#they reflect their personalities better
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doodlboy · 1 year ago
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WHY IS HIS NECK SO LONG-
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bougiebutchbitch · 9 days ago
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haha what if Curly actually died from, y'know, his horrific injuries and lack of proper medical care + jimmy's abuse & being chopped up for cannibalism purposes??? what if he was just fuckin' dead when Jimmy put him in the cryopod to 'save' him at the end and he was only hallucinating that Curly was still there????? what if that
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bacchuschucklefuck · 3 months ago
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one thing I really really appreciate abt riz gukgak as a character is that he is un-self-aware to the max. he inhabits his body so completely. the arc that would usually be run as "I'm different and unable to connect with my friends in this way that everyone seems to be able to do and so something's wrong with me and I don't like myself" when it comes to riz is actually like no! I have literally no problems or praises for myself personally. I don't stand outside of my own self and judge it. it's phrased as "other people will eventually find someone more important to them than you" rather than centering it on his self-perception. he doesn't know why he doesn't have the best social life on earth even though he's not afraid at all to talk to other people. every time he sees himself in someone else's actions or behaviour he gets startled by it. his latest epilogue is realizing seemingly for the first time that he's not just an agent of causes but an actual character. he's my hero and I want to be him when I grow up
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vaggieslefteye · 4 months ago
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ᴍᴀᴋᴇ ᴍᴇ ᴄʜᴏᴏꜱᴇ ↳ anonymous asked: HUSK and ALASTOR or angel and valentino?
#hazbin hotel#husk#hazbin husk#alastor#hazbin alastor#hazbin hotel edit#hazbin edit#radio demon#requested#make me choose#my gifs#dad beat dad#flashing gif#flickering gif#the full ask said ''in whichever way you define'' at the end so#i chose based off of which dynamic i'm more intrigued by. valentino as a villain and as a challenge to angel is REALLY interesting dont get#me wrong here. it's great. but THESE two have a lot of untapped potential for husk specifically#alastor is just there at the moment but HUSK. husk. it really is a mirror to angel's situation - everything wrong in his afterlife is#because of that gamble. but he WAS an overlord. HE was the one doing that horrible shit before. that's INTERESTING!!#he gathered and gambled away souls like money. it was all just a game to him. now HE'S getting his. a sick poetic justice in a way.#i am SO excited to see if they dive into this more!! will he ever self reflect? if he does will we SEE him doing this reflection? will it#be enough to play a part in him choosing to redeem himself? or even decide if redemption is worth the effort? i feel like there's potential#with his dynamic with alastor to influence that big time + his friendship with angel will also be a major factor#also making this set made me realize the hallway scene is like their one major interaction. jfc and it's fucking HORRIFYING lmao#look i loved their pilot interaction/dynamic as much as the next person but this is just. SO much better. more things to explore.#i'm really glad in the end that they were rewritten in this way. A+
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cookiekitkat8484 · 2 months ago
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It has come to my attention that people who haven't read the comics don't realise Wallace was the one who harassed scott into being his friend. Like he saw that nerd at uni and went oh yeah that's my guy now. This bitch would not shut up and showed up at his house uninvited to hang out till scott gave in and befriended him, then they got suuuper drunk and scott let him crash at his. He comes to family dinners, is best friends with his sister, and chats to his mum.
He despises envy more than anything and is furious when she tries to mess with his life again and scott gets hurt, so he cooks him breakfast and comforts him. He coaches scott in fighting and helps with strategies so he doesn't get his ass kicked. He bullies him to leave the house because there's a heatwave and he wants to make sure he doesn't get heatstroke. Like they're close enough Wallace walks around in his underwear (though scott whines about it).
I've seen people assume Wallace supports scott out of pity but that man is a bitch and morally questionable (affectionate), I do not think he would put up with it at all if he didn't want him around, especially given he can barely afford to support them both. When they stop living together he doesn't just kick him out it's because their landlord kicks them out, he actively enchorages scott to move in with Ramona out of care for him and offers to stay with him if he needs it, though ends up signing a lease with his boyfriend (in his defence scott didn't ask for him to stay and decided to try make things work with Ramona) but still let's him stay at the new apartment with them when Ramona kicks him out.
Yeah he's mean to scott sometimes and makes fun of him/is brutally honest but he basically became part of Scott's family and part of that is calling people out when they're being a total jackass and teasing them, he's that kinda guy and scott knows that he doesn't actually hate him or something. Yeah scott will do puppy dog eyes if he wants something but wallace is frequently nice to him on his own initiative and scotts not a suck up to Wallace, he can be a bitch right back at him.
They're a really important part of each other's lives. though I can understand people not familiar with the characters who watched the show thinking Wallace doesn't care about scott being gone, literally all the characters reacted super casually. Bryan has tried to clarify his way of trying to cope is him "being a jerk"/disconnecting/acting apathetic. Also in the show o'malley basically confirms Wallace had feelings for scott and that was why he had the affair with Todd and you can quote him on that, aswell as scott admitting how they became roomates was "somewhat gay" in the comics, so there's definitely some weird more than friends emotional mess tied in there.
comic panels i reference under the cut
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TLDR wallace lives with him because he cares about him, whether you read that as still somewhat romantic or now platonic, with either interpretations fitting better with different versions of the story
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bxriles · 2 months ago
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I’m sure that this is not a hot take and that a lot of people feel the same way but like…
The question “does it have spice?!🌶️🔥” makes me want to jump off a cliff. I’m out here looking for gothic book recommendations on Reddit, tumblr, and goodreads and WHY is this the first question so many people ask 😭
Look, I love erotica as much as the next person but come on. There have got to be other things that matter when recommending books or choosing to pick one up, my GOD.
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millidew · 1 month ago
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i fw this heavily
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yuri-is-online · 3 months ago
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I'm asking this question because I find it an interesting topic. It relates to the criticism the Tokyo Debunker MC receives.
It's not just TD's MC—it's a common theme in otome and gacha games. Genderless MCs in games like *Obey Me!* and *Twisted Wonderland* face less criticism than female MCs. Even though the genderless MCs get some hate, it’s nowhere near the backlash female MCs receive. For instance, *Twisted Wonderland* had debates about a female MC being unsuitable for an all-boys school, despite the presence of monsters and robots. This debate ended with a female MC in the *Savanaclaw* manga.
Another example is *Tears of Themis*, where the female MC is well-received in my opinion due to her having a character. I am very happy that she isn’t a self insert and people seem to agree.
In contrast, female self-insert MCs like TD's MC and *Love and Deep Space*'s MC get a lot of hate for what seems like trivial reasons. TD's MC is often criticized for being ordinary, while LADS's MC, who is strong and brave, also faces backlash, with some claiming she's rude despite evidence to the contrary.
In conclusion.
woman mc in this day of age can’t have flaws now….wait no they can’t be prefect either! As then they are Mary sue! What do you mean that LI are grey sue as well? No that not true Leo having a backstory would justify his actions don’t you get it? What do you mean we should hold the male characters as same standard? Jin treating mc as a servant is her fault as she didn’t say no…..😐 
... so I have two lines of thought about this particular topic, it is something I have thought about for a while because I am working on my own game/games and pay a lot of attention to what people think.
It isn't personality people like it is competence
The love and deepspace MC and Rosa from tears of themis actually have very similar personalities. They are bad at/hate studying. They really love food. They both are sort of dorks and known for being kind. What people like about them isn't any of those things, what they like is that both of them are adult women who you can believe live on their own. They actually have skills related to their jobs, you can believe Rosa is a lawyer and that MC is a hunter, the love interests aren't the only competent people in the narrative. I think this can sort of relate to the target audience for both of these games being working women, but that's for a different post. Right now I really want to focus on that concept of competence: the two other otomes I really love and want to bring up are Amnesia: Memories and Hakuoki. The Amnesia MC makes a lot of really stupid decisions, but as the game title gives away she has amnesia. There is an underlying explanation for why she's a bit dim so I don't see too many complaints about her personality (outside of Toma's route but that is a different story) because you don't exactly expect her to be competent. The same goes for Hakuoki's MC whose name escapes me at the moment, she is the daughter of a doctor so she is never made out to be incompetent in medical matters, but she isn't the best fighter. And she doesn't need to be that's the male love interest's role in this particular story.
The problem with MCs like our dear Luna? I believe you said her default name is, in Tokyo Debunker is that we don't exactly have anything she is stated to be good at beyond boosting Stigmas. The various ikmen games get around this by giving their MCs a job, but we don't have that for Luna so we don't have anything to show some backbone or character so people read her as being a bit of a doormat. Like I have said numerous times before, I don't mind this and think that so long as they keep allowing us to see her thoughts this the writing will be good. A relatively easy fix to this could have been to make her someone who really loves music and constantly talks about it, she was going to a concert at the start of the game so that little bit of character would go a long way for her to be more of a human for people to project themselves onto. Generally speaking, when writing an MC, it is perfectly acceptable to give them certain personality traits and a history. But if you do that you need to make sure the narrative respects that interest and does not use it as an excuse to make the male lead look cooler.
Gender Neutral MCs
*sigh* so you bring up Twisted Wonderland and I uh... have some experience with that fandom! And I have observed the gender wars over Yuu with a weary heart. I genuinely could not care any less about how people identify or the type of o.c.s they make, but some people really really care and if I am honest I find that a bit disturbing. It honestly makes me sad to see fanfic, which used to be a really accepting space, fight over writing... well anything really. m/m blogs screaming about how they don't want fem aligned reading their things, f/f blogs screaming about men, the f/m fic writers feeling the need to defend themselves writing for a female reader- doesn't that exhaust you? Why do you care so much? I do not have the energy to care about people writing fanfic I am not interested in reading, is this because I am anemic or have I managed to be normal about one singular thing?
My personal theory is that the commodification of fanfic and fandom has made people think there is something fundamentally wrong with properties that are marketed towards people who are not them. The reaction to Love and Deepspace not having a male MC option sort of cemented that for me, there is nothing wrong with wanting a game where you can be a man or non-binary and date anime boys. There is also nothing wrong with writing m/m fanfic for a property like lds, or wishing you could play as a man in it. I think there is a genuine market gap in good games for people who aren't fem aligned, but you do not get good games by harassing people or implying they suck for wanting games where you can play as a woman. You get that by financially supporting projects aimed at you! There is a blog I follow on here called @amaregamesdb. They post a bulletin of projects, both vn and if, with an emphasis on making people aware of projects that aren't simply otome (ie male love interests with a female protagonist.) I think the people who run it are also the people who coined the term "amare game" to use for games where the MC isn't necessarily female. They also ran a blog to help people like me learn how to code if/vns so I am very grateful for them, so please do give them your support.
I write for a gender neutral reader because I wanted to write interactive fiction and felt like I needed to practice doing so. I have continued to do because honestly? I really enjoy it. I love seeing how many different people identify with my writing and are moved by it. There are some projects I want to do in the future (original works, not fanfic) that I probably will lock the MC to female for, but I want to continue providing gn fic for people for as long as I write. And original projects too! I have two in particular I am working on behind the scenes. The solution to the problems like "what gender is yuu really," if you will permit me to preach for a second, is to not care. Yana said Yuu was meant to be you, and dear reader I don't actually know who you are! So you can be whoever it is you wish to be in your heart and I will make room for you to sit next to me. I'll even make tea (。•̀ᴗ-)✧
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averlym · 11 months ago
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fairest of the fair
#hi! im alive and back and etc.#six the musical#six the musical fanart#katherine howard#thinking of that post going 'i think eventually you become the person you needed most' and like maybe that's the thing with my art#this started out as a redraw and <improvement meme> i think i've finally reached the stage where i'm making the things that my younger self#aspired to create. like i can do this now! i've reached That level of technical skill! tiny me would be so proud. it's very gratifying#redraw from august this year actually. i've made a surprising amount of improvement HAHA maybe it was the adamandi stuff getting me#back into digital rendering. i think that obsession has quietly slipped away but yknow. one never truly leaves a fandom. just less intensit#also speaking of old fandoms! we're back with the six stuff haha. as of writing i'm in the midst of blog revamp- figuring out how to chill#multifandom status doesn't mean ditch all the old stuff ! but i do feel much freer and less stressed. i think hiatus has been good for me#notes on this piece particularly: redraw about cutting hair and thinking of the lyric above. also lowkey &j ref + pinterest poem excerpts#of female suffering. and maybe a dash of amanda heng let's walk inspo. this work is really just full of contradictions..#1. the mirror and cutting hair as an act of self liberation 2. the & is part of the lyric but also a nod to &j (in another iteration it was#pink but the white looked better) and like. &j is really all !!! girl power!!! etc. and i was like hmmmm. also matching pink shiny aes#3. the frame as a cage; the mirror as a self reflection idea (ie. saville's propped insp) but also as a sign of vanity. 4. sparkly costume#and pretty pose- read one too many poems about women feeling like they have to be pretty even in their suffering. something i wanted to#explore. and also in 5. the show itself... all you wanna do is. despite all the dancing and pink and sparkly the content of the song is#darker. and even though it's a story of her suffering it's still presented as a shiny fun pop song and ajshdhfhfh ok... 6. the lyrics fall#outside the frame. sort of a caught inbetween. sort of a trapped in the narrative and yet#within the frame it's all. vaguely handwavy breaking free vibes. like i said contradictions?#7. cutting off the long ponytail vs the pull my hair lyric at the end. yeah#8. the blocked off & looks a bit like scissors. positioned to cut right at the neck#anyways yeah irl remains hectic! but if i get around to more doodles they'll appear here :)
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afurtivecake · 8 days ago
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It's easy to get the impression that Tetsuji never cared enough to rein in Riko's behaviour and temper but I think it's the opposite. I think Riko grew up constantly being told stuff like, "You have to learn to control your temper" and, "Is that any way to behave?" by Tetsuji. I think Tetsuji would have even disciplined him harshly every time he was caught acting out of anger. But all that is coming from Tetsuji - the man who would beat a kid if they displeased him in any way. How can you ever really take to heart the words of someone who demonstrates the exact opposite of what they preach? How are you supposed to not learn that the real lesson is, "Become the one who has all the power over everyone else and you will never have to suffer criticism for how you behave ever again."
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wri0thesley · 3 months ago
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can't help making darlings who are performers because isn't there something so very sexy about a yandere who becomes obsessed with you because they see you utterly baring your soul onstage, with the sound of your voice and the emotions that run through it like a tumbling river before they ever even think about anything else? who use you, up there, as a figure and a symbol to project their fantasies on because you open your mouth to let loose a beautiful love song and they think to themselves: that is all entirely for me. they are saying this to me and only me. who want the idea of you as much as they want the physical side of you? not my fault
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overtake · 1 year ago
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red bull: daniel’s bad habits from mclaren are fixed, he did well in the sim, and his tire test was so good that we immediately knew he was ready to be in a car.
alpha tauri & yuki: daniel’s feedback on the car has been instrumental, and he performed so well in difficult race conditions even though he didn’t have any upgrades and had some bad luck.
rando twitter user who doesn’t have the data, didn’t know liam lawson’s name three weeks ago, and constantly insults the way red bull quickly drops drivers who don’t perform: they’re only letting him drive for pr even though he’s a washed up failure.
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maxdoesthings · 1 month ago
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Rest under the cut. It's cruelly ironic that this zine I worked on for this summer's Queer Game Jam was created during one of the most uncertain weeks in my life. If you'd like to support me and my work (and get me out of a tough spot) then please consider buying the zine or taking one of my emergency commission slots.
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haeroniel-doliet · 1 year ago
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It's done! The final piece of my Dinluke big bang collab with the most inspiring @coriesocks! The whole wonderful and heart warming fic is up already so go go read I know places (where we can hide)! (This piece is for chapter 7!)
Great big shoutout to my author for being so kind, patient and supportive throughout this whole journey. I could not have hoped for a better partner!
Thank you all for your support and I hope you've all enjoyed all the fantastic work (compiled here!) that's come from artists and writers alike in this event, as much as I have <3
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jacksprostate · 6 months ago
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Treatise on why No, the doctor just giving the narrator of Fight Club (full name) his requested sleep medication or sending him to therapy would not have Fixed Him
Firstly, saying giving him the insomnia meds would’ve fixed him ignores the reason he has insomnia in the first place. He is so deeply upset by his place in society that he literally cannot sleep. Drugging him to sleep would not change that. That, of course, is the easy, quick response.
But with regard to therapy? The biggest flaw is that it ignores a central tenet of the book. Part of what tortures the narrator and drives him to invent Tyler is that his feelings about this collective, systemic issue are constantly reduced to a Just Him thing. His seatmates ask what his company is. He’s the only one upset at the office. He gets weird looks if he says the truth of what he does. People will do anything in their power to pretend he is the issue, as an individual, because it is far scarier to consider the full implications of the systemic issues implied by what he is saying. Everyone treats it as if the issue is him, so he goes insane. He does anything to get someone to say, holy shit, that’s fucked up, what you’re a part of is wrong. In an attempt to feel any sort of vague sympathy and catharsis, he goes to support groups to pretend to be dying, because then at least people don’t habitually blame him for his anguish. 
Saying therapy would fix him ignores that his problems are not individual. They are collective. It’s the reason the entire story resonates with people! Something deeply, unignorably wrong with society, where people would rather blame you for bringing it up than try and address it, because it feels impossible. I don’t blame people for this, really, because it IS scary. It’s terrifying to sit and feel like you’ve realized there’s something deeply, deeply wrong, but if you say something, people will get mad at you since it’s so baked into everything around you. Or, even if they agree, it’s easier to deal with the dissonance by pretending it’s individual.
And it’s not like that’s not the purpose therapy and medications largely serve, anyway. Getting into dangerous territory for this website, but ultimately, the reason the narrator was seeking medication was because it’s a bandaid. A very numbing bandaid. For these very large, dissonance causing problems, therapy does very little. Medications do what they always have, and distract you with numbness or side effects. It’s a false solution. He is seeking an individualized false solution because he has been browbeaten with the idea that this is an issue with him alone, when it's plainly clear it's not. 
Don't get me wrong. Obviously he has something wrong with him. But it's a product of his situation. It is a fictional exaggeration of a very real occurrence of mental illness provoked by deep unconscionable dissonance and anguish.  There is a clear correlation between what happens and his mental state and his job and how isolated he is. 
The thing is, even if he were chemically numbed, I do think he would’ve lost it regardless. Many people on meds find they don’t fix things. For reasons I’ll get into, but in this case because even if numbed or distracted, once you’ve learned about deep, far reaching corruption in society, it’s very hard to forget. Especially if, in his case, you literally serve as the acting hand of this particular variety. He’s crawling up the walls. 
So why do people say this?  Well, it's funny I guess. Maybe the first time or whatever. But also, often, they believe it, to a degree. Maybe they've just been told how effective therapy and meds are for mental illness, they believe wholeheartedly in The Disease Model of Mental Illness, maybe they themselves have engaged with either and have considered it successful. Maybe they or someone they know has been 'saved' by such treatments. 
But in all honesty.... What therapy can help with is mentality, it's how you approach problems. For issues on a smaller scale, not meaning they are easier to deal with my any degree, but ones that are not raw and direct from deep awareness of corruption; these are things that can be worked through if you get lucky and get an actually good therapist who helps build up your resiliency. But when your issue is concrete, something large and inescapable? It's useless. At best it can help you develop coping mechanisms, but there is a limit for that. There is a point where that fails. To develop the ability to handle something like this requires intense development of a comfort with ambiguity and dissonance and being isolated and a firm positioning of your purpose and values and and belief in wonder and all the other shit I ramble about. The things that the narrator lacks, which lead him to taking an ineffectual death knell anarchist self-destruction path. Therapy, where the narrator is, full of the knowledge of braces melted to seats and all the people that have to allow this to happen? It fails. 
And meds — meds are a fucking scam. We know the working mechanism of basically none of them, the serotonin receptor model was made up and paid its way into prominence. We have very little evidence they're any better than placebo, and they come with genuinely horrific side effects. Maybe you got lucky. I did, on some meds. On others? I don't remember 2018. The pharmaceutical industry is also known for rampant medical ghostwriting, and for creating 'off-label' uses for drugs that have gained too many protests in their original use, then creating a cult of use to then have 'grassroots' campaigns for it to be made a label use (ie, legitimize their ghostwritten articles with guided anecdotes). 
The DSM itself is basically a marketing segregation plot. It's an attempt to legitimize the disease model by isolating subgroups of symptoms to propose individualized treatments for subgroups that are not necessarily all that separate. But if the groups exist, you can prescribe more and different medications, no? Not to mention, if you use the disease model, you can propose that these diseases are permanent, or permanent until treated, considered more and more severe to offset and justify the horrific side effects of the medications. Do you know why male birth control doesn't really exist? Same reason. They can justify all the horrible side effects for women, because the other option is pregnancy. For men, it's nothing. 
And they're not bothering to invent new drugs without side effects. When they invent new drugs it's just because the last one got too bad of a name, or they can enter a new market. Modern drugs don't work any better than gen1 drugs. They still have horrific side effects. At best, the industry will shit out studies saying the old one was flawed (truth) so they can say this new gen will be better (lie). They're doing it with ssris right now. 
Fundamentally, the single proposed benefit of any of these drugs is that they numb you. To whatever is torturing you. It's harder to be depressed if you can't feel it, or if you just can't muster the same outrage. Of course, there is people who find that numbness to be helpful, or worth it. But often, it's stasis. For the people who have problems that can be worked on, it serves as a stopgap to not actually work on said problems. The natural outcome of the disease model is stagnation for those whose need is to develop skills and resiliency. It keeps them medicalized and dependent on the idea that they're diseased and incapable. Profitable. Stuck in the womb. 
I’ve been there. It’s easier, to wallow, and resist growth because it’s difficult and painful and unfair and cruel and you can think of five billion reasons to justify your languishing. But don’t listen to anyone who tells you you’re just permanently damaged, no matter how nicely they word it, no identity or novel pathologization, no matter how many benefits they promise, especially if they swear up and down some lovely expensive medications with little solid backing and plentiful off-label usage and side effects that’ll kill you. Some days it feels like they want us all stuck in pods, agoraphobic and addicted to the ads they feed us to isolate the markets for the drugs they’ve trained us to beg them to pump us with. Polarization making it as easy as flashing blue light for go, red like for stop, or vice versa. I worry about the kids, for fucks sake. That’s a bit dark and intense, and I apologize. But I want you (generic) to understand, there is a profit motive. Behind everything. And they do not mean well. They do not care about your mental health or your rights or your personhood or your growth. They care about how they can profit off of you.
For those struggling with immovable, society problems, like the narrator grappling with how his job fits into and is accepted by society while his rejection and horror in the face of it does not, it can work about as well as any other drug addiction. Your mileage may vary. From what I've seen, recovering from being on prozac for a long time can be worse than alcohol. They put kids on this shit. They keep campaigning for more. Off label, again. A pharmaceutical company’s favorite thing to do has to be to spread rumors of someone who knows someone who said an off label use of this drug helps with this little understood condition. Or, in the case of mental illness, questionably defined condition. And like, damn, I know I'm posting on the 'medicalization is my identity' website so no one will like all this and has probably stopped reading by now, but yall should be exposed to at least one person who doubts this stuff. Doesn't just trust it. Because I mean, that's the thing right?
It's so big. What would it mean, for this all to be true? Yeah, everyone says pharmaceutical companies are evil and predatory and ghostwriting, but to think about what that really entails. Coming back to the book, everyone knows the car lobby is huge and puts dangerous vehicles through that kill people. What does it mean if the car companies all hire people to calculate the cost of a recall and the cost of lawsuits? No one wants to think about the scale that means for people allowing it or the systems that have to be geared towards money, not safety like they say. Hell, even Chuck misses the beat and has the narrator threaten his boss with the Department of Transportation. And shit, man, if every company is doing this, you think Transportation doesn't know? That they give a fuck? You're better off mailing all the evidence to the news outlets and hoping they only character assassinate you a little bit as they release the news in a way that says it's all the fault of little workers like you, not the whole system. Something something, David McBride, any whistleblower you feel like, etc. 
So I don't blame you, if your reaction is "but but but, that can't be right, people wouldn't do it, they wouldn't allow it" or just an overwhelming feeling of dread that pushes you to deny all of this and avoid thinking about it. Just know, that's in the book. That's all the seatmates on the flights. That's all his fellow officemates. It's easier to pretend, I know.
But think about, how the response fits in with the themes of the book. The story, as a movie too. What drives the narrator’s mental breakdown? How would you handle being in his position? How would you handle being his seatmate? It’s easy to say you’d listen. But have you? Have you had any soul wrenching betrayals of how you thought society worked? How about a betrayal by the thing that promised to be the fix of the first? Can you honestly say you wouldn’t follow that gut instinct, saying follow what everyone says, that person must just be crazy, evil, rude, cruel, whatever it is that means you can set what they said aside?
For a lot of people, they can do that, I guess. Set it aside. Reaching that aforementioned state of managing to cope with the dissonance and ambiguity and despair is very hard. The narrator made the Big Realization, but he couldn’t cope. He self-destructed. Even when people don’t make the big realization consciously, they’re already self-destructing. It’s hard to escape it when it feels easier than continuing anyway. When it feels like the only option,
Would therapy fix the narrator of Fight Club? Would meds fix the narrator of Fight Club? No. He knows too much. All meds will do, by the time he’s in the psych ward, is spiritually neuter him. A silly phrase, but really. Take the wind out of his sails. 
Is he fixed if he doesn’t try to blow up town? If he just shuts up and settles in and stops costing money? If he still can’t cope with the things he’s unearthed? Do you see how this is a commentary in a commentary in a commentary?
Fight Club is an absolutely fascinating story because of this. The fact that it addresses the fallout of knowing. The isolation. The hopelessness. The spiral that results from a lack of hope. This is, I think, what resonates most with people, even if not consciously. Going insane because you’ve discovered something you wish you could unknow. It’s a classic horror story. Should our society be lovecraftian evil? I don’t think so. 
Do I think changing it will be easy? No. Lord knows a lot exists to push people who make these sorts of Realizations towards feelings of individuality and individualized solutions and denial and other distractions and coping methods. And to prevent people who make One realization from expanding on it and considering further ramifications. Fight Club itself gets into this; the isolation of men being a strict part of the role society shapes for their sex leaves them very vulnerable to death fetishes, in a sense, and generally towards self destructive violence. It helps funnel them away from substantial change and towards ineffectual change. Many things, misogyny, racism, serve to keep people isolated from one another, individualized, angry, and impossible to work with. Market segregation; god knows even appealing on those fronts has become such a classic ploy that companies do it now, the US military frames its plundering that way, etc. 
I’ve wandered a bit but ultimately, my point is this: Fight Club is a love letter to the horrors of critical thinking, and the importance of not falling into the trap of self destruction and hopelessness in the face of it. The latter is why Tyler was an anarchoterrorist instead of anything useful. The latter is why it was a death cult. It’s important to work through the horrors of critical thinking so you can do it, and stand on the other side ready to believe in each other. It’s worth it.
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vikvampir3 · 2 months ago
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Tfw when I realize I’ve known this whole time my dazai and general bsd hyperfixation was self destructive and I kinda don’t care
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