#they have the same goal but that does not mean that they have to get along

[xinganhao]

🍨 svt spoiling their partner.

★ prompt: how ot13 spoils their partner? 🥹🥹🥹 i am just a girl give me treats c/o @shinwonderful

ⓘ established relationship, pet names, fluff. headcanons under the cut. special thanks to @chugging-antiseptic-dye for helping! ♡

🍨 read more?

seungcheol 𖹭 planning dates. he will refuse to let you lift a finger for your day out. everything will be meticulously laid out, finetuned to be something that you'll enjoy. his goal is to lessen the mental load of decision-making and planning; he wants you to be able to focus solely on enjoying the surprise, and he'll break his back to make sure that happens.

jeonghan 𖹭 'parallel play'. even if the two of you might not be interested in the same things, that's okay. he's happiest to spend quality time with you at home, where the two of you are free to do your own thing within eachother's presence. just being in your vicinity already makes him content, and so he plans everything around the two of you getting to explore and share your respective hobbies.

shua 𖹭 acts of service. need help with your taxes? need someone to fill up your tank? he's already on it. he'll say that these are all 'little things', call it the bare minimum, when it's apparent that he makes it a conscious effort to make your day-to-day easier. his brand of spoiling you comes in the form of quietly doing things that will improve your quality of life.

junhui 𖹭 buying clothes you'll like. he can't help it, really. when he sees an article of clothing that he thinks suits your style? when he finds a local brand that shares your advoacy? he's already pulling out his wallet. he likes the idea of dressing you up. nothing makes him happier than knowing you're wearing an outfit that he entirely picked out for you.

soonyoung 𖹭 daily reasons why he loves you. people always joke that he has a bit of a motormouth, so why shouldn't he use it on talking about you, you, you? he's big on words of affirmation, on making sure you never doubt how he feels for you. he'll point out the little and big things that make him adore you, and it's never the same reason twice.

wonwoo 𖹭 indulging your interests. he may not always understand these trends— blind boxes, must-have fashion pieces, et cetera— but he'll never make you feel bad about it. if there's anything that you want, he's already doing everything within his power to get it. his greatest joy is seeing your face light up once he's gotten you your 'priority' item; it's why he keeps doing it in the first place.

jihoon 𖹭 trying new things for you. there's a long list of things that jihoon never thought he'd do, but then he started dating you. time and time again, he willingly goes out of his comfort zone to accompany you on the little adventures and experiences that you ask to go on. he does these things scared, does them anxious, does them begrudgingly,— does them all for you.

seokmin 𖹭 meals he thinks you'll like. he's the type to have dozens of tabs open for homemade recipes dot com. he knows he's an amateur at this, but he's undeterred in trying. whether it's a trending pastry on tiktok or the comfort meal that your mother makes you, he's determined to learn it so you're always eating well.

mingyu 𖹭 getting-to-know card games. he gives as good as he takes, which means mingyu's way is to listen and remember. a night where the two of you can just have deep conversations with no interruptions is his ideal evening. he will know he succeeded if the two of you end up talking until the sun rises, feeling like the hours haven't passed at all.

minghao 𖹭 postcards from tour stops. he loves art and he loves you. his postcards are pocket-sized reminders of those facts, always packaged with a few choice words that are sweet and sincere. his trinkets are very "i-got-you-this-because-it-reminded-me-of-you" in nature, and you know each one was purchased with you at the front of mind.

seungkwan 𖹭 getting you your favorites. he figures he should put his industry connections to use somehow. he's always amused by how happy you get over a rare photocard, signed album, or concert tickets, and so he keeps it up. buying dozens of albums, contacting other labels, bearing the arduous ticketing. your excitement at the end of it makes it all worth it.

vernon 𖹭 producing songs. he hadn't really pegged himself as the making-music-for-the-sake-of-it type until he met you. now, he revels in getting to send you a track that's for your ears only. all the lyrics just seems to flow naturally when it's you inspiring him, and so he sends you works-in-progress with reminders that you're the only intended audience.

chan 𖹭 at-home massages. he's all too familiar with the aches of an ailing body, so he knows exactly how and where to work on you. he always does what he calls 'the works'— a good bath, scented candles, essential oils. he lets you take your time, and he takes his time with you in helping you unwind.

› scroll through all my work ദ്ദി ˉ͈̀꒳ˉ͈́ )✧ ᶻ 𝗓 𐰁 .ᐟ my masterlist | @xinganhao

[felassan]

David Gaider: "It occurs to me, after reading posts getting it spectacularly wrong, that there are a lot of misconceptions over how game studios organize and, in particular, who makes the actual decisions about what ends up in your game. Much of it is by folks who don't *try* to get it... but not all, surely. I'll explain it a bit, but a big caveat: I'm going to talk in generalities and roles. Actual titles vary (a lot) from studio and studio, and the bigger a studio is the more segmented their departments (and thus management) is going to be. Even so, most studios, big and small, kind of work the same. To start, you're going to break your devs up into at least three groups: design (what is the game? how does it work?), art (what will it look like?), and engineering (making it go). There can be a lot of cross-over and some departments that don't fit into a project structure (QA, Marketing, etc.)"

Rest of post under cut due to length.

"There's going to be someone in charge of these groups - these are usually called "leads" or "senior leads". The actual title varies. The Design Lead could be a Lead Designer, for instance, or it could be a Creative Director and a Lead Designer is what they call someone further down the chain."

"These leads all report to a Project Director, someone who's job it is to manage the project as a whole. Now, this part gets a little dicey. Depending on the studio, this role can be anything from more production-oriented (they control the schedule) to an outright auteur who micro-manages everything."

"More importantly, it's the PD who hands down the project goals to the Leads: the strategic goals, the needed features, the shape of it all, etc. The Leads then figure out how their department is going to tackle those, and work with each other. If the Leads conflict, it's the PD's role to solve it. How much autonomy or ownership those Leads have is, like I said, really up to the individual PD and that studio's culture. Even in the case of a PD who has a lot of authority over the project, however, they still report to the studio leadership (unless it's the same person, like in a small studio)."

"The studio leadership is going to be giving the PD their marching orders, often in the form of those strategic goals. If there's a publisher involved, that's where the studio leadership is likely getting those goals. The PD, then, ends up being the person who has to negotiate with everyone above."

"What does this mean? If the studio or publisher has concerns about the project, they're calling in the PD to explain. If the project needs more time or resources, it's on the PD to explain to them why and how and when. If there are a lot of layers above the PD... yes, it's a looot of meetings. So while the PD is managing up, the Leads are managing down. With big projects, that means managing the "sub-leads"... those in charge of the individual sections of their department. It'd be unmanageable otherwise, and the bigger the project the more of these there are going to be."

"What does this mean? Well, let's look at the way BioWare broke up Design (as of 8 years ago, anyhow). Design consisted of Narrative Design, Level Design, Systems Design, Gameplay Design, and Cinematic Design (who worked in tandem with Cinematic Animation, which actually fell under the Art Lead)."

"The sub-leads are handed their goals by the lead, and work out how they're going to produce their particular corner of the game and also, more importantly, how they're going to work with each other. Conflicts between sub-leads are handled by the lead, as are ANY conflicts with other departments. What conflicts could there be, you ask? Dependencies, for one. "I can't do X until Y is done, but Y is someone else's job". Or scope. "We need 20 doodads but the sub-lead said they only have time to make 10, what now?". Even outright differences in vision. Big projects means room for a LOT of egos. If you think this is easier with a smaller (or indie) project, the answer is "yes, but not really". The roles are still necessary but often get combined into one person. Or outsourced, and someone still needs to manage the outsourcing. Things fall off over-full plates. It's a different kind of hard. Anyhow, the point of all this is: the further you go down the chain, the smaller the box you can play in is. The less you have actual say over, and even then that say is subject to being overridden by ANYONE above... and must still play nicely with the needs and goals of the other departments. You also need to keep in mind that projects are constantly in flux. Problems that were thought solved need re-solving. The team falls behind schedule and scope needs to change. You are constantly in a dance, within your tiny box, trying to figure out sub-optimal solutions that cause the least pain. And there will be pain. Shit rolls downhill, as they say, and when the project encounters big issues that means those high up have the sad job of figuring out how to spread it out and who can afford to take the hardest hit. If you're that one, you take it on the chin and you deal. This is the job. Lastly, I'll re-iterate: not every studio works this way, exactly. The roles exist, sure, but are not divided up so neatly or as easily identifiable. Even so, this should give you an idea what "lead" and "sub-lead" mean... and perhaps help you imagine what it's like existing further down the chain."

[source thread]

[sleepyparalysisdmon]

Mingyu's expressive eyes

Requested? Yes!

Request: ‘Mingyus expressive eyes ‘

TW/CW: contains heavily implied smut near the end. MDNI. 

Mingyu gives everything away when he looks at you.

He gave you a dreamy look at first, even before you both were together. His members teased him incessantly for the dazed, far-away look in his eyes. His longing wasn’t so obvious to you right away, not until you overheard one of his members tease him about it. And then there it was, so obvious how his big eyes trail after your every move. You find that you like it because it’s a look that’s so full of affection that he doesn’t quite have an outlet for yet.

Then there are the wide eyes that he stares at you with when you tell him you feel the same. You make some assumptions about his feelings, longing stares, and all, but he’s thrilled that you know. Those wide eyes narrow, crinkling at the corners when he grins. It’s a look that you’ll grow familiar with only because it will become a default. 

There’s the sleepy look that he gives you early in the morning or right before bed. He’s fighting with himself in these moments because he would like to stay in bed and be awake to spend time with you. But still, his sleepy eyes drifting shut only to snap open to look at you again is sweet. Especially after a long day of practice, you’ll urge him to stop resisting sleep with a soft sweep of your hand across his cheek, and you’ll turn to mush at how his eyes flutter closed. But if he gives you that look in the morning, you might open your arms to him to keep him there for another five minutes. 

Speaking of, he loves to be in your arms. You’ll learn what those puppy eyes mean. It means he wants your arms wrapped around him with his face buried in your neck. It’s his favorite place to be. He’ll give you that look from his pillow when his side of the bed is too cold. He’ll give you that look when he gets home from a long day of being away from you and all but collapsed on top of you on the couch. 

But he likes to hold you, too. He’ll give you that warm look when he wants you close, opening his arms for you to crawl into. His eyes crinkle at the corners then, too, but there’s something less giddy about it. Oh, don’t get me wrong, you still make him giddy on occasion, but after a while, he’ll grow relaxed in your presence, comforted by the fact that you guys are on the same wavelength. It’s one of your favorite things to feel a smile against your forehead when he pulls you in. You don’t have to see him to know that he still has that warm look in his eyes. 

There’s that doe-eyed look that he gives you when you ask him to help you with something. He loves to help you. The moment you pout and hesitate to ask for something, he’s giving you a wide, soft look that’s full of adoration as he asks you what he can do for you. He’s helpless to say no to you, and the look says it all. 

There’s that watery look that he gives you sometimes, usually when he’s traveling. You can see it through the phone screen on FaceTime that he’s blinking back some emotion at being so far away from you. There’s not much you’ll be able to do to clear that look and bring back another, happier look. It’ll bring tears to your eyes, and the only cure is for him to come back home soon.

Then there’s the dark, steely look that he gives others when he’s jealous. You’d never try to see that look on purpose, but you know he’s a tad possessive. Sometimes, that dark expression is turned to you. But don’t be fooled. He’ll fold, expression shifting to something more vulnerable and open when you ease his worries with a soft touch and some soft words. 

18+ beyond this point

He’s got a fiery look when he becomes dominant with you. You see it staring down at you when he’s hovering over you, making your eyes roll back. Now, that’s his favorite look on you, lost in the bliss, and he’s made it his goal to find out exactly what makes you lose yourself like that. Even if his touch is soft sometimes, he’s relentless about targeting those things that will bring you to the edge again and again. In between those falls, you feel yourself heat all over again at the look of determination in his eyes. 

Then there’s the all-knowing look he gives you when he senses that you need him. He’ll give you exactly what you want - and he usually knows exactly what that is because he sometimes thinks he can read your mind - but this moment does make him giddy, sweeping you off your feet at a moment’s notice to make all your dreams come true. Don’t let him play dumb with you. He’ll let his hands graze dangerously close to where you want them with a bit of a smirk, waiting for you to ask. There's not a single thing that he won't do for you. Ever.

Then there are times that he’s needy. He’ll look up at you where you’re perched on top of him, working him up. His eyes are deep and trusting, with the occasional tears hitting his lash line when it feels too good to the point of overwhelm. He’ll do his best to look at you if that’s what you want, looking totally love-struck when he meets your eyes, but you’ll kind of like that he can’t keep his eyes from rolling either. You get why he likes the look on you because nothing turns you on more than watching those pretty eyes of his roll back with little gasps. He might make you say what you want, but you’ll know what he wants because it’s written all over his face. 

[thedeskofaltoclef]

How I became The Desk of Alto Clef.

My response to a SCP Group designed around Hate and Bigotry who have targeted me and others in this community.

Nah, man, my daughter is dead.

It has been brought to my attention that there is a group of people on the internet who are fascinated with my fascination of Alto Clef and Meri. Hurtful and yet cute in a way so I think now I'll choose this time and these screen grabs from their discord to explain how I came to be 'The Desk of Alto Clef'.

My Daughter died six years ago and it sent me spiraling deep into the bottom of whatever bottle I could find.

I was completely prepared to take my own life and even had the things to 'finish the job' because my life had no meaning at that point. What was another statistic going to matter anyways, right?

It was in one of these dark, drunk moments with a gun when I fell across the Volgun's video on 'reality benders and you' and fell into a rabbit hole.

Drunkenly I fumbled around the wiki and learned more about this broken man known as Alto Clef.

A man whom I could relate to in my own way. A man who, no matter what he did, could never see his daughter as I will never be able to see mine. So thus, I became a very, very shitty cosplayer.

I like to believe that over the past four years my acting ability has increased to a sustainable level and as much as I joke about things I do try to stay humble about it. Though I like to think I've become better but I digress.

I love the lore of Clef and Meri, on or offsite, to the point that I am weird about it I know, but that's how I stay connected to my daughter. Writing the Deskverse is how I stay connected to my daughter.

I am also autistic which causes me to hyper fixate on Clef as a coping mechanism.

Because of this group of people I have greatly considered leaving the community and going back to my own personal solitude. Acting, Voice Acting, Cosplaying as Clef gave and still gives me something to live for again. I may not be this group's cup of tea but I do like to believe that I have helped others. My main goal has always been to uplift those who need uplifting. I do not want anyone to ever feel how I felt in my lowest and darkest moments.

The main story in the deskverse is about a father and a daughter torn apart by the actions of an abusive mother. My real life story.

I also have ZERO clue as to why I am being involved with misogyny or yuri things. If I have offended you in any way I do apologize.

I do not plan on posting the more 'suggestive' or 'lewd' responses they have made. Overly sexualized content does make me extremely uncomfortable.

This group of people have broken my heart into pieces. Seeing this list of images and names dragging me through the mud has already smashed my unstable self-esteem as it is.

At this time I do not plan on releasing any names associated with all of this because I am honestly tired of reliving the most horrid event of my life over and over because I, for whatever reason, do not fit what this group feels is acceptable of an actor/writer/fan.

I cannot say the same for the others in which they were assaulting.

In summary Alto Clef is an outlet for the pain I live with every day. I can never see, hold, hear, smell, or speak to my daughter. I have scars on my body from her mother that will never allow me to forget that life I had. I will always remember the taste of gunpowder but thankfully my drunk ass was too weak. If your going to be bad at something, be bad at that I suppose.

I will leave all of this with a final image from the copious list and the one that honestly hurts me the most. I am honestly a shy and reserved person and frankly it takes a lot for me to get out of my comfort zone. Not long ago I went to another SCP discord server because I wanted to meet new people and someone in there was awesome. I truly enjoyed my time with this person and just found them amazing. They were kind, open, willing to listen to my ideas, and gushed over Numberonedoggo. I thought I had finally made a new friend on my own. I was apparently wrong.

Art, from some of my favorite artists, was made for the sole reason of mocking me specifically. To laugh at me for finding joy in something that gives me purpose. Something I use to drive away the darkness.

No age, disorder, illness, or reason at all can be acceptable for anyone to act in this way. You are all a mockery of everything the SCP community should stand for.

-TheDesk

[deonsx]

Relationship life with blue lock boys

Feat: Nagi,Bachira,Rin

Nagi Seishiro

Nagi wouldn't likely be one for grand romantic gestures or constant displays of affection. His approach would focus on spending quiet, peaceful time with his partner, avoiding overly emotional or complex matters that might feel tiring to him. Not Clingy, but Devoted While Nagi might appear indifferent at times, his devotion would run deep. If he trusts his partner, they would become his "comfort zone," and he would try to keep the relationship stable in his own way

Nagi would enjoy low-effort activities like playing video games, watching movies, or just relaxing with his partner. For him, spending time together should feel natural and unforced. Drama is not something Nagi would tolerate in a relationship. He'd avoid conflict and might retreat if things get too tense

Nagi isn't someone who openly expresses his emotions, so his love would show through small actions rather than words.For example, setting aside time from football or gaming to be with his partner would be a sign of his affection.Building an emotional bond with Nagi would take time, but once he's attached, he would be loyal and reliable. As he grows more comfortable, he'd gradually open up and show more warmth in the relationship

Bachira Meguru

Bachira is full of energy, and he would bring that same enthusiasm into his romantic relationship. He loves making things fun and exciting, so a relationship with him would always be lively, with lots of spontaneous moments. He might not take everything seriously, but his playful nature would keep things light-hearted and joyful

Bachira isn't shy about showing affection.

He would probably express his feelings openly, even in a somewhat exaggerated or dramatic way. Expect lots of playful gestures like hugs, teasing, and spontaneous compliments. He would make sure his partner knows they're special to him

With Bachira, life would never be boring. He's always looking for new experiences and would likely try to pull his partner into spontaneous adventures, whether it's playing soccer, going to new places, or doing something completely out of the ordinary. His partner would need to be ready for unpredictability!

Despite his playful and sometimes wild personality, Bachira is a team player and would be a supportive partner. He would encourage his significant other to follow their passions, and even if things get tough, he'd cheer them on with a smile. His positive attitude would help keep the relationship feeling upbeat

Rin Itoshi

Rin is emotionally closed off and tends to keep his feelings to himself, so a relationship with him would require patience. He's not someone who easily opens up, and he might take a while to trust his partner fully. It would take time to break through his cold exterior and show him that it's okay to be vulnerable. Loyal and Protective (Once He's Involved)Once Rin is committed to someone, he would be fiercely loyal and protective. His sense of duty and responsibility extends to his relationships, and he would do whatever it takes to support his partner, even if he doesn't always express it in the most conventional ways

Rin's life revolves around soccer, and that drive can sometimes consume him. A relationship with Rin would need to fit into his intense schedule and ambitious goals. He might not always have time for his partner, but when he does, he would expect them to understand and respect his dedication to the sport

While he may not be the most outgoing or playful partner, Rin enjoys simple, quiet moments. The relationship would likely involve spending time together in peace, such as watching soccer games, training together, or just being around each other in silence. His partner would need to understand that his focus on soccer doesn't mean he doesn't value them

Enjoy!

I WANT TONS OF REQUESTS I NEED TO DO ANYTHING RELATED TO BLUELOCK I WILL SPEND MY ENERGY ON THIS

[northern-passage]

I really don't get how Lea could ever think they and the Hunter were a team, when apparently they knew about the collar thing while the hunter didn't even know??? They are the literal embodiment of the Hunter's alienation and dehumanization. Will Lea (and the narrative) ever acknowledge how fucking despicable the order actually is??? They're a bunch of child abusers who prey on poor families and practice human trafficking. On that note I actually deeply despise the Hunter's mentor. That fight scene with him forcing us to stand up again and again? I don't care that the same was done to him and he did it to make the Hunter stronger or whatever. That was the same logic my grandmother had when she hit my mother, and she would have done the same to us if my mother hadn't cut ties with her and broke the cycle of generational violence. I'm sorry. I probably shouldn't play this game right now as it very clearly trigger some things within me that I should address elsewhere than in your ask box, but I guess I needed to express how helpless the Hunter made me feel. Especially with Lea. My character (and myself I guess) couldn't sit down and have a normal conversation with them given how blind they were to the Hunter's situation, and that was even before I understood what the collar thing truly meant after replaying the demo and reading the last snippet you published. Lea comes from a powerful family with ties everywhere, they are literally called our 'handler', and they know what the ladder does to someone (both short term and long term, mentally and physically)... And they truly think them and the Hunter are the same??? Equals??? The only explanation I can find is that they grew up their entire life within the order and never knew anything else, and so this is a case of great ignorance and deep denial. They need a good wake up call and a lot of character development, but when I see Noel's reaction and Lea's behavior during their rival route, I'm kinda worried.

well... i mean most of what you've mentioned here is The Point. Lea is a hypocrite, and the hunter can argue with them and refuse their partnership because of it. Jorah is an asshole and treated the hunter poorly at times, to the point that him and Rodrick argued about it frequently, and is why Rodrick attempts to intervene when they spar. the Order does cause harm and coerces people into their ranks, usually children or those that are more vulnerable and lack other options; and this is always true no matter how the hunter tries to justify it and convince themselves otherwise. all of the people and institutions in this game are complex, none of them are righteous, and they exist as they do because i have something i want to say-- all of these are choices i've intentionally made when writing this story.

and we're only on chapter 1 right now (and even before the rerelease, only on chapter 2), all of the characters need character development, none of their arcs have even started yet.

this story is supposed to make you Feel, big feelings and little feelings, my goal is for people to connect with the characters or at the very least just empathize with them and have a desire to see their stories through. i'm not out to trigger people but this game is intended to be a dark fantasy that explores heavier topics. i'm always open to discussing my thoughts behind certain characters/narrative choices and i will always welcome suggestions if you feel i need to add something to the content warning list, but i really don't like asks like this, and i'm not really sure how to respond as a stranger on the internet. you can either trust me and my intent as the author, or maybe it would be better to not continue with the story if that's what is best and safest for you. only you can know and make that choice, not me.

[grumpchump]

Adding the full yap because a few people asked for it !

(no fast pass spoilers, I'm not caught up yet anyway!)

I feel like this theme applies to almost every character in the main cast.

First of all, we all know that one of Chase's biggest aspirations is to be a famous singer, even though nobody in his life really thinks he can do it. He seems perfectly aware of this. He knows that everyone thinks his dream is impossible, and maybe part of him thinks the same thing, but he just doesn't care. He's still extremely determined to realize his goals despite what everyone thinks of him.

Buddy especially doesn't think very highly of him (at first!)- throughout a good portion of the season, he constantly assumes Chase is going to give up the stories as soon as they get hard. But as Chase says in Sick Day, it's not his style to give up. He is so much more than what a lot of people expect him to turn out to be and he's so cool and I love him so bad

This applies to Buddy pretty obviously too. He's meant to be a cold and ruthless villain, and he certainly does try to be that. He's tough and more than a little mean at times, but we can see pretty consistently that he isn't as heartless as he might want people (Chase) to think. Even from the beginning when he's determined to antagonize Chase and get his key, he drops hints and helps him to finish the stories.

I always thought the scene in the Cinderfella arc where he tells Chase that he can eat the storybook food was really interesting. Like, he has no incentive to do that. He has no reason not to sit by and watch Chase suffer wanting to eat the desserts. But instead he does this small act that is, whether intentionally or not, actually kinda nice of him. It's just another small moment that shows that the villain persona people expect of him isn't really all that he is.

(This is a smaller thing, but I think with his exterior and how he acts in the books, we kind of expect him to be cunning and hard-working. I believe Punko said in a Q&A that in his free time he's actually an extremely lazy person, contrary to how we usually see him. I'm just mentioning that because I think it's funny and I love him a lot.)

Deacon is an extremely complex character with so many layers that I honestly am still grappling with, this guy's really cool.

A lot of his struggles are with the expectations placed on him. We know his whole life and career have been planned out for him by his parents. There's constantly a lot of pressure on him to work hard at this path that has been chosen for him, but in reality, he doesn't want any of it. My man just wants to read his shitty fantasy novels and chill with horses, give him a break !!

He's also constantly trying to defy his role as the helper key (specifically in Sick Day and The Book of Deacon). I think it's really interesting how he struggles to accept his role. Chase and Buddy don't actively try not to be the hero and the villain, they just naturally are more morally grey with it. Deacon, on the other hand, is almost a little desperate to go beyond being a helper and fall into another alignment, acting carelessly and causing trouble because of it. And the thing is, it makes perfect sense why he'd do it.

Books are very much a source of escapism for him. Actually getting to LIVE OUT the books is extremely exciting. Inside the books, he has a chance to escape his parents' expectations- being the helper, though, he just feels like he has a new set of expectations placed on him. Once he actually gets to be the hero in The Book of Deacon, he learns that this role is just as tough- again, he's trading one set of expectations for another. There's really no winning for this man lol. but im getting a little off topic here.

What Deacon needs is to reject the expectations his parents have placed on him and do what will make him truly happy. We can see how Buddy and Chase sort of naturally deviate from their expectations just through being themselves, but Deacon is still struggling in this process. Deacon is struggling to be himself in the way Buddy and Chase do.

There is still that level of acceptance he needs to have for his current situation though, specially in his helper role. He's still struggling to grasp all that being a helper means and how it's still just as important a role to take on as the hero or villain. He needs to find a way to balance his responsibilities and his happiness.

In Prunella's case, it's a bit harder to say- as of Friends and Family, we haven't gotten to spend as much time with her as the boys, so we're still learning more about her. I think the irony of this little girl getting to play the role of the big strong hero is sort of a subversion of expectations in itself lol.

We've also seen her upbringing. We've seen her mom. We've seen her house. It's a big awesome fairytale mess, and she doesn't really fit into it at all- being more into wilderness survival, she's not really what most people would assume her to be when they see her home life. Nothing wrong with that of course, just worth mentioning. We also learn in Friends and Family that she's very advanced for her age- she's extremely smart and probably a lot more understanding and level-headed about all the key business than I think a lot of other kids would be. I'd say she deviates from what a lot of people would expect of a child her age.

I'd love to hear if anyone has any other thoughts about her character !! I like her a lot and I'm excited to get to know more of her in the story :)

I wanna touch on the Keys last, specifically Silver. This part will be more speculation, so take it with a grain of salt.

In line with the theory about Silver possibly betraying Chase, this theme would apply perfectly. The way we've gotten to know Silver, she's extremely sweet and caring. She acts very selflessly for her family and friends and is eager to lend Chase a helping hand in saving his mom.

What we need to remember is that her first priority is to take care of her family. Helping Chase with his thing is definitely a means to reunite everyone (since he'll need all 12 keys to make his wish anyway), but it may not feel like she's doing enough. Helping her family and taking care of the Keys is her ultimate goal. If she's the heroine of her story, it makes perfect sense that she would take whatever actions necessary to do this.

The problem is, Cinderella Boy follows CHASE as the protagonist. We're rooting for Chase to evade Ex Libris, collect the keys, and save his mom. From this perspective, Silver betraying Chase, going behind his back, etc. would technically be an antagonistic action.

Am I saying that makes her a villainess? No, I really don't think so. But we've come to know Silver as a kind, supporting force for Chase. All I'm saying is, if she really were going behind Chase's back in some way (referring specifically to the letter she writes to Violet at the end of Friends and Family), it would absolutely subvert ours and Chase's expectations of her. It would line up with the theme of defying these expectations.

This theme is another of the many reasons why the Beach Boys arc is so important.

Circling back to Chase and Buddy, the core relationship at the center of the story- up until this point, Chase and Buddy have not cooperated with each other. Just a few episodes ago was the Toffee Break arc, where Buddy was an absolute menace and Chase straight got him thrown off a boat, lol.

But then Chase sees Buddy struggling to light a fire, and he does something unexpected. Even though he and Buddy have spent pretty much every moment together as rivals, he offers Buddy a tip on how to start the fire. He completely subverts what we've come to expect of their relationship. And then Buddy does something even more unexpected by returning the gesture and sharing his fish.

They're meant to be the hero and the villain- complete antagonists to one another. But in this moment they both choose to defy their expected roles and share a small, nice moment.

Later, Chase offers to help Buddy get out of the dangerous situation he's living in, and Buddy assumes he's lying. He doesn't expect Chase to be genuine about it. But like he says in Beach Boys (VI), Chase gets mad at him for doing the same thing, and he realizes he's been wrong about Chase maybe the whole time. Chase is not at all like Buddy expected him to be.

I think the point Chase makes in this episode about their roles as the hero and the villain is extremely important to the story as a whole. Buddy is meant to be the villain, so he's supposed to be a horrible person. Chase is meant to be the hero, so he's supposed to be patient and forgiving. But Chase says it himself- he doesn't care about that. He isn't the perfect protagonist we might expect him to be. He's an extremely kind and good person, yes, but he also has no trouble standing his ground and acting the way HE wants to, despite what everyone thinks of him. And Buddy, while harsh and standoffish, has plenty of moments that showcase how he's actually quite a caring person when he starts to let down his guard around someone.

Hell, even the entire concept of Cinderella Boy as a whole is kind of a subversion of expectations in itself!!!! A boy finds a magical artifact that lets him enter and play out any story he uses it on, but, ironically, he always has to be the princess?? it's amazing i love it

Cinderella Boy shows us consistently that nobody is stuck playing the role everyone expects them to. Nobody is bound to the perceptions that other people have of them, and everyone is free to defy these expectations and be the person they want to be. Chase says it best in Beach Boys (IV): "Nobody should have to accept being the villain if they're trying their best not to be."

To rap up my yap session, Cinderella Boy is a narrative about defying expectations and other people's perceptions of you and being a person of your choosing and everyone should go reread it one billion more times !!!!!!

shout-out to Cinderella Boy and its ongoing theme of defying the expectations everyone has for you and being more than your roots and upbringing, gotta be one of my favorite genders fr

[laauranenn]

in wbk fandom you can't have conversation about the writing, development and complexity, this fandom is overprotective about nii's mid writing, Any comments about his flaw in writing characters or this plot will be shut down , fandom only cares about shipping and yaoi

the side characters especially umemiya are well fleshed out with detailed backstories , everything in the plot literally revolve around umemiya , the antagonists like choji and chika revolved around their obsession with ume , tsubakino and sugishita backstories included ume too ,nii is focusing on exploring umemiya and his past more than his mc Sakura

Nii can't make Sakura the center of the plot, the plot always revolves around the side cast and their issues ,while the problem Sakura has with trusting people has been addressed and nearly settled, the root cause is still left in the wind. It feels like the issue was addressed, but Sakura himself specifically never got his past elaborated on, but there is prime opportunity for angst and character moments, as well as just humanizing Sakura.

Thank you so much for responding!!

When I said I want to have a conversation, I meant it!! I agree that when you've got a fandom for something, the fans tend to be protective of the media and its author, and that shipping is something that is very prominent in fandom spaces.

But for the sake of this conversation, I'm going to do my best to ignore shipping that isn't confirmed or implied in the manga, and I'm going to acknowledge flaws in the writing if the points you bring up are convincing!

(If it becomes relevant, I'll only bring up things such as Endo and Takiishi's relationship and Tsubaki's affection for Umemiya, but I don't think they'll be something I need to really get into. )

I disagree with all the plot revolving solely around Umemiya, despite how relevant he is to most arcs in the manga.

The reason that Umemiya is so relevant, and is so present in the story, is because Sakura is going to take his spot someday. Sakura comes to Furin intending to take the top spot, a position that is currently filled by Umemiya.

For Sakura to make it to the top and it mean something, we need to understand what the position truly entails, and how it came to be. Which is what all the information we get on Umemiya is for. We're learning of his journey to the top and how he has shaped the world and its inhabitants.

For Choji and the Shishitoren arc, I'd like to argue that his obsession with Umemiya is about his position, and not about Umemiya himself. Choji and Umemiya are essentially in the same position, just in different teams. Which is why Choji focuses on Umemiya the way he does.

Choji and Togame share the same notion of power being a means to freedom. Choji latches onto this and decides that he wants to be the strongest, and therefore the freest. But when he reaches his goal of being the strongest, it turns out to not be like how he imagined, and the team takes a turn for the worst because of this.

Umemiya, however, is the strongest of his team. Yet he isn't experiencing the same boredom and despair as Choji is, despite being at the top. This is what Choji is so focused on. It's less about Umemiya as a person and is instead about the position he's in.

Sakura does also play an important role in the Shishitoren arc. The whole conflict likely wouldn't have started, or wouldn't have gone the way it did if it weren't for Sakura being there. Without him, the conflict likely would've been resolved differently.

Sakura and Togame's fight is important for both characters. For Sakura, he has a fight with someone where they both respect each other, likely for the first time. And for Togame, Sakura opens his eyes to the ways he's been acting, the ways he's gone against his own beliefs in order to salvage what is left of Shishitoren.

As for Tsubakino and Sugishita, they've both known him for years and he's played an important part in their lives.

For Tsubakino, Umemiya has been his friend since their first year in junior high. He learns that Tsubakino just wants to be himself and love the things he loves, which Umemiya praises him for, and tells him he's going to help back him up if someone tries to hurt him again. And they've been close friends all the way to where we currently are in the manga! Umemiya shows up in Tsubakino's story because he's relevant. It'd also be a little strange for Tsubakino to be one of the four kings without Umemiya showing up somehow, don't you think?

And with Sugishita, Umemiya also plays a similar role. Sugishita gets himself stuck in a spiral of meaningless fights he doesn't even want to be a part of, which Umemiya then saves him from. Umemiya saves him and brings him the peace he wants. This then manifests into his loyalty to Umemiya, as well as his friendship with the four kings.

With Sugishita, this also gives us insight into why he seems to hate Sakura so much. From the start we've known the main reason for it, which is Sakura aiming for Umemiya's spot in the school. But with the most recent chapters, we see why exactly he is so offended by this idea. Umemiya brought Sugishita peace, something that Sakura is actively disrupting. How could someone like Sakura, who's constantly snapping at people, and running into fights possibly measure up to Umemiya and what he's done for Sugishita?

It adds another layer to Sakura and Sugishita's rivalry, which I find incredibly interesting!

It's true that a lot of side characters are getting detailed backstories, while Sakura hasn't really had one yet. But in my opinion, this works out nicely with the way it's executed. It adds to the worldbuilding and makes the characters and the town feel more real, more solid.

I've really enjoyed learning about all the characters, as well as their relationships with each other. It makes Makochi and Furin feel like actual places with actual people, rather than just something that's there to only serve the main character.

As for Sakura's lack of backstory? I can see why you're itching for one, but I can't see it fitting into the story well if we got it right now. I also don't think that there even is a lot to it, not a lot to tell. We've already got a lot of info about Sakura and why he is the way he is, even without a proper backstory.

Even the first chapter makes Sakura's past very clear. He's a boy who's been mistreated for his looks for his entire life. It's brought up a couple times in the first few chapters even.

"How ya look doesn't matter in a fight, that's why I came to Furin"

"This is more like it. This is the right reaction. Everyone is always pushing me away, rejecting me, dismissing me-"

Sakura is someone who's been isolated growing up. This shines through in the way he interacts with others. Sakura is much more confident in a fight, he handles himself better in a fight. But when he interacts with others in a casual setting, he stumbles and gets flustered easily. A lot of the things that show just how alone he's been are subtle or might even be played as jokes, such as the only contact in his phone being a bot that gives you the weather forecast for the day. He also takes things literally. This could be just a trait of his, but it's likely a result of his lack of experience in social situations.

It's a lot of little things that add up. He's slow at texting because he's had nobody to text. He holds a spoon weirdly, likely because nobody corrected him growing up. Doesn't know how to open a Ramune bottle as he's never had one before. (This last one could also just be coincidence, but it all does still add up.)

I'm satisfied with how much we know about Sakura, but I'd love to hear what you'd like to get from a Sakura backstory!! Because it is true we haven't gotten a lot of info on where he was before Makochi.

The lack of backstory for him is because Wind Breaker isn't about his past, it's about him moving forward from it. It's about how Sakura makes a space for himself in Makochi. It's a story about him being accepted, about how a boy hated by all others becomes the hero of the town!

Please do respond again!! Share what you think of what I've said and give me your own observations! I'd love to keep the conversation going :)!!

[acowardinmordor]

Max is interesting here in the ASAAu (very funny to say as a word btw), and I'm gonna go ahead and scoop some of myself into her, and not just because we're both red heads.

The easiest way to get through/out of a depressive cycle, is if you have something to anchor you, something that grounds you, and especially someone.

Max is super messed up about Billy. She's made worse by El leaving for Cali, and moving with her mom to the trailer. So yes, she did spend the fall of 85 teetering back and forth within the bounds of depression and guilt. She does better with a goal though. It externalizes her thoughts enough not to drown in them.

And. She talks to Lucas. Not that Lucas would betray Steve and Eddie with the knowledge of the letters when he finds out about them, but Lucas knows that Steve isn't okay in his repeated year, and Very Much knows when Steve is spiraling. Max listens, and even when she's not talking to the others much, she makes sure to be near Steve when she can. Not that it helps entirely, but she's around, and she notices more proof of the things Lucas mentioned.

She's a freshman, its not as if she can protect Steve from the social stigma, but she's hoping that making it obvious she wants to be around him might mitigate some of his sadness. She makes an effort to be happy and normal, because that pushes him to be the same. She teams up with Robin to demand slumber parties with him where they watch teen romances and eat pizza be as normal as they can be.

All of that means that come winter, when Vecna starts to reach out threads, looking for who he can target, he considers Max, then moves on. She has potential to be broken by the pain she's carrying, but why should he bother, when she's standing next to such a richer target.

[verdantwyrm]

Going to platform myself off this because Hi. I talked about this. Thank you for providing a clip.

Audio in mouthwashing, the sounds, soundtrack, the SFX, everything, are all so incredibly well thought-out and it's a major influence on how scenes are supposed to be interpreted. This is the only time in the game that this audio cue is even played. And it's even a full audio clip found on the official soundtrack called "I Told Him" where you can listen to this more and uninterrupted.

Curly is panicking, why? because Anya Told Jimmy. He's panicking because he's terrified of what Jimmy is going to do now that she has Told Him. It could be anything, it could mean anything, and his only course of action is to Get To Him before he does anything at all. When you click on other interactive things in this sequence, you're only met with the chilling dialogue of

"I have to get to the Cockpit."

For a lot of reasons, but one that stood out the most to me was that's where the rope is, and that's where the gun is (Jimmy doesn't know it's not there.) He is terrified of Jimmy hurting himself, lashing out in some physical way that ends up hurting himself or doing something incredibly reckless that might end up hurting someone else (Which is why Curly insisted that he be there when Anya was Telling Jimmy). And when we do get to the Cockpit he is in fact, standing right outside and right, it's a potential thing that maybe Jimmy was looking for something to hurt Anya with, and because there was nothing his priorities changed to just taking everyone out, because it's easier, its quicker, and he isn't thinking about later, he's thinking about now and reacting accordingly.

Remember that when the ship is crashing, guess who's on the ground shaking? Jimmy.

And guess who's in shock that Jimmy went through with such a thing? Curly.

He knew it was bad, but this was worse, something so much worse than he could have ever anticipated. He thought he did what his role was, the mediator, to calm Jimmy down and to rationalise with him, to remind him and help him through whatever was troubling him. Whether you interpret this as him lying through his teeth, or him being genuine, the goal here is the same regardless, to Calm Him Down. Which Curly thought he did, hence, the small sigh of relief.

He had no idea what was going to happen, but his panic, his heart racing, and his urgency were all very well the right thing to have, but nothing could have prepared him for what was going to happen.

Something interesting to note, that others have pointed out before. As curly rushes to jimmy, the sound track sounds like a racing heartbeat. Curly is panicking here, maybe even on the verge of an anxiety attack or panic attack

[wake-me-up-inside-imagines]

HI ! I hope you are doing fine.

Could we have an AU where Charlie met his love in a meeting between the different mafia groups. His little dove is either a direct rival or the descendant of a rival mafia chef.

(gender neutral for Charlie's would be so cool!)

Sure thing! Honestly not sure if I did super well on this one but I hope you enjoy it!

Yandere mafia boss with a darling who’s his rival

Gn! Reader

Warnings: Maria boss characters, somewhat stalking, mentions of potential kidnapping, obsession

Divider credit goes to @strangergraphics

Yandere Charlie who’s been competing with you for years. Being the head of his mafia would never have been easy, he knows that, but most of the time he’s able to get a leg up on anyone who dares go against him, whether it be an individual or a group like his. But with you…he’s never been able to surpass you. He’s not weaker than you by any means, he knows he’s giving you just as much trouble as you are to him, but…it’s not enough. He needs to be at the top, and he just can’t seem to manage that when pit against you and your organization.

Yandere Charlie who’s never met you before, not in person at least, and he never wants to. He knows who you are, of course he does, but why would he ever want anything to do with you? He’s running a tight and brutal business, and you’re getting in the way of what he wants, threatening to surpass him at any moment. It’s like you two are neck and neck, struggling toward the same goal, and he hates it. He needs to be the best of the best, he needs to be the most powerful, he needs to be feared above anyone else. He needs to get rid of you, but he knows that’s a risk he’s in no position to take.

Yandere Charlie who is determined to kill you if you were to ever face him, to wipe out your organization until only those he could use were left. He knows it’s a long shot with the way things are between you now, but all he needs is one opportunity, just one moment of solid luck…

Unfortunately, business comes before his murderous intent. So when a new, unprecedented rival arises, threatening to wipe both of your organizations out, Charlie must do what he can to neutralize the danger and keep his business thriving. And after much back and forth between the two of you, he comes to the unfortunate conclusion that it might be time to create a temporary alliance with you.

Yandere Charlie who doesn’t know what to expect when he goes to meet up with you in person, but he’s not taking any chances. He’s armed to the teeth with a barrage of guards following behind him, and he knows you’ll most likely do the same. It’s a tense situation all around, one he knows could lead to his death if he’s not careful, but what choice does he have? He has to go, no matter the risk.

Yandere Charlie who’s immediately stunned upon entering the meeting room, but forces himself to remain on his guard. You’re more stunning than he ever imagined you could be in person, but surely he should have expected that, right? You’re just as wealthy as him, you have access to every item you could ever need to make yourself appear as dazzling as you look. This is a trap, a mere distraction from the point of the meeting, it has to be!

But…Yandere Charlie can’t help but be drawn to you as the meeting progresses, although on edge. You’re beautiful, but more than that you’re tough, intelligent, and unflinching even in the face of such danger. It’s no wonder you’ve been able to keep yourself afloat in such a brutal business. You’d have made a good ally, if things were different.

Yandere Charlie who leaves the meeting with a new allyship, but also with new intrigue. He needs to know more about you…for security reasons. That’s why.

Yandere Charlie who only grows more infatuated with you as time goes on. You don’t seem to be warming up to him much, no matter how much time you two have to spend planning together, but he’s certainly warming up to you, becoming more and more infatuated by you to the point of obsession. Every interaction strengthens the feelings he’s trying so hard to push away, his thoughts have become full of nothing but you, he needs to know more about you, he needs to be near you-

Yandere Charlie who tried brushing off these feelings as caution, then curiosity, then hate. You’re supposed to be his rival! He’s supposed to be wary of you, to be plotting your downfall as soon as the other threat is taken care of, so why? Why is he so enamored by you? It has to be for the sake of his own organization, right? He just wants to make sure he can exploit your weaknesses, right? He hates you with his whole being…right?

Yandere Charlie who denies his feelings until he can no longer stand it, his heart threatening to explode at any moment. It’s not normal to become so flustered around his rival and he knows it. He shouldn’t be fantasizing about kissing you, he shouldn’t be desperate for your absent affection, and he definitely shouldn’t be scouring every source he can find for information about your type, what you like, if you have a partner. He’s in love, and he simply can’t stand not having you to himself anymore. He needs you, he needs you now.

Yandere Charlie who knows you’ll never fall for him, not if things continue on the way they are currently. He’s delusional, but he’s not stupid. He can’t trick himself into believing you’re a helpless thing that needs his protection like he could with a civilian darling, because you’re literally on par with him in terms of power and skill. You’d most definitely attempt to get him assassinated if he treated you as anything less than the powerful person you are. But…

Yandere Charlie who knows that if you two were to get married, it would mean your organizations would combine. Which means that you’d both have more power in a partnership. It’s a tempting offer considering what could be a stake, but hey, making an offer can’t hurt, right? (It can).

Yandere Charlie who hides his devastation at your adamant refusal, his brain racing as he tries to understand. He gets that your rivals, but do you really think after all you’d been through at this point that he’d backstab you? I mean, it’s a brutal business, but really? Is he that much of a perceived danger to you? How else is he supposed to show his love and dedication to you without coming across as weak?

Yandere Charlie who under normal circumstances would move on to kidnapping, but with you, he can’t. You’re too powerful and he knows it, there’s no way he’d be able to take you away, let alone hide you away in the safety of his house. For the first time in Charlie’s life, he’s stuck. He’s unable to obtain the one thing he so desperately wants, and you’re none the wiser to it. He wants you so bad, but he can’t have you, and so he sits in his misery, every interaction with you breaking his cold heart a little more.

All he can do now is get closer to you and pray that an opening pops up. Or that you change your mind and fall head over heels in love with him. It can’t hurt to dream, right?

He’ll have you one day, he’s sure of it. He has to, because if he can’t have you…there won’t be much of his sanity left to keep him a float.

He just hopes you’ll come around. For his sake, and for yours.

[cal-daisies-and-briars]

🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼🔼

Oh Shannon my love 🥹🥹🥹 she needs to cuddle w her bfs and Chris and Baby Jane. And maybe have a girls night with Maddie💗💗💗💗

I wish it would go that smoothly! (could I make that happen? yes. will I? no!)

96 for 🔼:

---

“You?” He mock gasps. “You have been causing trouble?”

“She’s too young for this kind of humor,” Eddie shakes his head, lips quirking into a smile. “She’s too young for silly faces, even.”

Buck shrugs. “Giving her a head start on eventually being funny.”

“Oh, does she need that?” Eddie asks. “Maybe I should send her to Chim…”

“Hey!” Buck complains. 

But he’s not actually upset. He’s accomplished his goal. To break Eddie out of this spiral. So while Eddie chuckles, Buck circles back to a solution. 

“You take it easy tonight,” Buck says. “Go to bed early. Drink all my beer if you want. I’ll take care of the baby. We’ll have a lowkey night. You can sleep.”

Eddie takes a deep breath. Buck can see the want in his eyes. 

“Are you sure?”

“Totally,” Buck says. “Least I can do.” 

“It’s really not,” Eddie replies. “It’s… I’d really appreciate it.”

Buck takes a step forward to give him a quick kiss. “Anytime, okay? I mean it.”

When Eddie finally sits down, sighing out a good amount of his stress, Buck feels hopeful. He thinks everything is going to be just fine. 

iii.

When Shannon wakes up after a night alone, she feels strange. Not bad strange, but strange. She’s well rested. Slept like a corpse. It’s not enough to catch up on all she’s missed in the past two weeks, but it’s something. She feels like she can make it through the day. 

She misses her kids. Being away from Jane is hard on her emotionally and physically. She wants her home. Texts Eddie as much. Apologizing for her behavior and asking him to bring Jane home. She misses Chris, too. It’s not the same primal ache, but she’s grown accustomed to spending every night in the same house as him, and likes waking up knowing he’s near. He’ll be home later today. 

Eddie responds quickly, saying they’ll be home soon. Shannon showers and dresses and thinks about why she was so upset. Having them all here hurts. Not having them there hurts worse. So she needs to figure out how to process this. How to get over it. The past wounds that feel like they’re ripping open. 

She needs to book a therapy appointment. She hasn’t had one since Jane was born. Who can blame her? She hasn’t had a free moment to herself. Maybe… Maybe asking for one yesterday doesn’t have to be a bad thing. Maybe she needs it, every once in a while. She doesn’t feel as tight with pressure this morning. 

Shannon is brushing through her wet, tangled hair, thinking about small acts of self care she might be able to take to survive this, when the doorbell rings. Strange. They’re not expecting anyone. Maybe Eddie is carrying too much to unlock the door? Though, that’s a her thing, usually. He’s a bit more sensible, in this one way. 

Confused, Shannon puts down her hair brush and hurries down the hall towards the door. She looks through the peephole before she opens, and the sight that greets her is one of the most horrifying sights she could have ever conjured. Ramon and Helena Diaz.

If Shannon could actually puke her heart out of her throat, she would. 

These are the last people on earth she wants to see right now. Or in general. But especially right now. 

She panics. She doesn’t know what to do. Can she pretend no one is home? Do they have a spare key? No. No, Eddie wouldn’t do that. He doesn’t want them around like that. Like this. At the drop of a hat. 

“Hello?” Helena calls.

Fuck. She can tell someone is here. 

Shannon takes a deep breath and opens the door. All she can think about is what of the kids’ things she didn’t put away before bed yesterday. 

“Shannon,” Helena says when she sees her. Her tone is mostly neutral. Less frosty than Shannon might have expected. 

“Mr. and Mrs. Diaz,” Shannon says. “I didn’t know you were coming to town.”

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ��from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[al-luviec]

still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)

[ratatatastic]

its finally luosty turns last but not least eh? his topic? cranky sasha 🤣🤣🤣 (whoever came up with these topics wanted to get sasha riled up oh my goddddd)

ofc the way he chooses to show off cranky sasha is through his spartan hockey huh and OF FUCKING COURSE he gets lundy to come up and help him because who else but lundy does sasha crack the good ole whip for IM DYING

he also makes sure to mime in the goal posts too so everyones on the same page that this is of course about hockey because this has turned into an improv exercise mama hes a star hes a THEATRE kid

luosty is very good at mimicing cranky sasha must have lots of time watching him get fussy with lundy huh i can imagine the only directions given to lundy here was act like yourself and somehow that makes this funnier

they absolutely both think luosty is the funniest fucker alive OH MY GOD HE GOT LUNDY TO SMILE (WHICH ISNT MUCH OF AN ACCOMPLISHMENT HES SO SMITTEN WITH HIM) BUT HE GOT MIKKSY TO GIVE A GOOD TOOTHY GRIN TOO LUOSTY WHAT POWERS DO YOU HAVE 😭😭😭😭

he has this whole couch bewitched by his antics oh my fucking god... kicking the bench...throwing the water bottle...cranky sasha indeed

THE WAGGING FINGER AT LUNDY hey man whyd you move your hand to your crotch did that incite any revelations in you do you need to cover something that had unfortunate timing huh do you understand why mikksy cant stand them do you understand now

on another episode of i genuinely dont think anyone else could do this and get sasha this giggly in the midst of it of making fun of him luosty has really charmed them all

Sasha Cup Party | 7.31.24 (x)