#they’re foils in more ways than one

[fuji-iri]

an entire blog post dedicated to Haru Allegro, her forte, and her dynamics with the rest of the NDA cast

will contain implied spoilers for the main game. hopefully nothing that’s too spoiler-y though, so read at your own risk i guess??

————————

how Haru’s forte works:

as i’ve disclosed before, Haru’s forte is soundproofing. meaning, she can select a space and configure it so:

anyone outside of that space would not be able to hear anything within that space, or:

anyone inside of that space would not be able to hear anything outside that space

or both.

in visuals, it looks like a faint, glowing line that either hovers around the space where her forte is activated, or makes a line around the interior of a room where her forte is activated. depends on what space she uses.

the line vanishes after a few seconds. when deactivating, it reappears again only to “break away” and fade out.

other than that, it’s pretty straightforward.

————————

Haru doesn’t have many opportunities to use her forte in an investigation setting; technically, she could use it for stealth or for eavesdropping, but those are for very rare cases.

which actually leads me into my next point: her main job is freelance arbitration. she really only takes cases if the WDO assigns them to her. though, with the assistance of her forte and her general expertise in negotiation, she’s very talented at her job and has gained a lot of recognition within the field.

not only that, if she’s genuinely investigating a case, she can sometimes take advantage of her connections to gather more information.

————————

alright, now that i have that set aside, here’s her dynamic with each individual member of the NDA:

Yuma Kokohead - they’re on good terms with each other, and are always willing to [talk to / exchange information with] each other on a daily basis. Haru finds herself surprised by Yuma a couple of times, both with his amount of intelligence and how often he gets into trouble. like, how.

while Yakou tells Yuma the most about Amaterasu Corporation, Haru is the one that provides the most information / background context about the WDO. interestingly enough, she seems to know more about the inner workings of the organization than the average member—for example, the process for scouting other detectives, the examinations during the training period, and much more.

though for some reason, Haru has never disclosed any information about her personal experience with the WDO—especially how she got recruited. but that should be the least of our worries, we have Kanai Ward’s greatest mystery to solve!

fun fact: Haru has tried to assist Yuma with his (disastrous) cooking once. But after realizing the only thing she could really help with was telling him when a shrimp was perfectly cooked, she decided to not get into that territory again. it’s not even like she likes shrimp that much; why is it the only thing she can work with, though? some sort of curse? (/j)

————————

Fubuki Clockford: at first, Haru was a little worried since Fubuki seemed a little naive and almost too optimistic to be a detective. however, she slowly turned to appreciating this optimism; it was definitely a nice turn from the professional atmosphere that naturally comes with her arbitration work.

meanwhile, Fubuki has somewhat designated Haru as her “detective-adventuring sidekick,” and often takes her on random trips around the city. though Haru usually has no idea where the hell Fubuki is about to take her, she ends up going anyways. besides, she honestly likes Kanai Ward’s scenery; it wouldn’t hurt to see it.

fun fact: Fubuki will end up saving Haru’s life at one point. :)

————————

Vivia Twilight: really not much to say here as it’s basically just Vivia being Vivia™️ and Haru being Haru™️. but it’s safe to say they definitely don’t mind each other’s presence. Haru surprisingly appreciates the aura of calm that Vivia gives off, and sometimes just sits close by if they find each other alone in the agency. on the other hand, Vivia finds Haru a bit chaotic at times (especially with a character i’ll be getting to in a few moments), but personally doesn’t mind it too much, thinking of it as an added accent to the “peace and quiet” of the NDA.

also, Haru sometimes understands Vivia’s metaphors. they seem to be very specific ones though

fun fact: Vivia once saw Haru dying her hair while in spectral projection form, and dropped in a hint about it when they were talking about a case later that day. Haru got really defensive about it for some reason

————————

Halara Nightmare: Haru was slightly intimidated by Halara upon introduction; to her, they seemed to be a “no-nonsense” type person (though not like she hasn’t worked with those types of people before). but over a few days, Haru begins to notice their level of sympathy and care for others, which changes her opinion of them. meanwhile, Halara finds Haru a bit dense at times—but is always surprised by how quickly she pieces certain methods/tricks together the moment she clears her original misconceptions. though, Haru’s still slightly trailing behind Halara in her processing speed.

(yakou’s probably even further behind somewhere in the back /j)

fun fact: one time, Halara asked for a relatively large sum of money for one menial task (probably like 20k shien) when they were solving a case together, and Haru almost paid on the spot as if it was nothing. Halara was taken back for a moment, especially since Haru seemed so nonchalant about it (she wasn’t). eventually they sighed and gave Haru a 75% discount.

————————

Desuhiko Thunderbolt: okay, this is their entire dynamic:

story over. thank you for coming to my tedtalk

but yeah—Desuhiko and Haru have unrivaled amounts of “argumentative sibling” energy towards each other. in this storyline i decided to tone down Desuhiko’s behavior towards women a tiny bit, in exchange for upgrading his superstar complex—which worked perfectly. Desuhiko grabs at any attempt to pull out his electric bass and start playing, but Haru has to mute him to prevent him from blasting music throughout the entire agency.

they constantly banter any time they’re in the same space. Desuhiko is often the first to begin raising his voice during their arguments. but it takes a while for Haru to get to that point; she often sticks to small (and very blunt) retorts for most of the time. at times, their arguments escalate to full-on competitions—though surprisingly, both of them are relatively smart and don’t do anything that would cause serious harm.

but past their argumentative banter, Desuhiko and Haru are actually the closest compared to the other pairings i talked about. one is usually the first to notice when the other seems off.

(this may be foreshadowing)

and as the narrative develops, we see the bond between them strengthen (though they still won’t stop arguing). if the game were in japanese Desuhiko would start calling Haru “aibou” (which is partner,, but like,, with a more familial connotation in some contexts??) by the end of the story. but they still won’t stop arguing :)

fun fact: Haru actually still keeps one of Desuhiko’s voice changers after they had an entire unhinged competition about “who can act like Yakou in front of Yuma for longer” (which stemmed from an entire conversation between the two that i may talk about at one point 😭). she uses it to scare Desuhiko from time to time

————————

okay, finally:

Yakou Furio: despite being “superior” and “subordinate” in work terms, they seem to be pretty close with each other (in more of a familial context). at first, Haru genuinely wonders how the hell this guy got certified by the WDO, but soon notices his emotional intelligence / empathy and goes “oh. yeah that makes sense” (even when it comes to Haru, who’s a talented negotiator and supposedly knows how to act in a way that satisfies both parties, it’s hard to really grip that emotional aspect for her and being able to understand how others truly feel. Yakou does this as if it’s second nature; which is quite unique for a detective and something Haru really appreciates). (i have evidence for this. i swear)

Haru sometimes works at the agency until late with Yakou (+ other coworkers); and after a long day, sometimes they all just throw everything and head to the bar together.

though, the outing is really just a few hours of Yakou complaining about his subordinates while drunk.

she can still tell that Yakou really cares about the other detectives, though. i mean, although she doesn’t actually listen to his advice and goes on to directly run into the Peacekeepers regardless, the chief has assisted Haru in more ways than one.

fun fact: Yakou is somewhat confused with Haru’s food preference, especially with how much it contrasts with her appearance. in fact, they had an entire moment where Haru admitted she didn’t like meat buns in general because the buns were always too sweet for her and Yakou was just like “????? what is going on with your tongue”

• • •

also, another fun fact.

…they’re narrative foils.

——————

oh my god that was a lot of info. whoops. sorry

but yeah uhhh that’s it from me for now—my inbox is open if you want to ask and/or theorize about her 🫠

[quietwingsinthesky]

I think the nature of Clara haterism on Tumblr can’t be fully understood without the historical context of 2013. Namely that by the time of DW season 7b Moffat was widely hailed as The Bogeyman Of All Misogyny Ever. Clara was considered THE prototypical Shallow Moffat Girl, and she became a sort of figurehead for everything wrong with the show. (Bc everyone was maybe 14 and Smith was too beloved to insult.) Consequently, she evokes a kneejerk bad faith reading response in many users even today.

yeah, alright, i can see that. i am surprised that, at least as far as i’ve seen, amy & river don’t get the same treatment? or if they did, it hasn’t persisted half as long as opinions on clara have. Because having now seen how all three of them were written, amy got treated. so much worse with The Misogyny™️, and River bounces between ‘actually a fascinating character’ and ‘moffat wrote a sexy girlboss who wants to fuck the doctor’ so hard it gives me whiplash. (and i say this as a River enjoyer, I love her and she deserves so much better lmao.)

Of the three of them, I think Clara actually comes out a lot better written overall? She’s allowed more space to be a character rather than be a woman, if that makes sense. Sure, bit of a rocky start in s7, and I can certainly see why the Impossible Girl thing could be aggravating to some people. (I think it was. Fine. fantastic episode conceptually that sort of fell apart when it came to actually doing anything.) but Clara in s8 (and the start of s9) is fantastic. Her relationship with Danny and the Doctor is messy and deceptive and so understandable. “Listen” as an episode almost felt like ‘hey what if the clara putting herself in the doctor’s past was actually interesting and impacted him’. Her becoming more like the Doctor, especially after losing Danny, both as an effort to hold on tight to the only person she perceives as keeping her moving forward and giving her a purpose AND because to her, the Doctor is able to lose so much and not be destroyed by it and she wants that (without really understanding just how much this life is fucking him up, too.), is just. fantastic.

where was i going with this. i have no idea. my point, i think, is: i guess i can see how initial reactions to clara might color a less than flattering picture of the rest of her, but :( consider: i love her so so much and everyone should be niceys to her.

[skelly-bean]

🧀 CHEESE CRISPS 🧀

[moonstruckme]

summary: when James moves into your apartment, you need a bit of an adjustment period

part 1 │ part 2 │ part 3 │ part 4 │part 5 │ part 6 │ part 7 │ part 8 │ part 9 │ part 10 │ part 11 │ part 12 │ part 13

roommate!James x shy!reader ♡ 1k words

You go downstairs the way a meerkat pokes its head out of its burrow. Cautious, watchful. When you spot James standing over a sizzling pan in the kitchen, it’s a bit of effort not to sigh, but you go anyway, hunger temporarily taking priority over solitude. It’s just going to have to be another quick meal.

“Hey.” James looks up from a recipe he’s reading on his phone, grinning at you. 

You press your lips together in a smile of response. The girl who’d occupied James’ room before him wouldn’t have bothered to acknowledge you, and frankly, you’d liked her for that. You’d had a mutually ambivalent relationship; you’d both paid your rent, ignored the other’s food in the fridge, and gone about your days as if you each had the apartment to yourself. She had to move out because the maintenance crew tattled on her for having a pet, and though James only moved in a week ago, he’s invited you to hang out with his friends every time they’ve come over. Which is often. (He’s at least considerate enough to always ask first, and you always say yes. Partially because they don’t make huge messes and partially because you don’t know how to reply to a yes/no question any other way.) 

You go to the fridge, tearing the aluminum foil off a half-empty can of beans and shaking it into a bowl. You put it in the microwave. James reaches to turn down the stove, and, like a frightened animal, you flinch away from him. He doesn’t seem to notice, only retreating to the opposite counter to give you more room. 

“How’s your day going?” he asks, leaning back on his forearms. 

“Not bad,” you say. Another thing about James is that in addition to his relentless geniality, he’s ferociously attractive. It takes all of your willpower not to let your eyes dip from his face to where his short sleeves conform to his biceps when he leans that way, but your face heats regardless. “Yours?” 

“Pretty good, actually.” He smiles easily. “It’s gorgeous out, have you felt the weather?” 

You shake your head. “I haven’t been out yet.” 

James nods like he knows this already, humming noncommittally. You think you spy a bit of judgment in his look, but you can’t be sure. “So,” he says, “I have something to ask you.” 

You tense. “Okay…” 

“I know you value your privacy, and I totally respect that, but I feel like as your roommate it’s my responsibility to at least ask.” 

You feel your eyes narrowing as you nod for him to continue. 

James schools his face into seriousness, a frown on his lips that looks like it doesn’t belong. “Do you not eat?” 

You laugh, relieved and bemused. “Of course I eat.”

The smile he gives you is strained, clearly for your benefit rather than his. “You sure about that? Because this morning I just saw you have one—one—piece of toast for breakfast, and then for lunch you had…what?” 

You shy, more because of his notice than anything else. The microwave beeps and you use it as an excuse to turn around. “Some cheese and crackers.” 

When you pivot with the steaming bowl, James is looking at you incredulously.

“They’re really filling!” 

“That’s a snack, love, not a meal. Both of those are snacks. Did you have anything else?” 

You hold up the bowl in your hand. “I’m about to have some beans.” 

His laugh is monosyllabic. Appalled. “You’re not serious.” 

You roll your eyes at him even as your face heats. “Listen, it’s not my most nutritious day, but I’ve been in a rush, and…” You were going to say more, but decide against it. “Anyway, there’s protein in the beans, so.” 

James isn’t having it. “And what?” 

“Nothing.” 

“Something.” He raises his eyebrows at you. “C’mon, spill, or I’m going to call your mum and tell her about your big day of—“ He draws quotes in the air, full lips curving he does “—beans and crackers.” 

“And toast,” you joke. James’ smile is small and short-lived. Does he really have your mum’s phone number? He can’t possibly. 

You sigh. “Okay, it’s nothing to do with you, but I…I’m a bit weird about being in the kitchen at the same time.” James’ thick eyebrows meet in the middle, and your shoulders hunch instinctively but you force yourself to finish explaining. “I just want to grab whatever is quickest and go before I make things awkward, or something. But I know it’s stupid.” You shake your head. You could burn the apartment to cinders with the heat from your face. “I don’t own the kitchen. You have every right to be here, and I’ll get used to it eventually. It’s just that you’re new to me right now.” 

James' expression clears. “Oh, you’re shy.” 

You must look even more embarrassed at that, because he hurries to say, “That’s alright, it’s good to know how you feel about things. And now I don’t have to call your mum.” He grins, and it widens when you make a tiny effort to reciprocate. “I don’t mind stepping out of the kitchen so you can cook every now and then.”

“You really don’t have to.” 

“It’s no trouble.” He waves you off. “Honestly, it’s too small for both of us to comfortably use at the same time anyway. Careful by the way, that pan’s hot.” 

You glance behind you, and you’ve backed yourself nearly into the stove. You move away, squeaking out a thanks. 

James’ smile softens. “I do hope you're right about getting used to me eventually, though.” He gives you a kind look, and you have no idea how he can maintain eye contact with that much sincerity in his big brown eyes. You envy the skill. “I’d like to get to be friends, but we’ve got time for that.” 

You’ve no clue how to respond, some deer-in-the-headlights instinct taking ahold of you, but James doesn’t seem to be expecting one. He reaches out to squeeze your shoulder, taking back his place at the stove. You take that as your cue to go.

[childrenofcain-if]

That one scenario where C and MC have a kid has my heart completely 😭 Can we get a follow up for that? How are things going on in the joint household? I'm also very curious to see what C would name their kid 🤭

the hershey’s kisses glinted in the late afternoon sun, crinkled foil catching the golden light that streamed in through the window. aster sat cross-legged on the sofa, a small island of contentment in the messy sprawl of school bags and discarded socks she’d left in her wake.

she was humming under her breath as she unwrapped another piece of chocolate, oblivious to the way her shoes lay in two opposite corners of the room and how her lunchbox sat precariously balanced on the edge of the coffee table.

you leaned against the kitchen counter, sipping coffee and watching her with the detached amusement of a parent who knows they’ll have to clean up the mess but hasn’t yet summoned the energy to do so.

C was in the armchair, one foot propped on the edge of the ottoman, clicking through their macbook with half an eye on aster. it was domesticity in its sweetest form, the kind you don’t think about when you’re young and idealistic, imagining love and family like perfect polaroids on a wall.

“did you give her those?” C asked suddenly, their voice louder than the hum of the dishwasher in the kitchen.

you blinked and set your coffee down, moving closer to inspect the crumpled foil wrappers littered around aster.

��nope,” you said after a beat. “not exactly either of our flavor. that’s… what is that, cherry? we don’t have those in the house.”

C arched a brow, and without missing a beat, turned their full attention to your daughter.

“aster,” they said, voice soft but with a worried edge, “where did you get the chocolates?”

aster’s head snapped up, her chalcedony green eyes lighting up with excitement.

“felix gave them to me!” she said, her grin wide enough to show the little gap where her front tooth had fallen out last week.

C froze, their hand tightening slightly on the edge of their macbook. you, on the other hand, were far more amused.

“felix, huh?” you said, crouching slightly to meet aster’s eye level. “and who’s felix again?”

her grin grew impossibly wider as she happily declared: “my boyfriend!”

you chuckled, leaning against the arm of the sofa. “oh, really? you have a boyfriend now, kleine ster? when did this happen?”

“this morning actually!” aster exclaimed, bouncing a little on the cushions. “he gave me the chocolates at recess and said he liked me, and i said i liked him too, and now we’re boyfriend and girlfriend!”

C’s eye twitched, a muscle jumping just beneath the surface. they sat up straighter, their attention now fully honed on your seven-year-old’s revelation.

“did he now?” they said, their voice tight. “and what else did this... felix boy say?”

aster frowned, confused by the sudden shift in tone. “uh… he said i could have the last red crayon in art class.”

“generous of him,” they muttered darkly, looking distinctly unimpressed.

“C,” you said warningly, but they ignored you, leaning forward with the intense focus of someone about to conduct an interrogation.

“and does this felix… hold your hand?” they asked, their tone too casual to be actually genuine.

“sometimes,” aster admitted, her brows knitting together.

C’s mouth tightened into a thin line. “does he share his lunch with you?”

“yeah, today he gave me his oreos!”

C’s jaw twitched. you pinched the bridge of your nose.

“C,” you said again, a little louder this time. “let it go, darling. they’re just kids.”

but they were too far gone now, leaning forward as though proximity might grant them any sort of control over the situation.

“aster,” they said with all the solemnity of someone at a funeral, “you can’t have a boyfriend. you’re too young. your brain isn’t fully developed. you’ll... you’ll explode! you’ll leave your parents all alone then and it’ll make us very sad.”

aster blinked at them, unwrapping another hershey’s kiss with deliberate slowness.

“i will explode?” she asked, clearly confused by this turn of events.

you rolled your eyes. “no, you wo—”

“yes, you will,” C insisted, cutting you off. “and anyway, you’re not allowed to date anyone until you’re like 30 and paying taxes. it’s a rule.”

“that’s not a rule,” aster said with the stubborn certainty of someone who knew she was right. she really was her parents’ daughter. “and felix is a good boy.”

“‘good,’” C muttered under their breath, glaring at the imaginary felix as though he was lurking in the shadows, waiting to hand their precious little star another chocolate. “i’m going to fight this seven-year-old.”

“C!” you snapped, stepping between them and placing a hand on C’s shoulder. “calm down, my love. it’s harmless.”

C leaned back reluctantly, their gaze flicking between you and aster, who was now watching them like they’d sprouted a second head.

“fine,” they grumbled, crossing their arms over their chest.

***

after dinner, aster sat cross-legged in the middle of the living room, her brow furrowed in concentration as she examined a tiny instruction manual for building LEGOs with the intensity of someone decoding the human genome. her fingers, small but deft, picked up pieces and slotted them into place, her movements sure and deliberate.

C sat beside her, their long legs folded awkwardly beneath them, one hand bracing their bad knee. their fingers worked slower than hers, more hesitantly. the gap between them—her bright enthusiasm, their cautious quiet—was almost laughable. but C didn’t laugh.

they watched her instead.

aster had inherited their stubbornness, the precision of their thoughts, the way they spoke with certainty even when they were wrong, the hard-headed refusal to back down in the face of a challenge. but she’d also inherited your warmth, your easy charisma, the way people seemed to orbit around you like you were some kind of gravitational force.

she was both of you, but neither of you. something wholly her own. and she shone so brilliantly.

“non,” aster said suddenly, shaking her head. she spoke in a tone that was equal parts exasperated and amused, the way one might speak to a child who couldn’t quite grasp a simple concept. “that piece goes here. look.” she leaned over, plucking a flat blue brick from the pile and snapping it into place on the half-constructed spaceship.

“ah,” C said, their lips quirking into a faint smile. “of course, petite étoile. how foolish of me.”

she beamed proudly, her confidence growing with each small victory.

“it’s okay. you’re still learning,” she said magnanimously, patting their arm. honestly, it amused C greatly to see her reflect you back when you both argued everyday like your life depended on it.

C snorted, shaking their head. “merci, mademoiselle.”

“pas de problème,” she replied breezily, her accent and pronunciation impeccably like a parisian native.

C felt a pang of pride so sharp it was almost painful. french had been one of their gifts to her, a piece of their heritage they had handed down like an heirloom. and she had taken to it effortlessly, as if it had always been hers.

she slipped between languages with a grace that left C in awe, her young mind absorbing everything like a sponge.

“wat is dit?” she asked suddenly, holding up a strange piece they hadn’t encountered yet.

“hmm,” you said from where you were sprawled on the couch, your legs stretched out and a book resting on your chest. you barely looked up as you answered her in dutch, explaining what the piece was and where it might fit.

aster nodded thoughtfully, her small fingers turning the piece over as she considered its possibilities. C watched her, their heart swelling with a mixture of love and disbelief.

how could someone so small hold so much brilliance? how could she be so much more than they had ever dared to imagine for themself?

“do you think felix likes LEGOs?” aster asked suddenly, breaking their reverie. she was staring at them now, her eyes—C’s eyes, pale green and perceptive—narrowed in thought.

C felt their jaw tighten at the mention of the boy, the ghost of their earlier irritation flickering to life.

“i have no idea,” they said evenly, focusing on the spaceship.

aster tilted her head, clearly unconvinced by their tone.

“he’s nice,” she said firmly, as though this simple fact should erase all of C’s doubts.

“i’m sure he is,” C said, their tone carefully neutral.

you glanced up from your book, smirking slightly as you watched the exchange. let it go, your eyes seemed to say.

but it wasn’t that simple.

it wasn’t about this felix boy, not really. it was about aster, about the inexorable passage of time, about the impossibility of holding on to something as fragile and fleeting as childhood. she was growing up, and there was nothing C could do to stop it.

C reached for another LEGO brick, their fingers brushing against aster’s. she looked up at them, her eyes bright with curiosity.

“tu vas bien?” she asked, her voice soft and earnest.

the question caught them off guard. for a moment, they didn’t know how to respond. how could they explain the tangled mess of emotions that had been simmering inside them all day? how could they tell her that the thought of her growing up terrified them in a way they couldn’t quite articulate?

“i’m fine, petite étoile,” they said eventually, forcing a smile. “just tired.”

she seemed to accept this, turning her attention back to the spaceship. but C couldn’t help noticing the small furrow in her brow, the way her hands moved more slowly now, as if she was trying to puzzle something out.

they watched her in silence, their heart aching with a strange, bittersweet kind of love.

***

later, when the spaceship was complete and aster had been tucked into bed, C found themself sitting on the edge of your shared bed, their head in their hands.

“okay,” you said, sitting beside them. “do you want to talk about what exactly is bothering you, my love?”

they sighed, looking up at you now.

“it’s just… strange,” they said, their voice low and tired. “she’s growing up so fast. too fast. i feel like i blinked, and suddenly she’s not my little girl anymore.”

you stayed quiet, letting them find the words.

“i still remember holding her in my arms for the first time,” they continued, their voice thick with emotion. “i remember her first steps, her first word, the first time she looked at me and called out for me. and now… now she’s talking about boyfriends and whatnot.”

they let out a bitter laugh, running a hand through their hair. “i didn’t have this. a proper childhood. a father who cared. i don’t know what i’m doing half the time. i just… i look at her, and i love her so much it terrifies me. so much so that i still don’t understand how my father could—”

“hey,” you interrupted gently, placing a hand on their arm. “you’re nothing like him. you’re such a wonderful parent, C. she loves you so much. you can see it every time she looks at you. and yeah, it’s hard watching her grow up. but that’s the deal. you love them, and you let them go, little by little, so they can become who they’re meant to be.”

C nodded slowly, their eyes softening as they looked at you. “i know you’re right.”

you leaned in, pressing a kiss to their temple. “of course i’m right, i always am.”

they rolled their eyes, but a small, tired smile tugged at the corners of their mouth.

“do you think…” they hesitated, the tips of their ears turning adorably red. “do you think we should have another one?”

“another what?” you teased, raising an eyebrow.

they scowled, burying their face in your neck.

“you know what i mean,” they mumbled, their voice muffled. “don’t make me say it out loud.”

you laughed, stroking their hair. “we’ll talk about it in the morning.”

but you already knew the answer.

[strang3lov3]

Rescue Mission

“You take him beautifully, birdie. Beautifully,” Ezra says, now drawing in and out of you at a faster pace. “Look how happy he is inside a’ ya. You’re soakin’ the fella.”

Tags - smut, dubcon, dbf/dad’s weed guy/uncle!ezra (he’s not your biological uncle. I promise), pussy job, unprotected piv, creampie, cock pronouns in excess, cock nicknames (fella, bastard), Ezra’s cock has a titan’s girth (thank @beefrobeefcal), fire hazards, somno ish, plumber’s crack, smoking weed, a tasteful amount of pussy pronouns, me writing Ezra comes with its own warning, surprise surprise Ezra is morally bankrupt, Beefro contributed so I’m not all to blame, Ezra has a lot more jizz than the average man. i don't know how to summarize this. Fic Help - thank you @beefrobeefcal for being my guiding light. Without you this fic would be nothing! thank you @endlessthxxghts and @noxturnalnymph for your eyeballs! A/N - heddo! I finished my research paper but I still have a few things to do as far as school goes, but the end of the semester is right around the corner!! Thank you all for being so patient with me this month. I love you. Mwah!

This is my submission for @sp00kymulderr’s cock pronoun event. I had so much fun with this!! Thank you for hosting, Gideon!!

After packing your old Vera Bradley weekender duffel bag with the last of your clothes for the long weekend ahead of you, you open up your phone one last time to check the weather. It’s not supposed to snow until later in the afternoon, but you’ll make it to your dad’s before then. 

You haul your duffel into the backseat of your car, then carefully place two 9x13 Pyrex pans covered in tin foil next to it. Your dad asked that you prepare a couple of Thanksgiving sides - sweet potatoes and broccoli cheese casserole. Your dad is taking care of the turkey, with other extended family members taking care of everything else. 

You do one last quick check to make sure everything is in order, taking care to give your cat an extra scoop of food.

Fuck - the litter box. You almost forgot! You thoroughly clean it so your neighbor doesn’t have as much work to do when they’re caring for your cat in your absence, but you realize you forgot to buy a new tub of litter at the store the other day. Not to worry, your dad left you some in the trunk of your car for some reason or another. You’ll just leave that for your neighbor to use. 

You get into the driver’s seat after turning off all the lights and pull up directions to your dad’s on your phone and put on Father John Misty’s newest album, then you’re on your merry way. 

About a quarter way through your drive, you have to turn your windshield wipers on. It’s not bad, but there’s the tiniest sprinkle of snow coming down. It’s probably nothing. People are driving like morons under just the threat of snow, but it’s nothing. It’ll be fine. At a stoplight, you change the music. This time, you listen to Love Deluxe by Sadé, one of your Uncle Ezra’s favorite albums. You wonder if you’ll see him at Thanksgiving. 

Quickly, the snow becomes not-nothing. The further you drive, the worse it gets. The snowflakes are getting bigger and coming down heavier, and the road ahead of you is becoming so covered that you can hardly make out the white and yellow lines painted on the road. You’ve slowed to driving at about twenty miles an hour, and you’re growing nervous. It seems like you’re headed deeper into the storm. 

Forty-five minutes pass, though you’ve not driven more than ten miles. It’s coming down now, and the roads are so thick with snow that you’re driving at what feels slower than a glacial pace. This is getting dangerous. The good news, however, is that you did see plow trucks driving down the opposite side of the median. Not confident in your ability to safely drive through what is now probably three inches of snow on the ground, plus the added slush and ice, you decide to pull over and wait for a truck to salt and plow the roads before continuing on your way. You turn on your hazards and watch the traffic move slowly ahead of you; it seems that nobody else has the same idea as you. 

You text your dad first just to let him know that you’ll be a bit late, that you’re pulling over to wait out the storm and wait for the roads to be plowed. 

Ok. Stay safe. - Dad.

Things could be worse, right? You’re safe and warm in your car, you have plenty of gas in the tank. It’s probably another 45 minutes of just waiting, but finally, it happens: plow trucks drive by, salting the roads in their wake. Halle-fucking-lujah. You adjust your mirrors, put your seatbelt back on, and throw the gear shift into drive. Aaand…

You’re stuck. 

You press the gas again, and you’re still stuck. It doesn’t take long for you to start to panic. But your dad will know what to do, right? You call your dad and explain the situation to him. 

“Try rocking the car,” your dad tells you.

“I don’t know what that means.”

“Forward, reverse. Forward, reverse.”

With your dad on speakerphone, you try just that, but it’s a difficult maneuver. “It’s not working, Dad.”

“Okay, okay. Can you dig yourself out?”

“No!” you whine. “I am not doing that.”

Your dad’s eye roll is audible. “Alright. Cat litter. I left you cat litter in your trunk last time you came up, remember? Sprinkle that around your tires, it should give you enough traction to get out.”

“Cat litter…cat litter…”

“Yes, the cat litter. That I left in your trunk.”

You laugh awkwardly, “Yes. About that.” 

Your dad groans on the other end of the phone, “You have to be kidding. Okay. Hang on, where are you again?”

“Just past…I don’t know. I’ll drop you a pin.” You text your dad your location. The text takes some time to go through, but it does. 

“Alright. Uncle Ezra’s not far from you. I’ll give him a call, see if he can’t pick you up. Hang tight.”

“Isn’t he with you?”

“No,” your dad replies. “Why would he be with me?”

“I just figured he’d be up for Thanksgiving too.”

“I invited him, but I never heard back. Dude probably forgot. Okay, call you back.”

Sounds like Ezra. Ezra always was an…odd duck. You remember him visiting from time to time when you were a kid, and he and your dad would spend a lot of time locked in the garage together. It wasn’t until much later that you realized they were smoking weed. 

Ezra’s not your uncle, not really. It’s just what he calls himself. He’s your dad’s old coworker turned weed dealer turned buddy. Probably still sells your dad weed, though. Ezra also used to sell your dad quarter sticks of dynamite for the Fourth of July, and both of them made you promise not to tell anyone about that.

  Ezra was always a comforting, if somewhat peculiar, presence in your life. He called himself your guardian angel and texted you from an unknown number - he never has the same phone number whenever he texts you - on your twenty-first birthday, promising that one day soon he’d take you out for a beer. 

Your dad calls you back. “Hey.”

“Hey,” you greet him back. 

Your dad cuts right to the chase. He tells you that Uncle Ezra is on his way, that he has your location and he’ll come pick you up in thirty minutes. Worry about towing your car later, et cetera. 

“Okay. Love you. I’ll see you when I see you.”

“Love you too, honey. Be safe.”

-

‘On his way’ your ass. True to Uncle Ezra’s style, he doesn’t show up until nearly two and a half hours later. It’s just like that time he told you he’d pick you up from something at eleven and didn’t show up until the clock said 11:47. ‘Yeah,” he said, ‘Clock still says eleven, don’t it?’  He pulls up next to your car in a beat up old Kia van, the same Kia he’s been driving for years. 

Ezra hops out of his car, clad in snow boots, plaid pajama bottoms, a Carhartt jacket, and a fleece trapper hat. He stomps through the snow and opens your door, then ushers you into his van. “I apologize for the delay. Wasn’t expectin’ to be assigned a rescue mission,” he shouts at you. You’re not sure why he’s yelling. 

You watch Ezra grab your prepared food and the duffel from the back of your car, his ass crack visible through his falling pants. Ezra tosses it all haphazardly in his before getting back into the driver’s seat. He’s covered in snow, stomping off the flakes before looking over at you. With his dark brown eyes narrowed in your direction, he scans you up and down. “What on God’s green earth is the matter with you? You intended to traverse without the proper coverage?” 

“Excuse me?”

It takes your brain double the time to process Ezra’s words. You forgot about the unique way he speaks, his very particular vocabulary. You wonder where he picked up that way of speaking.

Ezra gestures to your torso. Oh, you think. Right. You’re just wearing a hoodie. You suppose it could have been a problem, had your car’s heat gone out.  

“Jacket,” he chastises you. 

“Yeah, no. I got it.”

“Then where is it?”

“No- like, I understood what you-” Ezra stares at you expectantly, with raised eyebrows. “Never mind.”

Ezra shakes his head in disappointment, then puts his foot on the brake of his Kia and pulls it into drive. “My domicile will have to do for you tonight, birdie. If you are amenable to it, of course.” 

“Mhm,” you hum. “Works for me.”

-

It takes Ezra about forty-five minutes to drive back to his house, which is located behind a water tower and a church off of a highway exit. It’s in a secluded area, thick with trees, the snow much heavier on the unplowed roads over here. Ezra pulls into his driveway, then opens the garage via a remote control attached to his sun visor. He gets out of his seat first, then rounds the front of his van and opens your door. “Hold onto me,” he tells you, holding out his arm. “You’re liable to slip and fall on these slick grounds.” 

You take hold of Ezra’s sleeve, and he carefully helps you out of the van and ushers you inside his house. “Get settled in. I shall retrieve your belongings and return to you post haste.”

You toe off your shoes and leave them on Ezra’s doormat, then begin strolling through his home, perusing through his belongings. His home is cluttered yet clean; lava lamps left on, paintings of St. Francis and St. Gertrude on the walls in his game room, which has floor to ceiling bookshelves full of board games and Dungeons & Dragons paraphernalia. A Halloween bucket full of month-old candy on the table. The house smells strongly of incense, and when you turn the corner and enter the living room you see that Ezra’s left his fireplace lit. 

“Awh shit, must’ve slipped my mind,” Ezra says, noticing the same thing you do. He’s got your duffel bag on his back and the Pyrex pans in his arms. He sets all items down, then goes back into his garage without a word. A few minutes pass and you’re left confused by his absence, so you follow him. 

“Uncle Ezra?”

Ezra’s at his workbench, the warm flicker of a flame illuminating his handsome features as he lights a joint. He blows out the smoke, then smiles at you. “Joinin’ me?”

“Uhhh…”

“C’mon,” he urges. “It’s the holidays.” 

You join Ezra at his workbench, still unsure if you want to partake yet. While Ezra smokes, you study his workbench. There’s not one tool in sight, but there’s lucky bingo trolls, little Buddha statues, snow globes, and other little tchotchkes sitting on the bench. It’s lit by old, dim, rainbow Christmas lights, and little ornaments hang from the wire. You touch an ornament depicting John McClane from Die Hard in when he’s in the air vent, turning it side to side as you inspect it. 

“Yippee ki-yay, motherfucker,” Ezra croaks out with a smile then coughs. He offers you his joint. “Let’s have ourselves a merry little Christmas, now.” 

“It’s Thanksgiving, Ez.” 

Ezra’s brows knit together, “What’d I say?”

“Christmas.”

“Oh.”

Ezra’s still confused as he puts the pieces together, and then he realizes you’re correct. “I suppose you’re right, little bird. In any case, s’a reason to celebrate with a little green, no?”

“I’m not sure Thanksgiving is the weed-smoking holiday.” 

“Oh, but it is indeed, little bird. C’mere.” Ezra takes a pull from the joint held between his middle and forefingers, then, still holding the joint, puts both hands on your cheeks and pulls you close, pressing his lips against yours. He blows the smoke into your mouth, “Attagirl,” he says, his lips curled in a wry smile that makes your stomach churn and your heart flutter. You cough a bit, turning away from him to hide your flustered expression. Ezra pats you on the back. “You’re alright. You got it.” 

He pulls off his trapper hat then, setting it on the workbench. His black hair all messy, and he’s gotten grayer since you’ve seen him last, but that little white streak is still prominent as ever. “Let’s get you somethin’ to eat. Betcha need somethin’ in ya,” he says. 

Ezra ushers you inside, then sits you down on a barstool at the kitchen counter window. He opens his once white but yellowing-with-age refrigerator, scratching the back of his head as he examines his lack of contents in it. “I got…uh…” he trails off, bending his upper half to look through condiments and cans of ginger ale. “Wasn’t expectin’ company.” He opens a box of take-out, takes a whiff, and recoils. “Christ almighty,” he exclaims, “Don’t even wanna know what that most unholy concoction is.” then throws the box away. 

You have to laugh. Ezra is as Ezra as ever. Charming, bizarre, endearing, confusing. He’s never had his shit together, not once. You slide out of your barstool, then head into the kitchen to join him. You nudge him to the side, then pull out your Pyrex pans of Thanksgiving sides from his refrigerator. He’s got an R2-D2 magnet holding up a paper full of logins and passwords on it. ‘ezralikesballs’ is his WiFi password, apparently. 

Ezra smirks at you, tapping his index finger against his temple. “Smart girl,” he says, watching as you start pressing buttons on his oven. “Hold it right there–” Ezra pushes you out of the way and opens the oven door, pulling out various Halloween decorations, all of them plastic, before allowing you to preheat his oven. “Didn’t have a proper place to store ‘em.” 

Jesus fucking Christ. How this man made it past forty years is beyond you. You preheat Ezra’s oven, then sit back down at the barstool as you wait for it to heat up. Ezra pours you a glass of ginger ale, and you spend the time until your food is warmed talking. 

Ezra doesn’t have oven mitts or potholders, so you have to pull your pans out with kitchen towels. You carefully pull off the foil, and Ezra’s standing beside you with plates and forks, ready to serve you both. 

“Goddamn,” he marvels, salivating at the sight of the food you prepared. “You made all of this?”

“I did, yeah,” you reply, smiling shyly. 

“Beautiful. Jus’ beautiful.” Ezra serves himself first, a generous helping of both the sweet potatoes and broccoli casserole. He opens a cabinet and pulls out a can of Ocean Spray jellied cranberry sauce, “Knew this’d come in handy. Never hurts to have a can of this stuff for emergencies,” Ezra tells you, waving the can in your direction. He serves you next, then opens the cranberry sauce and puts a bit of it on both of your plates. You avert your eyes from the expiration date on the can. You don’t wanna know.

With a nod of his head, Ezra tells you to go sit in his living room. He pushes an ottoman in your direction with his foot, then sits down on his sofa. He pats the spot next to himself, “C’mere, sweetheart. Uncle Ezra missed his birdie.” You sit next to Ezra, who then turns on his TV. He puts on the Thanksgiving classic, Planes, Trains, and Automobiles, which is also one of his favorite movies. “‘Tis the season.” 

-

Ezra nudges you and leans down to whisper in your ear, “Wake up, sleepyhead. The hour’s come for us to adjourn to my quarters,” he drawls. 

“Hm?”

You hadn’t even realized you were asleep, and asleep on Ezra’s shoulder at that. In your head, you thought you could still hear the movie, that you were following along to it. You’re surprised to see Steve Martin cursing out the airport attendant on Ezra’s TV. 

“Bedtime,” he says. “Upstairs.” 

“Oh. That’s okay, Uncle Ezra. I’m fine right here.” 

“On the sofa?”

“Yeah.” 

“No.”

You turn your head to face Ezra better, stunned. “No?”

“This couch is Hans’ domain. Best not to provoke the fella. Don’t feel like settin’ him off tonight.” 

Hans is Ezra’s cat that you’ve rarely ever seen, but have often felt when his feather-duster tail brushes your foot, heard him when he hisses at you before skittering off into a dark corner. He has to be in his twenties at this point, an Eldritch creature. Hans was ancient when Ezra found him palling around with a raccoon by his garbage, and that was years ago. Ezra’s always spoken about him like Hans is an abusive husband, that one wrong move could result in a reckoning most unpleasant. You’re glad to know the beast is well. 

Ezra stands up first, then stretches backward, exposing his soft, pillowy tummy and happy trail to you. He smirks when he catches you looking. “Your turn, birdie. Up you go.” Ezra bends forward and takes hold of both of your hands, then guides you upstairs and into his bedroom. 

You enter the dark room first, Ezra right behind you with his hand on the small of your back. He turns the lights on and his bed is neatly made with the scratchiest flannel sheets that have to be well over decades old, knit afghans that are even older and have absolutely seen better days. Ezra peels off his clothes, tossing them into a laundry basket on the floor. Clad in nothing but boxers, Ezra gets into his bed. 

God, it is sweltering. Ezra’s house is warm to begin with, but does not heat efficiently at all. You excuse yourself to go to the bathroom and change, pulling out from your duffel only an oversized t-shirt. You’ll just be strategic, so as not to flash Ezra. 

You return to Ezra’s bedroom, and he looks halfway asleep already. “Do Uncle Ezra a kindness, darlin’, and hit the lights for me.” Ezra makes a lazy gesture toward the light switch by the door. 

You turn off the light, and darkness consumes the small bedroom until Ezra turns on his small CRT-TV, Die Hard playing and already halfway through. Another one of Ezra’s favorite films, as evidenced by the name he gave his cat and the little ornament in the garage. You’re not much of a sleep-with-the-TV-on person, but Ezra’s blackout blinds kind of freak you out so it’s nice to have that light. Plus, the volume is low enough. It’s been a long, long day. It weirds you out a little to sleep next to Ezra, but you know that while he’s a strange and bizarre man, he’s ultimately harmless. You slide into bed, exhausted to the point that you’re not even bothered by Ezra’s rock-hard mattress or the scratchiness of his sheets and blankets. The minute your head hits the pillow, you’re asleep. 

-

You wake up in Ezra’s bedroom to that suffocating, smothering heat, the hot air so thick that it burns your nose and your throat. God, how does he sleep this way? His flannel sheets under your body are also warm, and Ezra’s insulating all that heat with his own body. Ezra’s cuddling you tightly, and you’re not sure when that happened, not sure whether he initiated it or if you did. Despite the heat, you don’t entirely mind when he snuggles you closer, curling himself around your body. Nuzzling the back of your neck, strong arms wrapped tightly around you. 

Until you do mind. 

He groans when he presses himself tightly against your frame, his hard cock against your ass as he ruts his hips into you. 

“Uncle Ezra,” you whisper, scooting your body in the opposite direction. In Ezra’s unconscious state, he pulls you back against his body, now fully grinding his hard bulge into your backside with a rhythmic tilting of his hips. “Ezra,” you hiss, voice firmer.

“Wha…” he mumbles, voice thick with sleep, his words slow and slurred. His brow pinched together and his eyes are squeezed shut to block out bluish light from his TV. “What’s ‘a matter?”

“You- your-” You swallow, trying to summon the words. 

“What’s that? You’re havin’ a nightmare of sorts? C’mere, sweet birdie. Go back to sleep. I gotcha.” Ezra presses a kiss against the back of your head.

“N-no, fuck. Ezra-” You wiggle out from Ezra’s hold, then flip over onto your back. 

The loss of your warm body against his cock, that’s when it all clicks for Ezra. “Ohhhh, I get it,” he murmurs, chuckling. “I understand perfectly well.”

“Yeah…”

“I do apologize, little bird,” Ezra says in a raspy, low voice. He reaches for your cheek and drags his pointer finger up and down the soft skin there. “The bastard’s got a mind of his own, doesn’t he?”

Jesus Christ, he’s so fucking weird. He? Ezra’s given his cock pronouns?

“S’alright, go on back to sleep, now.” 

This has to be a nightmare. Or something in between a nightmare and a wet dream. You’ve had those before, anyway. You drift off to sleep once more, then awake again to Ezra’s bulge against you. This time, you feel more of him. His underwear is off, and he’s rubbing the head of his cock against your pussy. “Ezra!”

“What’s troublin’ ya now, birdie, tell me.” 

“You…fuck.”

Fuck, it’s wrong. It’s so wrong and you know it. But goddamn, if his cock isn’t thick. Ezra keeps rocking his hips, grunting softly in your ear as he rubs his hard length against your pussy, arousal dampening the cotton of your underwear. 

“I do apologize for wakin’ ya with my member, but he’s got a titan’s girth, birdie. What’s a man to do?”

Titan’s girth…what the fuck. You don’t even know where to begin deciphering that statement. Right now, the only thing on your mind is fighting the growing heat, that sticky feeling building deep in your belly as Ezra continues to grind against you. His little noises of pleasure aren’t helping in the slightest. 

“Let’s get you outta these,” Ezra huffs rather impatiently, hooking his fingers into the waistband of your panties, then pulls them down with a practiced ease. He tilts your ass, “Yeah, lay like that. You won’t even know he’s there,” he whispers, then slots his length between your lips, coating himself in your arousal as he moves his hips. “Don’t pay him any mind, birdie.”

“Ez- oh, fuck–” you gasp when the thick head of his cock catches against your clit, sparking a pleasure even more intense. “We - you can’t.”

“Oh, I know, angel. He just needs to feel ya a bit, that’s all. Not gonna feel any sort ‘a - fuck–” Ezra notches his tip inside you, only temporarily as he continues rutting, “Any intrusion of any sort.” 

“O-okay.” 

Ezra snakes a hand under your shirt and paws at your breasts, squeezing the soft flesh in such a manner so as not to be too harsh, but god, he could tear you apart. Ever the gentleman, he holds back, teasing your nipples with his fingers instead. You moan a little louder, a little more sweetly when he does that to you. 

It’s an excruciating tease - long, arduous, excruciating. Ezra needs more from you. He could get himself off just like this, fucking your slick folds and no more, but Ezra’s really not one to deprive himself. He’s always been a bit of a libertine in that regard, believing that pleasure’s good for the heart, good for the soul, too. He can’t stave off his hedonistic tendencies much longer, “Ohh, Christ. You feel how fuckin’ hard he is? He needs ya somethin’ fierce, birdie. Needs to be inside that sweet cunt of yours.”

“Ezra…”

“Why don’t you let him in, sweetheart? You need it too, I know you do.”

“We really shouldn’t, Ezra.”

“Says who, sweetheart? Ah–” Ezra notches his tip inside you fully, inching inside you little by little, “You cure what ails him, little bird. Be a lamb, now.” Ezra pushes inside you in one full thrust, burying himself down to the hilt. Ezra did get you sufficiently wet, but it’s still, still such a stretch. You wince in pain, and Ezra covers your mouth to quiet your cry. “You’ll get used to him. Relax, angel. M’gonna have him take good care of ya.” 

With that, Ezra builds a slow pace at first. Just steadily moving in and out of you, his short term goal only to get you used to the thickness of his member. “Ezra,” you sigh. 

“You take him beautifully, birdie. Beautifully,” Ezra says, now drawing in and out of you at a faster pace. “Look how happy he is inside a’ ya. You’re soakin’ the fella.”

Ezra moves fluidly, thrusting in and out of you as he breathes heavily in your ear, whispering swears you’ve only rarely heard him speak. This angle in particular has Ezra hitting that most special place inside of you as that hot, fiery pleasure inside you intensifies tenfold. 

He’s sweaty and warm against you, his body slick with sweat. You clutch his forearm as he fucks you, rocking your hips to match his thrusts. He feels so fucking good, good enough to scramble every thought in your brain. His cock is so long and thick and curved at just the perfect angle. 

Ezra wriggles his arm down the front of you, fingers immediately finding your clit. You gasp when he touches it, rubbing perfect, practiced circles into the sensitive bud. “Oh fuck, Ezra.” 

“Yeah, she likes that, doesn't she, birdie? Don’t take much at all.” Ezra smiles behind you, then presses a kiss against your cheek. He breathes you in as he fucks you, rubbing your clit with precision to bring you to the edge. Within seconds, you’re whimpering, thighs twitching against his large, masculine hand. “Let go,” he grunts. “Come all over him.” 

With his ministrations, his cock fucking you perfectly, you come with a loud symphony of moans, a mixture of swears and Ezra’s own name. Your pulsing cunt coaxes Ezra’s own orgasm along, walls squeezing around him as he paints your insides with so, so much come. A truly astounding amount of come. 

“Ohhh, he needed that,” Ezra groans, pulling out of you with no regard for his spend that spills out of you and onto his flannel sheets. “Thanks for humorin’ him, birdie. Go on and get some sleep now.”

If you enjoyed, please please please reblog with some kind thoughts or send me an ask!! Your feedback means the world to me and keeps me motivated to write, and goes so far in making this blog feel like a community 🩷

[housecow]

of course i’m fat. not a lot of people are lucky enough to feel this way about food—having a constant, lurking urge to eat until you get to the point you physically cannot fit anymore is not normal.

but god, it’s wonderful. it’s so easy to lose yourself in a 3lb tin of chocolate coins. they were a gift because of some sale at costco and you know they’re supposed to last a long time but they’re just so… satisfying.

unwrapping each one becomes a game: two pieces of gold foil balled up and hidden in the pull out drawer of the bedside table. then, i slip the piece of chocolate in my mouth. it’s cheap kind of chocolate but that doesn’t stop my enjoyment. because after this one, i know there’s another waiting. and then another. and then another. the pile of gold foil takes up most of the space in the drawer.

that was the first time i ever got over full without even meaning to. the book was too good, i was too focused on the words to notice just how much of the candy i’d consumed, and it was just too easy.

so that’s what started it all, the first time is hard to forget. you’re full and aching but your mind still craves that feeling. the sugar and the motion of eating that just became so familiar. it takes a week after all 3lbs are gone to stop the craving, but by then you already know that if you just have one more bag of chocolates it’s going to feel so, so good…

i chased that feeling. my natural state was constant distraction, constant food, and nothing else. netflix was always playing in the background, my 3ds had animal crossing new leaf loaded with 300 hours already logged, and a radio was constantly going. and the snacks never stopped. one pack of oreos, the empty container stashed in a dresser afterwards. a bag of doritos, a box of brownie bites, a tray of tres leches meant to feed 10 people. apple turnovers warmed until they were gooey. so much cake—knowing that decadence was less than $10 away made getting over 200lbs incredibly easy.

the cravings drove everything. is it really my fault i ended up this heavy? i shouldn’t feel this way about food. i shouldn’t want to feel myself get heavier, getting out of breath struggling to walk up a hill shouldn’t make me wet. my belly inching closer to the steering wheel should be terrifying, being that close to losing independence shouldn’t be motivating me to eat. but it does and my 290lb body shows the proof, because who could resist that?

why would i resist that? people hate themselves for this. the more i eat, the more i love it all. the more i can’t stop. it’s just a matter of time before someone takes advantage of this—i was made to eat and everybody knows.

[erose-this-name]

Kabru is such a brilliantly written character, one of the best in Dungeon Meshi (which is a high bar as it is, most of the main cast are similarly genius). 

His thing is that he is very friendly and nice confident and maxed out his charisma stat, but is also kinda ambitious and manipulative. But not in an overtly malicious way. Which kinda scares me.

The most impressive thing about him, writing wise, is that it’s all show-don’t-tell. He very frequently uses his charm and empathy and understanding of how people think in really clever ways.

We’re often walked through his thought process of how he does these social deductions. We’re never told he’s scarily charismatic, besides other characters reacting to him being scarily charismatic.

Kabru is a natural-born leader and social engineer with superlative skills in both, which makes him the perfect foil for Laios, who’s too autistic and unambitious that he’s not even the de facto leader of his own party that he’s the official leader of. He’s so bad at leadership that his party just, sort of, doesn’t have a leader. They just kinda argue and do stuff.

What’s also neat, and perfectly inline with Meshi’s general theme of clever and logical subversions of fantasy tropes, is that Kabru’s character design in no way clues us in on this fundamental character trait of his.

He’s sort of a human fighter / knight archetype, which in the language of fantasy RPGs is a class most would associate with being a white bread jock, chivalrousness optional.

(Laios subverts the same trope in the same way. It’s really funny that the walking exposition dump of the group looks like the character creator default preset spec’d as the most generic class available.)

If Kabru was a bard or noble and Laios a wizard, their character traits would be far less interesting

Even better is that we would expect someone who looks like Laios to have Kabru’s personality, and vice versa. Their character designs are flipped; the confident super charismatic leader is a short wide-eyed twink, while the slightly naive and very autistic monster enthusiast is a tall conventionally attractive Aryan lookin’ mf.

(see what I mean by Kabru being such a good foil for Laios?? No wonder everyone ships them, they’re perfect for each other!)

Yet, their designs also work for them. Kabru just has a face that’s easy to talk to, his piercing blue eyes and curly hair gives him a false sense of naïveté, while his iconic 👁️👁️ expression hints that there’s actually quite a bit going on inside his head. Meanwhile, Laios believably looks like someone who doesn’t know what hair conditioner is. His armor’s collar gorget thing is also pretty dorky.

You can’t trust people like that (I mean overly charismatic people with a manipulative streak, not blue-eyed twinks) because you can’t know what their real motives are. You can’t know they aren’t pretending, you can’t know they aren’t trying to or haven’t already manipulated you. How could you? When he has so much more social intelligence than you do, average socially awkward Tumblr user? He’s touched all the grass!

In episode 16 (spoilers, btw) Kabru finally meets Laios’s party, who he’s been trying to find and fight for the better part of the season, and he just decides that no confrontation is necessary. Like, immediately upon meeting the guy. Just from how Laios looked at him. He figures that since Laios didn’t seem to recognize him, they either have never met meaning he has the wrong guy, or Laios forgot meaning he didn’t think it’d be a big deal, meaning the treasure was a trap or something. Which is pretty in line with Kabru’s established ability to always roll nat 20s for every charisma and deductive reasoning check, so cool.

But he doesn’t even seem curious about which of those cases is true. (He might be interested to find out some of the treasure wasn’t dangerous, but accidentally got thrown off a bridge). Much to Rin’s dismay, he’d rather just not bring it up because that could upset the leader of the party he might be working with for the foreseeable future.

Actions speak louder than words. So, all we really learn in this scene is that Kabru’s goals and M.O. can change on a dime, and that he values reputation and political capital more than money and vengeance. More than his own party’s desire for those things. Not only is he someone with a silver tongue, but he knows its value and is determined to use it at every opportunity.

Kabru and his party might not be very good at fighting or surviving in the dungeon, in fact their frequent TPKs are a running gag. But, he also doesn’t need to be when he can just manipulate Laios’ and Shuro’s much more proficient parties into helping him.

So far, Kabru seems like the most likely one to become king of the dungeon or whatever the mcguffin is. He is the only protagonist so far who has said that’s an actual goal of his. He’s said that he doesn’t think someone like Laios who isn’t a born leader should get it.

In fact, Kabru seems to have very strong opinions on what kinds of people should be allowed to adventure in the dungeon, evidenced by the fact that he murdered an entire party over it, justified or not. Kabru seems to think that Kabru is such a leader, and he’s probably right about that, but what kind of leader? 

What would Kabru do with that kind of power if he gets it? Because I’m not sure. All I know is that he is the kind of person with the ability to use real political power to its full potential. For good, or for very, very bad.

I’m not saying that Kabru is evil or that he’s secretly gonna be the surprise villain. I dunno, I haven’t read the manga. He could just be a nice guy that’s just, like, is like that. Everything he’s done could be justified by the explanations he’s given. He actually reminds me a lot of one of my IRL friends, and I’d trust him with my life.

But, I can’t help but feel a distinct sense of unease whenever he’s on-screen. I try not to trust confident natural-born leaders like him right out of the gate. I don’t like that our instinct as humans is to blindly follow them without thinking about it.

Tyrants and psychopaths also use confidence and charm and a friendly demeanor to make people think they’re a good guy, while manipulating everyone into thinking their self-serving actions are altruistic. Benevolent, confident, skilled leaders do exist. But there exists many more snakes wearing their skin. Wolves rarely bother with sheep’s clothing, they dress as shepherds and sheepdogs.

Anyway, my point is that I think it’s kinda neat that it’s possible to overthink this much about a character whose probably just a nice guy that is the mirror opposite of an autistic person. Writing that kind of ambiguity is hard, and employing it in this way is inspired.

[yandere-daydreams]

Title: Final Girl.

Pairing: Yandere!Chrollo x Reader (HxH).

Word Count: 1.4k.

TW: 'Girl' Is In The Title But Reader Is Gender Neutral, Death and Blood, Mentions of Guns, Manipulation, Implied Kidnapping, and Spoilers for the Ninteenth-Century Novel Dracula.

The night you met him was, by no coincidence, also the night you learned what it meant to feel your blood run cold.

‘Met’ might’ve been an exaggeration. You didn’t meet him so much as you stood still and stared at him – lumbering down the hallway, clutching a gore-splattered butcher's knife, his suit disheveled and stained with a dark, blotting substance you couldn’t bring yourself to put a name to, in your fear-induced paralysis. With the manor's high ceilings and dim lighting, he seemed impossibly tall, his black eyes blank and terrible, his smile manic in a way that sent a chill up your spine, that left you frozen where you stood and unable to run as he came to stand in front of you, as he raised a hand and—

And pointed to the book tucked under your arm, a yellowed paperback beaten to hell and back from weeks of loving abuse. You’d spent hours wondering if you should bring it with you, if there was anyone else on the face of the planet who’d be stupid enough to bring a book to a mascarade ball, but you figured you’d have to step out for a breath of fresh air at some point, tonight, and phones weren’t really an option at this kind of thing. Looking back on it, you struggled to remember why you’d spent so much time agonizing over something so inconsequential, especially when whoever found your body likely wouldn’t pay it a second glance. “Is that—” He started, pausing to wet his lips before correcting himself. “Is that Bram Stoker’s Dracula?”

You blinked several times, shifting your weight. “It is,” you managed, eventually, just before the point of no return. “I… I’m only a few chapters in, though. They’re only on the second blood transfusion.”

His smile widened. “I’m reading it for the second time, now. That’s one of the best passages - you can practically feel the dread mounting in the prose.” While he spoke, you stole another glance at his attire. With your shock beginning to fade and your nerves given a few seconds to cool, you could see that he clearly hadn’t just walked out of a crime scene. His clothes were wrinkled, but not torn, not displaced the way they would’ve been if he’d been in a real fight, and he was covered in a cartoonish amount of (presumably fake) blood. He couldn’t have meant for it to be realistic, not unless you were supposed to believe he’d bled twenty people dry on his own.

He must’ve noticed you staring. His rambling trailed off into an airy chuckle, his free hand drifting to his blood-soaked shirt. “I’m afraid I might’ve misread my invitation,” he admitted, with a slight shrug. You were almost in awe of his nonchalance. Showing up to a masquerade ball in a costume fit for a b-rated haunted house would’ve left you catatonic for… god, the rest of the year, at least. “That’s how I found my way back here, actually. You can understand why I wouldn’t want to stay in the ballroom for very long, considering I’m dressed for a very different party.”

“No, no, that makes a lot of sense! I mean, a costume party would be more in-season.” You felt like an idiot. You could only hope you hadn’t looked as scared as you felt. “Honestly, I’m just surprised they let you in with a prop.”

He glanced to his ‘knife’, too, as if he’d forgotten he was holding it. “Oh, this little thing?” He took the blade in his free hand, bending it downward. Unceremoniously, it snapped into two pieces as easily as if it’d been made of little more than tin foil and plastic - which, to be fair, it probably was. “Most people struggle to see me as a threat, for whatever reason.”

“The doormen probably just felt bad for the strange man who showed up to a charity gala covered in blood.” You spared a small smile, then genuinely brightened, taking up your novel and fishing out the spare mask you’d shoved between the pages while you were getting ready. He should’ve counted himself lucky that you could never be bothered to find a real bookmark. “Mine came in a set of two,” you explained, signaling for him to bend down. A little too easily, he obeyed, stooping just low enough for you to work your spare mask over his head. It was cheaper than anything you would usually like to show off – the base simple black cloth, the embroidery meaninglessly gaudy, the main body kept in place by little more than a simple white ribbon that never seemed to sit just right, but he accepted your offering with a grateful hum. “It’s not much, but—” You paused, buttoning his suit jacket, doing your best to make it look a little less like he’d just walked out of a bad slasher movie and a little more like a tragically color-blind, but ultimately well-dressed party-goer. “It should get you through the door.”

He straightened his back, and you thought you might’ve seen something spark in his dark eyes. Then again, it could’ve just been the moonlight. “I don’t think I ever got your name.”

Oh, right – that was something most people did before offering to fix a stranger’s clothes, wasn’t it? You rushed to introduce yourself, and he did the same. “Chrollo Lucilfer.” And then, offering you his hand, “Perhaps I’d be more warmly received with a plus one?”

As hesitant as you were to slip back into the ballroom on the arm of a disheveled stranger who’d already made an impression of his own, it would’ve broken your heart to turn him down. That, and you might’ve had a weakness for disheveled strangers who fell on the more handsome side of the spectrum.

You laughed as you threaded your arm through his, letting Chrollo guide you back to the main event. A second passed with only the sound of your footsteps and distance music to fill the quiet, then another. Eventually, you broke the silence. “It’s very well-written,” you started, trying to fight the urge to fidget. “But… I don’t think I’m the right audience. I care too much about Lucy. Seeing her go through so much and knowing she’s not going to make it is just—” You sighed, shook your head. “It’s agony. Especially when the villain is literally in the title. I mean, I know the characters don’t know that, but still.”

“The benefit of a voyeur's perspective.” For all his glowing praise, he didn’t seem very offended. “I think the dramatic irony is part of the appeal. By the time the tension breaks, it’s nearly too painful to keep going.”

“Which is exactly why it hurts to read,” you groaned, slumping into his side. “I get why it’s happening, but I just can’t stand spending so long on the build-up knowing how it’s going to end. It probably doesn’t help that Lucy’s one of my favorites, either. Well, aside from Mina, but it wouldn’t be fair to compare her to the author’s self-insert.”

The two of you came to a pair of rounded oak doors. There’d been a pair of attendants stationed outside when you left, but Chrollo didn’t seem to mind shouldering it open himself, ushering you inside with a smile and an idle gesture. You took a second to steel your nerves, still not entirely prepared to throw yourself into a very crowded room filled with very loud music and very eager socialites, then crossed the threshold, coming face to face with—

Carnage. Pure, unadulterated carnage.

There were bodies everywhere, each corpse mangled and bruised and broken in every possible way. Dark blood and broken glass covered the formerly pristine ivory floor, and the walls were painted with the remnants of gunfire. A few people were still standing – the murderers, you figured, judging by the blood on their outlandish clothes, the weapons in their hands, the indifferent agitation written across their expressions as you stared at them in horror, as your heart threatened to give out for the second time that night. The tallest man you’d ever seen pointed a hand-held machine gun in your direction, but Chrollo found his way back to your side, resting a hand on your shoulder as he spoke. “Hold your fire,” he said, casually, as if you weren’t standing at the edge of a bloodbath. As if he’d known what he was leading you into. “I think I’m going to keep this one.”

You didn’t say anything. You couldn’t speak. You couldn’t move. You couldn’t breathe. The air hitched in your throat as he brought a hand up to your chin, tilting your head back and forcing you to meet his unblinking stare. You’d been right the first time. There was never anything his eyes could’ve been but terrible. “I always did like Mina.”

There was never anything he could’ve been but a monster, prowling for his next kill.

“I guess I just have a soft spot for survivors.”

[wibben]

Pocky Day

----------------------------------------------------------

“Nanami! Check it out!”

The seasons had shifted almost without notice, and here you were, wrapped in the early chill of November, wrestling with your plastic convenience store bags and the loose sleeves of a coat that was not your own. The holidays were near; work was easing up, and curses seemed to fade with the colder air, which meant more free time. And you had resolved to spend it cracking the nut that was Nanami Kento.

Could you call him a friend now? Probably, you thought, if friendship included routine cups of coffee that tasted exactly as you liked, courtesy of him memorizing your order, and favorite sandwiches he only accepted from you because “the shop near your apartment makes them best.” The small gestures stacked up, predictable and warm.

As the two of you strolled down the Tokyo streets you stopped, shuffling crinkling bags with blunt mittened hands, delving into the pockets where you stashed your prize – aha!

You held up the carton between you, grinning through a nose gone red from the chill. “Did you know it’s Pocky Day?”

Cute, Kento thought, immediately charmed by the small, proud smile you wore. He shifted his glasses up his nose, a well-practiced excuse for a moment’s reprieve, hoping the sudden warmth in his face would pass.

“Is that a holiday?” he asked, careful to keep his voice steady as he looked down at the snack pack offered in your hand.

“Sort of,” you replied, your smile widening. “It’s today – eleven-eleven, you know? Looks like the sticks.”

He reached for the box, if only to indulge in the blanketing contentment of his fingertips brushing over the wool of your mittens. The softness of it, the small closeness, was something he never quite allowed himself to savor – yet there you were, none the wiser to his plight.

“Hm. I see.” He raised an eyebrow. “Sounds like another capitalist holiday to me.”

“No no, this ones different! They’re cheap today and it’s fun—”

“Yes, cheap. To make you buy it. Like every other capitalist holiday.”

You shot him a look, glaring padded daggers into the back of his blonde head and hurried to catch up as he started walking again, huffing dramatically. “You’re no fun sometimes. Where’s your whimsy?”

Kento’s smile softened as he turned away, letting himself indulge for a second in the fondness that always crept up around you. Very cute, he thought again, and not for the first time. He tore open the cardboard carton with a deft press of his thumb against the perforation and peeled open the foil pack inside, passing it sidelong back to you to accept into your uselessly mitted palms.

You shuffled the box, jostling a single stick upward to pluck out with your teeth, then held the box out to him with a silent offer and a toothy smile. Kento accepted one with a quiet nod.

He twizzled the chocolate-free end between his thumb and forefinger, taking small contemplative bites as you both walked.

“There’s supposed to be a thing you do with it, too,” you said after a pause, feeling stinging warmth creep up to your cheeks. “Like… you know. With a pocky stick. People eat it from both ends.”

You kept your tone light, as casual as you could, but your heart was louder in your ears than you’d like, beating with all the wild things you wanted but couldn’t bring yourself to ask for as you tested the waters. God you wish he would bite. How might his breath feel, warm and humid, on your chilly and frost-nipped face? Watching those eyes that always looked so sharp get closer and closer to your own, watching them soften, feeling the snap of the pocky stick as it broke bit by bit into his mouth until his lips met yours—

Kento’s eyebrow quirked just so, his gaze flicking from the pocky in his hand to you. You can’t just say things like that, he bemoaned, feeling your words strike sharp and deep. Because if he had it his way, he’d stop you, right here on the sidewalk, reel you in close until he could feel the warmth of your breath mingling with his. He’d cradle your chilled face between his palms, brush away that tempting smear of chocolate on the corner of your mouth with his thumb – and then, finally, he’d kiss you, no hesitation, no half-measures, just the taste of you against his lips, snack be damned as he’d been tempted to do for months.

And for a moment he considered it. He considered it, because when the silence stretched and he looked at you just a little too long you turned to look at him too. 

Too obvious, you internally wailed.

She didn’t mean it like that, he doused himself.

And so Kento shrugged, keeping his response as carefully noncommittal as he always did. “What an inefficient way to share.” 

He wanted to smack himself.

Your heart dipped a little at the careful, too-neutral tone in his voice. “Right. Silly,” you said, laughing it off, but your voice was a shade softer than it had been.

And as if some twist of fate wanted to rub salt in the wound, a couple ambled past, laughing as they attempted that very thing. They were awkward, leaning in close in the fogging vapor of their cloudy breath, their laughter bubbling and sweet as the shared pocky stick disappeared between their lips. 

Your own heart stuttered. You watched them until it felt too voyeuristic to continue, feeling the cold air bite a little harder as you snuck a glance at Kento. His face was unreadable, focused on the path ahead.

The rest of the walk, neither of you brought it up again, and the box was shared between you until it was empty.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+

Another year came and went, swallowed in the rush of work and curses and routines until you’d all but forgotten about Pocky Day – what was the use, anyway? It was a capitalist holiday, as Kento would say. Something trivial and best left unthought of until it came around again. 

So you were taken by surprise to find Kento standing beside your desk that morning, silhouetted in soft strokes of pale yellows and baby blue. He was neat as ever, his coat perfectly buttoned, and as ever, the sight of him sparked something traitorous in the dying twitch in your chest.

You considered your shot to have been well and truly fired – and that was okay. Friendship was fine; you could live with it. You told yourself this every time you had to tame the excited pitter patter of your heart whenever you saw him.

“You’re early today,” you said, surprised but smiling. “You didn’t have to—”

“It’s Pocky Day,” he said simply, holding up a red box as if it was simply a matter of fact, just like picking up coffee… which also sat steaming on the edge of your desk.

“Oh.”

You blinked, caught off guard by the sudden rush of butterflies that exploded in your belly. It doesn’t mean anything, you tempered yourself. “Right! I ah – I forgot! So, I guess… we’re doing this again?”

Kento rumbled and stepped across the room to you when you failed to move closer, offering the box to you as you had once offered it to him. “I thought it might be a nice tradition.”

You took the box from him, fingers brushing without the barrier of gloves, and you felt your soul tremble like the fragile leaves that still stubbornly clung to the trees just outside the large office window. 

You struggled to open the box, sucking in a breath from between your teeth to steady the unfortunate shaking of your fingers. There was an odd intensity to his silence, the way he stared at the box in your hands waiting for you to open it. You felt oddly pressured, and the enormity of the relief you felt from such a diminutive victory when you finally peeled it open was almost enough to shake you to your knees.

Your pulse ratcheted an uneven staccato as you drew out a single stick, offering it to him. “Kento.”

Instead of taking it, he hesitated, his gaze lingering on yours with a weight that made your chest feel heavy. And then, he bowed forward, his eyes never leaving yours, lips parting around the end of the pocky stick in a single, deliberate motion and reeled back with it pinched between his teeth. There was a quiet challenge in the lift of his brow, something vulnerable and daring woven together; an invitation and a question laid bare in his expression, highlighted and punctuated by the slow bleed of red blooming over high cheekbones.

Your pulse roared in your ears, catching you frozen. All you could do was stare, and in that pause, his confidence flickered, just for a second, his steady breaths growing slightly shallower as his eyes flicked between yours. That flutter of panic at his own boldness, like he might’ve misjudged this completely, tightened something inside you, and you couldn’t have that.

Slowly, you leaned in, feeling his breath feather warmly against your cheek. You bit the stick delicately, feeling the faint returning snap of it from the other end. Kento moved closer in response, eyes locked on yours, his gaze unreadable but unmistakably intent, filling you with a fire that licked at your spine. His lips were so close – close enough that you felt every small shift, every inch he dared forward, the space between you shrinking in this mutual game of chicken that neither of you intended to bow from.

You bit again, your noses brushing, hearts racing in the quiet with a fluttering synchronicity that left you dizzy. And then, in the last breath of chocolate between you, his lips met yours, as soft and hesitant as the very first touch of spring. 

For a stunned second, it was pure disbelief: you were kissing Kento. He kissed you. Every ounce of longing and every secret glance you’d ever thieved was suddenly, incredibly, impossibly real, and that realization burst inside you with a giddiness that made your atoms buzz.

The taste of chocolate and mint mingled with something undeniably him, a warmth so complete you felt it seep into your bones. The world outside of your bubble paused, cradling the two of you in a moment that felt so obviously inevitable yet so fragile, like any sudden movement might shatter it. 

You were caught in this vacuum of your own creation. Your eyes fluttered open, unsure whether to savor the kiss fully or to steal glances at him, afraid to miss a single, precious detail. You felt the faintest brush of his eyelashes against your cheek, his breathing soft against your skin. The closeness was overwhelming, yet you hesitated to give in entirely, your lashes fluttered with uncertainty against his cheekbone. You would pull away when he did, because oh, what if somehow you were misreading this? What if you embarrass yourself by lingering too long, what if it’s a misunderstanding, what if, what if, what if—

But Kento felt it too. Not letting you drift into uncertainty, his hand came up, fingers warm as they cradled the back of your head, steadying you as he tilted you just a little closer. The moment didn’t end with the last snap of the pocky, nor with the chocolate gone from both of your lips. His kiss deepened – until it broke. And his eyes opened enough to meet yours as he dipped down for a second time, this time without pretense or excuse – he kissed you because he wanted to and he always did.

Each press of his lips was steady, adoring. He kissed you with the tenderness of someone who wanted to remember every part of this and wanted you to remember it just the same; who wanted to remember the exact shade of your blush, the soft, delighted sigh he felt more than he heard, the way your fingers curled reflexively at his shirt collar as you allowed him to melt every last inch of you.

When he finally pulled away, it was slow, his forehead resting gently against yours as his thumb traced small, bashful circles at the base of your neck. A soothing gesture, whether meant for you or for him it hardly mattered, because you’re both left equally dazed. And the look in his eyes, warm and unguarded, told you he was no more ready to pull away than you were.

After a long moment Kento let out a soft, almost reluctant chuckle, his lips twitching upward in a devastatingly cute way with how the expression shook. He glanced down at the box of pocky hanging limp in his free hand, having been completely forgotten. “There’s… still more in the box,” he said, hushed, like he’s hesitant to push his luck any further than he felt he already had.

Your chest gave a hopeless little squeeze, a nervous giggle of your own bubbling from your throat. “Oh, really?” you teased, your lips curling into a shy smile. “Should we finish it?”

He gave you that look again, the one that always made you swoon – something warm and appreciative, and now you can see it much more clearly: bursting with promise. He raised the box again and offered it to you quietly, “It would be a shame to waste it, I think.”

[heliads]

Can you do Peter Pan x reader OUAT? Peter goes to the modern world with Emma, Snow, David and them as they are looking for someone. He meets this girl and takes an interest to her. He’s never seen someone with facial piercings, and dyed hair before, they come to realize she is the girl they’ve been looking for.

'magic finds magic' - peter pan

masterlist

Peter Pan is leaving Neverland. Worse, he’s leaving Neverland alongside Snow, Emma, David, and Hook. In terms of traveling partners, this has got to be the lowest of the low. However, the sand in Peter’s immortal hourglass is running out, and his first attempt at prolonging his life with the heart of Henry Mills didn’t exactly go according to plan. It’s this or nothing, even though Peter is starting to wonder if it would be better to just die than put up with these people any longer.

Never in his life did Peter Pan think he’d be working with the good guys. But never in his life did Peter think he’d be dying, either. A few compromises will have to be made in the name of preserving Peter’s everlasting life, and if that means he has to put up with some princesses and pirates for a few days, so be it. In no time at all, his immortal life will be restored, and he can go back to Neverland and put all of this behind him. Hopefully.

Peter was supposed to die back on Neverland. He was running out of time, anyway. He had set up the perfect scheme:  kidnap Henry, disorient the boy’s rescuers on his island long enough to win the Heart of the Truest Believer, and cut the organ out of the boy’s chest if necessary. He’d almost gotten away with it, too, except he was foiled at the last minute. Heartbreaking. So unlike him.

For some reason, though, he hadn’t been left to die in the caverns of Skull Rock. Emma and the others had needed him, for some odd reason, and although none of them trust him in the slightest, they do trust Peter’s single-minded selfishness to keep himself alive. So they claim, at least, and so they had gotten a spell to give Peter one more week of life in exchange for help. If this plan works out, Peter will have a way to continue his immortal life without needing to murder Henry. If it doesn’t, or if he betrays them, he’ll die anyway.

He can feel it now, the pang of his close call with death. There’s a pain in his chest that wasn’t there before, a certain weakness in his lungs. Peter gets tired more easily. He feels– well, he feels like Henry and Emma. He feels mortal. Like he could die at any moment.

Peter has, obviously, thought about double-crossing them, maybe even triple-crossing them, but it’s no use. He feels shakily mortal right now, and Peter does not much enjoy the possibility of his own demise. This is the closest he’s ever come to being beaten, and Peter hates the feeling. He’ll have to play along for now, but after that, he will have his revenge.

First, though, Peter has to do what the others want. They’ve been careful to reveal as few details to him as possible, but the idea is solid. There’s a magical person somewhere in the modern world, in a city far from Storybrooke. This person is like the embodiment of a true love’s kiss spell, designed to renew hope in storybook characters through small acts of power that ultimately drive two needed people together. They’re like a guardian angel of those on the brink of destruction, which is exactly what Peter needs right now.

Peter has plenty of time to mull this over. They’ve forced him into a terrible, small room with awful carpets– an apartment, Emma called it– while they talk out what to do with both him and their missing spell-person. Peter is trying to focus, but he’s getting stared at by Henry Mills again, which is absolutely ruining his mood.

“What do you want?” Peter asks, glaring at the boy.

Henry just goggles back at him. “Don’t you feel bad for trying to kill me?”

Peter snorts. “Why would I do that?”

Henry shrugs. “You pretended you were my friend. I know you like the other Lost Boys on your island, I thought you would have felt bad for killing one of them. I guess not.”

“I don’t feel bad about killing someone so I would live,” Peter says, then wonders why he’s arguing with a child. “Go preach your morals to someone who wants to listen.”

“The others are busy,” Henry pouts.

Peter eyes him unhappily. “And what, I’m your best option for polite conversation? You really are desperate, aren’t you?”

Henry rolls his eyes. “I’d say you’re desperate. You’re the one who’s still talking to me.”

Peter can’t really argue with that, so he deftly changes the topic of conversation before Henry starts looking proud of himself again. “Tell me about our target again. You said you saw them before?”

“Only in a dream,” Henry admits, “but it was a clear dream, I swear. I saw a girl who looked about your age. She seemed like any other teenager, but there was something about her that was different. The way she spoke, maybe, or the glint in her eyes. She was magical, I’m sure of it. She can save Storybrooke.”

“And save me,” Peter reminds him. “That’s the important part.”

Henry rolls his eyes again. If he keeps that up, they’re going to get stuck like that forever. “Yes, I know, you’re only interested in keeping yourself alive. So long as it helps us find this girl, though, I don’t care.”

Peter leans forward. “What’s your plan for finding this girl, then? A little scouting party? This city is big. You’ll never find her.”

Henry shakes his head. “Magic has a way of finding magic. Somehow, our paths will cross.”

“That’s a terrible strategy,” Peter grouses. Why is he entrusting his life to this boy again? He remembers something about having no other options, but it doesn’t seem as good an excuse right now.

“Ask the adults, then,” Henry tells him, and gestures towards the miniscule apartment kitchen, where Emma, Snow, Hook, and David are currently huddled around a table, talking in hushed voices about what to do.

Not wanting to mess with the kid anymore, Peter pulls himself to his feet and heads over. “Tell me you have a plan,” he says.

The adults look up at him. “Find the girl,” Hook says shortly. “That’s our plan.”

Peter scoffs. “You could search this city for months and not find her. What if she doesn’t want to be found? If this girl has any brains at all, she’ll know that people will want her magic and she’ll hide. It’s what I would do.”

Emma sighs. “We don’t even know if this girl knows that she has magic. She’s probably just living an ordinary life, and we’re about to drag her out of it with all of our trouble.”

“Don’t tell me you feel bad for her,” Peter scolds her. “You want this, don’t you? So go get it, or I will.”

Snow tries to tell him to calm down, but David, so quick to anger when it comes to Peter, surges out of his chair. “How about you do something helpful and think with us instead of just insulting us?”

“I will do something helpful,” Peter informs him. “I’ll find her first.”

With that, he lunges for the apartment door, and is out of the tiny room and down the hall before they can stop him. Peter hears the thunder of footsteps after him, but he hurries down the stairs and out of the building. He has the advantage of being quick on his feet; if Neverland taught him anything, it’s how to run when you don’t want to be found.

Peter emerges into the bright sunshine of the city and stops dead in his tracks. He’s not used to the modern world, how the knives of its buildings slash up into the sky, how loud it is with those cars and signs and people. Peter swears he can even see metal things in the sky, soaring along predestined paths. It’s all so much compared to the world he used to know. No wonder some of the others had a hard time adjusting. His mortal heart lets out a pang of sympathy.

The door of the apartment building flies open, revealing Emma and the others hot on his trail. Peter curses under his breath and takes off in one direction, hurtling around pedestrians and shooting down the sidewalk. He heads for smaller streets, hoping to lose them in a swarm of alleyways. The others, more used to the terrain of the modern city, are gaining on him, and Peter is just starting to think that he’ll never be able to shake them when someone grabs him and pulls him into a nearby building.

Peter’s first instinct is to defend himself, but when he isn’t attacked, he realizes that the stranger is only trying to help him. There’s a window just to his left, and Peter watches Emma and the others appear seconds after him. They didn’t see him enter the shop, and keep sprinting down the road in the direction they thought he’d gone. Peter waits a few more intense moments, then decides that he’s lost them for good and turns back around to see who’s gone to the trouble of rescuing him.

He’s greeted with the sight of a girl about his age. She’s eyeing him cautiously, although the corners of her lips begin to prick up with a wicked grin. “Sorry for the rough introduction, but you looked like you needed some help,” she tells him.

Peter lets out a short laugh. “I’m glad to be rid of them, that’s for sure.”

The girl arches a brow. “What, did they catch you shoplifting? I’ve never seen people run that fast unless they were getting chased by the cops.”

Peter narrows his eyes, trying to figure out how on earth he would lift a shop, then decides it’s probably some slang term he doesn’t know. “Something like that,” he says evasively.

He studies the girl’s face to see if he’d answered correctly, and, judging by her impressed grin, he had. “Nice,” she says. “I’m Y/N, by the way.”

“Peter,” he replies. He gets the urge to introduce himself as he usually would– Peter, Peter Pan– then remembers at the last second that Emma had warned him about telling people who he was. Apparently, telling people he was a fictional character in their world wouldn’t go over too well.

“Peter,” the girl repeats. “Nice to meet you.”

“Nice to meet you, too,” Peter says, and realizes belatedly that he means it. He feels like how he had at the start of it all, when the Lost Boys had first started appearing on this island, but this feeling is far stronger. He wants to get to know this girl. He certainly doesn’t want her to leave.

“I’m new to the city,” he says abruptly. “Any chance you could show me around?”

Y/N laughs, surprised. “You’re new and you’re already in trouble? You’ll fit right in, Peter.”

He grins, in on the joke a half beat late. “I like to have fun, that’s all.”

“Well,” Y/N says, starting to lead him back towards the door of the shop, “I like fun, too. Maybe we should stick together.”

“I’d like that,” Peter says, then wonders why he’s being so honest all of a sudden. When he sees Y/N’s smile– real this time, not sarcastic or joking, but genuinely because of him– he thinks he knows why.

The two of them step back out into the light. “Where to first?” Peter asks.

“I was going to ask you that,” Y/N replies. “What do you want to do? Sightseeing, maybe? We can get some food, or just talk.”

“Anything,” he says. He’d follow her anywhere. The feeling in him right now is like nothing he’s ever felt before. The pain in his chest, Peter realizes with some surprise, is gone. He feels immortal. Like living in this one moment could last forever.

They end up spending the next few hours together. Y/N shows him around the city, taking Peter to her favorite spots. Peter stares at the vast cityscape and finally starts to understand why someone might choose the modern world over the natural one. He’ll always pick Neverland first, of course, but seeing the world through Y/N’s eyes, it makes sense.

The two of them get along like a house on fire. Y/N’s got this rebellious streak to her that fits in perfectly with Peter’s, well, Peter-ness. No joke is too dark, no sarcastic comment too caustic. They feel the same. Peter doesn’t think he’s ever met someone who thinks so much like him.

As the sun starts to set in the sky, Peter feels his spirits sinking. He doesn’t want to let go of this day, not when he knows it can never happen again. He’s supposed to be finding Henry’s spell-girl, but all Peter wants to do is spend more time with Y/N.

His mood is especially ruined when they turn a corner and find Henry Mills walking towards them. Peter’s eyes widen and he tries to steer Y/N back in the direction they’d come, but it’s too late. Henry lets out an audible gasp and starts hurrying towards them.

“Peter,” Henry calls out when he’s close enough to talk, “We’ve been looking for you all over! Where have you been?”

Y/N glances at Henry dubiously. “Who’s this?”

“My little brother,” Peter blurts out.

At the same time, Henry chimes in, “My friend from school.”

Peter shoots the younger boy a quick glare, then turns back to Y/N. “Both, actually. He’s my step-brother. Recent marriage. We’re still getting acclimated. Our family is a little chaotic.”

“You can say that again,” Henry mumbles. Peter fights the urge to butcher him.

While Peter silently advises himself on why murder would be bad at a time like this, Henry stares openly at Y/N. All of a sudden, the boy’s mouth hangs open. “Oh my gosh, it’s you.”

Y/N’s brow furrows. “Excuse me?”

All of a sudden, Peter feels a sick sensation in his stomach. It couldn’t be. It couldn’t.

“You’re the girl from my dream,” Henry announces. “We’ve been looking for you.”

Y/N looks back at Peter. “What’s he talking about?”

The open, carefree expression, which had been on her face all day, is starting to be replaced with deep, unsettled fear. Peter hates to see it directed at him. “There’s something I need to tell you,” he begins. “Something about yourself.”

“You’re sounding a little creepy right now,” Y/N warns him. “Get to the point.”

“Alright,” Peter says. “You’re magical. So am I. We need your help to break a curse and save my life. How about that?”

Y/N shakes her head quickly. “This is crazy. Magic isn’t real.”

Peter can’t lose her, not like this, so he leans forward and holds out his hand. A ball of light appears inside his cupped fingers, glowing and bright. It’s a simple charm, one of the first he learned, but it has the desired effect. 

Y/N stares at it, transfixed, and when she speaks again, her voice is hushed. “That’s impossible.”

“Nothing is impossible,” Peter says. “Not magic. Not even the fact that you would find me in this city by accident. Magic is drawn to magic.”

Y/N’s eyes slowly raise to meet his. “This is real, then. I have magic.”

“You have magic,” Peter confirms. “Come with us, we can show you. They’re good people, Y/N. You can trust them.”

It’s the closest he’s ever come to honesty. For once, Peter isn’t playing a game. He isn’t trying to trick Y/N over to his side. He just wants her to be safe, and he knows that isn’t through lies.

Y/N smiles at him. “I trust you, Peter. That’s enough for me.”

She reaches over and takes his hand. Now that he’s focusing on it, Peter can feel the slow loop of her magic when they touch. It feels like power, but more than that, it feels like life. A life with her, maybe. A life for both of them.

ouat tag list: @loveanimals0000, @eclliipsed, @w1shes43, @lost-ender

all tags list: @wordsarelife

[aj-thegreatest]

Why Persephone and Minthe are (or could've been) Perfect Foils:

I’m starting this off with 3 things: 1) This’ll be less of an essay and more of a ramble, so apologies if this is messy! 2) I’m framing this as a “what if this was written in a non misogynistic way,” and less(?) based on canon. And 3) If an essay like this already exists…oops!

Ok. So we can all generally agree that Persephone and Minthe, as love rivals, function as foils for each other. Persephone is the sweet, young, and naive girl who doesn’t know what sex is. Minthe is the mature, sexy, and stone cold older woman who’s too sexually active. 

They both villainize and hurt each other, ignoring the man who’s actually perpetuating their suffering. The story makes it seem like they’re completely opposed characters, with Persephone being the “better” one. And to an extent, that’s true. 

But I think we could dive deeper! And away from Hades! Because he sucks!

If we compare Persephone and Minthe’s lives and how they view each other, you could make a strong case for them being foils. It’d honestly be brilliant if they reconciled in a meaningful way, BUT-

Let’s start with the basics: while Persephone grew up with an attentive mother, Minthe grew up largely ignored by hers. Persephone grew up around a supportive community, with most of her needs met. And while we only see a peek into Minthe’s childhood, it can be inferred those needs were not easily met. Minthe had to provide for herself, shown by her jobs before Underworld Corp. 

Meanwhile, a lot of Persephone’s opportunities were “handed” to her. Artemis offers to let Persephone stay with her. She gets inducted into TGOEM without any trouble. Demeter most likely is paying for her schooling. She gets placed in Underworld Corp, despite having no experience (and out of her control. Hera what the hell). And gets paid for her internship, something she gets because of her relationship with Hades.

Minthe has continually worked for everything. Persephone hasn’t worked for any of the stuff she gets. But she wants to! Persephone so badly wants to be independent. She dreams of living on her own, dressing the way she wants, being in a relationship. And who is the first being she sees that represents all of it for her?

Minthe is the physical manifestation of everything Persephone wants to be. It’s also why she dresses like her in later seasons. And Minthe is clearly jealous of Persephone. Is it because she’s flirting with Hades? To some extent, yes. But Minthe also feels Persephone is better than her. She’s the sweet goddess who everyone loves, especially Hades’ trusted allies (Hera, Hecate, etc). 

I think if they got to know each other, they’d be envious of what the other had. Minthe would love to have a mother like Demeter: someone who took care of her and gave her what she needed. She needs a support system and people to rely on. Not a toxic friend who prays on her downfall (Thetis what the hell). 

Persephone wants a mother who won’t hover over her. Control of her life, freedom, and the ability to be her true self. Wear whatever she wants. She doesn’t want to be the kind, sweet girl all the time. She wants to have sex! After marriage apparently because uh…yeah. 

A brief deviation: Even their aesthetics are contrasts. Persephone wears white and pink, while Minthe wears reds and blacks. Minthe’s clothes are revealing and conventionally sexy. Persephone’s are cute and conventionally girly. 

Both Minthe and Persephone are stuck in roles that feel inescapable. Which are enforced by Hades, the narrative, and the fandom (at the time). Something something Madonna Whore Complex.

In an ideal story, where they equally like all the women, Minthe and Persephone would’ve reconciled. Come to some understanding of the other and grow as a result. But…that doesn’t happen. 

Really, they just switch places. Minthe becomes accepted in the Mortal Realm. She gets all the support Persephone had. While Persephone gets all the glitz and glam Minthe supposedly had. It all works out! 

…I mean, not really but-

Like Minthe barely gets mentioned at the very end. Persephone spends most of it stressed, hated by her citizens. All the things Minthe feared at the start!

But then she gets her happy ending. Isn’t this great? The character who wanted independence from her mother and everyone, ends up stuck in a marriage without truly finding herself. And with kids we, the audience, don’t know if she wanted? 

All that matters is Hades wants kids. So Persephone needs to have them. Hades wants to break up with Minthe, so she gets planted and moves from his realm. Funny how everything works out for him, right? 

This doesn’t really have an ending. All I can say is, I wish Minthe and Persephone had a chance to stand on their own. And to talk to each other without a man getting in the way…

…which is why you should read my fanfic, PomengranMints-

[i-made-a-bg3-blog]

Look, it’s not like Astarion intended on becoming a Harper, it’s just - well, burglary and pickpocketing are a little more difficult when you can’t enter homes without an invitation or go outside during the day, and he’s grown rather accustomed to a certain elevated lifestyle. There are other places he could turn to for money: the city owes him an estate and a title at the bare minimum. But, there’s something to be said for self-sufficiency, and, though he hates to admit it, he wouldn’t make it through three weeks as a noble without being bored out of his mind.

The Harpers need warm bodies (or cold ones, as it were) to rebuild their ranks after Orin’s doppelgangers, and Jaheira’s a savvy old crone who never learned to take no for an answer. She pinpoints Astarion’s two weak spots: a heavy coinpurse and kidnapped children, street kids, the kind no one would miss.

They’re decidedly amateurish criminals, and it doesn’t take him long to track them down and dispatch them, messily and painfully. Four children sit huddled in a cage, and Astarion knows he must look every bit the monster as he picks the lock with hands covered in gore, but they don’t shy away in fear when he opens the door. One of them slips his chubby little hand into Astarion’s and refuses to let go until they reach the safehouse. It’s…odd.

“Good work, Harper,” Jaheira tells him after, and Astarion makes it explicitly clear that he’s simply an independent contractor, an expensive one. 

Jaheira just smirks like the witch she is.

So he contracts. He infiltrates the Guild (and feels insulted when Nine Fingers doesn’t recognize him; he’d like to think he’s rather unforgettable), foils an assassination plot or three, even teams up with Minsc and a turncoat Thayan to stop a gaggle of Red Wizards from doing…whatever it is they do. It’s a good business, he supposes. A hero’s reputation is a small price to pay for a hero’s coffers.

Jaheira’s wise enough to know when to hang up her blades, and it makes her more of an insufferable busybody than ever, which - somehow - becomes Astarion’s problem. First, it’s his own cell, then suddenly he’s the field contact for four others. He’s dragged to the most dreadfully tedious logistical meetings imaginable. The only reason he agrees to any of it is that Jaheira can turn an offhand comment and a raised eyebrow into the kind of challenge that itches beneath Astarion’s skin. It should be all too familiar and just as unwelcome, that burning need to prove himself, but it’s not. It’s different, perhaps, when he isn’t being set up to fail.

Jaheira passes away peacefully in her sleep at the ripe old age of one hundred and ninety-two, and Astarion’s convinced he can hear her grumbling about that all the way from the Fugue Plane. She would have rather gone out fighting, but, privately, Astarion feels like she deserved something gentler than bleeding out on a battlefield. He never did tell her how much he admired her (though he doubts she would have appreciated such open sentiment: ‘I did not realize I looked so terrible that you’ve already started my eulogy.’), but she must have known. He thinks he’s really going to miss her.

Right up until the moment Rion is handing him a pin and leading him to a library full of dossiers and documents. Then, he’s ready to cross the Astral Sea just so that he can bring her back and kill her again. Independent. Contractor. What part of that did she not understand? 

He goes home and locks the door with the full intention of ignoring every Harper that comes knocking. But Harpers are nosy little shits, and after he nearly disembowels one who surprises him by breaking into his house just to tell him the most idiotic plan to dismantle a smuggling ring he’s ever had the misfortune of hearing, he realizes hiding isn’t going to be an option. Besides, Astarion cannot be privy to such levels of incompetence and sit idly by. 

So he helps. Provisionally. Just long enough to find a decent replacement, and then he can wash his hands of the whole thing.

Unfortunately, it’s not as easy a task as he had hoped. Every potential candidate lacks something: consistency, creativity, confidence, the common sense to understand Astarion’s eminently logical filing system. It takes him three decades to accept that not only is he excellent at the job, but that he enjoys it immensely. 

When they make him take a title, he chooses Spymaster. It suits him - dashing, mysterious, questionably moral, because he’s never been a hero, and it would be foolish to pretend that he is.

They all call him High Harper anyways.

[artist-issues]

The reason I think the song bodes so well for Mufasa is that they got Scar and Mufasa right. I was talking with @doverstar about this and so some of these thoughts are her thoughts

Mufasa, as a character, is the kind of guy who turns everything into a lesson when we meet him as Simba’s father. Even though Simba is apparently his only son. That means he’s got a reflective, old soul when he’s still a just a relatively young King—to be ready to give great fatherly lessons. And obviously we know he got that from his own father.

So in the song, to have him be the kind of guy who goes “You see that tree? Those birds are watching the world unfold!” is perfect. He points out the tree and the birds and their place in the world, their unique perspective, like it’s an exciting thing, the kind of thing any little boy should be excited about—he points it out and starts to wax philosophical the same way other ten year-old boys would point out a superhero or cool animal to their friends.

An old soul, already gleaning lessons out of the world he’s growing up in, and likes talking about them. Like he’s a young dreamer with his head in the clouds. But when Taka sings “No one looks down on me,” Mufasa responds in this patient tone, “They look down on us, brother. Some things you chase but cannot hold.”

He’s not going to let Taka change his mind, even if (from my understanding) he’s relying on Taka as his only friend right now. He’s not insecure. That sounds like the kind of strong-willed kid who could grow up to be as powerful a character as Mufasa.

And then there’s Taka.

In The Lion King, we know Scar wants everything his own way. (That’s what makes him a great foil to Simba, “we’ll-do-it-all-my-way”)

And that’s in the song. “When I am King they will do as they’re told / Those are the laws for my brother cuz I say so /“ He’s entitled, he thinks life should be ordered according to what he says.

But I think the way more interesting part of his characterization in the song is when he sings, “No one looks down on me,” and he sings that right after Mufasa says, “where they (the birds) go can’t be controlled.” Controlled. A no-brainer response, for a songwriter, would be to have the future-villainous-usurper get his feathers ruffled. The low-hanging fruit would be to have Scar respond with something about how he can control the birds because he’s going to be King, the boss, the authority.

But Lin-Manuel Miranda did not go for the low-hanging fruit. He had Scar respond, instead, with something that almost feels off-topic: “No one looks down on me!”

But it’s NOT off-topic if you know who the character, Scar, really is. Scar is all about how he’s perceived by others.

He is insecure. His life is lived hoping that others will give him everything. The throne, the food, the power, yes—but more importantly, he wants them to give him respect, idolization, adoration, and admiration. He does not want to be looked down on. That’s what’s most important to him.

He’s the total opposite of Mufasa in that way, because Mufasa gives his life for others, while Scar hopes others will give him everything.

He doesn’t lash out at Sarabi until she mentions Mufasa—specifically, until she unfavorably compares him to Mufasa. It’s all about not wanting to be looked at as less-than. Instead, the very essence of Scar is selfish narcissism. He wants everyone to treat him like he’s the best there is, like he’s worth giving up everything for.

That’s why at the beginning of the song, he says “When I am king…my brother, you’ll always take my side.” Because he believes that he should be seen as the always-right wonder child. That’s what he wants. Even when he sounds protective of Mufasa, it’s protective by association with himself. It’s sweet, but if you listen, Taka is saying Mufasa’s whole status as his “brother” is dependent on Taka’s decree that that is what he is. So if someone denies that Mufasa is his brother, they’re defying Taka’s little princely will!

Meanwhile Mufasa is all about being a vessel of lesson-sharing and selflessness. So they really got the characters right, at least in that one song. I hope the whole rest of the movie will be like that too.

[plor-bindery]

Bound: Truth to Materials

It’s done!

I have a colour printer now. Can you tell? Lol.

This is, of course, a bind of my own co-authored fic with lately, who is not on Tumblr much/at all, and not under that name. (Apparently I continue to have the idea that I must try out new techniques on my own work first?)

The fic features artist Draco, so I went with that theme for the book design. I also used Canva for the first time, which was a mix of frustration (“whyyyy doesn’t it do this thing Illustrator does???”) and joy (so! much! stock! art!!!) I actually wound up banging the cover doc back into Illustrator because I didn’t trust the lack of guides and dimensions for measuring the cover, but the export was fairly seamless, so that was fine.

Back cover blurbs feat. @moonflower-rose because their comment made me lol so much when I went digging for gold in the comments. Also @thehoneybeet! (I feel weird putting my own reviews on the cover but I’m pretending they’re all directed at lately.)

More blathering under the cut.

For the wrap cover: glossy legal photo paper laminated in a matte legal 3mil pouch — two covers back to back so only the front gets laminated. I actually tried this first on plain paper but the ink bled in spots from the glue moisture and the whole thing delaminated as the glue struck through. I think the glossy coating provides a better barrier between ink and glue. I also used straight PVA on the second go, reasoning that it carries less water. Seemed to work?

Ran into some troubles with hinges delaminating, though, I think more from flexing and the bone folder than moisture? I can see why the IG Dramione binding girlies use the soft touch laminate — less than half the thickness. I haven’t bought any yet though, not sure I am that keen?

The endpapers are foiled but I was annoyed with the folding obscuring the words — might have to be more cautious with that in future.

All the chapter headers are artworks pulled from the bestmuseumbum hashtag on the bird site. It was very fun finding them. (This fic started with a Louvre visit in which lately and I very maturely admired many sculpted arses so there’s a theme.)

Endbands are sewn with embroidery floss and they came out sooo shiny and neat. One strand of floss per wrap is the way to go, even though it’s slow and fine work.

The rest of the bind is unremarkable — legal quarto, sewn French links, bradel-style case.

The cover came out quite 90s which I kind of love. As I’ve said before, and at risk of dating both of us, co-author lately and I met in our young teens, and that was…in the 90s. The earlier part. So a 90s vibe cover for the first fic we managed to co-write since that time? Perfect. Saved by the Bell goodness.

So… cover wraps… I am not sure! I think it’s probably cheaper than even homemade book cloth, but I imagine the archival quality is not great with all the plastic involved. But then same with HTV. I will almost certainly do it again, especially if I want to do something like a book that’s disguised as a textbook or magazine. While I love the artwork available in Canva, I definitely felt like my own creativity was less present? Hard to describe.

One little technical problem that I’m solving: endpapers didn’t stick to the hinge insides fully, not sure if the wrapped spine is too wide or it’s a lamination not liking glue thing or… but the problem is minor. Something to troubleshoot next time.