#file. where are you?
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I wish we could have met in some other way.
Lawlight Week Day 2: Soulmates
If you saw me repost and re-edit this several times uh No you didn't </3
Still frames/Individual gifs:
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If you know what every frame is from you get a free cookie. by the way
#death note#dn#light yagami#l lawliet#lawlight#oh god here we go#death note jdrama#death note 2015#death note 2006#death note musical#lctw#l change the world#dntm#lawlightweek2024#my art#collapses i am NEVER putting this much effort in one piece ever again /hj this was the Only one i had mostly prepared in advance#ironically the most painstaking part about making this entire thing was converting the images into an animated file#that wasn't either horrifically compressed or just. wouldn't loop. why do gifs have to look so BAD it's so inconvenient#and THEN i realized I had to forcibly Stitch the two animations together so they would actually be synced and it wouldn't look dumb#and the end result is STILL so compressed. because Tumblr. uhhh just don't click on it it'll look so scuffed LOL. anyways#this is what i get for watching Every Adaptation of Death Note. i am a death note multiverse truther#usually i'd have something clever to say in the tags but. this drained the life out of me just uh.#yeah. they're doomed in every universe. this is the only way they could've met. they are doomed by their own natures and the#circumstances that surround them. there is no universe where light tries to prevent L's death. and even in the cases where L Doesn't die#there is no universe where L can save light. there is no universe where he can truly “catch” Kira and make him see where he went wrong#(<- if you read LCTW you know. :) )#in every universe and adaptation L will call Light his first friend. in some universes they'll take that notion more seriously than others#no matter what one of them will die due to the other. its the only constant. it's the only way it can ever be. they are the others downfall
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monologue
#they said i couldnt have a worse speech bubbles to image ratio and i said 'bet?'#isat spoilers#in stars and time#in stars and time fanart#isat fanart#isat siffrin#isat loop#two hats spoilers#isat#lucabyteart#sifloop#not rlly but it gets the tag in case ppl r backscrolling my tags on my blog for some reason#anyway this dialogue has been kicking around in my files for about 2 months as it is known to do & i wanted to play with typesetting#'write a fic if you like words so much' absolutely not . what if it was pictures instead. and also i wanted an excuse 2 loop gradient#but yeah uhhhh this is very . very loosely the result of me thinking about the 'island is trapped in the fucking future' theory.#like if so. would it just like. reappear. when the rest of the world catches up w where it was stuck in time. like . 20 more years on.#and thus the q: god wait at what point would sif be older than the age they last knew their parents to be. theyre nearly 30 now so like.#you can see my logical path thru these thoughts yes? anyway i think its fun when these two put their braincells together to realise#the horrors. and kind of exclusively the horrors. wahoo!!!#anyway food for thought re: island reappears and to the islanders it's not been any time at all. but its been like 30 years for the rest#fuck do you do: your boy returns 30 years older plus a family (maybe even a child) and minus . a fucking eye.#also theres a fucking angel with them? update. thats also your boy what the fuck. wait fym theyre married. hold on. wait--
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He's so strange and offputting (I want him carnally)
#i rlly love this one tee hee#probably every knows the reference i used#and let me tell you#there is so much more where that came from#fox mulder#txf#fanart#my art#digital art#artists on tumblr#spooky mulder#the x files
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S.COUPS 220722
#first gifs of 2025!#everyone say thank you zay for the file<3#thank you zay~#svtsource#svtcreations#svtedit#hourlycoups#s.coups#scoups#choi seungcheol#seungcheol#svt#seventeen#*gifs#*svt#*seungcheol#*stages#userzaynab#heymax#heysol#usershreyu#fornini#i actively avoided anything i would have to blur and it looks so nice lmao#anw where are my short hair scoups truthers
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I don't know if it was asked, but… Do the skelebros have a sort of photo album ?
And if yes, then, did the photos change ?
By that, I mean those of Winding Did he disappear on them ? Did the photos get burned ? Did Dings magically turned to Papyrus on them and then, Sans and Paps goes like 'looks like Papyrus, is Papyrus.' ?
It's a combination of some of these
They do have some photos, but probably most of them are from when they were small, they don't tell you a lot...
If there were any photos that were obviously from their days at the lab, those are probably gone... but it's, uh, because of something else...different reasons...
The photos they DO have remained the same! Except for one detail:
It's just the eyes that changed btw, Papyrus and Wingdings have other physical differences but those didn't change in the photos, just the eyes.
Also there's a small bonus below the cut...
Baby bones!! Yay
#if you want to know HOW they changed#VIDEO GAME LOGIC#You change a characters sprite sheet in the game files and it will look different in game#every place where that sprite was used#answered ask#forgettable-au#undertale au#undertale#gaster#papyrus!gaster#sans#papyrus is gaster#“you remember when we used to steal rocks from waterfall?”#“YES!! DEFINITELY!!” (no he doesn't)
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ELUNE CONVO FIX IT part 1
i did it i finished!! finished enough anyway
How about instead of Tyrande getting possessed by Elune, we actually got to see them have a conversation about why tf she won't let her kill sylvanas!!! And get some real payoff for all the "hmm something's off about Elune"!! And more!!
Warning this one is long and boring. part 2 is way better lol
sry she should more serious here but w/e we're just going with 'angy' lol
i think i drew these same poses in the sylvanas one lol oop sry my brain library is not vast
ok one thing i added at the last second was elune is like pulling from tyrande's personal elune power to get her real form back to properly tell winter queen to fuck off. and that's why tyrande looks like she has spider webs on her it's just glowy elune magic
and then winter queen does go fuck off bc i didn't want to draw her anymore
End of part 1!! Also when tyrande is watching elune and WQ yell at each other I imagine it like a kid watching their mom get in a fight at the grocery store or smt lol
#if you haven't seen my elune design#its literally just tyto the swift / journey#and the god power logic she uses is just discworld god logic#and a little bit summer fairy vs. winter fairy vibes from dresden files#part 2 coming sometime!! also really got not-that-far from done like 2 years ago just have a couple panels to fill#anyway dude this in game moment was so crazy#it was literally just like watching those rage bait videos where people dump fresh good food ingredients on their disgusting dusty#ass kitchen island and make like cheeto dust spaghetti nachos instead of making something edible#elisa gabrielli spitting absolutely gut wrenching#warcraft#elune#tyrande
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warnings: public sex, mean dom eddie (my beloved), unprotected piv sex
something something about eddie copying and mocking your moans during sex…
the first time it happens you’ve promised to be quiet, but the way he’s rutting into you from behind has the noises pouring out of you at a rate you just can’t stop.
and normally eddie wouldn’t mind, he loves hearing you.
but in this case you really can’t be caught in this position, with your upper half bent over the hellfire table. so his hand is quick to cover your mouth when he pulls you up flush against his chest.
“just can’t keep that pretty mouth of yours shut can you, sweet thing?”
his teeth nip at your ear, the first of many mocking moans tumbling past his lips. while it’s hard for him to reach your exact pitch, that doesn’t stop him from trying.
and your body responds by squeezing his cock tighter, the mocking edge of his voice turning you on more than you ever thought possible. your muffled whimpers vibrate against his palm when he presses it more firmly against your mouth.
“oh, you like that don’t you?” he chuckles darkly, another mocking noise filling your ears. “like it when i’m a little mean to you?”
all you can do is nod dumbly, nails digging into his forearm when he suddenly picks up the pace. this new angle has him hitting all your deepest points, and ultimately defeating the purpose of you being quiet as you practically sob against his hand.
“poor thing… just feels too good, huh, baby?” he tuts softly, his other hand slipping between your thighs to circle over your swollen bud before he lands a harsh slap against it.
another muffled cry of his name leaves your lips, body trembling as your meet your end with a sudden intensity that neither of you are quite expecting. when your back eventually slumps against his chest, he removes his hand from your mouth.
the male carefully tilts your chin up to meet his ever darkening gaze.
“now sweetheart, did i say you could come?”
#the freak writes 🫧#idk where this came from but#sorry i love mean eddie#eddie munson smut#eddie munson blurb#eddie munson x fem!reader#eddie munson x reader#eddie munson x fem!reader smut#eddie munson x y/n#eddie munson x you#eddie munson x female reader#eddie munson x female character#mean!eddie munson#[ the munson files: blurb ]
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After the initial hugs and greetings from the lathered-up welcoming committee, including yours truly, putting on my most convincing friendly face, the hunky actor asked if he and I could step outside so he could have a moment alone with me. He [Patrick] took my hand and led me down the hall a little ways. Once out of earshot, we turned to face each other, Patrick scanned me in my cut-off black tights, dance briefs rolled down, a sports bra and vintage blue satin high heels, and said, “Whoa. You clean up good, girl.” “This is a great part for you. Congratulations.” “I know, right? It’s crazy.” This was softening me up. It felt good to be able to share my news with someone I knew. “I know, you’re probably thinkin’, ‘Aw, no, not this idiot again.’ ” Then his eyes started to well up. Real tears. And with the most earnest delivery imaginable, said, “You know I’ve always loved you.” He stared into my eyes. “And I’ve been really workin’ on gettin’ my shit together. So, if I get the chance, I swear I’m gonna make it up to you. You will not be sorry.” I said, “Uh-huh.” He smiled and was working hard on getting me to smile back. “C’mon, you know if we did this together, we’d kill it.” There was no question that our bodies liked each other, in spite of what my head was saying. There has never been anyone with Patrick’s combination of grace, brawn, sensitivity, and fearless, reckless gusto. - From Out of the Corner: A Memoir by Jennifer Grey (2022) PATRICK SWAYZE and JENNIFER GREY in DIRTY DANCING (1987) dir. EMILE ARDOLINO
#rediscovered i had this book in my files and i had the movie too so i'm gonna make some gifs#to some portions of the book where they talk about each other cause it's......very interesting....#you guys should read jen grey's memoir i swear#perioddramaedit#perioddramasource#dirty dancing#filmedit#filmgifs#userquel#moviegifs#jennifer grey#patrick swayze#baby houseman#johnny castle#dirtydancingedit#filmtvtoday#popcultureds#otpsource#userfilm#romancegifs#userotp#dailyworldcinema#cinematicsource#nessa007#motionpicturesource#throwbackblr#chewieblog#dailyflicks#cinemapix#otp: she's like the wind
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#kirby#daily kirby#my art#digital#hal laboratory#nintendo#I definitely didn't stay up way later than I meant to organizing and transferring files what are you talking about :v#I did fix some serious cruft in my photo folder organization though#(the nesting was getting out of hand in places 4-5 computers down the road here)#I'll turn everything off once the current transfer is completed.#(I'm not actually done moving all my files to the desktop where they will be safer in the long run)#(but I have at least 9 more transfers to do and they are not fast)#(I'm just hopping things back and forth on a 15gb thumb drive)#favorites
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ideal ship dynamic: guy who’s the most mentally unstable person you’ve ever heard of in your entire life x guy who wants to bang them so bad it has them saying things like “nothing wrong with that guy. they’re completely normal and sane”
#jillian.txt#many such cases. i will list the ones i can think of#succession#kenstewy#better call saul#disco elysium#kimharry#hannibal#a LITTLE. this is where it starts to get tricky#kenstewy also almost doesn’t count either but idgaf#the x files#again vince gilligan i know what you are#and you know who else.#loustat#interview with the vampire#you do get to a certain point i think where both of them are so crazy it no longer applies and i’m playing fast and loose with my own rules#but anyway. in some ways just trust me bro#doctor who#<- many such cases there as well
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i already know there’s a hyper specific tattoo artist/florist AU for something somewhere in my future now that i actually know what i’m talking about
#ramble#looking back at my old stuff like#the bed isn’t wrapped there’s no sleeve on the clip cord#there’s no clip cord at ALL#they’re using invisible power banks obvs#where tf is your paper towel are you keeping it on the table. what a waste of time#filed under things that appeal to me and nobody else#idk who it applies to in my current rotation of blorbs but it’s coming i can feel it#i got ONE thing right though before i started and it’s how fucking long it takes cleaning a fresh tattoo after a long session#just that one last bit of ink/blood/stencil that WON’T COME OFF
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NO PLEASE WHO ALLOWED THIS OMG THER’S AN ACTUAL DEATH CERTIFICATE!? NO NOOOO, WHYYYYY -
#jason todd#the Batman files#sobbing uncontrollably#HE DIED DUE TO SMOKE INHALATION#BRCUE WHERE TF WERE YOU!?#W H Y !?
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movie night
#This piece is dedicated to the scene in EVERY FUCKING PRE RESCAS FREEHOUN FIC where they watch the thing or something#and then they KISS during the credits <- this part is not in every fic but in my heart 🧡#tbqh idk if I like this or nawt but whatever I'm tired of it sitting in my files. Gordon's cute at least#anyway#gordon freeman#barney calhoun#freehoun#half life#hl#my art#id in alt text#Barney and Gordon on the worlds smallest shittiest couch in the dark what will happen……. tee..hee….#I feel the need to clarify also they’ve seen the thing like one morbillion times. but they react like it’s the first time everytime#They watched this together back when they first met and Barney was like. ‘ur so fuchs lol’ and Gordon was like ‘yeah well you’re Mac’#and then the scene in the thiokol skidozer happened and they both got really quiet#<- joke for me mostly . But if you know . Yeagh#I want to rewatch the thing so bad now goddamnitttttttt#euuaagghhhhhhhhhhhh
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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“he was mentally ill. this monster was a- was a sick fantasy. a product of his dementia.”
“…i saw it too. does that make me disturbed? demented? does… that make me sick too?”
#txf#the x files#dana scully#fox mulder#folie a deux#this episode … this EPISODE!!!!!!#genuinely so indicative of how much they trust each other….#between mulder just . having to rely on scully for the last part of the ep#scully thinking he’s off his fucking rocker and still looking into what he asks her to look into bc she TRUSTS him . bc she LOVES him !!!!#and maybe he’s a little nuts but goddamnit she will at least check it out !! just in case he’s right!!!#AND she lies for him all the time . i mean she always does this whenever he decides to go nuts But specifically in this ep…#looks skinner in the eye and goes . yea man im totally fully with mulder on this . and he’s definitely not being weird and i definitely kno#what’s going on with him#she lies for mulder all the time its soooo…#anyways . drawing wise this drove me nuts i hate drawing mulder . he’s so hard for me to draw#they’re kinda kirie and shuichi coded in the bottom part but . well . why not . might as well be#ALSOOO i chose that quote for the bottom bc . well . does she think he’s crazy? like actually for real?#i feel like every time scully talks about mulder (up to season five at least as thats where im at) its contained in some way?#in her reports . to family . to skinner . to mulder !#i think the only time she’s Really honest is in the confessional but even then…#bc its not like she’s against speaking her mind . i mean generally and situational but for ppl she’s close to she usually isnt#but when it comes to mulder it always feels contained and like she’s making excuses for him (he is always her exception .#llike whenevrr he gets some disease or affliction or whatever she ALWAYS jumps to going ‘but well… sometimes there’s this excuse’ and she#does this w a lot considering shes science focused but w mulder shes always like . well he ISNT crazy because uhhhh .#this hyperspecific scenario that is in no fuckin way the case)#but does she think he’s crazy? does HE think she thinks he’s crazy?#is he asking about this specific case or is he asking in general? over the entirety of the show?#its been five years scully. is he crazy? sick? demented?#has this all been a sick fantasy fueled by mental illness? youre the doctor scully . surely you have the answer?#anyways i dont think she knows . and if that is the case — what does that mean for her?
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F1 v Champions League Stars: Heineken Karting Event at Monza ahead of the 2017 Italian GP | x
#daniel ricciardo#autumn posts#plus Max and Esteban and Sergio in the back!#but mainly gifing to yell at this GAZE 😭❤️#also Max seeming to try and figure out where he's going to sit 🥺#my maxiel sights always set#also#filing under things that are just new to me#ahhh him#charisma levels off the charts 😩❤️#also very potato gifs but the linked you tube vid is much higher quality!!
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