#they truly are all things to each other

[olliepurples]

in homosexual white collar news today, neal is handing over his wedding ring for peter :/

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[laddertek]

etho said actually you _don't_ understand the intricacies of how tango is my boyfriend and bdubs is my ex

(and how tango and bdubs kiss too)

Scar: We went on that little adventure, you know! Etho: Yeah, yeah, we had our adventure, that's true, that's true. Scar: You disparaged your teammates. That's it, all right, no more spoilers. Etho: (laughs) Our team has -- our team has some weird dynamics this -- this season. Cleo: (overlapping) Really, Etho? Is there trouble in paradise? (pause) Who's third-wheeling with you, again? I can't remember. Etho: (laughs) Uhh. The -- Cleo: Genuinely can't remember. I know it's you and Bdubs. And...Tango? Tango. Tango. Etho: (loudly) Why -- Why is Tango the third wheel? Why -- why isn't Bdubs the third wheel? Cleo: Because it's you and Bdubs. I'm sorry. I understand how that relationship goes. Etho: (dissatisfied) Hmm.

[dilfmobius]

"Existence is chaos. Nothing makes any sense so we try to make some sense of it. And I'm just lucky the chaos I emerged into gave me all of this. My own glorious purpose." LOKI 1x02 - The Variant

[theactualsunshinechild]

I think Aventio and Screwtio shippers shouldn't fight. After all, Ratio has two hands!

That's right. Two hands.

One for his chalk.

One for his codex.

Both of which he's holding in an embarrassed death grip as they chat away with each other about him.

[swordsofsaturn]

early seasons spn homophobia is actually so crazy because they literally do not look gay. hamfisted gay jokes when the characters look straight as hell. "you look the type" they literally don't. is the thing

[doctorsiren]

Consider: I repackage another ace attorney au (split phoenix au) into mp100 for the sillies

[ratatatastic]

https://youtu.be/RbgDHyeQNdE?si=WXnghZZuAyvgumVL

Keith saying him and Matthews fiancé do the cooking for him and he just sits there and heckles them. So on brand.

"And how about your barbecuing skills? It looked like you knew what you were doing behind that grill!" "Well, Matthew is pretty useless so! Unlike Brady—Brady can, you know, does things on his own but Matthew likes when I'm down there so I do cook and his fiancée, Ellie, does a great job so. He just sits back and critiques us but forgets that we're the ones doing all the work for him. Which—hey! It was playoffs! I'll do anything for my children."

NHL Tonight: First Shift | 10.16.24 (x)

unfortunately tracks for him and im still crying into my hands its always the one who cant cook for shit thats the mouthiest about it

and considering this clip from faceoff it really does track

[gurggggleburgle]

Luo Binghe is the kinda psychopath to pull out scrabble on a date and call it flirting and Shen Yuan is able to respond positively to this because man has zero, negative, and infinity levels of rizz catching all and simultaneously no bitches at once because these radio frequencies are all different lengths in this essay I will...

[izzyspussy]

the fact that they made it illegal to make ads louder than programs on tv in 2010 but haven't updated it to apply the same regulation to streaming. who do i have to call.

[demonkinguwu]

The Three Subcon Bosses [My fanon version lol]

The trickster shadow, the wrathful queen, and the disappearing moon

Lore Below <3

Snatcher: Once was a kind lonely prince whose only talent was painting, often overlooked and ignored due to this. He fell in love with Vanessa quickly as she was the only one who understood the loneliness of his paintings. The two married after a year of courtship, but the prince worked hard to learn to rule by her side, even going to law school. Unfortunately, he ignored the terrible treatment by his frantic wife for fear of true loneliness until it was too late...

Now the kind prince turned into a terrible and manipulative shadow, using robbed souls and his smarts to grow as powerful as he is, growing to be the sole ruler of the Subcon Forest. He prefers to be in control and over-possessive of everything he deems 'his', including the terrible wife who killed him painfully. He despises her but deep down knows she's the only person who will ever truly care for him even as a monster so she gets to stay as his pathetic little toy <3

However, he can't help but enjoy the very small snippets of moments between them that remind him of a better time when they were young and naive. He can't help but smile as the princess Vanessa was once shines through that red mass of anger, oh how he wishes to rip open the beast and find his princess within it, safe and innocent as she used to be

Vanessa: She was once a kind and sweet princess filled with so much loneliness especially since her father ran away. On a visit to a foreign kingdom, she was immersed in the large gallery of paintings depicting how she felt perfectly, lonely. She soon fell for the painter, a kind but mischievous prince who was just as lonely as she was. But her horrible mother was jealous of her daughter's happiness and poisoned her heart and mind with her evil words, reminding the princess of her father who ran away. The princess' desperate thoughts turned dark and possessive, wanting the prince all to herself, even getting rid of her mother who she thought wanted her prince. The now Queen was more desperate, her heart and mind growing darker and bitter with each day that passed without her beloved... Soon it would all explode, taking every soul within Subcon with her.

After a few years of mindless wrath and pain, she 'cooled down'. Finally gaining sense and guilt, but since no one wished to accept her apologies, she learned not to care over such matters anymore. Her heart grew bitter, cold, and uncaring of much but the evil monster her beloved became. His very existence enrages her, reminding her that her kind sweet prince is gone and all she has is this thing, this terrible and evil shadow who took everything from her. But even so, she can never get rid of him, for he is the only one who will 'care' for her, who could relieve her of her loneliness even if his actions are cruel and taunting. She doesn't want to be truly alone, but he is the only one she can truly trust, so he is the only intruder who will remain safe from her terrible wrath even if she hates him so. Though she knows her prince is gone, she relishes the small brief moments she could see a flicker of him through the monster's wicked being. Oh, how she wishes she could grab her prince in that brief second and never let him go.

Moonjumper: He was once a naive but adventurous lad, a time traveler who shone bright with the moon. Crashing into the strange planet, he met a cold princess whose heart was as cold as ice. He felt understood as he didn't understand what love was either, so he decided to stay with the princess and become her king to find out what love was. They soon had a princess who they named Vanessa. The king loved his daughter very much but didn't love his title or his wife, for he was a being of freedom. Without confronting his wife, he planned to take Vanessa and escape, but he left her behind once his wife figured out his plot. His wife, who grew to love him, was heartbroken and distraught over his betrayal, and so she cursed him with her magic to death, over and over again.

The man became a distorted time rift, cold and alone, wanting nothing more than to find someone to stay with him in his lonely horizon, especially his little princess.

Hundreds of years have passed, and he watches on with great pain as the sweet girl his daughter was once turned into a monster. All thanks to the monster who took over Subcon with that disgusting smirk, he made his daughter the monster she is! And she was no better! Being easily influenced by that monster and turning into a monster herself, they were both horrible beasts! Both were responsible for taking away his little princess! Once he has the chance, he'll get rid of them both! But since he is much weaker and scared of them, he'll abide his time until he can finally avenge his sweet daughter. For now, he searches for someone he could keep in his lonely prison, someone who he can raise to be just as perfect as his little princess...

[judasisgayriot]

[cementcornfield]

Did you see the clip of Joe yesterday?

Is it a clip now? Oh lord....was it funny at least?

It was the first time he ever used the F word in a conference.

He cursed? Y'all lying...I be trying to get him to curse, he don't curse when I'm talking to him...

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.