#they both know this about each other. they're the only people that understand each other
Watching the boys unable to communicate was so very painful.
Sheng Wang tells Jiang Tian such an obvious lie, why doesn't Jiang Tian challenge him?
I think we were all shouting at our screens telling the boys to just talk to each other, but I don't think they could. Sheng Wang can only run away from his feelings because he's so scared.
Jiang Tian obviously knows that Sheng Wang is trying to distance himself from him, and I think he has an inkling why. He doesn't call Sheng Wang out though because he doesn't know what to do about this attraction they have for each other either.
Jiang Tian is angry with himself more than he is with Sheng Wang. It's painful to him for Sheng Wang to pull away, and he understands why he's doing it, but he doesn't know how to fix it. Both are scared to verbalize their feelings because if they do, what then? They're brothers, what will people think? What will their parents think? It would be overwhelming for an adult to sort out, let alone a 17 year old.
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Do you ever ever think about how Guy is the only one who TRULY understands Ramiris.
He knows what she went through and what she is going through (her reincarnation cycle). He defends her and has treated her as an equal despite being so strength obsessed. Guy does not respect those who are weak. He barely gives them the light of day. But ramiris, the weakest of the octagram in her current state, is his close friend. He threatened to kill his best friend (Leon) (who bro is literally attracted to) when he spoke poorly about Ramiris. Ramiris, who is largely shunned and underestimated, is perfectly understood by Guy. He looks past her cocky attitude. He knows who she once was. They stopped Milim together, after all. Ramiris sacrificed her prime for Milim and him. If Ramiris hadn't intervened. Hadn't taken in those corrupted magicules. Guy would have had to.
There's no way of knowing if that would have affected Guy in much capacity. But Guy was tired. He had fought Milim, a match, for seven days and nights. He might have lost. Or he could have won. There is really no way of knowing. Ramiris 'saved' them either way.
He knows that, despite Ramiris slowly degrading memory, she will always be herself and remember after each lifetime. He knows that she may not have the appearance, but she's still the same ramiris. People think Ramiris is stupid, but Guy knows she is one of the smartest. He let's her talk for hours on end. He let's her sit beside him. That's insane. Guy, the literal embodiment of pride, let's a tiny pixie sit beside him in the demon lord council.
The trust they hold with each other is also unbelievable. Guy trusted Ramiris with the decision to allow Rimuru to, basically, exist. She isn't scared of Guy either, like how most people are. Sure, she had said that "Guy is the only demon lord I won't fight" in a fearful-ish way. But that wasn't the fright that Guy often instils. She isn't scared of him. She isn't in fear of ticking him off.
Ramiris has no qualms going straight towards Guy during Walpurgis. She bickers with him. Guy wouldn't ever allow someone to talk like that to him. Except Ramiris.
They know each other. He knows her not as the Spirit Queen or as the annoying pixie, but as Ramiris. She knows him not as Demon Lord Guy Crimson but as Guy.
I really truly believe that they're eachothers actual best friends. Guy would fight Leon, his supposed best friend. He would not fight Ramiris. Rimuru often underestimates Ramiris and treats her as an aloof child. Guy doesn't. At least, not internally.
Guy has teased, of course. Rimuru does recognise Ramiris as a smart and useful person. But it's easily inferable that Rimuru still knows her as, well, annoyingly childish to most people.
Ramiris is the only person who can treat Guy the way she does. The only others that have been shown to be able to are Milim and MAYBE Leon. Leon has shoved Guy, a playful gesture for Guy, even in Leon's annoyance. But to bicker and contradict Guy, the way Ramiris does takes a lot. Their friendship isn't just that. But it's a connection. Ramiris and Guy are immortal and ancient, who both respected Veldanava, who both treated his daughter as one of them, who are two of three ancient DLs.
Ramiris was never a proper demon lord to begin with. She is unable to evolve into a True DL like rimuru or milim. She doesn't have the strength like Leon or Dagruel. She joined the council because of the respect Guy had for her. The gratitude he had for her.
Satan's best friend is a small pixie. The Spirit Queen's best friend is a demon.
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honoured to have been summoned, comrades 🫡
@dtmsrpfcringe
those screenshots are truly unhinged.
- ever heard of candid photos? ones that aren't posed or staged to have the person look a specific way? ones that capture the essence of a moment and have a more organic feel? ones that can celebrate the mundane? is it abnormal for family/ friends/loved ones to take candid in-the-moment pictures? no. or if it is, then i guess everyone i know, all the people i've seen doing this, and every person who's ever posted a non-posed photo of their loved one is a creep.
- appreciation and kindness for everyone but him? let me refer you back to this: "happy birthday to the best person most of us will ever know. the kindest of people, the cleverest of people, the funniest of people and the best dad of (many) people. sometimes i wonder what i do to deserve him..." and this is only a selected example, not an exhaustive list.
- hijacking his party and refusing to acknowledge that it was his? the card they posted was literally for a combined party. a 90th birthday, and given that david's not 90, but he's in his early 50s while she's almost 40, and it's not anywhere near either of their real birthdays, it's fairly obvious that it was meant for both of them. as you would know, if you payed attention to the goddamn card.
- normalising abuse? girl where. you have no knowledge of their private communication and boundaries, what they've talked about/agreed on, what they find mildly annoying and what they are genuinely upset by. poking fun, egging on, banter, all are perfectly healthy. if he's truly disturbed by anything, it is his responsibility to communicate that, and her responsibility to respect it. but these interactions are normally not public. they've almost certainly discussed social media sharing outside of the few snippets we've seen. it's fairly safe to assume, then, that any conversations they've had on-camera apply to those specific instances. "not right now" as opposed to "not ever". and a reminder that we literally do not know these people. you can't draw a diagram of an entire house by peering through a few windows.
- about the criminal offence bit, i can tell you, with absolute certainty, that no one is going to report anyone to the police for taking a candid photo in a kitchen. i promise, it's not illegal, by any stretch of the law, for a wife to take a photo of her husband standing at a counter. it may be technically illegal in some places to distribute those photos without the person's consent, but we, as outsiders, have no way of knowing and therefore shouldn't assume that she didn't get consent. i have several lawyers in my very close family, and i can already hear the legalese they’d break into to counter this argument.
the most important point i want to make is that they are married, and have been for a dozen years, and have known each other for years more than that. they understand each other, they probably know each other better than anyone. they certainly know each other better than we do. when you get to that point with someone, you generally don't need to confirm every single thing you do. in most cases, you can get a sense of what's ok and what's not. it's possible that georgia has some difficulty with that, as she's neurodivergent, but in that case the boundaries just need to be clarified for her. if she's unsure, she can ask, if she's unaware, he can tell her. because human relationships go both ways, boundaries need to be communicated, understood, and consistently adjusted. only then are they even tangible concepts that can dictate social interactions. and smaller things or individual moments can exist freely, without a giant rubric attached. they're both adults, they both have agency, and they both have access to support. trust that they're making good choices for themselves and each other, because you have no real reasons to think otherwise.
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The urge to rewatch torchwood vs if I think about the gwenjack friendship too hard I go insane
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imagining the story from pei ming's perspective is rlly funny i think. this god from all that time ago ascends again (you were there for the first two times) and immediately waltzes into a situation that fucks something up for your descendant (putting both of your reputations on the line, messing up how hard your descendant worked to become a god and how hard you worked to ensure that he would have that chance) and then refuses to let you smooth the situation out and on TOP of that your friend's little sister (who hates you and who you are trying to look out for by request of your friend) is on your case about it too. so you've gotta work all that out and then like. you chill for a little bit (still kind of upset about your descendant) until your friend undergoes a heavenly calamity. and then in the space of like A Day the god from earlier shows up again with a fucking ghost king, your friend dies, the little sister you're supposed to be looking out for disappears, and everything just kinda goes to shit. so you're like. grieving. trying to process everything. until your OTHER close friend goes off the fucking rails with the spirit of that guy she murdered, and then you get called out to the spooky ghost mountain where you're confronted with the girl whose death YOU were essentially responsible for and have never really come to terms with, and then like. you just kind of hang out with these gay people until everything resolves itself. fight some ghosts. fight the heavenly emperor. get your friend to stop being evil for a little while so she can fix the filing systems. and then you just have to keep being the god of love i guess
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Mikhail and Vitali were inseparable; when they weren’t studying or getting into fights, they would hang out at Mikhail’s place to smoke and get drunk on cheap rum and vodka, to then pass out in each other’s arms and sleep most of the next day away.
They promised each other— no matter what would happen— they would never leave each other’s side. Yet after starting university and college respectively, they did not see each other for a little over six years, leaving them both heartbroken and wondering what went wrong.
by lucas expedidor // catch me if you can; eden // clementine von radics, from 'courtney love prays to oregon' // sam sax, cruising: a broken tiara // 'ceramic home' by heavensghost; quote from john murillo // 'something's changed' by laiikastears // i don't want to watch the world end with someone else; clinton kane // fortesa latifi, from 'the truth about grief' // audre lorde, the evening news // frank o'hara, biotherm (for bill berkson) // heading home; ruben // 'preface to a dream' by alessandra casini // tokyo; caroline kole // langston hughes, poem // haruki murakami, norwegian wood // julie buntin, marlena // by lute // by aleksandr popov // anyway; noah kahan // christa wolf, cassandra: a novel and four essays
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qpr jean and neil. that's all i'm gonna say.
do you see my vision?
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Every once in a while I think about the ship I've been obsessed over for close to two years now and feel like I'm ascending to another plane of reality. Like sometimes you just encounter a ship that hits every single mark and is perfect in every regard and you're left stunned how something like that can even exist
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I don't know... horrible things happen all around the world and it's not a competition
Atrocities are committed against multiple groups in multiple parts of the world at the exact same moment, and none of them erase each other. They all matter, all the people in this world who are being brutalized matter. There shouldn't be any line you draw where one group doesn't actually matter as much as another
You're welcome to prioritize your energy towards helping one group or another, but what's not ok is invalidating or dismissing people who are actively being harmed
Same goes for trying to figure out which social group has things worst (and lets be honest, always using a US lens)
Like... maybe the important thing is to prop each other up and help everyone get on their own feet rather than trying to... pick fights about if physical disabilities or mental illness are less respected (I'm trying to pick a more absurd example but sadly I've seen exactly that argument happen before). Maybe it doesn't really matter and what matters is helping who we can when we can
I'm tired of it, I'm just fucking tired of it. Support people, champion them when the world is just brutalizing them, but you don't need to throw a single other person under the bus to do that
Which seems to be an absolutely impossible lesson for people to learn
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Sometimes I watch/read a piece of media, and even when I don't ship something I can see that these people are meant to mean a lot to each other or have some sort of profound relationship. It's a relationship that is never labeled as siblings, nor is it labeled as romantic
And I gotta say, you guys need to be able to reconcile the fact that not all relationships will be easily sorted into "siblings" or "lovers", or even "siblings" or "lovers" or "just friends"
Headcanons, fanon, things you personally like to read into for fun, all of those things are neat. But genuinely. It's fucking annoying reading meta of a relationship where the characters are canonically friends or teammates and are shown to mean something to each other, and people assume that these characters having a familial relationship or being basically lovers (the exception is if the essay post itself is dissecting their relationship for interpretive reasons. Like, for example, if you're making a case for why people would ship a thing or what would make someone read two characters as in love) is baseline canon that everyone should accept as true.
It is imperative for you to be able to dissect strong or meaningful relationships in media (if you fancy yourself being or becoming skilled with it) by looking at it for what it is and picking it apart instead of assuming that it must be canonically familial or canonically romantic when the media in question has only ever labeled these two people as either "friends" or "coworkers"/"partners"/"party members"
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One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.
I have a few different things to say about that. Let's unpack them.
As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.
Also: in the naked romanticism with which he views his stars.
We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'
...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'
Ligur: It's not exactly...craftsmanship.
Crowley: Head office don't seem to mind. They love me down there.
Hm.
I'm also reminded of the M25.
The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.
That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.
Cumulatively gigantic, that is. Individually? Negligible.
But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.
It's some clever machinery. And he knows it, too:
The Unnamed Angel and Crowley are both proud of their ideas.
(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)
In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.
Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"
11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'
(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)
Hastur and Ligur don't get it, of course. That's also consistent.
Nobody ever knows what the hell he's talking about.
It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:
He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.
(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?
...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)
Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.
Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).
Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."
To me, at least, that suggests a level of attachment that seems to be rare for Crowley.
...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?
...Anyway.
There's also the matter of the crank handle.
This thing:
This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.
The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.
He made stars with it.
[both gifs by @fuckyeahgoodomens]
If you Google 'crank handle,' you'll get variations on this:
Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.
Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.
Stopping time. For instance.
(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)
I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.
(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)
Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?
He made stars. They didn't manage to take that from him.
Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.
Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.
...And yet.
It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.
In light of everything else I've said here, I think that's interesting.
Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?
Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?
What do we name the point to which Crowley loves Aziraphale?
...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.
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I've seen it said in places that Jon and Martin's relationship (specifically Jon realizing he has feelings for Martin) feels rushed and out of nowhere, and there's a perspective here that I want to share.
I think some people see them as explicitly a gay couple and expect them both to react a certain way to each other, but I have some thoughts as to why Jon is different and their relationship might not look like a traditional MLM story.
I feel that Jon's affections for Martin are absolutely there and growing over time, but with him being acespec, possibly autistic (the "I feel...sad" moment screams alexithymia to me. He doesn't fully understand his internal feelings until they're too big to ignore), and trying very hard to not get murdered for several seasons, I think it's perfectly reasonable his feelings for Martin would take time to develop.
We do see him softening to Martin over time. We see him thinking about Martin unprompted when he's alone. We see him going from "this man is going to ruin this delicate facade I've put up to seem professional, and I want him gone immediately." to "Oh, you're actually capable. So capable you might be trying to kill me." To "I don't want him to get involved or he might get hurt. I need to keep my distance so he's safe." To "I'm going to make myself tea out of nowhere because the guy who usually made it for me all the time isn't here and now it's part of my routine and I want to keep that part of him around while I'm hiding out for murder."
But once he identifies his own feelings, he overcorrects right into hopeless romantic. He's pining hard all S4, because he finally realized himself that he's in love and it's at the worst possible time. It is abrupt. Dude only just figured it out and he's throwing his whole ass into this.
I think even without the autistic headcanon, the acespec nature of how he views relationships and his whole "I feel...sad" moment indicates clearly that he was just oblivious to his own feelings for a very long time.
I know it feels sudden, but some of us are oblivious, okay? I was friends with a girl for 2 years before my brain flipped the switch and Jon's reaction felt so familiar, and I love it. I just hardly ever get to see "me" in media, and it's a bummer when people say it feels unrealistic. It's not, it's just not the norm.
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I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!
Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.
And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.
Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.
So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.
And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.
And, Jon, in turn, holds out hope that she might make better choices until the very end.
This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.
When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.
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Scandal! pt2┃CL16-MV1
part 2!!! is all yours, thank u sm for the love and support for this work
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ynln has posted a story!
seen by charles_leclerc, maxverstappen1 and 3,593,639 others
caption: Day at the beach with my favourite people
charles_leclerc has respond to your story!
can we talk?
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maxverstappen1
Liked by victoriaverstappen, ynln and others
maxverstappen1 fun day
username yn and him being on the beach....on the same day..
username ugh stfu they're not dating
username max with his sister and mom 🥺
username so cute!
f1_gossip
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f1_gossip This afternoon Y/N uploaded a story to her Instagram account in which only she appeared on the beach, but her mother uploaded a video to her stories this afternoon where you could see Y/N, Max and Y/N's little sister, relaxing in the water. But Max uploaded a post where his family was seen right there, letting us understand that both families went out for a little getaway! Could it be that both drivers are in some type of relationship? What do you think?
username let them enjoy in peace!!
username omg they're so cute
username wait what?! omg
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f1
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f1 Our favourite paddock couples in today's race!
username well, charles is jumping of joy
username leclerc's a little happy there isn’t he
username all couples happy and together and then there's charles and aurora walking one meter away from each other
redbullracing
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redbullracing Imo 👉LAAAAAAAA 🎶 yn and max have arrived!
username yn and lewis=best dressed of the grid
username someone looks happy after spending a whole day on the beach 👀
cha_yn
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cha_yn the fact that I thought these two were gonna get married kills me
username does anyone know why they broke up?
username They never clarified anything but it was all very sudden tbh, but some say that there were rumors of infidelity on his part.
username wait, I thought it was bc things weren't working out but they never stopped loving each other, but I really don't know why just a month later he was seen with Aurora
username I smell a PR relationship from the ferrari team
username holy shit I never thought about that! It really doesn't seem like Charles is happy to be around his ''girlfriend''....
username I'm a child of a divorce
username I will never forget when Y/N won a race and Charles ran out of his car to go congratulate her and it was the first time we saw them kiss in public.
f1
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f1 Red Flag 🚩
Charles Leclerc crashes into Max Verstappen on lap 15 ending the race for both drivers
username 💀💀
username It was clearly seen how leclerc threw the car at max
username THE BEEF BETWEEN THESE TWO TF
f1_gossip
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f1_gossip OH MY GOD! After the accident between the Ferrari and the Red Bull, a completely angry Max went to look for Leclerc and fans captured the moment when Max started pushing and yelling at Charles. Was all this simply because of the race or something else?
The FIA is still investigating the accident but in the meantime, who do you think was at fault?
username charles for sure
username idk man but I think verstappen
username LECLERC IT WAS SO OBVIOUS
username Max always ruins a driver's race, it's nothing new tbh
username Call me crazy but could it be that Charles was angry to see that Max and Yn were together on the beach yesterday? Now I'm gonna shut up
username WAIT
f1
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f1 YN LN WINS THE GRAND PRIX!! THIS IS HER FIFTH CONSECUTIVE VICTORY AND THE FIRST TIME IN HISTORY THAT A FEMALE DRIVER ACHIEVED THIS
username She shut up all those men who said she was going to last two races at most.
username I love women being successful
maxverstappen1 👏👏
ynupdates
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ynupdates Max congratulating yn for her win today!! They're so cute
username the fact she liked the post 🥺🫶🏻
username he's so green flag
username He didn't walk, he ran to congratulate her
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f1_gossip oh, my. It's official, charles and aurora both unfollowed each other, please let's make a toast
charles_leclerc has posted a story!
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ynln
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ynln yeah my bf's pretty cool but he's not as cool as me
jk he's cool asf, he’s a 3 times wc 🤭
maxverstappen1 hell yes I am
maxverstappen1 I love u my love😍
username I FUCKING KNEW IT
username damn that's a hot ass couple I see
username MAX CAN YOU FIGHT!??!!?
maxverstappen1 yes I can, and I already have for that woman
username: oh yeah right, with leclerc, I forgot, my bad💀
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okey so I did my best, I'm sorry if u don't like it :( but! I'm happy if u did. As you voted Max was the endgame for this so yeah!
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growing up is realizing that dipcifica was actually a pretty damn good ship and holy shit i totally misjudged this pairing.
i never really liked dipcifica mainly because of how it got represented by the fandom, but looking back on it, it would've made a lot of sense and it would've been beneficial for both of them to date each other. and even in a completely platonic sense, their dynamic worked well enough that they could've done a lot more together.
dipper is a very nerdy awkward guy, clearly. he likes solving mysteries and sometimes he gets a little in over his head because of it. and his silly little awkward teenage love life reflects all of these things. that little shrimp was disney's #1 simp, it's actually insane. whenever he'd start to fall for a girl it'd end up going pretty terribly because he'd have no idea how to just act like himself and he'd also become a little bit of a jerk. (i'm not trying to like dog on dipper btw. he's just a kid and these are all understandable flaws, especially at his age and at the time period gravity falls took place in). however, with pacifica, a lot of these flaws are manageable solely because of how they're introduced to each other. dipper hates pacifica at first and wants nothing to do with her, but eventually they're forced to work together and realize "huh. we actually make a really good team." for dipper, this gradual building of a relationship is really beneficial to him. he wouldn't just go head-first into simping for some random girl and he'd also learn to respect her as a person and realize when he's being a little bit of a dick. being with pacifica, platonically or romantically (though personally i think romantically would strengthen their pros more but thats just my personal taste), would've helped dipper become a better person.
this goes for pacifica as well. pacifica's homelife is extremely controlling and it's what groomed her into becoming the mean girl that she's first presented as. as the show continues though, it's clear that she doesn't really want to be mean to anybody. she only acts spoiled because she doesn't know what else she can act like. she wants to connect to people but she's been so forced into this fake rich life that she has no idea how to be genuine with anybody. that's why her having a connection to dipper is so important. dipper is a little blunt, and he especially won't hide that from pacifica because he initially hates her and her family's lifestyle, so this'll eventually help pacifica realize "oh shit. i'm kind of a dick. my family are kind of huge dicks." and we do end up seeing this from her in "Northwest Mansion Mystery". she learns how to be herself, learns who "herself" even means, and learns to stand up for who she is when she figures that out. also pacifica's pretty damn smart???? especially socially???? she could absolutely help dipper do a lot of things when it comes to mystery solving, and with her status it'll most likely be things that dipper could never pull off and never even thought about because that's just what he's used to. they'd both end up learning a lot from each other because they'd be dragged into environments that they're not familiar with, but the other is. and their different perspectives/lifestyles would help the other view their environment in a new light.
not only is their relationship genuinely really beneficial to the both of them, but i also just know that their dialogue and scenes with each other would be so damn silly i can't not say yes to it anymore. i also just personally like headcanoning them both as bisexual so that's a plus for me.
anyways, tldr: i was wrong about dipcifica and its actually really good, i just think people should really analyze their relationship more since the way the fandom presents it (or how ive personally seen the fandom present it) is a little icky and shallow at least in my opinion. yay for dipcifica being silly little goobers :3
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