#they're so romantic and for what

[beanghostprincess]

Usually I'm not the biggest fan of memory loss AUs but the thought of Big Mom forcing/manipulating Pudding into erasing Sanji's memories of the crew and editing them to make him believe he wants to be a Vinsmoke... Luffy desperately trying to make him remember but Sanji genuinely not being able to even recognize Nami...

Sanji still maintains his heart and little traits of himself even if he believes he's part of that family. Even if he acts like them. Even if he has a different personality. His heart is still there, and Luffy knows. "Say you're Vinsmoke Sanji all you want, but I know the Strawhat's cook- My cook is still in there" Luffy is determined to make him come back. "I- I don't know who you're talking about" But Sanji is hesitating. And Luffy knows he's in there.

So, to summarize, thanks to the power of love (great logic Sanji's character always uses so I'm using it here too) Luffy manages to make Sanji remember without even needing Pudding because their romance can break any Devil Fruit's ability. Because souls and love are connected to memories and Luffy and Sanji's bond is enough to make them reconnect again.

[mossiistars]

a man of his time

[bixels]

Be honest, what are your thoughts on appledash? Do you hate it or its more of not a big deal

Not a big deal to me. I like it, I see all the appeals, I just personally like Rarijack more.

[mike-milkyway]

Happy pride month to specifically these queer people.

Pride to everyone else, obviously, but specially them.

[chipper-smol]

So...... Loop and Odile huh?

v THE OTHER RESPONSE I DOODLED v

yeagh

[arthursfuckinghat]

Take!!! A gamble!!!! That love exists!!!! And do!!!! A loving!!!!!! Act!!!!!!!!

[usertoxicyaoi]

"I'll make a ton of cash, and leave this place."

TAIKAN YOHOU (2023). EPISODE TWO.

[foxstens]

aromantic kevin day is borderline canon, if you even care

[saturnniidae]

Super fun hijack dynamic of Hiccup just constantly giving Jack what would be heart attacks if his was still beating.. like, he (to his knowledge) can't die twice. At least not from things like blunt force trauma, but Hiccup is very, painfully mortal and is constantly toeing the line of what the human body is capable of surviving.

"Okay so I want you to fly me up super high then drop me, so I can test my flight suit. It'll be safer than jumping off Toothless since he's not great at gliding on his own and might not be able to ca–"

"You're insane."

[booasaur]

Harley Quinn -  A Very Problematic Valentine’s Day Special - Coming February 9th

[beanghostprincess]

Every time the strawhats go to an island and they see their wanted posters, Usopp covers the "Vinsmoke" in Sanji's with a marker when he thinks he isn't paying attention. He sometimes even draws little hearts around his picture and cute messages about him. Sanji points that out one day (acting surprised, because he already knows what's going on) and Usopp goes: "Oh! It- It must be your fans, right? Must have a lot of fans around."

Sanji hums, staring at the doodled poster with a knowing smile. "And they covered the last name because..."

He can see Usopp trembling under his words, but he tries his best to laugh the nervousness away. "Words spread fast, y'know? They might know you don't like to be called that already. Or maybe they just realized somebody like you couldn't be part of a family like that."

The cook has to hold back a laugh at that, but it isn't long until his heart starts getting overwhelmed by the realization of how Usopp voice sounds. Angry and frustrated. He stares at the spot where the last name should be while he fidgets with the marker inside of his right pocket. Sanji wishes he could kiss him right here for everyone to see and thank him for everything he has done for him until now. But it would just make worthless all of Usopp's efforts to cover his lie, and the last thing he wants to do is embarrass him.

But it's- It's just cute. It's adorable and Sanji is filled with so much love his chest starts to tighten. The thought of telling Zeff about this someday crosses his mind, because he knows his father would've done the same thing. Well, not really, because he probably would've just torn the paper. But whatever. Same thing.

Instead, Sanji sighs contently and reaches to grab his boyfriend's free hand, starting to make their way to the ship. "It's a pity for the fans that their beloved cook is already taken, isn't it?"

He looks behind him to see Usopp suddenly growing confident and squeezing his hand back. "And by your fan number one, too!"

Sanji brings Usopp's hand close to his lips to press a kiss on his wrist... Maybe he can get used to having fans.

[witchinatree]

i've been relistening to the magnus archives (by that i mean i just listen to it constantly. more than music at this point i think.) and i really really really really love jon & daisy's dynamic and every time i thnk about it i just get hit with this new "oh my god...."

like they're the two i think of when i see the "there's only one person who's ever truly understood me, unfortunately i fucking hate the guy" (i think i'm quoting it wrong but ykwim)

one of my favorite moments in the show is when they're following daisy after the change and jon is like "i never forgave daisy for what she did to me, but she never asked me to either. she knew she had no right"

also it's like they both died twice (kind of) the first time during the unknowing after trying to protect the others (daisy giving into the hunt to kill breekon or hope i forget & jon trying to stop tim from blowing himself/everyone up) and the second time when they gave up the last of their humanity for the people they love the most & those people had to kill them

they also doomed themselves for each other if you think about it. like jon went into the buried (technically he didn't know about the marks but he still knew he might not come back) and daisy gave into the hunt for the final time to protect him from trevor & julia. they don't even really know each other but at the same time they know each other like the way they know themselves??????

like WHAT those are the same person but also they aren't but they are???? sorry i'm actually incoherent but i really love their dynamic and i just keep putting together more pieces the more i'm thinking about it/listening to the show.

i think there's more i wanted to say but i forgot

[ennn]

Agatha and Rio as star-crossed lovers: Why a happy ending for them is unlikely (for now) but it'll be okay (probably?)

Look, I’m obsessed with these two—both their complex characters, their crazy unique dynamic—it’s a ship I actually can’t play favourites with!

BUT I also fully expect these two will fight it out in the finale and they aren’t headed for a happy ending, at least not a happy ending where they walk off happily into the sunset together at the end of this series and we shippers should maybe try to not freak out about it.

Let’s look at what the show is—in my opinion—telling us about these two. Under the cut for spoilers and my heap of meta thoughts–

Agatha’s arc is about her finding her coven, her community

I’ve written a bit more about the show’s and our protagonist's arc here: Basically underneath all that lust for power, Agatha’s deepest desire is to find a coven, a family of witches she can share her trials and blessings with. Agatha loves powerful witchcraft and she wants someone to share it with.

And she did find Rio. These two incredibly lonely women found each other, fell in love, and probably murdered their way through so many people together.

But then Agatha had a child and realised she could be a little bit less selfish for another human being. And then Rio took him away and they separated but i think they ultimately never dealt with what I think is at the heart of their rift now, of Agatha still having that bit of humanity and vulnerability for human connection in her.

Now of course at this point I don’t know what Rio’s deal is exactly. Is she human? Was she human? What happened in her past? What we do know is that Rio has a certain detachment from people, and that she enjoys watching Agatha kill witches.

Right now Agatha's getting a taste of what having a coven can be like. Something she's not had in centuries. Them working together, making magic together. That moment during the campfire where she realised they were laughing with her. The shared experience of riding those broomsticks.

Yes, covens—like any kind of family or community—can be good or bad. They can lift you up or tear you down. Agatha's first coven and mother failed her, we'll see how this one fares (especially after what we saw in episode 5). Will they be enough to bring out more of Agatha's humanity?

The thing is, Agatha is going on a bit of a character development journey and Rio—whose her world hasn't been rocked the same way Agatha's has—isn't.

Now I don't expect Agatha to turn over a new leaf by the end of the series but I expect her to be in a somewhat different place from where she started, and Rio I expect will not be in that same place. At least not by this series' end.

There is a certain tension at the end of episode 4 after Rio brings up the topic of "the boy". And again when Rio watches Agatha leave the cabin in episode 5. I think Rio is recognising that this isn't the Agatha she knew and first fell in love with many years ago, and she's not happy about it.

Agatha's moving in a direction Rio might not be able to follow, and I expect that's where we'll get our conflict down the road.

In a world without logistical limits, it's not impossible for these two to be together given enough time and character development (and hey that's what fic is for) but with 4 episodes remaining I expect we'll at best get more of a bittersweet resolution for them, after both of them finally let loose the anger they have at each other.

A closing of a chapter, I suppose, but not necessarily The End.

Agatha and Rio love each other, but they also bring out the worst in each other

It’s clear that these two have loved and do still have love for each other. That they found a special connection with each other that has maybe even saved one or the both of them before.

But they can also be standing in each other's way.

I'm reminded of these lines from Killing Eve:

I think my monster encourages your monster, right? I think I wanted it too.

Look, Agatha can't have a community if she keeps killing members of that community in the pursuit of power. Yes, with Rio around, it's terribly romantic: the two of them against the world. But what if Agatha actually wants to be a part of that world, even a little?

And as for Rio, now this is just my theory but it's possible Rio is perhaps too focused on the darker aspects of her role, of her power.

As The Green Witch, isn’t she meant to be more than Death?

I've been marvelling at all the details in Rio's nature-themed warrior witch outfit. It's beautiful, a celebration of life. She clearly has a strong connection with plants; there's a cute spider on her jacket; she's shown some ability to heal. Even her Death outfit has vines and roots forming her chest piece — what happened with Rio to make her hone in on spreading violence and death?

It just feels like there's a story there, to have her be The Green Witch as opposed to a more traditional or mainstream manifestation of a Death entity.

It's clear that these two came together and did monstrous things. There's usually reasons for that. Human or not, I suspect Rio has her own pain, one that's warping the balance of nature. Maybe they both need to heal in their own way, apart from each other.

This relationship is important to the show

Whatever happens, it's clear that this relationship is key to Agatha's story and the show. Their relationship, with its soft moments and sharp edges, filled much of the first episode on purpose and I expect it to play a major part in the finale as well – an appropriate bookend – including the fight between them.

You could even say that it's actually a good thing that these two are getting the focus at the show's start and end. It's always been Agatha and Rio: understanding each other, at each other's throats, pushing each other, tearing at each other, wanting but not meeting each other.

The thing about this being a "small stakes" show is that the cause of the fight happening between them can be very personal. A lovers' quarrel. Rio may simply want to kill Agatha for something she did, or in rage or fear of losing her.

On that note though, these two have such a long and complicated – and as Hahn once put it "toxic maybe but loving" – relationship that one big violent messy fight in itself doesn't worry me. I mean, we've all seen episode one.

Maybe sometimes you have to bleed to let the poison out.

This is still a love story.

[bumblingbabooshka]

I can't read Janeway/Chakotay if Tuvok isn't there with the same energy of a passenger in the backseat putting his foot on Chakotay's chair and slowly increasing the pressure so Janeway doesn't notice but Chakotay does. Bc. He should have been in the front seat. And Janeway's the one who asked "Do you mind getting in the back, Mr. Tuvok?" and he said it was fine, absolutely fine, and she thought nothing more of it but everytime Chakotay glances in the rearview mirror he can see that man's eyes staring back at him. I know people cast Tuvok as the wingman in Janeway & Chakotay's tragic love story but I think it'd be way funnier and perhaps even MORE tragic if anytime Janeway tried to softlaunch the idea of Chakotay as a romantic interest Tuvok conveniently had a memory about her and Mark Johnson to share. Do You Remember when we all went to the Recreation of The Ancient Olive Garden, Captain? And you said you two were Mates of Each Other's Soul? That just occurred to me for some reason. Anyway, what were you saying about Chakotay? After Mark Johnson is out of the picture for good, Tom teases that Janeway & Chakotay would make a good couple and Tuvok, serious as a heart attack and with a dire warning in his eyes/tone (insulting the captain is a grave offense) says that the captain would Never do something like that. She is a woman of morals. She is a woman who holds herself to a high standard. She would Never. And Tom never brings it up again and Janeway is both touched by Tuvok's belief in her and...something else. Something that feels like being doomed. Tuvok doesn't even dislike Chakotay at this point, it's not about him at all - it's All about Janeway. Like, personally I don't think Tuvok would be that personally invested in Janeway's romantic life one way or another (they seem to me like they'd be uncomfortable talking in depth about that kind of thing) but if he's going to be invested wouldn't it be so funny, so intriguing, for him, as the only member of Voyager who has pre-existing history with Janeway, to represent the Past. The things Janeway wants to return to, what she fights to keep alive - and this is shown to us the audience through Tuvok reinforcing and nurturing her belief that she should NOT become romantically involved with her first officer? Janeway has standards for herself...and Tuvok will Ensure she lives up to them. Because he believes in her ability to do so. They are 'in this together', are they not? They will assist one other, will they not? Like always.

[many-gay-magpies]

god what really gets me about dead boy detectives and what i think i love so much about the show and the relationships in it is that like. the romantic and sexual relationships aren't portrayed as being more unique or important than the platonic relationships. they're all just RELATIONSHIPS.

charles and crystal's attraction to each other and eventual hookup isn't this big end-all be-all relationship that shatter charles and edwin's friendship and draws charles' attention away from edwin; it's just a THING that happens. they're just two people that care about each other and happen to also be attracted to each other, and a hook-up happens, then they decide that neither of them are in the right place for it and it's nothing awful. crystal kisses charles, but it isn't some big spectacle of her declaring her love for him; it's just her saying goodbye and that she cares about him, like her hugs with niko and jenny and her handshake with edwin.

edwin realizes he loves charles romantically and tells him, and charles says he doesn't really love edwin romantically BACK, but it's okay, because they still love each other so much in so many other ways that this one tiny difference could never change them—and it doesn't!! they're still just as close, still care for each other just as much, still SHOW that care for each other just as much. their relationship didn't completely end because edwin loved charles in a way charles couldn't reciprocate, but at the same time it isn't "solved" by edwin getting over it, because there's nothing TO solve. it's just another type of love, added to everything that already exists between them. and they have LITERALLY FOREVER to figure out what it means.

the relationships between edwin & niko, crystal & niko, and crystal & edwin aren't given any less weight for being solely platonic, just as charles & crystal's relationship and edwin's feelings for charles aren't given (that much) MORE weight for being romantic. crystal and charles' conflict in the closet is about EDWIN, about how they're BOTH his friend and BOTH want to get him back; it has very little to do with the feelings between THEM, romantic or otherwise. similarly, the weight of charles' and edwin's relationship isn't diminished in the LEAST by charles not reciprocating the romantic side of his feelings (or SAYING he doesn't reciprocate, at least—we can all argue about the legitimacy of that in the notes).

i'm sure there are more examples than this, as well as probably some examples that CONTRADICT this, but like... by and large, it feels like dead boy detectives is a show where all the relationships are given equal weight regardless of platonic, sexual, romantic, or familial status, and as someone on both the asexual and aromantic spectrums who has struggled time and time again with shows casting out the importance of all other relationships in favor of prioritizing romance, that is INCREDIBLY refreshing to see.