#they're not his family. his family was KILLED

[shotmrmiller]

the possibilities for bullying a girl into an inescapable marriage are endless … soap finding a girl from a catholic family, getting her into bed, then ‘accidentally’ letting it slip to her family and nodding along when her mother is like ‘you have to marry him it’s the only way to save yourself from sin’

price in vegas getting blackout drunk with some sweet thin he met at the casino bar, and both of them waking up in the morning with rings. so what if price wasn’t really that drunk? reader doesn’t need to know that.

ghost who convinces you to marry him for the benefits so he gets better housing and you get his health insurance. you think it’s purely transactional, so imagine your surprise when he starts expecting you to perform your other spousal duties and threatens to kill the guy you were gonna go on a date with.

gaz who agrees to be your fake boyfriend for a family dinner, so you don’t have to suffer through another round of ‘what do you mean you’re still single? when am i getting grandbabies?’ only to realize your mistake too late when you catch him in the kitchen with your mother, promising her she’s getting grandbabies soon.

soap's just looking at her mom like he hadn't a clue that it was that serious for "catholics" and he'll do right by them both and take her hand in marriage as if he doesn't have a crucifix around his neck that gleams against coarse hair and pale scars. as if he doesn't remember his ma giving him sharp twists to the ear because he'd made them late for sunday mass again. ofc not. and if he knows certain prayers, he'd learned for his future wife. obviously.

price is def the type to befriend the loud, drunken girl on vacation in some party city he'd just finished a job in. buys her drink after drink because she'd said she can hold her own. unsurprisingly, she was all talk no walk. she calls him handsome once, threads her fingers into his greying hair and his first stop is the nearest jewelry store. he doesn't touch the new mrs. price as she sleeps off the alcohol, he wants her awake for what he's got planned. (ghost ofc hears of his new wife and sends him a congrats text)

ghost gets signed up on tinder by soap against his knowledge will and when soap matches him with some girl only looking for fun, simon decides he's gonna give her more than that and if she's the type to try to kick him out the morning after, he's calling price to forge her signature onto a marriage certificate. (price eventually meets her and he's just like "shouldntve fed him, love. should've known he wouldn't leave." rip a girl just tryna have some sex)

kyle tells her that he needs a gf for the weekend because there's a wedding, soaps wedding actually, and she agrees. (every time she corrects him to his plus one he simply repeats himself.) he immediately goes back on his promise, "i won't even touch ya," cuz his hand is constantly roaming south, he sits her on his lap whether she wants it or not, and during the slow dancing he's prying her mouth open with his for, "just one kiss." if he fucks her in the groom's dressing room during the dinner, no he didn't. (he needs his hands on her, no one believes that they're dating:(

[avelera]

Ok, I feel like there's three writing concepts that Tumblr needs to get reacquainted with when it comes to understanding fiction:

Catharsis - Sometimes, fiction engages with horrifying, disgusting, painful, or scary concepts in order to bring about a positive experience for the reader. This can be through the hero defeating a disgusting evil, like defeating an abuser for example. One might also get catharsis not out of the defeat of something bad or uncomfortable, but simply from the experience of living it vicariously, such as joy at successfully hiding the body of a murder victim. There are literally countless examples of catharsis in fiction, but most importantly it must be understood, it is completely harmless to real people whether you're experiencing catharsis at something good happening or something bad happening that you get to live vicariously because it is literally fiction. Indeed, there's a lot of evidence that getting to experience catharsis through fiction at evil things, say, living vicariously through a fictional character committing adultery, even if you would never want to cheat on your own partner, actually helps purge the desire to do evil things oneself.

Pleasures of the genre - some genres have expectations that go with them. If you, as a writer, don't include those pleasures, you might turn off the audience. For example, the Western genre has a certain expectation of being set in the 19th c American West. There's usually cowboys and horses involved. If you write a story that's advertised as a "Western" that takes place entirely in a New York City apartment, it might be novel for the genre, but it might also piss off a bunch of readers who were expecting horses. You can do it, obviously, but don't be surprised if readers are confused and perhaps disinterested in the work. More salient to Tumblr perhaps - Marvel believes it is creating action/adventure superhero stories. If a Marvel movie suddenly became a psychological exploration of the internality of a character's relationships, without a single laser beam or fight scene in sight, Marvel expects its audience to be confused and unhappy. We, as fanfic writers and readers might be dying for that story, but that is not the pleasure of the genre that Marvel thinks its audience wants when it walks specifically into a superhero film.

Power Fantasy - this might be one of the most misunderstood or perhaps narrowly applied terms. Yes, sometimes a power fantasy is a 16 year old boy watching a superhero dude with 8 pack abs destroy the bad guy, get the girl, and save the day. Living vicariously through that character is definitely a power fantasy. BUT, a power fantasy can also be fantastical things that the audience wishes would happen in a way that would empower an audience member or make them happy. For example, a billionaire industrialist merchant of death like Tony Stark getting hit by his own weapons and deciding to become a crusader for justice in a way that actually helps normal people is, in fact, an audience power fantasy. We want to believe that if the right bad guy like a billionaire got the right comeuppance like a near-death experience at the hands of their own evils, they'd learn their lesson and become a better person. This is a power fantasy. This is not a thing that actually happens. It's honestly not that different from the power fantasy many gun owners have that if they own a gun, they're more likely to stop a crime in progress with their perfect marksmanship, rather than that they're more likely to kill or be killed by a member of their own family. Understanding the application of power fantasies in terms of good things you hope would happen happening in fiction is not only important for dissecting fiction as an intelligent viewer, it's also important in terms of recognizing when you're being influenced by certain stories and choosing what lesson you take away from it and what lesson (if any) you want to take away from it.

I just feel like these 3 terms are what I see most lacking in a lot of "discourse". Fiction is trying to engender emotion in the audience. Great fiction engenders a wide range of emotions in the viewer, not simply good emotions. Thoughtful fiction might (but not always!) try to impart a lesson. But great fiction can also just want to give you great emotions and make you think outside the usual box of your usual experiences. It's also completely fine for great fiction to just want to give you a great emotion experience like catharsis, or the thrill of a power fantasy. And I really wish these three separate but interrelated concepts were discussed more when it comes to dissecting fiction here on this site.

[aingeal98]

Ultimately the resolution of Jason and Cass fights comes down to the fact that while he has his own ideals that don't mesh with the bats, Jason can be flexible. DC skipped the whole reconciliation with the family but while he's willing to kill it's generally a means to an end to him, not the whole entire point unless you're talking about Joker. Meanwhile for Cass the question of killing vs not killing is dead serious to her which means any time they're working together and things start going off track it's like:

Jason: Look if we kill this guy we send a message to his boss which makes it easier for us to negotiate with him from a position of power and I just think that-

Cass, snatching one of his guns and pointing it at her own head: Go on, pull the trigger. Kill him. Kill me. Go tell Batman that you let his daughter die to make a negotiation easier. He already let you die so no problem right? You think we should die? You think our life only worthwhile as part of a plan, just because we're killers? Are we doomed? Are we rotten to the core with no hope of redemption? Go on then, kill us and kill part of your soul alongside it. You clearly don't care for it so why are you even trying? Kill yourself along with us, come on Jason let's all just die right?

Jason, slowly backing away: I think you may be projecting a tiny bit so just. Calm down before I call the suicide hotline please.

Cass, slowly lowering the gun and knocking the random henchman unconscious: Yeah that's what I thought, fucking pussy.

Jason: Mm yeah you know what I hate you actually. Fuck this mission I'll just shoot you right now if you're going to be this annoying about it.

Jason, explaining things later to Dick: So I just kept shooting at her until I ran out of bullets and we both calmed down enough to call a truce. We tracked the guy down and didn't kill anyone but I did blow up the batplane just as a last minute screw you. Is she always this uh... intense?

Dick: Yeah, one time I broke up with Barbara and she threw me out a window. She's just like that.

[auspicioustidings]

Do you think Ghost has to talk Soap through killing his family? He had to do it before after all, had to kill Tommy and Beth and Joey. They're actually Canadian citizens now, he laughed his ass off that his brother picked out Archibald as a new name and consistently refers to him as "Baldie" rather than "Archie". The little one isn't so little now, rowdy teen that he knows is doing his parents heads right in with his moody antics. And his beautiful mother, the woman who saved the Riley family of which he is now the last. Eliza now, she kept her name the same but different. On paper she's nobody to him, just an acquaintance he knows through staying at her families little inn when they were doing training exercises with the Canadians. But even if he never says it out loud, she will always be his sister.

It's not forever he tells Soap. One day they'll do the same for him. One day John MacTavish will officially die and he can pick a new name to go be with his family without the risk of being hunted.

[starrycassi]

Today in Jean and Neil's bestfrienderism. With a side of Andrew being Andrew. And domestic Andreil.

.

Jean is having a panic attack.

Well, not quite. It's not a full blown attack, yet. But it is close. Very, very close. He is thirty. He is alive. He is Jean Moreau and he has endured so, so much. He is, somewhat, free. As free as the cattle are in a pasture. As free as the shrimp are to the breeding pond.

He has a wonderful husband. He is reconnecting with Kevin. He visits Cat and Laila whenever their schedules allow them the time to do so. He has a dog — well, he technically has three. Charbon is his, and his alone. She is a wonderful Black Labrador that Dobson appointed him. The other two, Caramelo and Dulce, (both named by Catalina, of course) are his and his husband's.

Charbon is moving as soon as he's clawing at his neck. She knows what to do. She knows what to do.

"-breathe. In, and out. Com'on, Jean. It ain't hard. In, and out. You're, like, an athlete. In, and out. You don't even smoke. In, and out. Drew? Water, yes. In, and out."

That's, unfortunately, not the voice of a cybernetically enhanced service dog. It's a different type of animal. Neil Josten.

He manages to make his brain claw around, trying to find where his hand is (in his neck, of course) and puts it up, flipping the bipedal cockroach off.

.

Jean doesn't have a panic attack. Thanks, Charbon.

He's still on the edge. He plays with the dog's ears, floppy and bendy. She seems content to let him do so. They're all on the floor. The two cats are in Neil's lap. Andrew is in the kitchen.

"Breathing okay? Didn't break a rib, did you?"

Jean flips Neil off again.

"I take that as a no. But we did do a RCP training course, you know? Aaron was being a little bitch about me being 'death-prone' or whatever. So you wouldn't even have died. Not on our watch"

"Pretty sure RCP is not the standard solution to panic attacks, junkie" Andrew says, sounding bored, while he walks into the room, tray in his hands. "Panic attacks, also, don't really kill people that often. He would've fainted, at worst"

"Should be standard. Gets the heart right again, does it not?"

Andrew drops the tray to the floor. Only, he doesn't drop it. The jug full of ice and water is intact, as is the glass right next to them. Jean serves himself a glass, drowning it as quickly as possible. It stings. It helps, with the whole "I hate my throat" thing. Harm reduction, Dobson called it.

"You're such a fucking idiot" Andrew says, before reaching down to tug Neil's hair. Neil looks up, their eyes lock, and Jean feels so disgusted that he almost forgets why he's on the floor, to start with. Can they be any less PDA-inclined?

Then again, Jeremy and him are worse. So.

There's silence. And, then, "Jean. We could find a way"

Jean is confused. Andrew, clearly, is not. Jeremy and him love each other, but even theh can admit that there's no other couple with such a level of telepathy as the Josten-Minyard one. It's quite off-putting.

" 'We' sounds like a lot of people" Andrew complains, his tone one of slight annoyance. Regardless, he drops down next to Neil. One of the cats migrates to his lap. He absentmindedly scratches its head, just like he did Neil.

"I'm not following"

They both look at him like he's an imbecile. In return, he glares.

"To get you out of the contract" Neil clarifies. Except, that doesn't clarify anything. Jean Moreau, even as a free man, belongs to the Moriyamas. Not the Nest, or Riko, anymore. It's as much freedom as anyone like him can wish for. Jean Moreau has, is and will endure.

Yes, he hyperventilates whenever the topic of children comes up. Because Jeremy wants kids. A big, happy, loving family. Jean, unfortunately, wants the same.

He doesn't want kids as much as he fears his debt. Their future. His work. Their worth.

Andrew made the offhand comment of Aaron's twins coming to visit next week. About how it seems that the whole group of "Neil's friends" are eager to overpopulate the world with mini nuisances and how he pitied the teachers that had to ever work with such offspring. How it feels like they're the only ones sane enough to avoid such a burden. He didn't mean anything by it. That didn't stop Jean from spiraling. Intent and reaction are, often, not the same thing.

"I stress that you should just get the Care Bear to replace you. He likes Exy. He likes you. Surely we can guilt him into agreeing"

"Non," he answers immediately. They've had this conversation. Jeremy has offered. Jean has refused. It is enough, that one of them is tainted by the Moriyamas. Jeremy's life is not and has never been perfect, but Jean refuses to add a whole ass mafia deal to that.

Andrew shrugs, unapologetically. Jean is not offended. Andrew is a no-nonsense kind of man. A "straight to the point" kind of man. He, probably, thinks that his suggestions are helping, somehow.

"There has to be another way." Neil muses, looking at the ceiling. "We already negotiated with Ichirou, once. Maybe time's made him softer? He's got kids, now. Fatherhood softens people up. Or so I hear."

"Your father tried to kill you. At least thirty times. Almost succeeded half of those, too" Jean reminds him, trying to stay out of the whole family conversation. Neil has never been one for careful sentences. He doesn't mean anything by it. Then, again, intent and reaction.

"It's his personality. He brings out the worst in people" Andrew adds, interlocking his pinky with Neil's pinky, before leaning in and giving him a quick kiss on the cheek. Gross.

"Rude. Also, Ichirou is way more level headed than Nathan. We could try, at least."

"Absolutely no, you neuron-lacking flea."

"Over my dead body, Josten."

"Again, rude. You two never let me have any fun. Kevin is influencing you too much, I swear."

Jean doesn't feel like thinking about Kevin, so he takes out one of the bobby pins in his hair and throws it at Neil's face. Andrew snorts. Charbon looks at the interaction with curiosity. So does Neil.

There is silence, again. For a while. And, then, "Neil will play Exy until he can't, anyways" Andrew points out.

Jean is confused. Neil, clearly, is not. He looks at Andrew with such an open expression of vulnerability and worry, that Jean has to look away.

"Drew, you know that-"

"I said 'life', didn't I? Same team. Same house."

"Five years ago."

"Haven't changed my mind."

"Still. I know you hate it."

"As much as I hate you. I've put up with you this long. I will handle it."

"Are you two always this fucking cryptic? Jesus Christ"

They share a look. Andrew nods. Neil hesitates. Andrew pokes him in the ribs.

"Andrew is willing to make a deal. We- we talked about it, some years ago, when Kevin had that skating accident. It's, uh, a backup plan. Asking Ichirou to pass the contract down."

"For a price." Andrew adds. As if that isn't the most unhinged, crazy and stupid thing Jean has ever heard them say. And God knows that that's a very high list.

"You're joking with me."

"Do I look like a fucking clown, Moreau?"

"As a matter of fact, yes. I will not pass down my burden to you. Plus, it is, surprisingly, a decent plan. There is no other goalie out there who is making more money than you. Ichirou would be stupid if he didn't agree. Which means that you have to keep that option open. Neil is constantly looking for new ways of getting himself killed. I will not tolerate having you, either of you, on the chopping block for me. Not if I can help it"

He is angry. Do they think so selfish? So entitled? So uncaring? He feels nauseous. Charbon puts her paws on his chest, licking his face. He shouldn't feel offended, but he does. They don't mean anything by it. Intent, reaction.

"I'm already involved with our dear asian Shobhuza. Pretty sure he doesn't like me, already."

"Non. Absolutely no. Don't even- no. No. Are you listening to me? Never."

They glare at each other. Years ago, Jean would fold, Andrew's gaze reminding him too much of handcuffs and needles. He doesn't.

"Dramatic" Neil mutters in singsong. They glare at him, now. He has the audacity to giggle.

"We'll figure something out." he says, so sure of himself. How can someone so short be so full of confidence, Jean will never know.

"Even if we don't," Andrew adds, with something close to warmth in his tone, "surely the two of you can survive without passing on those dreadful genes of yours for a few more years"

"We were thinking of fostering" he murmurs, softly. So softly that he's unsure if they heard him or not. Andrew freezes, midway through petting his cat. Neil's eyes widen. Charbon gives a friendly bark.

Andrew and Neil look at each other. Do they ever do anything else?

"We'll find a way," Andrew says. Promises. Begs. Asks. Neil nods, gaze heavy with duty. They hold hands. Neil squeezes. Andrew squeezes back.

Jean feels like he might have another panic attack. How can they be so reckless? For him, out of all people?

Then, again, he would do the same. Sacrifices and promises.

Is there any other way to live?

[mohgreal]

mohg & his dynasty followers / nobles headcanon dump ... (no warning i think)

the mohgwyn nobles are actually very fragile. they bleed easily, and some of them even have hemophilia. varre usually has to patch them up, but sometimes they die.

pureblood knights aren't as fragile, but they are offense over defense usually. heavy bleed proc spamming type thing, yk?

the albanurics are like little animals. they squeak sometimes. also very squishy. mohg uses them as stress balls sometimes. (lmao)

it's normal to eat grilled lamb; considered cultural in the dynasty.

his higher cultists call him "luminary mohg" and the lower ones call him "mohg, lord of blood". (probably not true but it's true in my eyes okay)

mohg isn't very good at flying, actually. he had to train for a bit, because he used to keep crashing into walls. during his fight he doesn't do anything too bombastic so he doesn't embraces himself (again.)

yes, they drink blood. they're also cannibals probably.

anyone connected to the mohgwyn dynasty can "transport" through pools of blood. (may be canon)

people in the mohgwyn dynasty are pale, due to the constant blood loss.

mohg usually tries to speak formally, but sometimes he slips up and uses lands between slang

the fancy clothing was done by varre himself! he's very proud

mohg aside from the miquella obsession, also has a semi-obsession with the idea of having a family. morgott doesn't talk to him anymore, and the idea of having a parent doesn't appeal anymore, so he instead treats his followers as if they were his children in the same way dynasty leaders do

mohg has anger issues. he has killed a noble or two when they mess up...rip

mohg also likes eating meat. fruit is okay, but he doesn't like vegetables at all.

the slave merchant is used like a therapist to all the nobles down in the cave. they vent to him about mohg being too obsessed with miquella and not reading them a bedtime story before bed :(

(the slave merchant is traumatised for life)

[dootznbootz]

Can i be honest. I don't get it when people try to use Antigone as a feminist icon or something, or that "She literally died because she didn't listen to man! That's just like us!" Because it's not and we're not living in the 16th century.

And these people are acting like Creon wouldn't have killed her if he was a man. Or that Creon wouldn't have killed her if he was a woman. Like guys, I'm sorry but "Girlboss" feminism is soo annoying.

I saw a post where it's like "Greek mythology male characters: 'He seems chill... Oh he's being a douche to women. Female Greek mythology characters: 'She seem cool... Oh she's getting revenge on the men that wronged her. She's so cool!!"

And in the tags they were hating on Ody for killing the slave girl and calling Medea an icon. Even though Medea killed her two young children just because she was salty at Jason... double standards at their finest, people

Real.

Also people better be mad at Penelope as well if they're mad at Odysseus for the slave girls. She hated them just as much.

Wise Penelope heard his words and rebuked Melantho, saying: “You can be sure, you bold and brazen bitch, that I have seen your shameless acts. You’ll wipe away the stain with your own head. You clearly know full well, because you heard me say it—I’m planning to ask this stranger in my halls some questions about my husband, since I feel such grief.”

(Book 19, Johnston)

People just literally turn a blind eye when the woman also does violence against other women. (Same with Clytemnestra. like sure, she killed Agamemnon but she also screwed up her kids. (one a girl so a lot of these "girlboss" types ideals are contradictory))

And it's really really tough enjoying Medea only to see people "girlboss" her. I love the play. It made me feel so many things but NONE of them were GOOD feelings.

Old meme from a post I made a while back but it sums up my feelings lol.

I think it weirdly comes from this awful wave of "I hate children. Horrible beings. Hope they suffer. etc.etc." bullshit and the girlboss wave :'(

Also um, yeah, Creon would've killed ANYONE who would have buried Polyneices. I've always seen Antigone more as a story of honoring family and a family's love for one another, not so much of a "feminist story". As Creon is like, the opposite of Antigone in how he does not wish to honor his family no matter what and will even have family killed for honoring family.

I weirdly think there's this phenomenon of people seeing stories/myths that simply have women in them, especially if they are "center stage" and then decide that they're feminist regardless of the context.

Like I guess you could say that these stories simply having complex and driven women is feminist (I mean...moreso than most booktok/modern YA novels ;~; where many female leads are very...bland imo) which is very sad that feminism is just the bare minimum of "Hey a woman is a person who is complex."

But it's also like, these women and their meaningful and HUMAN stories are LOST because they're just painted as "girlboss".

I think Antigone would be more like "I mean...I was just trying to bury my brother because I care about him and didn't want to see him left to rot. I would have done it no matter WHAT told me not to." and less about "YASSSS queen SLAY!" shit.

[fanfic-writer-and-rambler]

Vengeful specter in a haunted Airbnb: Leave this domain before-

Duke: Imma cut you off ma'am.

Duke points to the open front door.

Duke: I leave through the same door I came in at?

Specter (thrown off): Ye- Yes.

Duke: I'm out then.

Specter: Oh... Thank you!

Duke throws up a peace sign and proceeds to leave. Tim and Stephanie follow him, dragging him back in.

Stephanie: Stop doing that!

Duke: I mean this in the nicest way because you're family, stop doing stupid white people shit! Y'all ain't stupid.

Specter: You're siblings, my word times have changed. Good for you. Leave now!

Stephanie: Don't listen to her. We can handle the specter.

Duke (holds up his index finger): Specter lady, what type of ghost are you?

Ghost: My husband killed me to collect the insurance money and then buried my body under the floorboards of the house. I rose as a ghost and killed him. I spend my days a vengeful spirit ending the lives of men.

Tim: Okay, Duke I know that sounds bad, but-

Duke (chuckling dryly as he yanks Tim by his shirt collar): You got me fucked up. You done got me fucked up if you think I'm dealing with this. Stephanie, call the Ghostbusters to deal with her!

Tim: Let me stay!

Duke (ignoring Tim): Out this door?

Specter: Right where you entered, yes. Thank you, colored man, I will spare you both.

Duke (letting go the colored man part): Cool.

Stephanie: Guys?! I already put the deposit down, I wanted to do something fun!

Stephanie sighs, rubbing her forehead.

Specter: I won't kill you, if that helps.

Stephanie (mulling the right choice): I'm not wasting this money. Can I call a friend of mine to help cleanse your spirit or whatever? They're a woman.

Specter: ...Yeah sure.

[all-pacas]

tbh foreman's arc in s3 is so underappreciated. needle in a haystack, fools for love, whac-a-mole, three different episodes he meets a young man facing a difficult situation with like. grit and optimism. the kid in fools for love is madly in love with his wife, despite them being poor and very young and have nothing: foreman admires him. the kid in whac-a-mole is doing an exempliary job of raising his younger siblings after losing their parents: foreman admires him. the kid in haystack is bright and interested in medicine and doesn't feel like he has the means or opportunities to pursue this. foreman admires him.

and i'm not using kid lightly. these men are all in the range of 18-22. they are young. they are naive. they are devoted and optimistic and eager, and in each case, cynicism wins, reality wins. the bright kid picks his family over a medical internship foreman offers. the kid in whac-a-mole actually hates having to be a parent. the kid in fools… uh… accidentally married his sister. the plot of each episode can be summed up as "foreman meets a young man he really likes and admires for his optimism and selflessness, and watches that fall apart."

and it's so good because it's so clear — this is foreman's last gasp. this is the end of the thread he started in euphoria, where he tried to change his life to be optimistic and easy-going and failed. he's trying to resist cynicism and being Like House. he wants to be like these kids, he wishes he was like these kids, and it never works out for them. they're miserable. they're trapped. they're getting divorced.

and this admiration doesn't last. it can't be sustained. he gets caught up in his predjudices and biases and kills a woman; he causes intense harm in a child to save a life, picks results over ethics, and he resigns. like - it isn't to say foreman turns bitter and cynical after all this. that he never bonds with a patient again. but s3 is such an arc. he tries so fucking hard. he wants so badly to believe in love and hope and that things will turn out well, that people will do good things and be good, and when he's put to the test he does harm instead

[wings-of-ink]

Since I'm feeling angsty after reading the "Why do you think I love you ask?" I came up with the following scenario (for Oswin alone):

So, MC learns they are not going to survive no matter what. And they should return home. By that point both Oswin's and MC's had confessed their love to each other. Yet, very much when they were about to reach MC's home so they could rest from the unsuccessful journey, MC falls from their horse.

Oswin, of course, goes to assist them. The fall, fortunately, didn't cause any damage. But even if it had, it wouldn't have changed anything. MC is about to die, and there is little to do now.

Oswin of course screams, so everyone can come. They are so close to home... Yet, maybe they won't reach them in time. Maybe Oswin alone would be the only one to be with MC when they eventually die.

MC stops Oswin with a gentle hand on his cheek. Their face, while sickly and full of sweat, somehow is as radiant as it could be. MC could be the sun, and Oswin was a simple planet orbiting around them. Their eyes, so calm, so loving. MC's voice is both tender and painfully weak as they say:

"Don't worry. It'll be fine. Could you just hold me? If there is anything in the other side... I want to go remembering your warmth... Your scent... Your embrace... Please Yarrow... Hold me, just once. I won't ask for more".

The childhood name had slipped from MC's mouth. Neither said a thing about it.

When everyone reaches them, MC is gone. A smile slowly fading from their face.

Ouch, Nony. You okay? This is rough. What makes it worse is that technically, if the curse does get the better of MC, this would happen on their 25th birthday. So yeah, that hurts a little extra, lol.

I don't have it in my soul to do a POV with this for poor Oswin (giving him a little break), but I can tell you some things he might do in response.

Not take it well, naturally. We're talking nuclear levels of not okay and unhealthy coping. It would take all his family and friends to keep him functioning and from working himself to death.

He'd change his name. No one can tell him no. If he was Yarrow in the end for MC, he will be Yarrow until the end of his days.

I don't think he could love again, not in the same way.

He'd quit is job and stay with his family, probably getting more obsessive over their care and well-being for a while. I am actually also thinking that Kip and Dov would be under this banner. I can honestly see Oswin moving in with them so they can be there for each other.

Grief would be a huge uphill battle for a tremendously long time. And it never is really over (grief never is) - time and space just lets him breathe a little easier. I think eventually he would meet some sort of peace, but it would take just so much time and working through. He would always look forward to meeting MC again in the hereafter. He secretly holds to the belief that their souls will be reincarnated together.

Thank you for the ask, Nony! We'll find something sweet today to go with this angst too. ^_^

Just a disclaimer: I don't have plans of killing off poor MC, not that life will be getting much easier for them or anything, lol. (I can't torture them if they're dead!)

[anarchy-and-piglins]

Care for an AU idea?

Missing Hearts AU, with dark SBI and fantasy/sci-fi setting. (Dark themes, death, mind control, magic, coercion, graphic descriptions. Really I'm just throwing all possible warnings in there just in case.)

Technoblade is a soldier---one of many---who is completely loyal to the Federation's cause. He has no choice.

The Federation, once a loose association of various planets, now a military complex held together by fear mongering and nepotism, has been at war with the Empire long enough to completely restructure the government, long enough that Technoblade cannot recall a time without war or find its start, and long enough to develop some less than savory tactics.

Heartless, they are called, by civilians, by the enemy, and by the heartless themselves. Completely loyal, ruthless, deadly, precise, nearly impossible for an enemy to kill and stronger than any mundane soldier. The Heartless are feared across the Federation and Empire alike. The only group who doesn't use the name are the officials, the Oligarchy at the head of the Federation and their commanders. After all, they know full well where the soldiers hearts are. They're the ones who keep them, after all. Weaving spell after spell to keep the hearts beating, to stifle unwanted generosity, to take their fear, to bind their loyalty, to keep them strong. To kill when a soldier gets out of hand.

Technoblade only saw it once. For the most part, the heartless are kept in check by their fear and the magic beating their hearts. There's no real chance for rebellion, loyalty tied so tightly to their being that it's nearly suffocating. There is failure, though. Any heartless deemed a regular enough failure, a waste of resources, is immediately terminated.

They'd just gotten off a mission. Botched, sure, but they'd pulled off most of it and gotten out almost unscathed. Injuries hurt, despite the healing coursing through their veins, and they could damage a mission. The only thing they wouldn't do was make a heartless die.

They were in the shuttle heading back when the man responsible for the main failure collapsed, clutching his chest. Technoblade, only sixteen, watched in horror as the man choked, the rest of the ship going on like nothing was wrong. The man died, terminated for failure, one too many as he'd find out. Technoblade hadn't had his heart in years, but he almost thought he could feel it seizing in his chest, the gaping void turning hungry and tearing him to nothing. The same blank in the man's eyes.

He went to bed haunted. He woke up to the same apathy as ever, emotions gone now the Federation had given their warning. The memory remained.

(Technoblade himself had his heart removed when he was seven, when he started showing potential for the army. Strength, speed, an interest in strategy. He doesn't remember much of the process. Just the screams, and an angry tearing feeling grown muted with age. He doesn't even remember what it was like to have a heart. He lost his family in the same moment, shut into private training and missions not long after.)

It was after another mission that things changed. The operation had been a large one, with multiple units working in tandem to do... something. The higher ups didn't give much information as to the what or why of a situation unless directly relevant to the soldiers role in the mission. It's only afterward that Technoblade finds it was a raid. Countless empire citizens are taken, one of which is claimed to be the emperor's youngest son. A blond kid joins Technoblade's squad, spitting and angry and with his heart newly gone. He's from the Empire, though no one goes directly out and says it. He's trained, they say. But wrong, differently from Federation tactics, and it's obvious.

Technoblade is assigned to watch him, this kid who yells and jokes and still puts too much emphasis on names when no one there counts as a person, Tommy, his name is, as he insists, growing louder with each repetition until Technoblade caves. "Tommy, then."

Tommy isn't going to mention that using the name will lead his brother and father right to them. He's furious, stuck, and glad to see it all burn. Except, well. They don't get there right away. And as he learns more about the gaping wound in his chest (not as bad as the rest, though he doesn't know that, not as smothered in magic and death), he realizes how little freedom they have, how little personality they're allowed, how little emotion. But Technoblade is funny. In a dry, sarcastic way, like he's afraid if he sounds too real then they're going to off him. And as scary as Technoblade is, he never hurts Tommy. And Tommy isn't silly enough to believe that's because he can't. He doesn't. He's only scary when either Tommy or the mission is at risk. Technoblade cares, and Tommy, still full of rage, is going to steal him. He's going to give him a family. He's going to make sure that every bit of his humor and genius and kindness belongs to the empire, to them, to his family. Technoblade is theirs, and he doesn't even know who he's got.

The Emperor, as it turns out, is not happy with the alleged capture of his youngest, an age still technically older than Technoblade, though perhaps not in looks or maturity. The Empire doesn't have heartless, but they do have their own magic, and it's rumored to include immortality.

They strike hard and fast, capturing or killing a many forces as they can as they push towards the Federation's center, their heart. The Federation is in shambles, scrambling to adjust to the change in tactics resulting from a move they thought would lead to surrender. Or negotiations, at the very least. No. The Empire is out to kill, heedless of their own losses in the rampage to get their prince back. Someone is leaking information (the Empire doesn't have heartless, had no information on the nature of their existence, but Tommy has intimate experience with what it's like to be one, knows their triggers and controls and where the hearts are kept).

Tommy is pulled off of Technoblade's force and vanishes. Technoblade himself is called back to the capital, still with aching wounds from battle after battle as the Empire mounts their assault.

Everything is fine. Everything is within their calculations, the heartless can't die, they can't die, he can't die, all they need to do is stop this- and his men start falling. The facility is a maze, a labyrinth, meant to be entirely secure. The heartless have never known where their hearts are kept within the compound, secrets and lies another barrier to their escape, but they found it and Technoblade gets the call to head to the secret room at the center of the building. The hearts can carry information, the magic a link between the heart's enchanter and the weapon they control.

Maybe there's a fleeting thought that he can take his heart, grab it and go, escape the chaos and save his men. Or maybe he feels nothing at all, winding through halls of fallen heartless.

The doors open whooshing back to reveal the emperor and his eldest son. Smashed containers line the walls, broken hearts left to bleed.

And Technoblade feels a throb of fear. Distant, echoing out from the hearts place in the Emperor's hands. "Hello Technoblade." The Emperor smiles, and Technoblade is frozen in place. The empire didn't know about the hearts, once, but they learn fast and the stiffness of his limbs is more than fear. He tries to speak, but even words die in his throat. "We've been waiting for you."

The heart is tossed from one tyrant to the next, and Technoblade tries to breathe as the Emperor takes him by the arm. He's still smiling as he leads Technoblade out, through desolate halls filled with corpses of his men, all while false affection pumps through his veins at the direction of the hands that hold his heart.

"All for your own good," they say. "Not all the heartless were slain," they explain, talking about rehabilitation, good lives waiting for the heartless soldiers. "We'll give you everything," they promise him, draping him in medals, offering food and riches and blankets and clothing the likes of which he's never seen. "You're one of us," they swear, as another prince to the empire is crowned.

But they never give his heart back, not like they do Tommy who is whole the instant all of him is found. They never let him hold it, rarely let him see it, keep it as a prize. Never let him wander, or flee the prison of gold. And maybe it's because they worry he won't stay without the hands on his heart, feeding him devotion, binding him carefully with loyalty and fear. Maybe they worry who he would be without their touch, with emotions completely his own again. Technoblade wonders too. He'll never know.

Technoblade is a prince---one of few---who is completely devoted to the Empire.

He has no choice.

Congrats on getting the Lenn treatment because I kinda took this ask hostage for a month like I do with their AUs lol. Just a testament to me enjoying them, thank you for the tasty treat Anon.

[lightlycareless]

I’m sorry if this is a weird question. It’s totally cool if you just delete this if it is but when faced with another guy bothering Y/N, would he be the type to punch a guy out, intimidate them, or talk out of it(y’know that suave way of staking claim so to speak) :3

Hello anon!!!

Ah yes, the ask I thought I hallucinated by some strange reason 🤣 like, I believed I already posted the answer to this but I didn't???

Either way, this gave me the perfect opportunity to do a bit of angst :) a little "Naoya and Y/N realize being together isn't all rainbows"

warnings: highschool au, kind of. slight mentions of violence. you really worry for naoya. he has yet a lot to learn about being a good boyfriend. it's the early stages of the relationship.

Enjoy!

Honestly, this moment… is something everyone around you awaited.

I mean, Naoya is brash, stubborn, rude, selfish, nobody gets along with him, doesn't have that many friends, so on and so forth.

Thus, it was only natural that he'd eventually rub someone the wrong way…

Or be rubbed the wrong way.

Your boyfriend, as stated, was a threat by himself, but when you were added into the mix, it's like all his foul traits doubled. Not to you, of course not, never to the only other person he considered worthy of him.

But towards those foolish enough to think they still had a chance with you after making his claim. To defy the heir of the Zen'in is to have a death wish—wasn’t that common knowledge by now?!

Yet, to those ignorant of this fact, he is nothing but patient enough to remind.

“—Naoya!”

It happened all so quickly. One moment you were being pestered by a faceless student, insisting you’d leave your boyfriend for someone better, a bit more grounded, implying himself to be that person…

And the other, you were crying, heart thundering and hands trembling as the horrifying sight of Naoya beating that same guy unfolded before you.

The fight did not go without retaliation of course, your instigator never intending to take your boyfriend’s punches without retaliation, which lead you to shriek when a particular sharp blow landed against Naoya’s left side of his face, prompting you to run to their side and do all in your power to separate them—

To no avail.

“Stop it, Naoya!” You cried, helplessly trying to get them away from one another; but you never could compare to his strength. Less when he was determined to continue so. “Please! St—stop! You're— you're going to— you’re going to kill him!”

“What is going on??” Nanami exclaims. It wasn't his intention to get near the commotion, always one to avoid trouble whenever possible, but upon hearing your frightened voice, he ran as fast as possible to your aid. “Y/N!”

“Ken—Kento—! You— You have to stop them!” You wailed, frantically tugging at this arm and evoking a sense of urgency. “They're going to—they’re going to kill each other if you don’t!”

The ones that ultimately manage to separate the two are Suguru and Satoru, just before the teachers stepped in, but not enough to prevent them from being reprimanded by them, taking them to the principal’s office to discuss their rightful punishment—regardless of who provoked who.

“After my family sues you, you're fucking dead!”

“Ha! Do you not know who I am?! I'd like to see you try!” Naoya guffaws.

“Stop it already!” Yaga exclaimed “You're already knees deep in trouble, the last thing you both need is to be expelled!”

Ultimately, the threat of being away from you is enough to keep Naoya willing. One would think that he'd worry more about his family and the issue this small disturbance would bring, but truth is that he's gotten out of worse predicaments: him getting into an altercation with a nobody is not something that would prevent the elders, or him, from sleeping.

Though your prolonged silence, the cold judgment imposed by your piercing eyes, and the subtle annoyance displayed in your touch would; feeling tiny for the first time in his life before you, even when you were so attentively tending to his wounds once dismissed.

“Why are you so quiet, princess? Don’t tell me I scared ya’?” Naoya begins, cutting through the awkward silence settling between the two with a teasing tone he hopes would make light of the situation—make you forget of the blood curling screams you let out when he was entangled with that irrelevant kid who’d more likely disappear tomorrow, and move on…

But oh, how wrong he’d be to choose that path. Make fun of your poor heart.

“What? Thought I wouldn’t win? You know me better than—”

“Is this what it is to you? A joke?” You sternly state, stopping tending his wounds and subsequently quieting Naoya up.

“A joke?” Naoya repeats. “A joke would be him thinking he could win against—"

“Seriously, Naoya?! Is that all you have to say?!” You cry, beginning to crack. “Why must you always take it a competitive thing??”

“Ah, so what was I supposed to do? Let him beat me??” Naoya countered.

“There you go again, taking my words out of context! I didn’t even say that!” you whined.

“Well, it’s not like you’ve given me much to work on, princess.” He scowls. “Why are you even so angry? If anything, I should be the one upset because I got hurt for you, and this is the thanks I get!”

“Oh, so it’s my fault now?!” you gasp, offended as tears began to form in the corners of your eyes. “Was I the one that wanted this—this fight to happen? Did I tell you I wanted to see you get hurt?!”

“It’s kind of expected, don’t you think?” He states, making your eyes go wide. “We’re sorcerers, we’re bound to get hurt—if you didn’t want that then maybe you should’ve considered a different career—

Or a different boyfriend.”

“Is that—is that what you’re going to go with?” you firmly ask, as if giving him one last time to reconsider his words…

Which he did after you set aside the first aid kit, standing up with all intentions of leaving the room that he realized how gravely he’d messed up, quicky to grab your arm and pull you back to him; and though the wounds of his fight made it hurt, more so since you struggled against him, he did not relent.

“Wait, Y/N, please—That came out wrong, I didn’t mean—”

“And what did you mean, Naoya?” you say, with a trembling voice that made his heart sting even more. He’s just gotten out of one altercation to walk right into another one—how delightful. “If it isn’t to mock me for worrying?!”

“No, I wasn’t.” Naoya says, tightening his hold on you, as much as he could anyways. He just… he just didn’t want you to leave, not like this. Not when he needed you the most. “I would never!”

You don’t respond, there wasn’t much to say when his words didn’t match his actions.

“…I’m sorry, Y/N. I didn’t mean to frighten you.”

“But you did.” You responded, and now he was able to hear the tears that had begun to slide down your cheeks. “You… you got into that awful fight instead of letting him go and almost got yourself expelled—no, worse! Killed!”

“But it didn’t happen, you know? You… you called for help, and we stopped!”

“Because you wouldn’t listen!” You wept, turning around and taking a good look at his face. Naoya wishes you hadn’t, however, because seeing you cry just broke his heart into a million pieces. “Neither of you!”

“Y/N—”

“You were like… like an animal out there.” You added. “Nothing seemed to snap you out of trance, and I—I got so scared—!”

“I didn’t mean to scare you either.”

“Does it even matter? You said so yourself, this is what sorcerers are supposed to do.”

“No, you know what I meant—”

“No. I don’t. I really don’t know what you meant.”

…

…

…

“I did this to protect you.” Naoya quietly adds. “I just… got so angry seeing you being bothered by that idiot, that I… I needed to do something. I needed to get him away from you!”

“…Why can’t you understand this isn’t what I wanted?” You sniffle. “I didn’t want you to get hurt, no matter the reason why.”

“I know, I know you didn’t—”

“Then… why did you do it? What made you so angry, enough to beat him up and risk your career?”

The thought of being undeserving of you. Naoya concluded. Because his words had unwittingly struck a nerve, a thought he’s tried his hardest to push deep within the confines of his mind, but until he makes amends with himself, he’ll never be able to escape that fear.

The notion that perhaps there is someone better out there for you… and that person isn’t himself.

And after the way he’s made you cry, such bitter tears… perhaps that was the truth.

“I’ll leave you alone, if that’s what you want.” Naoya quietly concludes, making your eyes widen once more. “So I will never hurt you again.”

“Naoya, that’s—that’s not what I want!” you gasp, heart clenching at the prospect of him leaving you. “Not at all!”

“What good of a boyfriend could I be if I all I do ends up hurting you?”

“And you think that leaving me wouldn’t do just that??” you fret. “That living a life without you won’t make me miserable?!”

“It seems I already do…”

“N—No! I don’t—I don’t want that! I—I can’t allow it!” you sob, immediately wrapping your arms around him. “I just got you… I don’t want to lo—lose you…!”

Now with tears in his eyes, Naoya tightly embraces you, pulling you as close as possible as he reassures your fears away.

“Princess…” Naoya breathes, cupping your face and making you look to him. “It’ll take a whole lot for me to ever leave you. Probably the end of the world—but you’ll never lose me, ever.”

“You don’t—you don’t know how awful it felt to not be able to do anything!” you confess. “I… I tried to get him off you but I—I couldn’t do it—I couldn’t protect you!”

“No, no, Y/N—That’s my job. I’m supposed to protect you, not the other way around.”

“But you—what about you? What if you need me? What am I supposed to do?”

“Leave all the heavy lifting to me, and you…” Naoya smiles, intertwining his hands with yours. “You can patch me up after, eh? Heal me up.”

“Nao—Naoya.” You sniffle, lips trembling as tears continued to flood your face. “Promise me you—promise me you’ll always be careful… please.”

“I promise.” He says, taking your hands to his lips and gently kissing your knuckles. “Though I doubt someone as talented as me might need to make such promises—it’s a given.”

“Don’t be silly…” you murmur, he chuckles. “As long as you’re a sorcerer, I’ll always worry…”

“Good thing I have my mochi to take care of me, hm? Have me in her thoughts while I’m away.” Naoya smiles.

“You better not come back too roughed up, then. Or I—Or I won’t be able to help much…”

“Not that I need much, your kisses are sufficient enough to make me feel much—ah, shit, princess?!” Naoya gasps, startled by the stinging sensation of the alcohol-soaked cotton pressed against his skin. “Should’ve given me a warning, at least!”

“I thought you only needed my kisses?” You gently tease, he frowns. “Sorry, I just needed to clean you up before you do anything else, you started bleeding again.”

“…Fine, I guess.” Naoya pouts, hissing whenever feeling the alcohol against his wounds.

“What will happen with… him, by the way?”

“I don’t know, he’s getting expelled I guess.” Naoya shrugs. “I’ll make it happen if not.”

“Naoya…”

“What? He was bothering you—think I’m going to let that slide? No one annoys my princess outside of me.”

“… Thank you, for protecting me, really.” You eventually murmur, putting away everything once done. You then lean forward, placing a chaste kiss over his lips. “I love you.”

“I love you too, little mochi.” Naoya smiles, kissing you once more. “My sweet damsel in distress, are you going to nurse me until I’m all better?”

“Don’t call me that—and do I have another choice?”

He snickers. “I guess not, but you wouldn’t want it any other way, would you?”

You smile.

“No, I guess not.”

…

…

…

“I wouldn’t mind if you dressed up as a nurse too, you know? Heard it helps for a faster recovery.”

“Don’t push it…

…

…

…

here, at least.”

Naoya smirks. Maybe he should get a bit roughed up once in a while.

Yes he'd beat up someone for you, naturally. let's not forget his go-to solution in grave situations is killing someone lol.

Anyways, I hope you liked this little something!! It's kind of refreshing to write the Naoya that has yet to learn how to approach you; like, I know I tend to write him perfect in certain aspects, but he was once a... brat, I guess haha. He doesn't know how to treat people, less the one he loves! We're bound to see more of this flawed Naoya very early in the relationship and I LOVE IT hehehe. I wonder what other stumbles I can write...?

Now, take care and hope to see you soon!!

[ananke-xiii]

More on the power of resurrection as the "apple of discord": Chuck vs Billie.

In Chuck's mind Death is not a problem because he controls space and time... he's actually right. I mean, he's definitely shitting his pants at this point but he has never respected Death enough to be worried about her (and his narrative shows just that since Death dies four times in SPN lol).

Chuck manipulates space and time and he's clearly pro resurrection. In his world people can resurrect either through demon deals or magic. Or if he says so, obvs. There always seems to be a price to pay for this, though, because Chuck is obviously the type of god that likes human suffering "for the plot".

Amara in all her "evillness" has a different point of view on the matter, for her resurrection is a gift. Which is still problematic ("what you are regarding as a gift is a problem for you to solve") but offers a new perspective: no deal, no magic, you need it? You get it.

Then there's Jack whose command of the power is still wobbly but shows all the potential to disrupt Chuck's narrative. His take on resurrection is closer to Amara: he doesn't know it but it's his desire to see Dean getting what he wants that sparkled life back into Castiel. You want it? You get it. Dangerous.

Billie, on the other hand, is NOT part of Chuck's family, so to speak. She's very ambivalent about rules: she doesn't like it when others bend them but she really enjoys being the one who bends them. Her initial affiliation and perhaps romantic connection with Crowley while many reapers "sided" with Castiel in s9 tells us that she has her own specific ideas about basically everything.

When she becomes Death, she doesn't want humans performing resurrection spells because she wants to be the one who decides who lives and who dies, thus taking on a role that is not hers to take.

S14 shows us her hypocrisy brillantly: Dean wants to die but she says that he will live; Rowena wants Crowley back (to which she should have, perhaps, been amenable as per above) but she says NO. She drapes herself behind the "death books" or whatever they're called and the "natural order" for whatever it means in SPN but Rowena calls her out: it isn't fair.

And she's right. Billie ignores Rowena, doesn't care about reapers dying (she even kills one herself) and only shows up because Rowena held Sam hostage and planned on killing him.

What Billie wants, though, is very much in tune with her role as Death: she wants things "as they were", heaven and hell, humans back on the "normal" timeline, "everything in its place and a place for everything" type of mentality. She wants something she can't have in a world where God, who controls time and space, keeps changing the plot.

A mentality that clearly contrasts with her s11 rebellious streak where she would have loved to toss a Winchester into the Empty, reap God and ultimately fucking harvest the Veil for souls! THAT girl had 99 problems but being conservative was not one of them.

So why does she change? Well, becoming Death would do that to a girl but I don't think that's it. I think she kinda likes it, to be honest.

No, my conclusion is based on what she can't stop repeating at least once per season: Castiel stabbed her in the back. Billie is holding a massive grudge that she very wrongly takes on Dean. Well, maybe not so "wrongly" per se since we know why Cas acts like he does, but when she blames Dean for being chaos incarnate and a disruptor of order she's sooo off target.

If there is one character who wants order and "everything in its place and a place for everything" is Dean Winchester.

No, there is one disruptor in SPN and it's Castiel. And HE stabbed her in the back.

And his resurrection (via Jack) is what should have tipped Chuck off (as I've been trying to demonstrate with all these yappings about cas and resurrection).

Basically Chuck's mortal enemy is Jack who bestows or revokes resurrections as he pleases. But he doesn't see him. Billie's mortal enemy is Castiel, creator of cosmic consequences that dismantle the coveted "balance". And she doesn't see him. Like snakes in the grass.

[juniorig0327]

Random 2:30 Thought

So I'm just up thinking and honestly I'm thinking about HOO and like, what if the conflict between the Greek and Roman camps was bigger than what it was.

Like, thinking about a way to integrate the Ottomans and Franks (I wanted to put Byzantine but they didn't have a religion pre Christianity and I'm sure not sure how that would be integrated, maybe in a way similar to Egyptian magicians??)

Because the Greeks have a long history outside of Romans and basically struggled for true independence for a very long time.

Could possibly develop an issue that goes deeper than the Athena Parthenos, grudges of the ancestors still being carried by modern demigods, just because they were told to hate these people.

Have the Seven be a mixture of all of these (could get a magnus chase crossover with the Franks since their religion was essentially of Norse origin I think lol.)

We have characters learning to overcome their prejudice and going through conflicts. Having one character (probably Percy) being the one to truly bring everyone together. The Uniter of [insert some cool title here] and bringing everyone together.

Them trying not to fall apart in the inevitable Tartarus fall and them pulling themselves back together on their way to the house of hades and the doors of death and becoming found family.

(I still think Percy should've killed Gaea imo and he was written off too quickly as not an option, especially when he was talking about killing Gaea w his bare hands or something like that so.) And finally at the end the camps (or whatever they'd consider themselves to be) finally uniting with the "death?" of Percy and his honorable sacrifice, the beginning of a new future, ambassadors being set up, facilities being built. All of the camps would unite maybe under an alliance, one more step to the actual safety of demigods (now that they're being claimed).

I dunno it sounds sort of cool since Greece and their history is really crazy, so bringing it all together against one of the strongest primordial beings, fixing what's broken, bringing hope for new generation of demigods is just wow.

As I'm writing this, I honestly could do something for the Byzantine Empire as far as including them, I'd just make them more like the Egyptian Magicians compared to demigods.

As for how they'd meet for the first time, that's a little complicated, especially because having five leaders or people from five separate camps seems a little too much.

Maybe the quest would go as normal but like at the beginning it's just Jason, Percy, Hazel, and Annabeth (maybe not "officially" being apart of the Seven but instead just being there for the Mark of Athena? I just feel like Hazel would only really work as apart of the Greco-Roman pantheon just because of her backstory directly relating to Gaea like it does so I wouldn't be able to revamp her character and drop her in another pantheon) traveling to pick up the rest of Seven.

Anyways I've been writing this for twenty minutes so I think I'll stop lol.

[bentacled]

it's been one day and im still pissed when will this end. season 4 had some neat assassination scenes but none of them shined as bright as the writers assassinating the characters like go off monarchs

[ruporas]

pet names

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. Vash overhears a conversation from a nearby table at the restaurant they're seated at, the unnamed character saying, "Honey, can you pass me that?" Their partner says, "Sure thing, angel." The unnamed character begins again, "Say, did you hear the news from earlier?" In response, "Haven't got the chance. Tell me about it?" Vash smiles fondly, listening in as the conversation continues, "You'd never guess, babe! The runner--" Abruptly, the conversation is cut in by a "Needle nogging", Vash's expression changing instantly and no longer smiling. The panel cuts to Wolfwood who smiles lop-sidedly, pointing at Vash's plate and says, "If you're not going to eat that. I'll take it." Vash grabs the plate and holds it away and says, "Mine" while Wolfwood clicks his tongue. He pauses for a moment before asking slowly, "Hey, is there any reason you don't use cute names with me?" Wolfwood lifts a cup of water up to his lips, looking confused. He says, "I do though." Vash cuts in, "Spikey and needle nogging aren't cute!"

Vash continues with a shy expression, "Since we're together now..." he trails off and Wolfwood picks up, taking a sip of water as he says thoughtfully, "Together, huh..." Vash pauses in his sentence with a look of confusion before reaffirming, "We are together, right?" Wolfwood nods, "Right." Vash says, "Right", before continuing, his shy expression returning, "Then you can use stuff like... honey or-" Wolfwood cuts in this time and says casually, "You're not a honey though." A panel cuts of Vash's expression changing again, shocked. He asks, "Huh? Then who is?" Wolfwood says immediately, "Milly." Vash exclaims, "Milly?!" Wolfwood continues, "She's sweet, just like honey." A bubble pops up of Milly smiling as Wolfwood speaks. Vash continues, "Okay, true... What about sweetpea?" Wolfwood responds, "Kids. Kids are sweetpea. And pumpkin too." Vash continues, "Okay... What about baby?" Wolfwood says without hesitation, "Meryl." Vash exclaims again, "Meryl?!" Wolfwood explains," Noisy, like a baby." Vash mutters, "Hey, that's a bit mean..."

Vash continues persistently, "Then what about babe?" Wolfwood shrugs with a grin, "You are not a babe." Vash looks at him, slightly frustrated before exclaiming with flushed cheeks, "Then what am I?!" Wolfwood points at his hair and smiles softly, "I told you. You're the one and only needle nogging." A panel closes in on Vash's widen eyes, cheeks still red, pausing before he ultimately resigns, planting his face into the palms of his hands and muttering, "I give up..." At the same time, Wolfwood sneaks and grabs the plate of food that Vash left unattended, saying in response, "You get up cuaght up about the dumbest things, y'know that?"

The comic then picks up again to a jump in time, after they've left the restaurant. Wolfwood muses to Vash, "You said all that about the names earlier, but I don't hear ya using them for me." Vash looks to him excitably and asks, "Did you want me to?" Wolfwood looks at him with an uncertain expression, "Not really, but I guess I am curious..." Vash beams, "Then let's try some, okay... dear?" He fingerguns Wolfwood with a grin, little hearts surrounding him. Wolfwood just looks at him neutrally and says, "Okay," while thinking to himself, "Cute..." Vash exclaims, "So unenthusiastic!"

The next comic picks up at a different time, but on the same theme of pet names. Vash hugs Wolfwood and says to him, "Thank you, my love." A panel close up of Vash steadily opening his eyes before he sees Wolfwood's reaction up close, his eyes glancing away, cheeks flushed, and the smoke out of his cig forming soft hearts as he mutters, "Sure..." In a smaller, cartoonish style, Vash has a comedically exaggerated expression of shock and widened eyes as he grips Wolfwood by the shoulders while Wolfwood still wears a shy expression. He then nudges his head to the side of Wolfwood's with a close eyed happy smile, hugging him close and says, "So, there WAS one you liked!" Wolfwood, still looking away, but now with an irritated and embarrassed expression, grumbles, "Shut up..."

The final image is a short sequence. Wolfwood is working on something, spacing out as he does, while Vash from off screen calls for him, starting with "Babeeee? Babe? Beautiful? Honey? My love?" All of which gets no reaction from Wolfwood. Vash pauses for a moment before piping up again, "wolfwood?" Wolfwood turns around, finally noticing that Vash was calling for him and asks, "What?" A box at the bottom of the page says, "Unresponsive to anything other than his names." END ID]