#they do not want us to leave our team

[the-tenth-arcanum]

had the weirdest 121 with my boss today... she was like "hey! you got some great feedback from [manager in another team]!! she said you did great on the client call!!" which is hilarious because I've mentally quit at this point and literally doing the bare minimum. and I was like, "I didn't do much actually but cool. nice to hear"

and then she asked me if I was still interested in changing teams. you know that team I tried to get into just to escape my hellish team, the one where they interviewed me and then went "amazing interview, we'd love to have you, unfortunately there's no open role at the moment!! this was just for fun", that team.

and I was like "...sure. I mean I did interview" (which is a lie because I just want to leave the company at this point but I'll take leaving my team in the meanwhile), and she was like "weeeell, wink-wink, heard there might be an open position soonish because someone isn't passing probation and they are keen to have you in that team" and I was like, "okay. I mean I'm sorry for whoever isn't passing probation" and she was like "haha no don't worry that happens :))". it was so fucking bizarre

[halamshirals]

did you guys know that, well, the cruelty is the point

[thedreadvampy]

oh boy the depression hole is deep and it is muddy

hahaha I fell into the classic trap! overidentify with your job and considering leaving it will trigger an existential crisis!!!!

[ohbutwheresyourheart]

girlies I'm losing my mind.

[bunnyb34r]

Oh my god

So 6 weeks or so ago BaldBastard tells us to get rid of the black supply tote, we're getting clear cube ones. Whatever.

The cubes are working surprisingly well, the sign holders fit perfectly in them, keeping it neat and tidy. Everyday supplies like tape, masks, and trash bags are in one, lesser used ones in another. Great.

Motherfucker shows up today and goes "you guys need a black tote. Like put the cubes in there. I don't know who told you to use those but you need the black tote."

BITCH IT WAS YOU!!! YOU FUCKING TOOK OUR TOTE AWAY! YOU FUCKING FORCED THE CUBES ON US!!! YOU!!

Then he was bitching ab how we need to liquidate more and it's like uh huh that's gonna work great until the liquidator tells us to stop sending him shit unless it specifically is in liquidation status bc they dont have the fucking money. You know, like what happened LAST YEAR.

AND he and FGM were like "you guys have a lot in the steel..." and RC and I went "no we dont! It's all basics! Trust me! Go look yourself!!!" And then they were like well pull from boxes then. Okay bitch so we're gonna have a full table of one item bc theres nothing fucking new.

I swear to god you could put an actual chicken in charge as our store manager and there would be no difference. No, it might actually IMPROVE.

[camelspit]

biting and clawing trying to write an essay rn

[thatrandombystander]

Day 3 of I Am So Fucking Stressed.

[allpromarlo]

ravens fans are pathetic. a player can't even go on live and say "we're gonna do whatever it takes to win this game" without these miserable ass people coming in and being like "tHeYre ToO oPTimIsTiC"

[whumptober]

WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | ��I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

[yamujiburo]

A few months ago, some of you might know if you keep up with this blog, I went to Collect-A-Con LA. It was truly on a whim. Literally the day before my girlfriend and I had just come back from our Europe trip. Normally I'd be so tired and jetlagged but for some reason I was feeling really antsy and energized and just needed to go somewhere and get out of the house.

I found out that Collect-A-Con LA was happening the following day and that a lot of the original Pokemon voice cast would be there. So I bought a ticket, drew/printed up a picture that I wanted to get signed and got up early to drive to the convention center (you have to understand that I hate driving in town and also very much never wake up early). I don't know what possessed me to do this but I'm so glad I did.

I ended up having the privilege of meeting Eric Stuart, Veronica Taylor and of course, Rachael Lillis.

She was masked up, looked tired, and a bit sick. And at the time, I assumed she might've caught a cold over the weekend of the con. I went to her table and she still smiled and gave me all of her attention and time. I paid her assistant for an autograph, gave Rachael the drawing I'd done and she got to signing it. Her assistant said the print I had was cute and asked where I got it. I told her that I drew it myself and that I spent a LOT of my time drawing Team Rocket and other various Pokemon fanart. When I said that, Rachel stopped mid-sign and looked up and squinted at me and asked "are you Kiana Mai"? My heart skipped. I had no idea she knew who I was and was surprised that, given how many Pokemon fanartists there are in the world, she was able to pick me out. I left that interaction so happy and felt so seen. Soon after, I went to get my print signed by Veronica Taylor and while in her line, noticed Rachael had left her table; presumably not feeling well and had to leave the con early. I remember thinking how lucky I was to catch her before she left.

A couple months later, I saw the gofundme that her sister posted, detailing what Rachel was going through for the past few years and her battle with cancer. It put that convention day in such a different perspective for me.

All I could think about was how much she cared about her fans and how in touch with her community she was to go to a convention while being in so much pain and suffering in silence. I obviously don't know her personally, but based on how other fans who've met her, as well as her colleagues have spoken about her, I got the impression that she was an amazing, thoughtful person who cared about the people around her. That was only solidified for me based on this singular interaction a few months ago.

Rest in Peace Rachael Lillis. You've touched so many lives with your voice and so much of us grew up listening you. Thank you for everything!

[evilgwrl]

ExHusband!Simon x Reader

You Want a Divorce? (One)

Note: I'm having the WORST writer's block now so pls excuse my lack of proper writing... I'm currently sitting in front of a beach writing in hopes that ill gain inspo

CW: Angst, mentions of sex, jealous/possessive Simon, PLS DONT LEAVE YOUR KIDS IN THE CAR !!! Or break into someone’s house

Inspired by: Ex!Husband Simon

PART TWO

Simon stared at you. The shades of his eyes simmering into endless voids of obsidian, blonde lashes moulded against his greased lids, the residue of the perpetual torture his body had succumbed to during deployment.

“You want a divorce?” He spoke, voice deep as he flickered between your shaking heads, sweat soiling into the papers gripped firmly and your swollen face, cheeks feverish with a red hue, eyes even more so.

You held back a rough sob, throat stripped of all moisture evident in your hoarse voice as you spoke, “Yes, Simon. I think it would be best for our family… for us.”

He scoffed. “You think the best thing for our family is to separate?”

“We already pretty much are. You’re away for days, weeks, months at a time. We’re hardly a family and it’s difficult to explain to the children why I’m crying.”

“Ok then.”

That was it. You would admit, it stung. His lacklustre tone felt like a stab in the gut, the blade drenched with anthrax as it reared blistering sores internally, the effects having shown through your putrid complexion. Your skin was dull, practically lifeless, the only living form of you grew day by day through the darkening of eyebags that almost made you look apocalyptic.

It had been 12 months of separation, officially 8 being legally divorced. You kept his last name, the permanent burn of hearing Mrs Riley still searing through you with every syllable, yet you feel it would only hurt you more if they said Ms.

Simon was often away now, and the minimal family time he used to get felt pointless as the shabby apartment he moved into after the sudden interference of your mind-boggling news barely fit the two kids you shared. His body felt more relentless on him, the taunting of his mind fulgurated the inoperative reality that he would come home to you, to his family.

His voice, almost like it dropped an octave had grown richer in aggression, tormenting those he deemed suitable, both with his tongue and with his bruised knuckles, an oil painting of blue and purple hues radiating across the pale flesh as he shrugged it off to his team as “pushing himself and others to do better”.

Couldn’t you realise your mistake? Wouldn’t you prefer crying in his arms about his absence than never having it fulfilled again?

As he looked around the bleak environment, tan stained walls revolting the creaking mattress he had brought someone home to, someone who wasn’t you. It made him feel sick like a viral infection had slunk its way into his bloodstream as he laid next to a woman that failed to make his cock throb, endless images of you sprawled out under him flickering. No wonder he called out your name instead.

You felt the familiar shake of your hands every time your phone dinged; Simon’s dreary tone was evident through his dry “On the way” text. You ushered a day of your children’s life into their cartoon-themed backpacks, innocent smiles adorning their skin, doe-like eyes of brown, far too familiar to Simon’s staring up at you.

The sound of his car scraping into your paved driveway almost made you feel like throwing up, the nerves of seeing him combined with the already present pit of anxiety due to your date later turning you into one big shaky mess as you brushed it off as “too much caffeine”.

The echo of his car door slamming shut rung through your ears, staining you with the reiteration that your ex-husband was now at your door, heavy fists knocking upon the wood. The image you saw of him in your mind morphed back to reality as you stared at him, a blank expression on your face.

“Hi, love.”

“Hi, Simon.”

Your frown was clear, the pet name you were so used to becoming a distant memory in the past few months. It was a hole you were attempting to fill, to clear yourself away from his teasing tongue and faux impression of a healthy relationship. You were divorced for a reason, you knew that, but as you gazed upon the lack of life in his skin, it was almost like he was holding a mirror up to you.

“Daddy!” You watched as your 5-year-old, Ella, practically leapt into his hefty frame, his hands coiling around her like second nature. You could feel his warmth, the heat that would build in your stomach when you felt those same digits touch you.

“Hi sweetheart,” his voice gruff, yet tone lighter as he placed a delicate kiss on the skin of her forehead, “You miss me?”

She nodded, her face buried in the hem of his neck as your other child cooed from the bouncy chair, tubby legs attempting to wheel himself to the door.

“There’s my boy,” Simon practically cooed as he placed Ella down, bounding inside as he lifted the toddler out, grabby arms reaching out to pull at Simon’s locks, gentle tugs causing you to laugh.

Your voice cut through the scene like glass. Why would you want to destroy such a happy moment? Weren’t you supposed to be reuniting? Just say it, tell Simon you want him to come home, that you need him.

“This is Ella’s bag,” you speak, holding up the pink Minnie Mouse bag, “And this is Toby’s.” Your son giggled as he muffled out the words, “Transformers”.

Simon nodded, “Are you doing anything tonight?”

Ella practically screeched, “Mummy’s going on a date!” The thrill of her laughter that followed only seemed to make the situation more awkward.

“A date?” Simon’s voice was deadly, the hair raising on your arms as you shook your head, a tight smile on your suddenly dry lips.

“No, no, nothing like that. Just catching up with an old colleague of mine.”

“But he’s a boy, Mummy,” Ella giggled. Who was raising your daughter to be such a big mouth? Your face formed an annoyed look, eyebrows raising as a line of wrinkles crinkled against your forehead, your pointer fingers massaging your temples.

“An old colleague?” Simon practically gasped. Had he met him at your old work Xmas parties?

“Let’s get you guys in the car.” You fumbled with Toby’s car seat as you strapped him in, your nimble fingers shaking with anxiety before you shut the door, pressing a kiss against the window before wiping away the minimal residue of dirt. Gross.

“Who is he?” His tone was acerbic like he was looking for an argument. How dare you try and replace him? He was your husband, the father of your two kids? Have you seen this random man before? Had he fucked you?

“God, Simon-“

“Who is he?” Simon was relentless, bullying his way into getting the answers as his arms folded across his chest, tattoos practically screaming at you too.

“His name’s Andrew. I ran into him at a coffee shop a few weeks back and he just wanted to catch up. That’s it.”

A loud scoff sounded in the air. “You mean that geezer from that corporate job you hated? The one who didn’t know it was weird to blatantly stare down your dress when you were standing next to your fucking husband?”

“He didn’t stare down my dress! You’re not my husband anymore, Simon. I can see who I want.”

“I don’t want our children to grow up thinking they have multiple dads.”

You’ll admit, that stung.

“Multiple dads? You’re out of your mind. The only reason they would ever believe they have multiple dads is if their real one stopped showing up. And where have you been, Simon? When have you shown up?”

Simon held his tongue, the warmth of the metallic taste gashing through his teeth as he practically snarled past you. “I’ll bring them back tomorrow.”

The dress you wore was practically suffocating you as you tucked your stomach in. Simon never minded the change in your figure after motherhood, he found himself liking it even more. He loved knowing that his seed put you through that, that he made you swell with his children, and he brought out the glow in your cheeks and the delicate stretch marks that laced your hips.

Andrew was nice. His tone was comforting as he walked to your door, ushering you to his car as he insisted you could order whatever you wanted. He was handsome, the salt and pepper hues of his hair settling your insecurity.

“We’ll take the Pinot Noir,” he spoke, looking at you with an almost arrogant sheer in his blue eyes. You only liked white. Simon knew that just like he knew everything about y-

You’re not with Simon anymore. You had to realise that. Maybe that’s why you brought Andrew home, let him shove his cock (that was a lot smaller than what you were used to) inside your heat, as you let out moans you had mimicked from the porn you watched with the actor that resembled far too much of your ex-husband.

Simon's fingers gripped the steering wheel early the next morning, your two children snuggled up in the backseat as he drove back to his old house, your old home. He wasn’t a man who gave up easy, he would show you, prove to you that you made a mistake. You needed each other.

Hold on. You don’t drive a red car?

His car lurched into the entrance of your home, nearly ramming into the garage as he shoved it in park, rolling down the two back windows slightly for air as he dug around in the small side compartment of his car.

The familiar gold key he had stolen from you the night he packed up all his stuff stared back at him, practically egging him on. Go on Simon, march in there. So he did. His hand rattled against the door knob, glancing back to peak into the car for a second before he slammed the door shut.

Your body froze. Were you being robbed? No. It was only Simon. A very angry-looking Simon. You stood, the white sheet barely shielding your naked body as he took in the sight of the man next to you, his hands wrapping around his shoulders as he practically ripped him out of bed, flinging him onto the floor as he grunted, eyes reared with hatred.

“Simon, what the fuck are you doing? WHERE ARE THE KIDS?”

Andrew groaned, on the floor, covering his groin as Simon chucked the masculine clothes at his head, the thin boxers soiled across the man’s scalp as he trembled.

“Our kids are asleep in the car, waiting for their Mummy to come to the zoo with them.” Simon’s words were despicable, laced with an acrimonious tone, small particles of spit seething through his lips as stared at you.

He turned to the man, a giant frame staggering over the top of him. “Get the fuck out, and if you wake up our kids when you go past, I will personally put a bullet straight in the middle of your skull,” he said, pushing a thick digit against his forehead as Andrew rushed out, clothes barely on before you felt the front door shut, a cry of apologises leaving your lips as you tried to assist him but Simon only held you back, a tight grip coiling around your arm.

“What the fuck was that? How’d you get in?” You couldn’t even place the words to say, humiliation roaring through you as you snuggled the sheet closer to you, away from his peering eyes.

“It’s time to be a family again, don’t you think love?”

[dawnwriterimagines]

The Guilty Plea

SIMON 'GHOST' RILEY x FEM!READER TASK FORCE 141 x FEM!READER

Traitors Among Us (Part 1) and Innocents Among You (Part 2)

Verdict Due (Part 4) Clear Skies (Part 5)

Summary: As you're discharged from the infirmary, under watchful eye, you head to Laswell to talk on the rest of your now ruined military career. Of course, you're forced to confront your team as it happens, the last people on earth you'd like to see.

If you liked this would you Buy me a Coffee?

---

Running your fingers along the raised, pink scar across you cheek, the feeling of it...it really looked terrible. A part of you thought it would disappear, hoped it would, but it didn't. It just became severely more noticeable. Looking at this, you knew you'd always have to think of it. You'd sport this reminder for the rest of your life.

Looking away from it, you find your own tired eyes in the mirror, you haven't been sleeping well. Or at all. You can't remember the last time you got 4 hours, let alone 8. Dark circles still surrounded them but at least the bruising and the swelling had gone down.

You couldn't recognize yourself. Not really.

This woman looked so exhausted, so frail and so goddamn angry. It was accurate, it was how you felt. All of it. So, you supposed that the mirror's reflection was the truth, this was you indeed.

"If you need another day or two, no one will ask questions."

You glance over towards your psychologist, your fucking therapist, a nice little 'gift' sent over by the bureau to check in on your mental state after your ordeal. Glaring at him through the reflection of your mirror, he sighs, putting down his pen that slaps against his notepad, "I can't help you if you don't talk to me."

"I'm going to Laswell." Ignoring his statement, you speak. "I'm ready. I'll pack up. Get back to base. Vera had me discharged from the infirmary. I can start ov--"

"Vera?"

"My nurse. You met her," you continued, annoyance spiking at the interruption. Your wrist brace squeaking quietly under the pressure of your fist tightening beneath the table.

"Right..."

"Do you listen to a word I say outside of...my 'trauma'?" You wonder, bluntly.

Your psychologist blinks, surprised, before clearing his throat, appalled. "If you feel I can be more attentive to your state of well-being throughout our process, than by all means--"

"Oh, so 'no'?" you lean back into your seat, a strained laugh leaving you. His lips press together and you continue before he can find the words. "Because whenever I mention leaving this fucking team, you either adjust our schedule for another two weeks or suggest hypnotic therapy, as if I need anyone else digging around to fuck up my mental state."

"I never meant to imply--"

"Oh, you implied it," you interrupted, gritting your teeth. "I know what I want. And I want off Task Force 141."

He taps at the leather of his notebook. "Scars heal, just remember that, Ms. (L/n). The reminders of your experience shouldn't have to haunt you."

"It's not the scars, I've had my share way before this," you admitted, rising to your feet. You exhale deeply that tells to the effort of it, the steel gear hinges along your leg braces shift with your change of position. Still getting use to them. "It's the person."

"Has she changed, you think?" the psychologist begins to write, getting somewhere.

"She doesn't exist anymore."

Finally, placing the mirror down and onto the side table, you pushed off of the table, rolling your IV pole along with you. Passing the chair your psychologist sits on, he closes his notebook with a frustrated huff, looking over his shoulder. "Session over for you already, Ms. (L/n)?" he sighs. "We've still got the hour."

"I'm done," you take the knob in your hand. Turning.

In more ways than one.

"You understand that, informing your captain on your leave is required of you. Have you spoken to any of them, in the last few weeks?" he spoke up, quickly. "I'm sure giving them a space to open up, share from their view--"

"Why should I care--"

"--will give you better understanding, better clarity of the situation they were in--

Appalled. "What the fuck?" Jamming the door closed with a loud, shuttering thud, you whip around. "IT'S NOT ABOUT THEM!" you could just rip your hair out. "Who--who says that to someone?!"

Your psychologist sits there, eyes wide in confusion. "What--"

"Christ, can you hear me? Can you--can you see me? I've got metal plates in my spine, braces holding my knees in place and nerve damage that'll never heal! Who gives a fuck about them!" your skin feels red hot, your face twisted in rage. "I gave my life! My life to this! And then I'm tortured, I'm threatened, drugged and beaten by my own team, my f--my family for eight fucking years..."

You continue with a heavy chest. "And I'm supposed to invite them for dinner to talk and listen them bitch and moan about why they thought it was necessary to beat me to death for two weeks?! Fuck you!" you spat. "I don't owe them anything!"

"That's not what I was trying to say, Ms. (L/N). I apologize, I overstepped. Come sit down--"

"Of course you meant it," you interrupted, mock humor. "Don't be a pussy, own up to it. Revel in your truth. Be tter yet--" you snatch a journal from the cabinet. Tossing it his way. "Make a note of it."

Turning the knob, you leave the room with a slam of the metal door.

---

You were officially famous. On the base, you were now a legend.

A story that would be mentioned and told at lunch for months. Probably years.

First, you were a rat. Next, you were innocent. This was the most gossip any of those in service had ever seen in their years of service.

An interesting reminder to those in service that you weren't safe off duty either.

You learned a few days ago that there was an update put into the interrogational unit, something about how to properly go about dissecting evidence and being on the lookout for enemy spies in the militia.

You guessed you had been told about it in an effort to be appeased by the thought that the head of control paid attention to anything beyond their own noses for once. But, you had little to no faith in a system that's nearly killed you on and off the field by now, so it didn't matter.

You doubted the new rules would be followed though, there was a plethora of things they'd done to you in that cell that were both illegal and unsanctioned. Most of all, that were expected towards an enemy, a prisoner of war at best, and not a fellow marine.

You arrive at the housing quarters, swiping your key card, pulling the handle and entering the wing. Immediately, you're greeted by a dozen eyes, conversations stopping short and clothes ruffling to silence, suddenly whispers fill the space and eyes turn away.

"Oh, god, it's her..." says one man in the far corner.

"Shut the fuck up, man!" came a harsh whisper back.

"I didn't know it was that bad..."

All those eyes on you, makes you pause in your step, looking around at all of your fellow soldiers, the men and women you've served with for years. Many you recognized, ate with, fought beside that turned their backs to you now. Out of respect? Out of distaste, morale, nerves, pity, it all didn't matter. It all felt the same.

The wheels attached to your IV pole suddenly sounded much too loud on the polished flooring, as you walked down the hall as fast as you were able to.

Breathing out deeply, you get to an elevator, pushing on the button, once, twice, three times, just open goddamn it.

With a ding, the metal doors open, and suddenly you're aware that people could be in the elevator, they could be in this elevator, he could be in this elevator. Your eyes flicker down to the floor, your grip on the pole of your iv tightens, your shoulders stiffen, waiting for a blow that will never come.

You stand there as the doors open up, the small space empty, the metal walls reflect only her and a streak of lighting from the ceiling.

Looking up slowly, finally taking a breath, before sliding the iv up and onto the elevator, following it as you press your floor number along the way.

The ride up is fast, a little rumble as it stops, and then the doors open. Faster than you were prepared for.

Peeking out down the hallway, luckily no one to bump into, which you were thankful for. But, it didn't make this hall any less haunting. You'd been cornered in this same hall, you could recall being hauled out of the room after the solid handle of a knife hits your temple.

You don't go down fast enough, whipping around as you stumble to take the wrist of your attacker, mostly for balance, it's Price. In shock, you're unprepared as Johnny's arm encircle your neck, locking you into position as you both stumble backwards onto the floor. He blocks your airways, hushing you harshly as you struggle, feet kicking out and your vision blurring as your team surrounds you. Your family.

That was quite the headache to wakeup with afterwards.

You hadn't quite remembered until now. Being back served as a hell of a kickstart to your memory.

Just a few more reasons to get the fuck off of 141.

Getting off the elevators, the metal doors sliding closed behind you, you make your way down the hall. The polished flooring creates a subtle squeak through the wheels of your iv pole, your hand absently running over the fading stitches along your side.

Passing the shadows of your tortured memory, the doorway of the office was closed, locked.

You pass Kyle's room.

Johnny's.

Finally, you rush up to the next room on the left, grabbing the handle, before beginning to twist, but then you're yanking your hand back as if the metal had burned you. Your back ramming into the back wall, catching yourself, this wasn't your room.

It was Simon's.

You'd spent hours, days, in that room. More than your own.

Why wouldn't you? You were about to get married to the man. You had more in this room than you had in yours.

Sharp breaths leave you, shivering in your effort to keep yourself together, your head goes back into the wall, swallowing down the ache in your chest.

You wait, muscles tensed and your body pressing back into the wall, hoping it'd absorb you if that door opens. Listening for every sound, any pin drop, even an exhale from beyond that doorway. Luckily, Simon seemed to be out for the day.

Hurriedly, nearly running, you steady yourself against the wall as you rush down to the corner of the hallway, finally finding your room.

Turning the handle, it's not locked, it's broken. It opens with ease.

Entering the room slowly, pushing the doorway aside, the crackle of glass beneath your boots as you step forwards, clothes and picture frames laying scattered.

The mattress flipped and ripped open, springs and cotton cut from it. Your wall of metals and certificates, from acts of bravery and mementos of valor, discarded, later you'd find them in the trash, one with a bullet lodged into the gold.

Sniffling as you leaned down, picking a specific frame off the ground, the only one that hadn't been broken. Laying along the ruined rug, with no care for the glass digging through your jeans, you stare at the still shot of your family.

The only family you had outside of Task Force 141, your father and his sister, military brats themselves, until their retirement. Your mother had passed, or just up and left, days after your 5th birthday, you weren't completely sure, the story kept changing every year. But, these two were the only family you've ever known, ever had, until you joined the military, following in their footsteps.

They'd been so proud when you arrived back after your first assignment, in truth you were heavily traumatized, but seeing them, you just had to smile. Having a family that understood the harsh toll on the line of a trooper, now a lieutenant, it was always easier to bring your troubles to them. But, they were also military nuts so "suck it up" was also a quick go to answer from your aunt, while your father was the smoother talker.

They had met Simon, loved him, his rank, his love for you, his seriousness. They trusted him completely with your heart.

So, when he called them, after the evidence leaked...

They believed him.

"What're you talking about?" You took the handle of the chair in your grip, easing you down into it as your legs do weak at what you were hearing. "I didn't...I didn't do it, Dad."

"Do you know how humiliating and disappointing--how it felt to hear him say that to me, hm?" he says, static crackles on the reciever. "My daughter...my own flesh and blood...working with terrorists--"

"I'm not working with anyone! Are you-" you huff out a breath of disbelief. "Are you even listening to me? I've never betrayed the code. How can you think that way of me?"

For a moment, he's silent. "Alright, then," he began. "Than, what'd you do? huh?"

"What--what..."

"Oh, come on, (Y/n)!" your father yells. "What did you do?! What could they possibly have had on you that made you the most likely target? You had to have had done something, been somewhere, were with somebody you weren't supposed to be with! They didn't just get that information from anywhere."

"What the fuck--" Your expression twists with frustration and misery, running your hand through your hair, pulling at it. "I've sacrificed every part of myself for this job, for this team, what do I have to gain from throwing that all away? They send me everywhere, places you've never heard of, places you'll never hear about and people you'll never have to meet, because of me! Why would you just believe Simon? Why couldn't you just wait to talk to me?!"

Hearing your father scoff at your words was painful. "What reason do I have not to believe him? He knows you, maybe even better than any of us. Besides, he was going to be my son in law--"

"I'm your daughter! Fuck Simon, what about me? You'd believe him instead?"

He sighs. "Listen, you're upsetting Cass. We didn't expect your call. I gotta make this brief..."

"You're upset?" pulling at your hair, sucking in sharply. "I'm the one who's permanently fucking altered here. What do either of you have to be upset about?!"

"Watch your fucking mouth!" he seethes. The anger in his voice isn't new, but the way he spits it at you is. "You did this to yourself, I didn't. Maybe that's what your nightmares were about, am I right? Your guilt?"

Wiping the streaks of tears that had fallen down your face, lips quivering and chest aching with sobs you frustratedly shoved down. "Why don't you believe me?"

"I don't deserve the disgrace that will come with you as my kin, I've lived my part of this war. No daughter of mine should even be in this fucking position," your father spat, disgusted into the receiver. Suddenly, he was the cruel, bitter old man your mother had always known him to be, you wished she had stayed to at least remind you of that. Maybe it wouldn't have hurt as much. "You should be ashamed of yourself, but at least you got yourself out it. The least you could do for us."

"Well--what does that mean?" you spoke, quietly.

"Don't call again..."

"Dad, no--" you break this time, a sob escaping you.

"Me and your Aunt Cass..."

"Daddy please, don't do this--"

"..We've decided to cut ties. We're not taking any heat from this, you're on your own," he finishes, clearing his throat, waiting a moment, listening to the pleads and cries of his only daughter, his once pride. "You take care of yourself. Goodbye, kid."

"Why can't you just believe me? Why?!" you cried.

"Don't come to the house."

"No, no,--" the line goes dead. And staring down at your phone, his caller id going blank and the call disconnecting.

Your phone all of a sudden feels heavy, the device and your hand falling down to your thigh, before the phone slips out of your grip and onto the floor. You sit there silently, until your tears drop up and even after.

Staring at the photo now was haunting in its own way, it was just another painful reminder.

Using the bed frame to stand to your feet, your grip on the frame is painful as you squeeze it, the glass cracks audibly.

"Bonnie..."

Whipping around at the sound of John MacTavish's voice, you back up a few steps at the sight of him, your back hitting the edge of your desk.

He reaches out as you stumble, before his fingers curl back into his palm as you find your balance, his hands receding back to his sides. He doesn't enter the room, just lingering just beyond the doorway, his eyes flickering around the room, guiltily.

"I didn't know--we didn't know you were out," he speaks quietly, as opposed prideful personality that translated into his voice usually.

You say nothing.

In the dark, your eyes are wide and your shoulders are tensed up, he can see the glint of your leg braces, the iv pole at the side, the scar beneath your eye. You looked terrified to see him.

"We were coming back to clean up today, just got back from...from a mission..." he stutters on his words, shifting his feet.

"It's been a week."

His lips press together hearing your voice. "I know..." Johnny glances around at the room he'd let those officers destroy, it hadn't been them, but they might as well had done it. "I know...we just...didn't know it was so bad."

"Really?" your voice is mockingly sweet, drawing out the word. "You didn't know? Well look..." you hold up your family photo, the light in the hallway catching on the glass. "You missed one."

Your hand dropping, the heavy frame comes down just as fast, ramming into the ground, the glass practically exploding on impact.

Johnny flinches, the photo of your family...He looks back to you, surprised. "Bonnie..."

Snatching the next closest thing from your desk, a ceramic cup. "Oh, wow, can't believe you guys missed this one," you chuck it into the wall. It breaks on impact, the remains scatter along the flipped mattress and onto the floor. "That used to be my favorite mug by the way."

The Scotsman worriedly steps forwards, 'Lass, I'm sorry--"

"FUCK YOU!" you spat, coming into the light. You're sure you look deranged, and you didn't care. You could've wrapped your hands around his throat, killed him right on the floor and you wouldn't have blinked. "It doesn't mean anything! 'I'm sorry', 'I'm sorry', 'I'm sorry', over and over and over again! As if you shouldn't be! Your apologies mean fuck all."

"I know...I know," he breathes. "But, I've gotta say it anyway, bonnie. I should've believed you, there was no reason not to. I know that now. I just--"

"Believe me!" you cut him off with a yell. "Trust me! Fucking 'HELP ME'!" you screamed with the same fever as your days in the interrogation room, that terrible cell, the cold, the burn and pain. "I cried it all to you, to all of you, and nobody came. Nobody came for me," you breathe in sharply. "It doesn't matter what you should've done. You didn't do it!"

Johnny's eyes are red, he opens his mouth, closes it and then swallows down whatever chokes him up as he looks at you. "I should've came for you. I wish I did. I wanted to, Bonnie..." he steps forwards, and you recede back away from him, your eyes narrowed with violence. "I'll never forgive myself for not listening to you. For not coming to help you. For laying a hand on you. I'm so sorry, (Y/n). I'm sorry..."

I'll never forgive myself... "That makes two of us," you assured.

Johnny's eyes widen, before they close, his guilt ever consuming. He can't help but understand, to respect your decision, to know things can never be ok again. "(Y/n)...."

Grabbing hold of the nearest thing, a pencil cup, you hurl it at Johnny. He doesn't put his hands up, flinching as it hits him, the metal clinking against his kevlar, eyes closing then opening, he stands still. "I don't forgive. I don't accept your apology. I don't fucking care about it!" with each sentence you throw something else his way, a broken frame, the trash bin, a pillow, the CD player.

His hand has to come up for the knife you unsheathe, a memento from one of your missions, it's rusted, ancient probably. But, you hadn't given it up to a museum or to pawn, you had nearly died on this mission, saving Johnny ironically. You had to keep it.

Seeing the weapon, his defensive position is instinctive but his hands drop just as fast, he understands, you need this. You deserve this. "If you need to..." he speaks. Your eyes flicker up to him, away from the knife. "If you need to, I get it..."

And you need to. You really fucking do.

Your grip on the knife is dangerously hard, it hurts.

Looking at Johnny, he'd been your brother in more than a few ways on and off the field, he had been your comfort, your friend, your family. You had bled with him, held onto him as he carried you from the battlefield, joked, laughed, screamed and cried. You've loved him for years.

He'd had a rough few nights you could see that. He was quieter, reserved. Almost as terrified to see you, as you had been of him.

And you could kill him right now and never bat an eye.

And so, throwing that knife was so fucking easy.

Johnny's eyes close as you do just that, fists clenching and teeth biting down on his tongue to prepare for the pain.

The ancient weapon whiz's through the air, the sound is sharp and he knows it will cut through him like butter.

The thud rings in the room, and Johnny's eyes blow open wide, holding his breath as he collapses to his knees, before turning to you.

You dig into the pile of clothes that had been cast aside, a pair of sneakers and a new shirt. You don't look at him a single time as you take it all, stuffing them in a bag, and leaving the room, passing him completely, a limp in your step.

Johnny releases a pained breath, tears finally leaving him as he looks up, the knife lodged into the frame of the doorway, just barely missing him. The sleeve of his uniform ripped open.

He sits there in the quiet, destroyed room. A testimony to the relationship he's destroyed between you.

Part 4!! OUT NOW

[lilgynt]

so. bc we kept being put in a queue that we’re not trained for. that we’re not trained for bc of the widespread issue of this department pushing their work onto us and trying to snub that outright just by not training us. my company is making several of my coworkers come in on their day off for an eight hour training For that Department.

[justtogetthrough]

My workplace is having an epidemic of people not doing their fucking jobs and idk how it still manages to shock me at how helpless and incompetent people are getting, but not a week goes by where someone throwing in the towel before even looking into a request or issue makes me and my manager go what the FUCK????? Seriously?!?!?!

(The issue is that things keep getting brought to us being like oooh nooo CAS/a family/a kid is asking for [something], whatever will we doooo. And it is not our role to figure it out. We are not case management. It’s so fucking obvious what to do 85% of the time and we can’t figure out why everyone gives up so easily when all it takes is 10 minutes of critical thinking and bouncing some ideas around. Our jobs have gotten cumbersome because of how much time we are required to spend doing other people’s jobs lately. It’s garbage.)

[mostlysignssomeportents]

Kickstarting a book to end enshittification, because Amazon will not carry it

My next book is The Internet Con: How to Seize the Means of Computation: it’s a Big Tech disassembly manual that explains how to disenshittify the web and bring back the old good internet. The hardcover comes from Verso on Sept 5, but the audiobook comes from me — because Amazon refuses to sell my audio:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

Amazon owns Audible, the monopoly audiobook platform that controls >90% of the audio market. They require mandatory DRM for every book sold, locking those books forever to Amazon’s monopoly platform. If you break up with Amazon, you have to throw away your entire audiobook library.

That’s a hell of a lot of leverage to hand to any company, let alone a rapacious monopoly that ran a program targeting small publishers called “Project Gazelle,” where execs were ordered to attack indie publishers “the way a cheetah would pursue a sickly gazelle”:

https://www.businessinsider.com/sadistic-amazon-treated-book-sellers-the-way-a-cheetah-would-pursue-a-sickly-gazelle-2013-10

[Image ID: Journalist and novelist Doctorow (Red Team Blues) details a plan for how to break up Big Tech in this impassioned and perceptive manifesto….Doctorow’s sense of urgency is contagious -Publishers Weekly]

I won’t sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became “five giant websites filled with screenshots of the other four” (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

[Image ID: A brilliant barn burner of a book. Cory is one of the sharpest tech critics, and he shows with fierce clarity how our computational future could be otherwise -Kate Crawford, author of The Atlas of AI”]

The Internet Con isn’t just an analysis of where enshittification comes from: it’s a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.

How do we do that? With interoperability: the ability to plug new technology into those crapulent, decaying platform. Interop lets you choose which parts of the service you want and block the parts you don’t (think of how an adblocker lets you take the take-it-or-leave “offer” from a website and reply with “How about nah?”):

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

But interop isn’t just about making platforms less terrible — it’s an explosive charge that demolishes walled gardens. With interop, you can leave a social media service, but keep talking to the people who stay. With interop, you can leave your mobile platform, but bring your apps and media with you to a rival’s service. With interop, you can break up with Amazon, and still keep your audiobooks.

So, if interop is so great, why isn’t it everywhere?

Well, it used to be. Interop is how Microsoft became the dominant operating system:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

[Image ID: Nobody gets the internet-both the nuts and bolts that make it hum and the laws that shaped it into the mess it is-quite like Cory, and no one’s better qualified to deliver us a user manual for fixing it. That’s The Internet Con: a rousing, imaginative, and accessible treatise for correcting our curdled online world. If you care about the internet, get ready to dedicate yourself to making interoperability a reality. -Brian Merchant, author of Blood in the Machine]

It’s how Apple saved itself from Microsoft’s vicious campaign to destroy it:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

Every tech giant used interop to grow, and then every tech giant promptly turned around and attacked interoperators. Every pirate wants to be an admiral. When Big Tech did it, that was progress; when you do it back to Big Tech, that’s piracy. The tech giants used their monopoly power to make interop without permission illegal, creating a kind of “felony contempt of business model” (h/t Jay Freeman).

The Internet Con describes how this came to pass, but, more importantly, it tells us how to fix it. It lays out how we can combine different kinds of interop requirements (like the EU’s Digital Markets Act and Massachusetts’s Right to Repair law) with protections for reverse-engineering and other guerrilla tactics to create a system that is strong without being brittle, hard to cheat on and easy to enforce.

What’s more, this book explains how to get these policies: what existing legislative, regulatory and judicial powers can be invoked to make them a reality. Because we are living through the Great Enshittification, and crises erupt every ten seconds, and when those crises occur, the “good ideas lying around” can move from the fringes to the center in an eyeblink:

https://pluralistic.net/2023/06/12/only-a-crisis/#lets-gooooo

[Image ID: Thoughtfully written and patiently presented, The Internet Con explains how the promise of a free and open internet was lost to predatory business practices and the rush to commodify every aspect of our lives. An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley’s tech giants, and how we can start fighting to get it back. -Tim Maughan, author of INFINITE DETAIL]

After all, we’ve known Big Tech was rotten for years, but we had no idea what to do about it. Every time a Big Tech colossus did something ghastly to millions or billions of people, we tried to fix the tech company. There’s no fixing the tech companies. They need to burn. The way to make users safe from Big Tech predators isn’t to make those predators behave better — it’s to evacuate those users:

https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens

I’ve been campaigning for human rights in the digital world for more than 20 years; I’ve been EFF’s European Director, representing the public interest at the EU, the UN, Westminster, Ottawa and DC. This is the subject I’ve devoted my life to, and I live my principles. I won’t let my books be sold with DRM, which means that Audible won’t carry my audiobooks. My agent tells me that this decision has cost me enough money to pay off my mortgage and put my kid through college. That’s a price I’m willing to pay if it means that my books aren’t enshittification bait.

But not selling on Audible has another cost, one that’s more important to me: a lot of readers prefer audiobooks and 9 out of 10 of those readers start and end their searches on Audible. When they don’t find an author there, they assume no audiobook exists, period. It got so bad I put up an audiobook on Amazon — me, reading an essay, explaining how Audible rips off writers and readers. It’s called “Why None of My Audiobooks Are For Sale on Audible”:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

[Image ID: Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age. -Douglas Rushkoff, author of Present Shock]

To get my audiobooks into readers’ ears, I pre-sell them on Kickstarter. This has been wildly successful, both financially and as a means of getting other prominent authors to break up with Amazon and use crowdfunding to fill the gap. Writers like Brandon Sanderson are doing heroic work, smashing Amazon’s monopoly:

https://www.brandonsanderson.com/guest-editorial-cory-doctorow-is-a-bestselling-author-but-audible-wont-carry-his-audiobooks/

And to be frank, I love audiobooks, too. I swim every day as physio for a chronic pain condition, and I listen to 2–3 books/month on my underwater MP3 player, disappearing into an imaginary world as I scull back and forth in my public pool. I’m able to get those audiobooks on my MP3 player thanks to Libro.fm, a DRM-free store that supports indie booksellers all over the world:

https://blog.libro.fm/a-qa-with-mark-pearson-libro-fm-ceo-and-co-founder/

Producing my own audiobooks has been a dream. Working with Skyboat Media, I’ve gotten narrators like @wilwheaton​, Amber Benson, @neil-gaiman​ and Stefan Rudnicki for my work:

https://craphound.com/shop/

[Image ID: “This book is the instruction manual Big Tech doesn’t want you to read. It deconstructs their crummy products, undemocratic business models, rigged legal regimes, and lies. Crack this book and help build something better. -Astra Taylor, author of Democracy May Not Exist, but We’ll Miss It When Its Gone”]

But for this title, I decided that I would read it myself. After all, I’ve been podcasting since 2006, reading my own work aloud every week or so, even as I traveled the world and gave thousands of speeches about the subject of this book. I was excited (and a little trepedatious) at the prospect, but how could I pass up a chance to work with director Gabrielle de Cuir, who has directed everyone from Anne Hathaway to LeVar Burton to Eric Idle?

Reader, I fucking nailed it. I went back to those daily recordings fully prepared to hate them, but they were good — even great (especially after my engineer John Taylor Williams mastered them). Listen for yourself!

https://archive.org/details/cory_doctorow_internet_con_chapter_01

I hope you’ll consider backing this Kickstarter. If you’ve ever read my free, open access, CC-licensed blog posts and novels, or listened to my podcasts, or come to one of my talks and wished there was a way to say thank you, this is it. These crowdfunders make my DRM-free publishing program viable, even as audiobooks grow more central to a writer’s income and even as a single company takes over nearly the entire audiobook market.

Backers can choose from the DRM-free audiobook, DRM-free ebook (EPUB and MOBI) and a hardcover — including a signed, personalized option, fulfilled through the great LA indie bookstore Book Soup:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

What’s more, these ebooks and audiobooks are unlike any you’ll get anywhere else because they are sold without any terms of service or license agreements. As has been the case since time immemorial, when you buy these books, they’re yours, and you are allowed to do anything with them that copyright law permits — give them away, lend them to friends, or simply read them with any technology you choose.

As with my previous Kickstarters, backers can get their audiobooks delivered with an app (from libro.fm) or as a folder of MP3s. That helps people who struggle with “sideloading,” a process that Apple and Google have made progressively harder, even as they force audiobook and ebook sellers to hand over a 30% app tax on every dollar they make:

https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112

Enshittification is rotting every layer of the tech stack: mobile, payments, hosting, social, delivery, playback. Every tech company is pulling the rug out from under us, using the chokepoints they built between audiences and speakers, artists and fans, to pick all of our pockets.

The Internet Con isn’t just a lament for the internet we lost — it’s a plan to get it back. I hope you’ll get a copy and share it with the people you love, even as the tech platforms choke off your communities to pad their quarterly numbers.

Next weekend (Aug 4-6), I'll be in Austin for Armadillocon, a science fiction convention, where I'm the Guest of Honor:

https://armadillocon.org/d45/

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/31/seize-the-means-of-computation/#the-internet-con

[Image ID: My forthcoming book 'The Internet Con: How to Seize the Means of Computation' in various editions: Verso hardcover, audiobook displayed on a phone, and ebook displayed on an e-ink reader.]

[miriani-lavellan]

Ahh, Lucanis. So let me first say, his scenes make total sense and I'm happy with what we got - we all want more from our faves, but they did manage to compact a lot of trauma and resolution in some fairly compact quests. Here's what I think happened that wasn't made explicitly clear though:

Lucanis chooses the pantry to sleep in because he's been imprisoned and tortured for a year, and he's not ready to leave captivity yet, not inside his head. He locks himself in there because it's familiar misery to him, which is easier to deal with than scary freedom.

Lucanis' letter to Rook before he asks Emmrich to bring Zara back for questioning tells us he's suicidal at that point, and probably has been for a while. Spite, however, doesn't see him as a lost cause - he never uses that to take over Lucanis' body entirely. This is so interesting to me, when we know things like that pretty famously happen all the time in Thedas. He's determined to keep Lucanis alive - and he asks for Rook's help in doing so.

We are in the NORTH now BABY! Attitudes towards spirits and demons are different here, especially in Rivain, and it seems with our Rook too, who never expresses any chantry-esque hang ups (that I've seen). Seer Rowan greets Spite as Determination, and that's how he's introduced by Isabela (with some excitement) if you fight in the hall of Valor. What happened to Spite is just as sad as what happened to Lucanis. He was violated, perhaps corrupted, and definitely trapped - and hurts Lucanis sometimes in his frustration. But, I think he likes Lucanis! He's his host's little head gremlin, and I think the relationship they have (that we don't see too much of) is healthier than any of the possessed individuals we've seen before.

Because? Lucanis is not a spiteful person. He wants revenge, yes, and he's angry, but he doesn't hurt everyone around him because he's in pain. One of the first things he does when he becomes part of the team is go shopping for them. And despite how Ilario and Caterina have hurt him - and you can argue all day whether he's right to be like this - he still cares for them.

I think that when we help Lucanis leave the prison inside his head, we are helping Spite to return to his original nature as Determination just a little more. We're determined to help our friend, and you know what? Spite is too. For himself, firstly, because Lucanis's pain is hurting him, but in the end, he's done it for Lucanis too. There's an argument there that Determination didn't get corrupted at all - just hurt, and that Lucanis, with his loving nature, has been keeping him from turning into a mindless demon of pain.

I thought for a long time that when Lucanis breaks away from kissing Rook, it was because Spite said something horrible to him. But actually, I think it was Lucanis himself, remembering how trapped he is. Thinking about the eventuality of killing himself - I strongly suspect that's what he was thinking about before he fell asleep, and that's why Spite was trying to go walkabout - trying to get out from where Lucanis can't. Lucanis got lost in the moment, but of course he doesn't want to drag Rook into that.

Lucanis making dessert for Rook and thinking that's the same as asking them out (but not actually asking them out) is so completely on brand for him I laughed. He has no idea what he's doing. It would have been nice, though, for Rook to reply to one of the companion's 'so you're together?' banters with... 'we are?' Or for Rook to be able to ask him. Unfortunately, we don't get those convos where we can spam ask questions etc like in DA:I - I did wonder if that got cut and we missed some resolution to that.

Lucanis gives no shits about everyone knowing he's Rook's love interest. He's not ashamed of himself or scared he'll hurt them - Rook has helped both him and Spite. And judging by the way Spite's wings come out to embrace Rook as they kiss Lucanis, I suspect that Spite might love them, too.