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vladdocs · 3 years ago

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Dracula's Life from 7 to 14 - Part 1 By Lyzhina Svetlana Sergeevna (Лыжина Светлана Сергеевна) Original in Russian: http://samlib.ru/l/lyzhina_s_s/dracula_7_14_1.shtml Annotation: Dracula's life from age 7 to 14 is the darkest period in his biography. Most authors do not even try to look into this darkness, but jump straight from childhood in Transylvania to the Turkish captivity, mentioning growing up as far as it goes. I will not, however, do so... The period from age 7 to 14 is important primarily because this is when Dracula began to realize himself as a Romanian. Before the age of 7, the world is pretty narrow for a person: mom, dad, grandparents and other relatives. Before the age of 7, a child does not really care about his own nationality, because he does not yet fully understand what it is. But after the age of 7, the horizons widen, and such notions as "small motherland" and "big motherland" appear. Dracula saw his Romanian homeland for the first time when he was about 7 years old, and, apparently, this first meeting made a strong impression on him. First time in his homeland In the summer of 1436, Dracula's father took over the Romanian throne and moved his family from Sighisoara to Tirgoviste, the Romanian capital of that time, no later than the fall of the same year. As a result, the life of the 7-year-old Dracula changed abruptly: 1) he now heard Romanian speech not only from his household, but also from everyone around him. 2) Home services were replaced by visits to the temple, rich and beautiful, and the services there were conducted to the highest standard, as a well staged theatrical performance. 3) The attitude of those around him changed. Everybody bowed to little Dracula like to the king's son, and even his peers, 7-year old boys like him, were obliged to bow. 4) the way of life changed - many new servants appeared, and the dwelling became much more spacious. _ _ _ _ Historical note: The house in Sighisoara was relatively small - 25x11 m in length and width, if we do not count the inner courtyard and the side passageway. At the same time the palace in Targoviste in the mid 1430s was 32x29 meters in length and width. It is not difficult to calculate that in terms of area it was almost twice as big as the house in Sigishoara. And that again without taking into account the adjoining territory enclosed by a fortress wall of 250x20 m. On this territory there was a temple built specially for the prince and his courtiers, as well as household premises. In addition there were extensive gardens and vegetable gardens, as well as ponds for trout breeding. They were necessary because the palace regularly hosted feasts at which enormous quantities of all kinds of food were eaten. _ _ _ _ We cannot say whether Dracula accepted his new life with delight or was embarrassed, but the boy saw the mood of his parents, who were clearly happy about what was happening. This should have led the child to believe that he, too, should be happy. Intensified Learning The only thing that definitely did not make little Dracula happy was his studies, because after he moved to Targoviste, his education was taken seriously. In textbooks on the history of pedagogy, you can read that all countries that have adopted the culture of the Byzantine Empire, along with Orthodoxy, adopted the system of teaching children. Romania is no exception in this sense. As in all other Orthodox countries, teaching followed the principles formulated by John Chrysostom: 1) simplicity of life, without excesses (so that the child would not fall into a dependence on comfort); 2) education with an emphasis on spiritual values (and contempt for material things); 3) strict control (parents watch where the child goes, what he/she does, what he/she says) 4) possibility of corporal punishment in case of disobedience (Chrysostom suggests "flogging"). Education had three levels: primary, secondary, and higher. They began to study (I repeat) at the age of 6-7 years old. Primary education was completed before the age of 12. Secondary education was

completed at the age of 17. It turns out that Dracula never received a higher education, because he was sent to the Turks at the age of about 14. No one in Turkey followed the Byzantine system of education. Dracula's higher education was replaced by lessons in the Turkish language and Turkish customs... But back to Dracula's elementary education. Elementary School Elementary education included four subjects: - arithmetic (counting on fingers, on pebbles, and in mind), - grammar (in this case Slavonic), - rhetoric, - philosophy (philosophy in the Middle Ages was perceived as the first step toward the study of "higher philosophy" - theology). The process of teaching itself was a little different from today - the children sat together, but each student was taught separately by the teacher. The grammar was taught on the basis of the texts of the Holy Scriptures and the lives of the saints. Rhetoric was modeled on the works of the same John Chrysostom. In the beginning, during the lessons of rhetoric children were supposed to retell the contents of texts and tell them by heart, and when children accumulated enough knowledge, the teacher arranged eloquence contests between pupils, where they were supposed to support their words with appropriate quotations. It is difficult to say whether Dracula competed with his elder brother, because the practice of competitions existed only in Byzantium, but, for example, in Russia such competitions did not exist. In addition, all forms of rivalry between Dracula and his older brother should have been opposed by the tutors, because in the family of Dracula on the paternal line practiced a special system of state management - the king had a co-helper in the person of the younger brother. About this writes researcher M.Kazaku. Dracula's grandfather Mircea the Old was at one time co-ruler of his elder brother Dan, and when his brother died, Mircea ruled alone. Dracula's father, Dracul Sr. was at one time co-ruler of his older brother Mihai, and when Mihai died, Dracul Sr. ruled alone. Dracula himself must also have been indoctrinated from a young age to be his brother's helper. An assistant, not a rival! All training and education of Dracula should be subordinated to this idea - Dracula should be prepared to help his brother and carry out all his orders, and in case of his brother's death he should continue his work. That is to say, he should continue it, and not do anything on his own! Dracula could think of no other fate, for he had before him the example of his father and grandfather, and in the Middle Ages the power of tradition was unusually strong. Apparently, when Dracula was sent as a hostage to the Sultan, he was encouraged by the same words about the need to help the elders: "Living with the Sultan, you will help your father and older brother a lot. And Dracula must have believed it, but later, when his father and older brother died suddenly, Dracula could not immediately get his bearings. He found himself in a role as an older man for which he was not at all prepared. He had no time to be instructed what to do and how to do it, so he had to decide everything on his own, to break his usual worldview and generally learn to be a leader... But here we are, once again, off-topic. Middle School According to the Byzantine system, the secondary level of education included the study of three new subjects: geometry, music, astronomy. Geometry, Dracula and his brother, of course, studied. In addition, it is known that as early as the 11th or 12th century, a collection of quotations from Aristotle about mathematics appeared in Slavic. These quotations together formed a coherent system, so that children in Slavic countries studied from this collection as from a textbook. Music in those days meant learning church singing, but it is unlikely that Dracula and his brother had time for that, because the Byzantine educational system in the Middle Ages did NOT include physical training, and sovereign's children needed this training. The physical training in the case of Dracula and his

brother was military training, where the pupil had to master 3 skills: 1) the ability to fight on foot; 2) the ability to fight on horseback; 3) the ability to command an army so as to lead it to victory. Perhaps the list of disciplines Dracula had to study after the age of 12 also included history and politics. Perhaps, the list also included Latin, but here we can not say anything for sure, because according to the Byzantine system of education all this (Latin, history, politics) belonged to the higher level of education, which, as we know, due to a number of tragic circumstances Dracula did not reach. Practical results of "Byzantine" education In a number of articles about Dracula one can read that he was supposedly a savage and ignorant - a kind of Neanderthal, but not with a club, but with a stake, who got an idea of culture only thanks to the years spent in "enlightened" Turkey. However, all this is nonsense! Dracula was educated before Turkey, and everything I've said here about the Byzantine system of education used in Romania for the education of the sovereign's children - not just a guesswork. All of this is confirmed in historical documents. From the texts that have survived from the time of Dracula, we can see that the Romanian rulers were literate people, read spiritual literature and were able to speak beautifully. For example, the beginning of the charter from May 20, 1388, which was dictated by the grandfather of Dracula, Mircea the Old. This charter is a gift to the monastery, but before going on to enumerate what will be given to the monastery, the prince reasons about God as well as a theologian: "Whom the Spirit of God guides, they are the sons of God, says the holy apostle, and to him echoes every one who values truth and does good works, desiring to receive eternal life - to leave earthly things on earth for the reward in heaven. Blessed are those who have heard the good voice, for they hear it always: "Come, ye blessed of my Father, inherit the kingdom prepared for you from the foundation of the world. In the same way, I, believing in Christ God and Christ-loving and autocratic voivode and lord of all the land of Ugrovlakh, <...> as much as I can, want to follow this voice and glorify God, who glorified me and in glory enthroned me on the throne of my parents". That's how he bent it! Here are the results of the rhetoric lessons, which were part of the first level of education according to the Byzantine system! No wonder that everyone liked these words of Mircea. It is no coincidence that in his letter of December 12, 1424, uncle of Dracula, Prince Dan II, reproduces them, and then another relative of Dracula, Prince Alexander Aldea, does the same in his letter of June 25, 1436. Dracula himself quotes this statement in his charter of April 16, 1457. And here is how Dracula's father weaves verbal lace in his letter of August 2, 1439: "And who dares <... > violate my approval and command, such let the Lord God strike with his terrible and just judgment, and let the Holy Lady of the Theotokos speak against this man, and let him be damned on behalf of the seven holy ecumenical councils, and let him be counted among those who, like Judas and Arius, denied the Lord, and all those who betrayed the Lord to death". Of course, many edicts in those days ended with a standard curse on possible violators, but Dracula's father added to this curse, which most modern readers can appreciate only after they look in an encyclopedia. Can you tell at a glance what "ecumenical councils" and "Arian heresy" are? But Dracula's father could! And, apparently, he knew church history. That is, he was highly educated. As for Dracula himself, we can judge the level of his education by his statements, which, of course, distorted by numerous retellings, but the essence remains. For example, the episode with the Turkish ambassadors who did not remove their headdresses under the pretext that the "law" forbade. "And I want to follow your law," says Dracula, "so that you may hold fast to it. In doing so, he almost quotes

the Gospel, which says, "I have not come to break the law, but to fulfill it." And think of the burned beggars: "...I delivered them, so that they would not suffer in this world from poverty or from disease. The very course of Dracula's reasoning leads us to believe that this ruler in his time studied both the Holy Scriptures and rhetoric. Travels around the country In addition to "book sciences" and "warfare" in Dracula's education was one more component, and a very important one - study tours around the country, i.e. in Romania. However, Dracula had to perceive these trips in a different way than his older brother, because the older brother was prepared for the role of a ruler, and Dracula - for the role of an assistant to the ruler. Dracula's older brother perceived cities, villages, fields and forests as his future property. Dracula, seeing all the same, perceived it as his brother's property to be protected. If Dracula's older brother thought, "All this exists for me - for my needs and my pleasure," then Dracula thought, "I must take care of the preservation of it all. This is why in Dracula's behavior when he reached adulthood we find a motive not at all characteristic of the rulers of that time - the motive of service to one's country. Dracula was not brought up as a ruler, so even when he became a ruler, he did not get rid of the attitude that was hammered into his head throughout his childhood and adolescence - you were born to serve and help. He did all those things he did - eradicating crime, winning favourable trade conditions for Romanian merchants, waging war against the Turks - not for himself and not even for specific people. He did it all for Romania, which he called his "patrimony," not in the sense of his ownership of the land, but in the sense of his concern for it. This is how Dracula's notion of homeland was formed, which was Romania, although his early childhood took place in Transylvania.

#vlad iii #vlad tepes #vlad dracula tepes #vlad the impaler #the life of vlad the impaler early ages #history

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worstloki · 4 years ago

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please read the article 'How White Fandom is Colonizing "Character-Coding"' by Shafira Jordan and quit while you're ahead

Okay, so I read it and see the problem, and I’ll try to address all their points in order because I don’t wholly agree with the article. I know it’s a lot to read so I’ve put tldr; sections at the end of each :)

Misusing the Term Reinforces Negative Stereotypes for Marginalized People

The article essentially argues that labeling characters which are villainous as POC-coded is bad because they’re not morally pure and doing so "reinforces the idea that people of color are naturally dangerous and not to be trusted.”

Which is fair as you don’t want all the representation to be of ‘bad’ characters, but I also don’t believe all representative characters have to be ‘good’ either as it would be equally racist to divide good/bad in such a way. Not that I would place Loki under ‘bad’ to begin with, but arguing that characters shouldn’t be labelled as POC-coded for reasons unrelated to what’s presented in the narrative or because they did bad things is :/ even if lack of good representation is a prevalent issue in current Western and influenced media.

Ideally there should be a range of representative characters that fall into ‘good’, ‘bad’, and ‘anywhere in-between’ because variety and complexity in character types should, in theory, be treated as common practice (which can only happen with a multitude of representation!).

And a bit unrelated but... within the fictional context of Thor 1, all the Jotnar (sans Loki) are presented to the audience as ‘bad’ by default. They desperately want to get their Casket back to the point of attempting stealing it (from the ‘good’ characters), they fight the heroes and even when the gang and Thor (’good’ characters) are enjoying or going overboard with taking lives it’s inconsequential, Laufey wants to kill the opposing king (who just happens to be a ‘good’ character) and will resort to low-handed methods to do so, etc. The narrative itself is from the frame of reference of the ‘good’ and we only see warriors of Jotunheim though so we understand why it’s like this, because regardless of their race/experiences the narrative carries, even if it most definitely would be seen as racist from our real-life perspectives if the ‘monstrous’ race were presented by actual people of colour, even if it would make sense for the people on on different realms living in different environments to be different from each other, and realistic even for that to be the root of some conflict.

tldr; not using a specific label to prevent negative presentations of the characters seems a bit strange to do when the coding would be based off the text, but with limited representation available I see why it would be done, even if I still believe minority-coding is free game to expand/interpret.

Improperly Labeling a Character as “POC-coded” Suggests the Experiences of All People of Color are the Same

The article argues that labeling Loki as POC-coded “suggests that all people of color have the same experiences, when in reality, people of color come from different places, have different cultures, and have different traditions.” And while it’s true that the term doesn’t go into detail about which particular experiences (and these experiences can vary vastly due to diversity!) the appropriate measure would be to remove the umbrella term POC altogether as people of colour tend to also vary. But that’s also exactly why it’s an all-encompassing general term? It’s a way to denote anyone who isn’t “white” and has the associated cultural privilege that comes with the concept of white supremacy.

And, obviously, in the fictional setting presented, the concept of white supremacy is not prodded at, but cultural supremacy is definitely one that makes recurring appearances, right next to the parts about Asgard being a realm built on imperialism with ongoing colonial practice.

My take on this is that Loki’s narrative features a struggle with identity after finding out he’s of a different race and was being treated differently his entire life and being Jotun was presumably a part of the reasoning even if he didn’t know it. He’s basically treated as of less worth for inherently existing differently. I do believe that racism is a common-enough POC experience, but that while Loki was born with blue skin he passes/appears white which is why I don’t say that Loki is a POC, just that he has been coded/can be interpreted this way.

There’s also the entire thing with Loki trying to fit in and prove he belongs by trying to fit the theory and be The Most Asgardian by committing genocide (which ultimately makes no difference as he’s still not the ‘acceptable’ version of Asgardian), and the denial/rejection of his birth culture in destructively lashing out towards them (which even Thor is confused by because Loki isn’t typically violent), and the fact his self worth plummets and he is passively suicidal upon finding out he’s Jotun (internalized racism? general drop in self-worth after finding out he’s adopted and has been lied to? Bit of both?), but what do I know, I’m sure none of those are, at their base, common experiences or relatable feelings for anyone or decent rep because we see such themes on-screen presented wonderfully in different lights all the time.

tldr; every set of experiences could be different, some types of discrimination could overlap, if you limit an umbrella term to only very specific circumstances then it’s no longer an umbrella term.

Suggesting that White Characters are Meant to be Seen as People of Color Ignores the Actual Characters of Color that are Present in these Stories

I don’t agree with most of this section, but that may just be the way the arguments are put together, which I don’t blame the author for.

“ Implying that Loki is a person of color completely ignores Heimdall and Hogun, the only Black and Asian Asgardians who appear in the movie. ”

Characters such as Hogun and Heimdall which are played by actual people of colour have smaller roles in the films and any prejudice they could face for being POC in-universe isn’t made apparent, while Loki at the very least comes to the realization that something he couldn’t change (race, parentage,) was having him treated differently his whole life and had to come to terms with it. The Vanir/Aesir are also both treated similarly on-screen, and Heimdall having dark skin isn’t plot relevant, whereas Jotnar are treated as lesser consistently and are relevant through the movie (breaking into the vault, Thor and co. attack Jotunheim, Loki’s deal with Laufey, the attempted regicide (and the successful one XD), destroying jotunheim, Loki saying he’s not Thor’s brother,).

I also see including characters as POC-coded as... more representation? In all canon-compliant interpretations of the characters Hogun being Vanir is always explicitly mentioned because it’s a fact that just is, up to the appearance and even the world-building of Vanaheim in some fanworks use particularly East Asian culture as inspiration. I have never come across a Marvel fandom Heimdall interpretation where he’s not Black... but because these characters are more minor/side-characters of course they get less attention!

“ In Loki’s fandom, Heimdall’s name sometimes gets thrown in to suggest that it was he all along who was the real villain due to his “racism” against Loki and the rest of the Jotun. It is, of course, ironic to suggest that somehow the only Black Asgardian to appear in the movie can oppress the privileged white prince. “

I... don’t know where to start with this. But the example of theorizing given in the article wasn’t suggesting Heimdall was bad or trying to explain his actions in Thor 1 by saying he is Black... and just looking at a character’s actions shouldn’t be done less or more critically because of skin tone in my opinion. Heimdall may have been trying to do what was best and protect the realm but if the audience didn’t know that Loki was up to dodgy things then the coding would be switched around because he was trying to spy and committed treason and then tried to kill Loki. People... can hold feelings towards others... regardless of skin... and suspect them... for reasons other than skin... although I do still have questions about whether Heimdall knew Loki was Jotun or not. (Even if I personally don’t think it’d make a difference to how he’d treat Loki?)

Some Loki fans have also suggested that because Jotuns have blue skin that this alone makes him a person of color (even if the audience is only allowed to see Loki in his true Jotun form for mere seconds of screentime). This, again, shows a lack of understanding when it comes to race. It doesn’t matter what skin color the Jotuns have.

Race can differentiate between physical and/or behavioural characteristics!! Not being blue all the time doesn’t make him any less Jotun!! He’s got internalized stuff to work through and is used to being Aesir!! At least 1 parent is Jotun so even if Loki was passing as Aesir he’s probably Jotun!! (I don’t know how magic space genetics work for sure but Loki being Jotun was an entire very important jump-starting point in Thor 1!!). It’s a fantasy text and typically things like having different coloured skin indicates a different race or is sometimes if a species has multiple then is just considered a skin colour. That’s how coding works!! The Jotnar are very specifically the only race we see in the movie with a skin-tone not within the ‘normal’ human range, which alienates them to the audience from the get-go!! They’re an “other” and on the opposite side to the ‘good’ characters.

Both Loki and his birth father, Laufey (Colm Feore), are played by white men, and it is impossible for a white man to successfully play a character of color.

The specification of men here bothers me, but yes, you don’t get ‘white’ people to play characters of colour if it can be avoided. (And it can be avoided.)

This also connects with the previous point made that people of color come from various places. There is nothing specifically about the Jotun that could be traced to any specific person of color, and even if there were, there would be no way for white men to portray them without being disrespectful.

This is where arguments about the definition of coding and how specificity/generalizations and do/don’t come in. I know I’m subjective and lean towards the more rep the better, but while I agree ‘white’ people wouldn’t be able to respectfully play a POC I don’t think that rule should have to carry over into fantasy-based fiction. I know texts reflect on reality and reality can reflect within texts, but if contextually there is racial discrimination and there are similar ideas which resonate with the audience’s own experiences I’d say it’s coded well enough to allow that.

tldr; Thor 1′s narrative revolves mainly around Thor and Loki, of which race is kinda kinda a significant theme in Loki’s part of the story. Not so much explored with less-developed side characters such as Heimdall and Hogun, even though their actors are actual people of colour.

How Much of this is Really Well-Intentioned?

In the fantasy space viking world Heimdall and Hogun don’t face any on-screen prejudice and their appearance is not mentioned (which is nice, for sure! good to have casual rep!) but adding on to the roles they play in the narrative the explicit fantasy-racism in the movie isn't aimed at Asian/Black characters, but towards the Humans -to a lesser extent- and the Jotnar, including Loki, who only just found out he comes under that bracket.

The article mentions how fandom space toxicity often “reaches the actors who portray the characters,“ which is true, and it’s shameful that people have to justify their roles or presences are harassed for the pettiest things like skin tone/cultural background, but I don’t see coding characters as removing the spotlight from interesting characters such as those which are actually POC, rather expressing a demand for more rep, since well-written complex characters which are diverse are often absent/minor enough in the media, and therefore can get easily brushed aside in both canon and fandom spaces.

tldr; It’s obviously not a replacement for actual representation, but, if a character is marginalized and can be interpreted as coded, even if they would only be considered so within the context of the textual landscape, I don’t see why spreading awareness through exploring the coding as a possibility for the character shouldn’t be done, even if the media is being presented by people who are ‘white’ or privileged or may not fall into the categories themselves, as long as it’s done respectfully to those it could explicitly represent.

#please don’t patronize me by asking to quit while i’m ahead #it doesn't help anyone #so anyway i've summarized my opinion on the coding thing here for the many anons whose answers could be answered in this ask alone #i think i covered everything?#the article started out okay but I found it kinda :/ in places even though there were valid concerns #I do believe that in-universe context and creators of the media should be taken into account #and that if marginalized themes can be touched on by non-marginalized groups then... great? fictional texts can help people understand #i do also think that rep being presented should if not on-screen have people working on the product to support and ensure it's done well #the world is cold and harsh and cruel and i just wanted a desi Loki AU but here we are #I've got to try and summarize how I think Thor 1 presents Loki's part of the narrative well with POC-coding there because of fantasy-racism #even if the POC-coding is ignored the themes of racism are far too apparent to ignore #loki spends the entire film being a multi-dimensional character and having an entire downfall fueled by grief and a desire to be loved #I don't think attaching a label to such a character would be a negative thing... but perhaps for casual watchers it'd be a bit :/#apparently not everyone takes into account the 1000+ years of good behavior around that 1 year of betrayal/breakdown/identity crisis/torture #MetaAnalysisForTheWin #MAFTW #ThisPostIsLongerThanMyLifeSpan #TPILTMLS #AgreeToDisagreeOrNot #ATDON #poc-coding #yes i ignored everything not about loki in the article what about it #hmmm I know people are going to disagree with me with what should and shouldn't be allowed #I know some people are okay with it but some don't like the poc-coding thing #and that's fine #completely understandable #makes me uncomfy to talk about fictional space racism in comparison to real life but I do think that lack of rep is why coding is important #for some people coding is all that they get #but also!! @ifihadmypickofwishes suggested the term racial allegory and I do believe that is also suitable here!! so I’ll try using that too #rather than poc-coding even though I still believe it applies

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artificialqueens · 4 years ago

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I Don't Know How I Know (But I Know) (Taywhora) - Ortega

fic summary: Tayce and A’whora have been friends for three years and the joke around school is that they’re joined at the hip. They started working there at the same time and they were both given the year two classes, so they planned together, filled out their assessment folders together and prepped for parent’s evenings together.

Tayce and A’whora have been friends for three years and Tayce has been a little bit in love with her for two of them.

(in which Tayce teaches year five, A'whora teaches Reception, Tayce hates Valentine’s day, and A'whora has a plan to change that.)

a/n: with thanks to my co-author, Lawrence Chaney. title from Intuition by LIZ, please listen to it it’s a vibe. happy valentine’s day everyone xo

***

Tayce has heard people say that teaching is a form of acting. She thinks this is true, for the most part. After all, there’s no way in hell she teaches her year fives the same way she would act around her friends.

She pretends she doesn’t know the TikTok dance to Savage Love and fakes ignorance at the memes her kids all communicate in. She’s impatient with her class when they run in the corridor and chew gum (because they’re almost the oldest in the school, and they should know better) but she’s patient when they struggle with area and perimeter and brings her chair over to sit beside whoever’s confused to explain it all again. She’s strict- she gets the girls passing notes to each other into trouble as if she didn’t do the exact same with her friends at the age of ten- and she’s built up a reputation for being one of the teachers that doesn’t take any shit. She expects a lot from the children she teaches, knows they’re a blank canvas and that they’ve got the potential to understand things that some adults struggle with, so she teaches them about racism, homophobia and transphobia, makes it part of her everyday teaching as opposed to one milquetoast lesson about Martin Luther King per year.

Some of the parents fucking hate her for it. She’d be lying if she said that wasn’t one of her favourite parts of the job.

It takes a lot for her not to drop that persona sometimes. When she has to tear through one of her boys for muttering “ah shit, here we go again” as she hands out a worksheet on direct and indirect speech instead of bursting out laughing as if it’s one of the funniest things she’s heard in years, which it is. It’s times like that when she wishes she could be more like A’whora.

A’whora with the blonde hair and the Disney-princess smile who teaches Reception. A’whora who does silly voices for all the characters when she’s reading picture books to her class and who sits and does colouring-in with them when they’re playing. A’whora who’s too nice to them all because she thinks they’re too cute to discipline, but her class love her so their behaviour is good regardless.

(A’whora with the completely inappropriate nickname only disclosed to Tayce five mojitos deep on the staff Christmas night out, which she’d earned herself at uni via her reputation. Tayce hadn’t asked for any further details.)

Tayce has never seen a teacher better suited to the youngest class in the school than A’whora. She’s constantly got specks of glitter on her face from the crafts she completes with them, she hums the silly little songs she uses to teach them their sounds when she’s at the photocopier without even realising. She turns up to work in immaculate outfits and finishes the day with them covered in glue, marker pen, and even (horrifically) a child’s snot once, but she doesn’t even mind, simply zips them up into little bodybags and puts them in for dry cleaning.

Tayce is never done telling her how she could never do what she does, she could never teach the little ones; her patience would snap, she’s too mean for them, she’d get bored having to teach the most basic of basic stuff. A’whora only ever brushes her off and says how she couldn’t teach Tayce’s year group either; they’d eat her alive, they’d walk all over her, she wouldn’t even be able to do the complicated maths she’d have to teach. Besides, she argues, drawing a glare from Tayce every time, she’s definitely goofy enough for the Reception kids.

Tayce and A’whora have been friends for three years and the joke around school is that they’re joined at the hip. They started working there at the same time and they were both given the year two classes, so they planned together, filled out their assessment folders together and prepped for parent’s evenings together. They worked well together, so when their headteacher sent them to opposite ends of the school Tayce almost had a meltdown. Still, they sit next to each other in the staffroom and at every staff meeting. They take turns making each other lunch every day and walk to the roll shop to get toasties every Friday. Tayce walks down from her classroom to come and sit in A’whora’s at the end of every day and they chat and bitch and sometimes cry and get absolutely nothing done for at least forty minutes. A’whora picks her up on the way to work every morning and terrifies Tayce with her bad driving and the way she almost causes road traffic accidents with only a “whoopsie!” of acknowledgement, but she’ll make up for it by taking them through the Starbucks drive-thru if they’ve got a meeting after school that night. She blasts songs by artists Tayce has never heard of but are all in the same energetic, poppy, Y2K-esque genre that A’whora seems to love.

Tayce and A’whora have been friends for three years and Tayce has been a little bit in love with her for two of them.

***

A’whora’s friends tease her and tell her that teaching five year olds must be the easiest job in the world. A’whora loves her friends, but she fucking resents them when they come out with that shite.

A’whora knows that she herself is not the brightest crayon in the box. She had known that she’d never be one of the girls in her year at high school that went off to study medicine or law, and she’d known she’d never graduate uni with a first class degree or write an award-winning dissertation.

(When she’s having a bad day she comforts herself with the fact that at least she’s not joined a multi-level-marketing scheme under the guise of being a “businesswoman”, and this helps her feel a little better.)

But what she lacks in academic ability she makes up for in spadeloads by being a damn good teacher. She’s big-hearted and silly and patient. She always picks up crisps and KitKats when she’s at the shops and keeps them in a drawer under her desk to sneak to the kids who come to school without a snack. She sits in the construction corner with her kids when they’re playing and asks them about the models they make, and pretends to die a gruesome, slow death when they shoot her with their little lego guns instead of trying to get them to make something less violent like she knows she should do. She reads books about unicorns that captivate the little shy girls in her class who come up to her afterwards and whisper in their tiny voices that they think unicorns are real, and A’whora agrees with them and watches their faces light up. She makes every day fun for her little ones; because the beauty of teaching is having the control to plan what happens every hour, so she makes sure that none of the six they have to spend in her care are boring.

The key to being a good Reception teacher is to essentially make a fool of yourself every day for the benefit of twenty-two four and five year olds, which A’whora has no problem doing. She doesn’t care what her pupil support worker thinks of her when she acts out The Gruffalo with soft toy puppets she borrowed from the library. She doesn’t care what the management team think of her when she turns up for World Book Day dressed as The Tiger Who Came To Tea. The only person’s opinion she does maybe care a tiny, ever-so-slight amount about, is Tayce’s.

Tayce is that teacher. Tayce is the cool teacher. Tayce is the teacher that all the children want to be taught by. A’whora hears the year fours whisper to each other in the corridors every June and watch as they cross their fingers and close their eyes before they open the envelope addressed to their parents, then give a screech of excitement and joy when they see the name Miss Szura-Radix on their class allocation letter. She wears heels all day without so much as a grunt of complaint and jumps in A’whora’s car each morning with a full face of makeup on at half past seven (while A’whora paints her face at quarter past eight at her desk in between shovelling a croissant down her throat in an attempt at ‘breakfast’ and sorting handwriting worksheets). The year five and six girls straighten their hair to a flattened crisp in an attempt to emulate Tayce’s endless shiny locks and she’s the only teacher that the rogue group of year six boys addresses with respect. She has the discipline of Miss Trunchbull with the heart of Miss Honey, and A’whora thinks she’s the best teacher she’s ever seen.

A’whora’s been friends with Tayce since she started working at the school but her heart still flutters in its chest whenever she sweeps in to her classroom to chat after work, or sits herself down next to her before a cluster meeting with two cups of tea in polystyrene mugs and two biscuits, or whenever A’whora mysteriously finds a packet of Percy Pigs on her desk hidden under a pile of marking with a post-it note stuck to it that says “u are a pig (but i love u)”.

She wonders if that feeling will ever go away. She kind of doesn’t want it to.

It’s that feeling that made her volunteer to help out at the year five camp last March. Tayce was complaining about having to go to a remote outdoor centre and supervise ten year olds completing various death-defying tasks for a week all in the name of character building, and A’whora had said she’d go with her. The smile it had put on Tayce’s face was worth every minute spent up to her knees in mud. Similarly every second she spent waist deep in freezing water was worth the moment Tayce fell asleep on her shoulder on the coach trip back to school on the last day.

(And she still hasn’t told anyone else about the moment she thought her heart might explode; on the last night of the week when temperatures had unexpectedly plummeted and A’whora had been trying to get to sleep but all she had been able to do was shiver and chatter her teeth and toss and turn, and Tayce had sighed dramatically, rolled her eyes, thrown off her duvet cover and patted the space in the bed beside her, with a “just get in quick, before it gets cold”. A’whora had spent the following hours until morning with Tayce’s body tangled around hers, in the most blissful sleepless night she’d ever experienced.)

There’s so many things that endear Tayce to A’whora. Her smile, her secretly chaotic funny side, the way she never, ever makes A’whora feel like an idiot. The way she’ll ask the questions A’whora’s too scared to ask in staff meetings. The way she cares so deeply and passionately about the futures of the kids she teaches to the extent where sometimes she’ll develop a little crease at her brow in front of her attainment spreadsheet and A’whora will have to gently pry her away from her monitor to reassure her that she can’t control the way her children’s lives pan out. The way she’ll sometimes call her Rory, which makes A’whora’s heart expand at least three sizes.

Something else that makes her heart expand three sizes is the way Tayce acts with the Reception kids, despite her insisting she could never teach that year group. It happens one day when A’whora’s marking literacy while letting her kids play and Tayce swings by her classroom without so much as a knock. They’ll do this to each other sometimes when one’s in class and the other has planning time; just drop by and check in to make sure the other isn’t having a meltdown.

“Hey bitchtits,” she murmurs quietly, smirking as she leans onto A’whora’s desk. “How’s your day going?”

“Terrible since you decided to show up,” A’whora cocks an eyebrow back, then jerks her head towards her distracted kids. “This lot are like sponges, y’know. You can’t be dropping that kind of language in this class, even if you think you’re out of earshot.”

Tayce sticks her tongue out at her. “Aw what, you gonna report me to management?”

“Report you to management and say you’re in my class annoying me during teaching time!”

“Piss off! I’m the highlight of your day and you know it.”

“Do you kiss your mother with that mouth?”

“No. Just some very lucky ladies,” Tayce bites back with a smile, instantly rendering A’whora’s cheeks beetroot red as if she’s been slapped.

“You’re horrendous. You’re an actual deviant. Olly Murs without the Pringles can,” she rolls her eyes, trying to style out how flustered she’s become. She can see Tayce open her mouth to shoot a comeback her way, which is why she’s glad when one of her boys appears beside her desk holding a crumpled piece of paper covered in crayon blobs which are clearly meant to represent objects.

“Hi Archie! You okay?” she smiles brightly, turning all her attention to the little boy and trying not to cringe at Tayce getting full view of her Cbeebies-presenter voice.

“I made a picture for you,” he says, showing her the piece of paper and pointing out all the features of his drawing with a chubby little finger. “It’s a dragon that breathes fire and bombs, and he’s called Squish.”

“Wow! Thank you, Archie, I love it!” A’whora keeps smiling, blinking at the drawing the boy’s still holding. She points at some shaky rectangles with a pink acrylic. “And I can see he must be really tall because those buildings are tiny underneath him!”

Archie’s no longer interested in her or the drawing, though, as he’s looking up at Tayce through his glasses. “You’re my brother’s teacher.”

“Am I?” Tayce says, surprised that the attention is suddenly on her. “Who’s your brother?”

“Joshua. Joshua White.”

Tayce’s face instantly lights up in recognition. “Of course, you’re Josh’s brother! I should’ve known, you look so alike.”

“He’s ten and I’m five,” Archie adds, somewhat unnecessarily.

“See, I think you might be taller than him, though,” Tayce deadpans. A’whora watches affectionately as Archie’s entire body crumples up in a laugh and he splutters out a “nooooo!”. Tayce’s face breaks out into a smile- warm and genuine with her nose wrinkling up. It’s maybe the most adorable thing A’whora has ever seen.

“Josh is good at art as well. He’s not quite as good as you, but he’s good,” Tayce smiles, and as Archie smiles back A’whora feels her heart melting.

Archie turns to Tayce suddenly with the drawing still in his hand, and holds it out for her to take. “This is actually for you.”

A’whora gives a snort of outrage and amusement, which she quickly turns into a cough. She watches as Tayce accepts the drawing gratefully, giving Archie a little squeeze on his shoulder as she says thank you and Archie scuttles away back to his friends all bashful. There’s a second where Tayce smiles after him then looks down at the drawing with fondness, and A’whora’s feelings for her hit her like a tidal wave.

Tayce doesn’t notice (because of course she doesn’t) and as she straightens up she grins triumphantly at A’whora, holding the drawing in her face proudly. “Well. Guess Archie’s got a new favourite teacher then, doesn’t he?”

“He wouldn’t last five minutes in your classroom,” A’whora smirks, lying. The image of big-hearted Tayce with a class full of the littlest kids drying their tears and helping them get all organised for the day ahead is so unbelievably cute it makes A’whora want to squeal like an embarrassing teenager. She doesn’t, though. Instead she holds out a hand expectantly, raises her eyebrows at Tayce as if she’s one of her students. “Am I getting my drawing back or what?”

“Easy come, easy go,” Tayce winks at her, flouncing out of her classroom door just as the bell rings for break.

***

Tayce doesn’t really flirt with A’whora. Well, no, that’s a lie. She flirts and then immediately laughs it off, brushes it off as a joke or banter even though maybe if she’d taken flirting with A’whora a little more seriously she wouldn’t still be in this position two-bloody-years in.

Because she knows A’whora flirts sometimes. She’s positive she isn’t making it up. The way she’ll deadpan a “well, you look like shit” as she hops into her car in the mornings, the way she’ll sit close to her under her fluffy pink blanket if she’s round at Tayce’s for a movie day (because yeah, they hang out outside of work, because that’s what friends do). It’s always a blink-and-you’ll-miss-it raised eyebrow here, a laugh there, a touch of her arm and a squeeze of her hand and a smirk that bites back a thousand words Tayce wishes A’whora would just say.

So Tayce will flirt back because that’s probably just what A’whora does with her friends, and that’s all Tayce is to her. Maybe. Tayce is never sure if A’whora likes her back or not, and the risk of completely wrecking what is her only workplace friendship is too great to actually do something about it, so she’s happy being her friend for now. Every second she gets to spend with A’whora is a treat, so she can’t complain.

It would be easier if she was still labouring under the delusion that A’whora was straight, which was the whole reason it took Tayce so long to start slowly falling for her. A’whora had had a boyfriend for roughly the first six months Tayce had known her, so she hadn’t even thought of her friend in that capacity at all. Then one day on a rainy January she’d thudded her bag down on Tayce’s desk and told her they were going for drinks after work that night because her boyfriend was a cheating piece of shit and she’d broken up with him.

Tayce’s fate had further been sealed when they’d been sitting together for an inservice day on LGBT training and A’whora had turned to her and rolled her eyes.

“We don’t really need to be here, do we? We could just piss off to McDonalds.”

Tayce had laughed softly, fixing A’whora with a slightly confused glance. “Huh?”

“Well, I feel like we probably have enough lived experience of the whole thing to not need training. Still, we could always duck back in in time for the transgender part. But I mean we probably don’t really need to be told how to support kids struggling with their sexuality, do we?”

Tayce still remembers how A’whora had snorted at her, her face obviously looking as if she was searching for the last puzzle piece in the world’s most confusing jigsaw. “What is it?”

“I don’t get…what?” Tayce had said awkwardly, still unsure of what A’whora had meant.

A’whora had pulled a face, giggling a little. “Are you telling me that rainbow flag is on your desk for shits and gigs?”

“No…” Tayce said slowly, the pieces slowly falling together. “So…”

A’whora gave another funny little snort. “Tayce, did you not know I was bi? I’m sure I’ve told you this before.”

Tayce still thinks she deserves an Oscar for still being able to keep the conversation going despite the fact her entire world had been flipped on its head like a globe made of hourglass. “You’ve not! You’ve never. I mean, like, why would you need to? It’s not something that matters. I mean obviously it matters to you, but it doesn’t matter to me. You’re my friend either way. I mean it just never occurred to me because…your ex, and uh…you can drive.”

Mercifully, their headteacher had started speaking before A’whora could respond to her beyond a single raised eyebrow and a smirk on her face.

It’s been ever since then that Tayce has been looking at A’whora in a different light. How gorgeous she is at the start of the day with nothing but her laminated brows and lash extensions to pass for makeup and how gorgeous she still is at the end of the day with her mascara and eyeliner smudged a little at the edges and her lipstick all rubbed off. How she’s generous and patient and how she’ll go out of her way to help Tayce understand the new flavour-of-the-month resource their headteacher makes them use, pulling one of her kid’s chairs over to sit close beside her to see the monitor and bumping her knee against Tayce’s every so often.

It’s how she acts around her kids, though, that really highlights everything Tayce completely adores about A’whora. Tayce is on her way up to the staffroom with two tubs of chicken shawarma salad in her hands (one for her and one for A’whora, of course) and she makes it up one flight of stairs when she suddenly hears a cry like an air raid siren pierce the air, as well as a gentle, soothing voice muttering quiet consolations.

It’s the sheer hysterical nature of the crying that catches Tayce’s attention at first, and she looks over the bannister to see A’whora on the level below, sitting a little boy who’s bawling his eyes out down on the red squashy chairs outside the office. With a stab to her heart Tayce realises that it’s Archie, the boy who’d given her the picture all those weeks ago. Both his knees and the palms of his hands are torn to ribbons; he’s obviously had a fight with the tarmac and emerged the loser. Tayce knows he’ll be okay if an adult’s seeing to him, especially if that adult’s A’whora, so she knows she can leave. She doesn’t need to stay and watch the situation play out.

But she does. She watches as one of the ladies from the office comes out and reassures A’whora that she can take over, and as A’whora waves her away kindly and says it won’t take her two minutes. She watches as A’whora puts her hands on the boy’s shoulders and directs his breathing, talking to him calmly and softly. She watches A’whora rip into a packet of sterile wipes with grim determination, telling Archie how brave he’s being and that she knows it stings as she wipes quickly and carefully over his little cut hands. She watches A’whora peel the wrapping off four plasters, making it seem effortless even with her long acrylics, and the way she makes a joke about Archie being bandaged up like a mummy which brings a smile to his little tear-stained face and a smile to Tayce’s too. The other staff don’t get to see A’whora’s caring nature very often (given how often she whispers judgemental comments to Tayce during meetings) but Tayce sees it all the time. A’whora has the biggest heart of anyone she’s ever known, and the whole scene makes Tayce feel so endeared towards her that it almost frightens her.

It’s at that point when Archie looks up at Tayce on the bannister and makes eye contact with her. He flicks his eyes back down to his teacher.

“Uh, Miss Boyle? I think Miss Szura-Radix wants to talk to you, because she’s been there a long time.”

Tayce’s heart freezes solid at the same time A’whora turns around, who fixes her with a sort of funny smile, confused but not exactly unhappy to see her.

“Uh. Coming to the staffroom?” Tayce shouts down, under pressure to explain herself but simultaneously not having any explanation.

“Two seconds!” A’whora yells up apologetically.

“I’ll wait,” Tayce yells down, reassuring her.

Tayce is used to waiting for A’whora. She supposes another minute or so won’t make a difference.

***

This is the third Valentine’s day A’whora has spent with Tayce.

The first fell on a Monday and had been an abject disaster (or success, depending on how she looked at it). A’whora was still getting over her ex and Tayce had confided in her that she hated Valentine’s day and all its commercialised, capitalist tat with a burning passion, so they’d gone to the pub after work and got so outrageously drunk that the two of them were so hungover the next day A’whora drove them to McDonalds for lunch.

The second had been last year- a Tuesday, where Tayce had been subdued and a little down until A’whora had forced her into helping her choose new clothes for the roleplay area for her kids and the pair of them had collapsed into endless breathless giggles as they both tried on costumes made for five-year-olds, the memory of Tayce in a hi-vis vest, safety goggles and a tiny hard hat one that still makes A’whora laugh if she thinks about it.

Really she’s lucky that she gets to be one of the few people who’s spent the 14th of February with their crush for three years in a row, but not for the reasons she might want. Still, she can live in the delusional daydream she’s taunted herself with many times; how maybe today Tayce will turn up at her classroom door with helium balloons and a teddy, how she’ll say she’s been secretly in love with her for years and how she’s booked them a table at that fancy seafood restaurant in town that just opened up for an actual proper date (not a mate date and not some gal-entines or pal-entines bullshit).

And then Tayce hops into her car in a foul mood with her hair drenched from waiting for A’whora in the rain with no umbrella and a face like a cow’s backside.

A’whora tries to cheer her up. She blasts the R&B that Tayce loves but Tayce just asks her to turn it off, telling her that Kiana Ledé, Mahalia and Ella Mai are exactly what she doesn’t need to hear on Valentine’s Day, endless songs about being in and out of love. So A’whora blasts Charli XCX instead, which works well until shuffle puts on Forever, and then Tayce is in the huff again.

Teaching the year fives doesn’t exactly help her feel much better, A’whora thinks, as they both sit down to lunch together and Tayce turns to her with an incredulous scowl on her face.

“They’ve all got bloody boyfriends and girlfriends!”

A’whora stops eating the pasta salad Tayce has made for her and narrows her eyes inquisitively. “Who does?”

“All the kids in my class. They’ve been going around all day telling me who they’ve paired up with, who’s snogging who, the detailed dating history of these bloody ten year olds. They keep asking me what we’re doing for Valentine’s Day. ‘Are we making cards?’ No! We’re doing more work on decimals because none of you bloody understood it the first three times I explained it to you. Make a card in your own damn time,” Tayce rolls her eyes while A’whora snorts with laughter. Tayce side-eyes her, unimpressed as A’whora tries to defend herself.

“Oh come on, Tayce, you’ve got to admit it’s a bit funny.”

“Is it? Is it though? Is it funny that a ten year old boy can get himself a girlfriend but I can’t?”

Tayce’s words make A’whora’s heart jump a hurdle. She plays it off with a joke. “Yeah, but he’s got a ten year old girlfriend, Tayce. I’m assuming you don’t want that.”

“No, funnily enough!” Tayce shakes her head. She pouts uncharacteristically, tilting her head to the ceiling. “I just…I don’t know, I just want someone that’s there for me. Who’ll always listen to all my shit, someone that makes me smile when I feel like crap. Someone I can just be myself around and have a laugh with whatever the hell we’re doing.”

A’whora nods and doesn’t say what she wants to. We do that. We do all of that together already.

“But I don’t want all the shit of having to actually get to know people, having to go on dates and do the whole talking stage and get my hopes up only to have them let down. I wish I could just…” Tayce sighs, and A’whora’s on tenterhooks wondering what’s coming next. “…I wish I just already had that person, you know?”

You do have that person. I’m that person.

A’whora nods silently and the bell rings signalling the end of their lunch break.

Since she’s not as enraged by Valentine’s day as Tayce, A’whora has planned to get the sequins and glue out and get the kids to make Valentine’s cards. She loves planning tasks like this, mainly because five year olds don’t need much help when faced with a glue stick and a shaker full of glitter, so it means she can put her feet up and have a chilled afternoon. She explains to her class what they’re going to be doing, feels her heart burst with affection as they all get outrageously excited at the very notion of using glitter. She shows them how to fold their piece of paper carefully to make a card shape, and shows them the array of colours they can choose from (and has to explain to some disappointed boys that no, she doesn’t have any blue card so no, their Valentine’s Day card can’t be the colour of Crystal Palace football club).

She’s giving out the different colours of card to her kids and cutting them to size when one of her girls stops, peers carefully at the selection of colours, then looks at A’whora thoughtfully.

“Miss Boyle, are you going to give a Valentine’s card to Miss Szura-Radix?”

A’whora almost slices through her own hand in shock. She looks with incredulity at the little girl in front of her. “Bella! No, of course not. Why would I do that?”

“Because you’re best friends and you love her,” Bella shrugs, A’whora’s attempts to shame her into silence obviously having no effect. A’whora tries to scowl, tries to do her best ‘cross face’ despite the fact that the thought of giving Tayce a Valentine’s card sets her heart racing so fast it makes her genuinely think about driving to A&E.

“I don’t…” she starts, until Bella speaks again.

“You told us before that girls can fall in love with girls and you said that we can make our Valentine’s cards for our friends too,” she insists innocently. A’whora finally musters up a frown, thrusts a pink piece of card into her hand.

“Why am I even entertaining this conversation- go and get on with your work, madam!” she says firmly, and Bella walks away with her blank card in her hand, nonplussed.

But as her kids all begin to make their cards and they’re all too caught up in glitter and painting their hands with PVA glue to even need her help with anything, A’whora begins absent-mindedly folding a spare piece of pink card in half. She draws one, two, three love hearts on it, then takes one of the little glue sticks and carefully, neatly, fills them in with splodges of clear glue. She asks one of the little boys sitting at the table opposite her if she can borrow the red glitter when he’s finished with it and he nods his head, A’whora’s heart involuntarily swelling with pride at how good her children are at sharing. She tap-tap-taps the glitter shaker over the hearts on the paper, making sure each one is covered completely before standing the card upright and watching the excess fall off like sparkly snow. Opening the card, she takes the gold shiny gel pen from her desk and writes without really thinking it through.

Maybe if Tayce isn’t going to magically read A’whora’s mind and figure out what she’s been yearning for, A’whora just has to give her a little nudge in the right direction.

When she’s done she folds it back over, stands up, crosses the room to her empty yellow message folder and slides it inside. She asks her class if anyone knows where the year five classroom is because she’s got a message to send there. Fifteen tiny hands fly up and A’whora basically has to whittle the volunteers down to the only two kids who actually know where they’re going, and she gives them the folder and tells them to take it up to Tayce’s classroom.

She doesn’t think about the reality or the implication of what she’s just done, because if she does then she’ll start hyperventilating and not stop until perhaps June of next year. Instead she catches the eye of Julia, the little girl who moved from Poland in January. She can’t speak or write a word of English yet, but the way she’s looking at A’whora with a little smile on her face makes her genuinely wonder if she knows. Sometimes kids can pick up on these sorts of things. She shoots her a little wink and puts her finger to her lips in a “shhh” just in case, and the little girl breaks into a grin that shows two missing front teeth.

The thing about teaching is that it’s a great job for providing a distraction. A’whora can’t think about the card she made for Tayce when she’s cleaning up an entire pot of glitter that Jared spilt all over the carpet, nor can she think about what she’s written in it when she’s comforting Angelica because she didn’t get to finish her card in time for hometime. But the moment she’s waved the kids off and dropped them off to their parents she walks up the stairs from the front entrance with an impending sense of dread which only increases with every new step she takes.

“What the fuck have you done,” she mutters under her breath, earning her a weird look from one of the ladies at the office.

When she gets back to her classroom to find Tayce sitting on one of the tiny tables waiting for her, A’whora feels her heart freeze in her chest and the blood rush to her face, blushing just from seeing her there. Tayce looks in a better mood than she was at lunchtime, though, which is a good start. Maybe she never even read the card. Maybe A’whora’s reception kids took it to the entirely wrong class. Christ, that would be even more embarrassing.

“Hey, boo boo,” Tayce smiles gently at her, as A’whora crosses the room and elects to sit on the desk opposite her so they’re face to face and not too far away. “How’d your afternoon go?”

“Oh, uh, y’know,” A’whora stammers out, blundering her words in the world’s worst attempt at appearing nonchalant. “Lots of glitter, lots of PVA. In fact I’m probably sitting in a massive glittery splodge of it, as are you.”

Tayce laughs, checks the table comedically.

“How was yours? You seem a bit more cheerful,” A’whora continues, looking to the floor and not darling to meet her eyes. “Did decimals finally click with your lot, or…?”

“I am a bit more cheerful,” Tayce smiles, A’whora’s heart racing and soaring in anticipation at the same time. “But not really anything to do with decimals. More to do with the fact somebody made me a really very lovely Valentine’s card.”

Tayce reaches behind her back and produces her card- A’whora’s card- from the table behind her, and A’whora feels her pulse race at her wrists and her heart leap into her mouth to the extent that she’s rendered almost too shy to speak. What the fuck was she thinking? Tayce is probably about to rip the piss out of her for it, it was a huge mistake, and she’s probably thrown their whole friendship away for nothing.

However. There’s a little something in Tayce’s eyes, a little sparkle that makes the grey shine silver. So A’whora shrugs, fixing a carefree smile on her face even though she feels anything but.

“Well, I know you hate Valentine’s day, so…I thought maybe if I gave you a card you’d stop being so mardy about it.”

When she looks at Tayce again she can see there’s a little crack in her perfect armour, the sparkle in her eyes dulled slightly. When she speaks her voice is quiet and nervous, so stripped of its usual hyperactivity and energy that A’whora wonders if it’s even Tayce’s voice at all. “Is that, uh. Is that the only reason you made it?”

A’whora can practically feel herself clam up. She has no idea where Tayce is going with this; to clarify that it was a joke or to clarify that it was serious, and A’whora doesn’t know which one Tayce wants it to be.

“What you wrote,” Tayce continues, her gaze fixed on the glitter-covered carpet and making it even more impossible to figure out her intention. “Was that, like…some girly besties chat, or was it…did you mean it…like that?”

“Yeah, I did,” A’whora says instantly. It’s out before she knows it, a terrifying leap into a freezing cold conversational plunge pool with no life raft to help her climb out. There’s only one way out and it’s Tayce’s reaction, whatever the hell that might be. She snapped her head up the moment the words left A’whora’s mouth, and her eyes are wide in what could be shock but could quite easily be horror.

A’whora doesn’t think she’s ever been more hopeful and frightened all at once. The seconds tick by and Tayce is still frozen in position, and A’whora can literally feel herself inching closer to the edge of the desk in terrified anticipation.

“Jesus Christ say something, Tayce, before I cringe myself to death,” she says breathlessly, her blood feeling almost electric as it races in her veins.

Tayce leans forward, not giving much away as she brings a thumb up to A’whora’s cheek.

“You’ve got a bit of glitter on your face,” she murmurs.

When she leans in and closes the gap between them, A’whora feels herself melt against Tayce’s lips with relief. They’re in the middle of her classroom at quarter part three with the door open and she’s very well aware that anyone could walk in at a moments’ notice, but A’whora doesn’t care. A’whora only cares about the fact that Tayce is kissing her and she’s kissing back, and it’s so hard to believe it’s actually real and not some daydream come to life, and it’s happening on Valentine’s day which makes it even more far-fetched. But every time A’whora starts to think that maybe she’s dreaming she feels Tayce’s thumb stroke her cheek, or their knees bump together, or she brings a hand up to rest at Tayce’s jaw just to make sure it’s all real.

When Tayce pulls away and they smile at each other, giggling and blushing like one of Tayce’s year fives, A’whora only allows herself to properly believe it’s all actually happening when Tayce presses their foreheads together, takes both of A’whora’s hands in her own and murmurs quietly to her what A’whora’s wanted to hear for entirely too long.

“I love you too.”

#rpdr fanfiction #rpdr uk #uk2 #i don’t know how i know (but I know)#ortega #taywhora #tayce #a'whora #british au #lesbian au #teachers au #fluff

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iruludavare · 4 years ago

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{Grace}

“It’s a documentary about a Rhyhorn that overcame an injury to take on a big race and the girl who struggled alongside it.”

Full name: Grace Primula Alicia Marie Saint-Martin Leclair Alias: Grace Leclair Gender: Cis female Age: ~38 (start of X)

Born Grace Primula Alicia Marie Saint-Martin to Aurelie and Jacques, the youngest of four siblings, to say the life she was given was not easy or comfortable would an extreme understatement. The Saint-Martins, having descended from a long line of Kalosian nobility, had accumulated a vast amount of wealth and shining reputation among their community. They were, primarily, invested in race-- people who reared, bred, sold and ran a variety of Rapidash, with each who took to the tracks having an impressive track record. As such, when Grace was extremely young, she was subjected to the same, ruthless training regime that her older siblings, and many generations before them, had gone through. Yet there was no real passion in the sport for her-- to the point where, on the days of scheduled races, Grace would become meek, feign illness or somehow have injured herself enough to convince her parents to, begrudgingly, get her scratched. A far call from the boisterious, headstrong and lively personality she would usually display.

By the age of fifteen, this trend was still continuing, and so, Grace had simply been designated to help care for the other Rapidash that would race, or would help walk them around just prior to any races. As luck would have it, on one day where their community had so gracefully allowed time for a race consisting of Rhyhorn-- an event which, at the time, had been mocked by most due to the nature of the pokemon, and branded as a joke--, one of the contestants tripped, bringing down both the racer and his rider. It was a horrifying accident caused partially by a disease that had gone unnoticed, and Grace had been one of the few individuals sent out to check on the pokemon, and bring him into care. This is when she met the Rhyhorn her career would be built off of-- Tulloch.

During the time spent with the pokemon throughout the rest of the care, checking him over and tending to what she could, there was an immediate bond between the two. So much so that, afterwards, the owner of the pokemon asked if she would be interested in tending to him, as normally, Tulloch would not let people so freely touch him. Of course, it was something that Grace’s family opposed heavily, and so, after her agreement to the idea, she would routinely sneak out to see Tulloch, being covered by her eldest brother.

Aiding the owners in the payment for multiple surgeries and therapy, eventually, Tulloch was capable of walking once more, although he was still quite sickly. Still, Grace was by his side through it all, and when the time eventually came, the first to properly ride him around the Leclair estate. And it was there she discovered a passion for racing-- not with Rapidash, but with Rhyhorn. Her cover would not be blown until the day both she and the owners agreed to enter the two in a Rhyhorn Race, and they placed first. Her family was furious, and that night, a horrible argument broke out between them-- so bad that it spurred Grace to pack up her things, leave their home entirely, and march to the Leclairs, pleading for them to take her in. It was a long, unpleasant set of meetings, with Grace’s birth family refusing to give their consent to sign Grace away fully, if only out of pride, and so, the two families eventually settled on Simple Adoption. In which a new parent-child bond would be formed to co-exist alongside the one formed from birth-- she would belong to two familiies. With all the legalities out of the way, but without the outcome she yearned for-- to cut ties with her birth family--, she would now only be known was Grace Leclair. The adoptive daughter of one of the pioneers of Rhyhorn racing.

Her career was astounding, and with the sport’s accessibility to the public, the story of herself and her Rhyhorn was one that was quickly picked up by the media. A girl barely the age of seventeen, turning her back on a rich and powerful family, and a pokemon who had been graciously saved from poachers, overcoming a career-ending injury and a deadly disease to race. A duo that, despite the odds being stacked against them every step of the way, ended up with an incredible amount of races either won or placed, and very few where they did not. Needless to say, at the height of her career, there were many interviews of Grace, who had gathered a following within the community, and the occasional documentary or motivational movie made based off of the story between the racer and her Rhyhorn.

During this time, she met a boy around her age. An intern of the International Police. Someone who she fell for quickly, and eventually introduced to both of her families. Yet, the Saint-Martins did not approve of him, someone from a very rural area of Sinnoh-- Floaroma Town, which they had not even heard of before--, with not a title or that much of a reputation with his name. The two’s relationship was an infuriating matter for them, and so, when the two married when Grace was twenty-three, perhaps it was unsurprising that they sent a scathing letter denouncing the two, and cut contact with their youngest child.

Around a year later, she gave birth to a girl, accompanied by both her husband, and her eldest brother, Julien, who had flown from Kalos to be by her side. An accidental pregnancy, and one Grace silently regarded as a mistake, as she never wanted to be a mother. Yet, despite her birth parents’ insistence to name her in the conventional manner-- that she was to be a Saint-Martin, and not a Leclair or a Letova--, Grace decided to go with the name picked out by Looker, and the traditional structure given to those on his side of the family. Her daughter was named Serena Nikolayevna Letova.

There was an attempt to get back into racing, and because of that, Serena was left in the care of her father, or Julien if the former was also working. Yet, a year later, when Tulloch suffered yet another fall, caused by the same injury as before, Grace knew her career was over. That it was not fair to put him through more injuries, and that it was a miracle he had survived what he has. She retired from the racing scene entirely, and instead stayed at home to take Julien’s place, and care for her daughter when Looker was not around.

However, when alone with Serena, she would cry inconsolably. It was not at all like when she was in the arms of her father, where the girl would smile, reach out, and respond with incomprehensible sounds when he spoke to her. Interacting with her came so naturally to him, and yet, Grace did not know what to do. She did not know how to respond to her own daughter, and this lack of a reaction, as expected of children her age, only upset Serena further. There was a disconnect between mother and child. A lack of the bond Grace had heard comes to all mothers naturally and instantaneously, and she could not understand what was going on, or what was wrong with her. Those worries wore away at her, until she was rendered a husk of her former self.

Eventually, the stress of the situation-- of not knowing how to communicate with or understand her child--, led to Grace avoiding taking care of her entirely out of fear of messing something up. When Looker was not home, she would beg the older mothers in the town to take Serena off of her hands, so she could escape from it all and try to gain peace of mind. It was better, in her eyes, to hand the girl off with everything she needed to someone who would look after her, rather than keep her around when the mother knew she could no longer find the will or heart to respond to her child’s cries. And while it did offer her a few hours to catch up on sleep, in the end, it only worsened everything to do with her daughter. The distance grew, and as time passed, her baby began reciprocating the behaviour. Serena stopped crying for her attention, stopped smiling at her, and eventually, stopped responding to her voice. And yet, everything remained the same between the girl and her father.

As her daughter grew, this disconnect remained. There was love between the two in that Serena loved her mother, and Grace loved her daughter, but the nature of their relationship, and the fear of worsening their situation, rendered the two unwilling to change their ways. Even when she attempted to act more like her former self, and began to push Serena into learning how to race Rhyhorn in a last-ditch attempt to mend the gap, it was met with hesitance and silence by her child. Like mother like daughter, whenever the girl was scheduled for a race, or some sort of assessment at Grace’s hands, Serena would miraculously fall ill or acquire some new injury. Such behaviour annoyed the woman so, and in turn, her daughter’s training became more rigorous, and her coaching more unforgiving. And it was not until the age of six, when a letter detailing her daughter’s success in her audition for a prestigious ballet academy in Jubilife City was given to the woman by Serena that a horrific realisation dawned on Grace.

She did not know Serena had even been dancing.

She had turned out just like her own parents.

Disgusted at herself, but not knowing what to do, her decision was not to try and make amends for anything, Grace resorted to the only tactic she knew to do-- distance herself. Even more so, two years later, when an accident that resulted in her husband developing amnesia pushed teh former racer to her breaking point, and she filed for divorce. There were no more attempts to train her child, or idle attempts at conversations, or even lecturing. She simply confined herself to her room or the couch, and drowned out the world in the documentaries made about the kind of girl she used to be. She would catch the longing stares thrown at her from behind doorframes, the way her features would twist into a steeled but obviously saddened and tired expression when in the same room. She watched as Serena, clearly dispirited, began to care for herself, and run the house. It would not be until her daughter’s eighteenth birthday-- just before they were moved to Kalos not out of choice, but by order of the International Police for their own safety-- that Grace spoke another word to Serena.

The move, to Grace, was treated akin to that of a reset button. A means to start over. It was her who reached out to Professor Sycamore, against the advice given to her, and requested to let her daughter start her own journey. And so on the day she would leave, motivated to right her wrongs, Grace attempted once again to act like how she had before the birth of her only child. Only, it was terribly forced, and the change in behaviour was not received well by Serena. It was awkward, and strange, rendering the girl feeling extremely uncomfortable, and not knowing how to respond. Serena left feeling ill, unloved, unwanted, and demotivated. And these emotions would stick with her throughout her journey, and well after it, despite attempts on both sides to reach out to the other.

#❀⊱⦃ ⏤ {queue.} ⦄⊰❀#❀⊱⦃ ⏤ {headcanon.} ⦄⊰❀#tw: neglect #tw: depressive episode #tw: divorce

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orthodoxydaily · 3 years ago

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Saints&Reading: Wed., Nov. 24, 2021

November 24_November 11

THE MONK THEODORE THE STUDITE (826)

Saint Theodore the Confessor, Abbot of the Studion was born in the year 758 at Constantinople into a family of the imperial tax-collector Photinus and his spouse Theoctiste, both pious Christians. Saint Theodore received a good education from the best rhetoricians, philosophers and theologians in the capital city.

During this time the Iconoclast heresy had become widespread in the Byzantine Empire, and it was supported also by the impious emperor Constantine Kopronymos (741-775). The views of the emperor and his court conflicted with the religious beliefs of Photinus, who was a fervent adherent of Orthodoxy, and so he left government service. Later, Saint Theodore’s parents, by mutual consent, gave away their substance to the poor, took their leave of each other and accepted monastic tonsure. Their son Theodore soon became widely known in the capital for his participation of the numerous disputes concerning icon-veneration.

Saint Theodore was accomplished in oratory, and had a command of the terminology and logic of the philosophers, so he frequently debated with the heretics. His knowledge of Holy Scripture and Christian dogma was so profound that no one could get the better of him.

The Seventh Ecumenical Council put an end to dissension and brought peace to the Church under the empress Irene. The Ecumenical Council, as the highest authority in the life of the Church, forever condemned and rejected Iconoclasm.

Among the Fathers of the Council was Saint Platon (April 5), an uncle of Saint Theodore, and who for a long time had lived the ascetic life on Mount Olympos. An Elder filled with the grace of the Holy Spirit, Saint Platon, at the conclusion of the Council, summoned his nephew Theodore and his brothers Joseph and Euthymius to the monastic life in the wilderness.

After leaving Constantinople, they went to Sakkoudion, not far from Olympos. The solitude and the beauty of the place, and its difficulty of access, met with the approval of the Elder and his nephews, and they decided to remain here. The brothers built a church dedicated to Saint John the Theologian, and gradually the number of monks began to increase. A monastery was formed, and Saint Platon was the igumen.

Saint Theodore’s life was truly ascetic. He toiled at heavy and dirty work. He strictly kept the fasts, and each day he confessed to his spiritual Father, the Elder Platon, revealing to him all his deeds and thoughts, carefully fulfilling all his counsels and instructions.

Theodore made time for daily spiritual reflection, baring his soul to God. Untroubled by any earthly concern, he offered Him mystic worship. Saint Theodore unfailingly read the Holy Scripture and works of the holy Fathers, especially the works of Saint Basil the Great, which were like food for his soul.

After several years of monastic life, Saint Theodore was ordained a priest according to the will of his spiritual Father. When Saint Platon went to his rest, the brethren unanimously chose Saint Theodore as Igumen of the monastery. Unable to oppose the wish of his confessor, Saint Theodore accepted the choice of the brethren, but imposed upon himself still greater deeds of asceticism. He taught the others by the example of his own virtuous life and also by fervent fatherly instruction.

When the emperor transgressed against the Church’s canons, the events of outside life disturbed the tranquility in the monastic cells. Saint Theodore bravely distributed a letter to the other monasteries, in which he declared the emperor Constantine VI (780-797) excommunicated from the Church by his own actions for abusing the divine regulations concerning Christian marriage.

Saint Theodore and ten of his co-ascetics were sent into exile to the city of Thessalonica. But there also the accusing voice of the monk continued to speak out. Upon her return to the throne in 796, Saint Irene freed Saint Theodore and made him igumen of the Studion monastery (dedicated to Saint John the Baptist) in Constantinople, in which there were only twelve monks. The saint soon restored and enlarged the monastery, attracting about 1,000 monks who wished to have him as their spiritual guide.

Saint Theodore composed a Rule of monastic life, called the “Studite Rule” to govern the monastery. Saint Theodore also wrote many letters against the Iconoclasts. For his dogmatic works, and also for his Canons and Three-Ode Canons, Saint Theoctistus called Saint Theodore “a fiery teacher of the Church.”

When Nikēphóros seized the imperial throne, deposing the pious Empress Irene, he also violated Church regulations by restoring to the Church a previously excommunicated priest on his own authority. Saint Theodore again denounced the emperor. After torture, the monk was sent into exile once again, where he spent more than two years.

Saint Theodore was freed by the gentle and pious emperor Michael, who succeeded to the throne upon the death of Nikēphóros and his son Staurikios in a war against barbarians. Their death had been predicted by Saint Theodore for a long while. In order to avert civil war, the emperor Michael abdicated the throne in favor of his military commander Leo the Armenian.

The new emperor proved to be an iconoclast. The hierarchs and teachers of the Church attempted to reason with the impious emperor, but in vain. Leo prohibited the veneration of holy icons and desecrated them. Grieved by such iniquity, Saint Theodore and the brethren made a religious procession around the monastery with icons raised high, singing of the troparion to the icon of the Savior Not-Made-by-Hands (August 16). The emperor angrily threatened the saint with death, but he continued to encourage believers in Orthodoxy. Then the emperor sentenced Saint Theodore and his disciple Nicholas to exile, at first in Illyria at the fortress of Metopa, and later in Anatolia at Bonias. But even from prison the confessor continued his struggle against heresy.

Tormented by the executioners which the emperor sent to Bonias, deprived almost of food and drink, covered over with sores and barely alive, Theodore and Nicholas endured everything with prayer and thanksgiving to God. At Smyrna, where they sent the martyrs from Bonias, Saint Theodore healed a military commander from a terrible illness. The man was a nephew of the emperor and of one mind with him. Saint Theodore told him to repent of his wicked deeds of Iconoclasm, and to embrace Orthodoxy. But the fellow later relapsed into heresy, and then died a horrible death.

Leo the Armenian was murdered by his own soldiers, and was replaced by the equally impious though tolerant emperor Michael II Traulos (the Stammerer). The new emperor freed all the Orthodox Fathers and confessors from prison, but he prohibited icon-veneration in the capital.

Saint Theodore did not want to return to Constantinople and so decided to settle in Bithynia on the promontory of Akrita, near the church of the holy Martyr Tryphon. In spite of serious illness, Saint Theodore celebrated Divine Liturgy daily and instructed the brethren. Foreseeing his end, the saint summoned the brethren and bade them to preserve Orthodoxy, to venerate the holy icons and observe the monastic rule. Then he ordered the brethren to take candles and sing the Canon for the Departure of the Soul From the Body. Just before singing the words “I will never forget Thy statutes, for by them have I lived,” Saint Theodore fell asleep in the Lord, in the year 826. At the same hour Saint Hilarion of Dalmatia (June 6) saw a vision of a heavenly light during the singing and the voice was heard, “This is the soul of Saint Theodore, who suffered even unto blood for the holy icons, which now departs unto the Lord.”

Saint Theodore worked many miracles during his life and after his death. Those invoking his name have been delivered from fires and from the attacks of wild beasts, and have received healing, thanks to God and to Saint Theodore the Studite. On January 26 we celebrate the transfer of the relics of Theodore the Studite from Cherson to Constantinople in the year 845.

Those with stomach ailments entreat the help of Saint Theodore.

LUKE 12:48-59

48 But he who did not know, yet committed things deserving of stripes, shall be beaten with few. For everyone to whom much is given, from him much will be required; and to whom much has been committed, of him they will ask the more. 49 I came to send fire on the earth, and how I wish it were already kindled! 50 But I have a baptism to be baptized with, and how distressed I am till it is accomplished! 51 Do you suppose that I came to give peace on earth? I tell you, not at all, but rather division. 52 For from now on five in one house will be divided: three against two, and two against three. 53 Father will be divided against son and son against father, mother against daughter and daughter against mother, mother-in-law against her daughter-in-law and daughter-in-law against her mother-in-law. 54 Then He also said to the multitudes, "Whenever you see a cloud rising out of the west, immediately you say, 'A shower is coming'; and so it is. 55 And when you see the south wind blow, you say, 'There will be hot weather'; and there is. 56 Hypocrites! You can discern the face of the sky and of the earth, but how is it you do not discern this time? 57 Yes, and why, even of yourselves, do you not judge what is right? 58 When you go with your adversary to the magistrate, make every effort along the way to settle with him, lest he drag you to the judge, the judge deliver you to the officer, and the officer throw you into prison. 59 I tell you, you shall not depart from there till you have paid the very last mite.

THESSALONIANS 2:1-8

1 For you yourselves know, brethren, that our coming to you was not in vain. 2 But even after we had suffered before and were spitefully treated at Philippi, as you know, we were bold in our God to speak to you the gospel of God in much conflict. 3 For our exhortation did not come from error or uncleanness, nor was it in deceit. 4 But as we have been approved by God to be entrusted with the gospel, even so we speak, not as pleasing men, but God who tests our hearts. 5 For neither at any time did we use flattering words, as you know, nor a cloak for covetousness-God is witness. 6 Nor did we seek glory from men, either from you or from others, when we might have made demands as apostles of Christ. 7 But we were gentle among you, just as a nursing mother cherishes her own children. 8 So, affectionately longing for you, we were well pleased to impart to you not only the gospel of God, but also our own lives, because you had become dear to us.

#orthodoxy #orthodoxchristianity #originofchristianity #spirituality #holyscriptures #gospel #bible #wisdom

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salvatoreschool · 5 years ago

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Every The Vampire Diaries, The Originals, and Legacies Ship Ranked

53. Daroline (Damon Salvatore and Caroline Forbes)

Our first ship is our worst ship because we can't find literally anything nice to say about Daroline. Consent issues, mind-control, and death threats are not exactly the stuff of great romance, and Damon should thank his lucky stars Caroline forgave him for this abominable period when they were together.

52. Calaric (Caroline Forbes and Alaric Saltzman)

Ew. Gross. No. Kill it with fire. We've got no idea what The Vampire Diaries was trying to do with this ship, but we hated every second of it, and we're not ashamed to say it. We don't care that years had passed since Caroline was his student or that there were weirder ages gaps on the show, trying to ship a student-teacher relationship feels wrong no matter which way you slice it.

51. Klenevieve (Klaus Mikaelson and Genevieve)

Klenevieve was a blink and you'll miss it kind of ship on The Originals, but it still technically counts. Ultimately though, Klaus and Genevieve's connection was mostly physical, and there were far too many double-crosses and manipulations on both sides of this relationship to give it much credit.

50. Parkwood (Liv Park and Tyler Lockwood)

Liv and Tyler's love story kind of flew under the radar on The Vampire Diaries, but that's probably just because there were like 18 insane storylines happening at once in Season 6. This ship was actually pretty cute, and the only thing keeping it from a better ranking is the fact that Tyler, you know, killed her with his bare hands to activate his werewolf curse.

49. Malaric (Meredith Fell and Alaric Saltzman)

Talk about ships that flew under the radar. Alaric and Meredith Fell shared a brief tryst in Seasons 3 and 4 of The Vampire Diaries, but this relationship always felt like it was built to move the plot forward instead of the other way around. Kind of too snooze-worthy to deserve a good ranking.

48. Menny (Matt Donovan and Penny Ares)

We're not going to pretend like we cared even a little about Matt and Penny's romance on The Vampire Diaries. However, we're also not going to pretend like the scene where Matt hallucinates her ghost and begs her to take him with her after his car crash was anything other than devastating emotional torture that came out of nowhere and has stayed with us to this day.

47. Jolaric (Jo Parker and Alaric Saltzman)

Jo and Alaric really got the rough end of the stick as far as TVD ships go. They'd only just started to find their groove when Jo found out she was pregnant with twins, forcing them into a shotgun wedding that ended in tragedy. If these two had been given the time to start their family together the way they should have, we have no doubt they could have become one of the show's best duos ever. We'll have to settle for them creating one of the best duos ever -- Josie and Lizzie Saltzman!

46. Rizzie (Rafael Waithe and Lizzie Saltzman)

It's hard not to ship all of the Legacies kids with each other considering the great chemistry that cast has, but Rizzie is one we just never loved. Lizzie seems too intense for Rafael, and Raf doesn't exactly seem like the kind of guy that would give her the level of attention and devotion she requires. This ship was kind of a flop in Sesason 1, and we'd prefer it stay that way.

45. Debekah (Damon Salvatore and Rebekah Mikaelson)

Damon and Rebekah shared one night of tearing ballgowns and tuxes off each other, and then it was never really spoken of again. It's hard to properly rank a ship that basically came down to "that one time we had hate sex," but hookups like this were what The Vampire Diaries was built on.

44. Haylijah (Hayley Marshall and Elijah Mikaelson)

We really wanted to rank Haylijah higher on this list, but all the passion and angst in the world can't distract us from the cold hard truth: Hayley and Elijah had issues. Major issues. Not the least of which being that he killed her in the final season of the show. Whether you consider their love story to be one of the best or worst this shared universe ever created, at least you can comfort yourself with the knowledge that they gave it all they had.

43. Klaurora (Klaus Mikaelson and Aurora de Martel)

For as long as we've known Klaus, he was always teetering on the brink of insanity, which is kind of what we loved most about him. Aurora, on the other hand, has been batshit crazy her whole life and it's so not a good look on her. This weird, obsessive, "let's see who can out-crazy the other" romance was not to our taste at all.

42. KymG (Kym and MG)

We can't claim to be huge fans of the romance between Kim and MG on Legacies, though their names fit together so perfectly for a ship name that we almost demand they be endgame based only on that. Unfortunately, the show never really gave them the screen time they needed to get us invested in their love story before Kym decided she'd had enough superantural shenanigans and left Mystic Falls.

41. Elijah Mikaelson and Antoinette Sienna

On every TV show, there are ships that just make us shrug, and Elijah and Antoniette are definitely one of those. They don't even have a ship name, that's forgettable this tryst was. Even with memory loss, hidden pasts, and romantic pinao duets, this couple was kind of just meh.

40. Sizzie (Sebastian and Lizzie Saltzman)

Sebastian and Lizzie may have had potential, but in the end it turned out to be wasted. Their chemistry was off the charts, but like many teenagers swept up in romance, they never really took the time to connect or learn about each other. Maybe that's why they ended on such a sour note. Still, at least Sebastian went out a hero?

39. Jicki (Jeremy Gilbert and Vicki Donovan)

You know, we were really rooting for Jeremy and Vicki when The Vampire Diaries first started. They had that whole, rebels who are too cool for school, but not too cool for love thing going on. Ultimately though, we don't think Vicki would have ever calmed down enough for Jeremy, who was really only pretending to be a wild child to deal with his parents' deaths. This ship just wasn't to be.

38. Maroline (Matt Donovan and Caroline Forbes)

You know those Season 1 ships that you know are never going to make it, but every time you look back on them they make you nostalgic? That's what Maroline is for us. A cute relationship between two characters we love dearly that just never quite fit perfectly together. That being said, if there had been no vampires or life-or-death scenarios in Mystic Falls, Maroline absolutely would have been endgame material.

37. Stalerie (Stefan Salvatore and Valerie Tulle)

Stefan and Valerie had one of the weirdest love stories we've ever seen, but there was still a small part of us that was rooting for them. In a world not besieged by curses and vampire hunters and prison worlds, these two could have really been something! Sadly, Stefan has like five more appealing ships, which is probably why they never really made it that far.

36. Hafael (Hope Mikaelson and Rafael Waithe)

Legacies made a solid attempt to recreate another brotherly love triangle, but we weren't really feeling it with Rafael, Hope, and Landon. Raf and Hope have a great friendship going, but it's probably best left there considering how much more fans seem to prefer her relationship with Landon.

35. Marcille (Marcel Gerard and Camille O'Connell)

Remember when Marcel and Camille were a thing for a hot minute? Neither do we! Sorry to Marcille fans, but though these two had decent chemistry, they just never got a lot of attention as a couple, and so their love story kind of faded into obscurity.

34. Jasie (Jade and Josie Saltzman)

The Vampire Diaries universe sure does love its enemies to lovers ships, doesn't it? Josie and Jade started off on opposing sides in Kai's prison world, but after Jade turned her humanity back on, things started to change between them. At least the sex dreams they started having about each other did. Jade and Josie might be perfect for one another, seeing as they both understand having a dark side that's hard to deny.

33. Carenzo (Caroline Forbes and Enzo St. John)

While Caroline and Enzo never made it past the friendzone, we wouldn't have hated it if they'd had a thing. There was a lack of "epic love story" vibes between them, and when Enzo was at his worst, Caroline brought out the light-hearted, carefree side of him. Plus, all things considered, he really was her type - morally scrupulous Brit, who would burn the world down for the people he loves -- why does that sound familiar?

32. Mizzie (M.G. and Lizzie Saltzman)

Every day we go back and forth on whether MG and Lizzie are soulmates or whether they're the perfect best friend duo of all time. Could they possibly be both? Sure, Lizzie takes MG for granted sometimes, and MG can be a little thoughtless sometimes, but that doesn't mean these two aren't connected in a deep, meaningful way that most people can only dream of.

31. Noralise (Nora and Mary-Louise)

Though we only got them for one season, Nora and Mary-Louise had us from the moment they said hello. We do love a bad girl, and two bad girls together? We're toast! Our favorite thing about this ship is that while it was clear Nora and Mary-Louise didn't care about much in this world, they cared about each other, and that was more than enough for them.

30. Klayley (Klaus Mikaelson and Hayley Marshall)

When The Originals first premiered, we were sure Klaus and Hayley would eventually fall in love and live happily ever after with their precious loophole baby, but ultimately these two just weren't meant to be anything more than one really hot night. That being said, watching them as co-parents just proves that not all ships need to be romantic to work.

29. Rope (Roman Sienna and Hope Mikaelson)

Roman and Hope's sweet, timid flirtation on The Originals was like a breath of fresh air after some of the intense, life-changing, epic love stories we'd been getting for five straight years. Rope -- whoever came up with that ship name was having too much fun that day -- would have ranked higher if the whole relationship wasn't just Roman's ploy to get close to Hope's family.

28. Stebekah (Stefan Salvatore and Rebekah Mikaelson)

The Vampire Diaries had the best flashbacks on TV, hands down, partially because when your characters have lived for centuries, you can really mix things up. One of said mix-ups was the revelation that Stefan and Rebekah had been an item back in the 1920s, and while their romance is probably best left in the age of prohibition, it was always one of our favorites.

27. Hizzie (Hope Mikaelson and Lizzie Saltzman)

Hope and Lizzie would definitely have that whole "enemies to lovers" thing going for them if they ever decided to take the plunge together. The bond we've seen these two develop over the course of Legacies has been so wonderful to watch, and while at the moment we prefer them as badass besties, we wouldn't hate to see them head towards romantic territory someday.

26. Janna (Jeremy Gilbert and Anna Zhu)

When The Vampire Diaries first paired Jeremy and Anna together, we thought our little vampire-loving hearts would give out. They were both so damaged and dark and alone in the world that they somehow fit perfectly together. Not even multiple deaths could keep them apart! Losing this one was hard, but at least ghost Anna came back to hang out occasionally.

25. Datherine (Damon Salvatore and Katherine Pierce)

Call us crazy, but even through all the craziness and manipulation, there seemed to be a spark of something between Damon and Katherine that was just undeniable. Maybe it was the fact that they both put up a dark and diabolical front to mask their real feelings about the way their lives turned out. This wasn't a ship for the ages, but it certainly was a pairing we'll remember forever.

24. Kennett (Kol Mikaelson and Bonnie Bennett)

You know a fandom is strong when it can build a ship of dreams out of like 2 episodes and 10 lines of dialogue, but that's about all Bonnie Bennett and Kol Mikaelson ever shared. And yet somehow, Kennett is always going to feel like the one that got away in terms of ships that totally should've happened but never did.

23. Klamille (Klaus Mikaelson and Camille O'Connell)

Despite their messy ending, Klaus and Camille's relationship showed us sides of each character that we otherwise would never have seen. Though it was missing some of the passion usually found in The Vampire Diaries and The Originals ships, it was still absolutely heartbreaking to watch Klaus lose a woman who meant so much to him when Cami died.

22. Jandon (Josie Saltzman and Landon Kirby)

This short-lived romance between Josie and Landon may not have been super popular with fans, but it was perfectly in character for both these self-sacrificing loners to find their way to one another. It may not have been a romance for the ages, but it was an age-appropriate and utterly endearing one, and that's good enough for us!

21. Kolvina (Kol Mikaelson and Davina Claire)

As one of the few ships that managed to make it out of The Originals series finale alive, we have to give Kol and Davina props. Their love story survived multiple deaths, body-swaps, and that pesky problem of Kol accidentally murdering Davina that one time. We want nothing more than peace and happiness for eternity for these two crazy kids.

20. Jalaric (Jenna Sommers and Alaric Saltzman)

While some believe Alaric's love life is cursed, those of us who watched the early years of The Vampire Diaries know better. Alaric will simply never find someone as perfect for him as Jenna Sommers, which means he's destined to fall in and out of subpar ships forever. Poor guy, it's rough when your soulmate dies so early on in the first of three sequential shows.

19. Klefan (Klaus Mikaelson and Stefan Salvatore)

This one's another ship was never technically canon, but as far as we're concerned that was a GRAVE mistake. Klaus and Stefan had chemistry coming out of their ears, and you're seriously trying to tell us that nothing happened between these two during their days of debauchery in the 1920s? Yeah right, you're not fooling us!

18. Jayley (Jackson Kenner and Hayley Marshall)

Jackson and Hayley may not have had the passion and the fire that some of the best TVD ships boasted, but they had something that very few other pairings had: A rock-solid friendship built on trust and understanding that grew organically into true love. Considering how crazy their world was, they both needed a relationship like this to keep them sane, which is maybe why we ended up loving it so much?

17. Kalijah (Katherine Pierce and Elijah Mikaelson)

Katherine and Elijah only shared maybe a handful of scenes together over the entire course of The Vampire Diaries, but they're somehow one of three ships we would have watched an entire spin-off about. Their love stood the test of time and somehow overcame hybrid-sized grudges, and that's about as romantic as it gets.

16. Rebel (Rebekah Mikaelson and Marcel Gerard)

Though we love Marcel and Rebekah (especially when we think about the day they both take the cure and grow old together), this couple had one major problem... One of them wasn't on the show all that often, which meant their romance faded to the background every time Rebekah left town -- which was a lot. We'll put this in the category of ships that were done dirty by logistical, behind-the-scenes stuff.

15. Bamon (Bonnie Bennett and Damon Salvatore)

The Bamon saga was one of the most topsy-turvey things to follow on The Vampire Diaries, but we loved every minute of it. From shipping them a little bit in Season 1 to hating everything about it in Season 3, to watching them grow into best buds in Season 6, Bonnie and Damon went on a journey unparalleled by any other ship in the TVDu. Do we kind of wish they'd given romance a try? Sure. Are we going to let that invalidate how awesome their story was? No way.

14. Gialijah (Gia and Elijah Mikaelson

We're probably going to get some hate for this, but if we had to pick between all of Elijah's ships, Gialijah would probably win out. Sure, they weren't star-crossed lovers or centuries-old flames, but if you're looking for a healthy dynamic (of which Elijah was sorely lacking) with great chemistry and some awesome scenes, Gialijah is the ship for you.

13. Handon (Hope Mikaelson and Landon Kirby)

Hope and Landon are kind of the Stelena of Legacies. Not a pairing that we think will be endgame (no matter how heartbroken that will leave us), but integral to the DNA of the series nonetheless. We're content to enjoy this sweet couple strive for their happy ending, and we'll even root for them most of the time as they grow up together and figure out this crazy supernatural world.

12. Jaiden (Josh Rosza and Aiden)

Oh, Josh and Aiden... the ship that was too pure for this world. Literally. Though both these characters bit the dust before all was said and done on The Originals, their love story was super sweet, and, hey, at least we got to see them reunite in the afterlife!

11. Beremy (Bonnie and Jeremy)

If any of you ever had a crush on your older brother or sister's friends, you'll understand our undying love for Beremy. There was something so cathartic about watching Bonnie realize that Jeremy had grown up to be a sweet, sexy, utterly dateable guy instead of Elena's annoying little brother. Even though the didn't end up together, they deserve a high ranking in this list of epic ships.

10. Posie (Penelope Park and Josie Saltzman)

Considering how few episodes of Legacies Penelope was in before she bounced, it's remarkable that so many people fell so deep in love with the Posie ship. We guess there's just something intoxicating about a bad girl who will do bad things for the girl she loves. If you come for Josie, Penelope will come for you!

9. Steferine (Stefan Salvatore and Katherine Pierce)

Is it weird that we always kind of thought Stefan and Katherine would end up together when all was said and done? Don't get us wrong, that relationship was toxic at best, but when they were on screen together, you just couldn't pull your eyes away from them. It was like watching a really sexy, complicated train wreck in action.

8. Forwood (Caroline Forbes and Tyler Lockwood)

Considering how often Caroline and Tyler were separated (by distance, evil hybrids, or opposing loyalties), it's pretty impressive that they were still one of the most memorable ships from The Vampire Diaries. It some mixed the sweetness of Maroline with the passion of Klaroline, creating a happy middle ground for fans to enjoy.

7. Freelin (Freya Mikaelson and Keelin Malraux)

Did we really understand the term OTP before Freelin existed? We doubt it. Freya and Keelin had their ups and downs on The Originals, to be sure, but through it all, there was never a doubt in our minds that these two strong, smart, sexy women were absolutely made for one another. Knowing they're living out their happily ever after in New Orleans with a cute little baby named Nik is the only thing that gets us through the day sometimes.

6. Steroline (Stefan Salvatore and Caroline Forbes)

Considering how many ships exist in this universe, it's shocking that Steroline is one of only a handful to make it down the aisle. Poor Stefan seemed doomed to be forever locked in a love triangle with his brother until Caroline Forbes entered his life. Not only did he no longer have to deal with love triangle BS, he got to marry his best friend, who he knew would support him through thick and thin. If only it hadn't taken them so long to figure out how awesome they could be together.

5. Benzo (Bonnie Bennett and Enzo St. John)

Sometimes it's hard to ship characters that are thrown together at the end of a series as opposed to the beginning, but that was not the case with Bonnie and Enzo. One minute they were two characters who'd never really interacted much, and the next they were epic loves who built a strong relationship built on trust, compassion, and a lot of laughter. Honestly, they fit so well together even we were surprised by it!

4. Stelena (Stefan Salvatore and Elena Gilbert)

Of all the ships to ever grace our screens over the years, there was something truly special about Stefan and Elena. Maybe it's because we associate their love story with some of the best years The Vampire Diaries ever had, or maybe their connection really was just too epic for words. Whatever the case, Stelena was one for the history books, and we dare you to say different.

3. Hosie (Hope Mikaelson and Josie Saltman)

It might seem weird to put a ship that's not, technically speaking, canon (yet!) so high on our list, but we absolutely won't apologize for it. Putting aside the obvious fact that these girls are definitely, majorly, into each other, Hope and Josie have proven over and over again that they not only understand each other on a deep, intimate level, they also care enough about one another to go to the ends of the earth to keep each other safe and happy. That kind of devotion when paired with a healthy, supportive dynamic is a killer combination.

2. Klaroline (Klaus Mikaelson and Caroline Forbes)

Klaus and Caroline never really got the timing right, but maybe that's what makes this ship one of the best in the history of The Vampire Diaries universe. They were enemies, they were lovers, and they were kind of even friends for a minute there, and the fact that they never really got a chance to be together only makes this ship more EPIC. Plus, it's kind of impossible not to swoon when a guy declares he'll be your last love.

1. Delena (Damon Salvatore and Elena Gilbert)

Was there ever any doubt that this list would end here? Whether you loved Delena or not, there's no denying this couple was iconic, and a large part of The Vampire Diaries' success was built on their love story. Sure, we would have preferred for them to not have different versions of the same fight for four seasons in a row, but that doesn't mean we don't still get major chills whenever we rewatch their first kiss or their series finale happily ever after.

#Legacies #TheOriginals #TheVampireDiaries #TVD #Hosie #Posie #Handon #Delena #Stelena #Haylijah #Klaroline #Klamille #Freelin #JuliePlec #TheCW

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kicksaddictny · 3 years ago

Text

How Nike’s Turning Play Into a Lifestyle for Kids

According to NIKE

Jumping rope with a garden hose. Holding a squat while you create a secret handshake with your bestie. Hanging from monkey bars as you see LeBron James get quizzed on his second best sport.

You must be watching Playlist.

The episodic Nike YouTube series, now entering its ninth season, launched two years ago with one clear goal: “We wanted to show kids that sport, at its core, is all about play,” says Jessa Moon, Global Brand Director for Nike Kids. “It doesn't have to be soccer or football or traditional sports — it can be a mash-up or something totally wild and different. We wanted to inspire kids to think about moving their bodies in all kinds of ways and having it be about joy as opposed to winning or competition.”

Hosted by kid athletes like 13-year-old skateboarder Sky Brown and her 9-year-old brother, Ocean, a typical Playlist episode takes kids through fun and funny movement challenges, ratchets up the silliness with sound effects and slapstick gags, and includes appearances from star athletes like Russell Wilson, Mo Farah, Bebe Vio and the aforementioned King James — all of whom are game to be goofy and show off their inner kid on-screen.

Season after season, the series has grown its presence and audience, fine-tuning on its primary channel, YouTube, and streaming across Instagram, TikTok and Snapchat. Playlist has also found its place in the Nike digital ecosystem, alongside its adult counterparts like the Nike Run Club and Nike Training Club apps, proving that Nike offers not just product, but also day-to-day service and benefits to all its consumers.

The constant throughout, says Moon, is that all Playlist episodes are rooted in fun, because when kids are having fun, they’ll be naturally motivated to move.

For parents, inspiring kids to want to move is more important — and harder — than ever. Today, only one in five kids get the physical activity they need to be healthy and successful. Parents also have even more on their plates, often acting as a child’s cook, chauffeur, stylist, teacher and coach within the course of day. Playlist is one way Nike sought to help solve this universal problem by providing resources that get kids and their families to enjoy movement together, improving the relationship and bond between grown-up and kid, and setting kids up for a lifetime of healthy habits and movement that they could one day pass on to the next generation.

Doing that meant understanding that the words “play sport” have tension built into them, says Rami Jabaji, VP of Kids Global Brand Management. To today’s kids, explains Jabaji, sport can feel too structured, too competitive — high stakes, yelling coaches, parents pushing them into it. “They feel disconnected from its benefits, from its joy,” says Jabaji. There’s another kind of tension too: Gen Alpha is the most dedicated to activism, yet the least physically active. That’s partly because they don’t fully resonate with today's definition of traditional sport, says Jabaji. “While young kids naturally enjoy movement and play, it’s the moment when sport takes a turn — when it becomes too structured and rule-bound, not based in freedom and discovery — that kids start to opt out, and they trade physical activity for sedentary screen time,” he says. “The screen provides them with a tool that fulfills their needs in a deeper way than sport does.”

How do you solve for that?

“Our answer was, ‘We have to make sport fun again,’” says Jabaji. “We have to anchor it in play and get back to why kids fell in love with sport in the first place.”

More Ways Nike Serves Kids

Cool Gear, Just for Them Listening to what kids need to move and play and solving kid-specific challenges are hallmarks of Nike Kids product design. That’s reflected in extended sizing, gender-inclusive apparel lines, and gender-inclusive shoes like the new Nike Air Zoom Crossover. The kid-informed basketball shoe features a last with room in the toe box for growing feet, a snug fit and support around the ankle, and a playful “Game Mode” written on the tongue.

Coaches Who Make a Difference Sport is uniquely positioned to help kids handle stress and thrive when the environment is fun, inclusive, and served up by caring and trained coaches. That’s why Nike partnered with ICOACHKIDS to create an accessible, approachable series of coaching essentials that preps anyone to be a volunteer youth coach. The ICOACHKIDS coaching essentials are free and available on the Nike Training Club App and Nike Run Club App in Europe, the Middle East and Africa; if you already have one of the apps on your phone, click here to check out the essentials now.

Nike is also the founding partner of The Center for Healing and Justice in Sport (CHJS), a nonprofit organization fueling a movement to bring research-backed, healing-centered sport training to youth coaches across North America. “A lot of young people who show up to sport experiences may be treading water in other parts of their lives,” says CHJS founder Megan Bartlett. “We prepare a coach to create an environment in which kids can feel like they belong, feel seen and feel safe.” Nike is training its store employees who serve as Nike Community Ambassadors to coach kids in their communities and offering the training to its North America Made to Play partners, Nike employees and consumers. Learn how to get involved here.

That began with putting the kid at the center of every decision, a foundational part of Nike’s new approach to its kids business. Jabaji’s team dubs it “kidvision,” or the idea that kids see the world not as it is, but as it could be. “It’s an innovative lens, a creative lens, a more inclusive and accessible lens,” he says.

Take a screen, for example. Look at it through the eyes of a kid, and they don’t see a negative device. They see a portal into a world where they can be anything they want to be. And that’s where Nike saw opportunity, says Jabaji. “We can meet kids where they are and convert that time into healthy and purposeful movement and activity, and ultimately create a deeper connection with sport.”

Evolving with the World

Playlist was an instant hit on YouTube, notching millions of views. When the pandemic hit, the team knew their series had to step up. “We were in the middle of our third season, and we thought, ‘We know this content is critical for kids, now more than ever, but how do we bring it to them in a way that resonates with what they’re going through?’” says Moon. They found the unlock in shifting the entire show to an at-home model, with kid athletes like Brown leading a new content pillar called “Shake-Ups,” creative home-based challenges that throw a zany twist into traditional exercises like planks or squats.

Since then, the team’s moved to an entirely remote-capture model, asking kid hosts and pro athletes to film themselves in their homes, where you inevitably see their kitchens, pets and real-life snafus and interruptions. “It feels more raw and personal, and it’s allowed us to expand globally; recently we’ve included kids in Barcelona, Chengdu and Guadalajara.”

The most rewarding part for Moon has been seeing the social element of Playlist unfold. “We’ve found that most kids are watching it with their siblings or their families. They tell us, ‘Hey, I watched Playlist with my sister, and then we went on and made our own secret handshake,’ or ‘I watched it with my mom and we went out to the backyard and tried to jump rope.’” That aim to strengthen the familial bond and inspire everyone to move? As a Playlist host would say, “Knocked it outta the paaark!”

Doubling Down on the Future

Kids will continue to fuel creativity within the brand when, later this year, Nike introduces the Nike Play Council, a group of young athletes and creators who all share a passion for making sport more fun, accessible and inclusive, and who will help bring Gen Alpha’s vision of sport to life. “It's our opportunity to literally give kids a seat at the table and co-create the future of sport with them,” says Jabaji. The confirmed council members: Sky and Ocean Brown, Brazilian kid skateboarder Rayssa Leal, kid football player Lorenzo Greer (aka Tekkerz Kid), and kid drummer Nandi Bushell (aka “the Most Badass Drummer in the World,” according to drummer Dave Grohl). Each member of the Play Council will consult and collaborate directly with Nike and also help inform and expand the future of the group. While Nike has always been committed to listening to the voice of the athlete*, the Play Council ensures that young athletes’ voices are heard loud and clear.

According to Jabaji, channeling that voice has been Nike’s greatest win in its new approach to its kids business. “If you look at the world through the eyes of a kid and put them at the center of your work, he says, “the potential of what it can unlock is limitless.”

*If you have a body, you are an athlete.

youtube

#nike #kids #kicksaddict

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davidmann95 · 5 years ago

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For definitely no reason whatsoever, in response to nothing specific, can you rank the DC Multiverse Earths and tell us a bit about why each is in its place on the list?

Were this in response to an article, I could assure that I generally enjoy the writer’s output perfectly well from what I’ve seen and was absolutely baffled by the bizarrely selective research that went into it. Anyway, I hope you feel guilty enabling the amount of work I put into this truly ridiculous task by the end.

Cliff notes for the relatively uninitiated: that gorgeous monstrosity up above is The Map Of The Multiverse from the miniseries Multiversity, presented as a series of concentric circles bordered by the ‘Overvoid’ that all of reality is suspended in (and framed in such a way as to make clear it is the white of the pages comics are printed on). You go inwards from the borders of creation - moving moreso with each sphere from abstraction to the realm of the physical - to the Monitor Sphere in which once lived the near-omnipotent, now nearly extinct Monitor race that observed and maintained the multiverse, into the Sphere of Gods where the various beings of myth and divinity dwell, and into the innermost sphere where ‘we’ live. The 52 Earths you see within aren’t the whole of the multiverse but the ‘local’ 52 worlds, with infinite other Earths dwelling in their own dimensional pockets; all these universes actually exist in the same three-dimensional space at the same time but suspended in a higher-dimensional substance called ‘the Bleed’, and vibrating at distinct frequencies. Also there’s a ‘Dark Multiverse’ that’s cosmologically speaking ‘beneath’ the map, disintegrating half-formed potential realities that new proper universes are culled from. There’s a lot more to it than even all of that, but that’s enough to explain what’s up with these.

My ranking here is obviously subjective, but mostly comes down to a mix of ‘how cool is this Earth’, ‘how much would this Earth be worth using again’, ‘how well does it work in the context of being part of a shared multiverse’, and ‘do I seriously see creators unearthing any of this Earth’s potential down the road’. Also, Earths 24, 27, 28, 46, and 49 aren’t here, as they’re among the 7 Unknown Earths on the map that were left behind for future creators to define; 14 and apparently 25 have since been revealed.

64. Earth 14

A worthy bottom-place entry, Earth 14 is at the top of the Multiverse Map, and is shown as physically different from the other Earths, seemingly vibrating as if in two places at once; map co-designer and illustrator Rian Hughes suggested in an interview the intent was that this was where new universes entered the multiverse. Instead, ending up the first Unknown Earth to be revealed after the doors were opened to other creative teams, it was shown as a generic dystopian world home to a ‘Justice League of Assassins’ that were quickly dispatched by a generic cosmic threat. A monumental tribute to contextual ignorance and creative laziness.

63. Flashpoint

This is one of several Earths I’ll touch on that exist in neither the ‘local’ nor Dark Multiverse, but has directly crossed over or been framed in reference to the currently operating version of the DC Universe and so is probably worth a mention even if I’m not going over every Elseworlds and Imaginary Story DC has ever published. Another dystopian world, in this one an attempt by The Flash at fixing a change to history resulted in an Earth torn apart by war between Aquaman and Wonder Woman, where Cyborg was America’s greatest hero and Kal-El was held captive his entire life in a military bunker rather than becoming Superman. Aside from the prospect of a Thomas Wayne who became Batman when Bruce was gunned down as a child rather than vice-versa - resulting in him being pulled into a recent Batman run after this worlds’ destruction, the reason for this Earth’s inclusion - absolutely nothing of value came of this or the stories tied into it, such that astonishingly in spite of being the impetus for one of the biggest DC reboots of all time with theoretically an entire revised history to play with, essentially no one cares about this anymore.

62. Earth 1

The site of DC’s standalone, bookstore-market oriented ‘Earth One’ graphic novels. The incredible tunnel vision of marketing these for that purpose with titles that exist in reference to their multiversal structure aside, the Green Lantern book is the only one of those I’ve heard about being even kind of good; the rest top out at an interesting failure in Wonder Woman, with a standard forgettable failure in Teen Titans and truly flabbergasting misfires in Superman and Batman. Even Multiverse Map co-designer and writer Grant Morrison described this Earth in a blurb as having a history ‘in flux’, implicitly permitting the reader to believe it’s something else if they really want to, but as it stands in spite of the theoretical wide-open possibilities the foundations have already been built on salted Earth.

61. Watchmen

Home to the cast of characters of Alan Moore and Dave Gibbons’ seminal miniseries. Crossed over with the DC Universe 30+ year later in Doomsday Clock, which clearly intended to set up this world as one ripe for future stories and development rather than a singular text, but instead misinterpreted, stripmined, and otherwise nuked essentially everything that might have had one interested in exploring it further in the first place (in spite of the source text’s very definitive conclusions to all major narrative threads and characters). The only reason this is not ranked even lower is the possibility that the upcoming, as-yet untitled Watchmen project by Tom King and Jorge Fornes might manage to dredge something out of this.

60. Earth Negative 11

The first of the Dark Multiverse Earths here, a gender-flipped Earth where Bryce Wayne generically altered herself into an Atlantean in order to do battle with Aquawoman and the forces of Atlantis. As the Dark Multiverse worlds we have seen thus far are described as being borne of Bruce Wayne’s fears, it’s odd that as opposed to the ‘want of a nail’ scenarios shown on all others, this includes the additional twist of making Bruce a woman, yet does nothing with that. Anyway, this is a very clear product of the Dark Multiverse’s debut in Dark Nights: Metal wanting an evil Batman to correspond to each member of the Justice League, and it’s the oddest, most perfunctory of the lot.

59. Earth 34

Home to the heroes of the Light Brigade, defenders of Cosmoville, this is an Earth meant to evoke the classic creator-owned superhero comic Astro City. However, as Astro City is itself made up of archetypal signifiers yet isn’t meta about its usage of them, being defined by its storytelling principles rather than the shared universe it builds up in the background, there are essentially no stories to be told here that couldn’t be told with the regular heroes of the DC universe. Which is a shame, those are some neat character designs.

58. Earth Negative 12

A Dark Multiverse Earth where believing Wonder Woman killed in a battle with the war god Ares, Batman took up the deity’s helm in hopes of redefining war, instead being corrupted by it and becoming an unstoppable monster. There’s basically nothing here.

57. Earth Negative 44

A Dark Multiverse Earth where a computer program meant to replicate Alfred after the butler’s untimely death, attempting to protect its charge, takes control of Batman by way of mechanizing him and turns Gotham into a digital nightmare. A little more on-point than the previous entry, but still not much here.

56. Earth Negative 22

A Dark Multiverse Earth where Batman is finally pushed into killing the Joker, but the Clown Prince of Crime secretes a particularly potent Joker Toxin upon his death that corrupts the Caped Crusader into a second Joker known as The Batman Who Laughs, who slaughters his way across his universe before ultimately making his way to the ‘main’ DCU. The prospect of a Batman/Joker combination is interesting, but an origin for the ultimate corrupted Batman ‘he got drugged into going bad’ falls short.

55. Earth Negative 32

A Dark Multiverse Earth where Bruce Wayne moments after his parents’ deaths was judged worthy of a Green Lantern ring, but having only his hatred of crime rather than the discipline and morality he would come to develop becomes the murderous terror of the underworld, with even the Corps unable to stop him when he manages to force the darkness of his heart through the ring into ‘dark constructs’. Another ultimately throwaway Earth, this at least illustrates the properties of the Dark Multiverse in an interesting way: the constructs he creates aren’t something that’s ever been indicated as being possible or even sensible with the ‘real’ Green Lantern, but as this is a world literally made of nightmares that’s irrelevant.

54. Earth 39

Home to the United Nations superspies the Agents of W.O.N.D.E.R., who operating using super-technology with eventually deleterious side-effects. A pastiche of the obscure T.H.U.N.D.E.R. Agents, it’s hard to imagine anyone with much to say about them wouldn’t simply wish to write an actual comic about them under the current rights-holders, though the concepts described in Morrison’s provided information are enticing.

53. Earth 41

A riff on several of the superheroes published by Image Comics over the years, they’re worth having around for the occasional heroes of the multiverse groupshots for your big crossover comics and Dino-Cop turned out to be charming, but it’s doubtful someone with a big Spawn story in them for instance would use Spore as their outlet.

52. Earth 9

All I know about this is that this is a ‘what if superheroes really changed the world’ Earth, and when those are a dime a dozen, the additional conceits of the names of the various characters not at all corresponding to their traditional backstories and attributes, and being the brainchild of creator Dan Jurgens, are far from enough to sway me. I understand there are some fans out there who may heartily disagree, to be fair.

51. Earth Negative 52

Another Dark Multiverse throwaway Earth, this time one where a Batman shattered by losing his various partners taps into the Speed Force so that he can finally be everywhere at once to stop all crime. This is distinct however in that he achieves this by defeating The Flash, chaining him to the hood of the Batmobile, and driving it so fast their atoms explode and merge, which is thoroughly rad and gets it big-time bonus points next to its contemporaries.

50. Earth 37

An Earth based on the DC works of creator Howard Chaykin, its conceit of being a world that progressed technologically far faster than our world but culturally remains decades behind us is interesting, but I’m not much of a fan of his work that I’ve read and most of what’s been drawn upon here doesn’t seem to have much of a following.

49. Earth 30

The world of Superman: Red Son, where Kal-L landed in the Ukraine and grew up to become leader of a global Soviet Union, before realizing he had deformed humanity’s development and faking his death. Leaving Earth in the hands of a Lex Luthor who while still very much a bastard found public approval in America for fighting Superman, Lex ultimately led Earth into a utopia that over time fell into complacency and became its universe’s version of Krypton, Jor-L (Luthor’s distant descendant) and Lara sending their baby back in time to survive and establishing a predestination loop. While several elements of the DC Universe are present in a limited capacity that could in theory be expanded on, Superman and Wonder Woman are the only superheroes of long-term note and both their stories are very much concluded, seemingly leaving little to do here except have the Superman with the hammer and sickle logo show up in event comics.

48. Earth 6

The world of the Just Imagine Stan Lee Created The DC Universe series, where the father of the Marvel Universe rebuilt several DC figureheads from the name and a few pieces of imagery up. The results were mixed at best, but a series of gorgeous artists involved in the projects mean the characters certainly look interesting even if it’s hard to imagine creators going back here in any meaningful capacity.

47. Earth Negative 1

A Dark Multiverse world where Superman turned on humanity for reasons unknown, and Batman deliberately infected himself with the ‘Doomsday Virus’ to gain the properties of the hulking monster and defeat his former friend. Now numbed to human emotion and vulnerability, this Batman hopes to spread the virus as to make humanity similarly indestructible, as well as shield them emotionally from what he has come to see as the false hope Superman represents. This Batman didn’t end up a major figure in the same way as The Batman Who Laughs, but the conceit is killer and I hope someone picks up on it one day.

46. Earth-52

A universe somewhere outside the local 52, a ‘remnant’ of sorts of the main DC universe circa 2011-2016 prior to cosmic revisions resulting in the current setup. A world where superheroes had emerged approximately 5 years earlier and home to lots of dudes in very dumb battle-armor, most fan-favorite stories from this era have been carried forward into the current history, and its unique version of Superman under Grant Morrison - a socialist crusader in a t-shirt and jeans who battled corrupt institutions and cosmic supervillainy in equal measure - was depicted as set loose from his world after 2016′s continuity changes as a defender of the multiverse. While a significant part of DC history both in-universe and publishing-wise, there wouldn’t seem to be all that much left here worth exploring.

45. Earth 2

A world where Superman, Batman, and Wonder Woman alone represented the first wave of superheroes, they nobly fell in battle repelling an invasion of Earth by Darkseid. In time a new generation would emerge that were modernized, youthful iterations of the Justice Society of America, the superhero team predating the Justice League in DC’s publishing history. While the logline’s an interesting one and the successor to Superman Val-Zod debuted to some acclaim, for the most part this reinvention didn’t end up received well by either new or longtime fans, and a last-minute overhaul where this bunch was transplanted into a rebooted world without superheroes probably didn’t help. You still see them in crossovers and there are promising concepts, but this world seems basically dead.

44. Earth 50

When Lex Luthor ascended to the presidency and soon thereafter executed The Flash, Superman snapped, executed him, and took over the world alongside his allies as the Justice Lords, until they were ultimately overthrown by way of a parallel universe Justice League and a repentant Lord Batman. A Better World unequivocally rules, but given this is supposed to be those specific versions of the Lords rather than a new iteration, it’d be weird to see them up against any universe other than the DCAU. And, well...

43. Earth 12

The DCAU, currently world of Batman Beyond and a future Justice League. The DCAU, you may be aware, extremely rules, but is also somewhat redundant in this context - the ‘regular’ DCU already has all its core components without too much aesthetic differentiation, and there’s already frequently a Batman Beyond in the future of said universe. It has its unique attributes that make people love it, it’s cool that it’s here, but on the macro scale it’s too clean an adaptation to bring much to the table to crossovers and whatnot, and you’d never see any further stories told there otherwise as really being part of the DCU cosmic landscape so much as a comic tie-in to the TV show.

(Also it’s odd this is placed here with the Justice Lords Earth as if to go ‘it’s secretly been part of the 52 all along, you just never noticed when it only crossed over with the one other!’ when there were two other parallel universes in the DCAU.)

42. Earth 43

A nightmare world haunted by the once-heroic, now vampiric Blood League, the obvious potential would be for this world to function as DC’s equivalent to Marvel Zombies. Recently however DCeased has come to fill that position, and while this world in practice if not concept skews more closely towards that source material as the former heroes still have vestiges of their old personalities - in theory distinguishing it as its own spin worth keeping around - it’s hard to imagine most takes on ‘Justice League but monsters’ won’t come out under the DCeased banner for the foreseeable future.

41. Earth 40

A world of pulp villains made to oppose Earth 20, these guys are simple but a hoot.

40. Earth 35 aka the Pseudoverse

More analogues to analogues, this time of the Awesome Comics characters largely defined by Alan Moore in Supreme. This opens up the promising vista of ‘DC if it were designed by Alan Moore’, but in practice as demonstrated by his work with both DC and the analogues these mimic, that would just be...well, good DC comics, which you don’t need a whole extra universe for. The notion of this as a universe artificially created by Monitor ‘ideominers’ however both gives it a unique place in the multiverse, tackles its status as a pastiche in a unique way, and gets back to ideas of the power of imagination in both Supreme and Moore’s other works, so it’s likely there could be something to be done here.

39. Earth 11

A bit of a study in contradictions. This is seemingly a rather straightforward ‘gender swap’ Earth with Superwoman, Wonderous Man, and so forth. Also, its version of Star Sapphire implied it’s not subjected to constant crises in the same way as the main universe it mirrors, maintaining a greater degree of consistency in the process. At the same time however it’s mentioned that the Amazons rather than leaving Man’s World for Themyscira shared its technology and philosophy with the world, changing it forever, suggesting a far different world from what we’ve seen in glimpses here. Until it decides one way or another whether it’s a simple mirror to the regular DCU or a radically different take, it hovers in a state of uncertainty.

38. Earth-2 aka Earth Two

The original version of Earth-2, home to the DC Universe of the 1940s with aged versions of Superman and company and the original Justice Society of America. The first take on a DC universe that would progress in something resembling ‘real time’ rather than keeping the headliners as perpetual twenty-to-thirty-somethings, this was also the birthplace of heroes such as Power Girl and Huntress. I’m of the perhaps controversial opinion that this is a concept that was explored better in later takes: there’s a sense here that the largely forgotten follow-up generation eventually introduced, with the exception of the two heroes mentioned above, will never really matter in the same way as their still fully-active predecessors in spite of ostensibly taking over the family business, meaning you never quite actually get what you want here, which is to see a DC where things meaningfully change and move on - well into his middle age and his mentor’s death long behind him, Dick Grayson is still Robin. Add in the odd, ignominious demise of the original Batman and its Superman’s odd eventual fate - which slide from bizarre to intolerable if you accept the frequent implication that these are meant to be the original versions of them from the 1930s - and I can’t help but think the enjoyable high concept was never realized as well as it could be here.

37. Earth 4

The Earth of the characters of Charlton Comics who would go on to inspire Watchmen, this initially seemed like one of the most promising worlds after its debut in Pax Americana drew perhaps the most pronounced critical acclaim of any single issue in the past decade as the site for creators with something to say to work with Watchmen without actually touching that property. Now, however, Watchmen itself is in the mix: most wouldn’t reasonably go here while the material they’re truly referencing is now freely available (especially those simply wanting to draw fan attention by visibly playing with those toys, the way Earth 4 sidestepped) even though that world itself is now massively compromised past the original text, and with the ‘Watchmen Earth’ no longer an option and the characters themselves - if cleaned-up, more mainstream versions of them - existing in the DCU proper, this world’s role seems to have been largely stripped from it. I have to imagine there’s still potential here for those with the talent and commitment though.

36. Earth 44

A world where in the absence of natural superhuman beings, Doc Tornado created a Metal League of robot superheroes to protect the Earth. A promising concept definitely worth a few stories.

35. Earth 15

Once a perfect universe destroyed in a rampage by another Earth’s Superman, it was artificially reborn through the will of Countess Belzebeth - a cosmic vampire - as a copy of the Prime universe with the Green Lantern Corps replaced by Belzebeth’s despotic Blackstars, the uncertain and bitter heroes of this universe warped through the lens of Belzebeth’s perceptions of them had no chance against her forces. While its inhabitants are a bit samey what with all life having been subsumed into the diamond will of Blackstar Controller Mu, the idea of a conceptually weakened DCU being turned into an army against the rest of the multiverse makes for a terrific threat, and the prophecy of the ‘Cosmic Grail’ (a Green Lantern power battery lost somewhere in the multiverse) and that the First Lantern of the multiverse Volthoom hail from its original incarnation lend it some extra mythological weight.

34. Earth 32

A mashup world hosting the likes of the Justice Titans, Young Justice International, and the Doom Society. A world that’s home to Aquaflash will probably never have an ongoing all its own, but plenty of stories, miniseries, and even a brief line of comics have been based on mashup characters before, so there’s plenty of proof of concept for this being able to endure.

33. Earth 23

An Earth where Batman (naturally) is the only white guy on the Justice League, and Superman is not only President of the United States in his secret identity as Calvin Ellis, but the leader of the multiverse-spanning superteam Justice Incarnate. It reads like Morrison trying to do his idealized take on an ‘Ultimate DC’, a more diverse and politically engaged superhero landscape that doesn’t scale down its big ideas in turn, and if I were ranking it at the time it was introduced it would go much higher. The problem is that its version of Superman is modeled after Barack Obama, and that guy isn’t President anymore (and for that matter his legacy seems to grow more complicated by the year). As a result the vibe goes from triumphant to wistful mourning if not outright bitterly ironic, and that’s a needle that would have to be threaded before doing any substantial work here.

(Also, since several Justice Leaguers here rather than being made black are replaced with various black counterparts they’ve had over the years, that means Wonder Woman here is the 70s Amazon Nubia. And, uh, that name is something that would have to be...something.)

32. Earth 19

Steampunk superheroics; superhero period pieces are usually fun, and this is built on a foundation of pretty Mike Mignola art (though confession that I’ve never read Gotham By Gaslight), so sure, this one has potential.

31. Earth 18

Same as above but cowboys instead. This gets extra credit because cowboys mesh better with superhero conventions, and the additional twist of this world being frozen in history by the Time Trapper, forcing them to approximate modern technology with 19th century resources.

30. Earth 31

A post-apocalyptic waterworld where humanity is protected by Captain Leatherwing and assorted other pirate superheroes. Another ‘superheroes but in another genre’ setup, the post-apocalyptic, environmental twist makes it unfortunately more relevant than its peers, though I don’t think it’s quite the best end of the world as we know it on the list.

29. Earth 42

Home to the adorable, innocent world of the chibified Little League...secretly robots unwittingly enacting an endless stage play for the malevolent being known as the Empty Hand, running scenarios of his devising in preparation for a coming war with the rest of the multiverse. It’s a neat little multipurpose world, able to be played both as amusing contrast, or as parody whether light-hearted or cynical, in their endless ‘playtime’.

28. Earth 7

Formerly home to counterparts of the heroes of Earth 8, it was shattered by the Empty Hand’s forces and its desiccated cities made his throne, the zombie hordes that were once its champions his armies. The ‘Ultimate Marvel’ to Earth 8′s Marvel proper (and now Marvel Zombies), the idea of the broken remains of the cool version of the cool superhero universe as the lair of the ultimate evil has a certain appeal.

27. Earth 52

The last of the Earth 52s on this list, this newly added 53rd core Earth is home to Frank Miller’s Dark Knight books. Much as the reception to it over the years has become...mixed, at best (for my money Dark Knight III is the only one that’s not at least bad in a very interesting way, and even it still has its moments), the surprised generally positive reception to the most recent entry in Dark Knight Returns: The Golden Child suggests there’s still life in this oddball corner of the cosmos yet.

(Fun fact: this was Earth 31 in a previous version of the multiverse, and Morrison intended it to be included as such in Multiversity - hence why Earth 31 is made up of inky scratches on the Map - but Miller requested he not since he wanted to keep his domain separate from DC’s ongoing storylines. Instead he agreed later to Scott Snyder and Greg Capullo’s use of it in Dark Nights: Metal as DKR is famously Snyder’s favorite comic, bringing it in as Earth 52.)

26. Earth 47 aka Dreamworld

Where the Love Syndicate of Dreamworld dwells, baby: all is groovy. It’s incredibly specific in both era and theme, but a psychedelic universe with heroes to match invites tons of possibilities.

25. Earth 10 aka Earth X

It’s the Nazi Earth that sucks. It has superheroes who unnervingly are about as well-intentioned and effective as the standard set in the New Reischman, opposed by the few remaining dregs of the Freedom Fighters led by Uncle Sam; only their Kal-L, Overman, once Hitler’s weapon, truly understands the scope of the atrocities that led to their ‘utopia’, having grown a conscience too late and ever-aware that no feat in the present can ever redeem the oceans of blood on his hands. You can do horrifying introspective stuff with them as in their Multiversity chapter, you can tell Freedom Fighters stories like the recent miniseries, or you can just have the Justice League show up to fight the Nazi Justice League. A Nazi world is a standard one in multiverse stories for a reason, you don’t get easier targets.

24. Earth 5G

The DC universe that’s...sort of here and sort of not. Doomsday Clock and other upcoming stories appear to be shifting us over to this, but in most of DC’s line of titles the leap hasn’t taken place yet. As we haven’t seen the bench of successor heroes apparently primed to take over only so much can be judged, but the vast changes suggested by the new ‘official timeline’ that’s been leaked suggest a bizarre attempt at incorporating as many of their editorially-favored biggest hits as possible into a bizarre selective mishmash, without particularly serving the status quos any of the constituent characters said history is meant to bolster (with the exception of Wonder Woman, now framed as the first superhero, which would at least be interesting and a deserved bolster to her profile if there were any particular impression her new standing would be meaningfully followed-through on), while also not only reinstating the mutually destructive retcon of the JSA as preceding Superman, but taking the absurd extra step of actively presenting them as his inspiration. Of course we haven’t seen it in practice yet, and at the end of the day good stories will surely still be told here, but the foundations here are about as shaky as they’ve ever been for the ‘core’ DCU as a wholehearted capitulation to placing dotting all the i’s and crossing all the t’s over the actual narrative logistics of making a shared universe function smoothly.

23. Earth Negative Zero aka Betwixt

A world where those whose senses of self entire disintegrate fade away to seeking to feed on those still well-defined, this bears similarities to the realm of Limbo where ignored superheroes reside, but with just enough conceptual differences and a hellish, malleable twist that makes it the best thing anyone’s come up with to date to do with the Dark Multiverse.

22. Earth 48 aka Warworld

While its iconography is rooted of all things in castoff characters from Crisis On Infinite Earths and no-hopers from Countdown To Final Crisis, the actual conceit here of a world where literally everyone and everything is a superhero that operates by superhero rules, a world built by the New Gods as defenders of reality, is wide-open and tantalizing.

21. Earth 38

Another major shot at a DCU that aged in real time, this version has its own idiosyncrasies but far more of a sense of forward momentum and meaningful change, with the original Superman and Batman still leading the pack one way or another but successors to both them and the rest of the heroes truly stepping up. Also the predominant hero of the 21st century is Knightwing, the grandson of both Superman and Batman who has only partial Superman powers but also Batman training, which is just really cool.

20. Earth 3

The good ‘ol classic evil mirror universe, where strength is the only law, the forces of evil always win in the end no matter how bright the day may become, and thus the Crime Syndicate operates as it pleases. It’s never quite as interesting as you want it to be - its villains are largely one-note - but its warped societal and cosmic rules, and that each character has a handful of twists on the mythology of their counterparts rather than being an exact (if morally inverted) duplicate, means it could easily one day come to live up to its obvious potential in the right hands.

19. Earth 21

Here, most superheroes were forced into retirement after World War II by McCarthyist paranoia, but at the dawn of the 1960s the few remaining and a new generation are emboldened to step back into the light, spearheaded by the Justice League of America. DC: The New Frontier is a modern classic, with a direct standalone follow-up virtually out of the question; as it doesn’t quite lead into the world of the actual 1960s DC Comics either, its sole function in its capacity as a world in the multiverse is as a 60s ‘period piece’ Earth. Given that’s where most of the architecture of DC as we now know it was built however, that’s hardly a problem.

18. Earth 26 aka Earth C

Funny animals are fun, and in a superhero universe that means you get superhero funny animals, courtesy of Captain Carrot and his amazing Zoo Crew. What’s not to love?

17. Earth 22

While time has somewhat dimmed the acclaim that originally surrounded it, Kingdom Come and its tale of a Superman coming out of retirement alongside his allies to try and reign in an out-of-control new generation remains a landmark moment in the genre, and in many aspects still holds up. Unlike many stories of its stature this world has always played nice with the mainline universe in terms of guest appearances and crossovers, including works by the original creators Mark Waid and Alex Ross, and as the most iconic and conceptually expansive work to date set in a DC universe that has joined in the march of time, that makes it a prominent and useful one to have around.

16. The Antimatter Universe of Qward aka The Reversoverse aka the Anti-Verse

The original dark flipside of DC reality, this has occasionally also played home to the Crime Syndicate - and their best stories by far, to boot - but mainly serves as a home base to the Weaponeers of Qward and occasionally Sinestro. While largely unexplored it has a massively central place in DC’s cosmology and the birth of the multiverse, the glimpses of a society of pure evil in early Silver Age Green Lantern and JLA: Earth 2 are far more fun and interesting than anything seen in Earth 3′s history, it’s about to get even more room under Morrison to find definition, and as the ultimate mysterious Forbidden Realm of the DCU the possibilities could be essentially endless in the right hands.

15. Earth-1985 aka Earth One

The DC universe of 1956-1986, and the dragon an entire generation of creators have spent their livelihoods chasing as the ‘classic’ iteration, as evidenced by one of them flat-out confirming it still exists somewhere out there. While that makes it frequently redundant when the main DCU is trying hard to mimic its feel - a few divergent notes such as Maggin’s idiosyncratic take on latter-day Superman and its version of Jason Todd aside - the prospect of a DCU that remained in that mold forever to a greater or lesser extent even if time may have moved forward could, in principle, free the main universe to go off in wildly different directions, knowing this image of DC always exists in its own space to return to when so desired rather than actively turning the current status quo to face backwards.

14. Earth 17

The Atomic Knights of Justice quest across the radioactive landscape of Novamerika in a world decimated by nuclear was in 1963 in search of Earth 15′s Cosmic Grail, their only hope against the coming of Darkseid. A mashup of the Justice League with the protagonists of one of the most fascinatingly bizarre comics of DC’s Silver Age in the Atomic Knights, a mythic quest, and most relevantly “What if Fallout had superheroes?” leaves this feeling like it’s just waiting for its moment to shine.

13. Earth 8 aka Angor

Known across the rest of the multiverse as the protagonists of the Major movies and comics (as opposed to the sub-imprint Essential Major reflecting Earth 7), in actuality the non-actionable champions of Angor - the Retaltiators, the G-Men, the Future Family, and The Bug, among others - are as real as any other superheroes, and while they struggle under the weight of both mistrust by the general public and frequent in-fighting, they’ve thus far protected their world from threats global, universal, and multiversal alike. The Big Two having stand-ins for each other is a longstanding tradition for good reasons: it not only allows for crossovers where the legal stars don’t align (and adds an extra fun shock of recognition whenever the reader realizes what’s happening), but provides each of them an ongoing version of those archetypes to play with within the confines of their own narrative, whether as contrasts or bending them to fit the tone of a very different shared universe than they were originally created for.

12. Earth 16 aka #earthme

The world where every sidekick, super-son, successor, and short-lived ‘new generation - of HERO!’ at last seize their moment in the sun...in a world already saved by their predecessors, with little left to do but lap up lives of super-celebrity and wish for one, just one little alien invasion or immortal tyrant to justify their existences for them. The best of DC’s futuristic/what-if-time-mattered alternate Earths in my opinion, taking to its logical conclusion the notion as stated by Morrison in interviews that as the Justice League will stick around as long as there are evils that need fighting, the ever-present promise of the torch being passed could only ever truly, permanently take place in a world where the job was already redundant. Playing as it does with in-universe history, real-life publishing realities, celebrity culture, generational divides, and the question of what being a superhero even means sans the usual confrontational justifications, it’s by its nature only going to become more expansive and interesting a commentary as time goes by and the regular DCU goes through its cycles of reboots, rebirths, and returns to form.

11. Pocket Universe 54471

Exactly what you see: Superman made a little pocket universe a half mile wide to go fishing in and he was gonna take Bruce and Dick there for the former’s bachelor party, and he knows about and/or created at least 54470 others. It’s absolutely delightful not only in its own right, but as an opening of the door to what the multiverse can mean in DC comics as a sci-fi idea generator beyond riffs on existing properties, while still being presented with a distinctly DC sense of playfulness.

10. Earth 45 aka Earth 45™

The origin of one of the best Superman villains of all time in Superdoomsday - the Superman idea in a world without him brought to life but twisted by committee into a murderous living brand - a horrifying corporatocracy standing for all Superman and company are meant to stand against, and an enduring threat with the world still in shackles and those in power still able to dream to life whatever vision they please of absolute power to be wielded in their name.

9. Earth 36 aka Terra

Justice 9, the defenders of Terra - or I suppose Justice 7 now after the losses of Optiman and Red Racer, though how long does that matter in a superhero universe? - is the most interesting of the direct analogue groups for my money. Technically speaking they’re another twice-removed set like 34 and 35, standing in for the heroes of Big Bang Comics, but given my understanding is that there’s no major “Like the DC heroes, BUT” twist in that book the way Astro City and Supreme have other than a retro ‘good old days’ bent (which definitely isn’t the case here with at least two queer members), Justice 9 basically function as direct analogues for the Justice League...in the same comics as the Justice League. To me, that’s actually fascinating: one of the most useful elements of stand-in characters like this is the ability to tap into the iconic power of archetypes without the familiarity surrounding the actual figures, in the way Planetary for instance uses just enough distance from the source material to make a couple dozen decades-old pop culture touchstones feel completely new, and this implements that approach to the material to the DC characters with heroes who can actually themselves team up with DC proper. As many approaches as could be taken with that though, that potential alone probably wouldn’t be enough to shoot it this high up the list if not for a major additional factor: in the same way that in the old-school DC universe the heroes of Earth-1 had comics reflecting the adventures of the heroes of Earth-2 long before learning they were real in another universe, DC Comics are published on Earth 36. Aside from the neat trick of putting our leads in the same position as the Golden Age heroes, it means Justice 9 grew up with the Justice League as their heroes in the same way as us the audience before becoming heroes themselves, and then they grew up to learn they were real. These folks absolutely deserve to become multiverse standbys.

8. Earth 51

The Earth where all Jack Kirby’s ideas live as a single cohesive world and adventure. No further justification is needed.

7. Earth 13

A world of occult danger where DC’s traditionally superheroic magical figures such as Zatanna and Deadman are given the full Vertigo horror treatment, while the more intimidating and morally dubious figures such as Etrigan and John Constantine get logos and codenames. Not only an expansion but an offputting inversion of one of DC’s most acclaimed corners, this oddball bunch could bounce off of the capes and tights crowd as easily as your Shadowpacts and Justice League Darks, in ways no other team from any corner of the multiverse could.

6. Earth 20

Pulp champions of a 21st century that remains aesthetically moored in the early 20th, of the handful of Earths converting DC standbys into different genre territory in the local 52 the homeworld of the Society of Superheroes hits hardest, given the role the likes of Doc Savage and The Shadow played in that time shaping the conventions of superheroes as we know them. Add the wealth of concepts presented in their oneshot and the decision to hew away from the traditional Justice League riffs of parallel Earths, and of all the truly new worlds introduced in Multiversity, Earth 20 is the one that most feels like it could support an ongoing all its own.

5. Earth 29 aka Htrae

You gotta have Bizarro World. You just gotta.

4. Earth 33 aka Earth Prime

The in-universe representation of our very own pale blue dot. Whether it’s the birthplace of Superboy Prime where assorted DC creators had to deal with a visiting Flash and Superman throughout the 60s and 70s, meta games with the various incarnations of Ultra/Ultraa, a looming threat yet also victim in need of rescue through the eyes of Justice Incarnate, or the unwitting home of the ‘Superman’ or ‘Batman’ of Kurt Busiek’s off-center takes on the characters in Secret Identity and Creature of the Night, over the years DC has shown a decent amount of restraint in not going back to this particular well too often unless someone has a really clever tale to tell, and as a result it has maybe the single best batting average of all the ‘parallel Earths’ that have been regularly returned to by DC over the years. Give yourselves a hand, folks!

3. Earth 5 aka Thunderworld

Home not to ‘Shazam’, but Captain Marvel and the Marvel Family in all their glory, a technicolor world playing by the rules set down by Otto Binder and company where a superhero can literally battle planets and the most dangerous villain of all may be a very, very mean worm with glasses, a place of dream logic and childish innocence even by the standards of superhero comics. Captain Marvel at his best is one of DC’s most iconically potent players yet many seem to agree that much of his woes in recent years have come down to trying to find a unique space for him in the DCU proper. While I don’t know that it’s at all impossible to make that work, it’s certainly true that Marvel as he was originally presented doesn’t quite make sense in that world, whereas back in his own he keeps a flavor entirely unique to himself and his partners, whether for solo adventures or teamups with the heroes of the other worlds, playing it straight or examining some of the unsettling implications established by Thunderworld or finding a new way to make it work. Much like Bizarro World, it’s simply a locale the place doesn’t quite feel whole without.

2. Earth 25 (?)

While I’m a bit dubious on it definitely being Earth 25 in the core 52 based on interpretation of an offhanded line from Mr. Terrific (it has a multiverse all its own!), the fact of the matter is that America’s Best Comics came roaring out of the gate as proof of its own title, and basically didn’t stop until it ended. A couple after-the-fact Tom Strong miniseries (containing perhaps the most singularly cowardly hack move in the history of shared universe comics in undoing the end of Promethea) can’t detract from the core ABC lineup being made up of some of the most singularly clever, gorgeous, and heartfelt superhero titles to hit the stands, pretty much the platonic ideal of what you want books like these to look like. If this universe can hang around in any capacity at all until someone god willing picks them up again in a big way, it’s a win in my book.

1. Earth 0 aka Prime Earth

The extant version of the main DCU for at least a little longer, it really does feel like more than just about any version before it - at least for my money - they finally got all their ducks in a row, albeit right before blowing everything to hell. Most of the stories you really want to still have some sort of weight for the major characters are still in play to be built on, and most of the stories that clearly needed to be dropped are dropped. The cosmology’s fleshed out and expanding, the big names mostly work as they should ideally work while still heading into new territory, the JSA is mysteriously somehow around in the past without interfering with the primacy of Superman and the Justice League as the first known superheroes (a mystery that will never be resolved now due to the current reboot; damn shame) and the Legion of Superheroes have a new coat of paint, and there’s room for stories cosmically massive and intimately personal and utterly bizarre throughout the line rather than there being a single overriding idea of what these books should be. It may not be the perfect DC Universe by any means, but it’s a real, real damn good one, and of course without that thing, none of the rest of these universes would have been there in the first place.

#DC Comics #Multiversity #Opinion

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jackdawyt · 5 years ago

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One of the most alarming statements made by anonymous BioWare employees currently working on the next Dragon Age has been the remark that the next game is “planned with a live service component, built for long-term gameplay and revenue.”

Like me, I suspect you have questions regarding what exactly a live-service Dragon Age 4 may entail. While we don’t have all the answers currently, thanks to Jason Schreier’s article on “The Past and Present of Dragon Age”, we certainly have an idea on what the next Dragon Age may look like.

Regardless, I feel like it’s even more necessary to have this conversation on BioWare’s live service future having watched the debacle of Anthem’s post-launch content, and what BioWare hopefully learned from Anthem’s experience going forward with Dragon Age 4.

You see, Anthem’s live service model was originally going to follow story-based content after the base game launched. The content would forward the main narrative in many different directions with new areas, bosses, dungeons, characters, stories, and of course, cosmetics.

In pre-production, Anthem's story had been produced with live service in mind, so the developers could easily write, change and create many different plot points and narratives in future content to come.

“They had a really strong belief in the live service,” said one developer. “Issues that were coming up, they’d say, ‘We’re a live service. We’ll be supporting this for years to come. We’ll fix that later on.’” (How BioWare's Anthem Went Wrong, Kotaku).

The game was originally planned to follow a deep content road map, that would have players still engaged with Anthem ten years after launch.

"Anthem is a social game where you and your friends go on quests and journeys. It’s a game that we’ve been working on for almost four years now, and once we launch it next year I think it’ll be the start of a ten-year journey for us." (Patrick Soderlund)

However, Anthem’s original ‘idealistic’ live-service model didn’t come to fruition due to only 18 months of development time. The content road map we did eventually get for Anthem, didn’t prove to be successful.

[Anthem] was in development for nearly seven years but didn’t enter production until the final 18 months, thanks to big narrative reboots, major design overhauls, and a leadership team said to be unable to provide a consistent vision and unwilling to listen to feedback. (How BioWare's Anthem Went Wrong, Kotaku).

The post-launch content was staged in acts. The first act was called “Echoes of Reality” and would last around three months, providing constant new missions, strongholds and world dynamics. The act would end on a huge update called “The Cataclysm”.

Unfortunately, this road map was too idealistic, and was cancelled after heavy delays of “The Cataclysm” event.

With BioWare’s first live service model not going according to plan, hopefully, the unsuccessful launch of Anthem’s live service-model speaks volume for future BioWare’s titles, and the developers have learned from that experience.

It's worth stating that Anthem isn’t dead and BioWare haven’t abandoned ship. They’ve remained adamant on working out how the game can stay afloat, as a small production team at BioWare Austin work on the preliminary design of Anthem 2.0.

BioWare and parent company EA have been planning an overhaul of the online shooter, according to three people familiar with those plans. Some call it “Anthem 2.0” or “Anthem Next.” (Sources: BioWare Plans A Complete Overhaul For Anthem, Kotaku).

In spite of that, I know for a fact, every Dragon Age fan can look at Anthem’s style of a live-service model and say that this model wouldn't cross-over into a Dragon Age game.

Anthem is a multiplayer game with a heavy emphasis on gameplay as opposed to story. While the game does have a main narrative with all the BioWare trimmings of lore and a codex, the general reason you play Anthem is to kill, loot and customise your javelin suit.

This gameplay loop can be easily continued with a live service model adding new content like levels, enemies, worlds, cosmetics, etc.

Whereas for Dragon Age, the player’s experience is deeper than the gameplay - there are many reasons we play Dragon Age - for instance my experiences have been driven by the story as I, solely, make impacting choices and consequences throughout the world.

Anthem’s live service model reflects a very different perspective, so, what could a Dragon Age live service-model entail?

Well, according to Jason Schreier: “we not sure about the details, and in fact they’re likely still being decided, as the game is still very early in development and could evolve based on the negative reception to Anthem. If it does turn out to be an online game, which seems likely, it would be shocking if you couldn’t play the bulk of it by yourself."

"One person close to the game told [Jason] that Morrison’s critical path, or main story, would be designed for single-player and that goal of the multiplayer elements would be to keep people engaged so that they would actually stick with post-launch content."

"Some ideas [Jason] heard floated for Morrison’s multiplayer include companions that can be controlled by multiple players via drop-in/drop-out co-op, similar to old-school BioWare RPGs like Baldur’s Gate, and quests that could change based not just on one player’s decisions, but on the choices of players across the globe."

“They have a lot of unanswered questions. Plus, I know it’s going to change like five times in the next two years.”

The trouble with Dragon Age 4 being live service is that the game is predominantly single-player, and while there is a multiplayer mode in Inquisition, no one plays Dragon Age for multiplayer. As I said before, there are many personal reasons each of us play the series from escapism to fantasy fulfilment and everything in-between.

Diversification of a live service model or multiplayer in the fourth entry of a single-player RPG just sounds like a recipe for disaster in my opinion.

While in theory, the idea of a drop-in/drop-out coop system in Dragon Age 4 sounds somewhat okay, everything else that multiplayer implicates is not okay.

If this sort of coop system is embedded into the game, then Dragon Age 4 could be an always online game running on servers. If Anthem serves as an example, that means no offline play, long loading screens, and an almost unplayable launch day.

How can Dragon Age 4 follow a live service model, and at the same time appeal to the majority of the single-player fans? That’s not a rhetorical question because I have three approach's BioWare could likely follow:

The Andromeda Approach

In Mass Effect: Andromeda, Ryder has a small unit called Strike Teams, they act like Inquisition’s war table mechanic where you can send out groups into the world for rewards. However, in Andromeda as a secondary option, the player can actually take over these missions themselves in the multiplayer mode to assume full security over the mission’s succession.

Dragon Age 4 could have a new war table that enacts live service content. Perhaps you’re given an incentivise to take on side-missions in multiplayer with other people, however, like Andromeda’s method, if you’d rather not, you can just send NPC’s to do the task with a longer time limit.

The multiplayer mode while connected to the single-player would be a dispatched component. This sounds like the most okay approach for the majority of fans.

The Anthem Approach

Anthem’s approach follows a single-player hub-based world where many key choices and story scenes can play out. Then once you enter the world, or choose a quest, the player is automatically put into a lobby. While you can play the missions and explore the world solo, you can’t play offline, it’s always online play on servers.

Hypothetically, if Dragon Age 4 followed this exact approach, the player would have a single-player based hub, like a castle, fort or camp where we could engage with our allies and further the plot. However, when continuing the main missions, or exploring the world, we’d then have to go through a lobby to continue the adventure solo or with friends on always online servers, with no offline play.

This wouldn’t be a good experience in my opinion.

The “Ideal” Approach

My ideal approach to live service is, of course, way too optimistic, but I’m throwing it out there anyways because Ubisoft did it, so that means anyone can do it. I’d love Dragon Age 4’s live service model to follow many post-launch story-based DLC’s adding to the narrative post-launch.

Perhaps smaller content added monthly like new enemies, quests, areas, etc.

And larger, story-based content perhaps 3-4 months after launch, and onwards.

This is exactly what live service should be, the game is kept alive with more quests and story DLC’s giving the game breathe. If done successfully, this could be a live service RPG done right, with more content coming for months.

Final Thoughts

I may sound cavalier about the whole live service Dragon Age 4 ordeal, but I trust in the developers and their knowledge of their games and more importantly, their fans.

This is something I haven’t stopped talking about, but it’s worth reiterating that the BioWare developers are looking with an eye to what the fans love about Dragon Age. The main team working on Dragon Age 4 created the Trespasser DLC, that’s John Epler’s narrative direction, with Patrick Weekes as the Lead Writer.

Yes, I do get worried when I hear the terms “live service Dragon Age 4”, and “Anthem with Dragons”, but ultimately that’s just unplaced fear. In reality, the BioWare developers know their fanbase more than anyone, and will most certainly cater to our needs for the next Dragon Age game.

I know this topic is rather baren at the moment, we don’t have a clearer picture of what Dragon Age 4 will look like. We’ve just got to trust the epic developers who’ve been at the studio since Dragon Age: Origins and are working on the next instalment to the best of their ability.

I’m sure we’ll touch on this topic in the future, but for now, let’s just focus on supporting the people creating the next Dragon Age, rather than fear what may or may not transpire in the next game. When we know more about live service, I’ll be sure to have another chat about it with you all then.

Let me know your thoughts on how BioWare can handle Dragon Age 4’s live service model.

#dragon age #live service #ea #dragon age 4 #dragon age live service #joplin #morrison #past and present dragon age #live service dragon age #dragon age 4 live game #Dragon age multiplayer #solas #thedas #tevinter #anthem #anthem 2.0 #andromeda #bioware live service #bioware multiplayer

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aeipcthys · 4 years ago

Text

╰ ❛ 💉 — › brenda song. cis-female. she/her. ╯ have you met margot moore yet ? this twenty nine year old virgo has been living in the seattle area for one month. she makes a living as executive assistant to the chief of surgery, which is best suited for their observant, loyal, picky, and judgmental personality. hold on by wilson phillips is one of their favorite songs.

trigger warnings: mental health, mental illness, bipolar disorder, racism, microaggressions, gambling addiction mention, addiction mention

full character page here

BASIC INFORMATION

Full Name: margot moore

Nickname(s): moore

Age: 29

Date of Birth: august 23, 1992

Hometown: lake placid, florida

Current Location: seattle, washington

Ethnicity: hmong, thai

Nationality: american

Gender: cisgender female

Pronouns: she/her/hers

Orientation: she has only ever slept with men. that being said.......how y’all doing

Status: technically in a relationship

Religion: christian

Political Affiliation: democratic socialist

Occupation: executive assistant to the chief of surgery

Living Arrangements: she wants a roommate so if someone breaks into her apartment she won’t be the only target

Language(s) Spoken: english, hmong

Accent: american

PHYSICAL APPEARANCE

Face Claim: brenda song

Hair Color: brunette

Eye Color: dark brown

Height: 5'2

Weight: 113 lbs

Build: slim

Tattoos: anchor, writing on her finger, cross on her knuckle, writing on her wrist, bee on her wrist, cross on her side, symbol on her wrist

Piercings: ears, cartilage

Clothing Style: cute, fashionable kind of thing

Usual Expression: resting bitch face probably

Distinguishing Characteristics: laugh

HEALTH

Physical Ailments: none.

Neurological Conditions: has a form of bipolar affective disorder, doesn’t talk about it much, and is strict about her medications

Allergies: none.

Sleeping Habits: sprawls out across her bed when she eventually passes out with the tv on

Eating Habits: vegetarian except when she’s not

Exercise Habits: she actually attends those soul cycle kind of classes, and is really into it, but she would definitely make fun of them to everyone else

Emotional Stability: 9.14

Sociability: chatty, definitely can be nice, often judgmental but with good intentions, will gossip with you

Body Temperature: runs cold yet often wears outfits she’ll definitely be cold in

Addictions: stupid dumb men

Drug Use: we’re not necessarily opposed, but not a regular thing

Alcohol Use: bottle of wine everyday when she gets home kinda thing

PERSONALITY

Label: tbd

Positive Traits: observant, loyal, analytical, hard-working,

Negative Traits: picky, judgmental (with love), cynical, bossy

Fears: people in mascot costumes

Hobbies: being tupperware for other people’s messes (i stole this from an astrology site but legit her okay), girl can internet stalk the HELL out of someone for you if need be

Habits: eavesdropping on conversations, accidentally cutting people off when she has a better idea, zoning out when a whole lot of boring is coming at her

FAVOURITES

Weather: if it’s not humidity, she’s cool

Colour: shades of peach

Music: anything she can dance to in her apartment or every once and a while something at her desk that would make lachlan uncomfortable

Movies: no movies, movies are long

Sport: uh

Beverage: wine

Food: too many things have been described as her favorite to keep track

Animal: no thanks

FAMILY

Father: cye moore

Mother: mai moore

Sibling(s): elias moore

Children: none.

Pet(s): n/a

Family’s Financial Status: middle class

EXTRA

Zodiac Sign: virgo

MBTI: estj

Anything Else:

BIO

Margot Moore grew up in Lake Placid, Florida...a very tiny place in the sunshine state. Lake Placid had a population of just about 2,000 people, and Margot felt the smallness of it all ever since she was young.

Her parents, Cye and Mai, were good and loving parents to Margot and her brother, Elias. Both her parents were immigrants to the United States, so they were among the many who worked tirelessly to provide a good and stable life for their children. Her father worked his way up to being a branch manager at a manufacturing company, and her mother worked at a bank. All in all, her life could be described as pretty normal.

However, growing up in Lake Placid wasn’t always a walk in the park. Lake Placid was a largely white town, and because it was small, everybody knew everybody. Which meant people talked. You never wanted to be on the wrong side of that talk. As she got older, Margot started to see that she looked different from a lot of her classmates. Her classmates noticed it too.

TW racism, microaggressions She began to experience racism and microaggressions at the hands of people who were her friends. A lot of it was unconscious, but there was a definite bias. Margot’s parents knew it too, but they didn’t want to rock the boat. They encouraged Margot to ignore it. To try and blend in as much as possible. So, that’s what Margot learned to do. She tried her best to just blend in with it all. She didn’t talk much about her family’s culture or traditions. She tried to make herself look more like her friends, even dying her hair blonde for a period of time to try and make herself into the ideal standard of beauty.

TW mental illness, mental health, bipolar disorder During this time, Margot also began to struggle with other things. Her mood swings were unpredictable. She experienced racing thoughts and an inability to focus. She started sleeping less and making some risky decisions. At first, Margot didn’t want to get help. She didn’t see a need. But when she started to fall back into a depressive episode during her junior year of high school, her parents said enough was enough. Margot started going to regular therapy appointments and met with a number of psychologists. She was diagnosed with a milder form of bipolar affective disorder, and she has been on medications ever since.

Margot has done extremely well keeping up with therapy and her medications. Therapy is the one thing she’ll never reschedule. Not even for work. Old habits die hard for Margot, though. It’s hard for her to talk about her mental illness because in her mind, this is just another thing that separates her from everyone else. And remember what her parents always said: assimilate.

Margot went on to college, and she had a strong desire to get herself out of Lake Placid. She decided to study business at the advise of her dad at the University of Central Florida, but it wasn’t something she was exactly passionate about. It was a thing to do while she enjoyed her college years. She wasn’t bad at it, she just didn’t give as much effort as she probably should have.

Out of college, Margot had little money of her own, but she was determined not to go back to Lake Placid to live with her parents. She started temping at an agency, and she would get moved around from business to business, mostly doing administrative work or bookkeeping. It wasn’t overly exciting, but it gave her some money to live off. Plus, Margot lived off of learning about each place she worked at...all of the office gossip and drama.

Somewhere in her post-grad life, Margot met Holden. Holden was, in fact, an idiot who probably had a (TW gambling addiction, addiction) gambling problem that Margot funds. Margot and Holden just kind of ended up together. It wasn’t that they were madly in love. They just kind of...stuck. Margot was the one who pretty much kept them alive. She for some reason has a soft spot for the dumb ones...it was the only thing that kept her from kicking him to the curb through the years. Their relationship isn’t solid, or even necessarily exclusive...it just kind of exists. And no one understands it.

When she was about 24 years old, Margot started temping at a private practice in Florida. This is where she soon met Lachlan Covington and Andrea Martinez. Both the doctors worked at the private practice, and Margot started actually liking her job. Of course, it was a temp job, so she had to work her magic. Sure enough, she was eventually able to persuade Lachlan into taking her on as an assistant.

Margot has been working for Lachlan ever since, and she’s built up a good friendship with Andrea. She was shocked when Andrea left for Seattle, and high key disappointed to see the couple split up. She always hoped they would be endgame. Margot stuck by Lachlan, but she often told him that he needed to get Andrea back. Because he did. Eventually, Margot watched Lachlan leave too. She initially had no intention of going with him, considering her life was all in Florida. However, after a few weeks him being gone, she realized how boring most of her other co-workers were. When he reached out to see if she’d come to Seattle, she said yes almost immediately. (She tried to be casual about it though). She assigned herself the title of executive assistant, just because she thought it sounded more important with the word executive in it.

Margot didn’t exactly break up with Holden before she left, and by the sounds of his texts, he may still think they’re still together. She’s just kind of letting that be for the time being. After all, they’ve been together for so long.

Margot is liking Seattle, but she hates living alone and is still trying to get her own lay of the land. She likes to have resources...people she can go to when she needs something, people she can squeeze information out of, the good restaurants she can order from and charge to the hospital credit card when Lachlan’s inevitably working late and she stays in solidarity...that kind of thing.

PLOTS

y’all know me open to anything

probably looking for: roommate!!! folks she always goes to for info, people to gossip with, a friend she often grabs lunch with, that one doctor she hates and always tells them that lachlan is in a meeting when really he’s completely free

#traumaintro #she was not meant to stand still ( margot moore. )#sup #( character intro. )

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ma-gic-gay · 4 years ago

Note

The kiss had complicated things.

Asking for an anullment had complicated it even more.

This was just supposed to be a marriage of convenience, a marriage built upon keeping Wiley safe from everything that could hurt him. Especially Nelle. They got married to protect him, so Michael could have a better chance in court against her.

After they won sole custody, the psycho bitch had kidnapped him after slashing Brook Lynn's throat. Thankfully, Michael had found them and saved Wiley.

That damn kidnapping is the reason Willow's thinking like this. Well, maybe one good thing came out of that besides extra quality family moments: her kiss with Michael after he'd brought their son back home.

Their son. Willow was officially adopting Wiley. Diane had the paperwork ready to go, all they had to do was sign it tomorrow and then her and Michael would always be in each other's lives, whether they wanted to or not.

She really wanted to be in his life in a bigger way than just a co parent for Wiley. As much as she loved that little boy, and there was no way to put the love she has for him into words, she didn't want to be the parent who's house he goes to on the weekends or a visitor to him. Granted, Michael would never let that happen. He was too kind, too perfect when it came to that, amongst other things. Michael wanted to make sure that their family stays just that, a family. Dysfunctional to an extent, yes, but a family.

It's almost like everyone is yelling for them to get together. Even his grandmother and brother who had met Willow ten seconds before saying how obviously happy she made his little brother.

Maybe she's just overthinking this. After all, Michael might still be in love with Sasha. It's completely possible; they were together for a long time.

But...

What if she's not? What if this isn't all in her head, and she's not freaking out and internally losing it over nothing? What if this is real, a genuine connection, and they're just throwing it away?

Dante said something about this when they'd met, in between quick witted remarks about the dysfunction she had married into. He'd actually said a lot of important things, she thinks.

"I'd ask my little brother if you make him happy, but you obviously do. I can see it written all over his face," Dante had said as soon as they were introduced.

Michael had brought up getting an annulment as opposed to a divorce, which she explained had been in part because they didn't have any irreconcilable differences. "Well, I just got here, so what do I know, but you two seem pretty happy together. And compatible- genuinely, that's a rare thing! But you guys know what's best for you guys."

She couldn't believe it. Each day, their family moments, it felt more and more like normal. Her broken heart had mended, she knew it. When she had to speak to Chase the other day, she didn't feel like she was in love with him anymore. She could look him dead in the eyes and still not feel that spark.

It was a confusing situation in general, with Michael having asked for an annulment after saying how great she was and kept looking at her with that look, the half smile and loving eyes.

How she loved that look. It was becoming a favorite thing of hers, seeing him look at her like that. She didn't know what it was, but if anyone was going to, she figured it would be Dante.

Or she could ask Michael himself. After all, they always promised to tell the truth to each other no matter what happened. Honesty and trust were the foundation of their marriage. Despite the fact it would be ending a lot sooner than she would've liked, they were still married. Rules still applied.

And that's how she ended up waiting anxiously in the foyer for her husband to come home. "Hello, Willow. What are you doing?" Dante asks when he walks in the door. "I mean no offense by that, of course, it's just you look like you've got something on your mind. Or, rather, someone. You also look like Lulu back when we were just married and she was so excited to see me at home, so I'm going to guess you're looking for Michael and have something important to tell my little brother."

"I can't get anything past you," she chuckles softly. Dante genuinely cared about the people around him and who made his family happy, that she could see easily.

"So why are you waiting for my brother?"

Willow takes a deep breath, sitting on one of the stairs so she stops pacing. "Well, you look like there's something on your mind. Wanna talk about it?"

Dante let's out a quiet laugh. "You don't want to go first, fine, I will. I just saw Lulu at the Floating Rib. She was there for Maxie's engagement party, I guess. Something I was not invited to, since she didn't know I was back in town. Anyways, we were chatting and then Dustin walked in. He was talking about a PTA meeting. I knew they were serious, but I had no clue that they were serious enough he's on the PTA."

"Dustin's not on the PTA, he's a teacher. He had to make a presentation. I know because I'm a teacher too. I get kids who have been transfers from his school." Willow informs him, watching as relief goes over her brother-in-law's face.

"That's good, but still. He then offered to start getting to know me, practically insinuating that I'm just some dude he has to deal with in Lulu's life. It feels like a bad love triangle, the first of many you'll experience as Wiley's mother. I don't know, I don't like the guy," Dante sighs.

"I don't know if this will make you feel any better, but to be honest, his reviews are meh at best. The kids like him, for sure, but I don't know. Haven't made up my decision about him yet," she smiles.

Smiling back, Dante says, "Well, you've got to tell me now. What are you so desperate to tell Michael you're pacing like a newlywed who needs sex?"

She bursts out laughing. "You're blunt, Dante. Lulu isn't going to pick Dustin, you know that."

"It's Lulu Spencer. I'd like to think I know her, but I don't know. She's... Changed since I last saw her. In a good way, but still, change is change. Peter offered me a job where we might be working together, so there's that. Anyways, enough of me. You're not getting out of talking about Michael anymore."

Willow playfully glares at Dante. "Fine. I'm going to tell him that I don't want an annulment."

A huge smile breaks out onto Dante's face. "Thank God, I was half convinced you weren't going to tell him or he wasn't going to tell you."

"Wait, Michael doesn't want one either?" Willow asks, confused. He had been sending mixed signals for a while now, but so had she. Her feelings were... Complex, that'd be the ideal phrase to describe them. She didn't know if she loved him yet, nor did she want to rush into that or anything, but there was an attraction she couldn't shake to him.

"Wow, Willow. You're both the most oblivious people on the planet. You're perfect for each other," Dante laughs. "Of course he doesn't want an annulment! Have you seen the way he looks at you lately? That's not how you look at your friend, or convenient wife. That's how you look at someone you love! I've only seen the two of you together a couple of times, but my big bro instincts are telling me that he's doing his thing where he doesn't go for what he wants."

Willow laughs along with him. "That's so frustrating, right? He won't allow himself to have anything good without overthinking it."

As they're laughing, Michael walks in. "What's so funny?" He asks Willow and Dante, confused.

"It's not even really funny, it's just that- Michael, I'm going to let you two speak for a minute. I've got to get to... Somewhere that's not here," Dante excuses himself.

That was weird, Michael thinks as Willow stands. "Is it just me or is he asking weird?"

Willow smiles, "He's not, but we do have to talk."

Taking a deep breath, Michael nods his agreement. "Okay, you wanna go to the living room so we can sit for this conversation, because I've got something to tell you too."

"Me first," Willow says as she sits on the couch next to him. "Michael, I don't want an annulment."

Michael breathes a sigh of relief, "Can I ask why?"

"If you still want to get one, of course we'll get one. But I don't want to. I want to stay married to you and not just because of the house and not cooking or cleaning, which are huge pros. I want to stay married to you because you're kind and loving. You always treat me with respect I didn't know I deserved until we got married. Chase was- he was great, but you don't put work before me, or your family. Family is the most important thing to you, not work or money or any of that stuff. You love Wiley as much as I do, and you're the only person who understands what it's like to be dealing with this stuff as a parent, and as a person. He's not just something that comes with me for you, he's someone important and who you love. I don't feel like I'm a second choice, or that I'm too needy, or that I've got to reschedule my plans so you can do something. And with Chase, it didn't always feel like that. You found out about something I loved and instantly found a broker to get the best wine selections because you wanted me to be able to have that back. Look, what I'm trying to say is I like you, Michael."

There's a quiet in the room as Michael takes in everything Willow just said to him. "As in romantically?" He asks, still processing what he just heard from her.

"Yes, romantically. And I get it if you don't feel the same, it's just that I feel like you might because you're acting like you're into me sometimes and you did say that I was everything you could've hoped for so I guess I just wanted to say this. I Also, Dante was surprisingly helpful in getting me to be able to say this to you," Willow smiles anxiously at the man sat next to her on the couch.

His brain is going a million miles an hour, trying to properly process everything. Willow can't deal with the silence, however, and starts rambling: "If you're trying to think of an easy way to let me down, Michael, just do it flat out. No harm, no foul. It doesn't change what I feel, but it will make me feel less embarrassed about putting you in such an uncomfortable situation."

"You done?" Michael half smirks, and she nods before he kisses her, soft yet perfect. Willow can feel herself falling in love with this kiss, which is arguably better than the other two they've had, as fantastic as they've been.

When they pull away, Michael gives her the look again. It's more intense, but she's realized he's always got it when he's talking to her. "Willow, I like you a lot. I've liked you since we first met, and honestly, I don't know if I ever entirely stopped. The only reason I suggested the annulment is because I knew it would take some time, and because I wanted to know if you wanted to stay married. In my mind, I've always hoped it'd turn out with us together, no matter how real what we both had with Chase and Sasha was. It took me until you accepted my proposal- which, by the way, was absolutely terrible and I'm sorry for that- to realize that I really like you. So I'll call Diane and tell her to call off the annulment."

She smiles. "What does this mean for us, Michael? I can't live in this state of limbo forever."

"I don't know right now. Let's give it a time limit for the state of limbo: Wiley's 2nd birthday. It's a few months away, which is plenty of time to figure it out and still not feel like we're rushing through anything."

"Sounds... Perfect."

You should post this!!!

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blackasmidnightcats · 5 years ago

Text

Continued discussion about Sophie's "redemption arc"

Original post from @agathasarmy

@agathasarmy I've moved this to a new post cause I have a lot of feelings and still want to continue this discussion and I hope you don't mind

So anyways...

(this wouldve been also a great way to introduce the concept of legacies, especially with the past vs. present. vs. future theme and it would also parallel tedros’ storyline as they’re both dealing with the fallout of carrying their predecessor’s glory)

YESSSS

All of them have big shoes to fill because of the people who've nurtured and believed in them

One thing I really hated in the camelot years was the lack of mourning that Agatha and Sophie did for Callis and Lady Lesso respectively.

That is the kind of anguish that I was looking for. Just them being children and missing their parent/parental figure and wishing that they could still be someone's child who could look out for them and motivate them when they needed.

Like Sophie remembering that Lady Lesso believed in her the way that Sophie could never do and Agatha remembering how her mother would have wanted her daughter to live out her life with with love and adventure.

Let's not even get with Tedros (that's a whole other meta in itself)

so far all i got was lesso and hester being the best examples of it, but what i also got from them was that Evil wasnt being cruel but serving as the balance to Good like ok???? what exactly does that entail??

Exactly, I'm really frustrated about this because as much as Soman has tried to make us understand that Good and Evil are equals, he has never actually shown us how equal they can be since all the Evil figures that we have are usually helping Good.

I'm really pissed that the Coven's quest involve them finding a new School Master when they have absolutely no need to do that. They should be doing their own stuff instead. It's the one thing I shame Prof Dovey for.

that was what I expected the series would be: Tedros and Agatha as Good because Good always stands stronger together, and Sophie as Evil because Evil is best alone, but not lonely

I stand behind your point about "Alone but not Lonely" quote because if that does not describe Sophie's biggest problem than I don't know what does. She can have all the fans that she wants and build the whole School for Evil in her tribute and pretend that she's a strong independent woman who doesn't need a man but she'll still feel the loneliness seep through if she doesn't have a closure with her insecurities and envy

instead Soman subverted our expectations in the worst way possible since GoT S8 (dont @ me)

I will stand by you with the hate for GoT s8. That was a trainwreck so badly done it imploded on itself. Recently, writers that have big productions have been having a hard time gracefully ending their stories

EXACTLY I JUST KNOW SOMAN’S GONNA BRUSH IT OFF OR BARELY MENTION IT WHEN THIS KIND OF DIALOGUE IS MORE IMPORTANT TO THE MESSAGE OF THE STORY THAN SOMAN RANDOMLY INSERTING DOVEY AS TEDROS’ GODMOTHER OR REAPER BEING KING FOR PLOT CONVENIENCE

I KNOW HOW YOU FEEL. I WILL NOT STOP BEING SO FREAKING BITTER ABOUT IT.

Soman was off with a good start on that one. I would have been more interested with Sophie trying to handle her narcissistic desires vs her need to actually be a decent Dean to all the new students just like how Lady Lesso was for her. Her understanding how to be Evil and be herself would have been a nice read.

if soman had to bring back a trope from the last era, it would be the discussion of dichotomies i.e. Good vs. Evil, instead of the evil lover trope cos aint nobody got the time for that

YESSS

It's still technically the school for GOOD AND EVIL SERIES even if we go to a new era I was hoping that Soman would still have these as the roots but NOOOO.

His obsession with Sophie obsessing over boys that obsess over her is a strong one apparently.

like at this point it’ just really blatantly obvious how much Soman favors Sophie and I wouldnt be that bothered if he didnt sacrifice the plot or the other characters’ brain cells to go along with it cos to this day I refuse to believe that people really would just accept Rhian like that after reading The Tale of Sophie and Agatha

EXCATLY. I HONESTLY COULD NOT UNDERSTAND SOME OF THE DECISIONS OF THE OTHER CHARACTERS ABOUT THIS.

Like did no one still understand that not everything is what it seems?!

I am baffled with how easy they trusted a comeplete stranger over Agatha who has proven over and over and over again that she fights for the good of EVERYONE and is perfecrly willing to sacrifice her happiness for theirs.

Like at this point I'm thinking that her fairy tale propably does not do justice for everything that she's been through cause if the other people of the Woods read her story the way we did, there would be no doubt that we would stand behind Agatha for a lifetime

like cmon people we went through this already?? a random hot stranger coming out of nowhere??? ITS THE RED FLAG

In defense with them, (and I am saying this very, very off handedly) Rhian did come around saving everyone's asses and was a pretty decent guy (NOT).

WHAT I AM REALLY SURPISED ABOUT IS THAT THEY WANT A PIECE OF HIM AND HOW EASILY THEY TRUSTED HIM WITH EVERYTHING

I THOUGHT THE POINT OF THIS SERIES WAS TO SHOW THAT ROMANCE WASN’T THE ONLY HIGHEST MANIFESTATION OF LOVE, BUT A LOVE BETWEEN FAMILY OR A LOVE FOR ONE’S SELF WAS JUST AS IMPORTANT????

One of my biggest beefs with Soman's writing. He highlights romance too much compared to platonic and self love. I want a moment with Sophie like the one in TLEA where Agatha was getting stressed about letting Sophie and Tedros grow closer and Soman managed to pretty realistically portray that; Agatha was being insecure and possessive and jealous but she let herself reflect on her actions. She made peace with it and faced it with bravery even though it really hurts her. Because she understood that she would never have closure for this if she didn't let it happen.

AGGIE IS THE BEST. I LOVE HER

Why the hell can't Soman write something similar like this for Sophie.

WHY SOMAN PUTTING THIS AMATONORMATIVE BS IN THIS STORY AGAIN LIKE WE ARE TIRED

In fairness, Sophie getting into ANOTHER romantic relationship I will PASS SO HARD.

But for everyone else that deserves some romantic love (TAGATHA PLS) I will accept crawling

also I like your ideas on what could’ve happened instead, with Rhian being more proactive towards Tedros and Agatha instead of Sophie - it would play well into the Camelot myths and themes that I was really expecting in the new era

I KNOW RIGHT?!?!?!

If Soman could only just get over his Sophie Obsession, then he would understand that Tedros was the perfect target for Rhian's manipulations and Sophie was the perfect target for the downfall.

I have no idea how the hell did Rhian think (but apparently it worked because soman plot) that seducing Sophie would win him the love of the Woods.

plus it wouldve been a chance for Sophie to actively help them instead of tearing them apart like in the last 3 books?? like she’s kinda doing that rn but it would’ve been nice if she didn’t have a hand in stealing their happiness like she’s always done too

Well...for me she doesn't seem like she's tearing them apart anymore but I stand with your point about her stealing their happiness.

This could have been good, good character development for her. Her realizing that she keeps making tagatha miserable and stealing what belongs to them and the complexity that comes with her inner struggle between her envy vs love for her best friends.

PLUS CHADDICK DESERVED TO LIVE INSTEAD OF BEING KILLED FOR PLOT CONVENIENCE LITERALLY IT’S THE WORST DEATH IN THE SERIES NOT COS IT’S SAD BUT COS IT DOESNT MAKE SENSE AND MAKES FOR TERRIBLE WRITING IMHO

"NOT COS IT'S SAD BUT BECAUSE IT DOESNT MAKE SENSE"

SCREAM IT A BIT LOUDER SO SOMAN CAN HEAR IT AT THE BACK!!!!

Soman, I will never forgive you for doing this to this boy.

You could have made Tedros and Chaddick have a falling out. I mean the last time that they interacted was during AWWP and Chaddick treated Tedros as crap. I know that all of us headcanon that these two are each other's best mates but they've barely had significant interactions for me to consider that a case.

They'd be so pressured about not followong the legacy of Arthur and Lance that a small problem could propably tear these two apart.

also, on another point, you would think Sophie would be more sympathetic to Tedros situation given that they’re both leading populations, essentially

plus Sophie learned to understand Tedros’ mind better in awwp??? where the hell did that relationship development went (even if she was Filip at the time)??

I am honestly more suprised at how viciously Tedros seems to treat her.

Like it wasn't that long after TLEA that Tedros was perfectly willing to let Sophie stay in Camelot and even asked her to visit but come his coronation (which was like less than a day after) he keeps on proclaiming about how happy he is with her out his life and in aCoT his distrust for her was off the roof.

Then there is the Handbook ordeal with Sophie just completely roasting Tedros like what happend to the two of you?

I don't even understand Soman's decision about this. It doesn't even affect the actual storyline in anyway. It's just Sophie and Tedros at each other's throats.

Tedros has been treated the crappiest out of the main trio (let’s be honest) as if the game was built to oppose him, meanwhile Sophie gets major Soman privilege and is given the role ONCE AGAIN that could change the game

THIS

It's the reason why I can't even read AWWP anymore. It hurts too much to have to read at how badly the other characters treat him. Just reading the first line of that book gets me anxious.

And PREACH THAT SOPHIE HAS MAJOR SOMAN PRIVILEGES.

This is why I was actually suprised that Soman shared that he planned on killing Sophie off at the end of TLEA but we'll never how that story went

like if the School Years was for Sophie to realize and accept her Evilness, couldnt Soman have decided to give Tedros and Agatha the deciding roles this time around given that, you know, it’s called the CAMELOT YEARS ERA???

Honestly, I just want Tedros to have the most agency out of all the characters. Like make his decisions actually matter to the plot. Make him the center of the plot and revolve Rhian's plans around him instead of being against him cause that's exactly how Agatha's role in the school years era was for Rafal.

The basic formula goes like this;

Sophie important to the Rafal's/Rhian's/Japeth's/hell even Evelyn Sader's plan

Agatha/Tedros are in the way of that plan so they have to go

Agatha/Tedros saves Sophie's ass

Sophie making the big decision

Like didn't Soman say that he didn't want to be that repetitive writer? That's why he changed the ending of AWWP because it was too similar to the first book?

WTF SOMAN?

she’s still out here wanting someone to look at her the tedros looks at agatha (honestly big mood right there) but I wish this didn’t have to be her main conflict

This is actually why I'm not that mad that Sophie fell for Rhian. Because at the end of the day Sophie will be Sophie.

But I agree I kinda hoped that she wouldn't be as guilible

the girl is smart and knows her worth so I can’t really understand why she decided to get ENGAGED to the next person (Hort obviously cant count cos plot) who tells her she looks pretty???

NOW THIS. THIS IS MY BEEF WITH SOPHIE.

I can understand why she'd date him but MARRIAGE?! That was going a little bit too far.

You'd think after her engagement with Rafal that she'd be TRAUMATIZE for the next one.

And honestly it would have been hella funny if she did feel this way. Imagine Rhian nearly getting all that he needed but Sophie just straight up leaves him on the stage cause she's still got issues with it.

Would have been my favorite scene

And Hort, poor boy, he needs character development of his own. I'm not his fan honestly and currently, he's not winning me over.

ALSO THE FACT THAT SHE ENDS UP BEING CONSIDERED FOR THE ROLE OF QUEEN OF CAMELOT INFURIATES ME SO MUCH COS WE WENT THROUGH THAT SHIT IN TLEA???? WHY ARE WE BRINGING THIS UP AGAIN????

THIS. THIS IS MY BEEF WITH SOMAN

Can he not understand that she would be crap as QUEEN?

A parallel I noticed with Rhian and Sophie is that they both completely remodeled their respective castles in their image. Not even considering anyone else. And they both treat their faculty as crap.

Kinda tells us that she really would be crap as queen.

At least the Camelot citizens had enough braincells not to fall for this crap

Every other kingdom in the Woods though. They better be budgeting gold to Tedros and Agatha once they're back on the throne.

(and im so so tired of Sophie stealing Agatha’s Ever After from her, indirectly or not, like cant she just be happy for her best friend and move the plot in some way other than this???)

I really do believe envy is only one of the things that Sophie needs to sort out. The fact that she admitted at the end of TLEA that she does, in fact, feel envious that Agatha gets to be a queen and her little episode in the Ever Never Roundtable about how she's the one with the official title of queen and that Agatha isn't even a princess says a lot.

I wouldn't have minded if Sophie had a slight blackout and just lost it and saying mean things about Agatha but instantly regreting it because no matter what, deep down in the foundations of her soul, she loves Agatha with everything that she has. And is she has the be in a constant battle with herself about this fact then she's willing to keep on fighting. That would have been satisfying to read.

I mean just imagine if Sophie was there when Agatha was leading her army and Hester mentions that Agatha is Queen in the School, in Camelot, or anywhere elsse in the Woods. They would follow her. Willingly.

Sophie would have had a panic attack.

This girl needs to learn that she can't force people to be loyal and follow her by making every physical reminder of how amazing she is but instead she needs to lead and make some sacrifices of her own because she's doing these sacrifices in the benefit of Evil and its future instead of herself.

Sophie appreciating people?? Not only remembering them when she needs something from them??? Like @ soman im not asking her to be the next Mother Theresa but I’ll take this character development pls and thank u

I am all in for Sophie appreciating everyone. If she can't do it for other people, then she better do it for Evil.

#sophie #sophie of woods beyond #sge #the school for good and evil #school for good and evil #soman chainani #tagatha #love you too♡♡♡#pls #let us continue our discussion

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robininthelabyrinth · 5 years ago

Text

Fic: Lonely, Dark and Deep - ao3 link - Chapter 5

Fandom: Naruto Pairing: Madara/Tobirama, background others Summary:

Hashirama was always going to have to leave Konoha behind one day, but no one was expecting for it to happen so soon.

Tobirama falls apart without his brother.

Madara, mad and bitter and preparing to leave himself, finds that he’s now without his best friend and responsible for a village he’d just about given up on.

And now it seems like there’s something not quite right with the forest…

———————————————————————————–

“I’m sorry,” Tobirama says, and Madara has had nightmares about this man saying that, this man who has, despite all odds, become something very much like a friend over the last year.

Madara dreams of it, sometimes: imagines Tobirama dull-eyed, as he’s gotten more and more in the year since Hashirama’s disappearance, imagines him standing there patiently, having waited to informed Madara of his ensuing death because the bastard is polite enough that he wouldn’t want to leave a co-worker hanging like that but already holding his sword aimed the wrong way round.

It’s the same place every time: he’s always standing and waiting for Madara at the edge of the forest, and that’s the place where it ends, where the sword goes in and cuts off the younger man’s life before its time.

The dream never changes in that respect – it’s never at Tobirama’s home, or in the office of the Hokage, because he’d never leave a mess for someone else to clean up like that. He’d have already cleaned up his precious labs and locked away the more dangerous inventions that he couldn’t quite bring himself to destroy; already have tidied up his desk and finished the paperwork for the next two weeks in advance; already ensured that no one from Konoha would be lingering around to see – considerate, that’s what Tobirama was, always thinking about the big picture, thinking about how one thing might affect others, but never really caring about the emotional impact any of it would have.

It’s always at the edge of the forest.

Always at the same place, too, a place Madara knows by now too well: just beyond the western gatehouse, where Konoha spills over from clearing into woods – trees a bit too thick for the age they seem to be, the light dappled from shining in through their branches and leaves, the ground well-covered in grass and weeds and bushes.

The last place Tobirama saw that which that he loved the most, walking away from him.

That’s where he’ll do it. Madara’s sure of it.

That’s why Madara is here, now, making the proposal that he is. He has to do something, his very nature rebelling at the thought of simply accepting Tobirama’s untimely death as a foregone conclusion, and this plan is the only thing he can think of to make those dreams go away.

(He can’t let it happen like that. Not – not after watching Izuna die, after losing the only brother he had left; not after knowing that Tobirama is all that’s left of Hashirama, that he’d be losing what little is left of him, too. Not after working with Tobirama this past year, in the time before that; not since he snapped out of that horrible madness brought about by Izuna’s loss and realized that Tobirama is more than just a brother-killer, realized that he’s brilliant and devoted and meticulous, terrible with people and flat in affect even in private, possessed of a wicked sense of humor that he tends to hide more often than not – no.

No. Madara can’t let him just die like that. He can’t.)

“I’m sorry,” Tobirama says again, and his eyes are far too wide with surprise to be dull right now. “You’re proposing that we what?!”

“Have sex,” Madara says, not entirely understanding what the problem is. “For the sake of the village, of course.”

“Of course,” Tobirama says, his voice a little strangled. “Of course…would you like to explain your logic? I think I might be missing a few crucial steps.”

Madara is not, by nature, a subtle man, and while there’s probably a better way to say it, he’s not one to mince around a delicate subject. Not when there’s this much at stake.

“This village needs you as Hokage,” he explains. “It needs your expertise, your attention to detail, you management skills, your diplomacy…and just as it needs you most, you’re deteriorating.”

Tobirama’s back straightens in offense. “I have never let Konoha down!”

“No, you haven’t. Not once, not even when you probably should,” Madara says dryly. “I meant a personal deterioration. You barely eat, you sleep poorly, your bathing schedule has gotten erratic –”

Admittedly, it’s only gone down to the level a normal person would consider more than reasonable, but for a neat-freak half-fish like Tobirama, that’s shockingly seldom.

Tobirama holds up his hands, still looking bewildered. It’s a rather amusing expression on his normally impassive face. “I admit all that. But – why – no, how, exactly, would having sex solve the – ah – underlying issue? Which I know you’re aware of?”

Neither of them mention Hashirama’s death during daylight hours. It’s better for both of them that way.

Madara shrugs. “Touka said the only thing that would help you with your particular issue is another brother for you to treasure. Now, I can’t get you that short of time travel or resurrecting your parents –”

“Please don’t ever make that suggestion again. I don’t mind resurrecting the dead, but I don’t have any desire to see either of my parents again, much less for the purpose of breeding them.”

Hmm, fair enough. Madara concedes that that suggestion sounds a lot more creepy once he thinks it through a bit more.

He certainly wouldn’t want to see his parents again, even putting aside the, er, breeding business.

“– so a lover will have to do as the next best thing,” Madara concludes, deciding to ignore Tobirama’s unhelpful interjection. “You need someone to hold onto to tide you through your loss and a lover is the best sort of distraction for that sort of thing. It’s sometimes used as a solution to the curse of hatred, and given that your particular, uh, issue is more akin to the one suffered by Uchiha rather than Senju, I don’t see why there’s isn’t every reason that it would work for you as well.”

Tobirama stares at him. His eyes are wide to the point of being vaguely owlish.

“I’m not suggesting that it’ll fix the issue!” Madara adds quickly, realizing that Tobirama might be offended. One couldn’t replace a beloved brother with a bit of sex, after all, and he’d never suggest as much. If this wasn’t the only thing he’d been able to think of, he wouldn’t have suggested it at all, but – it is. And he’s desperate. “Especially since we’re not, you know, actually lovers. I’m perfectly happy to admit that we barely stand each other at the best of times. But sometimes having the semblance of something can help, even in the absence of the real thing.”

“I…see,” Tobirama says, his face finally abandoning the shocked expression and settling back into normal contemplative lines. “Essentially, you’re suggesting that if we simulate the behavior of lovers, the effects of having a lover might apply regardless of the actual feelings involved and it will…function as a stopgap, essentially?”

“Exactly!”

This is why Madara enjoys working with Tobirama, even though he’s a sharp-tongued bastard with no sense of limits – whatever one can say about the man, one must admit he’s quick on the uptake and very unlikely to reject any idea out of hand, no matter how bizarre.

“Hn. Dare I ask why, exactly, you’re volunteering yourself for this task?”

“Well, I can hardly volunteer anyone else for it without it coming across as extremely unfortunate,” Madara points out, quite reasonably in his view. “Also, having spent the last year of my life cooped up in as very small office trying to establish a village with you, I can now state definitively that you hate humanity. Previous to this, I only suspected as much – but now I’m certain of it.”

Tobirama scowls at him. “I do not hate humanity.”

Madara snorts. “Fine. You hate vast swathes of humanity. In a village currently consisting of, at minimum, representatives of every reputable shinobi family in Fire Country, aka the sort of people you might conceivably get along with, the sum total of people you actually like – as opposed to are willing to tolerate in order to achieve your goals – is a list limited to: your students, three of your close cousins, me, and that weird shark-person ambassador from Kiri, and the last one only because of those truly awful fish puns that for some bizarre reason you find amusing.”

“Hoshigaki’s fish puns are amusing.”

“No one got that joke about the clam except for you.”

“It’s not a clam, it’s a freshwater mussel, and I told you, the scientific name of that subspecies is Anodonta imbicilis –”

“And that’s why he was calling the Inuzuka representative a muscle-bound imbecile, yes, I got it after you explained it. It just wasn’t funny. Jokes that someone has to explain are not funny. Listen, if you’re willing to risk the almost inevitable assassination attempt, I can call him instead –”

“She. Not he.”

Madara stops. “What? No.”

“Yes.”

“Impossible!”

Hoshigaki was built like a bookcase, a walking rectangle with arms like tree trunks. It hadn’t even occurred to Madara that conventional gender definitions might apply.

Do sharks even have genders?

Tobirama rolls his eyes. “As you’re not wrong in that she would feel obligated to at least attempt to kill me on behalf of her village, and, perhaps more importantly, is married with children –”

Hoshigaki? Married? With children?!

Madara’s going to have nightmares about swarms of baby sharks with legs, he just knows it.

“– let’s not call her. Not that I’ve agreed to your ridiculous idea at all.”

Madara crosses his arms and scowls at the intractable bastard.

“It’s not like I’m suggesting we do this for fun,” he says. “We’re not in love, of all ridiculous things, and I highly doubt we’re ever going to be more than people who have managed to be able to work together efficiently. But the village needs you, and you clearly need someone. Might as well be me.”

Tobirama scowls.

Madara really didn’t want to have to play dirty, but clearly it’s necessary. He was quite serious about being willing to do anything to save Tobirama’s life, and he wasn’t talking about sacrificing his body.

“Hashirama wouldn’t want you to just fade away like this.”

Tobirama flinches.

“And you know he’d be happy about anything that got us to spend more time together outside of work that isn’t sparring or training…”

“I can’t believe you’re using my brother to convince me to sleep with you.”

“For the good of the village! Besides, it’s going to work.”

Tobirama makes a face, but Madara has no doubt: he knows Tobirama’s weakness, now, and he’s merciless in exploiting it.

(No wonder the Senju make a practice of not telling other people their principles; it’s a weakness just asking to be abused, like an Uchiha making too clear who his most precious people were.)

Sure, Madara’s aware that it’s in bad taste to invoke the name of the man who was, for all practical purposes, his soulmate in order to bed the man’s younger brother – but Hashirama is gone, and anyway, he’s sure it’s what he would have wanted, if it meant Tobirama lived a little longer.

It’s entirely virtuous what he’s doing. Entirely. There’s not an iota of selfishness in it.

“One day you’re going to pull that line of reasoning and I’m going to turn you down just to see the surprise on your face,” Tobirama says, standing up. “Very well, come along.”

Madara blinks, having expected to have to argue about this for at least another hour. “Come – where?”

“To bed, of course. Your plan is ridiculous, but if we’re going to try it, we should test our compatibility now. If we don’t have that, there’s no point at all.”

Entirely virtuous, Madara reminds himself a few hours later, staring up at the ceiling and unsure if he’s blessing or cursing his entirely unconscious decision to activate his Sharingan at some point, burning the images of white skin beaded with sweat and swollen red lips and heavily lidded eyes in a head thrown back in silent pleasure into his mind forever. It’s entirely virtuous. Giving Tobirama something to live for is the best thing for the village, and this will help. That’s all that’s going on: the only person I could have loved was Hashirama, and he’s gone – this is just a physical thing, a sacrifice that I’m making. Nothing more.

It’s not like I’m going to fall in love with him or anything.

#madatobi #Uchiha madara #senju tobirama #senju hashirama #tw: suicide #my fic #lonely dark and deep

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