#this DID happen tho. right?

[sisterdaniela]

omg i just randomly remembered from the copenhagen show,,, ,, a confession was like "i've been in love with my bestfriend for so many years and she has no idea" or something like that, and dnp were literally like "pffft couldn't be us amiright" THAT WAS SO FOUL OF THEM?????

(edit: here is the audio guys (and another higher quality audio here), my memory may have worded it differently but still... dan says "here we are two bros sitting five feet apart in a confession box because that's not ussss")

[hinamie]

playing around w slightly different hair renders

[sunnibits]

decided to join in on @quezify’s eggtober again this year as a little art warmup and I actually ended up really enjoying it!! it’s obviously way outside of my usual comfort zone so I’m very happy that I was able to create an end result that I’m proud of :)

[felassan]

What kind of spirit do you think Felassan waz?

Swag

[ricky-mortis]

Curtwen Week Day 2: Chimera

[momentomori24]

[This has been sitting in my draft for a while lol]

When it comes to Curly's failings, I always see people bring up his obvious failure to protect Anya and him prioritising Jimmy, who was the rapist in that situation. Which is completely valid btw and we should rake him through the coals for that alone even more. But I also see too many people saying that Curly "didn't enable Jimmy" or playing softball for his actions. And I could maybe see where that comes from if that incident was the only thing we had to point to-- but that wasn't all he did, is it? Curly being indifferent or not taking Jimmy's mistreatment and belittlement of Anya seriously was hinted at so much earlier than that.

Namely, the very first time we play from Curly's point of view. Let's just skip the fact that Curly was putting everyone in danger by not taking his psych evals seriously and simply giving the same answers to pass them even tho he was shown literal minutes after this scene being clearly not-sane, and go straight to the point I actually wanna get into. Which is this:

These scenes in isolation wouldn't be that bad. From his pov, it's played off as comical and it is. Jimmy being a brony (not really lmao) and getting playfully dragged over it is funny. But unfortunately this is the first example out of many for Curly's complacency. Anya is complaining about Jimmy not taking his psych evals or her seriously, which is easy to believe considering how much he rags on her for "not being a good nurse" (she kept Curly alive on hopes and dreams how dare you). So he keeps making her do silly and inappropriate reports she clearly doesn't wanna do, which is kinda shitty (also borders on harassment). But rather than actually saying something about Jimmy's behaviour or even acknowledging how it sucks he says this:

Mate, that's not a good thing 💀 He's clearly aware that the problem is Jimmy's lack of respect for Anya specifically. He knows that if he, his friend and a man in power, were the one doing the evals Jimmy wouldn't try that disrespect. But it's Anya, a meek woman who ranks lower than him so he thinks he can get away with it (which he DOES), and Curly's shown as comfortable in knowing that. He doesn't chew Jimmy out for making Anya uncomfortable nor does he reassure her that he will do something about it. All he does is take it off her hands this once and helps Jimmy power through it to get a good diagnosis (even tho we know he's DEFINITELY not sane either). He doesn't even mention Anya's discomfort or confront him on his inappropriate behaviour, just teases Jimmy in good fun instead because he doesn't think of it as anything serious. It's subtle and pretty minor in comparison to everything else, but I think it's worth pointing out. Especially because this convo takes place after Jimmy had assaulted her, which makes this so much worse.

If you need any more evidence of Curly being an enabler you need not look further than Anya herself. And I'm not just talking about the way he failed her here-- I'm talking about Anya's own view of Curly and the way said view influences her actions.

Just look at her choice of wording. "What would you have done". This is in response to him saying that she could've come to him if she were feeling stressed, which she-- in his eyes-- didn't. The question itself implies that she had no faith in Curly to actually help despite his insistence that he would've, which I think is significant because it shows that she's very much aware of Curly's shortcomings when it comes to her situation AND it's one of the first (or the first time) she actually verbalised her lack of trust towards him or anyone directly. Prior to this scene she had told him about her rape and the rapist, presumably because she trusted him to handle it. And he dismissed her because the rapist was his best friend, and that evidently deeply scarred her. Enough so that she secretly took the gun and hid it someplace else and didn't even tell Curly were that was, because she knows that if Curly has access to it there's a so much greater chance Jimmy will have too, insinuated by the line "the least I can do is make sure he never gets it either". Speaking about the gun:

It sucks so bad that this perception of him isn't even inaccurate nor unjustified. That despite everything Jimmy had done to her and everything he could still do to her, he'd very likely still not allow her access to the gun for protection. Because that's exactly what he didn't do anyway. He didn't attempt to keep her safe from Jimmy, instead he just pretended that nothing was wrong and still let Jimmy's belittlement of her pass. He didn't give her the gun after the incident, because she wouldn't have hid the case if he had. Despite his desperate reassurance that he'd do anything, he did nothing but make it worse for her and she KNOWS that. It's so frustrating knowing he entrusted the axe to Swansea when he needed it but not the gun to Anya when she needed it too. Also this:

The fact that his knee-jerk reaction to her admitting that she's pregnant was "Who would you--" is so fucked, especially considering she's already told him what happened. "Who would you" what? Who would you fuck? Who would you have sex with? That choice of wording drives me up a wall-- SHE wouldn't and didn't do anything or anyone. That was JIMMY. The potential sentence implies that she had any choice or agency in her pregnancy. She didn't. And the fact that Curly had to ask "who" insinuates that he's been putting Jimmy's action out of sight and out of mind the whole time, choosing to not think about them or what happened to Anya at all. And considering he still made her do Jimmy's evaluations despite being able to do them himself and literally didn't even think of making sure she gets psych evals done too--especially AFTER getting sexually assaulted--that might actually be the case (I haven't seen anyone make a stink about that piece of info so I'm going to because what kinda colossal fuck up IS that??).

I vaguely had a post like this in mind but seeing so many people be like "well Anya did some wrong stuff too like leaving Curly alone with Jimmy but you don't get mad at HER for that so why is Curly not doing anything about Jimmy being alone with Anya so different??" actually makes me want to blow some people up. Jimmy's an abuser, sure, but Anya has no real reason to believe that he'd actually harm Curly. From her perspective, they were close, close enough that Curly would not only let Jimmy continuously disrespect her but also get away with assaulting her too. That, and she knows that Jimmy was closer to Curly than anyone and more likely to be civil around him than he ever was to her. She has barely any reasons to suspect Jimmy would harm Curly when they're alone. Curly, on the other hand, has every fucking reason on the planet to think Jimmy would harm her when they're alone. He knows he raped her (likely in her room at night too). He knows that he sexually harasses her. He knows that he doesn't respect her at all. And that was BEFORE the crash. Anya tried insisting on giving Curly his medicine, only for Jimmy to keep aggressively insisting that he'll take care of it despite her protests. Curly didn't try to keep them separate at all even though he was the Captain and had the power to do so. And this should go without saying, but leaving your rapist alone with his best friend that he was close to and enabled/protected him and leaving your friend alone with the woman he raped (and might have repeatedly assaulted given his free access to her) is NOT THE SAME and I'm going to start chucking some people down a waterfall because what the fuck is that argument 💀 Actually leave it to the fandom of the game where the rape of a woman is the catalyst for the events that unfold to use her trauma to defend the guy that enabled it in the first place. Bloody hell.

The reason why this whole Curly discourse pisses me off is because it-- from what I can see-- ONLY brings up his failures 1-0 days before the crash and the Dead Pixel scene (or all the discussion around other points are drowned out by those two). Those scenes, while important to talk about, are not the only things he's done, and focussing on those as the only things is a mistake that comes short of understanding the issue. When it comes to Curly the main defences I see for him are "he was trying not to escalate the situation" and "he was trying to keep things under control the best he can" and "he was waiting for the right time to help Anya", but those don't work when you look at the bigger picture of everything he's done.

He half-assed through his psych eval despite clearly not being sane (and KNOWING he's barely sane, he literally admits it to Jimmy's face). He still continued to task her with Jimmy's psych evals. He brushed over Jimmy's sexual harassment of her as a joke. He didn't think about making sure she got psych evals done herself after being raped. He gave Swansea the axe but didn't give Anya the gun despite it being for "unrest amongst the crew" (whatever the hell THAT means). He let her assault slip his mind that she had to remind him. He's literally a blond man. He took no action to hold Jimmy responsible for anything, and prioritised how his violation of Anya would affect him rather than her. He ignored her demands for him to get rid of Jimmy. He still allowed Jimmy free reign of the ship as co-pilot even after he was openly fantasising about killing everyone and had a major motive and the means to do just that. He was potentially thinking of making her miscarry to cover up what happened. He was so accustomed to her sucking up being disrespected and disturbed that he didn't even notice a difference in her behaviour until she hid the fucking gun. There's so much other shit he's done and hasn't done, and not talking about them or glossing over them makes it so easy for people to argue that he isn't actually an enabler or just minimise the severity of his neglect.

And while I'm already dragging Curly through the mud, I might as well just drag Swansea too. I've seen too many people being like "Anya should've told Swansea instead" and "Swansea was the one that actually took responsibility". Like, y'all realise he's not that much better than Curly, right? He already knew about what happened to Anya-- he admits it to Jimmy's face-- but he didn't do shit. He knew, but he still got completely shitfaced for months despite her earlier protestation to that (for very understandable reasons). He knew, but he still let Jimmy have the axe AND be alone with Anya while having it. He knew, but when Anya locked herself in the Medical and Daisuke and Jimmy asked for his help he didn't budge nor really showed any care. He knew, but the reason he finally decided to do something about Jimmy wasn't Anya, it was Daisuke. Her suffering and her eventual death weren't enough for him to take action either.

This game, on top of everything else, is a great depiction of rape culture. It doesn't just include the rapists, but the people (mostly men) that stay silent, do nothing, make excuses for and protect the perpetrator for whatever reason, and Swansea and Curly (Curly way more so than Swansea) are both active contributors to the environment that allowed for evil to flourish and continue unhindered until it destroyed them all. And while that arguably doesn't make them evil themselves or as bad as Jimmy, they are so much more a part of the bigger problem than the fandom likes to admit.

[Ok since this is kinda gaining a bit of traction please consider helping these guys out here, here and here. Thanks!]

[dipndops]

Happy Valentine's Day!!!

Hi @potahun, I'm your gifter for the Heishin Valentine Exchange and I picked your Ghibli movie prompt and went with Howl's Moving Castle c:

@heishinvalentineexchange2025 Thank you for hosting the event! It has been super fun!!

Close ups and explanations below~

It took me a bit of time to figure out which character I wanted to be who, but I settled with Shinichi as Howl and Heiji as Sophie! I think the idea of Shinichi being an other worldly character like Howl isn't too far off from how he is depicted in canon. From an outsider's perspective, Shinichi seemingly has all the answers to the many cases he comes across. Especially with the way Heiji reveres Shinichi, it's not hard to see him as someone larger than life. (Also Shinichi transforming into a bird creature whenever he intervenes in the war kind of fits with how he transforms into Conan in canon as he investigates the Black Organization)

As for Heiji as Sophie, I feel that putting Heiji in a position where he becomes old can parallel his struggle with his family's (particularly his father) distrust in him being a teen detective. But in this case, Heiji initially fears that growing old hinders his ability to remain a detective. Throughout the course of the film, his fears would be assuaged as Heiji helps end the ongoing war in spite of his age.

Now for the art itself, originally I wanted to pick one scene to focus on so that I could combine this prompt with your Heishin whump prompt. But then I figured it would be neat to take inspiration from the movie's song Merry Go Round of Life. The large ring was intended to mimic the roof and rim of a merry-go-round. Like imagine the roof and then you squish it down (if that makes lol)! The rims on merry-go-rounds often feature a circular frame with images of landscapes within. For that, I recreated backgrounds from the movie.

Given the name of the song, I felt that I should recreate different scenes from the movie to show the progression of Heiji and Shinichi's lives (I would've drawn Heiji much older but I was just struggling on how to execute that properly TT-TT). From right to left the scenes are; Shinichi intervenes in the war; Heiji views the meadow Shinichi shared with him; baby Shinichi cronches on a star; Heiji watches the parade celebrating the war effort; and Shinichi stares fondly at Heiji within the castle.

Anyways, have some bonus doodles I made while working on this piece to keep me sane c:

(^ this is my celebratory doodle that I drew right after I submitted the artwork. I'm going to hibernate now thanks LMAO)

[vaguely-concerned]

it's so funny whenever rook -- degree of 'of all people' implied of course depending on the individual rook but never, I feel, completely a non-factor lol -- has to serve as the voice of reason for one of the companions. applicable at many points during the game needless to say but specifically brought to you today by rook's long-suffering 'we can have some killing elgar'nan later buddy right now we're on a rescue mission remember?' response to lucanis' wild-eyed 'put me in coach!!!' energy in blood of arlathan

[sage-nebula]

My main conspiracy thoughts right now:

1.) They very clearly did not show the final cell in the little jail where Spinel is keeping the other five of the Six Heroes. They could have easily showed that it was empty, but they did not. One could argue it's because we can figure out it's empty ourselves, but I would argue that it's because they want us to think it's empty and it's entirely possible there's another prisoner in there.

2.) Exceed has blocked off access to Mt Kumuri, which could be just to keep the public away from Rakurium / Explorer HQ . . . or it could be that and also because they didn't want the Rising Volt Tacklers to find that Friede had been moved. Roy did say, after all, that they had to give up their search after Exceed closed off the mountain. Now, realistically, if Friede actually hit the ground from that height his body would be in pieces. But they aren't going to say that on a show where children are the targeted demographic, so I think it's safe to say that they'd move with the explanation of, "there is no body = he's out there somewhere" rather than "of course there's no body, there wouldn't be one from that height, at least not in one piece." Hence the need to force the RVT to end their search.

3.) Roy says that the RVT disbanded, but I think the actual truth of the matter is the adults told the kids that they were disbanding, but actually, the adults are still working together to try to find Friede / get things worked out. They just wanted the kids away from what was happening, for safety reasons. I could be wrong! But I think it would be kind of OoC for Mollie, Orio, Murdock, and Landau to just completely give up and go back to normal lives, but IC for them to want to do what they can to protect the kids.

[nitsa13]

Tango and Torchy

[sticcmann]

that reveal was so cool

[nipuni]

A stroll through the royal gardens and a traditional lunch in the early 1800s 😊

[potato-lord-but-not]

I offer to you the ship of Roland Cummings, Delphine Cummings, and Charlie Dowd that has been absolutely rotting my brain and is ripe for Charlie angst. I talk about them a bit here in which I discuss multiple Charlie ships but I must spread the propaganda of them o7

Ohhhhhh despite not really being Roland/Noel girlie I can indeed see the appeal 👀

[riddlesnap]

Edward was actually sent to Blackgate the first time he was arrested after the events of Arkham Origins. His crimes, serious as they were, weren't deemed extreme enough to send him to a more secure place since his crimes were largely cyber in nature. Extortion and blackmail were his most significant wrongdoings as well as abusing his position of being head of the GCPD's Cyber Crime Division, his actions causing significant civil unrest as people learned of Mayor Hamilton Hill's ties to the Maroni Family, which Edward was responsible for leaking. Enraged at what he considered being punished for simply spreading the truth, Edward instigated one of Blackgate's biggest riots to date, escaping during the chaos before remodelling himself as the Riddler.

[anghraine]

It's honestly kind of funny to me that catapulting into Kirk/Spock shipping has launched my usual "meh, not into jealousy as a metric of romantic love" shipping tendency out the window and instead I'm genuinely charmed by the extent to which they reflect the same unhealthy seething jealousy.

This is most obvious with Spock, but you'll get McCoy joking about Spock falling in love with a computer (not an android, a stationary computer) and McCoy being A Normal Guy Joking About His Friend Having a Hobby is immediately contrasted with Kirk's barely repressed jealousy (you can all but see him thinking "time to talk another computer to death" while McCoy just laughs at his own joke about it). Kirk gets more and more generally insecure until Spock publicly declares that, while he does like an efficient computer, Kirk is irreplaceable and he doesn't want to serve anyone or anything else, and Kirk looks like he's about to kiss him on the bridge.

(Kirk still talks the computer to death, btw, for plot reasons. But big "Edith Keeler must die" energy.)

I also enjoy Kirk's horror/outrage at Leila Kalomi and her obvious gloating over "taking" Spock from him in the docility sex pollen episode and Kirk's willingness to do or say anything to get Spock back vs Spock bleeding intensity throughout "Requiem for Methuselah" as Kirk falls in love with Rayna, then Spock numbly listening to McCoy's speech about how he can never understand the glories or agonies of romantic love triangles or passionate love before waiting for him to leave and then wiping Rayna from Kirk's mind. Just two bros who are totally normal about each other!

[tanasha-not-yet]