#they just looked good thematically

[nitefise-art]

disco elysium x pokemon

@littlebluewraith your brain is so big

[valgeristik]

Ничего не останется от нас, Нам останемся, в лучшем случае, мы

hi. hello. listen to this song

i have so many thoughts about these two. oh my god. maybe i will write it out some day, but for now drawing it out will do

translation will be under the cut! knowing the words does add to the work so i do recommend reading it. or just enjoy the art <3

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heres the translation, color coded according to how i broke it up for the art. just in casies

first page:

Love is scarier than war

Love strikes more true than steel

second page:

More true, because of your own volition

third page:

You run towards all the winds

Let there be pain and eternal battle

Not atmospheric, not earthly

fourth page:

But definitely with you

caption:

There will be nothing left of us,

we will be left with, in the best case, ourselves

[rxttenfish]

as wwdits rounds out its final season, i cant help but think about how the movie ended. as in, the first movie, the one that started this, before the tv show, the one that put forth the idea to have a tv show for it.

which is, if you know how wwdits the movie ends, you know it ends disappointingly. viago reunites with his lover, yes, and transforms her into a vampire, but this is also the only real closure or straightforward happiness we get. vladislav got back together with his ex in a relationship that was unrewarding and harmful to both of them, the ex-familiar immediately makes her husband her new familiar, petyr is dead for good, and what we see of the werewolves is still tense, still clearly not the best situation nor what stu wanted, who went through something traumatic without a lot of closure. its a point being made about cycles repeating, about the disappointment of eternal life and being unable to escape all the same problems that you had as a human, about vampires never changing.

and i kind of worry, because i feel like this kind of disappointing "let down" ending is the kind of thing that would also be appropriate for wwdits the show. the vampires dont change. they try, and they attempt to break the cycle that theyve been following ever since they were made vampires, but they just cant. in essence, they all feel deeply depressed in a way that they cant actually name and refuse to acknowledge, and everything weve seen suggests that vampires will do everything they can to REFUSE to acknowledge that.

but its also the ending that i think people will hate. i think people want them to be happy and they want nandermo to be happy and a couple, they want everything to work out, but i dont think it will. and i dont think the show is any worse if it doesnt work out, if it doesnt end happily, if it continues the cycle of dissatisfaction, if it feels like theyre all just treading the same water. it doesnt make it any less impactful queer media, it doesnt undo the pride parade episode, it doesnt make what its done go away, it doesnt take away anything it already has.

i dont know. i worry a lot about people feeling like they are owed happy endings in media thats fundamentally disinterested in there being a happy ending.

[good-beansdraws]

If you sin, you need to do more than be atoned...

Wanted the counterpart to this art (though I didn't feel like drawing two sets of armor so it's just Amane LOL -- I promise they're still a team!)

[scholar-of-yemdresh]

Bare with me now but I think certain portions of fandoms reactions to a piece of explicitly aromantic media is telling in a way.

So I think TSV's lack of romance from the get go probably weeded out most of the types of people who aren't capable of interacting with media beyond shipping or romance. But even still I see the occasional er take or reaction to the SV's handling of & lack of romance.

I love how the most impactful plot and story relevant relationships are non romantic. I love how almost romantic relationships/attractions are exes,in the past, made the F up (Hayward the F we're you yapping about man?)or not on screen... All but one which brings me to the reason for my post.

But the strong reactions to episode 36 are tickling me.

A lot of people are upset about the ending specifically how they think the tragedy is excessive and depressing for no reason. Personally I belive Sebastian and Devereux did make it out at the end and that last bit was a ptsd flashback to the incident and I do agree that it'll be a bit much for the NPCs we've been following for a whole 1 hour+ episode will meet a grisly end for horror reasons I guess.

BUT the reactions by people who's interpretation of the ending as being more tragic I feel is interesting. I do not believe people would be as upset if it wasn't a romantic relationship that was centered. If Seb & Dev had been unambiguously "just" friends getting sucked into some nightmare Scooby Doo plot, if it was centered primarily on Dev & his sister, if it was only about those non romantic relationships and an unambiguous Bad End, I Don't believe certain portions of the fandom would've cared as much.

I feel people were waiting for a romantic narrative, wanted their cute assumed white yaoi boys to ship as a reward for "sitting through" all the aromantic relationship stuff. Were hoping for a cute soft fluffy romance that they could ship, the right kind of queer representation.

The aro/ace older woman, the Achillean trans man, the sapphic trans woman, all the myriad NB/agender main/major characters is fine...but where's the cis (white) yaoi boys?(nevermind that both of Seb & Dev's VAs are POC)

Idk I guess this is a fundamentally uncharitable assumption to make about people but I notice things and maybe I'm projecting too much

[necrotic-nephilim]

Hello! New to comics and I don't really feel like the New-52 comics are for me and would really like to read and understand Pre-flashpoint and all the dark and good stuff there. Is there an order or starting point you would recommend? Thanks for your time, and I hope you have a great day!

hi! i'm so glad you want to get into comics! i'd love to help with some recs! since you're here, i'm going to assume you're a Batfamily fan and most of my recs will cater to that, but i will try to encompass a bit of everything to help you just understand some big moments and all this mess that is DC canon. adding a cut bc jesus this got long.

so your starting point for pre-Flashpoint is going to be Crisis on Infinite Earths. the TLDR of this event is: DC had a big multiverse in the 70s and early 80s that wasn't friendly to new readers. to try to push their titles more and become a proper competitor to Marvel, they created an in-universe storyline that nuked the multiverse and gave a solid entry point for new fans going forward. this is why you hear terms like Pre-Crisis and Post-Crisis. it refers to the comics canon before and after this event, in 1985. some characters had some big changes (for example: pre-Crisis Jason Todd was a circus kid whose parents were killed by Killer Croc) but most remained largely the same, just simplified. you don't *have* to start with Crisis on Infinite Earths if you don't want to. it's a *good* storyline, but it's a big one and a lot of big multiverse-scale stuff happens. so as long as you understand it as "big event that nuked DC's multiverse and gave the world a clean slate in 1985", then you've basically got the gist. also Barry Allen dies during it, but he comes back so don't worry about it.

in general, if DC has some big timeline/canon-altering event, they're going to call it a Crisis Event. the only Crisis Events that will matter to you, trying to get into pre-Flashpoint are

Crisis On Infinite Earths - the above, starts the Post-Crisis/pre-Flashpoint timeline

Zero Hour: Crisis In Time - an event in the 90s that sought to fix some of the kinks that the above Crisis caused, like fixing the origins of the Legion of Superheroes and other Golden/Silver Age characters, not *super* important tbh

Infinite Crisis - this was a big event that brought back some characters who got nuked by Crisis on Infinite Earths, unfucked Power Girl's backstory, and set the groundwork to bring back the multiverse. if you've heard "Superboy Prime punched a hole in reality and it brought back Jason Todd" yeah, this is the story where it happened

Final Crisis - a big event that was partly meta commentary but heroes fought Darkseid, Batman died for a hot second, it was all a big deal about evil winning and all that

Flashpoint - the event that nuked this timeline, a big storyline to do with Flash and the timeline that would result in the New-52 in 2011

are you confused yet? good embrace the confusion it's going to become second nature of a comic fan. you don't need to read these events as a beginner. you really don't i promise. they'll sound big and important, but besides Crisis On Infinite Earths and Flashpoint, the start and end of this era, the rest you can just kind of breeze by so long as you understand the big plot points like Batman dying or Superboy Prime punching reality. unless you really care about a character central to these stories, skip 'em for now.

now for any character, if they have a Year One comic? that is a very safe bet as a place to start. it is what it sounds like. Batman: Year One is going to be Bruce's first year as Batman. same as Green Arrow: Year One, Batgirl: Year One, etc. when in doubt, if there's a Year One, start with Year One. (note: for Superman, his "year one" type story is called Superman: Birthright and it is worth reading if you like Superman)

for Batman, i am holding you by the shoulders when i say this: people will tell you to read The Killing Joke. they're liars. do not listen to them. it's a bad story. you don't need it. do not let the Joker fanboys lie to you. people will also say Dark Knight Returns. don't listen to *them* either. i *like* DKR, i talk about it a lot here. it's not a good intro to Batman. it's an AU story, it's not canon, ignore it for now.

now where you *should* start with Batman, imo, is as followed

Batman: Year One - as said above, Year Ones are good, this is solid to start with

Batman: The Long Halloween - this is an iconic story and it's a followup to year One

Batman: Dark Legacy - the followup to Long Halloween, also a very good story

Batman: Hush - this story is a solid starter if you want to understand the general vibe of Gotham, the typical characters you see in the Batfamily, and a good Batman villain

once you've got the basics down, you *can* get into the big boy storylines like Batman: Knightfall and Batman: No Man's Land, but don't worry about those right now. they're long and complicated and shouldn't really be your starting point no matter how good they are.

other very good pre-Flashpoint comics that are easy to pick up and iconic storylines

Death of Superman - this is a long arc in the Superman run that if you collect in trades, goes Death of Superman, Funeral For A Friend, Reign of the Supermen, Return of Superman, Doomsday. it's long, but a very iconic storyline

Wonder Woman by George Perez - this the run that helped define modern Wonder Woman within the pre-Flashpoint era

JLA: Year One - if you want a good Justice League story where you get characters besides Batman, Wonder Woman, and Superman taking the shine, this is a great place to start

Green Arrow by Mike Grell - start with Green Arrow: The Longbow Hunters and then go into Green Arrow (1988). this has the darker, very 80s vibes that gets a bit gritty and very realistic with the issues it faces bc Green Arrow comics tend to be more rooted

The New Teen Titans by Marv Wolfman - this technically starts before pre-Flashpoint, don't worry about it it's fine. a good run for all of these characters, can get a little confusing, it is okay to be confused do not be afraid to google shit

so, some big stories out of the way i'm just. honestly going to run down the line of the major pre-Flashpoint Batfamily members and give you comic recs for them that you can start with. (besides Bruce obviously, bc well. see above)

Dick Grayson

NIghtwing: Year One

Robin: Year One

Nightwing (1995)

Tim Drake

Batman: A Lonely Place of Dying

Robin (1990)

Robin II: Joker's Wild

Robin III: Cry of the Huntress

Robin (1993)

Barbara Gordon

Batgirl: Year One

Birds of Prey (1999)

Jason Todd

Batman: The Cult (as Robin)

Batman: Death in the Family (as Robin)

Batman: Under The Red Hood

Red Hood: Lost Days

Cassandra Cain

Batgirl (2000)

Batman: No Man's Land

Jean-Paul Valley

Batman: Sword of Azrael

Batman: Knightfall

Stephanie Brown

Huntress/Spoiler: Blunt Trauma

Batgirl (2009)

Selina Kyle

Catwoman by Ed Brubaker

Helena Bertinelli

Batman/Huntress: Cry For Blood

Huntress: Year One

Birds of Prey: Manhunt

Damian Wayne

Batman & Robin (2009)

there are other very important pre-Flashpoint stories for all of these characters, but these are starting points more than anything. figure out what characters you're interested and go from there. understanding the universe at large helps, do not get me wrong. but at the end of the day, comics are a choose your own adventure of who you want to give a shit about. you're *never* going to read everything "important" and you're probably not going to understand everything. that's okay. don't treat it like a media you need to "complete" like a tv show or a movie, but more like an open world game where you decide what characters/teams/stories you like the most.

pre-Flashpoint covers a lot of ground. some stuff will be darker and grittier, some stuff will be more light-hearted. it will all be about what titles you pick up and what characters you decide you want to read about. you're obviously going to get a much more grounded storyline out of Green Arrow than you are say, a JLA comic. i prefer the more grounded, "street level" sorts of characters. (if you like gritty detective stories, i will be biased and highly recommend the Question (1987) just because. i love him okay.) but you might find you like sometimes more worldly and big scale. at the end of the day: don't force yourself to love a comic you're not enjoying, even if you like that character. you can put that shit down. sometimes, "important stories" are by shitty writers that you won't enjoy reading and you shouldn't make this hobby a chore. i don't care how "critically acclaimed" it is, you don't have to like it if it doesn't click for you. and on the flipside, a comic might be considered "bad" but you may enjoy it (a personal example: Robin III: Cry of the Huntress is considered a very weak comic. don't care. i love it anyway.) accept the cringe, have fun, and enjoy yourself at the end of the day. none of it will make sense anyway so just read what sounds cool to you.

this was all over the place and rambly, but i hope it helps at least a little! welcome to comics anon! if you or anyone else would like more character-specific recs, feel free to ask! if i don't know, i can at the very least hopefully point you in the right direction <3

[sword-day]

BETTER CALL SAUL 01x09 Pimento

[jonsnowunemploymentera]

Jon becoming KiTN in Winds (specifically) would actually be bad as far as themes go

[all-about-the-tea-parties]

It’s funny to me that the writers of fallout most definitely intended for the audience to attach father daughter vibes to Lucy and Cooper, but have seemingly ended up with most ppl shipping them

I blame the fact that they did not make Lucy an actual child and instead introduced us to her with her shameless and enthusiastic interest in sex

Like

Her first character trait you gave us is that she’s bored and lonely

The dad stuff is new. The “my dad is missing” is not an intrinsic aspect of her history, it’s an entirely new plot point that she’s honestly not approaching with any real sense of terror.

Her first real human thing were shown is that she’s ACHING to be married, to find her person, to connect and build a life.

COOPER has built in family trauma issues. His first scene is LITTERED with family complexes. We’re left wondering if his daughter made it.

Lucy? Lucy watched her dad get kidnapped and then happy go luckied her way on a search and rescue mission. She fully expected for that to be successful, and then resume her mission to find a partner for life. Her first trauma wasn’t even him getting ‘napped. It was her husband betraying her and attempting to kill her.

The other meaningful story she has is another romance. She’s not exactly trudging through her narrative with this bleak “give me my father” outlook. Again, that’s cooper.

Her whole arc is becoming the honourable sheriff that Cooper gave up being. She’s literally WEARING HIS COLOURS.

Like. There was no chance in hell that when that lost to the darkness outlaw encountered a flash from the past do gooder and paused his murder spree to take her in, with humour, not aching loss, that anyone was gonna do anything but ship them.

I love a good father daughter thing - I adore them. This? This is so not that.

[brofightiscancelled]

So if choro hate real…. What’s the current actual ranking of the brothers.

my overall brother ranking is here.... i thought about this a little more deeply and i think if you break down the definition of "i like this character" between "i like rotating this character in my head" and "i get joy from seeing this character in fanart/amv/official illustrations/merch", the rankings are different

rotation ranking: oso > totty >>>> choro >> kara = jyushi = ichi

joy from seeing them ranking: jyushi >>>>>> ichi > oso = kara = totty >>>>>>>> choro

[fiona-fififi]

The way people sometimes refuse to acknowledge that writing choices that clearly go against established canon should mean something is endlessly frustrating to me. We don't have to agree on the interpretation, but these writing choices SHOULD mean something.

Otherwise, it's shitty writing.

[shhhhimwatchingthis]

ok yeah, I'm willing to put Young Royals up as one of, if not the best teen drama ever written

and not just writing! cinematography, costumes, music, performances! this show truly is a masterpiece

[coldflasher]

currently doing important fic research, googling poignant and relevant images such as "wentworth miller eyes" and "grant gustin shirtless"

[devilsskettle]

i've watched a lot of good films lately in an attempt to catch up with a bunch of movies that have come out recently, but talk to me was the best movie i've seen in a LONG time

[bahoreal]

just everything about the love stories of maggie and nina and crowley and aziraphale being different but the same, crowley being in love for forever and wanting to be with aziraphale more than anything bc his heaven related cynicism lets him want things for himself but aziraphale still believing heaven can change things and feeling like he needs to have a purpose (he never stopped being an angel he still needs that purpose!) and believing heaven is the way... im just biting the walls i cant stop thinking about the kiss and aziraphale touching his lips after, like crowley introduced him to the delights of food and liquor and crowley introduced him to this too and it felt awful and it felt amazing and he liked it and he wanted to like it but he just wants crowley to want what he wants and try and work with heaven and without that he cant indulge, he cant want crowley back, its just the wrong time and the right being, like we're meant to expect that crowley will still be there waiting for him ("i hope she'll be there when im ready but there isnt any guarantee" "there is") but crowley spent all his time following aziraphale around, crowley is living like all he wants is aziraphale, and aziraphale isnt on the same page, and aziraphale is going to get whisked away and distracted and the crowley he finds again when he comes back wont be the crowley that he left

[sammygender]

THANK YOU OLI I don't get the season 8 hype. No Cas, Sam and Dean have the same conflict they've been having the entire show with no new angles like why????

YEAH LITERALLY. inital conflict is literally dean being angry at sam for trying to move on and heal which is just so intensely unlikeable and for some reason i was shocked by it and it made me genuinely dislike him. to me dean is at his most awful in s8..... like he's not. he's definitely not. gadreel possession in s9 and like most of s9/10 with the mark is much worse than anything he does in s8 and killing amy in s7 was sooo awful too. but dean is just so intensely a dick in s8 and i was so angry with him and not even in a fun way. like in s9/10 he is AWFUL but i enjoyed the drama. i didnt even enjoy the interpersonal drama in s8. which is when you know something is wrong

then again. im probably too harsh on it and am basing it off memories of sitting through the first half because i LOVE the trials and sacrifice and the great escapist so so much. and i love kevin <3 he's s8 right. but. to me s8 will always be the worst season. maybe i just hate what it brings to the shows canon. sam leaving dean for a girl and a dog (which is NOT EVEN WHAT HAPPENED... and if it WAS it wouldve been justified.... id support sam even if i thought he abandoned dean unprovoked idc.....) is constantly brought back like the worst of his sins even as late as like. s11. SHUT UP. first half of s8 is just upsetting for sam reasons and not in a fun way