#they fell out of the trees

[skespers]

they don't make music in trees anymore... not since the incident

ok, ill bite. what kind of music do bears in trees make

[veryluckyclovers]

[ninyard]

The foxes would do the craziestttt trauma dump candy salad tik tok

“My names Kevin and I brought sour worms?”

“Kev, you have to trauma dump. Say something traumatising.”

“Why?”

“Because it’s funny?”

“Trauma isn’t funny. I don’t understand why-“

Quick cut away from him to Matt who’s there like, “My names Matt and my dad was the first person to give me cocaine and I brought jolly ranchers!”

[sanjarka]

not to be a broken record but it's not quite fair to use the line but peeta wanted them so badly as proof that katniss was forced into having kids, or of her having them for all the wrong reasons. it exists within the context of not only the epilogue but an entire story before it. and i'm not here to convince you to like it. but to try seeing the point at least.

to expand on something i've spoken about before - in the epilogue their children are playing in a meadow from a song she sang to rue, a song that she now sings to her kids, in a meadow not unlike the one she dreams about after the beach kiss (as i drift off, i try to imagine that world, somewhere in the future, with no games, no capitol. a place like the meadow in the song i sang to rue as she died. where peeta's child could be safe)

so the tone in the epilogue can not be tragic and it is not regretful. it is hopeful.

the infamous line previously mentioned is not about katniss's lack of consent in being a mother but about the amount of trust she has in peeta as her life partner, as someone she loves. it's nothing but a connection to another line in the epilogue (where katniss is expressing her worry over teaching her kids about the games and her and peeta's role in them) → peeta says it will be okay. we have each other and the book. we can make them understand in a way that will make them braver.

it is about there not being another person who could've made this decision, this choice, safe (no one has held me like this in such a long time. since my father died and i stopped trusting my mother, no one else's arms have made me feel this safe)

it's about how his his hope made her wish safe (isn't it the thing i'd dreaded most about the wedding, about the future - the loss of my children to the games? and it could be true now couldn't it? if i hadn't spent my life building up layers of defenses until i recoil at even suggestion of marriage or a family?)

it's about how only peeta can give her that (what i need is the dandelion in the spring. the bright yellow that means rebirth instead of destruction. the promise the life can go on, no matter how bad our losses. that it can be good again. and only peeta can give me that)

the choice to be a parent is not easy and careless and it never will be. she's absolutely honest about being terrified of her kids learning about the games, of them being scared and forced to harden like her and peeta were. the pain of the past is not ignored, it is not glossed over, and the nightmares never go away. but there's something else in the epilogue too.

when i first felt her stirring inside of me, i was consumed with a terror that felt old as life itself. only the joy of holding her in my arms could tame it. carrying him was a little easier, but not much.

how is this katniss being resentful and if she is why would she then have another kid? i've seen some people focus on the terror as it's this ugly thing proving her regret but is it not an entirely realistic feeling to have when carrying someone's life within you and understanding the neverending responsibility in keeping said life safe? there is such beauty in the phrase old as life itself. because it suggests the idea that this is something that isn't inherently tied to katniss's life, to her trauma and to her pain but to lifekind in general. and then the joy! how that terror is only settled when seeing your child eye to eye, seeing them breath and cry and live. it's such a gorgeous, intimate passage trying to let you in the love katniss has for her kids. it's not hiding away the sacrifice and the fear but it's also not hiding away how worth it it can be to make choices that scare you.

I'll tell them that on bad mornings, it feels impossible to take pleasure in anything because I'm afraid it could be taken away. that's when i make a list of every act of goodness i've seen someone do. it's like a game. repetitive. even a little tedious after more than twenty years. but there are much worse games to play.

how is this supposed to be so much more bitter than sweet, how is this anything but a love letter to peeta, to her kids, to everything she gained after everything she lost. why would she be so afraid of losing it all if it doesn't matter and why would she make a choice to believe in the kindness of people if the life she has now is something she has no say in and something that at best she feels indifferent towards to?

and obviously you have a right to feel whatever it is that you feel. i hate even having to say this cause who am i to give you a right to feel any type of way. i'm not trying to push my feelings onto you and tell you that this story must work for you, that it must make you feel hopeful. that if you're not satisfied you just have to read it again. stories don't work that way.

but to imply that the intention of the story is for the reader to be left hopeless is wrong. and sure, maybe that intention doesn't seem that profound you, maybe it is not interesting and maybe you think is boring. and maybe you think that katniss and peeta wouldn't realistically have this life path, or have kids, and maybe you think the end is too predictable and too expected. and that's okay. whatever life you have lived is going to affect what stories you find deep and what stories you find shallow and so maybe, this is that story for you. the story that you don't get. the story that doesn't work for you. and that's okay too. but to be so convinced that its intention is to present katniss's life as something so very miserable that she didn't choose but just let happen around her is wrong.

[rendside]

Could you draw Brightheart please?

[letoscrawls]

hello fellow Sol's fan can we see him in your style once maybe??? please??? 🥺

If you hate him you need to get yaypilled. you need to be teeheemaxing. you should be a smilecel

[theomegachoc]

Remembered that scene when she climbed in through Luz's window

She definitely had practise from when her and Raine were dating

[whitealbum]

i wish they had hired me as the midas man actor rpf marketing coordinator. this is a good start but i would have these guys studying the mclennon multiverse video

[purple-raspberries]

A shooting star on Homewarming!

Splendid!

[dark-elf-writes]

Anyway Modern AU where Thranduil is a recently widowed model who cannot keep a babysitter for more than like two hours because 1) Legolas is a weird little guy 2) those that could handle Legolas’ weirdness cannot handle the force that is a six year old coming to terms with grief and the resulting crippling fear of losing his dad 3) Thranduil is famous and that brings in a lot of weirdos and he has already set his lawyer on three different nannies that posted pictures of Legolas online. All this to say he shows up late to a photo shoot with Legolas crying in his arms after yet another babysitter fell through and his agent refused to let him reschedule again only for the photographer to also be a widower who is great with kids and is incredibly kind and attractive and (god he’s in trouble)

Bard was going to be annoyed that the model he was working with was late until he saw a reflection of himself a few years before trying his best to get back on his feet after losing his wife and he cant not help. And really Legolas is such a sweet kid who really likes bugs and rocks and lizards all of which Bard is practically an expert in after three children’s worth of hyperfixations

[marblerose-rue]

click for better quality!

are you gonna start climbing, or what? / needletail

[jockw]

hear me out:

she cant fly, she fell off of the nevermore academy roof like a dumbass

[spametc123]

The phrase “maybe the curtains were just blue” is genuinely so harmful to media literacy as a whole. Yes, things can just be the way they are, but almost everything exists with context. Do you exist or do you exist because of everything that has happened in the world? Your parents met, you didn’t die that one time when you were eight, you’re the person you are because of that awful haircut you had in seventh grade. You exist because of all of that.

So, nothing pisses me off more than when someone uses an incomplete quote. “A jack of all trades is a master of none” without the second half: “but oftentimes better than a master of one” (everyone say thank you Shakespeare) has an entirely different meaning. The first half by itself is utilized to shame people into ignoring things they love or are interested in; meanwhile the full quote praises people interested in a variety of things. Ignoring context literally erodes the meaning behind anything. Machiavelli said “it’s better to be feared than to be loved.” Wrong. Loud incorrect buzzer. Kind of. As Malcolm Gladwell writes, “it’s not wrong, exactly, it’s just incomplete.” (Or something like that anyways.) Yes, Machiavelli did write that. Congrats! But you forgot a kinda, semi, VERY FUCKING IMPORTANT component of that quote. “It is better to be feared than to be loved if one cannot have both.” It should be common sense right? I wish. Ask anyone about their opinion on the incomplete quote and see how many of them think they’re revolutionary when they say “oh I’d rather have both!” If the full quote doesn’t seem to make a difference in your mind, great! But there’s still more context that you need to know to actually understand it (let alone teach it (Mr. History teacher that is NOT a philosophy teacher and should not try to be one)). The quote is from The Prince, a writing in which Machiavelli talks about what makes a good leader. In his opinion, The Prince should know when to utilize love and fear to his advantage. Be loved by your people and feared by your enemies. Seem more trusting than you are so you can see who is a wolf in sheep’s clothing. He says that one should prefer to be feared than to be loved in time sensitive situations, not sustainably. That when things need immediate change being feared makes a stronger and more effective leader (which is unequivocally correct and I’m tried of hearing otherwise). So again, without context: a random quote that no one agrees with or really understands at all, whatsoever vs. with context: the assertion that in times of need it is better to be respected and feared than it is to be loved. Or, a personal favorite “dubito, ergo cogito, ergo sum.” I doubt, therefore I think, therefore I am. Oh wow! So cool, he thinks therefore he is - being capable of thought means I exist, how neat! Not wrong, sure, but lacking context. What makes the philosophy so powerful is the fact that it’s a paradox. You doubt your existence, therefore you are capable of thought, therefore you exist. Because you doubt your existence, you prove that you exist. But if you are then confident you exist, do you no longer exist anymore? And now you doubt it again. Without context, it’s just words on a page, nothing notable or interesting. Without looking for the context it’s yet another thing people will complain about having to learn because “why does it even matter?”

It’s the same with characters. Armand is batshit fucking insane, yes, but he only is that way because of who he is. The tv show fails his character when they age him up, because even with some of his backstory, he is the way he is mainly because he’s eternally trapped in the body of a 17 year old. ____ is too trusting! Maybe in different circumstances, yes, but that character is the way they are because of the life experiences they’ve had. ____ is the right amount of trusting for the life they’ve lived.w

It’s the same for people too!!! Please find it within you to have basic human empathy! Someone is the way they are because of their life experiences. You can’t have something happen to you, good or bad, and not be affected by it. Someone can only change if their experiences change. No, it’s not your responsibility to change someone’s behavior or to tolerate it, but it is your responsibility to try to understand why someone is the way they are.

Empathy and media literacy are so clearly intertwined it’s would be comical if it wasn’t depressing. Read between the lines, try to understand things that you don’t get immediately. The curtains aren’t just blue. It doesn’t matter if it’s to represent sadness or just because it’s the author’s favorite color or even because the author was so indecisive they made someone else pick it, there’s still a reason. Anti-intellectualism is the curse that keeps on dooming us all.

[withclawandvine]

i've read and watched and loved a lot of romance stories in my lifetime, but really nothing compares to bryce loski planting a sycamore tree in juli baker's front yard

[wisteriagoesvroom]

*gently pokes you with a stick til you write this*

Is there a plot, or just vibes... like what is going on in this universe... okay... *rolls sleeves up* lemme try to headcanon it a little:

Oscar is a rising star in product engineering, and was hired based on a prototype he was developing in his Imperial College dorm room. Barely settled into his new office gig, he is told to present a demo of said product on the mainstage of his tech company employer's next big conference, where they announce their latest product rollouts for the year.

Oscar really hates public speaking, and has never been very good at it. Enter Lando - deputy head of marketing and charmboy extraordinnaire - who is assigned to get him up to scratch.

Other universe details that probably only I care about: Adam Norris is the new CFO who brings his son into the picture. There are definitely two overworked interns on both their teams who have to manage all their weird quirks and Lando's idiosyncratic JIRA board hygiene. Surely there must be an ugly conference t-shirt. No wait– Oscar sleeps with Lando at the conference rehearsal, but the first time is kinda unexpected, and also Oscar spilled red wine on himself the previous night which necessitated him going up to Lando's hotel room for Plot Convenient Reasons (sex). Morning after, Oscar has to borrow one of Lando's t shirts and it ends up being a neon prototype that was manufactured as an error. And Oscar's like "you cannot expect me to walk out like this", and it's like. "Well either that or you walk around the city shirtless sorry mate." (Oscar takes the L, but he really hates green highlighters from that point on and nobody really knows why. Lando thinks it's hilarious and buys him copious amounts of hot chocolate to make up for it even though it was never his fault. He just likes buying hot chocolate for Oscar.)

There is also definitely an icebreaking joint activity that they both do, like indoor rock climbing, in order to get to know each other. Except Lando is like, spectacularly good at it, and Oscar (a) lies about his competency in rock climbing (b) is deathly afraid of heights. But Oscar refuses to be a wimp so doesn't say a single thing until he reaches the top of a really challenging wall and Lando is like: woah you did so amazing! Now let go and come down! and Oscar is like: I can't! Lando: wdym?? Oscar: I hate heights. Like "my sisters used to lure me to the roof with a ladder and then take the ladder away", hate heights. Lando: BRO.....your PRIDE.... (but he's also secretly going insane because Oscar clearly just wanted an excuse to spend the morning with him.)

Their first kiss is after Lando belays Oscar safely to the ground, obviously. Adrenalin, and stuff.