#they're free in that sense

[shmorp-mcdurgen]

cool!! and what about like each day, time they get out of their cells? is there like a specific curfew or anything they have time to follow?

(lmao sorry for the questions baha-)

Basically, the schedule is thus (unless there are special occasions or surgeries or whatever):

6:45 AM: Cells open and the Patients wake up

7:30 AM: First meal

9 AM: Short check up (most of the time done by Thatcher)

1 PM: Second Meal

6 PM: third meal

10:45 PM: Lights out (time to return to cells)

As for everything in between, it can be. whatever, really. Patients are free to roam around (certain areas of) the facility, including rooms like the rec room (where they have activities they can do like draw, watch TV (whatever tapes are there anyway) and other small things), the gym, the courtyard (only open to them between 10 AM and 3 PM most of the time), etc.

The schedule can also change depending on if they're scheduled to have a surgery or something. for example, someone having a surgery may not be allowed to eat for a bit before said operation to prevent complications.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[spoonietimelordy]

..........

[stealingyourbones]

Short DPXDC Prompts #1005

the entire town of Amity suffers from lead poisoning (contaminated drinking water. Oddly for them, this also makes them harder to detect via Kryptonian senses.

[transxfiles]

i walk into the across the spider verse spider society lobby right as everyone starts trying to kill some teen. i walk past whatever weird chase scene shit is going on. i walk directly into the free gender clinic and talk to the spider physician about starting hrt.

[rockwgooglyeyes]

It's This Moment (or Nothing)

One of the biggest things that I have run into over the past day with Blink, Gone is the way that it feels incomplete and that is something I still stand by. This could be something completely purposeful, meant to illustrate that the round wasn't ever going to be a legitimate competition anyways, intended from the beginning as a lure for Hyuna and Mizi, to add extra emotional effect to the cliffhanger, or perhaps it really is one half of a wider whole (in a more localized sense than it being one part of the whole series, anyways). I don't really know which I think is more likely, at this point, because I'm not sure enough about any of my theories on that front to make real predictions. I still believe that Mizi will end up on her own when this all finished, all of the people she ever loved dead and gone, the bodies littered at her feet.

With the "special guests" I presume that Hyuna and Mizi will be forced to go up against each other. My friend Zen, (@verdantlights) said that hy thinks that it'll end up being a Hyunaluka round where Hyuna is set to win and then a Hyunamizi round where Hyuna is set to lose (edited because i got the order wrong and zen corrected me lmao). I agree with the idea that, at this point, it's damage control. They successfully lured Mizi (and by extension, Hyuna) in with Till, killed Till and now they're going to make their hostages perform for their lives, as is their brand.

One of the most interesting parts of Blink Gone, for me, is how this was presumably all planned from the start. Zen mentioned something that made me realize this yesterday, that this is the 50th season of Alien Stage. There's no way they would let it get this rowdy with rebels and disrupted rounds unless they were letting it happen, because it was planned from the start, because they were trying to tie up loose ends (Hyuna). Not only that but this round in particular was undoubtedly planned from the beginning, with the amount of preparation that went into it (the giant billboards of Ivan, the chanting of the crowd, the song itself). Till was ranked 2, it was always going to end up this way, Luka's superiority reinforced and his opponent dead on the floor. (btw I'm coming back to Luka. There's gonna be another fucking post just you wait). The way that they used Till's triggers against him, they drugged both of the performers but only gave Till enough to last him halfway through, forced Till to perform against Luka right after Round 6, where he lost one of the people in his life that was most important to him, and then rubbing salt into his horrible fresh wounds.

This is also one of the only rounds where Mizi is one of the POV characters that we have no mentions of Sua, at all. Perhaps that's merely because Mizi wasn't the focus and by extension, neither was Sua, but in another way, you could argue that it's because someone else was busy haunting the narrative: Ivan.

It kinda fucking hurts that the only way we really got to see Ivan was two ways- a direct flashback to the kiss from CURE, a explicit representation of the trauma that Ivan left Till with, and the billboards/Luka manipulations where he mimics Ivan in order to get Till on the back foot. And the thing is, it works. Ivan, despite his every intention otherwise, has become a trauma for Till, the way he thought he never could. To a degree, I was happy about this, because it proved Ivan wrong, that he would just be forgotten in a blink, but it hurts as well, because him only being used as a weapon against Till only reinforces his beliefs about himself that he is a monster and a negative impact on others. He would view himself being used against Till as a bad thing, that he hurt Till when he never intended to, rather than seeing it for what it is- an explicit sign that he was far more important to Till than he previously thought.

(Also something driving me up a wall right now is the way that one of my friend's described the lyrics of Blink, Gone as being in reference to the way that one moment Ivan was there, and the next he was gone, because Till took advantage of Ivan's presence and didn't know how much he needed it until it was gone and I'm sorry I'm going to go scream some more now.)

One thing I've talked about with friends a lot the past day is the way that, if Till is truly dead, then what was Ivan's character even for? And while narratively, it wouldn't make sense to kill TIll here with all of the potential he has and where his arc is going, one thing that @pwippy pointed out to me is how it makes a lot of sense thematically. Alien Stage is a universe full of suffering and pain for humans, forced to perform until they literally die on stage, all for the entertainment of the audience. It's not even meant as a way of exerting control or oppressing them, though it serves that purpose, because why would the seygein bother to oppress something that can't even fight back? Why go to the trouble of controlling something that is just a pet, whose cries are the fuel for a new age?

For Till to die now, reaching out for this glimmer of light when he is an animal caged, surrounded by enemies and bombarded with triggers of his suffering and pain, it would only be fitting. Another confirmation that life isn't fair, especially not in a system that is actively working against you and your attempts at happiness. Yet another sign that none of them were supposed to live very long, that even if they won, they wouldn't be around for much longer anyways. Now, it wouldn't necessarily be in character for Till, as he wants to live and he wants to fight, but he got to see one of the people he loved most in his dying moments, just like Sua and Ivan did. (Thank you this post for grabbing me by the throat and squeezing). In this world of pain and suffering, perhaps death is a mercy. If Till is truly dead, then he no longer a tool for his oppressors, he is free of their control. For Ivan and Sua both of their deaths were mercies to them- Ivan was able to die for the one he loved, as was Sua, and neither of them were forced to live in a world without their beloved.

So, while it might not be in character for Till to die, it makes sense within the themes and the established mechanisms of the universe, and it hammers home just how much more Mizi has to lose, even at this point where she thinks she's lost it all.

Mizi, who at the beginning, was the only one of these characters filled with innocence and hope, Mizi, the apparent protagonist of this story- at the end, she will be alone and she will know the true lengths of cruelty, with all that which she has ever loved destroyed.

[puppetmaster13u]

I am pondering cryptid batfam but like. Eldritch. Starts out human but Gotham (or something Else) slowly changes them over the years as they search for an learn unspeakable information, as their minds expand more than a mere human could.

Pretty much becomes not exactly city spirits but Aspects of sorts if I am making any sense. And usually people can tell something is... sort of off, but it's easily dismissible, like a cold spot in a room that you can ignore if you aren't standing in it.

I honestly might draw the ideas for designs I have but idk.

[hopeswriting]

daily life arc miura haru. does anyone know who i'm talking about. do you guys remember her. i still can't believe what happened to her 😔

[pinkd3mon]

Gardening pals

[hotasfahrenheit]

one of the things that is catching me up over and over and circling in my head about Let Free The Curse of Taekwondo is the way that Do Hoe keeps telling Ju Yeong to leave, and how at no point is it because he doesn't like Ju Yeong or doesn't want him around- he usually tells him to leave when he talks about leaving himself, even- but it's the looming, inevitable feeling that it is only a matter of time before his father hits Ju Yeong like he hits Do Hoe and all the other boys, and the fact that Do Hoe wants Ju Yeong to get out before it can happen.

there's such a feeling of resignation about it when it comes to Do Hoe expecting the abuse for himself, in carrying the weight of knowing he can't protect anyone else either. and he knows that the bubble of safety that Ju Yeong arrives with because of his family and his mother and his situation can only last so long.

and the way he looks absolutely crushed when he realises that it's already happened and that Ju Yeong is hiding his wounds because he doesn't want Do Hoe to know and add to his guilt just in turn crushes me.

[fairylando]

don't ask me why, but me and my friend were talking about how carlos is going to be free from fraudrrari in less than 20 days and we ended up comparing him to the virgin mary (i swear it will make sense and we both grew up in christian italian families as atheists) and... how her given festivities actually add up with some of his important dates ??? buckle up!

‧˚

⭒ "Festa dell'Assunzione di Maria" — august 15 she was raised to eternal life without bodily death, and very close to it carlos announced he signed with williams.

⭒ "La Natività della Beata Vergine Maria" — she was born on september 8th, he was born on september 1st (BOTH VIRGOS)!

⭒ "L'Immacolata Concezione" — december 8th, "from the first moment of her conception, the Blessed Virgin Mary was, by the singular grace and privilege of Almighty God, and in view of the merits of Jesus Christ, Savior of Mankind, kept free from all stain of original sin."... and what happens on december 8th? his last race in fraudrrari, exactly.

she was the lightly brushed by melancholy blue print after all!

[transmechanicus]

Really fucked up that two ppl can care about each other and make their best efforts to communicate and still end up hurting each other so badly they cannot stand to be in the same room.

[zaacoy]

crawling out of my grave for a day-

started watching the moomins, have crossover work :]

[ruvviks]

The Dobrynin family is a corpo family through and through, rooted in Arasaka and Orbital Air going back by several generations; though their powerful position within the corporate world ends with the children of Nadya and Matvey Dobrynin. With Vitali and Daniil fired from Arasaka and Kang Tao respectively— the former indirectly getting his parents fired, too— and Roksana having refused to set foot within a megacorporation from the start, the family begins crumbling apart at the very seams when clashing interests lead to grudges, betrayal, and pointless acts of revenge. ↳ read the unrevised fic here if you're interested!

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[starcraftt]

i was finally home. to stay ── .✦

AUTHOR'S NOTE : i'm obsessed and that's okay. REASONING : i got bored nd had cooked up some ponyboy headcanons so jst decided to make all of them some. ^^ <3 WARNINGS : none of these are probably accurate i dunno man it's late?? like,, really late and i have school tomorrow i'm sorry. :( </3 ( no actual warnings that i could think of !! )

RANDOM OUTSIDERS HEADCANONS !!

゜✦゜₊⁺  ✦゜₊⁺   ✦゜₊⁺  ゜゜✦゜₊⁺  ✦゜₊⁺   ✦゜₊⁺  ゜゜✦゜₊⁺  ✦゜₊⁺   ✦゜₊⁺  ゜゜✦゜₊⁺ 

𝐏 𝐎 𝐍 𝐘 𝐁 𝐎 𝐘

|| 𝐂 𝐔 𝐑 𝐓 𝐈 𝐒

— Ponyboy wouldn't like puddles. I feel like he just doesn't like rain in general, so he can stay in and read, but I feel like if he had to go out, he would hate stepping in puddles or passing through them. ( iykyk and i'm crying lmao )

— PONYBOY CAN DRAW AND I FEEL LIKE WE ALL FORGET THAT SO, i feel like you could find him drawing what he imagines book characters to look like, or objects in the books??

— Ponyboy is a perfectionist but only on some things.

— OML Soda has totally walked into their room to find Ponyboy c r y i n g on his bed, and after Pony calms down, Soda asked what he was crying about only to find out it was about a book.

"are you kidding me pony" "i'm sORRY"

— has a weird addiction to horror movies despite hating them and they give him nightmares i cant. they're his guilty pleasure because darry always says the cause of his nightmares were the horror movies he watched.

𝐒 𝐎 𝐃 𝐀 𝐏 𝐎 𝐏

|| 𝐂 𝐔 𝐑 𝐓 𝐈 𝐒

— Sodapop actually isn't that bad at spelling, he just forgets a letter here and there. Like, he'll misspell 'missing' as 'mising', but the next time he writes 'missing' he'll spell it right. his mind is just too distracted and i feel that.

— SODA HAS TOTALLY TRIPPED IN FRONT OF A GIRL AND TRIED TO PLAY IT OFF SO CHILL.

"meant to do that" coughs

— Soda 100% tries his best to help Darry with the bills and such, hating to see his older brother weighed down with all the stress. Never thinks he could do what Darry does nd admires him lots.

— actually kinda enjoys being on the side of watching his friends mess around like?? Sodapop loves knowing that his friends all get along nd -- agjshshshjgshshs

— he supports it fully if/when the steve is the one attracting the girls one day, never the jealous one.

— LEGIT THE BEST WINGMAN.

"hey, what's up?"

(probably evie or smth) "oh, hey." her friends around her giggling at sodapop because he's cute. <3

"so, you see that guy over there?" gestures wildly over at steve. "yeah he kinda needs someone to dance with." casually leans against the wall like he's flirting with her as he winks subtly.

𝐃 𝐀 𝐑 𝐑 𝐘

|| 𝐂 𝐔 𝐑 𝐓 𝐈 𝐒

— Darry would totally be one of those people who seem like they instantly know how to do everything but I feel when he used to have free time he'd jst randomly learn random things.

"darry you know how to juggle??"

"yes."

"darry you know how to cartwheel?"

"yes."

"darry you know how to read??"

"pony --"

— hates supernatural things, ghosts actually scare the shit out of him im not kidding.

— but when he watches horror movies he's just sitting there blankly while pony is trying to not scream at his side. and when they walk out and ponyboy's jst all shaking nd stuff darry's just like: "broski you okay?"

— loves organization for no reason, it doesn't help him have a clear mind or anything he just . . . goes into pony and soda's room . . . . . and organizes,,,

𝐓 𝐖 𝐎 - 𝐁 𝐈 𝐓

|| 𝐌 𝐀 𝐓 𝐓 𝐇 𝐄 𝐖 𝐒

— Two-Bit ( doesn't get enough love ) probably had a childhood crush on Minnie Mouse.

tries not to admit it or is boldly proud of it. depends on who he's talking to.

— Two-Bit doesn't cry over real life things, but he would totally sob over a Mickey Mouse episode or something.

— Legit the smartest ever but doesn't attempt at school and this is why he was held back.

— TOTALLY USED TO HAVE A STUTTER WHEN HE WAS YOUNGER.

— you could NOT understand this boy it was that bad.

until his mom made him start reading to her aloud and it got better. 👍

— actually has once almost passed out from wheezing laughing too hard.

— drama queen and we love him.

𝐉 𝐎 𝐇 𝐍 𝐍 𝐘

|| 𝐂 𝐀 𝐃 𝐄

— Rip Johnny Cade, you would've loved child protective services.

— Johnny probably has tried his hand at creative writing nd he totally enjoyed it. Hates writing essays nd shit though.

— PLS PONYBOY WHEN HE HEARD JOHNNY WRITES A BIT FORCED HIM TO SHARE SO NOW THE TWO HAVE TIMES WHERE THEY BOTH SHARE RECENT WRITINGS AJGHHSJ ponyboy fr johnny's hype man because he knows how hard writers are on themselves (most of the time) </3

"i wrote this one yesterday idk man i don't like it"

"what the fuck johnny this is amazing??"

— johnny has and forever will create characters based on people from the gang. just someone from the gang casually inspired a part of the character. he didn't use to be so subtle about it though.

scribbled down character sheet with jst the basics - 'james thomas: funny guy and the only thing that comes out of his mouth are jokes'

"johnny is this two-bit"

"no."

— leGIT, he once saw someone at school doing a sick secret handshake and convinced ponyboy to make one up with him.

— he probably once didn't like dallas because ponyboy admitted randomly how he didn't like dally and johnny just kinda went with that.

𝐃 𝐀 𝐋 𝐋 𝐀 𝐒

|| 𝐖 𝐈 𝐍 𝐒 𝐓 𝐎 𝐍

— Dallas Winston cries at seeing spiders and you cannot change my mind with this. When he's around someone though he tries to play it off so cool though.

— he gets cuddly when he's drunk and johnny is most normally the prime target for hugs.

— says he hates kids but also hates seeing kids cry and will probably try and do something to make them feel better so they'll just stop crying.

— used to have a lisp on the word 'world'.

— genuinely loves any affection but is not willing to give it himself.

𝐒 𝐓 𝐄 𝐕 𝐄

|| 𝐑 𝐀 𝐍 𝐃 𝐋 𝐄

— Steve,,, i feel like he doesn't actually enjoy Mickey Mouse, he just watches it when it's on because it's something to watch and he knows if he admits it, Two-Bit would hit him and then cry.

— literally can sing the greatest ever but you never catch him doing it. not even soda knows so you know it's secret.

— cannot focus at work when it's just soda and him, all giggling and messing around until a customer walks in and bro just shuts up as quickly as he can without making himself laugh again.

— steve totally used to legit bully the fuck out of ponyboy when pony was like, five. he's toned it down. it's not that physical anymore.

— steve, and i cannot stress this enough, is such a fucking simp i cant.

— the best best friend. i feel like he'd try and act all 'tuff' and stuff, 'forget' what soda or one of the curtis gang mentioned wanting before getting that exact thing for them on a gift-giving holiday. he saved up so he could get them that. :(