#they have some good ideas here and there. just the overall execution is bad.. so bad

[beaulesbian]

Rings of Power 2.06 || Where is He?

└ "Did you not hear that? Outside. Sounded like a siege alarm."

(+ bonus: when the manipulation was successful)

[pumpkin-piiee]

I've seen people making up different story arcs on what will happen after the Noroshi War so here's mine.

*Manga spoilers ahead*

Maybe in the future, Nii Satoru-sensei might create a story arc about a sukeban*.

*A sukeban is a delinquent girl gang that emerged in Japan from the 1960s to 1970s.

History

Credits: yaz1ska on Instagram

Sukebans were formed due to bōsōzoku a.k.a. male biker gangs or the yakuza not accepting female members. The rise of sukebans has a huge impact on the feminist movement in Japan. Each gang has their own rules, hierarchy, and ways of punishment. E.g. Cigarette burns were considered a minor punishment if a gang member was disrespecting a senior member or stealing a boyfriend.

My thoughts if it were to come true

If the author included a story arc about a girl gang, I would have faith in him. I mean look at how well-written & well-designed the ladies in wind breaker are.

Credits: Pinterest

Credits: Mangapill

*I love how the author would draw sketches of Kotoha with major characters such as Tsubakino and Sakura. This means that Kotoha is more important than we have initially thought. Moreover, kudos to Nii Satoru-sensei for not sexualising Kotoha. I am sick and tired of mangakas sexualising female characters for no reason.*

Credits: Nii Satoru on X

Not to mention many of us know that Nii Satoru-sensei is good at writing complex characters such as Tsubakino.

Credits: MyFigureCollection

Story Arc, Characters & Operation

As for how this story arc will be executed, I believe it will cover topics such as feminism, struggles of womanhood and mistreatment of women.

Moving on to how this sukeban operates, here's my input. I believe everything they do is the complete opposite of Bofurin. E.g. instead of protecting their own town, they protect themselves. This is because the town they live in is also the complete opposite of Makochi, hostile and narrow-minded.

*I just thought of making this sukeban the complete opposite of Bofurin because I think it's interesting to see their reactions. It's also hilarious because the opposite of a boy gang is a girl gang. Get it? Okay, I'll stop.*

I also believe maybe this sukeban and its base can act as a sanctuary for women of its town who were mistreated by men such as giving them food, shelter etc.

I believe the overall vibe that they give is going to be like the military instead of high school.

As for their leader, maybe she'll be the opposite of Umemiya, stoic and serious. However, it is interesting if she was a good leader like Umemiya because so far we've only seen bad leaders in Wind Breaker.

As for their gang name, maybe it will be associated with elements such as water or space. This is because the other gangs e.g. Bofurin 防風鈴 is named after the wind element, Noroshi 狼�� is named after the fire element, Gravel and Shishitoren 獅子頭連 are named after the earth element along with KEEL is named after or related to the metal element.

*I know that Shishitoren are named after animals but animals are also related to Earth sooo*

Final Thoughts

Overall, this is just a random thought of mine that I just want to share. If Nii Satoru-sensei doesn't include a story arc that talks about girl gangs, I won't be disappointed or upset as long as he writes a good story.

*P.S.. this is my first time ranting about an anime so feel free to critique or educate me if I've made a mistake. Also, I still have some opinions regarding this sukeban idea so should I create a part 2?*

[immaturityofthomasastruc]

Miraculous Ladybug Season 5 - An Overview

Well... that certainly was... the fifth season of Miraculous Ladybug.

While I was overall mixed on Season 4 with how much it varied in quality, I think I have a more concrete opinion of Season 5.

Yeah, this season was a real pain to review, but not for the reason you'd think. Most of the episodes were either dull or average, so there wasn't a lot for me to really talk about. Of course, when things were bad, dear lord, were they bad. This analysis is somehow longer than my Season 4 one and the ranking post. Other than real life stuff getting in the way, there's a damn good reason why this took so long to finish. I basically wrote a college thesis on this season.

The Things I Liked About Season 5

Let's get all the good things about this season out of the way first.

For one thing, one of my biggest complaints about Season 4 was sort of rectified, the portrayal of Adrien. While I still have problems with him (which I'll get to in a later section), they're more about his impact on the story. As for his personality and attitude, it's a big step up. There's much less complaining, he's more active in the action, and is far more intelligent. Compared to Season 4, where Cat Noir was affected by an Akuma's powers or taken out of commission in order to raise the stakes eleven times (Lies, Mr. Pigeon 72, Mega Leech, Guiltrip, Optigami, Sentibubbler, Wishmaker, Simpleman, Ephemeral, Penalteam, Risk), here, funnily enough, it only really happened five times in Season 5 (Jubilation, Illusion, Derision, Emotion, The Final Day). It's honestly amazing. There were times where I thought he was going to be taken out or get portrayed as an idiot, but that almost never happened this season. Even some of the weaker episodes this season featured Adrien in a more active role, like “Passion”, “Reunion”, “Elation”, and “Deflagration”.

Also, as much of a problem that I have with Cat Noir trying to Cataclysm his enemies, I'm glad that the show at least tries to acknowledge this by showing his worst nightmare is a world where everyone is dead because of him. It's not handled well, and it's only done just to bench him for the finale, but I'll at least give the writers credit for putting in the effort to give him more nuance. It's a hell of a lot better than what they did with Gabriel, but I'll get to him later. By extension, his relationship with Ladybug is much more tolerable. The two work together well, talk about the conflict with Monarch more often, and for the most part, feel like actual partners. Yeah, that dynamic falls apart towards the end of the season, but again, I'll give the writers an A+ for effort.

Another thing I like is that this season tries to focus more on character pieces, with episodes focusing on characters like Nathalie (Passion), Kagami (Perfection), Luka (Migration), and Zoe (Adoration). They're not handled the best, but I'm glad the show is at least trying to give the supporting characters time in the spotlight, even though they don't have their Miraculous anymore.

Speaking of, I like the idea of the Alliance rings. It's really the only time Gabriel actually takes advantage of his status as one of the most influential people in Paris to push the use of something specifically designed to help give his Akumas more power. Given how prevelant the marketing for Alliance rings is, it's easy to see his plan working in the long term.

We also had a couple decent new Akuma designs, like Safari, Bugfighter, and... uh... Yeah, I got nothing else. This is pretty much the most praise this season is going to get from me. Sure, I'll go into some other aspects I like during later sections, but other than that, this is it. Hell, even the parts I listed earlier are only mentioned for the ideas they present, not the way they're executed.

The Final Season... Of Filler

We've finally made it to Season 5, the climax of the conflict with Monarch. This is going to be epic, with all kinds of compelling stories that can be used for episodes, leading to a final product that will go down as—my God, why is this season so boring?!

Like I said earlier, this season was a lot harder to review than Season 4 was, and this was one of the biggest reasons why. As bad as that season was, I at least had stuff to talk about. Here? Almost nothing. A good chunk of the episodes I reviewed just didn't leave an impact on me. Most of them were either forgettable, mediocre, or just okay. Some of the episodes had decent ideas and a handful of good scenes, but it wasn't really enough to reach the highs of earlier seasons, including Season 4.

It's strange, because at first, it seemed like the show was learning from its mistakes during the first three episodes of this season. “Evolution”, “Multiplication”, and “Destruction” were far from perfect, but you could at least tell the show was trying something different. There was tighter continuity, clever mind games on both sides, a rare instance of nonlinear storytelling, and major changes to the status quo. They explained why Monarch can't just beat up Ladybug and Cat Noir himself, why the Rabbit and Rooster Miraculous can't be used to end the story, and why the Alliance rings were created.

When Ladybug got the Rabbit Miraculous after failing to get the other fourteen back, you would think that this would lead to an arc where Ladybug and Cat Noir gradually reclaimed the Miraculous from Monarch until the final battle, but what did we get instead in terms of plot development?

For what was supposed to be the final season, it felt like almost nothing happened. Sure, as always, the show tried to trick us into thinking stuff was happening, but several plotlines introduced this season were either abandoned or rushed through after a few episodes. The Resistance? Only relevant for five episodes, and even then, they didn't do much (Illusion, Deflagration, Confrontation, Revolution, Representation). Trying to discover how Monarch is giving the Akumas Miraculous powers? Only relevant in a single episode (Illusion). Felix having the Peacock Miraculous and being a total wild card? Only relevant for three episodes (Emotion, Pretension, Representation). The reverse Love Square? Only relevant for four episodes before it petered out (Determination, Passion, Reunion, Elation). Lila manipulating Kagami for some reason? Only relevant for two, maybe three episodes if you count that one scene in “Emotion”, and that was dropped in favor of her learning Monarch's identity offscreen (Perfection, Protection).

You'd think for a season with stakes this high, there would be bigger stories or more character drama, but we got nothing. The only real ongoing story we got was the Love Square finally happening, and trust me, I'll get to that later. There were plenty of ideas for story arcs here, but the writers pretty much ignored all of them.

Retcons! Retcons Everywhere!

This one's shorter, because it's a problem with the show in general, and I'll go into more detail about specific examples of this later on.

Miraculous Ladybug is a show that has always struggled to be consistent with its lore, worldbuilding, characters, story, and... well, a lot of things. I've talked about how often the show retcons things in order to justify whatever story they need to tell, not just for individual episodes, but story arcs too. There were so many episodes with stories that contradicted previous events or changed the motivations of certain characters on a whim.

In case you didn't keep track, here's a little highlight reel of some of the retcons this season.

Evolution: After both him and Ladybug were able to use multiple unifications last season with no problem, Monarch can't use too many of his powers without collapsing in pain. It also goes against what was established in “Kwamibuster”, the idea of using multiple Miraculous being enough to damage your sanity, where here, Monarch's body is damaged.

Multiplication: Adrien's reason for falling for Marinette was due to all the times she helped him, when it was usually the other way around in earlier seasons.

Determination: Adrien reveals he's had feelings for Marinette since the events of “The Puppeteer 2”, even though it never influenced any of their interactions between that episode and this one. It also contrasts the previous episode, where it said that Adrien was just starting to fall for Marinette for different reasons.

Derision: Chloe's bullying of Marinette had severe psychological damage that explains why she acts the way she does around Adrien... but ignores the romantic feelings Marinette has had for Luka and Cat Noir, and didn't act the same way around them, to say nothing about how she acted around Nathaniel when he had a crush on her during “The Evillustrator ”.

Intuition: The Snake Miraculous somehow makes Gabriel's Cataclysm wound worse even though the form of time travel it uses is mental, not physical.

Protection: Gabriel and Tomoe want their children to be in a relationship, yet Adrien and Kagami kept it a secret while they were dating.

Adoration: Zoe suddenly has feelings for Marinette despite showing no signs of it beforehand.

Emotion: Felix reveals he's doing everything for Adrien's safety, even though in his previous few appearances, he's done nothing but screw his cousin over by smearing his public image.

Pretension: Felix is against using a Sentimonster to defend himself and Kagami due to not wanting to force an innocent creature to follow his orders, yet he had no problem using a Sentimonster in the very last episode and in his next appearance.

Revelation: Lila has multiple secret identities she uses while pretending to be the child of several women, which had never come up at all during the last four seasons.

Representation: Kagami apparently learned Marinette was Ladybug right before she was akumatized in “Perfection”, yet Monarch didn't learn this like he did with Luka.

Do you see the problem here? Hell, I didn't even list every single retcon, or else we'd be here all day.

I don't get how a show that wants to be serialized can keep changing details like this. It's not even a case of the show replacing its writers with new ones who don't know as much as the old ones. This is mostly the same writing team for almost four seasons at this point.

Sometimes, the show will retcon stuff in order to justify stories when it doesn't need to. Remember how at the beginning of the season, Marinette was feeling guilty about her failure at the end of Season 4, and that influences her hesitance to accept Adrien's advances? The writers sure didn't, as “Derision” exists to give Marinette a whole new reason to not be comfortable around Adrien. Why the hell would you give Marinette a perfectly valid reason to not want to pursue Adrien, only to write an episode that gives her a different reason to not want to pursue Adrien? There was literally no reason to do this, especially during the last season of your first major story arc!

This season is clearly trying to be the most serialized of the bunch, yet the writers keep changing details about the story like that one Wallace and Gromit meme.

Season 5: The Show's Greatest Hits Album

Something I've noticed about this season is just how repetitive it can be. I know that sounds weird given this is a show that literally gave us the Status Quo-Yo, but please hear me out.

So many major story arcs and focus episodes are just rehashed versions of older things in this show, and not just the reused Akumas. Not only does the first half of Season 5 restate how complicated things are for Marinette's love live and how she can't love Adrien after what she did (something she gets over rather anticlimactically once Adrien confesses). Then there are other times where even plotlines established this season will get reused, and more often than not, it's worse.

In “Perfection”, Kagami is akumatized thanks to Lila's lies, and manages to break free from Monarch's influence thanks to her friends showing that they care for her. And then four episodes later, Kagami is akumatized again thanks to Lila's lies, only this time, she isn't able to break free. What... what was the point of having that emotional scene in “Perfection” if you're just going to treat her like a run of the mill Akuma a few episodes later?

And it's not just that. Big moments that happened in earlier seasons are pretty much redone but with a few changes to make it seem like they're different. Did you like seeing Adrien give up being Cat Noir in “Kuro Neko”? Well how about seeing Adrien and Marinette give up being superheroes in “The Kwamis' Choice”? Did you like seeing Chloe break off her friendship with Adrien in “Queen Banana”? How does seeing Adrien break off his friendship with Chloe in “Derision” sound?

But the worst of this has to be in the last seven episodes of the season. So much of what is essentially the culmination of five seasons' worth of story is just recycled. Let's go over why. In “Confrontation”, Marinette (and by her, I mean Sabrina with help from Marinette) manages to outsmart Chloe and Lila and put an end to their tyranny in the classroom. What are the next two episodes about? Marinette needing to outsmart Chloe and Lila, only now, they have reign over the city. This feels like something that should have been one major story, not something split up into two two-parters. Hell, you can't even say it's original to see Chloe in control, because this is also something that was done back in Season 1's “Rogercop”, only with the titular and the police following his orders for no reason instead of Chloe and her bootleg Daleks.

But hey, if an army of robots capable of using Miraculous powers, at least we can expect something even more creative for Monarch's ultimate plan, right? Yeah, Project “Perfect Alliance” is just a combination of Chloe's murder boxes and the exact same plan in “Heroes' Day”. People are brainwashed like in “Heroes' Day” and they get Miraculous powers like the robots in “Revolution”. Seriously? Nobody took a look at this and thought “Didn't we do this already?”

What's the point of making these two different evil plans when they're essentially the same thing? Why not give Chloe's robots various weapons instead of Miraculous powers if you're going to have an army of villains who have the same Miraculous powers two episodes later? Why not make it so the Miraculized are really the robots designed to help Chloe, only here, they have the ability to turn anyone wearing an Alliance ring into one of them, sort of like the Borg from Star Trek?

It's clear that after four seasons, the writing on this show has gotten incredibly stagnant if the major plotlines are just reused from earlier seasons. At best, it comes across like blatant fanservice, and at worst, it's a symptom of the writers struggling to come up with new ideas for stories. Either way, this is one of many reasons why not a lot of people are looking forward to Season 6. How can you expect interesting stories in the future when the writers keep recycling their old ones?

Felix and the Struggle With Sentimonsters or: This Is Starting to Sound Like a Bad Comic Book Plot!

Before I get into the problems with Felix this season, consider this: With Chloe (who I'll get to later), she was an example of someone who wouldn't get a redemption arc. Felix? This is the writers intentionally trying write a redemption arc. How did that turn out?

The obvious problem with Felix is mostly due to, like a lot of things in this show, poor time management. He only had three focus episodes, and in that time, the writers needed to explain his motivations, establish him as a wild card, have him realize the error of his ways, develop his relationship with Kagami, and help out Marinette. They really wanted to do a lot with Felix, yet with how rushed his arc was, I have to wonder if there was some trouble behind the scenes that prevented him from getting more focus.

It doesn't help that what little we got was confusing as all hell. I've already gone into detail about the problems with Felix's motivations not explaining his actions, but here's a list of all the problems with Felix.

If Felix wanted to get the Peacock Miraculous from the start, why didn't he try stealing that in “Felix”?

If Felix cared about Adrien, why did he spend most of his appearances mocking him and ruining his reputation by impersonating him in “Felix”, “Gabriel Agreste”, “Risk”, “Emotion”, and “Representation”?

If Felix knew who Gabriel was, why did he come up with this elaborate plan to get the Peacock Miraculous in a trade with him instead of going to Ladybug for help in “Strikeback”?

If Felix realized Gabriel was dangerous and capable of wiping him out, why did he decide to give him fifteen Miraculous in exchange for a single Miraculous without doing anything to stop him in “Strikeback”?

If Felix could easily get rid of Gabriel with a single Sentimonster like he did in “Emotion”, why didn't he immediately do that as soon as he got the Peacock Miraculous in “Strikeback”?

If Felix wanted to stop Gabriel, why did he decide to wipe out all of humanity alongside him in “Emotion”?

If Felix cared about innocent lives, why did he decide to wipe out all of humanity without showing any remorse except for when he had to get rid of Red Moon in “Emotion”?

If Felix didn't want to create any Sentimonsters just to end their lives in “Pretention”, why did he do just that in “Representation”?

If Felix knew Marinette was Ladybug, why did he choose to tell her who Gabriel was in an unnecessarily complicated way instead of telling it straight to her face in “Representation”?

If Felix really hated his abusive father, why didn't he show any hatred for Gabriel (who gave Colt the damaged Peacock Miraculous and did nothing to stop the abuse) as well during his little play in “Representation”?

If Felix cared about stopping Gabriel, why did he only decide to go to Ladybug for help when Gabriel was getting in the way of his relationship with Kagami in “Representation”?

If Felix was willing to tell Marinette about Gabriel being Monarch in “Representation”, why didn't he do anything else to help her stop Monarch in “Comformation” and “Re-Creation”?

With how many flaws his plans have, I'm surprised Felix hasn't said anything along the lines of “My pwan is gweat!”

For someone who claims to be doing a lot of things for Adrien, Felix tends to either screw over his cousin as part of his plans or forget him entirely. I don't mean he screws over Cat Noir, as his identity is one of the few things he doesn't know, but rather, how little his plans actually benefit Adrien. Putting aside his previous appearances in Seasons 3 and 4, in the span of a single episode, Felix pretended to be his cousin and smeared his public image, used a Sentimonster to wipe out all of his friends and loved ones while needing to be told by Adrien that doing so wasn't cool, and after that, he pretty much abandoned caring about Adrien.

Yeah, starting with “Pretension”, the writers once again change gears so Felix's primary goal is to help Kagami, not Adrien. It's Kagami that really helps inspire Felix's true turn to good, it's Kagami who he chooses to visit when she and Adrien are taken to London, and it's Kagami that helps him decide to tell Marinette Monarch's identity. Even though he only has three major appearances, the writers still decided to shake up his character arc for some reason. How does a team of paid writers struggle to stay consistent with any story or character arc they've written?

The worst part is that for a redemption arc, Felix shows little to no remorse for his actions. Not once does he apologize to anyone he's personally wronged, like Adrien, Marinette, or Kagami. He doesn't see anything wrong with giving Monarch more power and depriving Ladybug of almost all of her allies, and he had to be told that wiping all of humanity from existence was a bad thing. Felix has done so many terrible things in his quest for freedom, which isn't a bad idea, as it could make for an interesting discussion about whether the ends justify the means, but the show doesn't go that route. Instead, despite doing almost nothing but making things worse for Ladybug and Cat Noir, we're supposed to see Felix as a great person who just wants to have friends. Sure, having good social skills is a big part of being able to manipulate others, but let's just ignore all the people he's tricked and assume he doesn't know how to properly socialize with someone without stalking them.

It doesn't help that of all the characters this season, Felix makes the most progress in stopping Monarch. Puting aside his little genocide attempt in “Emotion”, he actually made an attempt to take Gabriel out of the equation, and later on, passed on intel about his true identity to Marinette. Think about that for a second. Marinette, despite being a hero with the ability to deduce what to do from simple clues given to her, isn't the one to figure out Monarch's identity. Instead, she has to be told who Monarch is, and is able to beat him only because Felix told her what to do. The worst part is that Felix doesn't even take part in the final battle when he has no excuse to not get involved. Remember, he doesn't have to worry about getting snapped away by Gabriel, so even though he cares so much about Adrien and Kagami, he does nothing to save either of them from their glorified solitary confinement.

Felix isn't a character. He's a glorified plot device who only shows up to advance the story instead of letting any character make progress by themselves. While Marinette and Adrien are focusing more on their love lives this season, Felix is the one actually getting things done. Because God forbid the two characters the show is named after actually do anything to stop the villain this season, am I right?

And that's not even getting into the Sentimonster stuff. Yep, to our collective horror, not only is Felix a Sentimonster, but it's also hinted that Adrien and Kagami are Sentimonsters too. I'm not sure why the writers are so hesitant to flat out say the latter two are Sentimonsters after all the obvious hints, especially when this is a show that loves to overly explain every plot detail and character trait. I don't know. Maybe they're just hedging their bets in case things don't go over well with audiences, but I can't possibly see anything bad coming from this. After all, how can you think of any uncomfortable implications stemming from the three major victims of child abuse literally being inhuman monsters who are physically unable to resist their abusers' orders?

With the Sentimonster “reveal”, Adrien and Kagami, two characters who were previously doing their best to be independent from their parents as they could at their age, are now physically incapable of even having a single negative thought about them without being ordered around while showing no resistance. Like I've mentioned before, it's a blatant retcon because it's never explained why Gabriel and Tomoe didn't do this during Seasons 2 and 3. It also gives the writers the opportunity to remove any agency Adrien and Kagami have in the plot, even though one is one of the two main characters, and the other plays a crucial role in helping another character expose the main villain's identity.

We're supposed to see Gabriel and Tomoe as wrong for ignoring their children's protests and forcing them to do things they don't want to do, but it doesn't lead to an arc where Adrien and Kagami rebel against their parents and break free from their influences. As soon as either Gabriel and Tomoe touch their respective rings, Adrien and Kagami are completely helpless, and there's no way for them to resist because of how powerful the link with their Amoks is. There's no hint that they have the potential to break free from their Amoks' influence, and the only time we saw that happen, it was a complete accident that Felix didn't even cause (Representation). Adrien and Kagami are both reduced to damsels in distress thanks to being Sentimonsters, and even though the show is trying to say they're trapped in a terrible situation, there's never a way out.

The most Adrien and Kagami do is express frustration with their situation, but most of the progress made in escaping their bad relationships is done by their respective love interests, Marinette and Felix. Yes, support systems are important, but rather than help Adrien and Kagami earn their freedom, Marinette and Felix do pretty much all of the work to save them during the latter half of this season. Hell, they couldn't even get that completely done by the time of the finale! Gabriel dropped dead and Adrien thinks he's a hero and Kagami's still living with Tomoe, only now she has her Amok ring. We're supposed to see this as a happy ending when they're both still influenced by their abusive parents, even if they don't have any physical control over them. The whole idea behind making Adrien and Kagami Sentimonsters should have been something about them, but with Gabriel and Tomoe, the writers only see them as helpless victims who can't do anything to save themselves. Sure, both of them have fought supervillains before, but we can't have them actually showing agency, can we?

I'm going to get into other ways Adrien and Kagami's characters were butchered this season, but for now, let's get into all the uncomfortable things this plotline implies. Now before I go any further, just remember that I am far from an expert on abuse or child psychology, so please take what I say with a heavy grain of salt. If there is anyone reading this who is a victim of abuse or knows someone who was, please don't be afraid to speak your mind about my analysis or correct me if I get any details wrong.

I get that making Adrien, Kagami, and Felix Sentimonsters was probably done so it'd be a way to explain the concept of child abuse to younger audiences, specifically to show how helpless the situation can be for victims, but the problem is how the allegory is handled. It wants to show how cruel the idea of child abuse is, but it doesn't want to outright vilify abusers like Gabriel or Tomoe. They usually try to sugarcoat it by saying that the two have good reasons for doing what they do, but that's a common problem with abusers. Abusive parents almost always believe that they're doing the right thing while their children think that they're just being punished for their own good, and the season ultimately takes that stance by the end.

The show is clearly trying to use the Sentimonster concept to tell a story about abuse, but I have no idea what exactly it's trying to say about it. “Child abuse is bad”? Okay, then why aren't you going to condemn the abusive parents for being abusive parents? And no, brief mentions of abusive parents who we never actually see onscreen don't count (Derision, Pretension, Representation). “Help out abused children”? Big talk coming from the season that only has two people actually fight to help the victims of child abuse, while treating another victim of child abuse as getting her just desserts (Revolution). “Parents have good reasons to do what they do”? Yeah, that normally applies to stopping your kid from getting a tattoo, not forcing them to whatever they want against their will.

The thing about writing abuse is that you need to acknowledge just how unhealthy it is, and do whatever it takes to take them out of the toxic environment. Here, nobody ever tries to remove Adrien from the toxic environment or tell him that what his father is doing isn't right. Sure, Felix tries to take Kagami away from her abusive mother, but that was only for like an hour at most, and then he just let her go back to her mother. Adrien doesn't even get that luxury. Hell, he isn't even allowed to know just how terrible his father was because he's just a sensitive baby according to the show. Portraying abuse victims as too emotionally fragile to know the truth is a pretty bad idea because, like I mentioned before, a big problem that abuse victims go through is that they're conditioned to see their treatment as normal at best, or see it as their fault at worst.

Like so many other serious topics discussed in this show, the writers clearly want to tell a story about abuse, but they're too afraid to actually take a proper stance on it, so they kept trying to play it safe in an attempt to not get backlash from audiences. Of course, because of that, they ended up portraying victims of child abuse as soulless husks who have almost no free will of their own, while ending the season by having them still under the influence of their abusive parents, even the dead one. Real bang-up job, there, writers. It says a lot when a Spider-Man PSA from almost 35 years ago did a better job tackling child abuse than you did.

And finally, let's talk about how this season's treatment of Sentimonsters indirectly influences our perception of them across the past two seasons. Even though the Sentimonsters created have shown almost no individuality from Seasons 2 to 4, only now are we supposed to see them as sentient beings, with Felix himself even taking offense at the idea at being called a Sentimonster. Never mind the fact that Felix never actually comes up with a proper alternative, so he just comes across as whiny when we're supposed to see him as a champion of the Sentimonsters.

In regards to the narrative the show decided it now wants to tell about Sentimonsters, I have two questions.

First, why should I care about Sentimonsters if the previous two seasons have portrayed them as nothing but soulless killing machines? If you're going to write a plot twist that changes the way we see Sentimonsters, you need to explain why we were wrong to only assume they're dangerous, especially since Argos' first Sentimonster literally wiped out all of humanity. For comparison, Ultraman Z did a similar plotline by having the main character realize that several of the monsters he killed as the titular hero weren't intentionally trying to harm humanity, so it caused him to doubt himself as a hero before he vowed to start finding non-violent ways to stop monsters if he could, while viewing the act of killing monsters that couldn't be reasoned with as a necessary evil. This show has no such arc and just expects us to ignore all the damage the Sentimonsters have caused since the end of Season 2.

Second, what about the Sentimonsters whose lives have been snuffed out by Mayura, Shadowmoth, and even Ladybug? The writers want us to sympathize with Sentimonsters and believe they get a bad rap? That's fine, but even if we did, what about the ones who were already wiped out of existence? Are we just not going to talk about them? Why should we only value the lives of Felix, Adrien, and Kagami and not any of the other Sentimonsters created in previous episodes? What, because they're not main characters, their lives don't matter?

All in all, everything about the Sentimonster was either poorly thought out or too preachy to take seriously, and Felix is emblematic of those problems with how he and the Sentimonsters are written. Oh right, I forgot Felix had a sidekick too, Kimberly—I mean, Kagami.

Kagami Never Hesitates to Be a Complete Idiot

If you read my overview of Season 4, I sang high praises for how Alya was written. Season 4 managed to take a character I had previously disliked and turn her into one of my favorite characters in the show. Now, with that being said, I want you to imagine the opposite of that happening to a different character, and you have my feelings on Kagami this season.

It's weird how, after she had made it through the past three seasons with her character somewhat intact, the writers decided to give her even more prominence by involving her in two separate arcs this season... and only made her nothing more than a damsel in distress who constantly needed to be saved in both of them. I'm not saying that Kagami should be able to beat the crap out of Monarch with her bare hands, but my point is that Kagami just lost so much agency this season.

When she wasn't being manipulated by Lila (Perfection, Protection), she was playing second fiddle to Felix and acting like he didn't hand over almost every Miraculous in Ladybug's possession to Monarch (Pretension, Representation). It's really strange, considering a defining character trait of hers is her hating liars like Marinette does, since it's why she dumped Adrien, yet here, she gets tangled up in the schemes of two different liars, Lila and Felix. I can at least get Lila (as dumb as her episodes are), since she's supposed to be seen as this master manipulator, but she just brushes all of Felix's crimes aside because he “doesn't know how to express himself”. Because even though she's always been loyal to Ladybug, she has no problem working with one of the only two people to betray her trust. But she loves Felix, so that makes it all okay.

What made Alya's arc last season work was that even though she was primarily Marinette's confidant, we also got episodes showing her struggling to balance her own desires with what needed to be done for the greater good (Optigami, Sentibubbler, Hack-San, Rocketear). She had to step up and become more than just one of the many temp heroes Ladybug called on, someone trustworthy enough to temporarily use the Ladybug Miraculous. Yes, she made bad calls, but when things went south because of her bad decisions, she normally took responsibility for her actions and vowed to do better. With Kagami, we don't get any internal conflict like that at all. She just blindly goes along with whatever Lila and Felix say, and even when bad things happen as a result, she never even thinks to call out either of them other than rarely saying something along the lines of “Hey, not cool.” (Protection, Pretension).

Kagami just doesn't get to do anything on her own terms this season. Her entire arc revolves around following Lila and Felix around like a lost puppy. And just remember, we're seriously supposed to act like Kagami is trustworthy enough to see that her defending Felix from Ladybug is enough to prove that he's a good person deep down... when this same season showed her easily falling for Lila's lies and getting akumatized twice as a result. It's like believing Dr. Nick can perform a life-saving kidney transplant after seeing him botch an open-heart surgery.

Even Kagami figuring out Marinette is Ladybug, something that should be a big deal like with Alya and Luka learning last season, is something we learn through a flashback and is, you guessed it, is only relevant to one of Felix's plans. And yeah, reveal your friend's secret to someone who someone who betrayed her. What could possibly go wrong? Again, when Alya screwed up, she was at least able to admit it to Marinette's face. Kagami never tells Marinette that she knows, and never faces consequences for throwing her lot in with Felix. What's her excuse, that she has too much love in her heart for Felix?

Speaking of which, let's talk about the biggest problem I have with Kagami this season, the way her relationship with Felix is handled. Let me make one thing clear: my problem isn't with people who ship the two together. Much like with the Love Square, my problem is how the show handles this romance. The two had almost no episodes together, and from what little we saw of them interacting, Kagami didn't like him, and for obvious reasons. But then “Pretension” came. Not only did Felix develop feelings for Kagami offscreen, all it took for Kagami to fall for Felix was a single conversation where he showed basic human decency. Yeah, Marinette fell for Adrien for similar reasons, but at least she and him took a while to actually get together. These two shared a handful of conversations, and now they're just made for each other.

The problem with this is that the relationship basically reduces Kagami to Felix's girlfriend and sidekick. All of her major appearances post-“Emotion” were in relation to Felix. She only helps him because of their relationship, and their relationship was the whole reason why Kagami convinced Felix to do what he should have done from the start, tell Ladybug who Monarch was... even though Astruc said this kind of relationship was toxic when discussing Lukloe.

You see, the difference between Lukloe and Feligami is (MAKE UP EXPLANATION LATER AND DON'T ACCIDENTALLY LEAVE THIS SPOT BLANK). And that's why we shouldn't see this as blatant hypocrisy on Astruc's part.

While it's par for the course, given how almost every female character in this show is connected to a male character in some way, the way Kagami is written this season is still part of a bigger problem. Kagami is not everyone's favorite character and not one people fiercely discuss as much as Marinette, Adrien, or even Chloe, but it's still baffling that out of all the characters in this season, Kagami would arguably sustain the most damage out of the entire cast. Given that this is the same season as Nino becoming the braindead leader of the Resistance, Chloe's brief stint as a tyrannical mayor, Nathalie choosing to do nothing about Gabriel until she was about to die, the baffling reveal of who Lila supposedly is (again, more on these later), or... really, a lot of things with both Marinette and Adrien, this is actually saying a lot. If you want to look at it at a particular angle, Kagami's actually a direct victim of practically all of the biggest problems in this season and I've had to mention her a lot more in this analysis than I anticipated. Then again, I suppose that's me showing more care to Kagami as a character than the writers did.

The Story of The Resistance (In Name Only)

I've already gone on about how underdeveloped most of the temp heroes are, so you can imagine the season where they try to help Ladybug without superpowers doesn't really change my opinion of them.

Remember how in episodes like Season 1's “Antibug”, Season 2's “The Dark Owl”, and even this season's “Jubilation” made it clear that trying to be a superhero without a Miraculous or proper training was essentially suicide? You know, how it was better to leave things to the actual superheroes? Well the writers sure didn't, as now we get to see a bunch of idiots try to take on supervillains with paintball guns and whatever they can throw at them. I'm pretty sure the writers put more effort into all the codenames themed after condiments than actually coming up with creative ways to fight Akumas. Because we all know how hilarious (citation needed) the flower codename gag from “Gigantitan” was, so let's do something like that, but for multiple episodes this season.

I'm just going to be blunt here when I say the Resistance this season sucked. Putting aside the fact that the writers couldn't come up with a less generic name or a name that wasn't already taken by the Ox Miraculous' power, this subplot was just so pointless. You have a team of former heroes who want to find a way to help Ladybug and Cat Noir stop Monarch, and rather than do things like pass intel along or find ways to stop people from getting akumatized, they decide to try taking them on themselves with their most powerful weapons being paintball guns. Congratulations, you now have all the equipment you need to take on Bart Simpson in a fight. Sure, they try to pass on intel to Ladybug and Cat Noir in their first episode, “Illusion”, but Nino's plan was so stupid, they ended up helping Monarch in the long term by letting his civilian identity into their team. Oh, I'm sorry, did you forget how Gabriel and Lila were inducted into the Resistance at the end of “Illusion”? It's okay, the writers did too.

And the idea of them passing on intel could have worked, as it would give Marinette a support system to help solve problems she can't figure out on her own, following up on her character arc from Season 4 where she learns to put her trust in people, but like a lot of things this season, the writers got bored halfway through and decided to change up this plotline. Now, they're prepared to fight anyone who gets akumatized. How many Akumas did the Resistance manage to stop completely on their own? One, and it was offscreen (Deflagration).

Trying to make the Resistance seem competent and effective comes at the price of making the villains look like idiots who can't handle a few teenagers without superpowers. Monarbug, someone who managed to unify with the Ladybug Miraculous, lost it thanks to the Resistance dogpiling him. Then, later on, they managed to stop Nightormentor, an akumatized Gabriel, by just throwing stuff at him. Do you have any idea how lame this makes Monarch look? It's like that scene from Robocop 3 where that kid somehow managed to make ED-209 as loyal as a puppy in a matter of seconds. It's not cool to see it happen. It diminishes the threat the formerly menacing villain posed.

The show loves to play up the Resistance as this amazing underground organization Nino is so proud of, but it doesn't work because you can count the number of times they've actually helped out on one hand, and even then, that's being that word Chloe doesn't know the meaning of (Deflagration, Revolution, Representation). Even then, they still fall for Lila's lies which, like Kagami, doesn't help establish any of them as trustworthy. The whole Resistance subplot is basically an excuse to make it seem like the former temp heroes aren't just sitting around, which again, isn't a bad idea, but nothing comes of it. We don't get to see any of them worry that they can't do anything without their Miraculous, we don't see where or when Nino got the idea to form the Resistance, and we don't even get any scenes where the worry about the captured Kwamis. The show just has them all operate under the same goal and makes it seem like they're making a difference when they barely do anything. None of them really feel like characters, and it shows this season.

Nino, despite labeling himself as the brave leader of the Resistance, is anything but. He constantly brags about how effective he is, but not only does he let anyone into his top secret organization without even thinking if they can really be trusted, all of his genius plans amount to, you guessed it, throwing stuff at the brainwashed people with superpowers. He's also so confident that he was awesome as Carapace when all he did was occasionally help Ladybug out with his Shelter, and then whines about not being chosen by Tikki and Plagg when Scarabella and Kitty Noire temporarily take over (Illusion, Deflagration). He's also so poor at gathering intel that not only did he fall for Gabriel's ruse and act like he figured out how the Akumas have Miraculous powers, he didn't even know his best friend was going to London until he got on the plane (Representation). I wasn't kidding when I said Nino was such a terrible leader, he makes Zapp Brannigan look competent by comparison.

And remember when Alya was a major character? Neither does the show! Out of the entire season, she was really only relevant to the plot when she became Scarabella for a few days, and even then, she didn't think that maybe she should take off the Alliance ring that monitors her every move if she's going to be a full-time hero again (Transmission, Deflagration). There is absolutely no follow-up to anything that happened to her in Season 4. She doesn't regret blowing her cover, she doesn't worry over not being able to help Ladybug as Rena Rouge, she doesn't worry about the safety of Trixx, she doesn't even consider the fact that she's not used to going back to full-time hero work after half a season of being undercover as Rena Furtive. At best, the whole thing with Alya exposing her cover to Nino last season gets played off for the sake of a cheap joke (Illusion).

Then there's Zoe. Like Season 4, I can definitely say that out of all the supporting characters, she was certainly one of them. They clearly try to give her these big moments in an attempt to endear her to the audience, like her brief stint as Kitty Noire or her coming out to Marinette, but because of how nonexistent her character development has been, these don't feel earned. I can't buy her friendship with Marinette or anyone else because of how little she appears. Hell, she was specifically introduced to act as a good counterpart to Chloe, and she did nothing to really contribute to her ultimate downfall other than sharing a single conversation during “Revolution”. That's how little the writers care about her, they don't even have her interact with the character she was designed to replace. I take back what I said about her being a Mary Sue way back in my “Sole Crusher” review, because at least those types of characters get plenty of focus in the narrative. All I can really say about Zoe after two seasons is that at least she's more interesting than Socqueline, a character so boring, this is the only time I'm going to mention her in this entire analysis.

And that's it for the Resistance. Only three side characters are actually worth talking about this season. That is how pointless of a group they are.

Chloe’s Arc That, in Case You Forgot, Was Totally Planned From the Start

I really don't know what else to say here. Remember, this entire blog was started because of how upset I was by Astruc's response to criticism of the Season 3 finale, specifically how Chloe's “damnation arc” was claimed to have planned out from the start.

For the sake of argument, let's go over this arc and just what happened with this character over the past eight years. In Season 1, Chloe started out as a standard high school mean girl who used her father's influence to get whatever she wanted, but wasn't that much of a threat compared to Hawkmoth and the Akumas. In Season 2, we got to see a different side to her that started a character arc, showing she was capable of changing and becoming a hero in her own right. In Season 3, while it seemed like Chloe was changing for the better, the finale had her betray Ladybug and go back to being the same mean girl she was before. In Season 4, we were introduced to Chloe's never before seen half-sister, Zoe, who only existed to replace Chloe as the user of the Bee Miraculous, and even though the very same episode where Zoe first got the Bee Miraculous hinted that there was still a chance of Chloe changing, the rest of the season acts like she's always been a menace to society with no redeeming qualities. In Season 5, Chloe was portrayed as a heartless monster who is worse than the main villain of the entire show, is simultaneously smart and cunning enough to bully Marinette in a way that would leave lasting mental scars for a year and also too incompetent to take seriously, and even though the season has made a big deal about how terrible child abuse is, her being sent off to live with her verbally abusive mother is seen as a perfectly suitable punishment for her.

I don't know what's worse, the fact that none of the writers had second thoughts about this character's “arc”, or the fact that Astruc probably thinks he made an antagonist as complex as Lady Macbeth. I also love how, despite all this supposed planning, not once do we get any explanation as to just why Chloe hates Marinette so much other than the fact that one's a rich person and the other is the main character in a cartoon.

Chloe's character was already going in a downward spiral in Season 4, but with Season 5, it feels like the writers just abandoned all attempts to be subtle and were determined to stop people from liking her. Like, it's amazing just how much time was spent hammering the point home. She got more focus as a villain than Lila and even Gabriel. We had about eight episodes this season that featured her in a major antagonistic role: “Determination”, “Deflagration”, “Derision”, “Adoration”, “Revelation”, “Confrontation”, “Collusion”, and “Revolution”. Almost a third of this season is dedicated to showing how evil Chloe is, as if she's somehow worse than people like Gabriel or Tomoe. And that's not even counting episodes where she got a line or two to remind the audience of how bad she is, like “Multiplication”, “Passion”, and “Reunion”.

The weird thing is that even though this was supposed to be the season where Chloe was at her worst, it still seemed like the writers couldn't make up their minds on what they wanted to do with her. For example, let's take a look at her relationship with Monarch. In “Multiplication”, she believed that Ladybug and Cat Noir should just give Monarch what he wants, implying she's still on his side. Then, in “Determination”, she blamed not having the Bee Miraculous on why Monarch was able to win, implying she wants to stop Monarch. And then in “Deflagration”, it's hinted that she once again willingly accepted an Akuma out of a desire to get revenge, implying that she's still on good terms with Monarch. Finally, in “Revolution”, she initially wanted to arrest Monarch when he arrived in her office, and had to be convinced to work with him again. Seriously, this is almost two seasons after she started working with Monarch in the first place. How the hell are the writers not sure if she's working with the villain or not?!

Of course, that's the least of my problems with Chloe this season. One such problem that it seems like the writers specifically went out of their way to ruin the few positive relationships Chloe had just so her fans would have less ground to stand on. Her friendship with Adrien? He finally decided to write her off as irredeemable just as he learned just how miserable she made Marinette (and only Marinette) at the end of “Derision”. Her friendship with Sabrina, as one-sided as it is? She doesn't even see Sabrina as a friend anymore, specifically referring to her as an underling starting with “Adoration”, and then Sabrina turns against her after she finds one specific scheme to be going too far. The sympathy Ms. Bustier had for Chloe, even though it wasn't relevant to her character after “Zombizou”? Chloe basically ignores any attempt made to reach out to her, and we're supposed to act like her wanting to help Chloe get a decent education because it's her job as a teacher is the stupidest idea in the world. Chloe's relationship with her own father? This season decided to make Andre out to be a man mentally broken by the bad treatment he gets from his daughter and totally not a corrupt politician, and outright disowns her in favor of adopting someone who isn't even his biological daughter.

It already felt like Season 4 exaggerated Chloe's negative traits, but now, the show doesn't want anyone to like her in-universe, as if showing basic human decency to her in the first place was off the table. Remember, in “Revelation”, Marinette's speech to Adrien was basically copied and pasted from one of Astruc's tweets, as if this was meant to address anyone who still liked the idea of Chloe changing for the better.

And trust me, I'll get to the characters who actually got redeemed later.

For now, let's talk about the main issue I have with her portrayal: The writers want her to be seen as a threat... but they don't want her to actually be a threat. Almost all of Chloe's appearances this season had her acting as a pawn to either Gabriel or Lila. This season also started to use dumb blonde jokes in order to show how incompetent she is, like having her struggle to understand the concept of the word “generous”, making her out as an idiot. The whole point of the “irredeemable villain” archetype is that the character is usually so big of a threat, there is absolutely no way of talking them down, so they need to be stopped through the use of force. Chloe is far from a threat, which is why all this talk about her being a monster falls flat.

At the end of the day, Chloe is easily at the bottom of the hierarchy of the villains on this show. She has no Miraculous like Gabriel, she has no advanced technology like Tomoe, and she's nowhere near as cunning as Lila is. The problem is that the show wants the audience to see Chloe as if she's the worst of them all. Fine, she may have the most obnoxious personality and least amount of redeeming qualities by the writers' standards, but this is a superhero show. You don't just rank villains on how mean they are, but also by how much of a threat they are to the hero. The moments where we're supposed to take Chloe seriously, the show keeps reminding us that she's only getting as far as she has because she's being used by other villains. It makes the moments where the heroes triumph over her ring hollow.

I'm not even joking here when I say that out of the show's entire rogues' gallery, Chloe is literally the only one who actually gets punished. Sabrina was able to wash their hands of her association with the bully, Andre was more than happy to give up his position as mayor and kidnap Zoe, Tomoe was never even exposed, Lila only faced a minor setback when she was exposed, Nathalie was healed by the wish, and even though he died, Gabriel died a martyr who never actually answered to any of his crimes. But Chloe? As fucked up as it was, she was the only one who received some form of punishment for everything she did. Congratulations, Ladybug and Cat Noir! After five seasons, you finally managed to defeat the Ringo Starr of your rogue's gallery, and all it took was unlocking the full power of your Miraculous.

I was initially angry at the show for just throwing away a character arc and mocking anyone who was interested in it, but now, I'm angry at the show for a different reason. Even if we were to assume that everything about Chloe was planned from the start, that she was supposed to be a fallen hero turned enemy, the show did nothing with it. If you're going to make Chloe a full-blown villain, then go nuts with the idea! Have her dedicate her life to beating Ladybug out of hatred, maybe even through a suit of armor like Princess Morbucks. Instead, this is the writing equivalent of intentionally setting your house on fire, but deciding you don't need the insurance money.

I'm actually going to say something that might sound blasphemous, especially coming from someone who has spent a lot of time talking about Chloe's character assassination, but I'm just going to admit it: I think Chloe should have been the next Hawkmoth, not Lila.

Yes, that's probably what you're thinking, but I'm serious. Think about it. Between her and Lila, who has the closer connection to Marinette as an enemy? Who has a more fleshed out reason to hate Marinette? Who got more focus as a villain this season? Who has more resources at her disposal? Essentially, the show put so much effort into making Chloe out to be Marinette's most personal enemy, that it makes no sense for them to not just go all the way and make her the next big bad. The writers already go on and on about how irredeemable she is, so why not make her an actual threat for a change?

But no. Instead, let's just keep her as comic relief who somehow gets more screentime than almost every other villain this season. That's a good way to tell our story, right?

Now You See That Evil Will Always Triumph Because Good Is Dumb... And So Is Evil, Apparently

This section should be relatively easy for me to get through, since not much has really changed with the villains since Season 4. They're all still idiots even though the show wants us to see them as a threat to the equally idiotic heroes.

Let's start with our only newcomer to the show's rogues' gallery, and definitely the weakest, Tomoe. I'll give the show a lot of credit with the foreshadowing for Tomoe here. Unlike other plotlines where the show bashes you over the head with obvious hints like with the Sentimonster stuff, the hints leading to the reveal of Tomoe being in leagues with Gabriel are far more subtle. They spend a lot of time in Seasons 3 and 4 discussing things offscreen (probably about some version of the Alliance rings), and both of Tomoe's akumatizations happen offscreen as well (since their conversation would give away their alliance). It's handled pretty well... which is more than I can say for Tomoe as a villain.

Tomoe is just such a confusing character, both conceptually and the way she was used this season. She's meant to be Gabriel's new confidant after Nathalie decided to stop being a villain while still mooching off him, but she pretty much does the same things Nathalie does, including the constant nagging about how inefficient he is. She even serves the same role Nathalie served in earlier episodes as Gabriel's technical advisor. Tomoe is basically a second Nathalie, with the only differences being that she's blind and that she wants Kagami to be with Adrien. Of course, this makes no sense because, like I mentioned in the retcon section, Adrien and Kagami tried to keep their relationship secret before their breakup. How could Tomoe not notice this? What is she, blind—oh right...

There's also the issue I have with the way Tomoe's nationality and disability is portrayed here, and how it really highlights how terrible this show is with representation (not to be confused with the episode of the same name). Like with my Sentimonster section, if there's anyone reading this who is disabled or a person of color, and you'd like to say anything about this part or how this show's representation is handled, feel free to voice your opinion or correct me if I get anything wrong.

With Tomoe, it feels like the writers slapped on every Japanese stereotype you could think of and called it a day, because we've seen all of these before. She's dressed in very traditional Japanese attire, is named after a famous Japanese warrior, uses a kendo shinai as a cane instead of a walking stick, is a strict parent to her child who expects the best from her, makes references to Japanese culture like samurai (Pretension) and taiko drums (Protection), is a technological genius, forces her child into an arranged marriage, and uses Japanese honorifics while talking with Gabriel even when they're not speaking Japanese. I'm not saying Japanese people can't talk about their culture at all, but when you're writing a character who happens to be a person of color, you need to do more than make references to their heritage.

With Tomoe, almost everything she says is referencing her heritage, which makes it come across like the writers cared more about her being Japanese than anything else. Because somehow, the writers were worried kids wouldn't pick up on the fact that she's Japanese... when she's wearing something that makes her look like she just stepped off the set of an Akira Kurosawa movie.

But hey, at least they say Tomoe is Japanese. I don't think there's a single indication that she's blind. At most, they give her the stereotypical superpower every blind person in superhero media seems to have, enhanced hearing. Of course, while characters like Daredevil and Toph Beifong have in-universe explanations for how they're able to “see” without their eyes (Daredevil's enhanced senses came from the same chemicals that blinded him in the first place, while Toph learned an advanced Earthbending technique that gave her the ability to sense others through vibrations in the earth), Tomoe just has them because the writers thought it would be cool. I know it might seem strange to say this after I talked about how too much focus was given to Tomoe's Japanese heritage, but you'd think more would be done with her being blind, and how it would factor into her motivation to create a better world through technology or her ideology about self-discipline. Instead, she acts like every other character on this show, to the point where all three times she was akumatized, she got her sight back.

The main problem with Tomoe is how other than her heritage and disability, she has almost no personality other than being a strict mother to Kagami (something that is also a negative Asian stereotype) and her vague ideology about suppressing her emotions. She's basically a female Gabriel, and because she's a woman in this show, lacks any depth or redeeming qualities. There just wasn't enough time to really develop Tomoe as a character in the same season she was revealed to be a villain. Sure, they try to hint at her having history with Gabriel, but that never goes anywhere, and we never even learn just why she's working with him in the first place other than some vague desire to make the world more technologically advanced in spite of also being a traditionalist who loves honoring old beliefs. Just remember, Chloe got eight focus episodes as a villain this season, yet Tomoe only got one.

Now for Lila, the most competent of the villains... by comparison. The show clearly wants her to be seen as a master manipulator in the same vein as David Xanatos from Gargoyles, but how they show it is just poorly executed. Sure, sometimes she would get ahead in clever ways during episodes like “Illusion” and “Revelation”, but other than that, a good chunk of her plans rely on contrivances that we're supposed to see as part of her plan when she would have no idea if it would actually happen or not. In fact, let's go over all the things Lila did during her last five episodes of the season and see how her master plan played out.

Step 1: Revelation – Convince Ms. Bustier to hold another election for class representative, lie your ass off to get the position while making it seem like you rejected an Akuma, and win the election.

Step 2: Confrontation – Tamper with confidential school documents while hoping your enemy doesn't plan anything to stop you, and if your plan falls through, abandon your identity entirely and hope nobody ever tries to look for you.

Step 3: Collusion – Convince your pawn to record a conversation between the mayor and the man you somehow know is Monarch and then after the conversation leads to an Akuma forcing him out of office, tell your pawn to accept an offer from Monarch's civilian identity that you somehow knew he'd make, leading to your pawn becoming the new mayor by force who everyone is too stupid to even think of opposing.

Step 4: Revolution – Tell your pawn to take an offer from the same supervillain she's willingly worked with before, watch her go mad with power and assume that Ladybug and Cat Noir will defeat her, and then in the chaos from her defeat, assume that one of Monarch's associates will randomly leave her computer behind for you to use.

Step 5: Re-Creation – Develop an immunity to magical nightmare dust, hack into the heavily-guarded mansion you know where Monarch lives while the city is being swarmed with supersoldiers, hope you don't run into Monarch or any heroes trying to stop him on the way there, take the hole created by a Cataclysm you know would be there, assume that Monarch will lose, and seize his Miraculous from the ruins of his lair that you somehow know how to navigate after surviving all of reality being rebooted.

General Patton, eat your heart out. I think we all know who the real tactical genius is here.

Seriously, how the hell did she even know half of the stuff involving Gabriel and Tomoe would happen? Yeah, she had Tomoe's laptop after the events of “Revolution”, but she didn't see how their final fight would play out. You could also argue that we technically never saw her go into Monarch's lair during the final battle (all we got was a shot of her looking down into the hole Bug Noire created with her Cataclysm), but why didn't she go down if she disguised herself to infiltrate Monarch's lair? Was she just scoping out the area? Was her entire plan just to steal Monarch's Miraculous? There were so many ways this could have blown up in her face, so let's go over all of them, shall we?

What if Ms. Bustier didn't agree to hold a reelection for class representative?

What if Marinette won the reelection anyway?

What if Lila wasn't able to escape during the chaos caused by Monarch's Megakuma targeting Mr. Damocles?

What if the school managed to contact one of Lila's moms and tell her about what her “daughter” did?

What if Chloe wasn't able to record the full conversation between Gabriel and Andre?

What if Andre agreed to use the police robots without any manipulation?

What if Miss Sans-Culotte wasn't able to get Andre to resign?

What if Andre did resign, but managed to appoint a interim mayor until the next election?

What if Chloe didn't accept Gabriel's offer?

What if Chloe didn't accept Monarch's offer?

What if Chloe managed to arrest Monarch with her robots and got all of the Miraculous herself?

What if the French military was sent to stop Chloe's abuse of power?

What if Ladybug and Cat Noir weren't able to stop Chloe and lost their Miraculous to Monarch?

What if Chloe double-crossed both Lila and Monarch and managed to get Ladybug and Cat Noir's Miraculous herself?

What if Tomoe didn't carelessly leave her laptop behind during the final battle with Chloe and her robots?

What if Tomoe realized she lost her laptop and sent someone to track it down?

What if Tomoe installed a kill switch on her laptop to make sure nobody would be able to do anything with it in the event it got stolen

What if Ladybug didn't learn Monarch's identity?

What if Lila fell victim to Nightormentor's nightmare dust?

What if Lila was attacked by some of the Miraculized before she could make it to the Agreste Mansion?

What if Gabriel caught Lila while she was attempting to sneak in?

What if Ladybug caught Lila while she was attempting to sneak in?

What if Nathalie caught Lila while she was attempting to sneak in?

What if the Gorilla caught Lila while she was attempting to sneak in?

What if some of the Miraculized caught Lila while she was attempting to sneak in?

What if Lila got caught in the crossfire during the final battle between Bug Noire and Monarch?

What if Bug Noire didn't Cataclysm the floor and beat Monarch at the entrance of the mansion?

What if Bug Noire wasn't able to defeat Monarch?

What if Ladybug managed to find the Butterfly Miraculous before she did?

What if Ladybug caught her while she was trying to find the Butterfly Miraculous?

Do you see why I only think Lila is the most competent villain by comparison? A good chunk of Lila's “plan” amounted to her waltzing over and reaping the benefits from every coincidence she's around to see. And she's supposed to be this criminal mastermind who thought this all out from the beginning?

Lila's planning makes about as much sense as her motivation. Why does she hate Marinette and Ladybug? They both called her out on her lies back in Season 1 and 3 respectively (Volpina, Chameleon). That's it. This is enough for Lila to want to become a supervillain and terrorize Paris. I get that the idea is to contrast with the more noble goal Gabriel had as a supervillain, but you need to give more of an explanation if you want the audience to care about Lila becoming the next Hawkmoth.

At the very least, if the writers wanted to build intrigue about Lila, have this be the season where she first appears. Build her up as this mysterious new girl who wins over Gabriel's trust, only she has an agenda of her own. By having most of her appearances be this season, it's more obvious that she has a bigger role to play, and would eventually become the next Hawkmoth. Instead, it seems like the writers put a bunch of names on a dartboard, Lila's name was the closest to the first dart they threw, and that's how they decided who Ladybug's next arch-enemy would be. And once again, Lila hasn't even touched a Miraculous in five seasons, yet we're supposed to believe that with the help of that vague glowing light she saw as soon as the first put on the Butterfly Miraculous, she'll be able to take on eighteen superheroes who have plenty of experience fighting Akumas?

Speaking of, let's get into the final main villain, Gabriel. Compared to the others, he had a pretty decent start. He felt a lot smarter than he usually did, like how he used his influence to market the Alliance rings in order to boost his Akumas' powers, or once again trick Ladybug and Cat Noir into thinking he isn't Monarch. He even managed to outsmart Scarabella and Kitty Noire by using the Alliance rings to learn their identities, and almost got their Miraculous as a result. For the most part, Gabriel was a pretty clever villain who capitalized on every screwup the heroes made, and actually came across as a threat... that is, until “Protection”.

Starting with “Protection”, Gabriel decided that even though he has only a few weeks to live at best, he needs to focus more on meddling in his son's love life instead of getting Ladybug and Cat Noir's Miraculous in order to save his wife. It comes across like he cares more about stopping Marinette than he does stopping Ladybug in the latter half of the season. Hell, Gabriel doesn't even set up any plans for what would happen to Adrien if he died despite once again claiming to be doing everything for his family. Also, for some reason, he really wants Adrien and Kagami to stay together and become a couple for reasons that I can only assume is because of some kind of social commentary on the rich. Is Gabriel trying to start a eugenics program? Is this how Khan was born?

The abrupt detour Gabriel's motivations take is connected to one of the bigger problems with this season: How Gabriel's Cataclysm wound is handled. We're supposed to sympathize with Gabriel and how his days are numbered thanks to what happened, all while he's desperate to achieve his goal... when not only did Gabriel Cataclysm himself at the beginning of the season, he almost never brings up his wound until the writers want to add unnecessary drama to the story. At most, he'll either flinch in pain a little because of the wound (Elation, Perfection, Intuition, Protection, Emotion, Confrontation), or show his purple hand to show how serious it's gotten while saying he doesn't have much time left (Passion, Pretension, Revelation, Collusion, Conformation). At least, we're supposed to see it as serious, as the injury never really gets in the way of his plans.

Rather than a painful injury that's slowly killing him, the show treats Gabriel's injury with the seriousness of a sprained ankle. Yeah, it's painful, but nothing serious. Aside from one episode (Intuition), we don't see Gabriel struggle that much with his deteriorating health or how it gets in the way of his plans. Compare this to how Nathalie's condition has been portrayed. As Season 3 progressed, Nathalie got weaker to the point of forcing Gabriel to abort his second outing as Scarletmoth (Ladybug), she became so sick, she had to be benched as Mayura by the end of Season 3, and needed cybernetic crutches just to help her walk during Seasons 4 and 5. While I criticized her sudden wrinkled appearance by the events of “Representation”, the show still made it clear that Nathalie was struggling to go about her everyday life over the course of the last three seasons. As for Gabriel, whose condition is supposedly more serious to the point where not even the Ladybug Miraculous can heal it? At most, it's less something influencing his belief that he has nothing left to lose, and more a mild injury at best.

Another problem I have with Gabriel is the same one I have with Tomoe and Lila: The lack of a proper backstory. Yes, we know the basics of it (his wife is comatose and/or dead, so he became a supervillain to get Ladybug and Cat Noir's Miraculous and save her), but we know nothing about his life before that. Thanks to “Revelation”, the most we get is that before he became a fashion designer who took an interest in discovering the Miraculous, he used to work in fast food like Skeet from Jimmy Neutron. Hell, the two even have similar haircuts.

Whether Gabriel knows the difference between salt and sodium chloride is still up for debate.

The show wants to say that Gabriel used to be different, but we don't get to see that side to him. If you want to say Gabriel used to be nicer, then give us a flashback to show how much Emilie's death affected him. That way, it would also give the scene in the finale where he breaks down have more weight to it, as it would show him letting down his emotional defenses.

Also, why was Gabriel so interested in the Miraculous in the first place if he found the Butterfly and Peacock Miraculous before Emilie got sick? The show establishes that Gabriel went exploring with Emilie and Nathalie, but why? What were they looking for? How did this lead to them getting into fashion? How did Gabriel and Emilie get so rich if Amelie inherited the Graham de Vanily fortune? This was the season that was supposed to wrap up the storyline regarding the Agreste family drama, yet we still know so little about them or how Gabriel and Emilie even met.

Finally, let's get to the Akumas. The season makes a huge deal about how dangerous Gabriel is now that he has almost every other Miraculous at his disposal, how hard the battle against him will become. How do the Akumas reflect that idea? Very poorly. Twelve of the season's Akumas were reused models (Ikari Gozen in “Multiplication”, Darker Owl in “Jubilation”, the Collector in “Illusion”, Glaciator in “Elation”, Sole Destroyer in “Deflagration”, Dark Humor in “Derision”, Riposte Prime in “Protection”, Vanisher in “Adoration”, Matagi Gozen in “Pretension”, Hoaxer in “Revelation”, Reflekta in “Confrontation”, and Nightormentor in “Representation”), and only ten of them were original (Manipula in “Determination”, Safari in Passion, Kikou in “Transmission”, Ryukomori in “Perfection”, Gold Record in “Migration”, Bugfighter in “Intuition”, Miss Sans-Culotte in “Collusion”, Queen Mayor in “Revolution”, King of Plastic in “Action”, and the Miraculized in “The Final Day”). I've also gone over this several times, but despite the main gimmick being that the Akumas have Miraculous powers now, the show never really explains why Monarch can't just give them those kind of powers himself, especially when he could easily recreate Miraculous powers as far back as Season 1 (Copycat, Antibug, Volpina).

Most of the Miraculous powers didn't actually feel like upgrades and just excuses to recycle Akumas on the basis of acting like they have new powers when it's almost always just giving them the same old powers. Either that, or with the new Akumas, they'll just make it so their only powers are related to their Miraculous powers, like Safari getting all of her gear thanks to the Goat Miraculous' Genesis, Kikou and Ryukomori's only abilities being related to their respective Miraculous powers, or Queen Mayor getting the power to control robots with multiple Miraculous powers. There were exceptions like Manipula getting the Ox Miraculous' Resistance as an added precaution, or Vanisher mixing her stealth with the Dog Miraculous' Fetch, but they were few and far between.

Overall, almost every villain this season was just so underwhelming. While the Akumas were once again mostly reused character models, we learned almost nothing about the villains other than the fact that they're idiots. Oh, I'm sorry. I forgot the fact that by the show's logic, almost all of the villains aren't really villains. Let's talk about how the show handles redemption arcs now.

The Redemption Misconception or: The Power of Love Always So Strong?

While younger readers might not understand this, there was once a time on the internet where one of the most debated shows was Steven Universe, and mainly for one reason: How it handled the topic of redemption. Pretty much every major antagonist had changed their ways by the end of the show, including Lapis Lazuli, Peridot, the Cluster, Bismuth, Spinel, Jasper, and even the Diamonds. While the quality of each of these redemption arcs varies from character to character, as is the moral status of each character, there's one thing I can say about how the show got the moral about redemption across: It was consistent. Aside from one or two characters like Eyeball or Aquamarine (who were more ignorant than anything else), there was never a case about someone being physically incapable of changing their ways, which tied into the overall theme of how important compassion is. With the way Miraculous Ladybug handles its redemption arcs, I unfortunately can't say it does it the same way Steven Universe does.

Pretty much every major villain, antagonist, or associate in the show gets a redemption of some kind. This includes Nathalie, Felix, Sabrina, Andre, and even Gabriel, while Chloe, Lila, and Tomoe are all viewed as beyond saving. The problem is rather than actually acknowledge the things any of them did as wrong before they start to change their ways, pretty much every “redemption” in this show amounts to downplaying their crimes. If the writers don't retcon the story so characters like Nathalie, Sabrina, and Andre were forced to help a greater threat instead of being willing accomplices, they'll retcon the story so characters like Felix and Gabriel were perfectly justified in their actions due to having a tragic backstory. Yes, while the point of a redemption arc is to have a former antagonist realize the error of their ways and turn a new leaf, it doesn't mean that the character who goes through this arc was never bad in the first place.

Like a lot of problems with this show, this is obviously contradicted by the way it handles Chloe. Any argument made on why every villain who was redeemed this season was stated to not apply to Chloe for some reason.

“Felix is a victim of child abuse and has a lot of emotional baggage!” Funny, because I remember in “Derision”, Mylene made a point about Chloe having a deadbeat parent not being enough to justify her actions, so by that logic, Felix shouldn't be getting away with anything.

“Sabrina and Andre were being forced to go along with Chloe's evil plans, so it's not their fault!” Chloe was also a pawn in Gabriel and Lila's schemes, yet we're still supposed to see her as evil. “But she still went along with Lila's plan!” By that logic, so did Sabrina and Andre, since they still listened to Chloe for a while instead of distancing themselves from her far earlier than they did.

“Gabriel and Nathalie are doing everything they can to help Adrien while they're both in poor health! Chloe didn't actually care about Adrien!” Sure, it's clear that (according to the retcons in Season 4), Chloe only cared about Adrien as a meal ticket, you can't say Gabriel and Nathalie care about Adrien either, since one is an abusive parent and the other did nothing to actually stop the abuse. Also, why should I feel bad for either of them when they routinely endanger lives and are only on death's door because of their own terrible choices?

I'm not saying that the show doesn't make decent points about why Chloe can't be redeemed. The issue is that these rules are never applied to anyone else who does get redeemed. The show tries to use characters like Chloe and Lila as a cautionary tale about how easy it is for your kindness to be taken advantage of, yet we never get any examples of compassion being a key factor in any major redemption this season.

Pretty much every villain who changes their ways only does so out of self-interest. Nathalie was fed up with Gabriel's constant failures and her own declining health, Felix only cared about doing things that would benefit himself like hooking up with Kagami, Andre was more than happy to resign even though he was forced to do so by an Akuma, Sabrina chose to stop helping Chloe after one particular plan goes too far (without actually apologizing for all the times she still went along with Chloe's schemes, no less), and Gabriel only stopped trying to hurt people once he got exactly what he wanted and died a martyr.

For a show with the lyrics “The power of love always so strong!”, why do we never actually see the power of love in action? And it's not just them. Whenever a character shows some form of compassion for an enemy, it's usually met with a dismissive attitude or fails miserably, and if it's not that, it's all lie to trick someone else.

In “Illusion”, Gabriel's plan to throw off suspicion that he's Monarch involves pretending to let Ladybug and Cat Noir get through to him.

In “Derision”, Rose pointed out Chloe's relationship with her mother as an excuse for why she's so mean, only for Mylene to argue against that despite being in a different boat than Chloe is.

In “Revelation”, Lila kept lying about having a caring attitude and believing that anyone can change, which was obviously meant to mock anyone who had that kind of viewpoint.

In “Collusion”, Ms. Bustier tries to reach out to Chloe after everything she's done, only to lose her job as a result.

In “Re-Creation”, the whole reason Bug Noire manages to beat Monarch was by putting him in a situation that would take advantage of his compassion for his wife, and later on, Gabriel manages to get the upper hand by taking advantage of Marinette's own compassion for him.

For a magical girl show, these writers are really terrible at teaching the lesson about showing kindness to your enemies, because more often than not, it's just violence that solves everything. Just ask the citizens of Paris in “Revolution”.

It doesn't help that the morality in this show isn't a complicated spectrum that weighs every action a character does and allows for other stances besides good or evil. Instead, it's like a light switch with two settings: “So good, you volunteer at the local children's hospital” and “So bad, you voluntarily send children to the hospital”. Characters in this show are either good or bad, and there's no room for in-between. Even when characters supposedly do change their ways, the show goes out of its way to claim that this is what they've always been like, which completely undermines the idea of what a redemption arc sets out to accomplish.

The thing is that I've actually seen examples of “Character X was only doing bad things as part of their plan!” and “Character X was only forced to do bad things for the villain!” done with one character, and it was a very recent example too. In the recently concluded Ohsama Sentai King-Ohger, one of the major villains was a tyrant named Racules, who took advantage of several monster attacks to secure more power for his kingdom, but later on, it's revealed he had a reason to do so. Long story short, Racules was the latest in a long line of rulers who was essentially blackmailed into carrying out a war by an immortal being from space named Dagded. However, Racules had a plan to secretly find a way to kill Dadged, and it involved playing along by pretending to be a heartless tyrant. By playing up his persona of a villain, not only did Racules drive his brother Gira (who was revealed to be an immortal creation of Dadged) to gain the weapons necessary to fight Dadged, Dagded trusted Racules so much, he decided to give him the power to kill an immortal. Guess who Racules chooses to kill as soon as he gets that ability.

While the reveal that Racules was good all along happened very late into the series, it worked far better than any redemption in this entire show for one reason: Racules isn't let off the hook for what he did. Everyone, Racules included, acknowledges that he did terrible things for years, and as soon as the situation is resolved, Racules is imprisoned for his crimes. Racules even admits to going mad with power at one point before he focused on his goal again, and he doesn't complain while he's in prison.

We never get any moments like this with the other redeemed characters. Nobody ever acknowledges that they went too far. They do one or two good things, and therefore, they're perfectly okay in Marinette's eyes.

Like a lot of topics it covers, this show wants to have its cake and eat it too when it comes to redemption. It wants to show characters changing their ways, but it doesn't want to actually hold those characters accountable for their actions. It wants to explain that not everyone can be redeemed, but it doesn't want to explain what causes people to want to redeem themselves. It wants to have an idealistic view of solving problems with compassion, yet it goes out of its way to mock those with that same ideology while claiming that violence is the only answer.

Maybe if Astruc spent less time arguing with people on Twitter over the concept of redemption, he and his team could have put more effort into fleshing out the all of the half-baked redemption arcs this season.

Adrienette Is Finally Canon! The Love Square? What’s That?

Well, it finally happened. After seven years, five months, fourteen days, 115 episodes and three specials since the show originally premiered in France on October 19th, 2015, Marinette and Adrien have finally gotten together for real. No cop-outs, no reset button, no misunderstandings, this is real. Credit where credit is due, the writers could have easily kept stalling and wait until the very end of the season for Marinette and Adrien to get together and called it a day, but they gave us over half a season of them in an actual relationship. Unfortunately, this also meant the writers had to rush the development of the relationship in order for Adrienette to become official in the first place.

Like a lot of stuff in the first half of this season, the writers pretty much speedran through the plotlines building up to Marinette and Adrien getting together. During the course of a mere eight episodes, we got a plotline about Marinette feeling guilty for letting her feelings for Adrien make her screw up, a plotline where Adrien realizes he has feelings for Marinette, a plotline where Marinette falls in love with Cat Noir, a plotline where Adrien stops having feelings for Ladybug, and finally, a plotline where Marinette stops having feelings for Cat Noir. These are all plotlines that we should have gotten over the course of the past four seasons, but instead, the writers are just cramming them all into less than a dozen episodes.

Considering how this was meant to be the final season originally, you can tell the writers realized they actually had to actually resolve the “Will they or won't they?” plotline instead of just padding things out like they normally do. But that's the problem. This was something fans, shippers, and general audiences were told to look forward to for years. Keep in mind, one of the biggest arguments you could make for just why the writers waited until Season 5 for Marinette and Adrien to officially get together was because they had something HUGE planned. This is a big deal for the show, something you can't take too lightly. If Astruc and the other writers were so intent on hyping up Adrienette for over four seasons to the point of showing two alternate timelines where they get together to tide viewers over, they needed to make sure they had a payoff so incredible, so satisfying, that their audiences would see it as more than worth the wait.

Just how was the big moment where Marinette and Adrien officially got together this season after so many years of buildup?

To be perfectly honest with you, I had absolutely no goddamn idea that the end of “Transmission” was meant to signify them finally starting a relationship. It just felt like the writers were doing the same thing about them being friends with a hint of something more on the horizon, but then the opening of “Deflagration” made it clear that here was major progress made in their relationship, though Marinette denied it due to her own anxiety, and by “Perfection”, it's confirmed that the two are dating. I just... really? This is how the two finally get together? It just... happens? No big dramatic confession? No romantic first date building up to this? Not even a kiss? The two talk for a few minutes, watch an Akuma fight, and now they're an item. Are you kidding me? Sure, most of the big moments in their relationship are saved for after they get together, but there's the problem: the writers half-ass the moment where Marinette and Adrien get together! It's more or less an afterthought in a two-parter involving a battle with Monarch where nothing was really accomplished.

You'd think for all the uncertainty Marinette felt over her feelings for Adrien this season, them getting together would be seen as a big moment, but it just doesn't for some reason. While you could argue it's a lesson in your fear of confessing being harder than the act itself, not much attention is given to Marinette growing closer with Adrien, because, for some reason, the writers decided to hold off the love confession and the first kiss for far later in the season (Pretension, Revolution). That's right, even after Marinette and Adrien finally get together, the show still needs to find a way to draw out the development of Adrienette.

I don't get it. Why couldn't the confession and kiss be what cements Adrienette, so more focus could be given to other plots? You can't say the “Will they or won't they?” stuff is the only draw to Adrienette, because there are plenty of plots you could write now that Marinette and Adrien are together. You could have an episode where Marinette invites Adrien over to breakfast with her parents in a follow-up to “Weredad”. You could have an episode where Marinette and Adrien try to go out on a perfect first date, only to struggle to balance their superhero lives getting in the way. You could have an episode where both Marinette and Adrien worry they're not good enough for each other, only for them to realize they love each other for who they really are. You could have an episode where Marinette and Adrien finally get closure on their former relationships with Luka and Kagami respectively. There were plenty of options for stories here, yet rather than do literally anything like that, not only did the writers drag out Marinette and Adrien's first kiss, they had the main villain take a break from trying to get the Miraculous to focus on breaking up the two.

As I mentioned earlier, we get a new arc all about Gabriel trying to break up Marinette and Adrien so Adrien can start dating Kagami again. Now I know what you're probably thinking: “IOTA, wasn't it implied that while Adrien and Kagami were dating, they were keeping their relationship a secret from their parents? Why are their parents suddenly obsessed with them getting together?” Well, you see, the answer to that is... that I have no answer because this makes no sense and is yet another excuse for a story arc that is somehow relevant to the overall plot. It's because of Gabriel's irrational hatred of Adrienette that Adrien is sent to London, and as a result, is absent from the final battle.

The sad thing is that I honestly thought Marinette and Adrien had some cute moments as a couple this season and had some believable chemistry. It's nothing groundbreaking, and there are plenty of flaws that I'll get to later, but for all intents and purposes, they still made a decent couple. It's just too bad that everyone else won't shut up about how amazing they are together. When their friends aren't trying to set up these cinematic scenarios for Marinette and Adrien that keep failing (Perfection, Protection,), they're gushing over how amazing of a couple the two are (Transmission, Deflagration, Revelation). At best, it comes across as the writers saying “How do you do, fellow shippers?”, and at worst, it comes across as the writers taking a victory lap while treating Adrienette as the greatest thing since sliced bread.

Adrienette just dominated the latter half of this season, and it really got in the way of the overall story regarding the conflict with Monarch. What's that? You're saying I forgot something, like the other three sides of the Love Square. Ah, good eye, my friend.

SO DID THE FUCKING SHOW.

For the thing that got a lot of people interested in the show in the first place, the rest of the Love Square is criminally underutilized this season. Marinette randomly develops feelings for Cat Noir for a handful of episodes, Cat Noir randomly moves on from Ladybug, and I don't think we even got a single Ladrien scene this season. It really felt like the writers realized this was meant to be the last season, so not only did they have to get Marinette and Adrien together as quickly as they could, they also had to acknowledge the other sides of the Love Square. Of course, they did that without actually doing an identity reveal.

There are theories that the reveal was going to happen this season with how much Marinette and Adrien only talked about each other and not their superhero partners (implying they both knew who the other was), but the writers changed it at the last minute because they got renewed for more seasons. I suppose it makes in a meta sense, but what about the in-universe explanation? What's stopping Ladybug and Cat Noir from learning each other's identities when literally every other hero in Paris can get their Miraculous back, even the ones who had their identities discovered? Were the writers so uncertain if people would still watch the show if there wasn't any mystery in Marinette and Adrien's relationship? What exactly is there left to explore with the Love Square when Adrienette is canon, while Ladynoir, Marichat, and Ladrien are all dead in the water?

Like a lot of things this season, the handling of the Love Square started off strong and gradually petered out to the point where I just don't care anymore. I started this season assuming the reveal would actually happen, but of course, the writers just won't let this subplot die already.

Adrien Who?

While I don't really have a lot of bad things to say about Adrien compared to last season, this is unfortunately part of the bigger problem with how he was handled this season.

Like I said earlier, it seemed like the writers actually learned from their mistakes last seasons with how Adrien was written during the earlier episodes last season. He stopped whining about how he was totally important and started pulling his weight in battle. He was very active in fighting Akumas and actually felt like an equal to Ladybug. Yeah, Ladybug still called the shots, but the two stopped bickering over stupid things and had more conversations about other things. It didn't matter if they were more casual chats about their lives (Perfection) or discussions on the enemy's plans (Intuition, Revolution).

The problem, like a lot of things this season now that I think about it, comes in the second half. Remember how last season made a big deal about how wrong it was to leave Adrien out of the loop with so many secrets? Once again, the writers seemed to have forgotten this major story arc that they wrote themselves. Now, not only does Gabriel crack down on his horrific treatment of Adrien through his ring, not only does Adrien's character regress to being nothing more than Marinette's trophy boyfriend, by the end of the season, Adrien is literally reduced to a damsel in distress who needs to be saved, instead of, you know, A SUPERHERO. And remember, the writers were very proud of how this was planned for almost a decade, all because they got to supposedly subvert fairy tale tropes.

I feel like this whole “Save Adrien” plotline could have worked if Adrien wasn't already a superhero, and was just a civilian Marinette knew. Yeah, it would still be using an overdone trope, but at least if that happened, Adrien would have an excuse to not be able to fight back as opposed to the several he made during the finale. Instead, for the majority of the season's second half, Adrien takes a backseat to a major story arc revolving around his family and isn't even given proper closure by the end.

“But IOTA!” You might say. “The show's called Miraculous Ladybug, not Miraculous Cat Noir! Of course Ladybug has to save the day! She's the main character!” That may be true, voice in my head, but here's the thing: If Adrien wasn't going to be part of the final battle, why wasn't this about Marinette's family? Why not make Monarch Tom or Sabine trying to bring back their spouse? Marinette is the main character, yes, but so much of the backstory in this show is connected to Adrien's family. The show tries to connect Marinette to this through her relationship with Adrien, but with how often she and Gabriel fight over what's best for him, Adrien kind of just sits around, not protesting against his father in the slightest. I'm not saying Adrien should be the main character. I'm saying that Marinette should be tied more into the story if you were going to base a lot of the drama on her perspective during the final battle. It's almost like making it so Adrien physically can't rebel against his father was a stupid way to keep him out of the conflict.

Why the hell couldn't we have gotten a scene where Adrien's connection to Gabriel was broken? There were plenty of options the writers could have used. You could have had Nathalie steal the other ring back from Gabriel to give to Adrien, have Argos use the Peacock Miraculous' powers to override Gabriel's commands, or have Adrien unlock a new form of Cataclysm that severs the bond with his Amok. And that's not even getting into the excuses the show made for why he can't get involved, because God forbid one of the two main characters in the show's title get to take part in the final battle.

In fact, I'm pretty sure this is why Felix was introduced, to do the things Adrien should be doing. Felix is the one who has a vendetta against Gabriel, a deeper connection with Kagami, knowledge that he's a Sentimonster, and an overall influence in the plot. The writers are so obsessed with coddling Adrien that they created an entirely different character to fill in a role for him, and Felix wasn't even in the final battle. And just remember, Adrien was originally created to replace Felix in the story, so Felix taking over Adrien's role as the character who helps advance the plot makes even less sense.

Even if the final battle is meant to be over Adrien, it comes across less like Marinette and Gabriel are fighting over his freedom and more who gets to control him. Gabriel doesn't use his wish to free Adrien from the shackles of the rings. He just gives Marinette the rings and hopes she won't do the same kind of things he did with the rings. Nothing changed over Adrien's treatment except who gets the keys.

It'd be one thing if Adrien at least chose Marinette over his father, but Adrien isn't even allowed to know the full story on anything, not even the Sentimonster stuff. Okay, putting aside the fact that Adrien has lots of friends and family to help him cope with this, maybe I can buy not telling him about Gabriel. Not telling him he's a Sentimonster is something I can't excuse. This is like not wanting to tell someone they have diabetes and hoping they know how to use their own insulin while they're downing Pepsi after Pepsi. It's not just a matter of hurting Adrien's feelings. His fucking life depends on those rings. He should obviously know to keep them safe and not trade them for magic beans or something stupid like that.

But the biggest problem with Adrien this season is how it goes against everything the show has said about him and his relationship with Marinette/Ladybug the last four seasons, and especially Season 4.

For the past four seasons, the show has loved to say that no matter what happens, Ladybug and Cat Noir will always be here for the other, even against the world. Put aside how unlikable Adrien was last season, that was the ultimate lesson, about the two reaffirming their bond. And yet, here we are in the Season 5 finale, when literally the entire world is against Ladybug and Cat Noir, and Cat Noir is nowhere to be seen.

One of the main reasons why Adrien jumped at the chance to be a superhero was the freedom it gave him from his restrictive lifestyle, and how it led to him making more friends at school. And that very same story ends with Adrien admitting it's a good thing for him to stay inside and never acknowledge the fact that his father was kind of a dick. Remember, this was planned in advance for YEARS, and absolutely nobody thought it contradicted one of the most important aspects of Adrien's character: his desire for freedom. Now the same person who would demand to not be kept in the dark about so many things (Lady Wifi, Syren, Lies, Sentibubbler, Rocketear, Risk) is now sitting around like a coward while everyone else saves the world instead.

I still think Adrien was at his worst in Season 4, with how much of an whiny and insufferable idiot he could be, but Adrien in Season 5 is a close second. Yes, I wanted him to stop acting out and demanding that the world cater to his every whim, but I also wanted him to prove he was as valuable as he says. The first half of this season seemed to understand this kind of criticism and reminded the audience that Cat Noir was still useful, but when the actual story kicked in, the writers were so determined to keep the secret identity bullshit going, Adrien somehow got less focus as a hero than the Resistance, a group of temp heroes who actually lost their Miraculous. And consider the fact that this season wrapped up the drama with the Agreste family, so for all we know, Adrien will get even less screentime next season.

If Adrien is supposed to be an invaluable ally to Ladybug, then why doesn't the writing accurately reflect it?

The Problem With the Biggest Idiot of Season 5: Moronette, “Of Course I Know What I’m Doing!” Royal-Pain, AKA, Ladydumb

You know, it's funny. I kept defending Marinette when the writing kept making her out to be a terrible hero last season while Adrien got by without a single criticism, to the point where I considered Adrien to be the worst part of the entire season. Oh, how the tables have turned with dear old Marinette, as the season that chose not to criticize every single action she took is when she's arguably at her worst.

You have to wonder if the writers finally realized how much crap they put Marinette through over the last few seasons by having her always forcing her to learn some contrived lesson and were like, “Oh yeah, she's supposed to be someone the audience is supposed to root for.” Unfortunately, they went way too far in the other direction with how they handled Marinette.

The way Marinette was written this season felt eerily similar to what happened with Adrien last season. Suddenly, her personal drama is of the utmost importance (Determination, Passion, Reunion, Elation, The Kwamis' Choice, Perfection, Migration, Derision, Adoration, Pretension, Representation), she's making incredibly stupid decisions in battle (Evolution, Destruction, Determination, Pretension), she becomes the moral compass of the show who lectures others on what to do (Revelation, Confrontation, Collusion, Revolution), and she's never really called out for her actions by the other characters despite how often she makes things worse.

So much of the first half of this season is the exact same crap over and over again. Marinette complains about how hard things are for her and her conflicting feelings for Adrien. I wouldn't really mind something like this if it wasn't for two things.

First, there's no real arc involved with this. Marinette keeps complaining about her love life, and she never really learns anything from it. She doesn't even get to confess to Adrien and show her growing as a character. Adrien confesses to her, and bam, the two are a couple now. Glad to see all the discussions about Marinette's anxiety was completely pointless since she doesn't get to be the one to really confront her inner demons. Well, there was one time in “Derision”, and we all know how well that turned out, right?

Second, more often than not, it seems like Marinette is prioritizing her personal life over the situation with Monarch. You know, the guy who has access to fourteen different Miraculous? After you only managed to get one back? I'd understand if we got this kind of arc in the earlier seasons, but by doing this, you're undermining the current threat Monarch poses. She's even willing to give up being a superhero if it means being with Adrien. That is how important her love life is to her. She's willing to let Tikki force the responsibility onto someone else if it means she can be happy. Of course, this isn't too surprising, as Astruc once said that the show is supposed to focus primarily on romance, not superhero action.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

Just like with Adrien last season, the show seems to care more about Marinette's personal issues at the expense of other characters. Do you want to know how many episodes this season focused on Marinette's love life in some way? EIGHTEEN (Multiplication, Jubilation, Determination, Passion, Reunion, Elation, Transmission, Deflagration, Perfection, Derision, Protection, Adoration, Emotion, Pretension, Revolution, Representation, Conformation, Re-Creation). Literally two-thirds of the season includes Love Square drama. Even if you want to be generous and count both two-parters as single episodes, that's still more than half the season. This is yet another problem with waiting until what was originally supposed to be the last season to resolve your plot. You need to force all of this development through almost every episode until people get tired of it.

Because of this, Marinette basically took over the narrative of Season 5. Almost every major conflict revolved around her, even the stuff with Adrien. Rather than make a story about Marinette and Adrien working together to break free from Gabriel's influence, Marinette is the one who has to do the heavy lifting and save Adrien herself. I've already talked about this with Adrien, but it bears repeating, as this is same issue I had with Season 4. Just like how Adrien got more focus during a story arc that should have been about Marinette last season, Marinette is now getting more focus during a story arc that should have been about Adrien, to the point where Marinette gets to use Adrien's Miraculous during the final battle with Monarch.

I'd at least be somewhat forgiving towards the shift in focus if Marinette actually got to do anything to advance the plot herself. Because of how often the show focuses on Marinette's love life, very little time is dedicated to showing Ladybug making an effort to actually stop Monarch. The closest we got was in “Illusion”, and that was a plan spearheaded by Nino. Like I said earlier, Felix does more to advance the plot out of any character, even Marinette, THE ONE THE SHOW IS NAMED AFTER!

We have three separate episodes where Ladybug has Monarch at her mercy, but she decides to talk about how she's totally won and that Monarch can't get away at all, and then Monarch gets away in a matter of seconds. I just... this is “SHOOT THEM WITH THE DEHYDRATION GUN!” levels of stupid here! The only reason Monarch gets as far as he does is because Ladybug can't just grab any the Miraculous he has all over his body.

We're seriously supposed to see Marinette as an amazing hero when she keeps screwing up every opportunity she gets to stop Monarch. In the span of one season, Marinette went along with being forced to retire because she got a chance to date Adrien (The Kwamis' Choice), chose not to form a temporary alliance with an Akuma even if it meant possibly getting the Peacock Miraculous back and stopping a potential threat (Pretension), had absolutely no plan to stop Lila until someone else came forward with information on what she was doing (Confrontation), decided to let another Akuma force the mayor out of office (Collusion), and failed to stop Gabriel because she got tricked again and was completely helpless as the entire universe was recreated before she took credit for defeating Monarch afterwards in the new reality and then decided to honor the insane supervillain's wishes and keep her boyfriend completely in the dark about the truth even though she learned not to keep secrets from others (The Final Day) and MY GOD, I HATE THIS SEASON SO MUCH.

When Marinette isn't making terrible decisions, she's lecturing others on how to act around their enemies, and when I say “how to act”, I mean “refuse to give them even the slightest bit of respect after doing the bare minimum to help them try and change”. Marinette really lets her own personal biases toward Chloe and Lila get to her this season with how the latter half of the season had her tell others not to even consider trusting them because of how easy it is for them to take advantage of kindness. You know, something you'd hear someone like Superman or Spider-Man teach kids about.

In fact, here's a little game any aspiring writer can play when writing superhero characters: If you can't imagine someone as noble as Superman saying something like this...

Marinette: But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness.

Unless your intent is for them to be flawed or in the wrong instead of a complete paragon of virtue, you need to go through your drafts.

And just like Adrien, even though Marinette keeps screwing up, she's never held accountable for her actions. She's never allowed to be wrong, and is almost always the one who gets to lecture people, mainly towards the end of the season. A good example of how poorly written Marinette is this season is when she whines about Ms Bustier not punishing Chloe enough when not only does she fail to understand that Chloe is still being punished, but she did absolutely nothing to bring Chloe's cheating to her teacher's attention when as class representative, it's her job. I don't care how stupid that idea sounds, that's what the show goes with, and it makes Marinette's inaction come across as very irresponsible.

But then again, neglecting her duties at school is nothing compared to acting like Marinette didn't fail to save all of reality while not showing the least bit of remorse for it. I'm just saying, when even Ben 10: Omniverse of all shows does this kind of story better, you know you've screwed up. Again, we're supposed to see it like Marinette won because the universe is in one piece, when, once again, SHE FAILED! Like I said, she failed at pretty much everything she set out to do this season and didn't stop Monarch outside of warding off his Akumas. This is seriously how the show was supposed to end, with Marinette failing to save the universe and the audience just needing to accept it. Well, in case it wasn't obvious on my front, I don't. Hell, forget Ben 10: Omniverse. Even Star vs. the Forces of Evil had the main character save the day, even if it meant potentially screwing over countless lives by destroying all magic in the world. Marinette? “Well, everyone I know and love is technically dead and the madman I spent five seasons trying to stop gets to die a martyr, but everything looks like I saved the day, so that technically means I didsave the day! Man, I'm a great hero. Good thing the other characters basically exist to remind the audience of how amazing I am.”

If there's one thing to take away from everything that's happened, it's that this was the season where Marinette has arguably become one of the biggest examples of a show failing to make the audience like their main character. There was much time dedicated to rationalizing and trying to justify the worst possible decisions she could've made and acting like she's still an amazing hero. Stuff like this only serves to further validate the criticisms people have had for her as a character ever since Season 5. And remember, this is coming from someone who went out of their way to defend Marinette last season. In an attempt to show her at her most heroic and virtuous, Season 5 pretty much cemented Marinette as a terrible main character, a terrible superhero, and a terrible role model for children.

Eight Years for This?

I'm going to be perfectly honest with you guys. This season just broke me, and there was a good reason why this analysis took so long to write.

While there were a number of outside factors that made it hard for me to get the time to write (work, the holidays, family gatherings, etc), there were still times where I either didn't have a lot of material to work with, or I just couldn't find the motivation to work on the reviews. I guess throughout all these years, I figured that after all this buildup between the Love Square and Adrien's relationship with his father, there would at least be something I could find this season that would allow me to say this was worth the wait. Unfortunately, it was just disappointment after disappointment this season, with a universally hated finale to boot.

To me, this was the season that burned away the remaining goodwill I had for the show, because there's just no salvaging it at this point. The writers pretty much butchered every single character in some way, excused the main villain's actions for a sorry excuse for a heroic sacrifice, and literally reset the universe so all of the characters we've come to know for almost a decade technically don't exist anymore. Even the cliffhanger for Season 6 really excites me, because why should I care about a character we still know nothing about becoming the main villain? Why should I care at all when the writers have made it clear they don't care either? They don't care about writing character development, they don't care about writing consistent lore for their world, they don't care about approaching serious subjects with the delicacy they deserve and they certainly don't care about telling a consistent story.

Season 5 of Miraculous Ladybug was a failure in every conceivable definition of the word. It failed to deliver a satisfying conclusion to any of the stories that had been set up for years, and if this was how the main story ended, I don't really have a lot to look forward to when Season 6 premieres.

[bloomeng]

I don’t normally share personal projects here but I'm happy with the art so why not. Anyway these are some character concepts for a game pitch assignment I've been working on. It's still very much in its infancy but the idea is a dating sim/visual novel-style game based around the concept of a support group for the henchmen of supervillains, called "Henchman Anonymous."

You-- the player-- are the familiar to Carmilla de Villeneuve, the Vampire Princess (pictured left). No, she isn't royalty. Yes, you're pretty sure she stole her name from popular vampire media. But yes, she's actually a vampire, a vampire supervillain more specifically, and a very mediocre one at that. After years of thankless work executing her extravagantly stupid schemes (that might also just be a wee bit genius) and styling her finger waves you've about had it. That's what Henchman Anonymous is for, breaking up with your abusive boss! Only one issue you might sort of actually be a bit in love with her... Perhaps what you need is a little help getting over her.

As of right now I only have two main routes planned.

Route #1: Amélie is one of Ring Master's many henchmen and she is also her daughter. Let's just say crime runs in the family, as in they're literally a crime family. Amélie is the fourth eldest of eight, meaning her smack dab in the middle and often overlooked. Between the size of her family and her mother's controlling tendencies, Amélie feels more than a little stifled. She hopes that Henchmen Anonymous will help her break free and lead a normal life. It's too bad her boss just happens to be your boss' villain rival— not that Ring Master knows that.

Route #2: Dorian is a man of mystery, well it's more accurate to say he's a stubborn jerk who refuses to share anything, despite being in a support group. You swear he looks familiar though. Little do you know the reason Dorian won't talk is because he's not-so-secretly the sidekick to the Ebony Knight-- your city's resident vigilante-- who's undercover trying to get insider information on supervillains so that maybe his boss will fully take him under his wing. Unfortunately for you, the reason he looks so familiar is that the Ebony Knight might just be Carmilla's nemesis and absolute obsession. (Lego Batman and Lego Joker vibes)

Main Route:

Ideally, I would like to have a non-romance-based route for those who want to explore the plots of both stories. This route would allow players to learn about both Amélie and Dorian's connections to Carmilla and allow you to befriend them. There are also a couple secondary non-romanceable characters that I haven't mentioned because I don't have concepts drawn up for them that would get more emphasis. I haven't decided if it would be something activated by not scoring high enough with either of the romanceable characters or if it's something I would let players choose.

Secret Route:

In my head, I'm calling this the "I can fix her" route, because that's basically what it is. It would focus on getting to know Carmilla. In all versions of the story, there would ideally be a plot about learning to set boundaries with Carmilla, but this secret route would basically allow you to then romance her. Unlike the other routes, Carmilla wouldn't be something you could choose, you'd have to earn it through the main route.

Notes on the designs:

Carmilla died in the 50's and is old Hollywood-inspired, specifically Marilyn Monroe who I used as a clothing reference. Overall I wanted this whole series to read very campy and lean into tropes, so I tried to also capture as many vampire motifs as I could. While she loves to look glamorous she's actually not all that good at styling herself. I sort of based her on the wwdits vampire logic of them being dated but not completely tied down to whatever century they died in. Committing to the aesthetic is the most important factor.

Amélie is based on court jesters and is absolutely supposed to be a Harley Quinn knockoff. I mixed several eras for her clothing. Court jesters are associated mostly with being medieval so I pulled some references there with the headdress, which I heavily stylized to look like devil horns. The ribbons are a call back to the veils women used to wear. The collar and sleeves are more Elizabethan, while the stays are based on 18th century fashion. (I've been drawing too much ofmd fanart my bad everypony) Don't ask me where the chemise is, maybe it's cropped. For the bottom half I referenced DC comics silhouettes. It might also be worth mentioning that I was listening to Chappell Roan while drawing her initial designs, so that really carried over in the make-up, but I swear she was always going to be a redhead!

Dorian's outfit I have to be so real about, I'm not super satisfied with. I wanted to do a more modern, street-wear look. The best way to describe the vibe I wanted to go for is "if DC's Nightwing were to try to style Marvel's Prowler." I wanted this sort of uptight, hyper-serious sidekick to dress like what he thought villains dressed like. So I opted to put him in stereotypical "bad boy" clothing; leather jacket, studded belts, fingerless gloves. I looked at a lot of Shadow the Hedgehog gijinka fanart. I don't hate what I came up with, but I definitely want to push the design more next time, really amp up the emo, bad boy-ness of it all. 

some notes on the design of the game:

Because I'm still very early on in the hypothetical process I don't have backgrounds or specific graphic design elements selected. However, my initial idea would be to use the classic comic book style font with the text bar emulating speech bubbles-- well, closer to the bubbles they use for inner dialogue or establishing shots. I want to play up that comic book vibe.

And for funsies here’s a facial sprite in action:

(ingore her lack of feet it's a sprite draft)

[susansontag]

studio ghibli ranking list let’s go

(will include nausicaä and the red turtle)

the these-are-actually-bad section:

24. earwig and the witch

actually the only one I haven’t watched so it’s cheeky to put it here. but I won’t be watching it and no one will blame me.

23. ocean waves

who sincerely cares about these teenagers they’re so annoying. if the boys had been gay it would have honestly been homophobic.

22. pom poko

this film is about shape-shifting raccoon dogs waging a war on humans and there’s copious jokes about their testicles. so on paper a perfect film. execution wise it’s so long and so boring and you care about none of them.

the cure-for-insomnia section:

21. tales from earthsea

hayao miyazaki was right to walk out of this one even though he probably is a terrible father for having done so. some of the animation was really nice but these protagonists made me yearn for the ocean waves cast because at least they have semi-personalities.

20. castle in the sky

proof miyazaki was judging his son too hard for earthsea because this is basically his version of the same thing: a nice idea with good animation and the most boring boy/girl protagonists imaginable. has got that whimsy he does so nicely however.

the passable-films section:

19. the cat returns

but should he have? was that really necessary? has a scene of cats walking in a procession on their hind legs though so that’s a plus.

18. arrietty

visually gorgeous but otherwise a very run-of-the-mill adaptation of the borrowers, which in something that should feel wondrous is less than ideal.

17. my neighbors the yamadas

some harmless and inventive fun that you can put on in the background whilst eating lunch or doing some light yoga stretches.

the don’t-harm-me-I’m-right section:

16. howl’s moving castle

yes I do in fact understand the intricacies of the plot and I still don’t care. this is one of ghibli’s messiest films for sure, it can’t decide what it wants to be or focus on and the plot just seems to happen and then not happen for no good reason. I also think howl’s a whiny bastard and hate that sophie has to mother him and endure his contemptible man tantrums. a shame because she’s actually cool.

15. grave of the fireflies

it was sweet but I’ve watched more moving animated films set in war-time, even. I don’t have much desire to watch it again honestly but maybe I will at some point.

the this-is-getting-there section:

14. the red turtle

I liked it! an acquired taste but I really felt the harshness of the elements and the cruelty and the love. it's also very beautiful to look at, one of the most visually arresting ghibli productions.

13. only yesterday

a tale of two films with this one. the parts where she's a young girl are much more interesting, but if this had stuck the landing and it'd been more even overall, could have potentially been a favourite. alas.

12. the wind rises

a genuinely weird one in ghibli's lineup, in which miyazaki meshes two different stories together (one of inventive 'genius' and a doomed love story, respectively) in a likely attempt to try and grapple with his having chosen his career over all else, including family (noteworthy is that his wife was not able to retain her career as an animator). as a piece of art it's less whimsical and more mature than many of these films, but I struggle to not let my distaste for what it potentially represents get in the way of my appreciation for it as a film, but it's so blatantly personal that it's impossible.

the that-was-just-a-good-fun-time section:

11. nausicaä of the valley of the wind

aesthetically one of the coolest films on this list but I don't remember the story as well. great protagonist too. must have been great to experience when it first came out in the '80s.

10. porco rosso

I love this film about a tomboy mechanic and some pilot guy who went off to war and was so changed he is now a pig. watching it feels like if the mediterranean was so small it fit into your back pocket and was also populated by all your friends all your enemies and your ex-lover also.

9. from up on poppy hill

I found this one boring the first time I watched it but it really grew on me with subsequent rewatches. I really like her predominantly female household and the community they share in the backdrop of the rest of the drama is sweet. the bit of drama midway through is still batshit though but in a loveable, disney-would-never way.

the near-perfect section:

8. the tale of the princess kaguya

probably takahata's magnum opus with the studio, if slightly overlong. folktales are tricky because they tend to feel moralistic and the characters one-note if you're not willing to build on them but kaguya herself feels very spirited and alive. the prettiest on the list too I'd say.

7. my neighbor totoro

cozy late summer comfort film. perhaps even more special now because I was able to see the london production. cute!

6. when marnie was there

surprised this one has ranked so high for me but that's the power of tomboy lesbians heck yeah etc. also the fantastical element of this one is so up my alley and touches upon a particular kind of childhood nostalgia I have of being in old houses and imbuing them with magical qualities. the image of anna facing the house across the marshland is burned into my retina.

the I'd-die-for-her section:

5. princess mononoke

aesthetically too cool for school and has one of the best ghibli villains and female characters (lady eboshi). they really said all the spirits of the forest are going to die in this one but well it was a nice thought.

4. ponyo

my comfort movie of all-time! heartwarming! with another great female ghibli character in lisa, sosuke's mum who is legally allowed to drive like that apparently. also one I actually watched for the first time in my childhood when I was around 7 or so at an after school club. the subtitles taught me the useful and now underused gem of a phrase "bog off".

3. kiki's delivery service

asks the important questions such as: what if you were a young witch from a dying tradition who moves to a gorgeous town in sweden? what if your remarkable gifts were no longer appreciated due to rapid advancements in aviation technology? what if you could live in a bakery?

2. spirited away

when you're just a timid child who is scared of admittedly a lot and your parents manage to mess everything up spectacularly so now you're forced to work at the age of twelve for people who steal your identity. still one of the best honestly they may never top this as the peak of their artistic achievement.

1. whisper of the heart

have you ever been a struggling artist? have you ever been in love? have you ever been obsessed with john denver's take me home, country roads? in all seriousness love a story of two artistically inclined people inspiring each other and this has a unique feel compared to other ghibli films forever favourite probably. it feels like basically no one has watched it and that's a shame. rest in peace yoshifumi kondō.

[fallingdownhell]

Genshin.l men when you pluck off their first grey hair.

Uhh, I know some good candidates for this one! xD

Characters Included: Itto; Kaveh; Zhongli; Kazuha

Content: Fluff; established relationship; overall just good feelings and joking around; no drama at all in this one

Word count: 1,3k words

Have fun with this one!

Itto

It was your usual hangout day with Itto and his gang, but you were bored

You guys weren't doing anything interesting or fun, just sitting around, playing cards

well.. Kuki may be entirely satisfied that the boys were keeping low on their shenanigans, but you were bored out of your mind. Your boyfriend wasn't really paying attention to you, too invested in his stupid card game

somewhere along the way, you decided to lay your head in his lap, hoping to garner some attention this way

when that also didn't work, you started to play with his hair to get a rise out of him, but that also failed. He did enjoy your touch, but ulimately, it wasn't enough to distract him

that was, until an idea formed in your head. True, it may sound like a stupid one, but your boyfriend was also known to not exactly be of the brightest sort

so, with feigned shock, you suddenly gasp as you pluck one of his hair out of his head, the sudden exclamation finally getting Itto's attention

"What? What's wrong, babe?"

"Itto.. I think you're getting old.. Look, your hair is going white!"

You play your part good, but it obviously was a pretty stupid prank to pull on him. Everyone caught onto it the moment you spoke it out loud. Well.. everyone, except..

"WHAT? ARE YOU SERIOUS?"

Itto practically jumped up, panic written all over his face

"This can't be! Not my hair!"

You look at him, puzzled, confused that this stupid joke actually worked on him. You looked to the other gang members, but they only sigh and shake their heads

When Itto finally got in front of a mirror, you could almost see the gears turning in his head.. it took him a solid minute until he realized it, too

"(NAME)!!", he screamed and now you couldn't hold back your laughter

Kaveh

For a man, Kaveh was overly focused on his physical appearances

he always made sure to stay relatively on top with his choice of clothes and his hair is always well taken care of

and while that might sound like someone who would be overly arrogant, Kaveh was not like that at all

he just really cared about what he looked like, always wanting to "Impress", if you can call it that

so, one day, you thought about a little prank. You didn't think anything bad of it, it was just a harmless joke...right?

well... one time, after waking up in bed together, Kaveh asked for you to brush through his hair while he was looking through some sketches again, and that was just the perfect opportunity to execute your plan that has been brewing in your head for the last few days

For a few seconds, you silently brush the comb through his hair, followed by your fingers to smoothen it up again, when you suddenly gasped

"What? What's wrong, (name)?", Kaveh sounded confused at the sudden change in atmosphere, slightly alarmed

"Kaveh.. I think I found a grey hair here.."

"...WHAT? PULL IT OUT! PULL IT OUT!", he screamed.

This couldn't be happening! Not yet! He wasn't even THAT old!

You plucked the single hair out like he requested. And while it was just a normal, blonde strand of hair like the rest of it, Kaveh was an expert in stressing himself out so much that he actually thought to see it as well

"No, no, no, no!"

He began pacing through the room, trying to think of a solution. This couldn't be happening!

You almost couldn't hold back your laughter, but when Kaveh suddenly ran out of the room, completely forgetting about anything else, you knew that you might have messed up a little bit with your prank...

Zhongli

You and Zhongli were laying on the couch, his head rested in your lap as you massaged through his scalp

The events of the day had tired him out more than usually and you noticed that as soon as he came through the door of your shared home

so, you offered to help him relax a bit. You made him a cup of his favourite tea and were now spoiling him with this incredible massage, he felt like all his dreams had come true at once

his eyes were closed, humming from time to time, telling you just how much he enjoyed this

"Hmm..", you let out after some time of you being quiet. Zhongli rose an eyebrow at that, but otherwise remained as he was

when nothing else came from you, he opened one of his eyes, staring up at you

"Is something the matter, darling?"

"Hmm? Oh, not really.. I just noticed, you seem to have gotten a few grey hairs.."

Your tone was gentle and you kept up the relaxing movements through his hair

"Ahh.. Is that so?", Zhongli quietly spoke, closing his eyes again

"So it seems that the wheel of time is finally catching up to me, as well."

"...Are you bothered by it?", you ask, carefully, not knowing how he would react to that revelation

"Not at all. This is just how things are supposed to be. I don't mind it at all."

And he meant that. He couldn't be bothered by his hair turning a different colour, when everything else in his life was just perfect...

Kazuha

You and Kazuha were currently on board of the Alchor, making their way back to Inazuma

You had decided to accompany him on one of his travels and it has truly been one of the most amazing experiences in your entire life

The things you got to see during your travels, the people you interacted with, and the memories you made together with Kazuha.. it would surely stay in your mind forever

Currently, you were both out on the deck, just looking out into the distance, silently enjoying each others company

normally, you would sit with your back against Kazuha's chest, his arms would be around you while he simply held you like this. Sometimes he would kiss your hair and other times, he would tell you a poem that he just came up with. You cherished those peaceful moments with him

This time however, your roles were reversed, with Kazuha sitting with his back against your chest, half sitting against you and half laying in your lap, while you gently stroke through his hair

he wasn't really thinking about anything in this moment, instead enjoyed the gentle breeze of the wind and your touch in his hair.. surely this must be what heaven felt like

he was sighing every now and then with content and each time, you smiled at the sound, glad that he was enjoying this

then, one time, when you took your hand out of his hair to put it to a different position, you noticed a few loose strands of hair caught between your fingers

you pulled them out and stared at them a bit.. something felt off about it somehow..

"Kazuha.. is your hair starting to grow grey?"

At first, he wasn't sure if he heard you right. He opened his eyes, only to find a serious expression on your face

You really weren't joking...

"My dear...", he only said, sighing a bit

"What?", you asked, feeling a bit offended at his tone. You looked at him a few more seconds until you realized it..

your eyes grew wide and Kazuha knew you finally got it, a sly grin making it's way on his lips

"Oh...", was all you said, embarrassed that you forgot something like that

Kazuha just smiled, but said nothing further about it, just closing his eyes again as you continued with what you were doing before

Would he ever let you live that down? ...No, of course not...

[lightwise]

Hey guys. I know I’ve been relatively quiet on here since the finale, and I wanted to let you all know I haven’t just liked all your posts but not reblogged for the sake of lurking 😅. I had an insanely chaotic week in my personal life/schedule and the finale hit me hard, in some ways that I wasn’t expecting, so I’ve been processing a lot behind the scenes and trying to play catch-up.

I know there’s a lot of opinions, a lot of hurt feelings, and a lot of processing going around, no matter what your opinions about the finale itself. And even if it had satisfied every one of us, it still is hard to say goodbye to our Bad Batch in canon media. I’ve been crying every time I see shots from those last few scenes and the epilogue 😭❤️

I’ll be sharing everyone’s thoughts and my own as I have the bandwidth this week/ongoing. I have a lot of things I want to address:

- How Tech was handled

- Project Necromancer and Omega’s m count

- the death trooper batch and what worked and didn’t work for me

- how Crosshair’s hand was handled

- my reaction to the finale, as well as the pros vs cons of how it was executed

- the pros and cons of the season overall

- potentially analyses on Hunter and Crosshair throughout their arcs

- some posts that I had been compiling before the finale that will now have a very different tone 😅🫣 (you’ll know what I mean when I get there)

- final update on my Crosshair Sighs count

- additional chapters of the Be There one-shots I started at the beginning of the season. I have Hunter and Crosshair’s perspectives, and I will add in Wrecker’s, Echo’s, and Omega’s.

- I still have an upcoming Hunter short fic and my long fic Compass Pointing North (Rex and Echo leading the clone rebellion) that will fill in all the gaps of the last two seasons and potentially more (I have so many ideas!)

In short, I’m still here, not going anywhere, just need some time to process and get my thoughts together. For those of you grieving or feeling let down, I see you and feel the same way about certain things. For those of you ecstatic and fulfilled about certain things, I see you and feel the same way as well.

And lastly—I’ve been seeing and hearing both behind the scenes and publicly making fun of, tearing down, or vehemently shaming people for their various reactions to this finale. I have to say I’m a bit disappointed at some of the backlash that has been happening between fans for holding differing opinions and emotions. If someone else has a different favorite character than you, a different perspective, a level of difficulty that you are not experiencing—do not shame them for that. Do not go on anon and harass them. Don’t try to tell people who are upset that they should just be happy and get over it. And don’t tell people who are really satisfied with what we got that they shouldn’t be expressing that or that they are inconsiderate for feeling that way.

In short, don’t let the end of this show tear apart all of the good and wonderful and fun moments that we’ve built together over these last three years. This fandom has been a special place and a very meaningful place for most of us, I believe, and those who are in this fandom do not deserve to be treated poorly simply for having their own perspectives. Be kind to each other. Please. I know you all are capable of it 🙏🏻✨❤️

[wendytestabrat]

10 KEY differences between wendy & kyle

i feel like everyone acts like wendy & kyle are pretty much the same characters, but the more i've looked into it no, they're actually VERY different. the only shit they have in common is that they're both morally preachy hypocrites who hate on cartman (and wanna fuck him teehee) but they go abt it in very different ways. ok here we go:

1. wendy is wayyyy smarter than kyle - ok let's get this one out of the way first bc i just talked abt it in my rant on why wendy is the smartest character. but yeah kyle may be booksmart and good at school but wendy is good at school AND she can manipulate and actually outsmart cartman, kyle can't.

2. wendy is more confident than kyle - obviously wendy isn't 100% confident and def has her moments where her insecurity shows like when she gets crazy jealous but overall i feel like she's A LOT more confident than kyle bc she doesn't let shit get under her skin as easily as him and she actually knows how to ignore cartman better. like yeah wendy did fight cartman back in "breast cancer show ever" but her response to that seemed pretty reasonable when u take into consideration all the times where cartman had harassed wendy in the past and she just ignored it and let it go lol. there are sooo many tiny moments in the series like that where cartman picks on wendy and she does NOTHING unlike kyle who reacts to EVERYTHING. like in "le petit tourette" cartman deadass went up to wendy and was like "DUMB BITCH!" and she didn't even get mad or anything wheras kyle decided to pick a fight with cartman over the tourettes thing when cartman DIDN'T EVEN SAY ANYTHING TO KYLE. another example was that time when cartman was like "check out wendy she's as flat as a pancake" and wendy didn't say anything lol there are sooo many more examples of this shit but i’m not gonna get into it rn.

3. wendy is a leader, kyle is not - this goes hand in hand with the thing abt her being more confident. i feel like wendy's ability to lead the other girls and take a stand rily shows her confidence, while kyle is def more of a follower and usually just takes the backseat as the sidekick to whatever the fuck stan or cartman are up to (usually cartman) lol. kyle is EXTREMELY bossy and controlling tho so there def are moments where he takes charge of situations, but just bc he's rlly bossy and likes coming up with ideas that doesn't mean he's a good poised leader nor does he know how to execute his plans efficiently imo. the other characters will go along with kyle's shit bc they feel like they have no choice be he won't stop complaining to get his way, not bc they look up to him LOL.

4. kyle is more gullible than wendy and more easily persuaded - kyle is DEF way more gullible than wendy which is part of the reason why he’s not as smart as her. i feel like kyle is way more likely to believe some bullshit or be persuaded into changing his stance on something, wheras once wendy has her mind set on something there’s no changing it. she stays true to her beliefs EXCEPT when it comes to peer pressure but we’ll get to that point soon lol. kyle can also get manipulated easily wheras wendy sees through all the bs 100% of the time.

5. kyle is more naive and childish - this is a rlly subtle difference and goes hand in hand with the last point abt him being gullible but yeah i def feel like kyle is more juvenile and acts like a regular kid. he’s rlly high strung and has a lot of energy and gets excited over dumb shit like making a farm on facebook and talking to a damn poop which i can’t rlly see wendy doing lol. she def seems more mature than him in that sense.

6. kyle is WAYYY more temperamental than wendy - this one is prob the most obvious. kyle gets easily annoyed over the tiniest shit and has rlly bad anger problems, while wendy has a temper too i feel like she usually tries to resolve shit calmly first and has a more mature demeanor and is more rational & levelheaded most of the time, but when u RLLY piss her off she becomes scarier than kyle and does way worse shit LOL. kyle is also way more impulsive too so if he does react with anger he's gonna do the first dumbass thing that pops in his head like punching someone or calling them names, wendy is usually way more strategic when it comes to her vengeance.

7. wendy is popular, kyle is a loser - yeah this one is pretty obvious we all know wendy is the most popular girl and kyle hardly has any friends that he resorts to hanging out with CARTMAN. i can imagine the kids would rather be around wendy and like her more bc she’s not as pissy as him, even tho she certainly has her bitchy moments but she still aint as easily reactive as kyle and has RIZZ.

8. wendy is more easily influenced by peer pressure - so yeah being the more popular one definitely comes at a cost bc wendy can stoop LOW to maintain her popularity and make sure the other girls like her still. this is the one category where kyle actually wins bc he’s usually more likely to stand on the fact that no one likes him and he won’t sacrifice his morals to be liked, even tho he certainly has his moments where he does. kyle overall seems wayyy more introverted than wendy tho and seems comfortable being a loner while she isn’t. wendy is extroverted af and wants to have a bunch of friends and an army of skanks around her at all times.

9. wendy actually takes ACTION abt the issues she has rather than just complaining about it - this is something i respect more abt wendy bc even tho she’s preachy like kyle at least she actually does shit and takes a stand on the political issues she has, while kyle is all talk LOL. kyle will give 0 fucks about helping any cause and does absolutely nothing, but then when he sees cartman doing something terrible he’ll all of a sudden act like he was the biggest advocate for that thing all along even tho he never was. wendy was likable af in “breast cancer show ever” tho bc she was just minding her own business trying to do good by spreading awareness on breast cancer and cartman’s bitchass had to keep annoying her and harassing her abt it so yeah ofc she snapped back bc she was just defending herself lol.

10. they have completely different weak spots - and lastly, even tho they both can get angered easily they have COMPLETELY different triggers as to what sets them off. kyle’s achilles heel is his juddaism and if anyone comes for him over it he will throw and huge bitch fit. for wendy it’s any threat against her popularity/attention or relationship with stan which is why she is known for her jealousy, which is prob wendy’s most toxic behavior in the show lol. kyle doesn’t have a reputation for being the jelly monster like wendy does, although his behavior in s20-21 was pretty wendy level bad bc he was jelly and possessive AF with cartman lol. up until that point wendy took the throne as the annoying jealous, possessive, & petty one.

BONUS KEY DIFFERENCE: wendy cares abt stan more 🤷🏻‍♀️ just by 👌🏼 this much

[snowblack-charcoalwhite]

Hello, I just found your blog and after going through a lot of your posts/asks I completely agree with most of your opinions on HOTD ss2. I also wanted to ask your thoughts on the characterization of Aemond and Aegon this season. With Aemond there were a lot of disappointments for me in how the writer treated his character. I know the two nude scenes caused a lot of mixed opinions, but in my opinion, they were completely unnecessary and didn't contribute much to character building. Like Alicent's 3 sex scenes, I feel like the showrunner is just taking advantage of Olivia/Ewan's popularity. Aemond has very few lines, does not interact with anyone in his family, and we hardly know what he thinks about the events taking place. He is removed from the narrative and we hear about how others think of him rather than knowing what he really thinks. Him becoming a villain left a bad taste in my mouth because of the way the writer stuffed it and forced us to swallow it instead of finding a way to build it up properly. It makes me, an Aemond and Ewan fan, feel sad for effort that Ewan has put in just to receive little screen time and bad writing for the character he cherishes so much. With Aegon, even though I'm not a fan, I found him very interesting right from season 1. And in this part, I think the writer has put in effort to compensate for what is considered to be worsening the character's image. Overall, Aegon in ss2 was received very well and he won the sympathy of the majority of viewers in the fandom. Looking forward to hearing your thoughts, ss2 disappointed me a lot and I have very little hope for the second half of the season, but I still look for reviews in the fandom because it's still a highlight for me after every episode.

Good day/night!

The way Aemond has been treated this season is awful indeed. Of all the Green characters he suffered the most (maybe along with Alicent) from the writers attempts (regrettably, successful ones) to divide TG and deprive them of common purpose and pretty much any affection for each other. The scraps of the latter we got (for example, those between Aegon and Helaena) might have gone unnoticed altogether for the majority of the viewers if not for the actors' interviews (and I doubt that many of GA folks have watched those anyway).

It seems that the writers decided to make Aemond into a "lone wolf", so to say: a person who, due to some kind of mix between arrogance and grievances suffered in the past, feels like he doesn't need anyone in this life because 1) everyone he searched love and compassion from failed him, 2) he is utterly confident in his ability to handle every problem that may arise on his own. I personally don't like the concept of Aemond being isolated from his family - but the main issue here IMO is not even the idea itself but the execution. While I'm not a fan of the brothel part either, I believe that those scenes could have fitted into his arc better - if not for the sloppy and neglectful manner in which this arc has been built. Skipping the important bits of Aemond's story (like reaction of his family members to Luke's death), making him indifferent to the murder of Jaehaerys and depriving him of the scenes that could have connected the different points of his emotional and psychological journey (mainly of the scenes with other Greens) - all of it makes it difficult to perceive the different sides his character is supposed to have.

Ultimately, as I see it, both Aemond and Alicent are treated by the show as tools for presenting the audience with the story of Westerosi feminism: the former - to uphold the image of "cruel men", the latter - to paint the image of a victim (who is also kind of responsible for her own suffering at the hands of men because she chose the wrong side).

As for Aegon, he's been the luckiest out of the Green characters storywise - but it doesn't mean that I'm satisfied with the show version of him. Dumbing him down, using him as a way to show how callous and cruel other Greens (specifically Aemond and Alicent) are - that's not the treatment I wanted for one of my favourite characters. I would even go as far as saying that if the Aegon we have seen in the show so far was the only Aegon I knew (without me having any knowledge of either source material or Tom's interviews or participating in fandom) he wouldn't be one of my favourite characters as I simply would have very little interest in him. Once again, in comparison with other Greens he's doing really well, but I can't help but feel that Aegon - and Tom - are also being used to create a character the audience can pity and to have a good shot at the Emmy campaign. And as soon as HBO guys get what they want (or if they don't get it), Aegon might be thrown under the bus just as easily as it already happened to Aemond after he attracted lots of attention to season 1.

To sum it up, the main issue of HotD is that HBO doesn't care for the characters and for the story: it cares for the hype, viewing numbers, reviews and awards. And with this kind of attitude it's difficult to expect any significant improvements in the quality of the show.

[historicallyaccuratecheese]

I’m now halfway through The Magnus Archives’ 1st season, so I thought it would be cool to just post my thoughts on each episode so far :). (Spoilers, I like all of them, and this podcast is going to be all I care about for a while.) Also NO SPOILERS PLEASE!!!

Link to Masterpost (contains all of these thought posts)

- Episode 1, Anglerfish 🚬

Statement of Nathan Watts, regarding an encounter on Old Fishmarket Close, Edinburgh.

Really strong start, not the scariest episode so far but definitely unnerving, and it gives a good first impression and layer of intrigue. While the story is simple in comparison to the later ones, it was still enjoyable, and I was just appreciating the atmosphere and framing device of the episode as well.

- Episode 2, Do Not Open ⚰️

Statement of Joshua Gillespie, regarding his time in the possession of an apparently empty wooden casket.

This is still one of my favorites. The whole time I was on edge, and this was the first episode that really kept me up at night. I went from wanting to know what was inside the coffin desperately, to wanting to stay away from it as much as possible. Joshua’s insuring dread and creative solution to his problems was fantastic, and it ends with some intriguing plot threads being set up.

- Episode 3, Across The Street 📓

Statement of Amy Patel, regarding the alleged disappearance of her acquaintance Graham Folger.

I think I share a common sentiment when I say that Amy stalking Graham was almost as creepy as the actual horror lmao. Overall I don’t have that much to say about this one, but it was very enjoyable, and I feel really bad for Graham in retrospect :(.

- Episode 4, Pageturner 📕

Statement of Dominic Swain, regarding a book briefly in his possession in the winter of 2012.

I…feel like I should hold off on talking about this one for now. While it was definitely well written and creepy, it just seems to be so full of setup for future plot lines that I almost don’t feel like I can form a concise opinion on it until I really get what’s going on. Honestly, my only complaint with this episode is that maybe it’s setting up TOO much in one go, but I still had a good time with it overall.

- Episode 5, Thrown Away 🗑️

Statement of Kieran Woodward, regarding items recovered from the refuse of 93 Lancaster Road, Walthamstowe.

This one actually did a pretty good job at getting me to think about waste disposal workers lmao, I never really thought about them like that before. This one was just really creepy, but also kind of fun in a weird twisted way. It did a great job keeping me on edge as well.

- Episode 6, Squirm 🪱

Statement of Timothy Hodge, regarding his sexual encounter with Harriet Lee and her subsequent death.

I am simultaneously horrified, and unfortunately aroused by what happened here.

- Episode 7, The Piper 🔫

Statement of Staff Sgt. Clarence Berry, regarding his time serving with Wilfred Owen in the Great War.

Having an episode set nearly 100 years ago is a really fun idea, and it’s executed perfectly here. It was interesting how it also featured a real person, and I liked how the paranormal activity felt more metaphorical here, it really did feel like it was showcasing the horror of war.

- Episode 8, Burned Out 🌳

Statement of Ivo Lensik, regarding his experiences during the construction of a house on Hill Top Road, Oxford.

I found this one to be very nerve-wracking, since not only was the whole scenario with the tree just, like…three creepy things happening at once, but the fact that the statement was given by someone with schizophrenia did a good job making me question it’s validity, even though I’m certain it’s true after listening to a later statement. I also hope that I get to see how the history of the house is unveiled in the future.

- Episode 9, A Father’s Love 💡

Statement of Julia Montauk, regarding the actions and motivations of her father, the serial killer Robert Montauk.

This one made me feel really sad :(. I really felt Julia’s despair in this one (Jonathan Sims does such great voice acting for every statement btw, both the character and the actual person), and I was even more saddened by the implications of why Robert did what he did. If my assumptions are correct, then…SCREW THE MOTHER! It was also the first one that got me thinking about where exactly all of the paranormal stuff comes from, and later episodes only add to my theory that it’s all due to demons/cults/higher powers.

- Episode 10, Vampire Killer 🧛🏻

Statement of Trevor Herbert, regarding his life as a self-proclaimed vampire hunter.

Much like Episode 8, this one did a really good job at making me question the validity of the statement, although I became more sure of its truth a bit earlier. I also just love how nonchalant Trevor comes off as, compared to all of the other traumatized horror victims. (Also, I’m guessing that the name Trevor and the episode title are meant to be a Castlevania reference?) While vampires aren’t the most creative thing for an episode, at least in comparison to everything else, the beast-like execution here more than made up for it in my opinion.

- Episode 11, Dreamer 💭

Statement of Antonio Blake, regarding his recent dreams about Gertrude Robinson, previous Head Archivist of the Magnus Institute.

Yeah…Gertrude Robinson did not die a normal death. My guess is that she was caught by ✨the horrors✨, but I’ll wait and see. This was another very tense episode, with the prophetic dream world being really, REALLY creepy. I do hope we get to see more of “Antonio” in the future, as I think he could be quite important. (I also hope he gets punched for DUMPING GRAHAM IN HIS TIME OF NEED-)

- Episode 12, First Aid 🏥

Statement of Lesere Saraki, regarding a recent night-shift at St. Thomas Hospital, London.

OMG GERARD KEAY HI HI HI HI HOW ARE YOU!!! Yeah I audibly gasped when he showed up again, it was such a cool moment. Anyways, hospitals already creep me the fuck out so this was pretty effective. Definitely some great setup here, and it helped to make a bit more sense of Pageturner, now that I have a better idea of what Gerard’s whole deal is. It also added some good fuel to the whole cult idea, and my god this poor nurse. Having to deal with all of this in a single night sounds like hell.

- Episode 13, Alone 🌫️

Statement of Naomi Herne, regarding the events following the funeral of her fiancé, Evan Lukas. Statement taken direct from subject.

Having a new voice in this episode was really cool, and Katie Davison did an excellent job as Naomi! It was also cool to see how Jon interacts with other people, he was…nicer than expected. This episode honestly felt like it was calling me out, as I am also someone who’s confident in my independence, but if I was in Naomi’s place I would also probably be scared shitless. I really hope she’ll get a happy ending :(. Also, The Lukas family is quite intriguing, especially since we now know they have a connection to The Institute…

- Episode 14, Piecemeal 👆

Statement of Lee Rentoul, regarding the murder of his associate Paul Noriega.

Firstly, this is probably my favorite of Jon’s vocal deliveries. His performance of Lee Rentoul just feels perfect. (Once again, this applies to both the writer and the character, I’m genuinely convinced the latter is an ex-theatre kid.) Outside of that, THIS ONE CREEPED ME OUT. The body horror was very effective, with the only thing holding it back being the fact that Lee isn’t the most likable protagonist in the podcast, but if this happened to someone else I’d be even more upset. Still though, it was a very creative concept, and the whole vibe and execution of the episode made it great.

- Episode 15, Lost Johns’ Cave 🕯️

Statement of Laura Popham, regarding her experience exploring the Three Counties System of caves with her sister Alena Sanderson.

What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fuck. What the fu-

- Episode 16, Arachnophobia 🕷️

Statement of Carlos Vittery, regarding his arachnophobia and its manifestations.

The way they tackled the concept in the title was really well done. Arachnophobia is seen as an irrational fear by a lot of people, so having it portrayed as an effect of childhood trauma was a good call. And as someone who is not arachnophobic, this episode got me close to feeling that way. What ever force was making Carlos relive his trauma is a sick fuck. Also the cat was a real one, glad he survived the whole situation. (Also THE WORMS, HOLY SHIT IT’S THE SEX WORMS!!!)

- Episode 17, The Boneturner’s Tale 🦴

Statement of Sebastian Adekoya, regarding a new acquisition at Chiswick Library.

This episode really compelled me to get out the rubber bands connecting images lmao. I really liked all of the connections to past statements here, like the presence of another book from the library of Jurgen Leitner, to the mention of Micheal Crew. The body horror here was once again very creepy, (outside of the flat rat, that was morbidly funny), but my favorite part of the episode was the introduction of Elias, which was a humorous, but also very intriguing scene. Also, the themes of books containing power was great as well. Great stuff all around.

- Episode 18, The Man Upstairs 🥩

Statement of Christof Rudenko, regarding his interactions with a first floor resident of Welbeck House, Wandsworth.

…ew. Ok in all seriousness, this is probably my least favorite episode so far. Still very far from bad, but after all of the extremely interesting themes and plot threads, having an episode where the idea was just “What if a guy had a house covered in meat? Wouldn’t that be fucked up?”, felt just a little bit underwhelming. Which like, the fact that my least favorite episode’s biggest problem is that I find it slightly pales in comparison to previous ones is just a testament to how much I’ve been enjoying the podcast. Still though, there were definitely a few things I really liked. The reveal of the room was creepy (especially considering the meat that seemed…alive…), and as someone who has had to deal with upstairs neighbors making noise for hours during construction, this episode definitely scared me.

- Episode 19, Confession, and Episode 20, Desecrated Host ✝️

Statement of Father Edwin Burroughs, regarding his claimed demonic possession.

This, alongside Lost Johns’ Cave, was one (or I guess, two…) of those episodes that seriously fucked me up. While I am not religious, I have always had fears of how religion can negatively affect me and the people around me, despite the good that it seems to do for so many people. So seeing Edwin be charged for every “sin” he committed by a higher power that wishes to steal its faith, and then not get judged by it, but by the people around him for his one true sin, was absolutely haunting, and I hope he turns out ok in the end. Outside of the horror, the episodes were fantastic. Listening to the events of Episode 8 from Edwin’s perspective, and seeing how Ivo’s actions saved him, was really cool, and solidifies in my mind that Ivo’s experience was real. The connections to demonic magic and Latin script thickened, and it was overall just a great mid-season finale. In conclusion, I hope that Martin feels better soon, and if he isn’t actually sick and is being plagued by ✨the horrors✨, well then I hope he survives :).

Thank you for reading my silly little thoughts if you’ve made it this far, it really means a lot to me :). I’ll probably update this every time I finish half of a season, so hopefully my thoughts on episodes 21-40 will be here in the Reblogs soon. :)

[crehador]

brother crab's summer 2024 parting thoughts: a bunch of stuff

i've been falling behind on jotting down my thoughts this season and if i don't do it fast i am 100% going to forget what i watched lol so here's a bunch at once

tasuuketsu:

YEAH. GOOD. PLEASE. LET IT BE OVER

unfortunately this isn't actually over but you know what it is? bad. it's bad. worst death game series in A While. there are some... maybe? faintly compelling ideas here? but the execution is just a mess. the cast lured me in but i should have been more discerning umu

what's worrying to me is it feels like it could have ended in ep9 but then propelled itself straight into an incredibly unnecessary second arc (i mean in fall fairness the first nine episodes were also unnecessary) and there's still no episode count on anilist. i pretty much never drop anything but if this somehow ends up being two cour i might bounce

it's so so so rare for me to not have something good to say about a series but... yeah. not good

boku no tsuma wa kanjou ga nai:

if i turn my brain off this is a pretty cute, funny, and fun show! i had my reservations at first but after a few episodes wound up enjoying it quite a bit

if i think about it even a little it becomes completely frustrating to me that this show doesn't get deeper into the psychological and moral aspects that could have been explored here, which isn't fair to the show because that's not really what it set out to be

to its credit, it does kind of get into that sort of thing. not too deep, but in ways that were reasonably satisfying to me. i guess my mehness comes from the fact that this premise would have been more interesting to me if it had been played as a psychological/existential horror instead of a romcom, but again that is not the fault of the show itself, it can be whatever it wants to be

and seriously, decent romcom! mamoru is especially adorable. just leave your brain at the door

shikanoko nokonoko koshitantan:

i will admit that no episode of this was as gut-bustingly hilarious as the first episode to me, like it came out the gate strong and maybe floundered a bit along the way

but overall i still enjoyed it immensely! i'm a fan of surreal, absurdist humor, and while i wouldn't say this is one of the best in the genre (there are definitely better) it was a fun ride

the girls were great and i'm also a huge fan of a) narrators who get to be funny little assholes too and b) toriumi kousuke so the narrator here was a double win for me

[thatonecrookedsmile]

You know, one thing I don't like when I digitally color sketches is that the colors end up looking a little desaturated because of the paper. It doesn't look bad, I guess, but I have to eventually find a way to "fix" it eventually.

Anyway, today marks 6 years since BATIM Chapter 4 was released. Damn. I know I say something similar every time I recognize the passage of time, but it's hard to believe that it's been more than half a decade since this chapter came out. Time passes, I get older, it's crazy! And I wanted to do something to celebrate. I've never been able to do anything to celebrate this chapter's anniversary since 2019. Which is a shame because "Colossal Wonders" is my favorite chapter in BATIM. Some of my favorite moments from this game are in this chapter.

And every year I try to do something to celebrate the anniversary, but I never manage to do it and it sucks! And as usual, what I really wanted to do this year didn't end up happening. I'll probably do it at some point later, but there was no way I could execute the idea I had in mind in such a short amount of time. But I still wanted to post something today, so something small will have to do.

In this case, oh hey! It's Bertie and Lacie! In recent times I've been going back to old designs of mine of the human cast of the Bendy universe, and since CH4's anniversary was coming up, I thought it would be good to update my designs for both Bertrum and Lacie. It's been so long since I last drew them, so it's about time. I liked the general idea of the last versions of them that I did in the past, so I tried to keep those ideas still, in a way, but at the same time giving them new life. Lacie falls more in this case, tbh. Bert still maintains some of the previous idea, but I had to change a few details. He still looks good, tho.

I originally wanted to put Jack Fain here too, because,by all accounts, Jack Fain only came into existence with the release of CH4 and the remasters of the other chapters. As much as you can put him on CH2's anniversary,he, at the end of the day, was only introduced on April 30, 2018. Problem is, I didn't like the drawing I made of him. I don't know, it wasn't that good in my opinion. And I didn't want to redo the drawing again (this would be my third attempt) and I wouldn't have enough time to redo his part. So today we'll just have Bernie and Lacie. Sorry Jack. Maybe next time, when I show my CH2 cast designs in one place.

Once again, happy anniversary to Chapter 4! This is my favorite chapter of the game to date. It includes some of my favorites from the story, it has several surprises that caught me the first time I saw the chapter, it brought new updates to previous chapters that added things that I still like to this day (and this goes especially for CH2) And overall, it's a pretty cool chapter me thinks. 👍

That one day we can hear more from Bertrum and Lacie again.🙏 (Especially Lacie. Seriously, don't you guys think it's wild that Lacie is the only one of the human cast of BATIM who hasn't appeared in practically anything since the first game. Like, yeah, she's mentioned in the Handbook, but other than that, she's not mentioned in nothing else after, whether in games or books. I think about this from time to time. Truly one of the Bendy characters of all time)

[littlealeta]

Telltale's The Walking Dead Season 2 Review

Long post! Scroll down for a TL;DR and Aleta Rewrites Version!

I had a lot of thoughts after watching a LP of this season, but I decided to go back to the first season to see how it holds up against this one. I always felt this season was a little off, but I wasn't sure. While the first one isn't amazing, it was still a lot better than whatever this season was. But even without playing the first one, this season Is still badly written in general so I'm not going to compare the two much.

Story

To start with the positives, there are some good ideas in here. Seeing how Clementine has grown since the first season and the themes of figuring out who to trust and side with are good themes to explore. However, the execution of these things are horrible. The game doesn't actually explore the trust theme much, your choices do not have much impact on the theme of your story or the characters, the trust theme gets thrown out the window by the time Carver is introduced and you are forced to stick with this group of shady people, and Clementine is treated like an adult and forced to babysit all the pathetic adults around her.

First of all, the intro tells you all you need to know. A random b!tch comes in to bully and threaten our 10-year-old protagonist (who has never even met her in the first place), Omid and Christa are both written out of the story, and a dog dies, all happened 30 minutes in. Jeez, relax, story. Spoiler alert, yes, Christa does not come back. And Clementine just decides to forget about her. The beginning of the game does a good job of showing you how pointless and melodramatic the rest of the story will be.

The next episode has Clementine seeking help for her dog bite. No one believes her and decides to lock her in the shed. God, this season is mean-spirited. Even I think Lee was treated better in season 1 than Clementine A FUCKING CHILD. I get being worried about it being a walker bite, but why lock a literal child in a shed, like have some mercy, man.

I will explain more about the story in the character section. But what I will say is that overall, there are a lot of quick deaths and characters getting written off, so don't get too attached to these characters, because you won't get to bond with them too much. None of the characters really get much time to grow or shine due to the story writing them off 1-2 episodes in. There was potential for Nick and Luke to grow, but they both die before that can happen.

After Carver dies, the story seems to struggle with figuring out where to go. As terrible of a villain Carver is, at least he has some point to the story unlike a certain Russian guy who comes out of nowhere and the story wants you to sympathize with despite trying to kill you TWICE. Oh, and Kenny comes back... somehow.... and the story makes him out to be a bad guy all because he was trying to whip all the manbabies up into shape and protect everyone from the russian b!tch who ambushed them. In no way am I saying Kenny is a saint or that the way he approaches situations are always healthy, but the game makes him out to be a madman and everyone else is morally correct or sympathetic when everyone in the group are fucking manbabies except for Clem.

The ending is a mixed bag. I would say the choice between leaving Kenny for Wellington (due to overpopulation) or staying with him is one of the few times where I think the game makes actual sense. But the fight with him and Jane before that just feels so forced. It's just again, the game trying to prove to you through this annoyingly cynical woman that Kenny is a bad man and shouldn't be around Clem. So she does something completely heartless to try to prove that to Clem, when I'm sure many (especially a hothead like Kenny) who found out their baby was left to die would probably react that way or close to it. Why couldn't this b!tch have stayed gone? Why am I supposed to like these characters?

Characters

Nearly every character here is just unlikeable, forgettable and dumb. They are so dumb that they literally make Clementine do all the dirty work while they sit there with a thumb up their asses. I even forgot to write a couple characters into this section because they were just that unmemorable. Even the characters that I liked have their own problems.

For example, Pete is probably one of the characters that I liked more, he's one of the more rational adults and has one of the few deaths that made sense. I also like Alvin too, his love and commitment to raising the baby that may or may not be his is admirable and his death at least serves a purpose. Luke is perhaps the most rational adult in the group, but he can make some dirty coward decisions (like for example, running away from the group twice (yeah another way the story tries to keep you from bonding with these characters) and refusing to shoot Carver) and he acts out of character in episode 4. Thankfully, he mellows out in episode 5 and we get to see more of his personality as he pities himself for not doing more for the group. But then he dies, so goodbye character development.

Kenny is still the same, sometimes an asshole but also loveable and kind. Clementine is still Clementine, with a bit more sass and edge which is to be expected. I personally would've liked more done with her, but I'll explain more in an Aleta Rewrites version.

I'm in the minority when I say that Sarah (Aka Futaba) is a good character. A lot of people call her useless, but I think she's a worthwhile example of what would happen if you shelter someone in an apocalypse and she can make for some good back and forth with Clementine. I would've liked to see how she grows, but she also becomes an annoying burden and then just dies. I understand she's coping with PTSD and her father dying, I have no problem with that. But girl, you are in a zombie apocalypse and you're just sitting there letting yourself die in a house. Come on, now.

Now, for the problematic characters. Nick is just Ben 2.0 but more hotheaded and less likeable. His whole deal with Matthew made no sense because he claims that he shot Matthew for allegedly pointing a gun at his friends, but HE was the one who drew the gun first before Matthew so why he shot him, I don't understand. I think there could've been a better way to keep this storyline intact without having him going insane thinking Matthew was going to kill Clementine and Luke.

Carlos and Rebecca are just straight up assholes to Clem in the beginning and Carlos treats Clementine like she's his own FUCKING ANXIETY RIDDEN DAUGHTER, WHAT?!?!?! Like I said, I think it's interesting to show the ramifications of sheltering someone in an apocalypse but I just can't get over these two being the ones to push the bright idea of letting a little girl suffer in a shed. I would say Rebecca's story with the baby is cute, though.

Sarita... doesn't really have much personality. She's a pretty likeable character, but I think there could've been more to do with her (see the Aleta Rewrites version).

Mike was ok until he started whiteknighting Arvo. Bonnie was a weird character. At first, she sides with Carver, but then she joins the group and is on their side while also making some dumb decisions like *coughs* Getting Luke killed on the lake *coughs* and also whiteknighting Arvo.

Jane just gave off so many red flags. She's cynical, always telling Clementine the worst that could happen like Sarah being dead after losing her glasses and Kenny being a bad person. She has a hidden evil side (willing to leave a baby in the car out in the cold). She gets involved with Luke for whatever reason. And she just seems like an extremely twisted character overall while trying to keep up the cool, nice girl act.

Carver and especially Arvo are both horrible villains. I felt like something interesting could've been done with Carver, he wants to raise the baby that may or may not be his, but he was such a confusing character. On one hand, his motivations seem clear, he wants to get rid of Alvin and help Rebecca raise the baby. But then he has another motivation is that he is a ruthless Karen who wants everyone to work with him and will hurt them if they make even the tiniest mistake. Arvo just feels completely out of the blue. Even if you didn't make the choice to steal the supplies, you still get ambushed by his group. He's clearly a villain yet the game wants you to sympathize with him at the same time. Also a confusing mess of a character.

Gameplay/Animation/Voice Acting

What about the gameplay? Well, besides me not liking the QTE events, the gameplay is still relatively the same and I don't have much to complain about it. Overall, the gameplay and the technical aspects such as the animation and voice acting are still competent. But I'm a writer first and foremost so I focus on the writing more and don't have much to say about anything else.

Overall/TL;DR

I give The Walking Dead Season 2 5.5 bells out of 10.

It was pretty hard to rate. I mean, I have so many mixed feelings about this season and I don't think it's an awful season, but it does so much wrong in terms of writing. I don't want to be too mean to it because I think it's playable at best, it didn't make me want to rip my hair out. The gameplay is competent and there are a few characters to like here (though, it really doesn't help that pretty much every likeable character is killed off and have issues of their own).

But overall, the story rarely makes sense and is just overall mean-spirited and melodramatic, filled with pointless deaths, dumb character decisions, and characters being assholes. One character from the first season gets treated like a villain despite being one of the more rational characters in the group. Characters die before they have much time to develop. Clementine is an 11 year old who's either treated like the only sane adult or treated like a clueless child. Story throws in a bunch of random conflict that throws off the pacing and consistency. Both Carver and Arvo yo-yo between being somewhat sympathetic characters (at least in how the story portrays them) to completely ruthless classic villains. Even the more likeable characters have their own problems, usually as a result of dying off too soon. Or even just other things like Luke being out of character in episode 4 and Sarah becoming an empty husk before her death. Sarita is an anomaly in that she's not an asshole, but pretty much a blank slate.

Aleta Rewrites

Clementine has no character development whatsoever and is somehow a cold, blood-thirsty killer and wise way beyond her years after only two years. Instead of being this static Mary-Sue, why not give her a coming of age story? Show her as a still sensitive, naive little girl losing her innocence as she makes some big choices and sacrifices. Make her hesitate a bit and freak out over the stuff she is doing and going through. Show a major breakdown over everything she's going through. She doesn't need to be a Sarah, but she does still need to have some vulnerability. This could make her bond with the adults (especially Luke and Kenny) much more dynamic and emotional. And THEN by season 3, we can see a cold, cynical, blood-thirsty Clementine, hardened by everything she had to go through, especially in season 2.

Luke. He should've survived at least up until season 3. I could see him having a more heroic death where he sacrifices himself for Clem. If he was able to survive longer, I think he would've had some great character development. Either it's going to be him making less stupid choices, or having to make more morally grey choices in order to survive.

Sarah (aka Futaba). They at least should've kept her until season 3 as well. Maybe season 3 would be the development of Sarah struggling to become more of a badass.

Nick, like I said, the guilt about a huge mistake he made is a good concept to explore. It was just the way it was done didn't make sense. They could've done the simple thing of having Matthew pull out his gun on him first, being suspicious about the group, which then causes Nick to shoot him. Nick could've survived a little bit longer as he tries to make up for his misdeeds, and maybe he dies while doing so.

Sarita, how about having some drama come with being a replacement goldfish for Katjaa? Since Kenny is an emotionally unstable character, maybe he and Sarita don't really get along that much and he's only using her as a rebound. But Sarita doesn't want to break up because she kinda loves him and she wants to keep him happy, it's a codependent issue.

Jane, I think is one of the characters that possibly could've been written out in this season. She's a strong and smart character, so after teaching the group all her skills, having her die instead of Luke maybe during an all is lost moment for the characters would be emotional and would cause the group to go frantic, if only she was a more likeable and loyal character.

Carver. Focus more on his motivation of trying to raise the baby. Considering that the story tries to make him sympathetic at some points, maybe don't imply he r@ped Rebecca in his backstory? I just feel like having that kind of topic even for a villain makes a character instantly unsympathetic and irredeemable. Maybe he was an old fling or flame and she used Alvin as a rebound or another fling that became a relationship or something, idk. Maybe Carver is someone who constantly steals from the group or is an assassin working for someone to kill someone or two in Carlos's group in order to make enough dough to raise the baby.

I could see Arvo being a minor villain to the story if you choose to steal the supplies, but he overstays his welcome. Instead of Arvo, BONNIE should've been the secondary antagonist after Carver. Actually, have HER turn out to be the one who wanted Carver to work for her in assassinating someone. She was initially allied with Carver when the group first talked to her so it'd make sense she'd want revenge after his death. We don't have to have that whole lake bullshit. We don't have to have Bonnie blaming Clementine for someone's death and then turning her back on her while allowing someone to point a damn gun at Clem. JUST MAKE HER WANT VENGEANCE! Seriously, how hard is it to make her be the one to shoot Luke in the leg and Clementine causing her near-death experience? Or idk, that would conflict with Arvo. Maybe don't have him in the story at all. Unless maybe Arvo gets one of your allies killed (maybe Mike, who probably lets himself die in order to make up for stealing the supplies, But also, Mike doesn't do anything so maybe he should die at some point in the story anyway by either Bonnie or Arvo).

Kenny and Luke already had tension built up for episodes and with Kenny gradually losing more and more of his sanity, it would make sense for HIM to be the one to attack Luke because their tension reached a breaking point and Luke did something that he strongly disagreed with. Maybe it was stupid, maybe it got someone killed. Maybe it was Sarita? She was the closest to Kenny.

[jesterraconteuse]

Ok I hate what Watcher is doing too but y'all can't say they aren't anti-capitalist if you're gonna say Dropout/Game Changer team is. I get the backlash but be consistent

I mean as a creator I get wanting to have full control over your content. But this just... Doesn't seem well thought out, even from a financial standpoint.

Anyways, still fuck YouTube. I kinda just wish creators had their own platform but I fear it would just go down the same way YouTube did

Edit: had some thoughts I wanted to add. I don't think this was done with ill intention. I don't consider it a betrayal of fans as much as a really bad mistake. I feel like there were much better ways to do this.

I don't agree with comparing it to Dropout in the sense that they had a lot to work with before making the jump.

But also they don't have as much as Good Mythical Morning. They can't upload near daily. They haven't been building up money consistently for years. Yes GMM uploads it's main content for free but the situation is different.

But there's a few things, in my unprofessional opinion, that made this clumsy and reckless.

The build up to this being a cool and hype moment when honestly it's truly somber to see YouTube fall from being a bastion for creatives and how capitalism gatekeeps creativity.

How sudden it was. This might have been quite a bit different if it was a slow transition to having some content on Patreon and going from there.

When. It's hard times for everyone right now. Not just us but them y'know? However I don't know these people or their financial situation so I can only give the benefit of the doubt. But dropping this so suddenly and with the current economic crisis.... This would be the result.

They're just too small, and have not nearly enough history as Watcher to pull this off.

Like it or not, in a capitalist society we're not entitled to free content. Because everything takes money to make. It takes money to breathe. To have quality of life. And creators do deserve to get paid for their work.

But in the end this justifiably broke the trust of viewers. Even with their justifications to make this jump the execution was poor and not well thought out.

Overall it's just depressing and worrying.

Keep in mind with yourself that a lot of creators are getting more and more fed up with YouTube. For good reason. It's another apocalypse for YouTube right now

Edit 2: also I just wanna say things can be bad idea without being capitalist. Shocker/s. Don't forget YouTube is the big cesspool company here. Watcher is 25 people. Wanting to be in control and have a consistent income to create without relying on an unreliable system isn't bad.

But the way they did it? Well you can see for yourself how it's going

[zukosdualdao]

Im glad to read the takes of a fellow zuko stan :)

Honestly, it feels like people just hate on him way too much lately. The posts ive seen on twitter, on tik tok, on tumblr... Do people just not like him anymore? Why did everyone turn against him so suddenly? I've been hoping it's something temporary, just a trend, but. I don't know anymore. People mock his disability, spit on his trauma, wish death on him and interpret everything he says or does in the worst possible way. I saw someone crying about how entitled he was because he took aang's seat when watching the play just the other day lmao. Another person wrote about how mysoginistic he was because he didn't remember katara's name when asking about kya's death to sokka? There are those who even call him a colonizer on the same level as iroh lmao. It seems their justifications for all the salt they throw his way are along the lines of "he's been loved for too long, aang stans have suffered way more, people just watched the show again and realized how bad he actually was, he's catching strays since his fans keep setting him up, his fans paint him as perfect and erase every bad thing he's done" etc etc. I'm all for criticism and deeper character analysis, but this is just said in bad faith. I also think it has a bit to do with how different engagement has become in fandom spaces recently (things people support in fiction need to be morally correct) and well, zuko was the perfect target. He's done bad things, sides with the villains for a good portion of the series, redeems himself but there are things he still has to work on... I don't know, it's been getting to me. There are many other harsh things ive read said about him (like implying how every single member of the gaang hates even after redeeming himself), but i honestly don't have the energy to delve into each and every one. His arc was poorly executed and his development was badly written now, apparently. I kind of just ranted here, i apologize. Im very happy to read the posts of someone who genuinely likes him and doesnt throw him under the bus to defend or elevate other characters...

hi! i'm glad you're enjoying my blog <3 and no need to apologize for the rant, i'm always happy to talk about zuko!

about to theorize a bit as to why it seems like maybe zuko has become a more contentious character, but it should be noted i have not been exceptionally, actively involved in the fandom very long. i loved atla as a kid, have retained fond memories, have witnessed some discourse from the fringes over the years, but only recently has it overtaken my brain to the point of making a whole blog about it. lol. so, like, grain of salt, etc.

i think a big part of it is what you said - in the last few years of fandom in particular, it feels like there has been a huge upswing in purity culture, moralizing liking/not liking certain ships or characters, and an overall increase in very black-and-white thinking. there's also an emphasis on "holding people accountable" (good in theory), often without specifying what, exactly, that looks like (less good). the idea then becomes that if you've done harmful things, there's no way you can ever make up for them and should just, like, hate yourself for all eternity and also die, probably, which is not actually helpful to anyone.

so, i think for those who ascribe to that mindset, zuko is a prime candidate for them to criticize. and while there's nothing wrong with criticizing a character or their arc or writing if you truly have a problem with it, as you've said, a lot of the time, criticisms against zuko don't seem to be made in very good faith. after all, a big part of zuko's arc is having to unlearn some very black-and-white thinking. also, zuko is not a real person. he is a character, and therefore a narrative tool, and if we want him to be 'held accountable', we need look no further than the story itself, in which he is probably the character the narrative holds the most accountable for his actions due to his prior status as a villain.

(it reminds me a bit, actually, of another favorite character of mine: alec in the tv series shadowhunters. he starts out the story already in a heroic role, unlike zuko, but a big part of his narrative is unlearning some prejudiced cultural mindsets and challenging not only his previous ideologies, but his conception of himself and the people in his life as well. as a result, alec can look sometimes more obviously flawed than the other main cast, but the point is that the narrative asks him to examine those flaws and change and introspect and grow in a way that it doesn't always ask of other characters when they are showcasing their own flaws. which does make me thing about zuko vs. aang in the atla narrative.)

the other thing i think is contributing to zuko's more contentious status in the fandom is how long atla's been in the cultural consciousness, and how common it is for things that used to be popular to cycle through to people starting to criticize or actively hate it to people saying "no, actually, it's still pretty good, you just don't want to like a popular thing" (this is me rn), to maybe eventually getting popular again/at least in certain subsects of the audience. zuko was probably one of the most talked-about aspects of atla for a long time, and while i can understand how that could get frustrating (because there are some other really great characters and aspects of the story!), that's not, like, for no reason. people connected with and admired his story for a reason, and many still do, and (in my humble opinion) that is because it is one of the most thought-out, intentional, and nuanced character arcs of the show.

the ableism, i think, really gets to me because like... even if every criticism from the people who hate him were 100% accurate and said in good faith (they're not, but let's pretend for a minute)... that still wouldn't be an excuse for ableism against a character with a prominent facial difference (or making fun of abuse survivors for the permanent injuries they sustain from abuse.) if zuko had never redeemed himself and stayed a villain, it would still be wrong to talk about his scar and abuse the way some of his detractors do. and the show agrees with me! you know how i know? the only two characters to ever make fun of zuko's scar are villains in the narrative: zhao and azula. ("make fun of" might not be quite right for zhao, since what he said - "you have the scar to prove it" - is far more matter-of-fact than azula imitating him by covering her eye or "make sure they get your good side", but he's absolutely being a huge jerk about it.) other characters react to zuko's scar in all sorts of different ways, even when he's still in a villain/antagonist/anti-hero role: zuko's crew is horrified to learn how he got the scar, song sees a point of connection and tries to reach out to him, but, while i think well-intentioned, she breaks a major boundary by trying to touch his scar when he hasn't conveyed he's okay with that, jet makes assumptions about his background because of it, lee, the kid from zuko alone, asks with curious, childish naivete how he got it, only for his father to reprimand him for asking, aang reacts with annoyance/boredom to azula's ableist joke, and katara trips over her words to correct him when zuko thinks she's essentially calling him "scary to look at". not all of these interactions are positive, but the characters (all of whom are written as pretty sympathetic, even if also flawed) aren't outright trying to make fun of him for it, and the narrative never implies he deserves to be treated as less than because of it, even before his redemption.

anyway. if people don't believe in characters' (and, hell, irl people's) capacity for growth and change and don't want to have nuanced discussions about how trauma can impact these things, i mean... that's their prerogative, but i don't understand why they enjoy the show, because those are big parts of it (and not just wrt zuko.)

i know it can be frustrating, anon— trust me, i get very frustrated. but i promise you, there are plenty of people out there who a) still love zuko and his story and b) are capable of and willing to talk about things with nuance and in good faith. i'm happy to be part of that corner of fandom, and i bet you can manage to carve out a space where more people like that exist, too! <3

[scarlet97531]

⭕️❗️okay I gotta say something because this has wormed itself into my brain and I will not be able to sleep if I don’t talk about it

I think the issues and hate surrounding the radqueer community mostly come from a confusion between “all identities are valid” and “all behaviour (related to valid identities) is valid”

Like for example, the difference between identifying as transharmful(I also have thoughts about this transx format but that’s a different conversation), and wanting to “transition” by harming someone. I, as a killer sans fictive, could be considered transharmful because of my pseudo memories of harming people, and I don’t think it’s bad to see that as a fully valid part of my identity. But obviously the behaviour of harming someone else to try to turn that internal experience into an external one should never be encouraged.

(This is one reason I think the transx format for these labels isn’t great, because the word trans is obviously strongly associated with transgender people which is an issue because physical transition is often necessary for transgender people’s health, whereas physical transition for most trans ids is not a realistic or healthy goal. Of course there is also social transition, but generally when people hear transition they think of physical transition. It would be better to use different terminology that doesn’t have those associations, similarly to how therian and otherkin communities have their own terminology even though their experiences can be similar.)

I think the radqueer community’s trash reputation is probably the result of a lot of trolls pretending to genuinely be radqueer supporting horrible things, misguided people who have genuinely good intentions but the way they approach or present things is bad and/or makes them look really bad, and then people with good intentions and a good approach that don’t get talked about because they are inoffensive and outsiders just want drama.

I think there’s a lot of young and neurodivergent people in both of the more genuine catagories, and that probably contributes to these issues.

Overall I think the radqueer community is a “good idea, bad execution” kind of thing. I think there are ways to do “all good faith identities are valid” right, but between the bad reputation and the many issues within the community itself(again, I think mostly the identities vs identities and behaviours thing), I don’t think the term “radqueer” is really viable anymore and it’s probably best for people with genuine intentions to find similar terms and communities that don’t have those issues.

This is all based on what I’ve seen on Tumblr in like.. the last two months or so (we literally never heard of radqueer before we started using Tumblr more recently) of seeing “radqueers dni” in 90% of ppls intros and having no idea why. So we looked up definitions, tried to look at the actual radqueer community, and arguments for and against a bunch of radqueer related stuff. We are absolutely not an expert on this stuff, this is just the little scraps we’ve finally started piecing together to start to maybe understand some of this. There’s a good chance we’re totally wrong, and we’re open to being corrected on stuff.

I also wanna add another note here though, I think the hate towards radqueers is massively disproportionate. From what I’ve seen the radqueer community is really small, and 90% of the posts I’ve seen related to it are just coining posts for obscure terms. Not exactly something I would think would be worth being so well known and so intensely hated. We all know the internet has weird stuff on it, I don’t know why this particular category of weird is considered so much more important than the others.

Damnit this is way longer than it was supposed to be. I’m just gonna stop here and try to sleep now. I jumped around a lot while writing this so there might be a lot of mistakes and confusing stuff.. yeah I’m just gonna try to sleep though.