#they didnt mean for the narrative things to happen

[applepixls]

theres something to be said about the accidental symbolism of the horns in double life

grian got ponder originally which is a doo doo dudooooo kinda pattern and then got seek which is the same pattern but with a scratchier sound and offered it to scott

their stories then mirror in both having previously done a series with their partner and this time (somewhat) rejecting them (and later being tortured by them) only scott fully rejected pearl to live across from cleo while grian still kept scar around but tried to be secret soulmates with bigb. and ultimately scott and pearl did the whole sacrifice for the other person to win thing, reprising grian and scar's 3rd life ending same pattern, different sound.

(theres also something to be said here about how they are similar people, you can see it in the quiet agreement to stand around and get butted at by goats and in the bit where scott punches scar, sees grian take damage and "*he knows" and he knows he knows he knows and scott realizes what grian realized, that grian is once again trailing reluctantly after scar to keep him safe but also knows he shouldn't tell scar cause grian hasn't. they're both very intelligent in similar ways and it shows)

later on grian got another ponder (which he offered to scar instead of the seek he initially gave him) and mentioned how there was a reply to it (sing, du dudoooo) that he really wanted (and later jimmy and tango got)

so more narrative comparisons. the two soulmate pairs at that point have matching horns, grian and scar are ponder and jimmy and tango are sing. notoriously jimmy and scar are the two that everyone was scared of being partnered with because they die and take damage a lot. the thing i find interesting is how different their narratives are grian and scar had already been partnered and worked together previously, meanwhile, jimmy and tango had barely spoken prior. you'd expect that the two who were already friends and found out they were partnered (or at least grian found out) in a more or less positive way would choose to be friends, no? and you'd think that the two who didn't know each other and met by dying would have an awkward stumbling dynamic and possibly resent (in character) each other, right? but turned out it was the opposite way around (because of personalities blah blah blah). its not super related to the horn patterns I'll admit but something about the way.. its almost as if grian's horn says this is how it is (this being like rejecting scar because of their past) and the ranchers horn being like what if it doesn't have to be (something about clean slates, seeing people in new light, reintroducing yourself, taking all the best of a person despite a bad circumstance like yknow. killing them when you first meet. don't know anyone else whos accidentally blown up someone when they first met cough cough 3rd life cough)

please feel free to add your thoughts

[drbtinglecannon]

It's actually kinda sexy of Caleb & Evelyn to haunt the narrative so thoroughly while never having any speaking lines or even appearing on screen outside of 400yr old repressed memories, delusions, and/or hyped up folklore

We don't even know for sure if Evelyn was a Clawthorne, or what she looked like, or how the fight between Caleb and Philip went down, or Caleb's reasons for leaving without Philip, or what their half witch half human baby looked like, or how long after Caleb left before Philip found him again, or what Evelyn did when she discovered her dead lover's grave was robbed, or how quickly after killing Caleb did Philip decide "I can make a new Caleb that's Better™"

We have scraps to give us pretty good ideas for most of these, but nope they really just haunt with no reward. Like yeah babes give us nothing!

[sirenofthegreenbanks]

i know that ep12 with its sunbathing scene at the market place is known as one of the most romantic scenes in the show and i dearly love it too BUT HAVE U EVER LAID EYES UPON THE RIVER SCENE AT THE START OF EP12 BECAUSE AAAA

[themyscirah]

This is technically a Diana's age poll but I framed it partially around Julia's rescue because that's the event I need to contextualize and whether or not Diana is a thing yet is p important for my purposes. I would keep the Pérez run and postcrisis continuity in mind when answering this bc that's when this is relevant but I'd keep in mind that even though Diana is very young there (like early 20s) we don't know I don't think if she ages differently as a child (esp as a themysciran AND being made from clay) and in some versions she is older than she looks and was made earlier

Edit: I accidentally logic-ed this out in the tags lol 🤦‍♀️but feel free to still vote however you want. Going to publish this anyway bc I think I made some good points later in my tags

[1tsjusty0u]

just realized that . like besides all the efforts to stop the calamity the characters in the botw cutscenes dont. do anything.

[betawooper]

im typically indifferent when someone interacts with my posts here or on my art ones in my sideblog, but when it comes to literally anything transfem yoo joo-related and someone likes the post or leaves nice tags, i lose my mind for a while /positive

[legogender]

thinking abt garmabros (-1hp -1hp -1hp)

[molluskmirage]

the boogeyman effect following Bbh from purgatory 1 has been a very fascinating phenomenon.

there is alot of residual and lingering opinions of Bad from both characters and fans and its been interesting because having watched Bads pov he really didnt do anything more then what others did in purgatory. Q!Phil is mad because Bad terrorized his team but bad had far less kills then Tubbo, and plenty other teams were around terrorizing others Fit slaughtered Tina and soulfires farmers (most of which then never returned)

Q!Tubbo is mad for ‘day 12’ for a poor decision Bad made, but Bad was carrying the team mostly alone for many many hours the whole 2 weeks (the most out of anyone on the team) I think he could be forgiven for not having the clearest decision making skills running ragged and getting killed.

Q!Bagi feels betrayed by bad and has been more comfortable around tubbo since p1 but tubbo murdered her before she could say a word in p1 and Bad asked for her consent first before doing so.

Q!Etoiles is salty about the 2v1 but he and Fit started it by attacking tubbo alone who then had to run to bad and it was a 2v2 before then becoming a 2v1 as Fit backed away injured

Q!Phil has also mentioned that bad has not taken responsibility for his actions and this is echoed a lot in fan spaces but Bad is constantly taking on blame for things he may have only been adjacent too. He’s said he’s killed a lot of people, he jokes that he’d do it again. He doesnt often show remorse for his actions which I think is more what some are after but he does acknowledge things he doesn’t pretend it never happened. He told Pepito he was a monster. And anytime some express anger towards bad he respects their feelings (that doesn’t mean he’d chose to act differently or feel remorse in such actions but he doesn’t tell anyone theyre not allowed to feel that way)

its a fascinating subject to me because this effect has carried over so strongly within the space despite the fact Bad didn’t even have the highest kills in p1 for soulfire (it was Tubbo by quite a margin) yet Tubbo is often unnamed as the wrongdoer. Bagi set up Bad for death, while it didn’t come to fruition she still did that to Bad. Bad could not do anything but run when red team took on the bounty system which was excruciating to watch. Red also showed no mercy when the boats arrived and killed Bad the sole player for blue leaving his body in a zone that would kill a naked player.

Bad did do wrong he spawn killed Jaiden. However his stalking home bases and killing others in general was no different then all of the other skilled players repertoire. Bad had to play offensively for his team the majority of the time as he was one of the few that could, yet the boogeyman effect holds onto him and warps even his own members perceptions after the fact. Q!Tina as an example very enthusiastic about letting Bad loose in p1 too then scolding him for actions he took under her instruction.

The fan narrative has been the most acutely difficult to manage as the effect is almost to mystic proportions and finding disdain for even mundane actions Bad takes and reading into those as disingenuously as possible always set on more then retribution but truly an end to his character. Which again having watched Bads POV I havent been able to discern anything remarkable that any other character hasnt also partook in.

The difference I have noted is that Bad will always consider himself in the wrong regardless if his actions had justifiable reason behind it. Dapper told Bad to win in purgatory. After purgatory Bad put himself and Dapper down as ‘oh thats just something Dapper would say hes just bloodthirsty, but narratively Dapper has committed self harm in order to protect his siblings and other islanders ((an issue Dapper unfortunately sees in his father and perpetuates himself)) believing he is nothing more then a tool to help those he loves, he would not risk his siblings lives for bloodthirsty humor. Bad knows this but when faced with the hate others saw in him he waves off both his and his sons merit buckling down. Bad and Dapper have dark humor but are always making gifts and finding ways to help others. There is nothing on the island Bad is more set to protect then the eggs and this thought with Dappers message, Q!Bad really thought he needed to go all out to protect them, even still he held back a lot and would 2nd guess because he wanted to be absolutely certain of the egg’s safety.

He wasnt without reason yet with the boogeyman effect looming over his reasons never seem to be able to hold a candle to the more popular characters, and he often concedes a lot to it. He says it with a laugh, tease, and is sassy with it but still he concedes to others perceptions of him as he doesnt want to override others feelings. It can be a bit exhausting as things are blown out of proportion to what they were in originality but on a social breakdown of how things and information travels its very very interesting and I have been enjoying the dive even if it stings sometimes with reflective thoughts.

[mao-likes-2-draw]

it’s inexcusable!

recipe for turnabout fanart because its entertaining as hell. this dialogue is like my roman empire. WHAT DO YOU MEAN. (ace attorney fueled rant under cut)

we know already phoenix literally doesn’t tell anybody anything (like the class trial or edgeworth’s disappearance) so obviously he wouldn’t tell people “my ex girlfriend tried to kill me and i ate glass for her”???? and he clearly isn’t over what happened in T&T. desiree looks scarily like dahlia and he gets flustered by her!!! thats insane!!!! nearly every romantic relationship is meant to mirror feenie & dollie, whether in a good light or a bad one. and he sees whats happening w/ viola and tigre and it makes him especially angry because he’s been in a similar situation. not to mention the POISONING thing?? the poison was the murder weapon in this case and obviously the coffee poison is meant to foreshadow godot and blah blah blah BUT HE DIDNT EVEN SAY MURDER!!! HE SAID POISONING. clearly still affected by dahlia!! and obviously because his full name is Phoenix Doesn’t Tell Anybody Anything Wright, maya is really confused and concerned.

i really just love how dahlia looms over the narrative 🫡🫡

[pachimation]

redrawing my very first chiscara comic/art i ever did for chscr day!!

old comic under the cut!!

lol a bunch of sappy semi serious stuff below bc i cant help but be a bit genuine about this ship today :’3

i cant possibly put into words how important this silly little ship and its community mean to me haha,,,, this comic was made in 2021 but i didnt really get serious about chscr until late 2022 after a bunch of pretty bad interpersonal stuff happened and i needed an outlet,, COINCIDENTALLY a certain someone was announced to be playable around then and i was already thought chscr was Pretty Neat™️ so i ended up diving headfirst into the ship. it also gave me a good excuse to work on more comics too!! i’d done a pretty big zhongven comic earlier that year in the summer, but in terms of lore there was only so much i could have worked with at the moment.

childe and scaramouche have that perfect combination of silliness and angst and violence that could be explored or expanded in so many ways and i love love love seeing other people’s interpretations of their dynamic and relationship. they’re so complex,,,,they’re narrative foils,,,they’re narrative parallels,,,they’re trans allegories,,,they’re flies in the spiderweb of the games lore,,,they’re my stupid little meow meows,,, they’re just two losers i want to see make out,,,

in a nutshell, they’re everything to me. well, i hope i get that kind of sentiment across in my own comics,,,,

and i cant get started on all the people ive met through chiscara or the way that having something i can call “my thing”, as in, the thing that i like and that i will spend a lot of time and effort (and money, but lets not talk about that) to surround myself with because it makes me smile. its stupid to say, but being a nerd about these two stupid guys who have never had a single canon onscreen interaction in some random game has made me a much happier and confident person that i could have ever imagined back in my freshman year of college,,, when i say i dont know who i’d be if i hadnt gotten into chiscara, i really do mean it lol

i’m actually surprised i’m making it to over a full year of regular-ishly making art, especially for the same game and ship! thats never happened before and my art has improved so much over this past year!! more than anything else, i’m happy! i get to be excited talking about these characters with my friends and i love to see art of them pop up on the tl. i make stickers of them and decorate my phonecase with them and have little figures of them in my room that i look at when im up late at night working on schoolwork. sometimes just the thought of finishing a comic or daydreaming about a scenario or seeing what my mutuals are up to are some of the few things getting me through a tough day.

,,,,so believe me when i say, to both childe and scara and to everyone else as obsessed with these pathic losers as i am, thank you! i’m having a lot of fun!!!

(also i just found out tumblrs copy/paste doesnt work on my ipad??? idk if this ends up legible i may or may not have deleted smth by accident and im not in a mood to proofread haha)

[mrs-monaghan]

Claiming you are a OT7 army but pushing and promoting the hate towards taehyung makes you a hypocrite.

Jkkrs are slowly becoming the vermin by pushing false narratives to match their perception of taehyung. It has come to a point whereby we are also starting to base reality of Jikook around villainizing Taehyung. It disappointing honestly to undermine a 10+ year relationship that vmin publicly claimed as soulmates just becuz of social media posts. Dubbing words such as envious to a person Jimin deems important to him is utterly disrespectful.

At the end of the day... WE DO NOT KNOW THEM... so we should believe in their words rather than conspiracies that lead to outrageous conclusions. We jkkrs always preach about how we should only believe in what Jimin and Jungkook say but here we are disrespecting Jimin's words. Words that was just spoken in last week's Sapporo episode.

The truth of the matter is that Jimin and Taehyung are still very close. It justifiable hating Taehyung's subfandoms but hating him is not becuz it based off baseless theories.

More and more each day we jkkrs are starting to resemble the vermin. So fuckin disappointed.

I know you need a Jikooker to yell at, but I take issues when people accuse me of things I haven't personally done. Just because other Jikookers are acting a certain way, if I haven't done what they're doing, I resent being accused of it.

I. Shaz. Love. V. I wouldn't say that if I didnt. Trust me. Or don't. Either way, read this

I had this talk with some friends on discord but here is the thing. I may still care about V but I can understand why some people have washed their hands off of him. I've said this 1000 times but as long as Jikook keep loving V, so will I. But that doesn't have anything to do with holding V accountable for his actions. Jimin and JK may be okay with him, but us as fans are still allowed to question his behaviour.

Jikookers will complain that during FACE everyone and their dog made posts supporting the album except V. Then people like u will say, you don't know them personally, V probably praised him privately. And I would counter with the fact that V posted about Dday and TXT's album. Does that mean he didn't praise them privately???

Same thing happened with MUSE even though the guy finds a way to still be online all the time even while enlisted.

When Jikook were enlisting he posted that shirtless facetime screenshot of JK. Was Jimin not enlisting too?? Why didn't he post about him?

JK himself has come online to correct things that V said. Pointing out that, that's not how it happened. So if JK himself feels the need to correct misinformation, why are we being side eyed?

V promotes everyone except for Jimin, the vermin notice this just like we do and do you know what happens? They go to town on Jimin talking about how V only promotes good music. That Jimin makes garbage music and that's why V can't support it.

I assume you're here due to that post I just made about them not knowing eo as well as they used to. Bro, I ain't making this up. We have seen this with our own eyes. Them trying to guess things about eo and ending up being wrong. That wouldn't have happened way back when. I could talk about the many, many times he has gone quiet only to finally post when the fandom is focused on Jimin.

You say that we don't listen to members, except that's all I do. I watch Vmin chronologically and they're not the same. U would see it too if u did the same. Jimin seems tighter with Jungkook Jhope and V seems tighter with the Wooga Squad. And like I mentioned before, we've seen on original content JK come online to ammend something V said so... how is that me not listening to members? RM saying that V is not very good at self awareness, how is that not me listening to members?

Anon, Vmin aren't the same. U wanna live in denial thats fine. But don't be mad when those of us confident enough to talk about it, do.

.

.

.

Tkkrs hate Jimin because of his bond with JK. But Jimin has never done anything to V. Additionally he does things that makes those morons come for Jimin everyday. That's why jkkrs get upset with him. We don't have an issue with him just because he hangs out with JK or is the closest to JK (he not) And that is why angry anon, we will never be like the vermin.

[eddiegettingshot]

Literally I remember when bi buck happened and tim was like well buck has been bi coded the whole time. he flirted with a man once in s1. And then he didnt give any other examples of buck being bi coded. Because well. we all know what those are (and also the way oliver will only confirm certain things were bi coded when being prompted. Like whatta man. Hmmm)

lmao tim being like yeah there were all these moments. and the moments were tapeworm guy and buck Connecting with a gay couple and then what were essentially a couple of offhanded jokes. and everyone is like yep exactly! buck has been so bisexual all along! But then when i say that the way eddie treats buck vs his exes could be similarly and more easily recontextualized… and when i point out that buck and eddie’s co-parenting/partnership is actually taken so seriously by the narrative that it’s irrevocably baked into the show and that perhaps that means or could mean something… and that just because they haven’t done it doesn’t mean it isn’t there… well suddenly i’m insulting the sanctity of male heterosexuality and friendship and seeing things that aren’t real. and the whole time we are talking about an analysis of 911 on abc which is not actually that hard to understand.

[v-arbellanaris]

i feel like some of you are really shooting yourselves in the foot. i get it! trust me, i get it! i, well known dai hater, also have my anxieties abt da4 - and yes, even expectations abt things like where the plot is going to etc - but the teaser is TWO MINUTES LONG and i've been ripping it to shreds to get SOMETHING out of it, but the truth is that it's just not going to be indicative of the full game

the teaser trailers for dao imply that the sacred ashes quest is gonna be the huge memorable quest - and for me, they simply weren't? and how different did the actual game look to the teasers like let's be sooo real. da2 teasers hinged on the qunari invasion which was like... just one of many, many events in da2. and hawke and isabela didnt even look like that. i cant even remember seeing solas in the inquisition trailers?

the teasers aren't even for the plot, is the thing. these teasers are literally companion reveals, of course it's aimed to make the characters look cool and interesting, rather than really foreshadowing anything deep about the storylines - that's for things like tevinter nights, and the comics, and even absolution. it just feels really weird to use the thing they're using to advertise the companions for this game as a metric for the entire game plot and vibes. dao and da2 trailers were SO FUCKING INTENSE and then you get iconic lines like swooping is bad and hawke stepped in the poopy like...............

like da4 is not going to be dao. it's not going to be da2. it's not going to be dai either. all three of these games were tonally totally different from each other, and idk where the expectation is coming from that da4 will be like the other games. especially when the writing direction, as i've talked abt on this blog a few times already, is definitely changing and evolving. whether or not i personally like that direction is irrelevant to the fact it's happening.

i support the haterisms - god knows ive got my issues with it - but sometimes i just think you guys are unnecessarily hostile for weird reasons and i dont get it. "people who hate dragon age the most are people who love it" i dont think you guys like dragon age anymore, is the thing. which is fine, but i'm not obliged to tolerate it, or you. like you can just say: you liked dragon age origins. you liked dragon age 2. you maybe even like dai. and you're not interested in da4. that's fine. because da4 is not those games. i dont really care to hear abt the whinging abt how da's ruined or whatever - da hasn't been the same literally since da2, which was already a tonal shift from dao. da has been changing, and i have opinions abt the changes, but fundamentally, i am - cautiously, warily, anxiously - excited about a new game. new content. new companions. new maps. new knowledge. new narratives to chew on. aren't you?

if you're not, have you considered that you just don't like dragon age anymore? and that's fine? and you can just move on?

and idk why are you acting like a 2 min teaser is gospel for how the entire game is going to anyway? we know practically nothing, and at least try to keep that in mind when you're drawing firm conclusions abt the wholeass game based on the trailers because you literally WILL NOT KNOW. the teaser literally means nothing except: here are your companions. this is what they look like and where they're from. everything else based off the trailers is wild conjecture

[heybiji]

In reference to the last ask you posted! Do you mind going over your tips on role-playing as that active-type character and/or digging up the thread of conversation it seems the original asker was referring to? I'm so interested in your experience role-playing for both prep in possibly joining a game someday and also bc it sounds like such good character creation and general writing advice!!!! I tried checking you blog but didnt turn up anything that touched pn it more (No worries if not though!)

Sorry for this late response!

My advice is make characters that create opportunities for story.

Reacting to a story is fun! Reacting to a character is fun! But if you're always reacting then you're creating opportunity for other characters to react, so sometimes you gotta Act to let the other characters and the story React.

To do this, characters should all want something. And not something vague (like "to be happy"), it should be something more tangible, more specific, and everything else can stem from there. It'll guide your character naturally. It's their Motivation.

More under the cut (or skip to the end for more standard advice)

For example, my dnd character Dandelion wanted more than anything to go home. "Going home" meant a lot of things, yeah it means being happy, it means he wants to be with his family, it means he wants to be loved, it means he wants to feel safe, it means he wants to belong somewhere, but the tangible idea is "go home."

Because I knew this is what he wanted most of all it guided all his actions, and his actions for better or for worse all made sense because of it (and I made it clear that was what he wanted "on-screen" on multiple occasions). So anything that involved the idea of getting home would activate him, and he'd also deeply empathize with anyone and anything else away from home/away from family. Giving him one strong, clear motivation instantly made him an active participant in the story. This made him active with other characters too, any mention of home, any mention of family, any idea of not belonging, it drew him toward them.

(as a DM now this is also what I need more than anything, what's your hook? how can I tempt you? how can I make your character move forward? how can I make your character react? also characters that create opportunity for story take a LOT of work off the DM's shoulders in my experience, it shows you're engaged and it feels less like dragging a cat around on a leash haha like "are you enjoying this? do you want this? i don't know! please give me something!")

my more standard advice?

Be a good listener

Be present (in the moment)

Be curious

Be the biggest fan of all the characters

Put your story on-screen frequently, give people the opportunity to react to it and join in on it (this can be as simple as "my character's body language changes at the mention of 'home')

Create opportunities for the other characters to have their story on-screen (ask them questions! if you know what the character's buttons are and it makes sense in the moment, press them! listen to what they're saying, pay attention to what they're doing, and react to it)

Interact with the world! Interact with each other! And make these things mean something to your character!

Your character should make mistakes. Mistakes create opportunity for everyone.

If there's a genre, or theme, play toward them earnestly.

The more you RP, the better you'll get at it! It's a process and that's okay!

my little tip for knowing whether your character is Active vs Reactive: if the story were a musical, do they have an I Want song? do they have multiple moments for songs within the narrative? have they shared a duet with another character? do their songs change, evolve? songs happen for important moments in a musical so if you're not contributing to important moments, it may mean you're reacting more than you're acting. which is fine if you're playing a game solo and are granted access to the narrative by virtue of being the designated main character, but because RPing is collaborative storytelling, everyone should be doing their part!

[bonefall]

what concerning behaviors does bramble show in fatherhood? Genuine question I didnt read PO3 and I haven’t really heard anyone talking about that

I can't go and grab book quotations at the moment, hopefully I'll have time to make a big thing on this later this month (the breeze one took a couple days), but he has some odd trends.

NEVER once stands up for Breezepaw while seeing Crow openly, flagrantly abusing him, even responds to Crow's "I HOPE YOU'RE NOT STOPPING SO THESE LITTLE BASTARDS CAN REST" comment with "dont worry im not"

Completely ignores every sign that Lionpaw is being abused by Ashfur. There are several.

Quick to anger. Though he never "HITS" his children the same way Crow did to Breeze, he does a lot of "cuffing" and can be pretty mean to his kids verbally when they disappoint him.

When Hollypaw witnesses Ashfur physically abusing her brother, she tries to tell Brambleclaw and he tells her that it's fine.

During that, he launches into this big speech about how Ashfur came to butter him up, tell him how strong his son is, how good of a warrior he'll be, that beating the shit out of his teenage child was just a misunderstanding.

And then he segways into telling Hollypaw how Mature and Responsible she is, and how he needs to Rely on her to Keep Her Brothers In Line. All of this, REMEMBER, was in response to Hollypaw trying to tell her dad about her brother being abused by a teacher.

But in spite of all this, the narrative basically holds him up as the pinnacle of fatherhood. The Three are constantly thinking about how much they love him as their dad, BEST dad in the whole world, perfect amazing cool.

None of his flaws are addressed, as usual. He seems egotistical, emotional, and even sometimes oblivious to what's happening in front of him as he focuses on his OWN feelings at all times... and that's all without getting into OotS and his post-reveal behavior, which is a whole essay topic.

But I will end it off with this; the way he acts in OotS was never out-of-character. It's very consistent, actually.

[sleepygaymerdisease]

Does anyone else think about how Shinji said this twice...

The first time was somewhat innocent, because he didnt believe in the idea of fate. He refused the idea outright because it was just too bleak. He wanted to think that there was a way for everyone to live, so why believe in something like destiny or predetermination?

And yet... He likely said this out loud to comfort Tezuka, to motivate him, to keep him from giving into despair. Shinji does not believe in fate, but the person he is dragging out of the battle field does, and he wants Tezuka to borrow his own feelings of determination and passion for just a moment, so they can both live to see the next day.

But what Shinji doesnt understand is that Tezuka did this sacrifice precisely because of Shinji's passion. Shinji has nothing to offer to this man because Tezuka has already made the choice to purposely refuse the benefits of Shinji's savior complex. He make his choice the moment that he walked out the door of Atori, and purposely distanced himself so Shinji wouldn't try to die for someone else. Tezuka explains that he changed fate for Shinji to live. Tezuka explains that he took this man's place so that Shinji can fight in this war, so that Shinji can find an end to the violence. Tezuka wants him to continue where he would fail, where he would have blamed himself for the death of another friend and never gotten back up.

Shinji wishes there was another option, that he could have somehow seen this coming and stopped Tezuka and figured out a way to live too... But what can he really do? Tezuka's last words left such an impact on him, and while Shinji originally didn't believe in fate, he could not help but lean into the idea after Tezuka's death. He tends to weigh other people's ideas more than his own in his head, so when Tezuka dies because he followed his principles to the end like this... He just can't deny it as much as before. Denying that fate exists would be spitting on the face of his friend's choice, right?

So the idea sits with him. The idea that fate was already changed... He's not sure if he can believe it, but he can't not believe it, either. There had to have been another way that things have gone, right? That's what he wants to think, but he cannot deny the weight of Tezuka's ultimate choice. He has to learn to accept this, somehow, but it's hard for him, it's hard to remember which thoughts are his own and which thoughts are borrowed from his memories of Tezuka. Shinji slowly becomes burdened by the idea of fate. Believing in Tezuka's last hope is the only way for him to continue, it's the only way for him to cope.

And that's when the narrative throws a fucking curveball. This character, wrattled with grief, finally trying to move on from that horrible moment of senseless violence, is forcibly dragged backwards. Six months. Six entire months happening all over again right before his eyes. Shinji gets an impossible second chance to fix what never should have happened. He knows who is going to die and he has the time to prevent it. He can change it.

But he discovers that he cannot change himself. He watches everything in horror as it happens all over again because he cannot break out of his own skin. He can't change his habits, he can't think different thoughts or change his actions, he can't seem to remember the details of that future that has not happened yet. His future self, and his future grief, is buried deep inside of him. He tries to claw his way out in any way he can, but he is trapped in the prison that is himself. He can only catch the smallest glimpses of clarity through the bars of his cell, and by then it is often too late.

When Shinji finally gets back here, to this moment, he must have repeated these words. He cannot change his thoughts, after all. So he says it and it means the same thing as before; he wants to comfort Tezuka and lend him his own determination and will to live. But there is now an additional meaning to it, isn't there? There is now a layer of despair. A part of Shinji is so, so desperate for things to change. A part of him knows that Tezuka diverted fate for his sake, and isn't that diversion a part of fate now too? Can't we change that too? Do not die when fate tells you to die. Don't do this, don't leave me again.