#they're not his family. his family was KILLED

[greystend]

Danny and Damian are twin, except the League is actually evil.

Danny was never named Danyal. He was Damian. And Damian was Damian too.

They shared the name, and only met each other once.

After all, Ra's Al Ghul only needs one heir, and he must be the best. He ordones for them to be raised exactly the same, be it for the time allowed with their mother, their training or their name.

At like 6~7 years old, they're presented to each other. The one who win the fight will get the honor of killing the other, and to be told the identity of his father.

The Damian who win is the futur Robin. The Damian who loses and die get ressucited by Talia with a vial of Lazarus Water. She then abandon him and he's later found by the Fenton, becoming Danny.

Years latter, Danny-as-Phantom meets Robin, and they get along very well. Damian is happy to make another friend in the caped community. The batfam is a little protectibe and suspicious, but for once, it doesn't seem to be a plot !

Until they talk about the Wayne and Phantom change completly of attitude. He seems to think they're dangerous (not false) and evil (very false), but even worse, he's deadly afraid of Damian Wayne. And he refuse to explain why. Damian won't admit it, but that really bother him.

Danny recognizes the other Damian, but he was never told his father identity or his relation to him. He thinks Damian is here as an assassin of the league, perhaps surveilling the batfam, and infiltrated in the Wayne family who's probably filled with league's opperatives. He needs to protect Robin from Damian.

Damian remembers his first kill being another kid looking just like him, but the memory is blurry. When he fights against clones years later, he thinks the kid was a clone made especially for the occasion.

He never tells anyone.

[bethanythebogwitch]

Yeah, DW writers tend to fall into the trap of "my character can't ever kill someone so I'm going to say that any other option, including stuff that is way worse than just dying, is more moral". It's the same problem Superman has where he won't kill, but will stick his enemies in the hell that is the phantom zone.

While there is a lot of inconsistency that comes with characters being written by so many different people, each with their own takes, I think there is some in character reasons why certain Doctors don't kill. For the more optimistic and pacifistic ones like 5 and 8, they often genuinely hope that their enemies can reform (unless they're Daleks) and want to give those enemies the chance to live. For some of the darker Doctors like 6, 7, and 9, they have the issue where they're scared of what they'll become if they jump to killing without it being the absolute last resort. If they accept that killing is an option, how long will it take before they are killing all their enemies, even those who could reform? Interestingly, both of those reasons have been used by DC writers as reasons Batman hasn't killed the Joker yet.

Of course, inconsistent writing is the biggest cause of a lot of these problems. Some writers will have a Doctor kill enemies of they need to, while others insist they won't kill and then need to come up with some other way to dispose of the villains. And sometimes it's out-of-character writing. For example, in Rogue, I think it was out of character for 15 to so quickly jump on the "exile the LARPing bird people to an empty dimension" plan without trying alternatives first, but the writer needed that setup for the tragic end of his boyfriend getting trapped, so they just went with it.

Of course, probably the most famous example of a Doctor trapping his enemies in a hell dimension (or close enough anyway) from The Family of Blood isn't an example of him thinking it's more moral than killing. He was just pushed so far over the edge that he wanted the villains to suffer that bad.

Side note: part of my problem with the War Doctor stories from Big Finish is I don't think he's ruthless enough. War was the Doctor who gave up on his morals and the promise of the name "Doctor" to end the time war at all costs, but the writers aren't willing to treat him as someone who will do whatever it takes. Like if you're going to write War like 8 or 9, just have one of them be the time war Doctor.

My favorite part of doctor who ever is when the doctor does their whole “I refuse to kill this villain/monster because of merciful moral reasons” bit and then immediately follows it with “so instead I will trap them alone in a barren hell dimension for all eternity”. It’s like that’s worse, though. do you get why that’s worse.

[seat-safety-switch]

It's hard to explain to people from other cultures that our malls are largely useless. In most of Asia, for instance, the mall scene is still vibrant. Stores are in business, generating massive revenue, and attracting daily shoppers, who buy exotic foreign goods like "clothes" and "food."

Here, though, malls have rotted from some kind of unknowable internal malaise until they collapsed in on themselves and took half the economy with them. This unexpected failure has terrified capitalists, who have fled the retail sector in much the same way that folks of old used to cross the street to avoid those with facial deformities. Can't take a chance that it's contagious. Have to think of my family, who happen to all be badly spelled cryptocurrency scams and presale condo flips.

In my town, there's one large mall that's still successful. The demise of all competition has served to make it stronger, like in the movie Highlander where the main guy figures out that he can perform a leveraged buyout of Bluestar Airlines. Every Christmas, this lucky survivor of promenade warfare is thronged with the entire city's worth of shoppers, demanding to be let inside to a warm space where they can walk between stores to do their stuff-gaining. In other words, it is a ripe place for me to enjoy the heated underground parking garage in which to fix my car.

Sure, if you ask the security guards, "I'm not allowed to" change my oil while the moneyed elite are fritting to and fro. They're pretty busy at Christmas, though, and they certainly won't get upset at a guy with a Sak's bag sitting on his trunk, even if that bag is full of dirt-filled 15w40 and smelling faintly of coolant. They just can't take the chance that kicking me out is what killed the other malls.

[ahqkas]

Hello! ^^

First, just wanna say your blog is amazing. Second, what kind of shenanigans do you think would ensue with the batboys having a hyper physically clingy S/O? Like their S/O would get so excited they're home and just tackle hug them before they make it past the door kind of clingy.

♯ FRIDAY I’M IN LOVE . . . ( the batboys ! )

— gn!reader, fluff

© ahqkas — all rights reserved. even when credited, these works are prohibited to be reposted, translated or modified

BRUCE WAYNE

bruce wayne, the ever-composed patriarch of the family, would at first have no idea how to handle such enthusiasm. his s/o being hyper-physically affectionate would probably throw him completely off-balance at first—not because he doesn’t enjoy the affection but because he’s not used to being greeted like that.

( the door creaks open as bruce steps inside the manor, still half-lost in the grim report alfred had handed him earlier. before he even sets his briefcase down, a blur barrels toward him, arms wide, a gleeful shout of his name ringing through the grand hall.

he braces himself instinctively like he’s about to be tackled by a rogue metahuman. “wait—” is all he manages before you collide with him, wrapping him in a bear hug strong enough to make his muscles tense. for a second, bruce freezes like a deer in headlights.

“miss me?” you grin, cheek pressed to his chest as you sway him back and forth like a tree in a storm.

bruce glances down, trying to maintain the stoic facade, but his lips twitch, betraying the barest hint of amusement. “you know, most people say hello first.”

alfred passes by with an arched brow and a muttered, “at least you don’t end up unconscious, master wayne.”

he sighs, exasperated but secretly endeared. he knows by now resistance is futile. one hand rests awkwardly on your back, the other fumbling to steady the files tucked under his arm. “you’re going to sprain something one day,” he murmurs, though there’s a faint warmth in his tone. )

the first time you tackle-hugged him after patrol, bruises and all, bruce immediately went into “are you hurt?” mode despite being the one who should be resting. “you can’t just launch yourself at me like that—you could get hurt,” he’d chide, even as he gently pulls you closer to make sure you’re okay.

alfred would quietly revel in the sheer domestication of bruce’s typically aloof charge. “ah, nothing like unrestrained enthusiasm to balance out your brooding, sir.”

DICK GRAYSON

dick grayson would be all in for having a hyper-physically affectionate s/o. the guy thrives on connection, and someone who matches his energy—or even outpaces it—would not only make him laugh but also make him feel completely loved. if anything, your clingy antics would ignite a bit of playful competition as dick tries to out-affection you, though he’d absolutely let you win most of the time.

( the moment he unlocks the door after a patrol, the creak of the hinges is your signal to strike. without hesitation, you launch yourself at him like a projectile, arms wide and grinning ear to ear.

“dick!”

“whoa—!” he yelps, barely managing to catch you before you tackle him into the doorframe. one arm wraps around your waist while the other steadies both of you. “are you trying to kill me, or…?” he teases, his voice light with laughter.

“i’m just so happy you’re home!” you say, nuzzling into his neck.

“yeah? well, i love being tackled the moment i step inside,” he says sarcastically, but the grin splitting his face is entirely genuine. “i mean, forget taking off my boots or hanging up my jacket—this is exactly what i needed.” he spins you around for good measure, making you laugh as he carries you further inside. )

dick would absolutely take your clinginess as a challenge to see who could be more over-the-top. you tackle-hug him at the door? he’ll scoop you up and spin you. you randomly leap on his back during a walk? he’ll carry you piggyback all the way home. it’s basically a constant competition to outdo each other.

one time, you caught him mid-workout and tried to climb on his back during push-ups. he pretended to be annoyed but ended up laughing so hard he couldn’t finish his reps. “you’re impossible,” he’d say between laughs, letting you sit on his back as he fake-struggled to keep going.

JASON TODD

jason todd would act like he didn’t know how to handle having such a clingy and affectionate s/o, but deep down, he’d secretly live for it. the guy has been through hell and back, so having someone who’s so unapologetically excited to see him would catch him off-guard at first—but it would also heal a part of him he didn’t know was still raw. he might grumble, roll his eyes, and mutter sarcastic quips, but the way he’d instinctively hold onto you would give away just how much he craves your affection.

( jason walks through the apartment door, shoulders tense from a long night of patrol, his helmet tucked under one arm. he barely gets two steps inside before the sound of your excited yell fills the air.

“jay!”

before he can react, you’re barreling toward him, all wild energy and open arms. “oh, shi—” the rest of his curse is cut off as you launch yourself at him, practically climbing him like a tree. he stumbles back a step, caught off-guard but reflexively wrapping his arms around you to keep you both steady.

“missed me?” you ask with a grin, nuzzling into his neck as your legs wrap around his waist like it’s the most natural thing in the world.

jason sighs, trying to sound exasperated but failing miserably. “miss you? you act like i’ve been gone for months. i was literally out for, what, five hours?”

“too long,” you mumble into his shoulder, squeezing him tighter.

despite his words, you feel his shoulders relax as he hugs you back. “you’re ridiculous, you know that?” he says softly, his voice a little rough around the edges but warm. )

jason would never stop pretending to grumble about your antics. “do you have to tackle me every time i walk through the door? my ribs aren’t exactly indestructible.” but if you ever didn’t tackle him, he’d immediately notice. “what, no welcome-home ambush? you mad at me or something?”

he would absolutely start using your clinginess against you. if he wanted your attention, he’d dramatically throw himself onto the couch and groan, “i can’t go on. i need one of your hugs to survive.”

TIM DRAKE

tim drake would initially be overwhelmed by having such a physically clingy s/o, mostly because he’s used to people respecting his personal bubble—or just not being that excited to see him. but once he got past the initial shock, he’d secretly love it, even if he was absolutely terrible at expressing that in words. your affectionate antics would constantly fluster him, but he’d quickly become addicted to the way you made him feel wanted and cared for.

( if you interrupted tim in the middle of one of his all-nighters, the results would be like this: imagine him sitting at his desk, surrounded by coffee cups and glowing monitors, so hyper-focused that he doesn’t even hear you sneaking up behind him.

suddenly, your arms wrap around his shoulders, and you rest your chin on top of his head. “hi,” you whisper, making him jump so hard he almost knocks over his coffee.

“[name]!” he hisses, spinning around to glare at you, his heart racing.

“sorry, couldn’t resist,” you say with a cheeky grin, leaning down to press a kiss to his temple.

tim sighs, trying to look annoyed, but the light blush creeping up his neck gives him away. “you’re ridiculous,” he mutters, but instead of pushing you away, he pulls you into his lap, his arms wrapping securely around your waist. “if i let you stay, will you let me finish his report?”

“no promises.” )

your ambushes would frequently catch tim off-guard, leading to spilled coffee, toppled stacks of paperwork, and at least one destroyed keyboard. “[name], i love you, but you’re going to bankrupt me in tech replacements,” he’d grumble while cleaning up the latest mess.

he would eventually start using your affection as an excuse to take breaks. if you tackled him while he was working, he’d let out a long-suffering sigh and say, “fine. five minutes. but only because you’re so insistent.” cue you dragging him to the couch for cuddles while he pretends to be annoyed.

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[secriden]

THK's Fadel is such a character of contradictions and curiosities:

He's so casual about the assassination stuff: look at the careless, almost silly way the guns are 'disguised'; the nonchalant way he's carrying himself right before he kills.

But then look at the precision and care he's taking while prepping tomatoes for his cover job. The way he leans down to salt the meat for his burger - he's taking it incredibly seriously.

He takes the time to chide Style about road safety even whilst trying desperately to get away as soon as possible because he literally has murder evidence in his car.

The whole assassin thing is a family business that has "ethical reasons", but is this a cause he has chosen, genuinely, for himself...

...or is it just what he tells himself to make it easier to keep living this life because he knows there's no escape?

Was this a lesson learned in theory from their mother, or from painful experience? Who hurt you, baby boy? Could it be related to the (knife?) wound on his chest (heart)?

For someone who supposedly just wants to get rid of Style, he sure lets Style get close and deliberately gets very handsy with him. Not to mention it was Fadel that sought Style out first after their initial encounter. Was Style's the only auto shop he could go to? I'd assume money isn't actually an issue for them.

I love that the show makes it clear that he loves Bison and is genuinely worried for him. The show sets up Bison to be too trusting but also naive and impulsive (Bringing a loaded gun to karaoke? Really, Bison?), so Fadel's worry and protectiveness may well be warranted. And even then, for all of Fadel's strictness, he gives in to Bison a lot and the way Bison speaks in that whiney pleading tone hints that he knows he's got his older brother wrapped around his finger. He's Katherina, but they're signposting why.

He fascinates me on so many levels and I can't wait to learn more about him. <3

[littlebigmouse]

Same. I sincerely believe the introduction of their mother is the worst scene in season 2 so far, not only because the scene itself is pretty bad, it makes very little sense in context (in terms of the characters emotional states) and retrospectively harms S1Act1.

I fucking hate this, what do you MEAN it explains it, did Season 1 not already explain it?? Did Season 1 not make you understand it already?? Did Season 1 not focus on Vander's corpse and the emotions on Silco's face when Powder tells him Vi left her? Did you not get that Silco empathized with her because he knows how it feels to be abandoned by an older sibling? Did he not spend the entire season comparing Vi to Vander and his past to Jinx's? Were there not already multiple scenes depicting Silco and Jinx's bond and how he came to fiercely love her after years of taking care of her?? You stilI needed another hamfisted justification for his love for her?? He needed to be her godfather and friends with her dead mother for you to understand Season 1? I despise takes like this so muchhh

[irisbaggins]

This isn't going to be as in-depth as my other meta (I am too tired after Uni and thinking about different literary theories), but I've seen some folks point it out and wanted to add my own two cents:

From the way I view Evan's behaviour since the killing of Philtrum, I read it as him becoming defeatist towards his own nature. He truly believes he's a bad person, who doesn't deserve love nor happiness. He chafes against any assertion that he's loved or cherished, and he clashes with anyone attempting to assert that he's valuable and loved just the way he is. The only person who he doesn't outright clash with is Sam, and that is - I believe - only due to the fact he saw and experienced her emotions and feelings, and therefore cannot quite dispute them. With Jammer and K he can, because he doesn't have that insight into their true feelings. He can make assumptions, then, and run with that idea.

Why does this matter, then? Well, I've noticed how Evan pushes back against the three, and how it differs with each person. Because he does clash against all of them, just differently depending on the person. With Sam, he doesn't outright deny her claims, but it's clear he doesn't believe her fully. He just doesn't say it because it makes her sad and, after every kindness she's shown him, he doesn't think she deserves to feel like that. With Jammer, we've seen him either outright challenge him - how he's mentioned to Jammer's teammates and the lack of talking about his inherent magic - and we've seen him doubt and distrust Jammer's overt affection - not believing they're family, despite Jammer's insistence that they are. And with K, Evan has never truly believed himself worthy of love, but he doesn't quite understand that that's the issue K has with him, and therefore thinks K just wants to "change him" to fit their worldview (instead of being that K wants to "fix him" in terms of his self worth etc.).

Evan clashes with all of them, and I argue that it's because he doesn't see himself as worthy of their compassion. I would have to re-watch the first few episodes of the season to be sure, but I have the distinct feeling that Evan's refusal to believe in his friends' compassion started after killing B2, something he did without hesitation and without direct remorse. And I think that's the core issue, here. I believe that's why Evan is so adamant in his position, in his belief of his unworthiness, in his desire for power and control; he truly believes he became what he always feared, and he's both accepted this and is also denying it. He pretends everything's fine, yet he also cannot escape the feeling that he's doomed. He called himself heir to the evil house, something he's always denied. I think that alone is an insight into Evan's mindset; he thinks himself evil, which places him in direct opposition to his friends who he believes to be good.

I talked about K and control, and how they can - in their attempt to pretend - be hurtful in what they say. I argue the same is true with Evan, but instead of being directly self-sabotaging with his speech, he's doing it indirectly. He's placing himself as someone they shouldn't trust, and he himself might not be consciously aware of it. He's self-sabotaging, at least from the way I read his actions, especially in light of K's conversation with Tabby. He doesn't trust that the affection of others is genuine, and therefore will treat it as if it weren't. And he's only gotten worse, I think. Yes, he can throw out affection and "I love yous", but receiving them? He doesn't know how to handle that, and will either just go along with it quietly, or question it directly.

Evan's trapped within a negative feedback loop, and I think this is only heightened with his conflict with the Qohlye, and his conflict with him. Specifically, I'm thinking about the ways in which Evan refuses to actually understand why he was given the book, and why it's a horribly sad thing to happen to him. Not because the Qohlye thinks Evan is only meant for sadness, but because the Qohlye understands and knows that the book will only lead Evan to a darker place in a desperate attempt to keep control. The Qohlye is sad, I think, because he knows Evan will happily walk a path he himself doesn't want just to keep his friends close - something that will, in the end, only lead to great sadness. Just take his near sacrifice when saving K from death in the first season, or killing B2 in this season. Evan is a self-fulfilling prophecy, and the Qohlye sees this, and sees Evan refusing to attempt to understand it. That's the sad part, I think. That's where that grief comes from. It comes from seeing a bright and kind kid destroy themselves because of them believing themselves unworthy of love.

I could go on with this topic, but I think I'll end my rant for now by concluding with this: Evan hasn't acknowledged the demons directly since he discovered they had returned, and I am very worried with what's going to happen in the last two episodes. Especially with the references to "kill your dad" and all. Evan is such an interesting character to analyse, especially since he's such a flawed and complex character. Often, what I've noticed with him, is that it's what he doesn't say that leaves the most impact. And him not acknowledging his own emotions and his own fears regarding his nature is quite telling. Especially as he's positioned himself as a wizard killer. I'll probably write some more meta at a later date regarding him - as well as meta on K, Jammer, and Sam, as I find all of them so incredibly fascinating. But I shall end the post now before I fall asleep typing, because I am dead on my feet. So, if this post makes no sense, really sorry about that! Will probably refine it later when I'm dodging writing about my thesis.

Also, just wanted to add: If anyone has like, any points, disagreements, or just general thoughts about this post and my takes, I'm happy to hear them! I'm always up to hear what others think of my takes, especially if you disagree. It always fascinates me to hear what others think about characters and a story, so please do not hesitate to interact if you have your own two cents!

[hestzhyen]

An Extremely Subjective HakuHiro Romantic Trope Breakdown

Greetings, void. This arc is rough and the brainworms won't let me write my own hurt/comfort fan fiction- they demand half-baked analysis instead of lovemaking. So have the closest thing that passes for fluff from yours truly.

In essence, this is just a list of the explicitly romantic tropes I love applying to HakuHiro with varying degrees of gushing ship babble as justification. Some are definitely skewed hard towards headcanon but there's always at least a tenuous connection to something that's demonstrated in the work itself. Proceed if this kind of brain rot sounds like your jam! Otherwise just please let me die from cringe in peace.

Battle Couple

Offense and support working in perfect harmony.

So this is just one of my personal favourites, but Chihiro and Hakuri definitely have strong vibes for this trope. They fought together in an absolutely stunning display of mutual trust and understanding in the Rakuzaichi Arc. Seriously, these guys pulled off some truly spine-tingly good moves to take down Kyora despite Hakuri only just awakening to his powers the very same day.

They demonstrated this again in the train fight protecting Uruha- Hakuri and Chihiro only need the bare minimum of communication between them to fight in style. I look forward to more chances for them to show off their teamwork! If they end up fighting back-to-back in canon I'll probably just straight up ascend to fudanshi heaven on the spot. I LOVE BATTLE COUPLES.

Love at First Sight/Rescue Romance

"This is the kind of man I need in my life."

Love at First Sight is pretty self-explanatory: person A sees person B and immediately falls head over heels. It's easy to slap that on Hakuri in his introduction chapter- he's only missing an invitation to get to know each other over some coffee when they finally meet up, really. Unless asking someone to help you kill your family is the Kagurabachi universe's equivalent...?

As for Rescue Romance, it's another very simple scenario: person A is saved by person B, which causes them to fall in love. Chihiro saves Hakuri with the other random people at the site of Sojo's massacre attempt, and Hakuri... yeah. You get it.

I think there's a better trope to associate to this later on in the list, but Love at First Sight and Rescue Romance are still apt and very funny tropes to apply towards Hakuri's first impression of Chihiro. The way he waxed poetic over the mystery samurai who saved and inspired him had me in stitches. Seriously, my oldest notes on Hakuri from that chapter are mostly just laughing about him being really passionate about Chihiro for someone who's not intended to be a love interest! Go get 'im, Hakuri. He needs you in his life just as much as you need him in yours.

Mindlink Mates

Don't need to hear each other at all if you just "get" them.

This is something I like to apply as a Fanon concept based on what happens in canon. Hakuri and Chihiro aren't literally linked mind-to-mind via telepathy, but both of them have a deep understanding of what the other's thinking and feeling at any given moment. I really like the concept that they understand everything about each other on an instinctual level. It's mostly fueled by the Aun concepts that have been associated to them, which I'll get into during a later section. But yeah. Hakuri and Chihiro being borderline telepathic in how they can sense the other's status. That's crack cocaine to me and it's not too far removed from canon so I'm running with it.

I also really like the idea of their strong emotions and desires bouncing off of and amplifying each other's, but I don't know if there's a specific trope for that, so it gets placed here at the end of this tangentially related section. Also not something far removed from canon given how they both fuel each other's self-destructive savior tendencies because they feel the same way!

Moe Couplet

They're so cuuuuuuuuuuuuuute

A Moe Couplet is essentially a pair of characters that enhance each other's cute traits. Separate, they are perfectly fine individuals with their own appeal. Together, they are adorable and capable of some tooth-rottingly sweet moments. This trope isn't typically associated with romantic duos in stuff aimed at general audiences, but it's common in BL as the basis for "fluff" works and wholesome pairings.

This is probably the biggest stretch to apply towards canon on the list, honestly. We haven't seen that much moe moe action from Hakuri and Chihiro- they're kind of busy fighting for their lives or hurting themselves to save others most of the time. But the few moments we get send me straight into cuteness agression-induced brain rot every time I think of them.

Most of this trope label for HakuHiro comes from little details. Like Chihiro often being shown reassuring Hakuri, and Hakuri getting some of the sweetest smiles out of him in return. Hakuri brings out Chihiro's soft side when Char's not around to do so and Chihiro helps Hakuri be his absolute silliest. These guys are are so good to each other! They melt the ice around my cold, dead heart into a slurry of hnnngh and incoherent shipper screeching.

What's it actually based on though? Well, I thought I was just doing normal delusional fudanshi things by thinking Hakuri is extra cute when he's around Chihiro and vice versa. But then Hokazono-sensei threw me a bone in an interview by saying he intended for Hakuri to "bring out Chihiro's personality and add some cuteness". And I. Just. I exploded into confetti on the spot. MOEEEEEEEEEEEEEEEEEEEE

One True Love

This ship is not merely an OTP to me, if you haven't noticed.

Note: "ai" is not inherently romantic despite it being the end-goal of pretty much every romance novel out there. It's for deep, profound affection felt for someone- friends, family, even pets. It's rare and not commonly said aloud outside of the climax of a love story is all!

This is mostly tied to Hakuri's experience with love growing up and how he can find out what 愛 [ai, purest and deepest love], really means.

Hakuri probably has no fucking clue what love of any kind is really supposed to look or feel like, much less the ultimate form of it. His father threw ai around as something to manipulate his children into serving the family tradition. Soya used it as an excuse to torture him. This was deliberately done to contrast with the love that Chihiro knew growing up- true ai between father and son, which was cruelly ripped away from him.

So let Chihiro teach Hakuri, and Hakuri provide in return. They're already each other's perfect partners anyway so just put a romantic spin on it!

Hakuri finding unconditional love he doesn't fear in Chihiro and Chihiro finding the same in Hakuri once more. Neither of them ever needing to fall in love again because they slot together so perfectly to fill the gaps in each other's hearts. Oh I'm gonna die...

Opposites Attract

If not meant to be canon, why colour coded as opposite compliments? :thonk:

This is the trope that activates a primitive part of my brain that overrides all thoughts with eeeeeeeeeeeeeeeeeeeeeee noises when it comes to HakuHiro. Hakuri and Chihiro are true opposites that are perfectly balanced to contrast and compliment each other, resulting in a duo greater than the sum of it's parts.

Hokazono-sensei made his intentions about Hakuri and Chihiro extremely clear by going so far as to colour code them for us. This is the protagonist and his foil/deuteragonist guy who is Important as Fuck. The level of detail in designing and writing them reads like he took this trope extremely seriously and said "let's save the Hero + Lancer coding for Hiyuki instead". 'Cause as much as I love her, Hiyuki's got nothing on Hakuri when it comes to this trope. Her thing is closer to being the same person as Chihiro with the opposite frame of mind and mode of expression- it's Hakuri and Chihiro who are the true manifestation of Opposites Attract down to the tiniest details. I'm ready to die on this hill so come at me and put me out of my misery.

I mean just look at these guys:

Chihiro: black and red, stoic, reserved, serious and polite, slim and straight profile.

Hakuri: white and blue, emotive, outgoing, silly and casual, loose and boxy profile.

They invert the same ways under pressure; Chihiro stresses and falters while Hakuri focuses and buckles down. Their fucking backstories are in on it too: they both lost their father's love but under distinctly opposite circumstances. Even the love they received was contrasted since Kunishige was a perfectly wholesome dad while Kyoura used love in an abusively manipulative way! And that laid the foundation for the premise of the Rakuzaichi arc- Hakuri wants to destroy his family's legacy while Chihiro still wants to do right by his. It would take a whole 'nother post to list everything between them because every single detail about one is carefully crafted to be present in the other in order to complete their characters. It's absolutely insane and it's what really sold me on the ship.

The level of care put into writing Hakuri and Chihiro as opposites who complete each other is out of this fucking world. I'll feel sorry for whatever girl gets assigned to be a mandatory heterosexual love interest for either of them because there's just no way to compete when two people are written to be so thoroughly intertwined with each other.

(To clarify just in case: I don't think Chiyuki is a bad ship. I'm not trying to trash it and say HakuHiro's better or more legitimate somehow. I just have an issue with shounen romance in general because the girls don't get nearly as much narrative effort to make them compelling companions to the MC compared to the "best friends" and Kagurabachi is doing nothing new in that regard so far. Hokazono-sensei can actually make a bigger impact by refusing to tease Chihiro and Hiyuki at all instead of going down the tired old path of obligated sub-par heterosexual ship tease/romance IMO.)

The Power of Love

Nice Heroic Second Wind you got after thinking about Chihiro there, Hakuri.

So this is definitely skewed towards pure delusion on my part, but that's what we're all here for anyway. Power of Friendship? Never heard of it.

Basically, person A uses their love for person B to power up and overcome the hardship they're facing. In this case, I'm interpreting Hakuri's tendency to think of Chihiro when he's in dire straits as romantic!

Hakuri comes in clutch a lot and his feelings abut Chihiro are the reason he can do it. The memory of his samurai refusing to yield gives Hakuri the strength to keep standing and finally put Soya down in chapter 36. He does it again in a sadder way in Chapter 58 when he thinks of Chihiro and musters the last of his strength to summon him too late to save Uruha. I have no doubt that he'll have more of these moments as the series goes on, too. Chihiro is kind of hope incarnate to Hakuri.

Chihiro's drawn strength from his feelings for Hakuri too, but not in a pinch kind of way like the Power of Love trope typically implies. I'm just waiting for the day when it's his turn to use memories of Hakuri to keep standing (never gonna happen)!

Ship Tease

Putting this here for lack of a better term, but there's a running gag about Hakuri and Chihiro's relationship that's been escalating in intensity since the early parts of the Rakuzaichi arc. It only comes across in bits and pieces in English compared to Japanese, sadly, but I'll do my best to explain it.

Basically, I'm interpreting the jokes about Hakuri acting like a dog as deliberate ship tease for the lols from the author.

"Paw. Shake. Good boy."

It starts in chapter 28 with Hakuri dropping everything he's doing to run over to Chihiro when his name is called. It's really cute and funny and not something that can get lost in translation- Chihiro calls, and Hakuri comes. Just like a loyal dog to it's master.

It's set aside for a while until the Sword Bearer Assassination Arc starts up and Hiyuki drops this banger during the trial in chapter 46:

"But where he [Hakuri] stands is a big pain in the butt. He's not the one calling the shots." - official TL

Of note is the term Hiyuki used to say that Chihiro's the one in charge: 舵取り [kajitori]. The normal meaning for it is "steering a boat" or "helmsman" with the secondary being leader/director, so it's not like the English TL messed up. Same meaning different wording. What's lost is the subtext: 舵取り as Hiyuki's using it can also imply that Chihiro's in charge of Hakuri like the owner of a dangerous guard dog would be lmao. Hakuri kind of earned that jab after threatening to leave her in the storehouse to die if she hurt Chihiro, though.

And then there's this completely unnecessary scene from Ch. 50...

"Who's this? This little squirt smells like Chihiro, but he's not Chihiro."- official TL

The TL again isn't bad here but it really downplays just how fucking weird Samura is (which downgrades the rocket propellant to mere ship fuel). Samura's phrasing about Hakuri smelling like Chihiro was so batshit insane in Japanese that fellow JP shippers felt compelled to reach out to the rest of us in English to let us know, which is almost completely unheard of.

Basically, Samura wasn't saying that Hakuri merely smelled like Chihiro. He actually said that Hakuri was wearing Chihiro's scent, completely enveloped in it to the point of smelling identical to him. A native JP reader (in the link above) said that in their interpretation, the word "まとって [matotte]" isn't really used for friends, but more for lovers, family members, or dogs and their owners in the sense that being so physically close all the time causes their scents to rub off on each other.

It's not a normal term used to describe smelling like someone in the first place. When Samura meets younger Chihiro in the flashback and says he "reeks of Rokuhira", he uses the typical word for "smell/scent" (香り [kaori]) in Japanese. So for some reason we just had to know that Hakuri smelled like Chihiro in the way dog or a lover would, huh... so much so that Samura thought he actually was Chihiro... (I can't get over this, it sends my sides into orbit every fucking time).

So yeah. That's some top-tier ship tease if I do say so myself. What that dog doin'? What did they get up to on the train before meeting with Uruha? That's for us to decide!

Soulmates

It's not exactly hard to see that Hakuri and Chihiro have a bit more going on between them than standard friendship or brotherhood, even for a shounen series. Even some dudebros acknowledged this before the fandom gave over to homophobic trash anyway.

It all stems from Hakuri invoking one of the most potent romantic tropes there is as soon as they meet:

"That day, a samurai lit my helpless existence on fire."

Jesus Christ Hakuri, that's some passion!

I think the "soulmates" trope is the most fitting description of what's going on between Hakuri and Chihiro from the very first time they meet. I'll even go so far to say that it actually has a pretty damn good case for being canon in a platonic sense!

For the uninitiated (like I was), the soulmates trope is invoked when two characters feel a strong and immediate connection upon first meeting each other. It can be one-sided or even completely rejected by both at the start, but they will always find their way to each other since they are fated to be. The whole world falls into kilter when they get together even if they were perfectly functional people on their own before. HakuHiro is this trope to a fucking T in my mind. Absolutely flawless execution, 10/10 no notes.

Hakuri's part is obvious- he sees Chihiro and decides he must have this amazing person in his life no matter what. He feels the pull of destiny and answers the call with an overabundance of enthusiasm.

Chihiro's part is more subtle. He does the one-sided rejection thing at the start by running away, but fate pulls them together via circumstance and he takes Hakuri back with him. And somehow, for some reason, Hakuri is the first person he opens up about his genuine feelings to in a surprisingly raw way:

"If I don't do something, and a sacred blade takes the lives of innocent people... I wouldn't be able to bear that..."

He met the guy minutes ago, tried to run away from him, then decided to bear his heart to him in the elevator. Chihiro's a natural stoic who doesn't show much of what he's feeling and generally keeps thoughts like this to himself. But Hakuri brings out this softer, more vulnerable side to him that no other character has before. Then as the arc progresses, Chihiro comes to rely on Hakuri more and more until it's crazy to think that he ever ran away in the first place. It's like they were always meant to find and save each other.

I'm not looking too hard at this with shipping goggles strapped to my face. We get confirmation that this is what's going on with them via The Word of God Himself:

From the Volume 4 description: 一方、兄からの愛と暴力によって地に伏した伯理。今際の際に脳裏を過ったのは、ある少女との日々だった。極限の中、二人の少年の魂が呼応する。

"Meanwhile, Hakuri is struck down by his brother's love and violence. On the brink of death, he remembers the days he spent with a certain girl. In the midst of this extreme tension, the souls of both boys resonate with each other."

The last sentence is basically more total harmony/Aun imagery for Hakuri and Chihiro. 呼 (ko) means to call and 応 (ou) means to respond. Together, 呼応 means to act in concert. So Hakuri and Chihiro's souls call out and respond to each other in perfect sync when they're in dire straits. It's canon!

If that's not enough, then there's also the Aun imagery. It was left out of the EN Chapter 38 colour page as usual (never gonna forgive the EN version for removing the text), but basically the author used deliberate religious imagery to tell us that Chihiro and Hakuri have an inherently harmonious relationship. A and Un, in perfect sync- whatever one starts, the other will finish. The beginning and end of all things. A perfect pair.

They demonstrate this lethal effectiveness by working in tandem during the storehouse fight, with Chihiro only needing to yell Hakuri's name for Hakuri to perfectly interpret everything he's thinking and execute on it flawlessly. It's absolutely insane stuff even if we disregard Hakuri only woke up to his power less than an hour ago in-universe isn't it?! And they repeated the stunt the next day while protecting Uruha, so it wasn't just a one-off for a cool moment. It's core to their dynamic for their souls to resonate in total harmony!

And just to top it off, we got a funny little gag of Chihiro and Hakuri passing out and waking up at the same time side-by-side after the auction, totally in sync.

All of this within a week of meeting each other.

Some actual romantic soulmate couples don't get this much effort put into coding their relationship, just saying. I also don't think people would be so quick to jump on the sibling interpretation after Shiba's "What are ya, twins?" joke if Hakuri and Chihiro were a heterosexual ship option, just sayin'.

Unknowingly in Love

No sad pictures of dead Kunishige in this post!

This is another one that's far closer to fanon than canon. It banks on the fact that both of them grew up isolated and, quite frankly, probably poorly socialized compared to the rest of the world.

Chihiro lived with just his dad in a remote mountain home and only occasionally visited the town nearby with Shiba. No friends, no school even. Hakuri lived on the secluded Sazanami estate surrounded by his family and saw some of the outside world, but likely only the criminal elements of it. Plus there's the whole growing up only knowing love as something abusive and manipulative thing; even his parent's marriage was strongly implied to be arranged and joyless. Neither of these guys have anything decent in their personal lives to reference from!

So in my mind, while Hakuri and Chihiro have certainly heard of romantic love and thought about it themselves, they wouldn't really have an idea of what it feels or looks like to them. Couple that with being each other's first friends ever and you've got some extremely potent fluff (or angst) about them being unaware that what they're feeling isn't platonic.

You Are Worth Hell

I will follow you into the dark.

And to round things off, one of my favourite romance tropes ever! But it's not canon at all- YET.

You see, Hakuri and Chihiro are constantly pulling each other forward. When one stumbles, the other's there with a helping hand. But what happens when one descends into hell like Chihiro says he's doing this very arc? Will the other try to throw them a lifeline and hope for the best?

Nay! The other will stay by their side out of love.

This trope can veer too close to toxic situationship scenarios for comfort, it's true. Characters staying to "save" someone or letting themself get dragged down at their own expense is not healthy at all. But the core sentiment of this trope is that anything is bearable if you're with the one you love. The emphasis isn't on the mutual suffering but rather the comfort of being together despite it all.

My personal interpretation of the relationship between Hakuri and Chihiro is that one was born in hell (Hakuri) and the other has condemned himself to it (Chihiro). Hakuri's trying to rise up while Chihiro has consigned himself to sink further into the darkness. They met at at a crossroads on their respective journeys and are walking together for a while. And when Chihiro takes a turn to keep going further down, I think Hakuri will stop him from going too far. Hakuri will be the light in the gloom until the mission's over. Then they'll figure out if they can make it back up or not. And if they can't? Well, he was already at rock bottom before Chihiro came into his life. It's worth it to stay in hell at his side and face everything together.

So I think this can apply very well to HakuHiro as the current arc progresses. Hakuri choosing to stay as a partner to provide support rather than trying to save Chihiro at his own expense would be huge character growth for him. And Chihiro accepting Hakuri's gesture would be growth for him too- he doesn't have to do this alone. There's no truly Bad End for their stories if they are walking side-by-side to face the hardships together until the end.

That's it. If you got through all this, thanks. Yap at me about tropes I missed! I love hearing the myriad ways other people interpret this ship. Unless you think fixed left-right boring seme/uke stereotype ChiHaku is the only valid interpretation, in which case we can never be friends. Sorry not sorry.

[seitmai]

Linda leaned forward, her eyes never leaving yours. "I'm prepared to offer you a book deal. A three-book contract, to be precise. The advance is generous, and the royalties - well, let's just say they're enough to make even my father's ghost smile."

Making Harlan's ghost smile? That must be a good deal 😌

"The condition," she explained, her voice taking on a steely edge, "is that you convincingly pose as his sweet-as-a-peach fiancé for two years.”

Oh 😬

Linda leaned back in her chair, taking another sip of whiskey. "It's quite simple, really. You play the role of Ransom's devoted fiancée, help rehabilitate his image, and in return, you get your book deal. Three books, a substantial advance, and the backing of one of the most prestigious publishing houses in the industry.” "But... Ransom... he tried to kill someone. He went to prison. How could I possibly-" "Details," Linda waved her hand dismissively. "The public has a short memory. With the right narrative, we can reshape Ransom's image. A reformed bad boy, humbled by his time in prison, now devoted to his charming fiancée and ready to contribute positively to society. We both know the power of a well-crafted story. People will believe anything."

Pff just some measly details, absolutely o big deal lol

"I understand your hesitation," Linda said, her voice softening slightly. "But consider this: you'd have unprecedented access to our family. Think of the material for your future novels. The inside scoop on one of America's most infamous families. Isn't that what every mystery writer dreams of?" You had to admit, she had a point. The Thrombey-Drysdale saga was the stuff of legend in literary circles. To be on the inside, to see how they really lived and interacted? That alone could draw readers in if they thought there was any chance you’d pull threads and weave it into your future novels.

Ngl that sounds really good, even not being a writer, but with that inspo I would maybe become one 😅

You took a deep breath, your mind reeling from the enormity of what you had just agreed to. Six books. A multi-million dollar deal. And all you had to do was pretend to be engaged to a convicted criminal for two years. It seemed surreal, like something out of one of - well not one of Harlan's novels, but whatever romance author was currently trending.

But I would expect that the chances of Ransom murdering might be slimmer with all the eyes on him and his fiancée 🤔🤷🏻‍♀️

He was taller than you expected, his presence filling the doorway. His piercing blue eyes scanned you from head to toe, a smirk playing at the corners of his mouth. "So, you're the lucky lady my mother's picked out for me," he drawled, his voice dripping with sarcasm. You bristled at his tone but forced a smile. "And you must be the charming ex-convict I've agreed to shackle myself to," you replied, matching his sarcasm with your own. "Can we consider the awkward introductions done now?"

They have similar humor, a good start

"Nice place," you commented, setting your bags down. "I half expected to see crime scene tape and chalk outlines." Ransom's laugh was sharp and humorless. "Sorry to disappoint. I save all my murdering for the family estate. This is my sanctuary."

This actually cracked me up 😅

“You can relax. I’m not likely to try to murder you - the memory of the inconvenience of being incarcerated will probably last for twenty-four to thirty-six months, putting you in the clear.”

That at least something 🤷🏻‍♀️😅

"Speaking of, all your stuff was delivered safe and sound, but I took the liberty of having some clothes delivered for you. Can't have my fiancée looking like a struggling writer when we're out in public." You bristled at his comment. "What's wrong with my clothes?" Ransom's eyes raked over you, his gaze lingering a bit too long for comfort. "Let's just say they don't exactly scream 'trophy wife of a reformed bad boy billionaire.'"

I wouldn't say no to a little shopping spree

"It's... stunning," you managed, your voice barely above a whisper. Ransom's expression softened for a moment, a flicker of something - pride? nostalgia? - passing across his face. "It is, isn't it?" he said, his the sarcastic tone momentarily abandoned again. "My great-grandfather proposed with that ring after returning from the war. It's seen its fair share of family drama." "Are you sure about this?" you asked cautiously. "Shouldn't a family heirloom go to someone real?" Ransom's expression hardened slightly.

I loved this moment between them 🥰

Excited to read more of these two 🤗

Between the Lines

Characters/Pairings: Ransom Drysdale x curvy female!Reader Word Count: 4.4k Summary: When presented with a deal you can't resist, you agree to to create an illusion so you can achieve your actual dreams.

Content/Warnings: masturbation, slow burn, forced proximity, fake engagement, annoyed/disgusted to lovers

Notes: This takes place after the events of Knives Out. Yes, all of the movie. No exclusions. Dividers by @vesearartistry and @saradika. My humble offering for week seven of my Countdown to Chris-mas. Thank you @stargazingfangirl18 and @biteofcherry for both indulging some of my plot-talking for this fic!

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

You sat nervously in the lobby of Blood Like Wine Publishing watching the gears behind the glass display on the elegant clock above the reception desk.

Up until the death of Harlan Thrombey, the publishing house had published his works exclusively with a new murder mystery being produced and translated into dozens of languages each year like clockwork, the gears and cogs a well-tested as the antique clock on display.

With no Harlan, the publishing house had opened to submissions and you and your agent had made it through the initial rounds of querying and contract negotiations.

But now, only a year and a half after the prolific genius’s death and transfer of ownership to his nurse and friend Marta Cabrera, Marta had sold to a new owner - yet to go public in name, and they had asked for a meeting before finalizing the contract.

You tried not to fidget as you gripped the leather armrests of the chair, willing the minutes to pass faster. The lobby was eerily quiet, save for the soft ticking of the clock and the occasional rustle of papers and the soft clacking of the keyboard from the receptionist's desk. The walls were adorned with framed book covers, each one a testament to Harlan Thrombey's literary legacy. You couldn't help but wonder if your own work would ever grace these halls.

As you waited, your mind raced with possibilities. Who was this mysterious new owner? What did they want? Your agent had assured you that this was just a formality, but the knot in your stomach suggested otherwise. You found yourself studying the intricate patterns in the marble floor, tracing the veins of gold and silver that snaked through the stone like the plot twists in one of Thrombey's novels.

Just as the clock struck ten, the elevator dinged, and a tall woman with perfectly coiffed short white hair strode out, her heels clicking authoritatively on the polished marble floor. She paused at the receptionist's desk, speaking in hushed tones before turning her piercing gaze towards you.

"I assume you’re my ten o’clock?" she questioned, her voice sharp and commanding.

You suppressed a gasp and abruptly stood, smoothing your clothes nervously as you approached none other than Linda Drysdale - the legendary daughter of Harlan.

"Yes, that's me.”

She gave you a once-over, then nodded. “Come with me.”

You followed Linda into the elevator, your heart pounding in your chest. The mirrored walls reflected your nervous expression back at you, and you tried to school your features into something more confident. Linda stood beside you, her posture perfect. In contrast to you, she seemed entirely at ease, tapping away at her phone with manicured nails.

When the doors opened, you stepped out into a hallway lined with dark wood paneling and more framed book covers. Linda's office was at the end, a massive space with floor-to-ceiling windows offering a breathtaking view of the city skyline. The room was dominated by an imposing desk made of rich mahogany, its surface neat and organized.

"Please, sit," Linda said, gesturing to one of the leather chairs in front of her desk. As you settled in, she moved to a small bar cart in the corner. "Can I offer you a drink? Perhaps some whiskey? A gin and tonic? Coffee? Tea?"

You shook your head, politely declining. "No, thank you. I'm fine."

Linda shrugged, pouring herself a generous measure of amber liquid into a crystal tumbler. "Suit yourself," she said, returning to her desk and settling into her high-backed leather chair. She took a sip, savoring the whiskey before fixing you with her piercing gaze once more.

"I've read your manuscript," she began, her fingers drumming lightly on the desk's polished surface. "It's intriguing. You have potential, there's no denying that."

Your heart swelled with pride at her words, but you remained silent, sensing there was more to come.

Linda leaned forward, her eyes never leaving yours. "I'm prepared to offer you a book deal. A three-book contract, to be precise. The advance is generous, and the royalties - well, let's just say they're enough to make even my father's ghost smile."

You felt a surge of excitement, but something in Linda's tone made you hesitate. There was a glint in her eye, a slight curl to her lip that suggested there was more to this offer than met the eye.

"However," she continued, swirling the whiskey in her glass, "there is one small condition."

The word hung in the air between you, heavy with implication. You swallowed hard, your mouth suddenly dry. "What kind of condition?" you managed to ask, your voice barely above a whisper.

Linda smiled, but it didn't reach her eyes. "You see, my father liked to play games. In his will, he left us with one final trick. I don’t know how much of this you heard or followed in the news, but he left us nothing - his cash and assets, our home, and this publishing house all went to Marta Cabrera, his nurse at the time of his death.”

You would have been hard-pressed to have missed the news because it had spilled over into scandal.

“I don’t expect to see the sixty million, and that’s tough, but I can live with that - I’ve made my own fortune, and neither Walt and his family nor my sister-in-law and her daughter need to continue suckling off the teat of dad’s treasury. The house still hurts, but I’ll get it back - I can bide my time. But this? It only took me eighteen months of patience and strategy, working through subsidiaries and intermediaries, to close the deal on getting Blood Like Wine back in the family where it belongs.”

“I will go public with my ownership by the end of the week,” she continued, “but for better and for worse, the acquisition has ended up coinciding with my son’s pending release from prison.”

“Ransom?”

Linda nodded, a flicker of emotion crossing her face before disappearing behind her composed facade. "Yes, Ransom. As you can imagine, his... indiscretions have caused quite a stir in our family and social circles."

You shifted uncomfortably in your seat, unsure where this was leading.

"My son made mistakes, grievous ones. But he's served enough time, and now he needs a chance to redeem himself. That's where you come in."

Your brow furrowed in confusion. "I'm not sure I understand, Mrs. Drysdale. What does this have to do with my book deal?"

"The condition," she explained, her voice taking on a steely edge, "is that you convincingly pose as his sweet-as-a-peach fiancé for two years.”

Your mouth fell open in shock. Ransom Drysdale, the man who had attempted to murder Marta Cabrera and frame her for Harlan's death, and she expected you to agree to this? You stared at Linda in disbelief, and the silence stretched between you, broken only by the soft ticking of an antique clock on the bookshelf behind her.

"I... I don't know what to say," you finally managed, voice a little weak in your shock.

Linda leaned back in her chair, taking another sip of whiskey. "It's quite simple, really. You play the role of Ransom's devoted fiancée, help rehabilitate his image, and in return, you get your book deal. Three books, a substantial advance, and the backing of one of the most prestigious publishing houses in the industry.”

"But... Ransom... he tried to kill someone. He went to prison. How could I possibly-"

"Details," Linda waved her hand dismissively. "The public has a short memory. With the right narrative, we can reshape Ransom's image. A reformed bad boy, humbled by his time in prison, now devoted to his charming fiancée and ready to contribute positively to society. We both know the power of a well-crafted story. People will believe anything."

You felt your head spinning. This was so far beyond what you had expected when you'd nervously entered the building this morning. "And what does Ransom think about this plan?" you asked, grasping for any semblance of normalcy in this surreal situation.

Linda's lips curved into a tight smile. "Ransom will do as he's told if he wants to maintain his lifestyle and eventually inherit his share of the family fortune. He knows the stakes."

You sat there, stunned. The offer was tempting - a three-book deal with Blood Like Wine Publishing was beyond your wildest dreams. But to fake an engagement with a convicted criminal? It seemed insane.

"I understand your hesitation," Linda said, her voice softening slightly. "But consider this: you'd have unprecedented access to our family. Think of the material for your future novels. The inside scoop on one of America's most infamous families. Isn't that what every mystery writer dreams of?"

You had to admit, she had a point. The Thrombey-Drysdale saga was the stuff of legend in literary circles. To be on the inside, to see how they really lived and interacted? That alone could draw readers in if they thought there was any chance you’d pull threads and weave it into your future novels.

And besides, this was your dream: a multi-book deal with a prestigious publisher, the chance to see your work in print, and to potentially become not only a published author but one who with Blood Like Wine’s name and marketing department could be a truly successful author. How could you pass it all up?

“What would you say to four books?”

You blinked, taken aback by Linda's sudden offer. "Four books?" you repeated, your voice barely above a whisper.

Linda nodded, a sly smile playing at the corners of her mouth. "Four books. And we'll double the advance. Consider it... hazard pay." She chuckled softly at her own joke.

Your breath caught in your throat. Four books? The offer was even more tempting now, dangling before you like a golden carrot. You found yourself leaning in, drawn into Linda's web despite your better judgment.

"I... I don't know," you stammered, your mind racing. "This is all so sudden. What exactly would be expected of me?"

Linda's smile widened, sensing your wavering resolve. "Nothing too taxing, I assure you. Attend some charity galas, be seen at upscale restaurants, perhaps a carefully orchestrated paparazzi shot or two. We'll craft a beautiful love story for the press - how Ransom found redemption through your unwavering support and love."

You nodded slowly, uncertainty swirling more strongly, gut churning because you were actually considering this. You could do public appearances…

“A year and a half,” you countered.

Linda shook her head firmly. “No, I won’t budge on the time commitment. Two years is a bankable amount of time to make sure we turn enough pages to fully close this chapter. But I’ll give you six books.”

Your heart leapt at that, and even though your gut was uneasy, your brain was shouting that this kind of deal was something you could not refuse. “Six books, and the first two released before the engagement period is over.”

“Deal,” Linda agreed.

You took a deep breath, your mind reeling from the enormity of what you had just agreed to. Six books. A multi-million dollar deal. And all you had to do was pretend to be engaged to a convicted criminal for two years. It seemed surreal, like something out of one of - well not one of Harlan's novels, but whatever romance author was currently trending.

"I think I will have that drink now," you said, your voice sounding distant to your own ears.

Linda's smile widened, a predatory gleam in her eyes. "I find a good whiskey helps smooth over even the most unusual of business deals."

You nodded, watching as she selected a crystal decanter filled with amber liquid. The soft clink of glass on glass filled the room as she poured a generous measure into a tumbler. The rich, peaty aroma of the whiskey wafted towards you, promising warmth and liquid courage.

Linda returned, extending the glass to you. Your fingers wrapped around the cool crystal and your eyes met Linda's. There was a moment of silent understanding between you - a recognition of the Faustian bargain you had just crafted and agreed to.

As you raised the glass to your lips, Linda's voice cut through the silence. "One more thing," she said, her tone casual but her gaze intense. "I'll up the advance to five million if you agree to move in with Ransom."

Your GPS led you to the top of a cul-de-sac in the Brown’s Wood neighborhood of Lincoln, Massachusetts. Beautiful trees and a typical New England landscape ushered you up the drive to the midcentury modern home owned by Hugh Ransom Drysdale. It didn’t scream home, but there was no denying it was a stunning feat of architecture - white walls and black roofing framing a structure of mostly floor-to-ceiling windows.

You sat in your car for a moment, gathering your courage. The enormity of what you had agreed to in Linda’s office had been sinking in all week, but this was it. Five million dollars. Six books. And two years of your life pretending to be engaged to - and now living with - a man who had attempted murder.

Maybe approaching all of this as if it was one big plot so of course it had to all work out was a ridiculous coping strategy, but it’s the one you had adopted.

But when the seven-figure advance had appeared in your bank account, giving you more money than you had earned in your entire life, you didn’t have it in you to back out.

If he murdered you, at least you would have paid off your student loans, credit card debts, provided for your parents’ retirement, and put away enough money in a trust for your nephew’s college fund.

The house loomed before you, a monument to wealth and taste that felt utterly alien. With a deep breath, you grabbed your bags from the passenger seat and made your way to the front door.

Before you could even ring the bell, the door swung open, revealing Ransom Drysdale himself.

He was taller than you expected, his presence filling the doorway. His piercing blue eyes scanned you from head to toe, a smirk playing at the corners of his mouth. "So, you're the lucky lady my mother's picked out for me," he drawled, his voice dripping with sarcasm.

You bristled at his tone but forced a smile. "And you must be the charming ex-convict I've agreed to shackle myself to," you replied, matching his sarcasm with your own. "Can we consider the awkward introductions done now?"

Ransom's smirk widened into a grin, a glint of amusement in his eyes. "Oh, I like you already. Come on in, darling," he said, stepping aside to let you in. "Welcome to Hill House Drysdale. Try not to get too attached - I hear it's only a two-year lease."

You stepped into the house, immediately struck by the minimalist decor and open floor plan. The entire back wall was glass, offering a stunning view of the surrounding woods. It was beautiful, but cold - much like its owner, you mused.

The house was a stark contrast to the warmth of the Thrombey mansion you'd seen in news reports. This place was all clean lines, minimalist furniture, and an abundance of glass and steel.

"Nice place," you commented, setting your bags down. "I half expected to see crime scene tape and chalk outlines."

Ransom's laugh was sharp and humorless. "Sorry to disappoint. I save all my murdering for the family estate. This is my sanctuary."

You couldn't help but chuckle bitterly at his dark humor. At least he wasn't trying to pretend this was anything other than what it was - a business arrangement.

"So, where should I put my things?" you asked, gesturing to your bags. Some of your things had been sent off to a storage unit, but the things a moving consultant had determined would come here with you had been packed up and moved earlier in the day.

"The master suite is upstairs," Ransom said, closing the door behind you. "Stay out unless you’re embarking on a conjugal visit.”

You scoffed. “Charming.”

He winked at you, then began to take you through the house. “Other than that, you’re free to roam the house, and I’ll stay out of your space. Living room here,” he gestured around, then walked to the right, and you followed him into a sleek, modern kitchen. “Two Bosch ovens, a six-burner range, your choice of pretty much any appliance in one of these cupboards.”

“You cook?”

It was his turn to scoff. “God, no.”

He walked you through the length of it, coming out on the other end of the living room, and then walking through a dining room with a long black table and another two walls of floor-to-ceiling windows.

Ransom didn’t strike you as one for entertaining dinner parties, making this more of a feature room than anything else.

At the other end, you came to a new wing of the house.

“This is you,” he said simply. “First door office, second is your bedroom and bathroom.”

You hesitated at the transition point from the dining room to the other side of the house.

“What is it?” Ransom asked, turning and putting his hands on his hips impatiently.

“Linda said a contractor would be brought in to install a door and security system.”

“She said could, and you’ve got locks installed, but I own this house, installing a wall and door here is more invasive than I was willing to agree to, and since she’s a real estate mogul she conceded it would altar the property value.”

“I…”

“You can relax. I’m not likely to try to murder you - the memory of the inconvenience of being incarcerated will probably last for twenty-four to thirty-six months, putting you in the clear.”

You frowned.

“They’re nice rooms, state of the art locks, you’ll be fine,” he reiterated, rolling his eyes. “Digital reinforced with an analog component that you’ll have the only keys to.”

He tossed you a keychain with three keys, which you were quick to catch.

“Downstairs there’s another living room that’ll be for you exclusively and a laundry room.”

“So, you’ll be coming through here to do laundry then?” you asked.

“Cute of you to think I do my own laundry.”

Now it was you who had an eye roll to give.

"Speaking of, all your stuff was delivered safe and sound, but I took the liberty of having some clothes delivered for you. Can't have my fiancée looking like a struggling writer when we're out in public."

You bristled at his comment. "What's wrong with my clothes?"

Ransom's eyes raked over you, his gaze lingering a bit too long for comfort. "Let's just say they don't exactly scream 'trophy wife of a reformed bad boy billionaire.'"

You gritted your teeth, reminding yourself of the substantial paycheck waiting for you at the end of this charade. "Fine. When is the first public outing?"

Ransom checked his watch, a sleek, expensive-looking timepiece that probably cost more than your entire wardrobe. "We have a charity gala tomorrow night. My dear mother thought it would be the perfect opportunity to debut our 'relationship' to society."

Your stomach twisted with anxiety. Tomorrow night? That was so soon. You weren't prepared for this.

“Last thing,” he said, reaching into his pocket. “Here’s your ring.”

Ransom reached into his pocket and pulled out a small, black velvet box. As he opened it, your breath caught in your throat. Nestled inside was a ring that could only be described as breathtaking.

The center stone was a flawless oval-cut diamond, easily 3 carats, that seemed to capture and refract every bit of light in the room. It was held in place by a delicate setting adorned with two smaller diamonds on either side. Each facet of the ring sparkled with an intensity that was almost hypnotic.

"This," Ransom said, his voice uncharacteristically warm, "is a family heirloom. It belonged to my great-grandmother, passed down through the generations. My mother insisted I give it to you."

He carefully removed the ring from its velvet nest and held it out.

You reached for it, holding it delicately and studying it more closely.

“And I am going to insist that you wear it continually,” he added, tone back to its normal bite, “none of this on and off business. We’re engaged and there’s no reason to risk a slip up forgetting to put it on before you leave the house.”

The weight of it in your hand felt significant, both physically and metaphorically. This wasn't just any engagement ring - it was a piece of Thrombey family history.

"It's... stunning," you managed, your voice barely above a whisper.

Ransom's expression softened for a moment, a flicker of something - pride? nostalgia? - passing across his face. "It is, isn't it?" he said, his the sarcastic tone momentarily abandoned again. "My great-grandfather proposed with that ring after returning from the war. It's seen its fair share of family drama."

You couldn't help but chuckle at that. "I bet it has."

Ransom cleared his throat, his mask of indifference sliding back into place. "Well, go on then. Put it on.”

"Are you sure about this?" you asked cautiously. "Shouldn't a family heirloom go to someone real?"

Ransom's expression hardened slightly. "I’m hardly that sentimental. This arrangement is real enough for my mother, and it's real enough for me. Besides," he added with a sardonic smile, "you're as close to family as I'm likely to get these days."

With a deep breath, you slipped it onto your left ring finger. The final symbol of the elaborate charade you had chosen to undertake.

It was near midnight, and you were worn out and nearly ready to collapse into your bed. The movers had done most of the work, but you still had had some unpacking to take care of and moved the furniture around in your bedroom and the room that would be your office. After giving you the engagement ring, Ransom had left you alone the rest of the day.

You padded quietly through the dining room that connected the two halves of the house to the kitchen to fill up your water bottle before bed.

The house was eerily quiet as you made your way through the darkened rooms. Moonlight filtered through the expansive windows, casting long shadows across the polished floors. You tried to move silently, not wanting to disturb the stillness of the night or alert Ransom to your presence.

As you entered the kitchen, the cool tile against your bare feet sent a small shiver up your spine. You fumbled for a moment, searching for the light switch, but decided against it. Your eyes had adjusted to the darkness, and the soft glow from the windows was enough to navigate by.

You had just placed your water bottle under the refrigerator's filtered, letting the cool water splash into your bottle, when another sound caught your attention.

At first, it was barely perceptible - a faint, rhythmic creaking from upstairs. You froze, straining your ears. The sound grew clearer: a low, guttural groan, followed by the unmistakable sound of skin moving over skin.

Frozen in place, your cheeks flushed hot as realization dawned. Ransom was fisting his cock and unabashedly enjoying it.

Part of you wanted to flee back to your room immediately, but you were paralyzed, afraid any sound of movement might alert him to your presence.

Your breath caught in your throat as Ransom's moans intensified, echoing through the quiet house. The rhythmic creaking of his bed frame quickened, punctuated by deep, guttural groans that sent shivers down your spine. You stood frozen in the kitchen, your water bottle forgotten as you listened, captivated against your will.

Your body betrayed you, responding to the primal sounds drifting down from above. Heat bloomed in your core, your skin tingling with unwanted arousal. You could almost picture him - his muscular body taut with tension, head thrown back in ecstasy, those piercing blue eyes half-lidded with pleasure. Your imagination filled in the details - the flex of his biceps as he stroked himself, the sheen of sweat on his chest, the way his abs would clench with each thrust into his fist.

You pressed your thighs together, trying to quell the ache building between them.

"Fuck," Ransom's voice drifted down, rough with need.

The raw intensity in his voice sent a jolt through you. Your breath quickened, matching the frantic pace of his movements above. You knew you should leave, retreat to the safety of your room, but your feet remained rooted to the spot.

The sounds grew more urgent, building to a crescendo. Ransom's groans became deeper, more primal. You could hear the desperation in his voice, the need for release. Your own body thrummed with sympathetic tension, your nipples hardening beneath your thin sleep shirt.

Suddenly, Ransom let out a long, guttural moan. The sound of it vibrated through you, igniting every nerve ending. You imagined him arching off the bed, his body taut as a bowstring as he found his release.

The house fell silent once more, save for the pounding of your heart in your ears.

Realizing you were still clutching your water bottle, you turned and tip-toed back to your room as quickly as possible.

You slipped quietly back into your room, closing and locking the door behind you with trembling hands. Your heart was still racing, your body flushed with unwanted arousal. You leaned against the door, trying to steady your breathing.

What had just happened? You'd come to get water and ended up an unwitting eavesdropper to your fake fiancé's private moment. The memory of Ransom's deep groans echoed in your mind, sending another shiver through you.

You shook your head, trying to clear the vivid mental images. This was ridiculous. Ransom was arrogant, infuriating, and had literally tried to murder someone. You shouldn't be affected by him like this.

And yet, the memory of his moans lingered, making your skin tingle and your core ache with need.

When you crawled into bed, you brought a book with you instead of your vibrator, refusing to sate the lust that had been kindled because you didn’t want to risk thinking of him. If you couldn’t resist him the first night living under the same roof, there would be no hope for you to make it two years.

And so you read until your eyes drooped and you were finally succumbed to sleep.

HAPPY KNIVES OUT NOVEMBER! It seemed like an appropriate point during the Countdown to Chris-mas to finally buckle down and write my first Ransom fic!

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[timkontheunsure]

A CBT look at Blitz's core beliefs

Boring explanationy bit

Ok first off a core belief is this how the world works sort of thought. It has a ton of evidence on it side, or some big life altering event. Acting within is designed to kept you safe. And everyone has good and bad ones.

Think of it as of a short bit of base code running in the background, helping you go with your gut. A quick a short cut, but one that's got a lot of logic and past facts behind it.

They're mostly set up in childhood. So if you have an abusive parent, or trauma, you can get ones that become unhelpful for you in other situations. Like with people that really care about you.

A distortion is a little different. They affect how you look at the wold based off your mood, and are always negative. They specifically don't have a lot of evidence on their side. Like a prism that makes things a little different than what's really there.

They are an action to do based on your mood: catastrophizing (when everybody I love leaves me next year)

Black & white thinking (yes there's all this evidence showing Stolas cares, but that doesn't count as it just sex).

Thought spiraling (this one goes to Moxxie heh)

Or snap judgments based only only how your mood is (Ghostfuckers is fun and sexy, so we should take the case when I know they don't exist).

Blitz's core beliefs

So 'all royals are assholes' and 'no royal will care about an imp' are a core beliefs. Because this is definitely true, the 1% don't give a fig. (Stolas and Ozzie are basically round errors from what we've seen).

"I'm going to die alone" is also one.

So is "I make everyone's lives worse"

But his good ones are: "we don't get rid of family",

Ok with these two good ones we're going to have to go into rules for life. Blitz core belief is about family sticks together and protects each other. That's his code that always wants to run.

But he's also got evidence that family will kick you out for not being good enough, and hurting/killing people on accident. When you get code clashing you get cognitive dissidence, which physically hurts.

So you do a patch to reduce that pain. A rule to live by. 'If X is right and Y is right, then the variable that off is me.'

'We don't get rid of family, but we do get rid of me = I'm the only one who we can get rid of'.

With Loona it's we get orphanage lady saying words that could have come straight out of Cash's mouth. (I want Blitz to get a song telling that git off so hard).

Those hit Blitz hard, so hard he changed his mind on adopting a small little child, to a older teenage. CBT says that when something hits that hard it's because it hit at least 1 core belief. He sees himself in Loona in that moment, and never want another kid to be gotten rid of.

And other one could be bad or good depending on what's around it. 'I will be of use to family/people I love'. Blitz needs to feel useful to the people he loves, especially with growing in a family business working from being a kid.

And the rule Blitz has made for himself between the "I'm going to die alone" + 'I will be of use to family' = 'But maybe if I'm useful they won't abandoned of me yet'

(Also how sad it is that Blitz feels he's only allowed help, and support if it's a tit for tat, favours for favours exchange).

So everyone has a mixed bag of these good and bad. The problem happened when trauma responses give you ones that don't help you in a new situation. Like say a demon prince falling head over heels for him.

The idea of CBT is that if your struggling to look at what's changed since the core beliefs were set up. And if it isn't keeping you safe anymore, then you try to replace the old one with a new one; that has new evidence that backs it up. A update.

Like how Millie shows Blitz concrete examples of him improving her life. Just telling him he hasn't wrecked her life wouldn't work.

(This is one of reasons why Stolas' confection doesn't stick with Blitz. Blitz needs to know reasons why someone like Stolas loves him. It why he asks him in apology tour. Stolas tell your boy why he's so amazing for flips' sake).

Millie shows how joining IMP positively improved her live. "He gave me so much...A career, a husband, a future. And now...He's my best friend."

And Blitz helping Millie through alot of her own negative self talk she had. That 'she's not good enough', 'she's only the muscle', 'that Pride's too fancy for imps', and 'no imp works for them selves'.

These we're all Millie's core beliefs before joining IMP, if she still had these Rolando's words would have hurt her. But through having the support and example of Blitz she's removed those old bits of code.

When see her mum it obvious where and why she has these ideas about herself. Lynn describes her full time job, being employed direct by a company; as "Freelance". Because Imps can't work for themselves. (Even if she is impressed by Blitz). It's like different between working for Uber, instead of taxi firm. No protections, and an unsafe unstable job.

She pulls up her daughter's valid explanation why she lost the fight as "Excuses!", because Millie was "'raised better than that' as the muscle of the team.

She's very against Moxxie for being too week, and not having the same melee skills as Millie.

It obvious that she wants her daughter to have a similar life as her, where she keeps her head down, and has a partner that is able to defend Millie. This because there's a level of safety in this crab bucket attitude. She'd very unlikely to come to the notice of higher-ups. Like how Stolas being very involved in IMP and with Blitz.

But Blitz talked Millie round, and also showed her that she doesn't have to pigeon hole herself like that. She has years of evidence that Blitz could do it, and him pointing out how good she is when she fell back into thinking of herself as just the muscle.

Rolando's trying to exploit vulnerability that she's updated against. (It's super ineffective).

Ok after that sight side tangent of with Millie's head, back to Blitz's.

The "your going to die alone" has become a self-fulfilling prophecy, tripping Blitz up alot. Because it comes twofold for his fear of hurting his loved ones, making their life worse, and his fear of abandonment. Because he was abandoned, that did happen.

Making him feel like he has it to push away the people he love for there own, and that they'll leave him eventually so might as well push them away now. He's got a lot of previous evidence tied to this.

It's going to take more then Fizz and Millie telling him he didn't ruin theirs, for him to start to be able to unpick this. Because he's still certain it's true. Even if he's improved the lives of most of the people he knows.

And even Fizz who were directly effected by the mistake Blitz still punishing himself for, has told him that being made disabled didn't ruin his life.

There's a whole debate in my head whether Barbie would have had such trouble with addiction; if she wasn't assuming/told that her brother started the fire on purpose, that killed their mum. I'm honestly not sure. But it does seem like her resentment over it has made it harder on her. And that all seems to stem from Cash abuse. (I'm sure Cash is the one to tell Blitz Fizz said he'd die alone).

Ok on to how the these are interacting/fucking up his relationship to Stolas. Blitz is definitely is afraid to love Stolas for a number of reasons. (You knew I'd get there at somepoint right 😛).

Cus a whole load are clashes together for him, making it really difficult for him because about see things from the outside. with the "royal demons don't give a shit about guys like us" one.

Making Blitz rationalize that it's gotta be about the sex, and being of use. Anything that shows this assumption is wrong has to be disregarded with distortion.

But when Stolas takes sex off the table, and still talking about feeling, and relationships; it makes Blitz's fear of abandonment go turbo. It's not rational but it's the only rule Blitz has that might make Stolas keep him.

He feels like that sex is all he has to give to a prince after all. And he wanted Stolas to stay for a long while now. It's not a grimoire his hallucinations put on a golden pedestal after all. And there a a lot of similarity to how Stolas and his Mama vanish.

(Debøra pør favør pointed out this emotion damage so now you have to suffer too 😭https://x.com/_Choco_torta/status/1859028103772955135)

"I'm going to die alone" and 'I must be of use' Blitz freaks out badly in queen Bee after Ozzie's. Blitz believed that he's be rejected by Stolas, he's been shoved back into the box of it just being about lust.

Because he wants more, but feels he's unworthy, it's got him hurt coming and going. He's got to shut down any attempt by Stolas to have something real. But he was also hurt constantly feeling sex is all that he's got to offer, and all Stolas would want.

"I make everyone's lives worse" and "We don't get get rid of family". Ok this is into theory level but think Master Mind and Sinsmas are going hit these last two harddddd. (We're one week from mastermind).

It looks likely that Stolas is going to lose Via, face punishment for the illegal deal, and be dragged for the affair. With Via swallowing a lot gaslighting about not being loved by Stolas (lines from the trailer).

Blitz will probably going assume it's another another life he's made worse, where he's caused them to lose their own family. Don't think this will play well with last guy he fell in love with he blow up.

It's going to make it much harder for him to remove the idea; that that him loving some will only hurt them.

Alot of the reasons Blitz thought it was ok to get close to Stolas are tied up in these beliefs. He assumes Stolas was powerful and immortal, so couldn't be hurt physically like Fizz or Mumma.

He assumed that a prince would never fall for an imp, so only he could get hurt emotionally. It couldn't end the same way as Verosika. Blitz thinking he's the only one to be able to be hurt, and get to be useful not just to Stolas, but provide a better life for his whole family. It would seem like a bargain. (And the self punishment aspect probably wasn't going be a off for him, cus Blitz thinks he deserves it).

This season seems slow be eroding that pedestal Blitz put Stolas on (and vice versa). It's hurts, and it's knocking the stuffing out of both of them; but it's bring Stolas to earth for Blitz. Making his more of a real person in his eyes.

Eh probably a lot way to go, but I'm here for it.

(was very loosely based on this post, because it got me thinking about distortions vs core beliefs. But then I went off on a whole thing, so thought it would be weird to put it as a reblog. Still loved @akirathedramaqueen analysis and would recommend giving it a read 😀)

[acommonanomaly]

I’ve seen a lot of criticisms of how the Crows are portrayed in The Veilguard, the biggest one being that they are “sanitized,” and while I can sort of see why people think this, I personally don’t see it. 

I was thrilled with the Crows in the Veilguard. My Crow Rook playthrough was so satisfying, and I came to love the Crows even more than I did before. 

Maybe that’s because I don’t feel the need to be constantly reminded that they are assassins who kill people for money. Or maybe it’s that I love them because they are assassins who kill people for money. I thoroughly enjoy morally gray characters, those who struggle against or give in entirely to the darker sides of their natures. I enjoy them because they are a warning of what any of us could become under the right (or wrong) circumstances.

And that’s why it’s so vital to me that they are not dehumanized. 

Of course some of these people who have gathered together as a group are going to form found families. I LIVE for that shit. Them being assassins doesn’t mean they're incapable of seeking friendship, family, and love. They’re people. Of course they’re going to fight for the freedom of their city and their people when Treviso is occupied. That doesn’t mean they aren’t assassins anymore and it doesn’t mean they’re knights in shining armor. It means they’re people fighting for what they love.

Zevran told us about the horrible recruiting methods of house Arainai and their torture of children. But it’s also heavily implied that he really cleaned house and stirred up change. I like to think that his campaign against his house made waves, that it changed some things. Not to mention, I find it very likely that each house has its own methods, its own way of doing things. 

And really, there’s no reason to believe that there isn’t dark shit still going on behind some closed doors just because the Crows don’t open those doors to Rook, especially a non-Crow Rook. The Crows not showing dark shit to this ally who is helping them doesn’t mean they don’t have dark shit going on. The Crows absolutely have their infighting and betrayals, look what happened with Illario!

(As a side note: I would have loved for Caterina to have been called out for her abuse of Illario and Lucanis, but Lucanis has been through a crap-ton of trauma and probably feels like Caterina is all he has left, especially after Illario’s betrayal. It makes sense that he’s not ready to face that just yet.)

What I find really fascinating is how a lot of the Crows seem to see themselves. The Crows grow up in a place where being an assassin has become completely normalized. Antiva has no standing army and relies on the reputation of the Crows to deter other nations from engaging in open conflict with them. Many of the Crows seem proud to be Crows.

And they have their own code they live by, even if we in the real world wouldn’t find it a particularly moral one. 

It’s illustrated most clearly in regards to Jacobus:

.

.

.

Imagine the chaos that would ensue if Crows were allowed to just kill willy nilly? How would they look then? They do not want to be seen as mindless killers. They don’t want their new recruits to fall into the habit of killing without a contract, as this would make them something other than what they would like to see themselves as. 

This makes sense and I like seeing it examined.

I love the Crows being explored more deeply and given more depth. I love seeing them as people as well as assassins. I would love to see even more of it, to see how these people who go out and kill for money behave once they’re not on the job. 

This is good stuff and I’m all for it. 

[acidistyping]

Why Jiang Cheng is more like Shen Jiu than Liu Qingge: An Essay

1. Anger

All three characters are almost completely defined by their anger or aggressive natures. Both jc and lqg have similar expressions of their anger: they attack and lash out with their weapons and shout and yell. Their anger is loud. Sj's anger is quieter, more passive aggressive than explosive. He won't unsheathe Xiu Ya but will rather lash out with scathing words and insults. However, despite the difference in outward expression, sj and jc's anger serves the same purpose: a shield/mask to hide behind and protect their true emotions with. Lqg's anger doesn't serve a purpose like jc and sj's. His anger simply is.

Both jc and sj have, notably chosen, older brother figures that broke a promise to them and that they feel betrayed by, giving both deep abandonment and trust issues. For jc, it is Wei Wuxian and him leaving the Jiang Sect in order to protect the Wen remnants in the Burial Grounds. For sj, that's Yue Qingyuan and him not coming back in time to rescue sj from the Qiu household. It can be argued that Yue Qingyuan didn't break his promise as he did try, but sj didn't know that. In contrast, lqg is the older brother in his family and seems to have a good relationship with his younger sibling.

2. Older Brother Figures

3. Fire

Both jc and sj have fire and their "homes" being burned down as significant features in their backstories. For jc, that's the Wen's burning down Lotus Pier. For sj, that's him burning down the Qiu estate. Different circumstances, yes, but significant nonetheless. While we know little of lqg's backstory, fire is likely not a significant factor.

4. Villain

At least in the English speaking side of mdzs and svsss, both jc and sj are not widely liked or held in high regard. If you only take the protagonists' at their word and don't consider how the narrators may be unreliable, biased, or have missing information, you will likely see both of them as villains or at least antagonists within their respective stories. They're characters that, if you like them, you tend to sympathize with them and look at story events from their perspectives rather than from the perspective of our protagonists.

5. Rumours

Both jc and sj are the subjects of horrible rumours within their respective stories. While jc's, regarding him torturing demonic cultivators, are unknown if they're true or false, we have nothing to confirm they are and sj's rumours were proven false once Shen Yuan learned more about him. Regardless of the truth of the rumours, neither contested the rumours themselves and instead let them fester, possibly for strategetic reasons. Neither seems to mind ruining their own reputations if it will benefit something or someone else.

6. Cats

In fandom content, both are often compared to cats and portrayed with a hot/cold personality. They both are fairly prickly, deeply distrust other people, and tend to keep to themselves.

7. Ships

Both have fairly popular ships pairing them with one of the most powerful cultivators of their generations who wears a lot of white, are sect leaders, and whose sects are located on mountains. Yes, this is a silly reason but why not.

8. Demonic Cultivation

Both have ties to notable demonic cultivators of their worlds, though their situations are different. Sj with his time "studying" under Wu Yanzi and jc with Wei Wuxian. They also are notably said to have killed these demonic cultivators, though jc didn't actually do so while sj did.

—

I think lqg and jc get compared because people see them both as tsunderes, but i don't think there's anything tsundere about lqg at all actually. Lqg doesn't necessarily deny his feelings, he just doesn't always confess them in words either

[lilithofpenandbook]

Out of everything that traumatised Neville, Snape isn't one of them. If he is, that's not because Snape is abusive, it's because Neville is literally weak. That's not an insult, that's his flaw- being unnecessarily scared of everything. The other children are not afraid of Snape himself. They're more afraid of the consequences of angering Snape (house points lost, detentions, scoldings) rather than Snape as a person.

Neville's feelings are shockingly enough, not valid. Those feelings of fear, that cowardice? A flaw. Just as much as arrogance, spitefulness, being overly afraid is a flaw and in his case makes him a danger to others, as does his clumsiness and forgetfulness. Now, forgetfulness isn't something you can choose, I'd call it a weakness more than a flaw, but at the same time there are ways to manage it. But the cowardice? That's a flaw that needs to be corrected.

Neville's trauma comes from his family. His uncle is awful to him, as is his grandmother, and seeing his parents in such a state is enough to mess anyone up. He comes from a messed up family. It does not come from Snape.

People also like to say that "Oh look his boggart is Snape even though his parents were tortured!!!" but here's the thing: Neville was probably never even present.

He probably never ever even saw his parents tortured. He knows what happened, but was most likely never a witness. If he was present would he have actually lived? Of course not. So of course he's not going to have that as his worst fear. It's not going to come to mind in school. Not when he just got grilled by Snape.

Neville's been through traumatic events, that's undeniable. But Snape is not one of them. Snape isn't obliged to be nice to Neville. Snape's job when it's Neville is, by some point, just making sure Longbottom doesn't kill them all. Neville's cowardice and clumsiness aren't reasons to coddle him. If I was teaching Potions, I'd have kicked Neville out by second year- no way am I risking a whole class because one child can't follow basic instructions.

Neville's family is the real problem in Neville's story. They're supposed to look after him and care for him. If we're going to be talking about this boy's trauma, we need to discuss how he was more alarmed at the thought of his grandmother being his boggart than Snape was to the point that he didn't mention her, Lupin just mentioned her to give Neville an idea of how to sort out the boggart

And let's also talk about why Lupin decided to essentially completely humiliate a colleague that is already not respected by the children. Making his likeness look ridiculous is so petty and unprofessional. Lupin could have easily told Neville to do literally anything else that would have made the situation funny without making a mockery of Snape, but he didn't. He chose to suggest the grandmother's clothes to humiliate the real Snape- look at what happened at Christmas when Snape got that hat from his cracker, he was clearly upset by it, he clearly knew why the boys were laughing-and not only that, he prompted Neville through the entire thing. He didn't simply say "imagine Snape in your grandmother's clothes", he dragged out the entire thing to make it as ludicrous as possible (like, why the handbag? Why did he prompt Neville to also describe her handbag? Obviously to add to the ridiculousness). That's his colleague. He's leading the kids to disrespect his colleague, their teacher. When you read that scene, it's fairly obvious Snape was likely to be Neville's boggart due to him literally making a remark that embarrassed Neville seconds prior that Neville visibly reacted to (and in all honesty, it was a fair warning. Sarcastic, but fair- Neville should not be entrusted with anything dangerous and DADA involves doing things that could hurt others). If you want to talk about the boggart scene, acknowledge how Lupin had a full conversation with Neville to prompt him to imagine something to humiliate Snape with. "Oh, it's just a boggart" But it's not. Something like that is going to be spread, gossiped about, it will ruin whatever little respect the kids have for Snape. Lupin was behaving absolutely unprofessionally and honestly when I looked at it just now, it made me feel a little sick the way Lupin was talking.

And I'm not even going to discuss Trevor The Toad, I've already gone on about him multiple times before. It's probably the most misunderstood and misused scene against Snape. Like, it only takes two seconds to realise that if Snape's intention was to hurt or kill Trevor, he would have just squished Trevor when Trevor was reduced into a tadpole (was it a tadpole?). As it was, he didn't even leave Trevor as a tadpole and make Neville make the counter-potion, he administered it himself and was specifically mad that Hermione helped Neville after being told not to. Once again, Snape's not being abusive or a bully for the sake of it- he's trying to be a teacher. It's the kind of thing you hate as a child but grow up to realise that actually, the adult had a point. Even if it seemed unfair at that moment.

Anyway, people geniunely don't give a shit about Neville's trauma, and when they do, it's to use it against Snape without acknowledging that actually, it's far worse that his Boggart could have easily been his grandmother but Lupin didn't allow it (he didn't even question why he was so afraid of her). It's far worse that his uncle treated him so badly. It's far worse that the people who were supposed to raise Neville were cruel to him. And it's far worse that McGonagall, who IS supposed to care for Neville, is just as mean to him as Snape is.

The fact that people (Marauders Stans) only care about Neville's trauma to bash Snape. It's always Snape was his boggart never McGonagall risked him dying twice and humiliated him in front of everyone. Or his grandma treated him like shit and his great uncle nearly killed him several times. They literally don't care about Neville. It's Snape fans who actually care more about him (even if they don't care about him) because they don't treat him/his trauma like a tool (which is a very low bar). I feel really sorry for him. After everything he went through, his trauma is not talked about enough.

[llamaisllama777]

I Wanna talk about today's LAES episode!

Okay, I loved this episode and am pleasantly surprised by how mature most of them handled this, especially Lunar and Moon. Lunar knows he messed up, and he really has no excuse for what he did. He made a dumb mistake with MAJOR repercussions. He takes his punishment like a man and accepts it won't be easy to earn everyone's forgiveness, and it's up to Earth if she wants to forgive Lunar or not and that's fair.

Monty and Moon are rightly mad at Lunar, and while I think Monty shouldn't threaten to punch Lunar, it's entirely fair. That's just who Monty is. He's an angry guy and doesn't like it when people hurt people he cares about, so while he shouldn't have threatened Lunar, it is to be expected. Monty loves Earth. She's one of the best things that ever happened to him, and he adores her and hates seeing her get hurt and betrayed... again. While yes, it was an accident, it was a very poorly and badly timed accident.

We don't know if Earth is gonna be okay.

-Best case scenarios

They get all the negative star power out of her and she's back to her old self again

Or she's fine, but she just feels numb like Monty's arm did for like five months.

-WORST case scenario

She dies.

Monty has all the right in the world to be mad. Everyone here does. Lunar could have killed Earth! Or hurt Moon, or Jack, or Dazzle. They have all right to be mad!

I'm glad all of them still care for Lunar and still see him as a brother and don't want anything bad to happen to him. I'm proud of Moon despite the fact that he was very hurt by Lunar's words he still loves him. If this had been how OLD old Moon he would have torn Lunar to shreds verbally... and then maybe physically.

I'm proud he's grown from his angry past.

Sun and Solar seem the most sad to kick Lunar out, but they understand his actions NEED to have consequences.

I've seen some people say that it's not fair for them to kick out Lunar and say he's dangerous...

Guys... HE IS. Lunar is basically a walking BOMB!

Yes, Monty has access to dangerous weapons, and so does Solar and Moon... but they keep those away from Earth in places she won't find them or get hurt by them.

Sun has magic.... he can control it.

(when he's not having a nightmare)

While everyone in that room is dangerous, they're all careful. Lunar wasn't.

So, now he has to face the consequences. It's sad to see Lunar be separated from his family and still have no idea who he is or what he's supposed to be... but who knows, maybe this is what Lunar needs. Plus, if Lunar doesn't want to stay in THIS universe, I can think of one universe that could be a big help to him...

*Cough! Eclipse and Puppet's! Cough!*

This could be the first step in the right direction.

I get why people are upset at the Celestial family and Monty for kicking out Lunar... BUT I can't argue that they didn't do anything wrong. I think the Celestial did the right thing.

Actions have consequences both GOOD and BAD.

Also... does anyone else think Lunar's apartment reminds them of Peter Parker's from the Tobey Maguire Spider-man movies and Spider-man No way home. It just gives me that vibe.

Also... I feel SO BAD for Earth!

The girl has been betrayed by

-Her father

-Her brother (Nexus)

-Monty for not telling Earth about his crimes (They worked that out)

-And now Lunar!

Girl probably gonna have trust issues after this.

[ninyard]

hello for the “give me a character” I wanna hear your thoughts on Allison <3 @millportisntreal

How I feel about this character

ALLY babygirl mother mommy cuntess Allison. I love her i hate her i'd die for her. I feel like she's misunderstood and misrepresented sometimes (which i've probably been guilty of tbh) but Allison Reynolds is my princess and i would kiss the ground she walks on.

All the people I ship romantically with this character

Seth, really. Ichirou I can get behind.

My non-romantic OTP for this character

you already KNOW it's kevallison. they are THE friends with benefits they are the moment they're best friends and they love each other but NOT like that. they'll go down in history books with the healthiest and longest lasting no-strings-attached fuck buddy situationship in the world. i just feel, as two bitches, two DIVAS, that they're made for each other.

My unpopular opinion about this character

(not unpopular but allison DOES go pro. she has to)

she was relieved when Andrew told her that Seth hadn't killed himself. because she KNEW it was true. she knew in her heart and soul that he hadn't overdosed and done this to himself. i feel like she might've really viewed Andrew in a different light after that because his reassurance to her by saying that meant a thousand times more than any other condolences or well wishes.

One thing I wish would happen / had happened with this character in canon.

i wish we knew more about her backstory. i know it wouldn't really add to the plot much but we found out more about Dan bc of the banquet. Matt bc of the incident with Andrew. Nicky bc he spoke to Neil, Renee bc she spoke to Neil. We know like EVERYONES life story apart from her, properly, in canon. i want to know her motivation and why she did the things she did. I want to know her relationship with her family. I wish we could've seen more into who Allison is besides being pretty, bratty and rich. (all fantastic traits that i adore btw)

[one-chaotic-neautral]

Ok quick post before bed, but in s2 the reveal of Felicia (?) Vi and Powder's mother knowing and being friends with Silco and Vander adds a bit more complexity to Silco's relationship with them.

When I was rewatching s1 earlier I had a theory that Silco may have intended to try and recruit Vi (if she would be convinced, otherwise he probably would have killed her). It makes sense; she's a very strong fighter showcased by her taking down his big henchmen, she resembles a younger Vander, and her attitude toward piltover aligns moreso with Silco in that she wants to fight them. Then adding her mother into the equation maybe he wanted to give her a chance out of maybe old fondness or guilt for her.

What made me think this specifically was that scene in episode 3 where he tells deckard to 'find the girl' after the explosion.

At first it seems 'to kill her ofc' but he didn't mention mylo or claggor, who he had no way of knowing where dead at that point (for sure). So he had Vi in mind specifically, and said 'find' not 'kill' or 'deal with'.

But what more is in Episode 6, when Silco ambushes Vi and Caitlin at her childhood home. First off Huck was the one who gave up their location, but I think Silco also knew where she might go if he knew their parents, cause that's Vi's childhood home. Makes sense why he got there so quickly even if he got told by someone else.

When they're talking he calls her 'Vanders prodigy', so he was obviously aware of her skill as a fighter, likely before their encounter in ep 3 (cause I feel like it is an old title that would've come about from him being aware of her being trained by Vander beforehand)

(Contrary to some others theories, I don't believe he was involved at all in their childhoods, likely observing from afar.)

Then he reveals he 'thought she was the prize of their secondhand family', so he was obviously aware of her for a while before adopting Jinx.

This is the main reason why I believe he wanted to recruit Vi instead. If he was that aware of them already he was probably having them watched and likely knew about her disagreements with Vander over fighting topside.

So if this theory is correct, he likely never planned on outright killing Vi and Powder unless he had to. Which now know about his friendship with their mother makes even more sense.

On the other hand, if this isn't the case, then I think it would make arc 1 Silco even more evil as he was willing not only to kill Vander and some kids, but the kids he knew were the children of his old friend, who'd died in front of him, and made him promise to make a better future for.