#thinking about how life would be

[aspen-rider]

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[paintedcrows]

Holiday Classics

Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)

[buggsxp]

they mean too much at this point, wl really does stand for women love

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[gascreates]

a new star

[aalghul]

once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.

and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots

[lotus-pear]

two mimir.. 🤲🏼🤲🏼

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[uhcasual]

"This place is called the Burial Mounds. The hatred is intense, isn't it? And the resentment too? When a living person enters this place, there's no coming back-- for the body or the soul. They can forget about ever escaping. Wei Wuxian, you, too, can forget about ever escaping."

(full resolution here)

[reichurine]

bodyswap au but a bit of a sad take oops, pt3

pt2 here

[flamingpudding]

Guys it's just merch

Danny watched with a smile hidden behind his mug of hot cocoa his new family. Originally he was only going to mess with them a little, since he wanted to keep his civilian live he gained with them but at the same time wanted to kind of provoke them to tell him about their night time jobs on their own.

Not like he could just flat out tell them he knew about their vigilantes lifes and that would be embarrassing to explain.

It's not every day that Danny's powers fluked on him, but with the stress of the past months, it happened. Right at a moment, he had to be clumsy and trip over his own feet and accidentally phased through a grandfather's clock, finding a hidden passage. Well at least he learned that way that Batman hadn't placed him with some other rich fruitloop that wasn't his godfather but well... with Batman himself and his family out of mask.

Yeah no, he did not want to explain that and hoped they would do that themselves. But apparently, they took Danny's statement of wanting a normal life a bit too serious.

Which brought him back to his current entertainment in the form of messing with his siblings.

"I don't get what the problem is guys. It's just merch." He chuckled slightly at the face Damian was making. While Jason chose to kick Tim under the table.

"Soooo how much merch on Red Robin do you have with this shirt now?" Dick asked instead with a bright smile, Danny still hadn't figured out how to tell what emotion he hid behind them sometimes.

"I think this is my third shirt of him." Danny mused, placing his cup back on the table and tapping his lip in a thinking motion. "Though I was going to pick up a couple of custom-made jackets of Red Hood and a Nightwing plush later today."

He acted like he did not hear the triumph like hiss of 'yes' from Jason as well as the very upset huff of Damian.

He just grinned at the amusement about how they apparently were competing over how much merch he owned of each of them.

When he found a Robin figure and several Robin pins mysteriously placed on his desk the next morning, he broke out laughing. Yet still just to mess with them gushed about his newly gotten merch to his family while sharing a knowing look with Alfred who knew he was just messing with them.

If there was a surprising amount of Batman merch, suddenly mixed into what he already owned the following week without his knowledge. Well, he wasn't going to complain about free stuff.

But he still would get a good laugh out of their reactions on the day he decided to full on dawn every piece of Batman merge instead of theirs.

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[theriverbeyond]

Gideon Nav terrible fashion sense is so important to me babygirl has never been free to dress herself in her LIFE and i firmly believe that if she did have that freedom she would wear just. the most dogshit outfits. socks with slides. neon colors. shirts that say TITS with an arrow pointing down. outfits so bad every woman she meets is begging to take her on a department store makeover episode. outfits so bad you wonder if she got dressed in the dark upside down picking her clothing items by chaos potential. outfits so bad they wrap around to being sick as hell before winding back and punching you straight in the face

[hychlorions]

a what-if i've been thinking about for forever... trucy knowing the truth before anyone could tell her

[stuckinapril]

megan thee stallion is the perfect example of unbothered energy. nicki has repeatedly vagueposted about her, gone on unhinged rants about her, gone so far as to mention her dead mother (such a classless low blow), threatened her on live, and has now released the tackiest diss track in history. and what has megan done? literally nothing. she straight up ignored her, aside from that one ig story where she posted herself laughing (which was perfect btw). she is the epitome of “i will not dignify that w a response.” i love it.

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,