you love roughness and to be handled as often as you love softness, but the latter isn’t what you need right now. He crawls up over you and plants his left arm up by your shoulder while he slots himself between your legs. Your left hand finds his, twining your fingers together while he lines up his cock with your slick entrance, and the sigh of ecstasy that escapes you as he pushes his length in sings in his ears. The feeling of your warm channel gripping him is better than he remembered – or at least it feels that way – and he tries to push in as slowly as he can to savor coming home to where he belongs inside you, but it’s not nearly as slow as he wants it to be.

Once he’s fully sheathed in you, he kisses your shoulder, then nips along until he’s at the juncture of your neck, and you keen and bare your neck to him. He licks over his bonding mark, then bites down, reclaiming you, and you cry out, body thrumming beneath him. He starts to move behind you, pulling his hips back before thrusting back in. Your right leg hitches back to tangle up and over his, urging him on. He grips your hip, and then he fucks you. It’s the most primal it’s ever felt with you, the force of it rocking the bed to knock against the wall, and he almost worries about whether or not it’s too much, but you rock back against him, meeting his thrusts as much as you can in your prone position, eagerly taking all of him.

“That’s it, darling, take my hard cock inside you,” he urges you both on.

You sob out a breathless, “Yes,” that makes his chest rumble in satisfaction.

He can feel your cunt fluttering around him, can feel you on the edge of ecstasy, but it also feels like you’re refusing to fall over the edge.

“Come on, darling, let go.”

“No.”

That shocks him but doesn’t slow him down.

He maintains his pace and slips his hand down between you and the mattress, cupping your pussy and finding your clit. “Yes.” He starts to rub quick, concentrated circles over your tight bundle of nerves.

You shake your head desperately. “No, I don’t want it to end,” the words tumble out, and he hears the sound of you crying again.

“Omega, I will give you more. I’ll give you as much as you need, but I need you to give in to this, surrender and fall over the edge with me again.”

“Bucky!” you cry out as you’re unreservedly flung over the edge. Your cunt clamping down on him was the last of what he needed to reach his own climax, and so his shout echoes your own, and he exerts those final thrusts to pump his seed deep within you.

He stays sheathed within you but rolls both of you to your sides, brackets his arm around your waist, and keeps you close, nuzzling into your neck. You sink back against him, resting your arm over his and threading your fingers together.

“That was…”

He nudges your chin for you to turn your head back so he can kiss away the tears that escaped during the emotions that came through there at that end.

“Intense?”

“Yes.”

“We both needed it, Omega. I need you as much as you need me. Do not doubt it.” You shiver in his arms, and he swears, “I’ll make sure you never question it again.”

“Never let me go.”

“Never again.”

You shift and turn over to face him. He’s just as content to wrap you in his arms this way. You tangle your legs with his as you have so many times before. This is so familiar.

You brush your fingers over his face, retracing the lines and angles that define him, and he watches your face as your eyes drink in his features.

“I’m yours, Omega,” he says in a quiet, low tone.

A soft smile lifts the curve of your mouth. Your hand cradles his jaw and beckons him in to kiss you, and he is happy to acquiesce. The kisses he shares with you now are slow, solemn promises of lips and tongues, heated but not demanding.

When you eventually come up for air, you tuck yourself more closely into his chest, humming with contentment. He’s half hard again, and the frantic last moments of the sex he shared with you flashes back to the forefront of his mind. “I promised to give you more. What do you need from me? Tell me how I can please you, how I can love you.”

You reach up and press your fingers delicately against his bonding mark. “Just this. Hold me. I only need to be with you.”

He can feel how true it is as your fingers stroke lightly over the place where you claimed him all those years ago, reclaimed him here in this bed, flooding him with more peace. His brushes his lips over your forehead. “Whatever you want, sweetheart.”

There’s a little chirp that bubbles up out of you when he calls you sweetheart again, and it makes him just as happy as it does you. He slowly caresses your back, hand moving up and down, up and down, in a soothing motion, soothing himself as much as you.

There is still so much ahead for you both, but this – your connection to each other – he can feel that again so strongly. He never doubted it, but after being deprived, the return of how powerful it is engulfs him. This will anchor him through what’s coming.

“Buck?” you murmur against his neck.

“Mmm?”

“I can tell your brain is beginning to work away from here.”

He sighs. “Can you blame me?”

“No, but talk to me, take me with you if you’re going to think.”

“There’s so much to think through.”

“Start with one thing.”

You’ve done this with him before – late nights, afternoons, mornings, on a drive, on a walk, sharing a meal – you could always feel when he started to get tied up in his brain with his thoughts, and you’d listen, ask questions, sift through with him. He was perfectly capable of sorting through things on his own, but sharing with you made it altogether different. It was one of the best parts of having you as his mate.

“Why…?” He frowns and trails off. “No, nevermind.”

“No, Buck. I worked hard to soothe and relax my alpha. I want this gift of respite with you, however brief it is, and whatever string you don’t want to tug on first clearly is one that’s important.”

He nips your shoulder. “My gutsy omega.”

“Alpha,” you press, also literally pressing a finger insistently against his chest.

“Alright…” His tone turns serious. “Why didn’t you try to escape – especially here where he leaves you alone sometimes?” From the way he’d found you, it was clear this wasn’t an anomaly.

You cluck your tongue impatiently and roll your eyes. “First, how was I reasonably supposed to outrun him, hide from him, and try to find you? I don’t have any of the tactical skills or training you two do.”

“Fair enough. And second?” The first point is obvious now that he’s asked it and heard you answer, but he wants to hear the rest of what you have to say.

“Second,” you continue, your tone altering to something more somber, “he took me to lure you to him, so the most logical thing was to stay and wait for you.”

“Ah,” Bucky nods, the smallest of smiles taking over his mouth. “My smart omega.”

“And third,” you continue, though your words tone is cautious now, and you drop your eyes to his chest.

“Yes?” he urges you to finish the thought.

“He’s my alpha, too.”

This isn’t news – he’s known it from the second he witnessed that bite to claim you, he thought of it frequently while he was hunting for you both, he knew it would be the new reality, you’d even discussed the two bonds together in this bed – and yet having to think about it yet again in this light is still straining on him.

Clearly you feel his unrest, because your hands come up to cup his face and basically attempt to soothe him with gentle but insistent strokes along his jaw. “Bucky, I’m always going to be yours.”

He sighs and angles his head down to touch his forehead to yours. “I know.”

And it’s not jealousy that drives his unrest – it’s the not knowing what this means, not right now and not for the future. He’s started thinking about possibilities, but he’s limited until he can confront the other alpha. So, he decides to concentrate on what it has meant so far.

He makes sure his tone is soft but serious when he asks, “Did he hurt you?”

You’re quiet for a beat, then say, “I don’t know how to answer that.”

Bucky starts to sit up, but you pull him back down to the mattress, trying earnestly to soothe him. “What he did hurt us both, and it was meant to hurt. It was absolutely calculated. But they broke him, Bucky. They tortured him and tried to make him comply for weeks. They were experimenting on Sam, trying to pull the science they could from old records on you and what they could pull from analyzing Steve’s blood, but they weren’t having success, and so they enacted their last use for Sam – and they killed him in front of Steve. It destroyed him.”

Bucky’s own chest aches as he listens, throbbing painfully at this reveal, and his vibranium hand fists the sheet.

“And when he was at his most devastated and spent emotionally, what I have been able to piece together is that that’s when he couldn’t stand to feel anymore, shut off his emotions – or his humanity more like, and it’s his humanity that made him Steve. That’s when they were able to take over and mold him into the fist they wanted in Captain Hydra.”

Hurt, anger, the horror of his own past life as the Winter Soldier, it’s surging through his veins, but you continue.

“So that night in Wakanda? That was Captain Hydra at his height of cruelty. I haven’t seen that iteration of him since that night. It’s been slow, but he’s different now. He’s not our Steve, but he’s not Captain Hydra.”

It’s a few moments before he registers that you’re done – at least with that piece of sharing.

He cups your jaw and looks into your eyes. “Do you trust him?”

He sees you clearly put thought into your words before answering, worrying your bottom lip. “The heat he and I shared was intense in every way. It changed things fundamentally between us, but since the heat our connection has still been very tenuous. We’ve both been very guarded with each other. I know he’ll keep me safe, but I’m still wary of him.”

He nods.

“Where is he right now?”

A wry laugh tumbles out of your chest. “I don’t even know where we are right now, Bucky. I know we got off a train in Bordeaux, but then he moved us here while I was in one of my heavy end of heat sleeps. From the food, books, and supplies he’s brought for us, I know we’re in France, but that’s it. There’s not a lick of technology kept in here while I’m alone. We don’t even a radio.”

Bucky grunts at this news. He doesn’t like this, but other than being kept here cut off from the rest of the world and having claimed you and separated you in the first place, it seems you’ve been appropriately cared for.

“Wait, no radio?” He growls. Bucky had looked away to consider the new information, but his eyes snap to you again. “Have you had any music?”

“No,” you groan, and he can feel the pained irritation.

“That won’t do.” 

He quickly rolls off the bed to a small whine of protest from you, but it was so rare that he’d ever been in a space with you and there hadn’t been music playing – loud for you to sing, or low in the background keeping you company – and this is something he can fix easily.

He fishes the small communications device he had put together out of the pocket of his discarded pants, then comes back to sit on the foot of the bed and begins typing away. You’re quick to crawl up behind him, and you wrap your arms around his chest and settle your chin on his shoulder while he works. You don’t see the smile that breaks across his face as he feels your excited impatience radiate off you, having figured out what he’s doing. It’s so palpable he wouldn’t have needed your emotional bond as alpha and omega to sense it.

Once he’s modified his device to play music, it doesn’t take him much longer to hack into your music account. He pulls up the list of your most-played songs, picks one that he thinks will be perfect for this moment, and hits play.

You croon with joy and then fall back on the bed, arms spread out in pure rapture. He beams and then crawls up next to you, handing you the device. You hold it close to your chest with one hand and pull him in for a kiss with the other.

You break off the kiss so you can sing along to the chorus, and he laughs. He knows exactly the last time he felt this happy: the last day by the river with you in Wakanda. When the chorus is over, you actually kick your feet in delight, grinning at him. You kiss his nose, scoot your body as close to him as possible, then settle back into the mattress and pull his arm to rest over your stomach.

The two of you talk, sing, and continue to hold each other for a while. A string of two or three softer songs play, and you and up drifting into sleep, late afternoon sun pouring over both of you, its warmth too much for you to ignore after the physically and emotionally exhausting afternoon. He watches the rise and fall of your chest, his hand over your heart, no thought for time. He doesn’t want to move, doesn’t want to take his eyes off you. How did he survive without you for all those weeks?

A flare of light across the room pulls his focus though. It’s a repetitive flashing coming through the window to the wall.

Morse code. His blissful mood evaporates.

C-O-M-E  O-U-T-S-I-D-E

The other alpha is out there, summoning him.

He identifies which window the light is being directed into, then pads over, and releases the drape to cover the window, pulls it back, covers it again, and then secures it back in its open state. The other alpha will know he’s received the message.

Bucky has referred to him as the other alpha for so long now, but he’s ultimately about to discover who this man is. You say he’s no longer The Captain Hydra that he was, but not yet his Steve either.

He doesn’t hurry getting dressed. The other alpha isn’t going anywhere. He’s waited this long. He can continue to wait.

Bucky takes a long look at you from across the room before he leaves.

He’s relatively sure he will come back to you. There’s only one outcome that will keep him away, and now that he knows the potential danger, he won’t let this man ambush him ever again.

Bucky stalks as carefully to the tree line where the signal had come from as he had when he’d first approached the little house. He can smell the other alpha on the breeze that rustles through the trees. He tracks him in a kilometer or so – not in the direction Bucky had left his vehicle, but that works fine for him because if he needs to cut and run, he’ll be able to get to you in the house and then continue on to get to the getaway without having to double back and without the other alpha being able to cut off the route.

Bucky will think through every possible scenario as each moment of this unfolds.

His brain got him here.

His brain can get him out.

He will keep you safe.

The scent he’s known nearly his whole life grows stronger, and when he reaches a small pocket of the forest devoid of trees – not quite large enough to be called a clearing – instead of slipping silently out of the shadows, the other alpha steps out unabashedly to meet him.

“What took you so long, Buck?” he has the gall to ask, his voice barely covering notes of anger.

Bucky roars and hurls himself at the man standing before him, taking him to the ground easily, and they scramble against each other. They’re so closely matched in skill, prowess, and power, and the energy they’re both exuding is raw, primal, and angry. Bucky is incredulous that the other man is angry with him.

His own rage lands him a punch. He takes a blow to the ribs, and the other alpha gets a hand on the collar of his shirt, resulting in a tear, but it allows Bucky to grab his wrist, twist him around harshly, and pin the arm behind his back as he decisively thumps him into the ground, pinning him there.

The man beneath him only makes two attempts to struggle and shift out from under his hold, but then he sighs and sags into the tall grass they’ve been tussling in.

Is he feinting?

Bucky honestly doesn’t know.

“Who am I talking to?” he asks – the same line of inquiry Steve used on him in an abandoned warehouse outside of Berlin.

He knows it, letting out a guffaw beneath him. “I’m not him anymore.”

“Not who?”

“I’m no longer their Captain Hydra,” he pauses before adding, “but I’m not the kid from Brooklyn either.”

Bucky knows they’re not going to stay like this forever, and he needs to see this man’s face and look into his eyes if he’s going to be able to sort out any of this, so as swiftly as he can, he releases the alpha, pushes himself up, and takes a wary stance a few meters away.

Steve remains on the ground, but rolls over and sits up, planting his feet on the ground, and leaning forward to rest his elbows on his knees. It’s almost a casual.

Bucky will have the advantage of already being up on his feet if the man before him tries anything.

Bucky needs to know how to read whoever this is, so he decides to go with a different line of questioning – things that are more cut and dry.

“When you left the base in Geneva, there were two Hydra security with you. You stopped over a bridge two hours into your journey, and they weren’t with you when you switched vehicles in Albstadt. Who were they, and why the elaborate ruse only to drop them in a river so quickly?”

Rather than being surprised, it seemed he was satisfied that Bucky knew this much about what had played out. “Alright, we can start there. Leaving under the initial guise of a mission on security footage was supposed to be helpful when they started looking for me.”

“And why move the records of their transfer files to other facilities with two others?”

“I’m glad you picked up on that, too. Buying more time for some missing personnel before it was suspect and they figured out they really didn’t know where they were.”

“And why them?”

“Arbitrary.”

“Bullshit. You’ve gone on solo missions as Captain Hydra and you didn’t buy enough extra time by leaving with a two-man team to make it worth the set up only to drop them in the river without a reason.”

Steve’s brows knit together, and he chewed on the inside of his cheek for a moment before answering. “One was arbitrary. He just happened to be the roommate of my target. The one I was after? He was part of the extraction team who took our omega out of Turin. Specifically, he’s the one who handled her so roughly she had bruises from his casual brute strength. I watched the footage to figure out who hurt her.”

Bucky cocked his head and studied the man before him.

“I had only been an alpha to her for a month and I was willing to kill someone who harmed her. What are you going to do to me, Buck?”

Bucky turned and paced way, running his hands through his hair. He didn’t want to show this much unrest in front of the other alpha, but he was thinking and feeling so much, trying to read and decipher too many pieces.

He lets out a long exhale and just speaks the truth. He can’t try and take any other angle. “I haven’t decided yet.”

Before all of this, if there had ever been a situation in which Bucky would have needed to trust someone else to keep you safe, Steve would have been his immediate answer.

Steve waits silently.

There are so many questions he wants answers to, and so he starts asking them. The answers don’t shock him, and he can see that even when Steve doesn’t tell him the full truth, it’s a cautious guarding of information, but he detects no lies in any of it. That Steve has some guards up also seems tenuous, possibly temporary, like if he can only ask the right question, the tide will turn.

But it couldn’t be that simple with Steve, could it?

And when did he start to think of him as Steve again?

Bucky deals out one of the questions he’s had the longest, since the very beginning of this. “What you said that night in Wakanda – you did all of this to draw me out. Why?”

Steve lets it hang in the air for a moment, but Bucky can see this is a crux for this conversation with him, too.

“I can’t explain everything that went into that plan – I don’t know if the machine of Captain Hydra was fully in control or if part of the old me was trying to grasp at you as a lifeline, but as the weeks wore on, the strategist in me knew he needed either the Soldat to join him or his best friend to save him.”

Those words sink into Bucky, and he can understand that explanation as no one else in this world can.

“What took you so long?” Steve asks again, but this time it’s tinged only with angst, not anger.

The accusation in it unsettles Bucky.

He’s still not sure how to address the question, but he starts with, “The Soldat is gone. The Winter Soldier? Not who I needed to be to get here either.”

Steve pushes up from the ground but maintains the distance Bucky put between them. “Who are you now then?”

Bucky narrows his eyes. “Depends on who’s standing in front of me.”

Steve looks off into the trees for a moment – in the direction of the cottage.

Bucky’s instincts have failed him less than a handful of times.

They’re telling him now that’s where to start, even though he’s not sure exactly where it will end. “I’ve seen a lot of versions of you – my childhood best friend, the punk who couldn’t stay out of trouble, the stars and stripes symbol, Captain America, the target who wouldn’t let me assassinate him and then refused to finish me off in the hellicarrier, the Cap who went against the Accords, Nomad in exile – but always Steve. You’ll never be who you were before – I never was. Doesn’t mean you’re irredeemable.”

Steve scoffs. “It’s not that easy.”

Bucky gives a wry laugh and shakes his head. “I more than know that. But you’re shades of all those men right now in front of me. She sees it, too.”

“God, she…” Steve shakes his head, puts one hand on his hip, and scrubs over his face with the other.

“If you can be you, if you can be Steve, she will have you.” He’s not sure where the words came from, but he himself believes them as he says them.

“I don’t know if I can be.”

“Do you want to be?”

Steve doesn’t answer immediately. Bucky can see him sincerely work over the question in his mind. It’s a simple inquiry, but one that will define everything, and Bucky knows he will be completely behind whatever answer he gives because that is the core of who this man is and always has been – fully committed to his convictions.

When Steve says, “Yes,” Bucky can hear the heaviness in his voice. Bucky nods.

“What about you?” Steve asks.

Bucky shifts his weight from one foot to the other as he digs back into himself and where his head, his heart, and his gut now sit with all of this. But the answer is clear enough. “Till the end of the line,” he answers.

“Even after I–“

“Stop,” Bucky cuts him off. “I’ve had little more to think about over the last six weeks than us – all of us. And it felt like my heart started beating again when I found her, but you… Before this I never fully understood why you fought so hard to get through to me when I was trying to kill you in DC all those years ago, why you searched for me for years, why you were a goddamn pain in the ass who wouldn’t abandon me in Berlin and believed in me without question, but now I get it. We are in each other’s bones.”

He doesn’t move, but Bucky sees the look change in Steve’s eyes, and he can practically feel the air alter between them. They’ve always had an acute awareness of each other, and Bucky can feel the tentative return of it, like déjà vu even though he’s still figuring out who this Steve is or who he will be.

“When did you start giving Captain America speeches?” Steve finally asks.

Bucky shrugs. “One of us had to do it.”

“What now then?”

Bucky has sketched out many scenarios for how things play out from here, but every stage of this, every new revelation shifts the direction they’re heading. Even in the last two minutes things have significantly shifted again.

Bucky licks his lips and stares at Steve for another beat before he decides to head down a path he hopes is the right one. “You’re always a man with a plan, so you tell me. Tell me where this started, when it changed, where you think it ends. I figured out a lot, I have theories, and I still have questions.”

“We went to Italy to investigate a lead that came up on our radar. We thought it was an innocuous enough whisper about a couple of Hydra scientists. And don’t,“ Steve pauses to pointedly look at him because Bucky was already opening his mouth to argue. “I already know you’re going to say we should have involved you, I thought of it every day they were holding us captive. I thought it the second I heard their boots. It was a week after you left for Wakanda, and Sam–“

He pauses again, and his shoulders fall just a fraction.

“Sam and I weren’t gonna bother you.”

“She told me about Sam,” Bucky says.

Steve closes his eyes for a moment, pressing his lips together. “I told her enough about what happened, but I didn’t tell her everything.” He opens his eyes and meets Bucky’s again. His face is truly haunted, and Bucky nods, his own chest tight. He knows more than enough about that. He had still had to face the demons of his past, but when he was ready, and he had fought to find his way to do that. Steve would find a way, but it would take time, and not likely be the same journey.

“After they killed Sam, they got a raw version of me, shut down, and they went to work conditioning me, shaping me into Captain Hydra. I was too lost to fight anything. I couldn’t save him. I failed us. I didn’t want to be me. It was easy too easy for them to get the version of me they wanted when I was like that.”

There’s a full shift in how Steve lays everything out – and as he shares, Bucky knows it’s still not everything, but he can feel that it’s everything Steve can bear to tell him.

“It wasn’t your fault.”

Steve tilts his head and looks off into the forest. “It was and it wasn’t. It will always haunt me.”

“It will, but less and less.”

Bucky walks to the edge of the small clearing and sits on a fallen log. Steve follows him.

“When I was trying to find you after DC and taking down S.H.I.E.L.D. I read everything they had on record about you, how they conditioned you. They used some but not all the same methods on me.”

“I couldn’t find anything on you, and I found more than enough other hidden monstrosities in their networks these past weeks.”

“I think they got smarter after we were hunting them after exposing them – they couldn’t keep everything off the databases, but they have projects now that they keep paper-only, small teams. There was the team that captured us, but after they put us in a holding cell, we were transferred. From that point through the torture, the breaking point, and the conditioning I only saw four faces – three scientists and one officer who became my liaison. When they sent or let me out into the field, I never went with a team of more than four of their men, always the same four. Two of them I ended at that bridge.”

Bucky nods.

Already his mind is calculating – this means they could potentially contain and eliminate all of the people who knew any specifics about Captain Hydra.

“One of the scientists was killed when you stormed the facility in Turin.”

Bucky raises his brows. Even better.

Steve goes on to tell him about how he was sent on a few missions to test his loyalty before he was given the task to bring back the Soldat.

“I didn’t have a chair, and they were very adamant that my point person was my liaison and not a handler, they gave me a fair amount of autonomy. They didn’t want me to drag you in. They wanted you to join me. I think they felt like an asset who had to be controlled could break free as they saw with you the first time around, and this time they wanted operatives who weren’t giving controlled compliance, but allegiance instead.”

Bucky grunted. “A tether rather than a leash.”

“Yeah.”

“But you knew who I was tethered to.”

Steve’s head drops. “Yeah.”

“And you knew I’d be the most vulnerable and off my guard in Wakanda.”

“I did.”

Bucky lets him sit with that discomfort.

Bucky has replayed that night in his mind so many times.

“But your plan changed that night. I didn’t register it in the moment, but everything about you changed the moment you bit into her neck to claim her.”

Steve doesn’t deny it.

“Before you sunk your teeth into her, you were taunting me, dangling her like something to be smashed and discarded, you didn’t even know if it would work, and I think part of you thought it might even kill her.”

Bucky sees Steve’s jaw tick.

“You were in no way prepared for how a bond would change you fundamentally as an alpha.”

“Obviously it didn’t flip a switch immediately, but yes, it altered what I intended to do,” Steve admits.

He goes on to explain some of the things that happened in Turin – missions he went on, how things had developed with you, the clothes, and the books.

“The books were for her?” Bucky breathes. “I saw security footage of you in the bookshop.”

“I wasn’t worried about exposing myself because you were already taking longer than I wanted you to take, but when you didn’t access any of the Avenger networks, bases, or safehouses, I expected you were underground and untraceably hunting for us.”

“What else did you expect?”

“I wanted you to get foolish in your desperation and tip your hand.”

“Not with her on the line.”

“No.” Steve narrows his eyes. “You never left Turin once you showed up on our radar, did you?”

Bucky scoffs. “Course I didn’t.”

Steve nods. “A ploy to see all the defenses of the base.”

“But you left dangerously close to her heat,” Bucky shoots, the disapproving accusation blatant in his tone.

“And that’s when you made your unsuccessful move to get her back. If you’d killed everyone you’d encountered from the beginning, you probably would have made it to her in time.”

“You think I don’t know that?”

“No, I know you do.” Steve sighs. “You know, back in 1945, I thought you were dead when you fell off that train.”

Bucky doesn’t interrupt. He knew Steve knew he knew this. They’d touched on it before. But clearly there was more and a reason for Steve to bring it up again now.

“The thing is, when they found you, I know Zola did what he did to you because of me, your tie to me. When they took me and Sam, they tortured him and killed him because of me, again. You were both people I cared about, and you were hurt for it. I was not going to let it happen to her. The sense of responsibility I felt for her had already been growing and evolving, but when I felt that surge of adrenaline and fear through the bond when you attacked the base and they moved her? It had been a slow melting of ice, what was developing there, but that shattered the ice. When I found out they had moved her, I kept my personal weakness guarded, and I knew I would do everything I could to get her out of their web and keep her safe.”

At this admission, Bucky is quiet. So is Steve. Bucky knows Steve is letting him think. There’s so much to consider there – the guilt Steve has still carried for him for years, the fresh hell of Sam, and the fervent determination to keep you from being another victim by association.

He could think over this for much longer, but there are more pieces he still needs context for, so next Bucky asks, “Why did you leave the Geneva facility during her heat?”

“Best cover for time – alphas are given room to take care of their needs during rut or care for omegas if they’re bonded during their omega’s heat.”

It verifies what Bucky had theorized himself.

“But it’s been eight days since you came here.”

“Yeah,” Steve nods.

“And you’ve just…been here.”

“Yeah.”

This is the piece Bucky has been suspicious of now.

“Explain.”

“When I took her to Turin, yes, it was a trap to lure you. When I brought her here, it was to wait for you to find us. I couldn’t find you when you went underground before, and I couldn’t find you this time, and if I tried too hard, I didn’t want to risk Hydra finding us, but I knew if we stayd in one place and I focused on keeping us hidden from Hydra, you could find us.”

Bucky furrows his brow, frowning.

“Simple as that?”

“Simple as that,” Steve confirms.

Bucky studies him for another quiet few seconds, then says, “Okay.”

“Okay?”

“Okay.”

“So, what now?”

“Her,” Bucky replies simply. “We’ve still got a lot of shit to figure out, but we’ve got to do it with her.”

go IMMEDIATELY to part four: The Working of Your Hands

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

Still with me? This was a lot. I hope I've answered some of your questions, and there are some more that have been brought up, but... we're here. We're this far.

This is the single longest story/chapter I've ever published. You can see where I've left off, and there's clearly more story, but Bucky reuniting with his omega and with Steve were the primary objectives, and both of those elements I didn't want to cheat or shorten as they began to unfold. I hope they've truly done justice to these characters and relationships, and we'll see how they can possibly move forward together in the conclusion. These three still have big things ahead.

read more from the Dark Forest Fest

[leandra-winchester]

On Oliver's social media behavior regarding Bucktommy vs. Buddie

Kind of in line with many of the good points raised by @bbbuckaroo in this ask response, but I wanted to make my own post about it.

I, too, have seen posts that prompted this ask - from more well-meaning people remarking that Oliver could/should maybe say something against the toxic Buddie shippers and promote Bucktommy more, to more critical voices saying he's essentially ship-baiting with Buddie because he keeps posting about them.

As the referenced post says, Oliver "knows how important and pivotal the Buddie FRIENDSHIP is".

So let's look at that from Oliver's (and in connection also Ryan's) point of view for a moment here.

You're an actor who's been playing one half of what is one of the most integral relationships on a very successful show. That relationship has textually always been a friendship, but with elements that make it richer and deeper than most regular friendships; it's a sort of family dynamic.

It could be read as having a potential for romance, and you're open to that, should the writers ever decide that's the direction they want to take it. You have said so multiple times, not just to appease a large group of fans, but because you genuinely mean it. You're open to it, but you don't know if it's ever going to happen, nor do you have any power over it.

You do love the way fans are celebrating this relationship though - whether they highlight the canonical platonic aspects or take it a step further. You "love the love" (as Ryan has put it). It's great, it's heartwarming, it's moving because the potential of that romance and your character figuring out he's bisexual means so much to queer fans who are looking for good queer representation (which your show already has, but there could always be a bit more, right?). You see and want to acknowledge all the creativity people pour into it.

But you're careful after a while, because, so far, that relationship has only textually been platonic, and some fans are accusing both the writers and you of queerbaiting.

So you take a step back, do less social media for a while. You don't want them to think you're confirming anything just because you see value in certain fictional interpretations of the text.

But then you are told that your character is supposed to come out as bisexual; he'll have a romance with a background character they're bringing back for a couple of episodes. While that's not exactly the relationship many of the fans hoped to get, it's still amazing. It's the right representation of bisexual characters that is very rarely done right, and it'll confirm that they always read your character correctly as bisexual. It'll be so validating to the fans to know they didn't misinterpret that, and you're very happy about that.

But you still love the family-like, platonic relationship you've built with the other character for 5 whole seasons before this. And you love the relationship your character has with his son, too. (In a way, Buck is to Christopher what Bobby is to Buck - a father figure).

You want to keep celebrating that because your new romantic relationship doesn't replace the year-long friendship with Eddie. You want to show fans that 'hey, even though this isn't exactly what you hoped for, it's still great; it's important. Eddie and Chris are still and always will be a huge part of Buck's life. Don't worry. Buck will not abandon them. I still see you and acknowledge you, but let's focus on the textual friendship and platonic love here. Which is also very, very important, and very dear to me personally."

And there isn't that much to share about a romantic relationship that's just begun yet anyway, especially with the season being so short and packed with multiple story arcs around the main characters. It's all still at the start, and while it's great, exciting and has the potential to become something lasting, nothing's set in stone yet. You probably also don't want to have people get their hopes up that Bucktommy is 'confirmed' as endgame; and you don't want to put a main character who has his own, very complex story arc going on this season on the backburner.

You've obviously 'done it wrong'. But no matter how else you could have done it, it would have been wrong as well. You probably know this by now, because no matter what you did in the past, there were always people who interpreted your actions and words in bad faith to confirm their own agenda.

So what the hell are you supposed to do other than what feels good to you while applying a little bit of caution?

---

Oliver CANNOT get it right. It's simply impossible. If he didn't post at all, some fans would be mad that he doesn't say anything. If he only or primarily promoted Bucktommy, they'd be mad that he ignores Eddie and Chris entirely. If he only promoted Buddie (platonic) and Chris, they'd be mad that he's ship baiting. And if he goes for the balance of putting his character's 6-year history with Eddie+Chris and the newly developing romance with Tommy in perspective, i.e. what he's doing right now, they're still mad.

In any potential scenario, the loud and obnoxiously entitled portion of the fandom would find a reason to criticize. It really does not matter what he does.

So, where does that leave us? Personally, I'd say leave the man alone. Let him post and say what he feels is best, and don't try to look at it under any 'bad faith' lens. He's probably given it sufficient thought and does what he thinks is best and feels right.

[raven-at-the-writing-desk]

Hello! I’m the same anon that asked about the school system, but this time I have a question about Lilia. So it’s pretty heavily implied on Lilia being based on the Three Good Fairies (Flora, Fauna, and Merryweather), but aren’t only Kalim, Rook, and Silver confirmed to be the good guys since they use light magic? Do you think Lilia may be based off someone else or some other reason?

Thanks and have a great day! :)

[Referencing this post!]

Welcome back, Anon ^^ I hope you found the response to your last question to be of use; I know that I learned a lot myself as I went back to research and pull lore for the post.

To be clear, several TWST characters have no definitive single inspiration. It may be easy to state that Kalim, Rook, and Silver are twisted counterparts for the Sultan, the Huntsman, and Princess Aurora respectively. These three have light cosmic magic and it has been speculated by fans that this reflects the "non-villain" characters they are heavily twisted from. It should be noted that TWST itself has not yet confirmed the exact reasoning for why the "light trio" has this kind of magic compared to the rest of the cast. It hasn't even been acknowledged in any way by the characters' dialogue. Other characters' inspirations are not so clear and instead borrow elements from many different places. For example, there is no singular wolf that Jack is twisted from, but rather many different wolves over various Disney media. The same can be said for Ortho, who has no immediate Disney counterpart but does have a story very reminiscent of Pinocchio while also boasting Cerberus-like characteristics. Lilia is also one such case of not having a clear inspiration. Certainly he has elements of the Three Good Fairies (ie he raises an adopted child in the woods and sucks at cooking), but he is also quite literally a bat fae (because I believe there is a brief scene with bats in it) and a general (think of Maleficent's armored minions). These latter two traits are more closely associated with Maleficent than the "good guys" that share the same movie as her. Some have even suggested that Lilia is similar to Diablo, as he is an advisor to Malleus (who is clearly twisted from Maleficent) and is also a dark flying creature. The traits of the Good Fairies aren't limited to just Lilia either; there are instances when others in Diasomnia act like the Good Fairies (like when Silver and Sebek argue about what color Lilia's suit should be in Lilia's Suitor Suit vignettes). Essentially what I'm saying is that Lilia isn't based on the Three Good Fairies; he and several other characters have many inspirations and I think we should try to get over this idea of thinking that each TWST character has a singular Disney counterpart. The truth of the matter is that everyone references and borrows ideas from several Disney properties and getting hung up on trying to solve the mystery of who connects to whom will yield no meaningful results. You can still speculate and theorize of course, just try not to worry too much about finding the "right" answer because chances are that there isn't one.

[defectivevillain]

this winding labyrinth

chapter 1: suffocation.

pairing: Hannibal Lecter/Reader (reader is not gendered, race-ambiguous, and no physical descriptors are used)

summary:

You wish you never met Hannibal Lecter. But you yearn for his presence. You want to forget him. But he never truly leaves your thoughts. Now, you’re left to pick up the pieces of a broken design. A battle of instinct rages on in your mind—one of bittersweet relief and cloying grief, fearless resolve and poignant regret; a clashing between affection and antipathy, pride and pain. What will win, in the end? Only time will tell.

this is act 2 of this broken design. if you haven't read that, this won't make too much sense.

ao3 version | Spotify playlist

warnings: canon-typical blood, violence, gore, mutilation, death, & animal death. the animal death is pretty detailed, so please don't read this fic if you're triggered by that kind of topic.

author's notes: This first chapter is a little bit of a mess imo, but I wanted to post it to assure you all that I don’t want to abandon this fic. It may take me longer to post and update chapters, especially since I graduated from uni (mwahahah) and my schedule may get busy. Still, I really enjoy writing this story—and you all seem to enjoy reading it. Both of those things are enough to keep me going.

Something extremely ironic happened around the time I was writing the last few chapters of Act 1. So… if you remember, in Chapter 6, Hannibal and the reader go on an opera date (of sorts). During that date, the reader remarks that they “don’t know the first thing about opera.” Those words were pretty much taken directly from my mouth. Fast forward to about mid-fall, I get a call for an interview for an internship. I end up doing the first interview, then a second interview… Then I get the internship. The irony? This internship is at an opera house. (What’s even more ironic is that I’m now getting to the point where I do actually know things about opera—I know different productions and directors and technical terms… It’s absolutely crazy. The universe is making me eat my words, lol.

To make matters even stranger, I was in the office for the internship one day and caught a glimpse of a television, which broadcasts what’s happening on the stage. Imagine my absolute surprise and fear when I look up at the television screen with absolutely no expectations and see a single man in a beige jumpsuit with something over his face standing on stage, his shadow silhouetted against the wall behind him. Imagine my surprise when I see that, not only is he standing in an enclosure with iron bars (just like the ones at Baltimore State Hospital for the Criminally Insane), but it also looks as if he is staring right at me—and he looks exactly like Hannibal Lecter in captivity. It was simultaneously scary as hell and weirdly reassuring. Anyway, I’ve taken these experiences as cosmic confirmation that I should continue writing this fic. Lol.

Anyway. Back to the important things… I’m planning to borrow elements from both Silence of the Lambs and Red Dragon, but, similarly to the first act, there will be canon divergence and canon non-compliance. Also, as you probably discerned in the past act, there is some plot armor. But, this is fiction.

Your life currently takes two forms: before the Chesapeake Ripper… and after. 

Before the Ripper, the leaf-stained pavement of the Bureau filled you with hope. Walking through the agency’s halls was a testament to the hard work that brought you there. Each assignment was an invaluable opportunity to further develop your interrogation and combat skills. You went to classes, completed assignments, trained, slept, and repeated the cycle the next day. Over and over and over again. But you were happy. 

Life doesn’t feel so simple anymore. You feel like you’ve been fading for a while now, slowly deteriorating as you invest more and more energy into catching criminals. Your work has morphed into an exhausting mutual exchange, one in which you take murderers’ freedom and they take your restful nights. You can’t remember the last time you rested unencumbered by the horrors you’ve seen in the field.

By some miracle, Jack manages to keep the press relatively uninformed about the happenings behind the Ripper case. Everyone is too absorbed with the fact that Hannibal’s in captivity to remember to ask just how he got there, and you’re very grateful for that lapse in memory. You can just imagine the interactions you’d have with paparazzi. Is it true that he stabbed you? Is it true that he purposefully left you alive, only to surrender in your front yard and torment you with the constant knowledge that he will remain in the same place, lying in wait until the moment you will inevitably need him? You shudder. 

Even with all the chaos that comes from the Ripper case—the media coverage of Hannibal and the attention the FBI gets—life goes on. Back at the Bureau, you occasionally lecture the new recruits and you take on assignments along with the rest of the Behavioral Analysis Unit. Jack is still wont to call on you at the most ungodly of hours; Beverly still trades lighthearted taunts with you; Brian Zeller still seems to hate your guts, for reasons you’re not quite sure of; Alana and you are back to a steady friendship, albeit with occasional beats of unexplained tension and awkward silence. 

Criminality continues to occur in the Ripper’s wake. You’re not surprised: the imprisonment of one criminal doesn’t beget the imprisonment of another. Even so, it’s difficult for you to proceed as if things are normal. You see traces of Hannibal in each of the monsters you apprehend. Your emotions are starting to eat you alive from the inside. You don’t have a therapist to assist you with those emotions anymore. And, while you think therapy would be helpful, you also know that there’s no way in hell you’d be able to actually be honest with a therapist without being imprisoned yourself. The things you’ve done and the urges you’ve felt…  Neither is even close to a semblance of normality. 

You take a deep breath. You have no issue stopping other criminals, sending them to empty white walls and thin mattresses. Why was Hannibal Lecter any different? You suppose you shouldn’t fool yourself—you know the answer to that question already: you got to know him. Beyond the mask of the Ripper, beyond the bloodied skin and cruel smile… You started to see him as a man, perhaps even a friend. Perhaps, even-

You tear yourself away from that thought process before it gets too far along. The semantics don’t matter now. All that matters is that you’re back in the field, back popping pills for your headaches and blinking fresh horrors from your eyes. All that matters is that the memory of Hannibal Lecter begins to fade away in the face of work— so much so that keeping busy helps you forget the pain. 

Meanwhile, a hundred miles away, a veterinarian walks into a stable under a farmer’s guidance. The two stand over a dead horse and the veterinarian frowns. The farmer explains the horse’s death before stepping aside, letting the professional work. 

The farmer quickly becomes lost in their thoughts. They hadn’t expected the horse to die in the middle of her pregnancy. The farmer swallows past the tightness in their throat and tears their eyes away from the horse. They were looking forward to the birth of the foal, looking forward to helping the mother raise her offspring. The stable air suddenly feels suffocating and they take a look at the veterinarian’s turned back before stepping outside to get some fresh air. 

Moments later, the veterinarian rejoins them. The doctor’s lips are drawn in a tight line and there’s a troubled expression on their face. The farmer feels any remaining composure promptly seep out of them, as the veterinarian suggests they come back into the stable. 

“It feels like there’s something here,” the veterinarian says, their expression conflicted. They touch the horse’s womb with a gloved hand and frown. 

“She was pregnant,” the farmer chokes out, their throat feeling tight again. It hurts to utter the words aloud.

“With twins?” The veterinarian asks, turning around to look at them. 

“No, just one baby,” the farmer shakes their head. Why would they ask about twins? Surely, they don’t feel another baby in the womb. The thought of two deaths is morbid and distressing enough, but three? The farmer inhales shakily. 

“There’s… something else here.” The veterinarian remarks, their face contorting as they feel the horse’s womb once more. They turn back to look at the farmer for assistance. The farmer feels a horrible, inexplicable sense of foreboding crawling up their skin. Despite that feeling, they nod to the veterinarian. The doctor nods in response and turns to the horse’s womb, before making an incision.

The veterinarian unearths the dead foal and places it on the nearby hay with infinite gentleness. The farmer’s chest begins to hurt as they come to terms with the sight before them. Their pain doesn’t end there, however. The veterinarian continues slicing along the skin before stopping and glancing back at them inexplicably. It’s as if they’re waiting for permission to continue. The farmer appreciates the gesture and they nod in affirmation. This mystery needs to be put to rest. 

The veterinarian inhales sharply, sending the farmer’s heart racing. The farmer prompts them to step aside, revealing the horse’s womb. There’s… something there. The farmer squints at it, a gasp ripping its way from their lips as they realize just what they’re looking at. A human corpse lies on the stable floor, a stark shock of muted crimson against the golden strands of hay. The farmer brings a shaking hand to their pocket and calls the police. 

Unaware of these occurrences, you slowly exhale and pinch the bridge of your nose, feeling a headache coming on. You busy yourself with grading your students’ papers, and you don’t learn of the corpse until a few hours later, when the medicine begins to kick in and you’re foolishly convinced that you’ll be fine. Before you can leave for the day, Jack is walking up to you and beckoning you to the lab. The two of you grab Beverly along the way, which leaves the three of you to enter the laboratory that Price and Zeller are currently situated in. When you walk in, you’re immediately assaulted with the scent of formaldehyde. Price explains the situation behind the corpse, how a veterinarian found the body within the womb of a horse. The notion is strikingly similar to the other deaths by suffocation that have been eluding the BAU for several weeks. Jack seems to think the same thing, as he rattles off what he knows so far about the killer. You add things here and there—small things you can notice from the state of the corpse itself—before Price gets the group back on track. 

“I called you here because…” Price trails off, frowning before readjusting his stethoscope and placing it on the victim’s chest once more. The room is deathly silent as he concentrates. “...There’s a heartbeat.”

“That doesn’t come with the onset of rigor mortis—we all know that,” Zeller continues, looking down at the corpse with a somewhat puzzled expression. He seems to sense you staring and looks up, his eyebrows furrowing as his gaze meets yours. “She’s dead.” He announces with complete certainty. 

“She was found in the womb of the horse?” Beverly asks. Everyone else nods and she pauses for a moment. “Make an incision and check the chest cavity.” There’s an unshakeable certainty in her voice and it throws you off for a moment, before you realize what she’s getting at. It’s not unfathomable that something was buried within the victim’s chest cavity. Suffocation seems to be a common theme with this killer. Did they put some sort of dead animal in the corpse? The thought makes your stomach turn. 

“Alright,” Price acquiesces, after glancing at Jack for approval. Crawford nods, evidently attributing value to Beverly’s suggestion. The four of you—Crawford, Beverly, Zeller, and you—watch as Price leans in and makes a careful incision in the chest. For several moments, there’s nothing but a tense silence in the air as Jimmy works. The quiet is broken a few seconds later when Price takes a sharp breath. “I saw something.” 

“Keep going,” Jack demands, bringing Jimmy’s attention back to the task at hand. Price nods and makes the incision a little bigger. All of you are watching in anticipation, waiting for something you’re not quite sure will appear. 

All of a sudden, there’s a flash of motion. A yellow blur flits about the cavity, before reaching upwards and extending its wings to fly out. You watch in disbelief as the bloodstained bird stretches its wings and flies about the lab, colliding with the sheen of the fluorescent lighting and sending shadows flickering along the floor.

Jack is the first one to respond. He quickly paces over to the small window located near the ceiling and opens it, allowing the bird an escape. For a few moments, the bird doesn’t seem to notice: it’s too overwhelmed with the sudden change in environment to comprehend that it has just been granted an escape. It has a chance at true freedom, but it’s too busy taking in the laboratory’s flimsy promises to notice. The bird eventually notices the open window and flies out of it, before Jack closes the laboratory off from the outside world once more. 

The group begins discussing what just occurred, but your mind is elsewhere. You feel a strange sort of kinship with the bird: suffocated beneath rows of ribs and walls of tissue and skin; banished to the space between; too taken with the small allowances to notice freedom within reach. You pinch the bridge of your nose. Your headache is returning, as pressure builds up in your temples and constricts your very skin. It’s significantly harder to breathe. Every time you blink, you’re greeted with the memory of that bright yellow bird bursting from its confines, greeting the stale laboratory air with beating wings. You step outside the lab to get some fresh air, trading your smaller prison for a bigger one—just as the bird did mere moments ago. 

It doesn’t take long for Jack to find you. After all, you’re not hidden—you’re simply leaning against the wall in the hallway that leads to the laboratory. Jack strides up to you, his hands in his pockets and that familiar tight line drawn across his face. You suspect he’ll get wrinkles a lot sooner than everyone else his age—sheerly because of all the responsibility he holds and the pressure he’s forced to perform under. It must be exhausting to be the one calling the shots in these horrible situations. You had always assumed Jack had the easy job, but looking at him now, you think that assumption must be incorrect. He is suffering, just as you are. Perhaps… Jack has just grown better at hiding it. 

The thought makes Jack’s remark slip in one ear and right out the other. You ask him to repeat himself and he sighs. “We need to go to the stable where the corpse was found. There are several police officers there already, but…” But we need to do a more thorough investigation , he doesn’t say. You hear him anyway and nod. Jack walks past you and paces purposefully down the hall, not even bothering to look and see if you’re following him. Perhaps he already knows you will follow him. 

What follows is an awkward car ride. Neither of the two of you attempt to break the tense silence, leaving a suffocating air of uncertainty and indecision. You don’t know what to say to Jack, so you instead busy yourself with looking out the window. You resolutely pretend not to notice your boss’s gaze repeatedly flitting over to you and, after a painful amount of time, Jack is driving up the gravel path that leads to a modest farmhouse and a beautiful wooden stable. 

The place is already crawling with police officers and FBI agents. Unfortunately, the police were the first ones to be informed of the case, which means the FBI is forced to share jurisdiction with them. You know Jack isn’t too happy about that, especially once you see the frown on his face as he watches the police officers clumsily investigate. They don’t have the right training for a situation like this and Jack is delighted to inform them of that fact—albeit with much more sugar coated wording than you would have utilized. A few minutes later, the cops are gone, leaving Jack, you, and the set of agents that Jack requested to follow after your car on the drive over. The other agents are quick to secure the crime scene, while Jack and you decide to explore the premises a little first. 

The property features a small, rather unremarkable house with slightly dirty bricks and a well-loved bench swing on the porch. The front door is agape, revealing hardwood flooring and items strewn about. Jack and you exchange a glance before walking into the home. You don’t see any sign of life until you reach the kitchen and come across an older woman sitting at the table, stirring a cup of tea. You’re quick to show your badge and explain the situation to her. She doesn’t seem to have a great idea of what’s going on, so you eventually decide to leave her be and keep looking about the property. 

Next to the house is a rather large stable, complete with several different stalls and a wide variety of tools. You have no idea what half of the tools could possibly be used for, but the majority of them look as if they’ve been used at least once. There are bales of hay in the corner of the room and various accessories hanging near the post of each horse’s stall. There are only a few horses in the stable—you think you could’ve seen a few in the pastures out back earlier. There’s a horrible stench pervading the air, and it’s not the typical odor that comes from a farm. It’s the smell of death. You look at Jack and he nods, inclining his head and gesturing for you to continue exploring the stable. It isn’t until you reach the last stall—one that is inexplicably larger than the rest—that you find the source of the stench. The rotted corpse of the horse rests at the back of the stall, the womb flayed open. The organs have been removed, but the smell of decay remains. Surprisingly enough, you’re not alone in this stall. A brown-haired man sits cross-legged on the floor next to the horse, a blank expression on his face. 

“...Hello?” You decide to try. There’s no response. “Excuse me?” Still no response. 

You glance at Jack and he raises his eyebrows, before turning to the stranger. “You must be Peter Bernardone,” Jack remarks. The mention of the man’s name seems to be enough to get his attention. On second thought, you remember Jack offhandedly mentioning that there may be a stablehand on site. It seems you’ve found him. 

“That’s me,” the man replies flatly, staring ahead with glassy eyes. He looks as if he’s on an entirely different plane of existence, as he looks at the wall ahead of him with enough intensity to melt it.

“Jack Crawford, FBI,” Jack answers with an introduction of his own. He flashes his badge for a moment before putting it away. You can’t tell if Peter is even paying attention, but you do the same to make him more comfortable. “We’re just here to ask you some questions.”

“I want to talk,” Peter murmurs quietly, just barely loud enough to be heard. He pulls his knees up to his chest; his eyes haven’t strayed from the corpse of the animal in front of him. You feel your chest constrict a little at the sight. 

“Good,” Jack responds with a nod. 

“...To you,” Peter finishes with a gesture. To your complete surprise, he doesn’t point at Jack—he’s pointing at you. Jack blinks in equal surprise, looking at you for answers. You send him a helpless look. At first, you’re not sure why you seem more trustworthy than Jack. Then you remember Jack’s position and the intimidating aura he tends to give off. You think you’d want to talk to someone like yourself too, were you in Peter’s situation. 

“Alright,” you agree. You don’t see the harm in having a conversation. You need information and, more importantly, answers. Jack stares at you for a long few seconds, before exhaling in evident exasperation. 

“I’ll be outside,” Jack promises, before walking away. You wait until Jack is out of sight before you take a step closer to Peter, placing your hands in your pockets. 

“What do you do here, Peter?” You hear yourself ask. Your voice sounds foreign to your ears. 

“I volunteer here,” Peter responds, still facing the corpse. His voice sounds hollow, empty. “Sometimes.” 

“Did you… know this horse?” You ask hesitantly, looking down at the corpse.

“Yes,” Peter answers without hesitation. There’s a hint of emotion in his voice now.  

“Ridden her before?”

“I don’t ride the horses,” Peter replies, “I just like to brush them.” 

“Okay,” you acknowledge. You begin pacing around the stall in an attempt to calm your restless nerves. “Peter, were you here on the day that the veterinarian visited?” Jack had briefed you on the circumstances of the horse’s death, how a veterinarian had been called to investigate before the corpse was found in the womb. 

“I don’t remember a veterinarian,” he stares ahead with a frown. 

“That’s fine,” you answer. He may not have been there that day. “The veterinarian was the one who cut open the womb and found the corpse… Did you know this horse was pregnant?”

At that question, Peter turns around and stares at you. His hollow gaze is enough to send a shiver down your spine. For a moment, he just stares at you, before huffing in amusement. “Obviously.” 

“Obviously,” you echo. You suppose that was a rather dumb question on your part. “Were you… sad about the foal?”

“Of course,” Peter huffs again. “Why do you think I’m sitting here?” This discussion isn’t getting you very far. 

“Fine,” you acquiesce. You take a deep breath. “This doesn’t seem to be getting anywhere. I’m going to give you my extension, and if you ever feel like talking about what happened, you can call me, okay?” Thankfully, you know for certain that Peter isn’t the killer—the psychological profile you built on this murderer tells you that much. Jack clearly doesn’t think Peter is the killer either, and those two facts are enough for you to rule him out as a suspect. However, you’re still contemplating the possibility of him tampering with the crime scene. 

Peter clears his throat pointedly and you remember what you were supposed to be doing. You grab a notepad from your jacket pocket and quickly scrawl down the Behavioral Analysis Unit’s phone number, followed by the extension to your office phone. You take a step closer and hold it out to Peter. For a fraction of a moment, you think he won’t take it. Just before you can pull your hand back, he takes the paper and slips it into his pocket. 

You turn on your heel and take a step towards the door of the stall, fully intent on leaving, when the door falls open of its own accord. Jack Crawford stands in the doorway, staring at you. 

“Good, Agent,” Jack remarks. This must be important. “We have a lead,” he says vaguely, his eyes falling to Peter. You can’t discuss confidential information here—the details will have to wait until you’re both in the car.

“Excellent,” you remark in relief. “I’ll meet you at the car?” You can sense that Peter’s attention is piqued. Maybe you can still get something out of him. Jack nods and walks away once more. You then turn to Peter, who has turned his body away from the horse to face you. Somehow, he’s intrigued now. Something has caught his eye. “Sorry, Peter,” you apologize, taking a step backwards and emphasizing that you’re a moment away from leaving, “I have to go.”

“What is it?” Peter asks, “Did you find him?”

“It’s classified, I’m sorry,” you respond, ignoring the inexplicable sound of alarm bells blaring in your head. Peter isn’t the killer. “But we’re tracking down this killer. I promise he’ll be put away.”

“You promise?” Peter asks, a dangerous conviction in his eyes. 

“Yes,” you respond without hesitation. You don’t have the authority to make that kind of promise, but you do anyway. The sincerity in your expression must convince Peter, because he takes a slow breath and the tension seems to fade from his form. “Now, if you’ll excuse me, Peter. It was nice to meet you.” Peter says the same and you turn to leave the stable. 

“Price and Zeller found soil in the corpse’s throat,” Jack recounts to you as he drives along the highway, moving at a comfortable speed. His eyes are fixed on the road, but he recalls his conversation with Price with perfect consistency. “We traced it to a burial site about thirty minutes from here.”

“Great,” you remark, relief coursing through you. To your surprise, Jack doesn’t respond. Instead, he simply nods ever so slightly and continues staring ahead. Now, it seems as if he’s avoiding something. “What is it?” You ask. Something seems off about him. 

“You may want to brace yourself,” Jack warns vaguely. 

“Why?” You hear yourself question. Jack doesn’t answer, and he’s quiet for the rest of the car ride. When the two of you pull up to the supposed burial site, you’re filled with trepidation. This job always comes with the knowledge that blood and gore could be waiting at every corner. That’s the normal day for an agent. So… why does Jack feel the need to warn you? You grapple with the prospect as the two of you leave the car and join the group of agents circled around something. 

It isn’t until you get closer that you recognize the familiar stench of rotting death. Sure enough, the group of agents is clustered around a hole in the ground—one that houses a woman’s corpse. You stare at the marks around her neck, the dirt caked under her nails and staining her fingertips. She was on the brink of death when she was buried. She was trying to escape. You stare down at the body for another moment, searching for any more abnormalities, before taking a step back to let the other agents resume their investigation. You exchange glances with Jack. 

“She’s not the only one,” Jack says. You stare at the field around you—the grassy, open expanse. It seems to stretch on for miles now. You feel your heart steadily thudding in your chest, at a rate slightly faster than normal. Your head begins to ache. 

“How many of them are there?” You murmur. The question is quiet, as you practically whisper it against the wind. For a moment, you think Jack doesn’t hear it. You then realize that he has comprehended it, but is simply declining to answer. Indeed, your boss stares out at the field with a conflicted expression. “Jack?”

“Sixteen,” Jack responds, turning his attention back to you. You feel something in your stomach twist and pull. 

“That can’t be right,” you remark. It sounds as if the wind is picking up. It takes you several seconds to realize the sound is being conjured by your own mind, and that the air is damp and still around you. You swallow hard and take another look around at the field, suddenly understanding why the agents are now evenly dispersed across the space. They all have shovels and each sound of metal hitting dirt is enough to send a bolt of pain down your temple and through your cheekbones. Your teeth hurt as you watch the unearthing of sixteen different victims. They’re uniformly dispersed across the field. This is no happy accident—the killer meticulously planned for their graves to be close (but not too close). The thought brings a burning feeling to your throat and you feel your knees suddenly buckle. You place a hand on the ground, feeling the familiar horrible feeling of nausea climbing past your throat until you’re vomiting on the killer’s ground. It takes you a few minutes to stop, and even longer for you to fully recover. Your eyes sting and you can’t tell if you’re going to cry or pass out. There’s an overwhelming clarity in your vision and a rhythmic pounding at your temple.

This graveyard is a gruesome display, even to someone who has spent their entire career surrounded by carnage. You’ve seen your fair share of murder victims. You’ve never seen sixteen of them lined up in two neat rows of eight, buried in a nondescript field under layers of muddy soil. Moreover, you can sense the killer’s feelings—and it makes you sick. This was not a gesture born out of respect for the victims. The murderer did not dig up these graves to give these women a final resting place; he buried them to trap them, so that even in death, they would never truly be free. Their existences would be tied to him forever. They would never be allowed to breathe again. It’s nothing short of sickening. There’s nausea stewing in your stomach again, revulsion prickling across your skin, and sweat trickling down your neck.

You can’t seem to push yourself up to your feet. You’re grounded to the damp soil, to the wrong side of the earth. What deems you worthy of living? What deemed these women worthy of dying? Your hands are twitching at your sides. A deep breath causes your chest to hitch and you nearly vomit again. You look down on your body as you claw at the grass and tear it up, shakily pulling at the dirt and plants and grass and rot and death and injustice and horrible, terrible guilt and indescribable anger and vengeance -

There’s a hand on your shoulder. You instinctually tense, your movements beginning to slow. It feels as if you’re suddenly catapulted back into your body, forced to inhabit the itchy, dirt-stained skin and the endless remorse that wants to eat you alive from the inside. 

“They’re dead; there is nothing left for them here,” Jack says. It’s his strange way of comforting you. It sort of works. After a moment, he takes a step forward and extends a hand to you. You take it, allowing him to pull you up. Jack seems to be fighting against the urge to say or do something, because his eyebrows are furrowed and his lips are pulled taut in a thin line. There’s dirt all over you, yet you are still privileged with life. 

You don’t remember how you get back to the Bureau. All you remember is staring blankly ahead as you’re half-led through the halls by Jack himself, his hand on your shoulder providing equal support and increased pressure. All you remember is the worry on Alana’s face as you walk past, the way she gets up from her desk and walks over to you, how she leads you towards the far restroom with a gentle hand. It ends up being the same restroom where Zeller accused you of killing Franklyn. The memory of that encounter is far fresher than you want it to be. 

Alana leads you to a sink and guides your hands towards the water. 

“Allow me,” she remarks, turning on the sink. She steps away for a moment and you stare at the water dripping from the faucet. Alana returns moments later with a washcloth. She pumps some soap on your hands and helps you wash them clean. Your head aches. You don’t know what to think, what to say. All you can think about is the graveyard. It haunts your vision every time you blink, forcing you to think of suffocating under piles of dirt and debris. You inhale sharply, gasping. Regaining your breath is a chore. “I’m worried about you,” Alana soon admits. You hate that her concern makes you feel appreciated. Your relationship with Alana ended years ago. You don’t want to be hers again, but this very moment reminds you of the intimacy you no longer get to see.

“You shouldn’t be,” you remark. Alana laughs under her breath. You both know that’s not how it works. Emotions don’t bend to logic. 

“What did you see?” Her hand on your forearm keeps you tethered to reality. You shake your head, unable to begin describing the scene that will most certainly haunt your nightmares. The two of you are silent for the remainder of your time together under the flickering fluorescent lights, as you try to come to terms with the terrible regret, revulsion, and rage threatening to spill over your frame and inhabit your every waking moment.

next chapter

endnotes: thanks for reading! i'm very excited to continue this story, mwahhahahha

here's a lil sneak peek for the next chapter: “Peter,” Clark practically coos. You hate him, more than you’ve ever hated anyone before. He is a bundle of contradictions: a fine-dressed man with a fine-dressed smile and fine-dressed lies and cruelty and violence and- “Why don’t you tell me what happened?”

hannibal taglist <3: @its-ares @tobbotobbs @xrisdoesntexist @gr1mmac3 @tiredstarcerberuslamb @yourlocalratwriter @kahuunknown @atlas-king1 @pendragon-writes @slipknotcentury @cryinersaved @the-ultimate-librarian @starre-eyes @pendragon-writes @peterparkeeperer @gayschlatt69

[utilitycaster]

I really hope we get to see Chetney make a deal with Nana Morri to be young again as Travis has mentioned in the most recent 4sd and the SDCC Fireside Chat. It's funny, because @captainofthetidesbreath floated the possibility, before Bertrand's death (and before the confirmation he was not Lord of the Quadroads) that he might use his final wish for something similar, thus making his role in the party make a bit more sense.

The thing about Chetney right now is that he has achieved his initial goals and addressed a lot of key backstory elements, and so has reached a point where a death would not seem sudden and tragic but rather a cap on a great character arc; but there's also plenty more to do. He's met with the gorgynei and he's used his powers for good in the world. He's made peace with Oltgar and been vindicated. He's even had some romance with Deanna and Fearne. And yet - Dorao and Drixlitch are both still out there. Tuyen is after him. He's intrigued by the wolf king, and by the Raven Queen. And, of course, those relationships are ongoing and important ones.

This is honestly something Travis is particularly good at. I remember feeling similarly when Fjord died in episode 98 - I very much wanted him to come back, as there was so much more to do, but he'd also achieved so many of his goals that it felt like a valid stopping point. And, similarly, Fjord's backstory and current plot kept generating new hooks; of the Nein, he's still perhaps the one with the most hanging threads of which we're aware (and the awareness is also important - having completely unrevealed hanging threads is useless). Famously, his characters are tough to kill without deliberately springing it on them in the alley: Bertrand in Search for Grog, Bentley Badger, and Cerrit were all built to die, but the remarkable thing is that when they survive, there's no shortage of plot for them. That's also a key trait of Chetney - someone incredibly old, but with a new lease on life.

Travis started rolling the death d100 shortly before the solstice episode - after we'd gotten a good sense of Chetney and his goals, and seen him achieve the one that brought him into the narrative. And maybe Chetney's story ends that way, and I think it will be fun if it does (and I'd be excited to see what new character he brings), but making a deal with Morri allows him to actually embrace that new energy, explore all those plot hooks, and make new ones - after all, Morri doesn't give gifts without something in exchange.

[raleighrador]

The Bear S3 - Plot and Sydney

Sydney is perpetually frustrating to me and I love it.

I really loved a lot of what happened in her story this season, especially: her not opening the partnership agreement despite multiple reminders (and what she allows her dad to believe); the competing offer from Shapiro to start a new restaurant with her as CDC (I REALLY hope she takes the job); her and Carmen's (lack of) communication.

All of this is underpinned by the general sense of Sydney being very talented, thinking of herself as very talented, and being frustrated by what she sees as a lack of respect and equal treatment. Envy is a big component here - I loved the contrast of her reading all the profiles of Carmen vs the single review of her dish pinned to her fridge in the finale. She thinks she is every bit as good as Carmen and wants that to be recognised.

I love this. I also love how it plays out through the 3 elements I most enjoyed.

She has literally been offered a partnership stake in the Bear. All she needs to do is take 10 seconds to click "yes" on a DocuSign. Isn't this what she wants? Why hasn't she done it yet? Carmen is clearly supportive, Sugar is supportive, Cicero is supportive. All the key players in the Bear have made it very clear that they want her as a partner. They think she should be a partner.

That is the most explicit endorsement they could possibly give her. How much more recognition does she want? And why doesn't she the sign it?

Part of it is that she cares less about the partnership and the money than she does about having control in the kitchen, cares less about it than she does Carmen actually including her in decision making. That is legitimate. But she would probably have an easier time actually landing that point if she was a fully onboarded equity partner.

I think it is also because signing the agreement, actually being a partner, the most explicit confirmation that Carmen does think she should be an equal, fundamentally undermines the narrative she has about herself.

In general - she wants these opportunities, she's good enough, the only reason she hasn't yet succeeded is no one gave her a chance/something outside her control went wrong.

That no longer sticks if she signs the agreement. Carmen's not listening to her is much more clearly a communication problem to be overcome than a reflection of his true feelings.

I especially loved the detail that she allows her dad to believe that the Berzattos are lying about the partnership offer. His perspective seems to be: Syd told him the Berzattos offered her a partner stake. They have then NOT delivered on that promise. Ergo, they are dangling a false carrot in front of her. Even Sydney's "defence" of the Berzattos is "oh they are still working on it". All that does - from her dad's perspective - is emphasise that Sydney is being charitable and naive.

She doesn't say "I literally have the offer in my inbox but I haven't opened it". Why not? Why does she choose a lie that still makes it the Berzattos fault?

Because as much as she desperately craves authority and respect and to be her own boss she is actually terrified of taking that step up.

This is again highlighted in the offer from Shapiro. It is everything Sydney wants! Her own restaurant, total creative control, a partnership stake etc. So why the hesitation?

Her not opening the offer from the Berzattos becomes a neat tool to put off the decision - she doesn't know what she is turning down, she needs to have both offers before she makes a decision. Not opening the Berzatto offer means she can - "justifiably" - put the decision off for as long as she wants.

Pete ruins that by laying out the terms of the offer (which are ok but worse than Shapiro's offer).

Why then does she continue to hesitate? Because the actual point is she is terrified of taking the sort of control she spends her life craving.

Being given total control is awesome but it is also terrifying. She also presumably feels some sense of loyalty to the Bear and guilt about leaving etc whatever. Those are also important but I don't think they are the key. Even if they are, it just reveals a different crack in Sydney's self image: she values friendship and community more than being given control and achieving excellence.

I also like that we, the audience, are able to contrast and compare Sydney's options in a way she cannot. Shapiro's offer is almost ideal from her perspective. More money, more control, Shapiro says he doesn't want to cook everyday so he won't even be in the kitchen etc vs the dysfunctional Berzattos and Carmen with the promises but incredibly bad behaviour.

However, we know that Adam is actually a control freak perfectionist (who blames others for his mistakes). He spent a whole week screaming and shouting and swearing about a smudge (that he left) on a plate. So is his restaurant going to be some kind of peaceful, well adjusted utopia? Probably not.

Will she learns as much from an Executive Chef who doesn't want to cook everyday? Will she be even less patient with an Executive Chef who doesn't cook everyday?

But it is easy for Sydney to imagine it will be an utopia, just as much as it is impossible for her to imagine the Bear being anything but a hurricane of dysfunction.

I really, really want her to take the job. I want her to grab the screaming hot pot handle with two hands. I want her to back herself.

And I want her to realise it basically fucking sucks. It is harder than she imagined, it is lonelier than she imagined. I hope she realises that for all her talent she doesn't know everything. I hope she has huge success and it ruins her life.

Basically I like that Sydney and Carmen are narrative foils and I love the idea of that being explored by Sydney growing past Carmen but not past herself. Delicious.

The final thing I really enjoyed was her communication problems with Carmen and - spoiler - how they are at least as much her fault.

The clearest example here is the scene in Episode 8 where after service Carmen is playing with the meat dish and eventually invites Sydney to Ever's funeral service. A few really interesting things play out:

The whole "keep up with me". First, Carmen says not to worry about it because he has been doing this for longer. Sydney takes offence and says "I didn't mean from a skill level". Carmen accepts this.

Is Sydney as skilled as Carmen? Maybe but it seems doubtful to me. I am sure she is very, very good, and we have been shown lots of scenes throughout the show demonstrating that. Carmen is also meant to be a special talent though, and does just have way more experience than she does. Her defensiveness therefore seems a little misplaced. She also seems to miss that Carmen then just accepts her correction. He assume she is worried about a (reasonable) skill gap and wants to reassure her. He then also immediately accepts her assertion that actually she is just as good as he is. No defensiveness, no putting her in place.

It is also in line with Carmen's attitude to excellence more broadly - nothing is ever enough. Every dish can be better. Every chef can be better. Implying that to be true of Sydney is not actually insightful into how good he thinks she is. He also thinks that of himself.

This is also delightfully contrasted with the whole invitation to Ever. Carmen, as ex Ever & famous chef, has been invited to the funeral service. Other exceptional chef's have bene invited. The invite requirements seem to be: at least 1 of worked at Ever and/or world class chef. We know that Sydney never worked at Ever

Sydney says that it isn't her place but Carmen insists that it is.

It is clear that Carmen DOES believe Sydney is at the same level, is of the same calibre, should consider these people her peers (and his peer, hence the partnership offer). That is totally consistent with still having more to learn and not quite being at the level of her Executive Chef.

The other interaction is Sydney saying she wants to discuss something (presumably the partnership offer & competing offer from Shapiro) before then avoiding the conversation. Carmen makes it explicitly clear that he is available to talk. He reassures that "you (she) got me". He checks that she is sure before dropping it.

How much more are you looking for, Sydney? Your boy is here and ready to talk. The issue is it would require her taking ownership of the conversation and actually being the one to lead the discussion. This is also echoed in Carmen's apology about being hard to keep up with. He says he: "I've been wanting to talk about... about... I don't want it to be so hard. To keep up with me." He then stops talking and makes direct eye contact with Sydney.

In my personal experience when I am in a conversation with someone and they end a sentence before making eye contact with me they - not always but usually - are expecting me to say something. They are expecting a reaction. They are expecting my opinion. They are not expecting me to just stare back at them for a full 15 seconds (I went and timed it) before saying "ok got it."

If that isn't an invitation for Sydney to ask "how do you want to do that" or "why do you do the things you do" or even share some ideas of things she would want to see from him then I don't know what is.

It again reflects a pattern whereby Sydney always wants the other person - and specifically Carmen - to be the one in control. To be the one making decisions, coming up with ideas etc. Despite what she says, when she gets given opportunities to be in the pulpit, she backs away. That way it is never her fault, never her failure.

She also - to my mind - leaves that conversation with Carmen frustrated with him. Frustrated that he didn't give her what she wanted.

Maybe he would, if she just asked (just like he gave her the partnership offer).

The final contrasting communication/Carmen's treatment of Sydney where I think Sydney reads it wrong is the whole menu thing. In Episode 7 Sydney discovers Carmen has changed the menu and makes a number of suggestions that are all shut down. This is presented to us - and Sydney - as evidence of the fact that Carmen doesn't listen to her or take her views into account. There isn't even a discussion, he just "no we will do x instead".

However, this needs to be contextualised by and contrasted with a very similar interaction in Episode 5. While discussing Ever closing down Carmy is playing with his meat dish (at this point it has bernaise foam). Sydney (gently) teases him about it and suggests how to change it. He invites her to explain and she does. He takes the feedback. They then move to discussing the day's menu. Sydney asks about the pasta dish:

Carmen: uh I don't know I was thinking a potato gnocchi?

Sydney: with beef cheeks?

Carmen: yes good done

So it is not universally true that Carmen disregards Sydney's opinions on the menu or food. In fact, when she has a very clear idea and volunteers information he either listens and asks her to explain or he just unquestioningly accepts her suggestion and moves on. He respects her, he trusts her, so if she has an idea and he doesn't he just goes with her. If he does have a clear idea he does that. It isn't at all clear at any point that he is opposed to discussing these things IN GENERAL. However, they need a new menu every day, so if he does have a very clear idea for the menu today, the discussion isn't necessary. So he doesn't actively solicit Sydney's input because he doesn't think it is needed. He also doesn't imply that she CANNOT express it anyway (or, I don't know, write those ideas down and then the next morning she can short cut the menu setting process).

From Carmen it seems much more like an expression of cognitive load management than dismissiveness or disinterest. From Sydney it is an illustration of how interactions that frustrate her and prove her narrative about Carmen get weighted highly and remembered, but moments where he treats her as an equal are dismissed (or at least not lingered on).

[hamletshoeratio]

you say i can like a characters and acknowledge their flaws. Okey, did you acknowledge Kate and anthonies flaws???

What's y'all's obsession with Kate and Anthony? Genuinely asking here because some of the anons I've gotten have been saying absolutely vile things about Kate and Simone Ashley, which I refuse to post or give the time of day.

But anyways, I have been critical of Anthony before, particularly of how he handled the "love triangle" in season 2. I also hated his treatment of Sienna in season 1. I can acknowledge that his and Sienna's relationship was an important arc for his character, how ever much I hated his treatment of her. She deserved better. Additionally, a certain section of the fandom has to check their misogyny because the language used to talk about her is absolutely vile - and beyond hypocritical when compared to how the same people talk about Anthony.

Kate was mishandled by the writers. Full stop. The changes from the book were most detrimental to her and Edwina. I think Simone did amazing with what she was given, but they took out so much of Kate's development from the book. Most of my gripes with show!Kate are just frustration with writing decisions.

A lot of the writing decisions in general are just tone deaf. There's been a lot of rightful criticism on how the show has handled its bipoc representation. How Ruby Barker was treated in real life by netflix and the producers was disgusting. The way they've treated both her and her character has been vile. I hope to god her story in the show does not end the way it did in the books because that would be beyond horrific. If you're going to tell stories involving mental health issues, do so respectfully and responsibly. Otherwise, don't do it at all, because you're just doing more harm than good. Additionally, we've only had two minor queer characters for a show that prides itself on its representation. And those characters only appear in season 1. I'm not counting Brimsley because he only got proper characterization and arc in QC, and we have literally no clue where Reynolds is in the present timeline. And, while I enjoyed QC on the whole, the romanticization of Queen Victoria's birth as some sort of win for feminism took me out of the fantasy every single time. I'm not expecting the show to be historically accurate at all, the costuming confirmed to me that it wasn't trying to be back in season 1 and thats ok because its fantasy, but my god the way they include elements of real life history is beyond tone deaf.

Penelope herself was also mishandled by the writers. By making lady whistledown a far more active force in the show, they did not take into consideration what that would mean for her as a character. In the books, the Bridgertons react to the LW reveal like "oh OK, ride on Pen!" because LW hasn't been as destructive a force as she's been in the show. In the show, it makes no sense for them to react like that given what's been written about them and the impact that its had. LW, in the books, was far less harmful. By giving it a more active role in the story, they've unwittingly made her an antagonist because of the harm she's caused. Harm, I may add, that she's been mostly apathetic to. Show!Penelope needs a redemption arc, but she's probably not going to get one.

[kathaynesart]

This is probably dumb to ask, but what’re your thoughts on JJ Conway confirming that an official Rise of TMNT revival is unlikely?

I have not seen any mention of this in JJ Conway’s feed so I would need to be directed to what confirmation you’re referring to exactly.

Regardless, even if that is the case, it honestly would not have as much of an impact on me as it might have on some fans. Sure I would be sad that the show was not continuing, but honestly it was not the show that got me so deep into this fandom in the first place. Yes it was a really fun series with some amazing animation, a great cast, and fun concepts, but if that was all it took then there would be a lot of other great shows I would also be waist deep in.

Ironically the things that brought my love for this fandom to an all time high was actually the fandom itself, the passion of its original creators, and the raw potential that comes with being a story cut far too soon. I know all of those may sound odd but hear me out. There’s a strange allure that comes with the unknown and I think the movie did a wonderful job in setting the fandom on that course by leaving us with so many questions. When a story is left hanging with that sort of potential it feeds into a creator’s need to tap into those untouched elements and find ways of fulfilling the things they never got.

For example, if we saw Donatello in the post apocalyptic future and knew exactly what he looked like and what type of person he had become do you think there would be so many crazy and amazing interpretations of him within the fan base? Probably not. The more information we’re given the more answers there are to close the doors to that sort of creativity.

As sad as I am that we may not get more, at the same time this lack of content has led to a fun kind of mystery that I think a lot of people have latched onto. What’s more there are just so many amazing and creative people within this fandom I have met who continue to inspire me in this wonderful loop of creative feedback. That's something I haven't found in a long time. Rise did a wonderful job of being unique and by being unique it drew the interest of equally unique and inspiring fans that I have a ton of respect for. In doing so this fandom has sort of taken on a life of its own but in a way that feels supportive and full of curiosity since we have so much to work with but so few of the creative boundaries that come with having a “proper ending.”

I dunno, maybe I’m just overthinking the whole thing, but it's something I've been mulling over since very few pieces of media have grabbed my attention in such a way.

TLDR: even if we never get more episodes, that's not why I'm a part of this fandom and if anything it only inspires me to continue to create more content since there is an obvious demand for it. My only hope is that people will continue to enjoy the content I and other creatives put out, with or without the promise of further episodes.

[dark-and-kawaii]

Kiwi, I'd love to have an in-depth exposé of Thay's political system. What are the factions at court? Who are the great noble families of Thay? What about dragons? Are they a big cultural element in Thaian society? What about that society, though. How is it organized?

I'll need your three volumes book by tomorrow thank you.

I love talking about the lore but I apologize because I’m trying to condense a 5 year campaign and that’s EXTREMELY hard!!! I did my absolute best and I hope you enjoy it<333 Thank you jelly for taking such a huge interest <33 I have something cooking for you as a thanks for all the lovely stories you’ve been sending me xoxo!!

If you are interested in learning more about Lofn & Zevlor and where they live I highly recommend checking this out!!

Tʜᴇ Lᴏʀᴇ Oғ Tʜᴀʏ

In the court of Thay it is primarily composed of Wizards representing different schools of magic. These Wizards serve as advisors to Thay’s ruler, including the princess and her siblings, such as Signa, the King of Cormyr. The Red Wizards are a secret society since Lynnania’s grandfather took control and are known to be able to use the red crystals (a magical energy source) at their full potential. As members age, they seek successors to continue their legacy. The Red Wizards also provide counsel to the rulers and vigilantly guard against threats to the city. Korgus, the leader of the Red Wizards, holds a position on the council and has demonstrated unwavering loyalty to the Thay family for many years.

As for the great noble families; the lineage of Lofn stands as the sole noble family in Thay, tracing its origins back to Thorion, Lofn’s great grandfather, who shaped Thay into its current form. Upon Thorion’s “death” (never fully confirmed), his son Merciel ascended to the throne, and he was loved and respected just as his father was. However, his reign faced turmoil when his beloved wife, Lilia, had an affair with the King of Cormyr, resulting in a pregnancy. Despite the scandal, she managed to ensure the child was safely delivered to the King of Cormyr before Merciel could discover the child wasn’t his and slay the infant.

When Merciel discovered the affair, a prolonged war erupted between Cormyr and Thay. This conflict raged on until Merciel, alongside the ancient red dragon he rode, slayed both the King of Cormyr and his ancient blue dragon. As time went by, Lilia gave birth to Lynnania but fled with her due to Merceil becoming more violent natured (he would abuse Lilia). That’s where Lynnania’s story began, when her mother died she eventually discovered who she was and at age 19 she ascended the Throne of Thay and took her rightful place as Queen after killing her father and handing his soul over to Grazzt.

Lynnania(19) later forged peace with Cormyr, having fallen in love with Lykos Cormyr (30), the son of the former king her father had slain. But before uniting the kingdoms, the two clashed despite their affections, resulting in Lynnania defeating Lykos and trapping his soul within her dagger. Eventually, she resurrected him, and together they have had three children, including Lofn.

In the heart of the city lies an enormous dragon spine, so massive that the district is aptly named The Spine. Whispers and tales suggest that this spine once belonged to Astilabor, the dragon Goddess of wealth. Legend has it that she and Thorion were inseparable allies, waging numerous battles side by side until she ascended to the heavens, leaving her spine as a symbol of the dragons' guardianship over the city.

The dragons hold a strong cultural influence on the realm of Thay but the one they embrace the most is The Ancient Red Dragon, Thalerion. Some even use the red crystals as a form of reverence.

Thay holds a yearly celebration to honor Thalerion and the other dragons with fireworks and street food. The society of Thay has a bustling marketplace (similar to the Bazaars Of The Ottoman Empire). Thay is even known for being a very artistic culture with lots of sculptures, the red crystals creating murals, and in some parts they value design over function. It’s a very magical place where you can find many rare weapons, clothing, and even creatures.

Since Bane’s arrival (Lynnania’s greatest ally/A father figure in his eyes to Lofn), the Banites have become a part of the guards and have been loyal to Thay. Because of the alliance Lynnania formed with them, the temple of Bane was built for those loyal to him. You will always find Bane lurking around near/ or with Lynnania (he also takes on the appearance of a wood elf named Reyes).

The guards of Thay are led by a man named Riznof, a well known seasoned veteran of the royal guard and Lynnania’s personal guard. They are all able to use teleportation circles all across the city that they use to get to needed locations to protect it. Since Thay is known for being extremely hot, their material is made of enchanted leather that is resistant to the heat. When a member of the Thay guards meet their end, the Thay family honors their sacrifice with a sacred burial ceremony. It is believed that these warriors who have departed this life with honor, are embraced by one of the dragons from the heavens in their final moments. Their bodies are set aflame by one of the Thay’s dragons so that their soul can embark on a journey, riding upon the back of a dragon into the celestial realms above.

Due to Lynnania’s alliance with the Abyss and Grazzt her castle is guarded by Giant Demon Dire Wolves. These beasts have fur as black as night, blood red eyes that pierce your very soul and bones that protrude from their spines. Besides the Thay family only five members of the Royal guards are able to command them, Riznof being one.

Thay’s greatest enemy is Asmodeus and the Nine Hells. Lynnania and the devil lord have been at one another’s throats ever since she interfered with his plans to conquer Toril, and corrupt Thay. Asmodeus has had numerous attempts at trying to ensalve the queen and destroy the city, but he has failed each time. This only fueled the hatred between the two further, and he has since made it his mission to find a way to end Lynnania...

In an act of desperation he took control of a close and very powerful ally of hers, a wizard named Veroon- and Asmodeus attempted to kill her himself as soon as he got close enough. Though he landed a near fatal blow, Lynnania survived and before she could trap his soul in her dagger, Asmodeus escaped the body he was in. Years have gone by and Asmodeus has yet to make another move and the hells have kept at bay away from Lynnania.

[flightofthejackdaw]

World ideas for KH4:

Ones that are basically confirmed:

- Toy Story: Prolly set during or after TS3, continues the theme of growing up and friendships changing, and how we keep those we love with us even when they aren’t there

- Star Wars: Hopefully original trilogy, it’s also a world that would be massive and just kinda fun especially if we get a Keyblade Lightsaber!

Returning:

- Fantasia: with how Kh4 is shaping up to be DDD 2 electric boogaloo it just makes sense to bring this back. It would be great to see them adapt other shorts into a world! I’m hoping for the Ballerina and Tim solider one, due to Sora/Riku parallels

Ones the people want:

- Zootopia: Animal Sora!

- Elemental: A bit new but could have fun designs, cloud Sora sounds adorable

- Coco; The land of the dead is gorgeous, and seeing Donald and Goofy as Alebrijes would be awesome

- The Incredibles: A classic, also superhero Sora would just be cute

- Moana: so Sora can look at ANOTHER Disney princess and be like ‘she’s just like Riku’, also she and Ariel are the closest princess with stories similar to Riku and KH1

- Treasure Planet: PLEASE PLEASE PLEASE!!!

- Wish: Nomura could make it good, I will go crazy if he’s allowed to do what he wants with it and he just makes it better (which isn’t a hard task lol)

- Encanto: Sora bonding with Mirabel about being normal people surrounded by extraordinary people, and how what makes you ‘gifted’ is what you make of yourself rather than what you were born as (Necklace theory/Sora and Riku Child of Destiny thoughs)

- Princess and the Frog: Tina deserves some love, and we’d get to see Dr Faciller again. I also just want to see friends on the other side in game

- Inside out: Getting into Sora’s thoughts, feelings and memories would be great, as it’s time for him to have some introspection on everything that’s happened (also Necklace theory anyone?)

[dysfunctional-doodle]

YPI PROJECT BEAT MY ASS AND I’M SUPER TIRED BUT THE TOO MANY TURTLES COMMENTARY GRIND NEVER STOPS ‼️‼️💯💯💯

betrayal…. (playing uno is 100% more worth your time than patrol, can confirm, best game ever, played a game with 20 people in a german exchange (but it was kinda quick since we only had one pack of cards and. well. 20 people))

HELL YEAH, WE’RE MAKING PROGRESS!!!!! (i have a feeling this might get a bit angsty…)

😭😭😭😭 (speech to text is really annoying i get the struggle)

y’know, of all the turtles to slander clothes, i didn’t think it’d be him

god noooo the feels 😭😭 (i never quite experienced the bad-teacher side of the neurodivergent experience (my physics teacher was crazy supportive despite the fact i never scored higher than a 40% in his class) but i would get a loooottttt of shit from classmates,,,,,,, sucks ass i feel for mm mikey)

gotta keep expanding your horizons!

ok but. of all the turtles………

love it when this happens

taking action! (also hold on 2012 mikey is an adult in his timeline???)

sighhhh i hope tech stays with the mikeys forever because their dynamiccccc 😭😭😭

not sure if i’m ready for the angst that is most likely coming our way. BUT i’m excited for it

Happy you liked my insane rambles again!

Referring to what you said about teachers, I have personally had some struggle throughout school with the way they teach things which I kind of use to write the issue mm mikey is having, very loosely. Though I don’t have a neurodivergency diagnosed (though a lot of people have kind of told me that I most definitely probably have big ADD or something similar rattling in the old noggin so idk) I learn much differently to what schools want. I am a very hands on learner, and really struggle with visual/auditory classes. It’s like being told how to write a good story but not actually doing it - I just tune out, or it is difficult to get it to “click” unless I explain it to myself in a weird way that actually makes much more sense to me. Once this “click” happens it’s great, I have no issues, but I have a lot of questions and thoughts that others don’t get prior to this point that I’ve unfortunately been disregarded for, as my teacher just didn’t want to explain and deemed me as stupid and needing extra classes because I didn’t learn in the same way. Not to brag but I’m pretty intelligent without even studying so this was a slap in the face for me.

So yeah, I kinda based at least some elements on this experience, though obviously a lot is also made up/fictionalised.

Wow that was a ramble

Anyway, you also mentioned Mikey’s age? I don’t think I’ve ever properly written down the ages outside of a discord I am in that talks about this fic, oops. In short, the timelines are not linear, but rather dotted around the place. A breakdown:

1987 are the ones where I’m not 100% sure on what to age them as, but I imagine around 17 - 19, all the same age

Rise boys are about 6 months - a year after the events of the movie

2012 are about 20 - 22, a few years after their final series (with Mikey being an extra 2 years ahead due to Dimension X)

2007 are what I believe are their cannon ages at 21? Takes place a few months after their 2007 movie (I also consider the 90s movies to be from the same universe due to the details present in 2007)

2003 are a few years after the crossover movie, making them the oldest at around 25 (Mikey being 24 due to him being a few months or so younger when they were sold)

Mutant mayhem boys are literally a couple of weeks after their movie

Bayverse boys are a year after their second movie

Hopefully that clears things up a little :)