#theyre little shits at this time

[mrmosseater]

they're 19-20 here btw

arent they lovely

[blueskittlesart]

in the nicest and most non-confrontational way possible. i feel like some of you think that anything that isn't directly openly spelled out for you within a story is "missed potential" or "unexplored." like. sometimes there are implied narratives. sometimes the point is that you as the reader are supposed to think and draw your own conclusions and participate in the story. the writers not directly spelling every little detail out for you doesn't mean that the story is poorly written or missed its own plot details somehow. PLEASE.

[avocado62524]

[teethlordd]

Putting some guys in some fancy outfits

[pigswithwings]

it is idle chatter, nothing more

[deoidesign]

someone asked me what if adam and steve switched vampire and werewolf...

And then since my monsters are purposefully not much visually different because of metaphors, I went more traditional vampire and werewolf...

and then I got carried away...

[bandtrees]

they would get divorced in one universe just to find eachother in another one

alternatively titled: sometimes you're the level-headed token flesh-head impulse-control-and-polycule-member of a stubborn, eccentric, and hearty telephone-headed drug addict, and there's cruelty in the world you deem fit to suicidally fight, and that either goes about as well as you'd expect it to, or you learn about love and the value of your life and junk along the way

[ruporas]

☀️

[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. It’s two 3 panel comics that illustrates the same sequence. The first focuses on Vash. In the first panel, he’s in a hurried motion with a worried expression. In the second, he’s stopped, huffing a breath out as he’s scanning for Wolfwood (not pictured). In the final panel, he breaks out into a relieved smile, eyes lighting up with warm cheeks.

The second comic focuses on Wolfwood. In the first panel, he’s looking downwards to the right with a cigarette in his mouth, wearing a neutral expression. On his face are notable scratch marks to indicate him being in a fight prior. In the second panel, he turns towards the viewer, lifting his head as he notices Vash (as from the previous sequence). In the final panel, he smiles warmly with teeth and holds up a peace sign. END ID]

[ID: Sketchy black and white drawings of Vash and Wolfwood, continuing off the comic. Wolfwood’s back is to the viewer while Vash’s profile can be seen, now by Wolfwood’s side. He has a bright smile as he says to Wolfwood, “You’re safe!” Wolfwood responses, bearing a grin too, “Who do ya think yer talking to? ‘Course I am. Look, I got them alive.” He points to two figures who are tied up and have comically large head bumps. Vash looks to them with an uncertain expression as he says, “Oh! You did, huh… Are you sure they’re alive?” Wolfwood, with a more irritated expression, responds “What, didn’t think I could do it?” Vash says, “No, no! I knew you could!” and pats Wolfwood on the cheek and his head comfortingly. END ID]

[ryuubff]

poetry with the pelicans

the tweets abigail and seb's poems are based off

close ups below the cut!

all this for a shitpost comic is CRAZY i did not need to put that much effort into it

[whaliiwatching]

pining queer people stylin

[triglycercule]

nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.

nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)

they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)

and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane

[ephemeralgalaxies]

NUREYEV STILL DOESN'T SAY THE LINE RIGHT. IT'S STILL NOT VERBATIM WHAT JUNO SAID. I'M SOBBING.

Juno's version of the line is, "I never want to see you again."

(Juno also says to include the bit about not loving him, but ofc even Peter Nureyev can't lie that well).

Nureyev's version of the line is, "I do not want to see you anymore, Juno." (and later, "I have no interest in seeing you any longer").

Which... it fits more into Nureyev's pattern of speech (as the previous fits more into Juno's), but is still completely changed. Especially when Nureyev asks, "You said it would just take those words to excise you from my life entirely, didn't you?" BECAUSE NO. NO, THOSE ARENT THE WORDS. HE DOESNT EVEN GIVE JUNO THE CHANCE TO THINK ABOUT IT EITHER. IMMEDIATELY STARTS TALKING AGAIN.

After all of that, he comes so close and yet STILL cannot say it to him. The great thief, master lier, professional manipulator, and yet he still cannot force out that little phrase of finite.

Bye y'all, I'm crying for the next month :')

[carnivalcarriondiscarded]

wooooo warlock Wally and his delightful totally normal patron

[horrorknife]

and you know we're homosapien too

[sunflowercider]

I will never get over the fact that not once, but twice Javier was upset that someone other than him got Lloyd's lullaby. Even after training with her for months and holding respect for her, Javier, a very polite man normally, calls Sheherazade "that woman" when talking about it to Lloyd. Just because he's thinking about how she got the lullaby "for free". Javier, holy shit.

[spiderbitesandvampirevenom]

"hey dont get mad at me calling you a shemab you dumb tranny. im simply reminding you of your assigned gender at birth im not misgendering you!!! i called you a she in it so its not misgendering! im just directly addressing your past experience of sex assignment! why are you calling me a bigot im not doing a bigotry because im ontologically incapable of anything but victimhood!"

do you see how fucking stupid it sounds? do you realize you're being a bigoted asshole? knock it off you sad little honkies