#they are good parents just bad at parenting

[gay-dorito-dust]

We NEEED Batfam with a s/o who is the kindest person to ever walk in Gotham City. I’m talking they have no bad bone in their bodies and ALWAYS see’s the good in other people.

Dick found you to be refreshing.

He found your pension for helping others, even the scummiest of individuals, into a better future. However he has seen how people could take advantage of a person unlike themselves out of greed, envy for their willpower to keep believing when they’ve all but given up, and anger that they still smile even when the situation is against them.

He couldn’t help but found your want to see Gotham be better admirable and how you’d wish to see the city better itself for the people that live inside it but Gotham was a city with no cure, nor wanted to be healed no matter how hard others have tried. This doesn’t mean Dick was apprehensive towards your dream, if anything he shared that vision with you as it was a dream he’d love to see com true one day.

‘You’re far too kind for a city like this sweetheart.’ Dick said once after he saw you give some kids from Crime Alley a generous amount of food and the money from your wallet/purse, smiling softly as you watched them run away with full stomachs and money in their tightly protected pockets.

You shrugged, looking at him with a soft glint in your eyes. ‘That might be true but that doesn’t mean I’m going to run away when the going gets tough or loose my way.’ You replied as you returned to his side, intertwining your fingers with his and squeezing. Dick smiles as he lifts your hand to his lips, kissing it before letting it drop between the two of you, feeling a lot lighter under your gaze as he found himself wanting to stay in this moment forever before Gotham soured even the most innocent of interactions you two shared.

‘Then I’ll gladly stand by your side and help you see this dream through, if you’re not giving up then I’m not giving up either, I promise you that.’ Dick vowed as he pulled you closer to him, kissing your temple, letting himself linger there as he embraced your warmth against Gotham’s bitter cold air that tried to separate you, for it knew that you two were a formidable force to be reckoned with. You sighed, leaning towards his touch and relishing how comforting it was.

‘I’d rather have no one else by my side than my dickie bird.’ You said softly as Dick pulled away to smile at you. ‘I just don’t want to see more kids suffer more than they’ve already have, whether it’d be by the hands of their parents or corrupt authority figures.’ You tell him as you looked back down the alleyway the kids ran down, smile wavering a little as you could only imagine the cruelty they suffered and at such a young age too. ‘They’ve already endured enough and they’re all the more braver for not letting it destroy their spirit.’ You add as you could only hope that those kids remember this small act of kindness and hold it to their chest well into their adulthood.

Dick looked at your fondly and found himself all the more amazed by you and your unending desire to see the better in people, fully believing that they can change whenever they felt ready to, even the most lost individuals can find their way back with the help of a guiding hand. People like you are what Gotham desperately needed to lead the city into a better and brighter future, you were able to find it within yourself to be kind and loving towards those that would spit at your shoes, letting them see that you weren’t so easily swayed to step away from someone in pain.

‘I’m sure they will,’ Dick reassured you by squeezing your hand, ‘it’s hard to forget an act as selfless and sincere as yours honey.’

‘Thank you Dick.’ You uttered softly as you cuddled yourself into his side, resting your head against his chest to listen to his calming heartbeat.

‘Just speaking the truth and from the heart.’ Dick responded as he kisses the top of your head, wanting nothing more than to make you happy just like you have been making him happy throughout your relationship. ‘This town will heal, it’ll be long, but it’ll heal in its own time.’ He adds as you both walked home to be greeted by your sweet baby Hayley.

Gotham will heal…just give it time and patience.

Damian found your kindness to be glaring.

It was a beacon for the weak to prey upon and your hope for Gotham was one that came from that, hope. Gotham was the city where hope and ideals for a better future came to rot and die and Damian couldn’t help but scoff a little because a person like you would never survive in this town, for the people of Gotham could smell your naivety from a mile away and hunt you down until you became like them.

Which was why Damian often found himself by your side and pointing his sword at the throats of those stupid enough to be enamoured by your bright, hopeful presence, even going so far as to cut them just to prove a point. ‘Back off cretin.’ He’d all but growl at them and watch as they scurry off like rats.

You’d look at him with the expression of an upset puppy as he sheathed his sword. ‘Damian.’ You groaned.

‘They’d only come back for more if you conceded to their whims my love.’ Damian replied calmly as he cupped your face between his hands, resting his head against yours to look deeply into your eyes. ‘And I do not intended for my beloved to be used by the miscreants that littler the street like discarded toys, bent out of use and lost all purpose but to kill the will of those that still believe.’ He could see the hurt and the disbelief in your eyes before the look of resilience took over your face as you smiled sweetly at him, taking his breath away.

‘Then I’ll keep believing for the people who can’t, won’t or have long since given up all hope that Gotham can be better than what they’re forced to believe as truth.’ You said and Damian couldn’t help but find your tenacity and determination to keep strong when all seems bleak and depressing admirable. However he couldn’t help but want to usher you away from the utter madness that he had seen with his bare eyes, keep you from ever seeing this town for what it truly was; chaos incarnate.

The town was constantly tearing itself apart and putting itself together again but by only using the worst parts of itself over and over again until it could do nothing but collapse in on itself, dragging everyone else down with it in the process, implicating a sense of darkness and despair that could leave even the most strong willed of people to wonder whether it was worth it and Damian didn’t wish for you to loose that light, nor hope for a better Gotham.

‘You are truly an enigma my treasure.’ Damian sighed as you kissed his cheeks, nose then lips quickly, making him smile softly as he closed his eyes to embrace your affection. ‘Stubborn yet sweet, kind yet headstrong, hopeful yet knowledgeable. That is the kind of person you are and I do not wish to see you falter to this city’s darkness, for a cage is not a place for a bird that is meant to be free from all restraints to it’s ability to fly.’ Damian murmurs as he kisses your forehead.

‘And I’m glad to have someone like you dami.’ You said happily as you admired his emerald eyes. ‘But I just wish for the betterment of the people here, doesn’t everyone deserve a second chance?’ You then asked as your hopeful eyes twinkled like the stars above, bright and vibrant, so unlike the eyes of everyone that resided in Gotham which were dull, lost and angry.

‘Not everyone my love.’ Damian counters, ‘rehabilitation can only take them so far before they realise that they can abuse the help given to them with the hope they’d do better once out, while that might be the case for some but there are those who see an opportunity to take from the giving.’ You sighed, still smiling at him as you recognised that he was equally as stubborn in his own views, just as much as you were stubborn in yours.

‘That is true but I just can’t afford to give up, not when this city is crying out for help but only receiving bloodshed and corruption.’ You reached out and rubbed his arms soothingly. You were too kind to a town that reeked of blood and violence Damian deducted from your first meeting, having found it rather childish and naive, but now he saw this as something that should be valued and appreciated while it could and Damian internally vowed to keep this light within you alive and burning for as long as he could.

For you were his hope just as much as Gotham’s.

Jason finds you to be the purest and sweetest soul amongst the piss and shit that made up the rest of Gotham.

The light in the dark for many, but unfortunately that means that you’d also attract the attention of people whom Jason saw as people who’d take advantage of a soul like you.

So much so that he would rest his hand on your wait and pull you away when some suspicious looking man walked up to you, hands cupped together with a pathetic look upon his face as he pleaded with you, never once looking at him because the punk knew he couldn’t fool him with his character so he went for you instead like a coward.

‘I’m pretty sure I’ve got some money I can spare-‘ you said sweetly as you tried to reach for your wallet/purse.

‘No.’ Jason said as he stops you and glares at the man who looked back at him with a face that only confirmed what he had already assumed upon seeing him; he was taking advantage of you for his own benefit and was pissed that Jason was guarding you from his schemes. ‘He can scrap the shit off of the pavement and feed himself with it.’ Jason adds as he proceeded to pull you away from the man who only spat near his shoe and slunk away into the alleyway, waiting for someone else he could take advantage of.

‘Jason!’ You exclaimed, wanting to truly help the man in hopes he’d change his ways for a more productive one.

‘You can’t think you can heal everyone chipmunk, then they’ll think they are entitled to everything you have and will want to take every piece of you until there’s nothing left for them to benefit from, where they’ll leave your body to rot until they can find a new soul to dig their claws into.’ Jason replied firmly but the moment he saw your saddened look he sighed and tipped your chin up with his finger. ‘Hey,’ he began softy, ‘a soul like you is unique, precious as a jewel, and you shine too brightly that you’ve become a beacon for the worst this shit town has to offer but I’m not going to let them.’ He finished as he kissed your forehead.

‘I just can’t expect you to protect me all the time.’ You retorted as you held his face between your hands, caressing his cheeks in a soothing manner and smiling as he melted into your touch. ‘I can’t help who I am, I just want the best for everyone and I can’t help but hope that Gotham heals itself for the betterment of its people.’ Jason couldn’t help but look at you lovingly as he brought you in closer to him so that you were pressed against each other, the closeness was enough to calm his thoughts.

You were too good to be true in Jason’s eyes and would far better in a city far, far away from Gotham in hopes that the poisonous town doesn’t seep into you, but you were not only kind but far too stubborn to do such a thing; especially when there was people to help and Jason couldn’t help but find beauty in your will to do right by the people, even the ones that he didn’t think were worth the tireless effort of saving but that was the kind of person you were and he loved you all the more for being true to yourself.

‘I’m not asking you to change. I could never ask you to stop being who you are because it’s people like you that Gotham needs most, not violence or hateful comments, just someone who genuinely wants to help for the sake of bettering a community who don’t have the resources to help themselves and be a guiding hand for the hopeless.’ Jason kisses you on the lips. ‘That’s the person I fell for, an absolute angel.’ He finishes as he cradled you even further against his chest as he felt you cling onto him.

You were far too sweet for a sour town like Gotham but Jason was going to be with you no matter what, an angel like you needs someone like him who can protect you from the corrupt and the evil that lurks beneath the surface, or shows their face proudly in a town where hope comes to die. Jason will protect his light, his angel, his cheeky little chipmunk who often steals his hoodies when they missed him for you were worth more than he’d ever let this putrid city know. He’ll protect what is his and wage war on those who seek to hurt his hope for Gotham.

[resisteverything]

This is actually a consistent thing i’ve seen with horror.

Hello Neighbor the show explores some really good themes of how trauma is treated. After Nicky’s mental breakdown he is consistently disrespected by his friends who don’t get it, pushed to do things that make his trauma worse by his friend trinity, and mocked by kids on the outside who only see a weird “crazy” kid, and ignored by his parents until things get to bad they have to intervene in which case all they do is physically restrain him until he stops.

But by the end his behavior devolves into him staring blankly like he’s possessed, wearing a serial killer mask, and finally trying to strangle Trinity while wearing said mask and being dragged off to a mental hospital. We don’t learn why he tried to kill his best friend, we just have to guess as to what even caused this because he does it silently and creepily like a slasher movie villain.

This also happens with the webcomic ghost eyes where characters mental illnesses or trauma often manifest in violence and scary crylaughing and in one case jerking it to serial killer snuff tapes.

In a similar vein the game Mouthwashing is a game that has a really good disabled character and explores some great themes with him, but his disfigured form is specifically made to be scary and the imagery of his skinless muscle and exposed teeth and one eye are consistently used as spectacle to the point that his eye is the logo of the game and his face is used to sell the game in a separate game the company made.

The worst thing is that there is so much potential for exploring the horror of psych wards from the angle of medical abuse, ableism, forced treatment/drugging, loss of autonomy, power imbalance, demonization, dehumanization, etc, and YET the horror genre keeps defaulting to "insane asylums and psych wards are scary because there are mentally ill people in there"

[floweringanna]

Sweetest Win

Pairing: Max Verstappen x Baker YouTuber! Reader

Summary: You’re a baker youtuber who does vlogs on the side your friend convinces you to come to the paddock

Warnings: not proof read

Notes: First smau!! Hope you guys enjoy! Requests are open and comment or reblog if you liked it :D

Yourusername posted!

Liked by Yourfriend, Rosannapansino, and 15,728 more

Yourusername last cooking video before we go on vlog break! I’m so glad to say we’ll be on some new adventures this year! 🏁

yourfriend this is going to be so fun💕

user72 the checkered flag???

throughgoeshamilton are you guys thinking what I’m thinking?

f1fan my worlds are colliding

candyman mother is mothering

user12 oh to be fed by y/n

user199 why’s this so real?

Yourusername posted!

Liked by Yourfriend, Maxverstappen1, and 45,383 others

Yourusername Made it to the paddock? I brought some snacks for the drivers (not quite sure if they can eat them though)

user26 SHES IN BELGIUM SHES IN BELGIUM

yourfriend The muffins were great!

yourusername you ate like half of them😕

yourfriend they were, good what can I say?

user83 Arianna what are you doing here? (max)

user44 ohhhh he lurkin

user12 I smell love

user44 go back to bed grandma

user27 I want those muffins so bad🤤

Danielricciardo Can you make me more muffins?

yourusername of course Danny✨

Danielricciardo yay! 😊

Maxverstappen1 posted to their story!

Text messages!

Yourusername posted!

Liked by Maxverstappen1, Danielricciardo, Yourfriend and 45,383 others Yourusername Last night in Belgium 🥂

user83 IS THAT MAX VERSTAPPEN I SEE!?!?!

user 12 nurse shes out again

user83 CAN YOU LET ME DREAM?

Danielricciardo I need an arm like that

user65 he’s so messy😭

user82 it’s the instigation for me

yourfriend didnt even take me along how rude

landonoriss ill take you

yourfriend 👀

user1 WHAT.

user03 SO WE'RE JUST GOING TO IGNORE THIS???

f1fan max still lurking in those likes i see

user76 ikr

Maxverstappen1 posted!

Liked by Yourusername, Landonorris, redbullracing, and 83,793 others

Maxverstappen1 It's good to be back in my hometown

user83 I CANT be the only one seeing it

user11 please go take your pills

danielricciardo the sneak in second picture

user44 WHAT IM SAYIN

user67 not Daniel throwing Max under the bus 😭😭😭

user8 welcome back max!!

user93 he looks so fine in that first pic

Danielricciardo hey I know that hand!

user74 DANNY PLEASE💀💀💀

user37 IM ACTUALLY CRYING

Yourusername posted on their story!

Twitter!

user83 i could almost be surprised

happytail it looks like hes bagged a baddie i fear

mollytwin that shouldve been me

parkedcar well theres always charles

user02 who even is she bruh

maxineupd probably that y/n girl

Yourusername posted!

Liked by Maxverstappen1, Yourfriend, Danielricciardo, and 56,248 others

Yourusername It's nice to have someone else to the baking for once <3

user78 the soft launching from these two

user43 pov half the grid is in the likes

maxverstappen1 baking isn't as easy as you make it look

yourusername well i could have told you that

maxverstappen1 teach me again sometime?

yourusername of course <3

user83 MY PARENTS

user12 not her making him do things for her

user67 please go touch some grass

Maxverstappen1 posted!

Liked by Yourusername, Redbullracing, fia.official, and 947,048 others

Maxverstappen1 Sweetest home race win thanks to my lucky charm

yourusername congrats lieverd, im so proud of you ❤️❤️

maxverstappen1 couldnt have done it without you knapperd

user02 them calling each other dutch endearments is my new roman empire

Danielricciardo congrats love birds 🥳

user83 AND THEY ALL SAID I WAS CRAZY

user12 and you still are (just happen to be correct)

yourfriend you better treat her right Verstappen

maxverstappen1 🫡

Yourusername posted!

Liked by Yourfriend, Maxverstappen1, Landonorris, and 857,923 others

Yourusername i guess things are sweeter with you

maxverstappen1 nothing can be as sweet as you liefde

yourusername 🥰

landonorris @.yourfriend are you going to make me sweets too?

yourfriend keep dreaming Norris 🙄

user01 are we seriously just going to keep glazing over this??

user33 to be her right now

user56 oh to be her right now

Danielricciardo I’m invited to the double dates right?

yourusername of course Danny, can’t forget our wingman

user93 the way he’d been hinting since the beginning

[princessbrunette]

Rewatching season one and thinking about the scene where Wheezie walks in and Rafe quickly flips over his innapropriate magazine out of respect. Imagine him doing the same for deer!reader but because he doesn’t want to taint her innocence

waaaait why are you kind of a genius 🙂‍↕️ i see this as neighbour!rafe with deer!reader and it’s not because he doesn’t wanna taint her innocence, it’s kind of just a knee jerk reaction because he doesn’t want the hot neighbour to see his porn magazines 😒

you come skipping over, rafe barely noticing until you’re virtually right infront of him due to the marijuana clouding his brain. his hand shoots out, flipping the magazines before running a bashful hand through his floppy hair.

“wha’s that?” you hum before you even get to greet him.

“dont worry, alright - why’re you over here anyway?” he drawls, inwardly wondering why his first reaction was to be rude to you. perhaps he’s simply irritated that he got caught.

“was looking for my parents because they’re not home. thought they might be here.” you shrug one shoulder, and he nods slowly, taking a huff from his bong. you stare over the porch, looking into the distance to see if you could see them, or anyone for that matter — as you weren’t so keen on being caught with rafe whilst he’s smoking weed. it didn’t really go with your image.

“y’want some? or….” he coughs, and you turn to blink at him.

“oh, um…” you swallow, overthinking the whole thing. you knew you’d sound deathly uncool. “i don’t smoke.”

rafe wets his lips, nodding exaggeratedly as if to silently say ‘of course.’ before putting it aside. “yeah, uh… good. shits bad for you. you— you know drugs in general just fuck everything up. they ruin lives, man they — they just take everything…i mean, shit.” he rants, growing increasingly more irritated with seemingly no one by the second. at the end of his mini rage, he slams his fist into the soft arm of the porch seat he reclines on, making you widen your eyes slightly.

“yes… that’s what they told us during the anti drug assemblies at school.” you converse, awkwardly wiping your hands down the sides of your plaid dress. you knew rafe enough now to not be so deathly shy, but that didn’t rid you of your social anxiety.

“hah…yeah. shit, i forget we went to the same school. i probably walked right by you, huh.” he calms almost immediately, in the stereotypical unpredictable rafe cameron way. he did walk right past you. many times. you nod, saying nothing at all as to not give yourself away before craning to look behind you at your exit.

“okay. well… if my parents aren’t here i should head home. they’ll probably be there soon anyway.” you glance at your shoes as rafe stands, nodding casually.

“yeah…yeah.”

you go to walk down the porch steps, but stop— feeling a wave of bravery, and turn to look at him over your shoulder, adjusting the tote bag that hangs from it. “oh… and you shouldn’t read those pornographic magazines. they’re objectifying and damaging to women.” you try to hold your chin high, but feel your face get hot. he leans against the porch balcony, seemingly unbothered as you continue walking away.

“yeah well the women in these magazines are gettin’ paid a shit tonne of money so i wouldn’t worry ‘bout them alright?” he calls out carelessly as you disappear away further, before turning his back and sighing, hand coming up to scratch the back of his neck. “shhhit.” he whispers, to no one but himself.

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[violentbitingbiscuits]

thank you for this post, just THANK YOU.

this is what I genuinely need to hear and read 🥹

okay so rant ahead (don't read if you don't want or are sensitive to topics like transphobia and transmisandry)

I realized that I am in fact a man and got out of the closet two years ago, but I still struggle a lot to accept myself because I feel like I'm not "masculine enough" compared to other men and the fact that I usually like stuff that are usually targeted towards girls and I also show my feelings a lot instead of liking things like cars or the color blue and hide my feelings which makes even harder to accept myself, and also things like my gender expression and always been misgendered doesn't help, so even if I know that I feel like a man and I see myself as one I still doubt myself a lot, like outside of places like the internet 99% of the time I am being misgendered even by my parents, I'm not called by my pronouns, name or honorifics (like man and boy) since people just look at me and assume that I am a girl, it's always things like "that's my daughter (deadname)" instead, I always suffered transphobia SPECIALLY after I got out of the closet so I had to listen to TEACHERS (usually in their 30's/40's who also happened to be mostly cis women) screaming at me that I would never be a real man because I don't have a dick and even worse stuff (just a detail that I was still 17 at the time and also dealing with a lot of mental health struggles), not to mention how I never see someone like me at the media, it's always the most masculine tboy that I ever seen and it makes me so jealous and dysphoric, like why I can't be like him, not to mention how they are always so skinny and have a binder compared to me, and I feel so out of place, it just feels like people like me don't exist and in general I barely see any trans men representation and with all these struggled I still see some people trying to make people like me feel bad for just being masculine (even if it's in a queer way), like idk, probably there's more things that I don't remember now but these are some of the what makes so hard to accept myself as the man that I am, so I really appreciate to read this 🫂 I hope you have a good day op

Idk what trans man needs to hear this but you're NOT evil or disgusting for being a man. You do NOT have to suffer for the sins of the patriarchy committed by cis dudes. Being a man doesn't invalidate the misogyny you experienced growing up or experience now. Being a man doesn't mean you deserve to be isolated. Being a man doesn't mean you're inherently predatory or scary. You didn't "choose" this, and finding your true self is NOT "betraying the community" because you happen to be a man and/or masculine rather than a woman and/or feminine. You ARE allowed to be upset when people "affirm" your gender by malgendering you.

You DO deserve a community that uplifts you. You DO deserve to experience trans joy. You DO deserve to have your voices heard and your struggles recognized. Wanting the bare minimum of solidarity is NOT "making everything about trans men".

[stars-obsession-pit]

Jack and Maddie have realized something horrifying. Their son is being possessed by a dangerous ghost, and has been for some time. They don’t know exactly how long, but looking back, the signs had been for a while.

His strange reactions to their ghost hunting inventions, his new habit of vanishing from his room (or even from school) randomly, his sudden decline in grades, and a million other small things. The issues had gotten worse recently, but had been present for some time. It painted a grim picture. Had he been fighting it this whole time, the ghost gradually wearing away at his will?

No, that can be worried about later. First things first, they’re going to forcibly evict the monster and make sure that no ghost will ever be able to take over his body again.

…meanwhile, Danny is panicking with his friends about his newest foe. A remarkably powerful ghost who stole his body and keeps thwarting every attempt to take it back. Even beyond the typical dangers of a powerful ghost being out and about, its actions could end up revealing him!

[sandraharissa]

I think one of the many things wrong with Jinx this season is how like, half of her personality was cut off and thrown out.

Like her reaction to grief. We see her suicidal after Silco’s death and she’ll be again very suicidal after Isha’s death. Makes sense. Don’t have notes on that part. However I have so much notes on her rage. In s1 we see Powder sometimes responding to bad situation by being shy and sad, but sometimes she reacts in a more adversarial way, like complaining they should try fighting Piltover or trying to stand up to Mylo. But we also get these moments like when she’s left behind and has an absolute meltdown and starts wrecking shit but more importantly her reaction to Silco. He says they’ll show them all and she throws the audience the most rage fueled look you’ve ever seen. When really pushed beyond her limits this is Powder’s emotional reaction to tragedy/being wronged. We see that all throughout acts II and III and we see it when she blows up the council after Silco dies. And that’s the problem cos that’s the part that’s missing from s2. They cut her personality in half and only kept one half. Anger as part of her personality and reaction to grief was discarded when writing her in s2. Even tho she goes through a lot of grieving in s2.

Another example is Isha. Jinx prioritizing family and just chilling? Wanting affectionate interactions with family? Having an easier relationship with a younger family member cos there aren’t any expectations or need to prove anything or gain anyone’s attention? No fear of abandonment/betrayal? She just has this kid who hero worships her and follows her around like a puppy so no stress? No notes. However I have a lot of notes about Jinx’s paranoia and how not normal and possessive and toxic she is about relationships. And I have notes on the generational trauma. Where did all that go? That’s not how ppl work. Living in a messed up society and Silco’s parenting won’t just evaporate like that cos Isha is just so overwhelmingly cute. It’s more likely that Jinx would corrupt the kid. (which you could argue on paper she does cos the kid in the end thought that suicide was dope but why did the narrative frame it as this beautiful thing lol)

And on the topic of fighting Piltover where did “we beat the enforcers with just the four of us imagine what the whole Lanes could do” go? Jinx definitely prioritized family more but she wasn’t neutral or indifferent on the Piltover matter. The enforcers wrong her/hurt her/threaten her family yet again, they kidnapped Isha, and she just acts panicked and sad, but also jokes and quips while on the mission. Where’s the rage and hatred and desire for revenge on the ppl who wronged her? Sometimes it’s just ppl around her being mean or lying or smth, anyone could be her enemy, like Sevika, Silco or Vi, but a lot of the time it’s Piltover, they killed her parents, they were her fathers’ enemies and drove them to hate each other, they chased them as kids and tried to arrest them, they kidnapped and abused Vi in prison all her adolescence, they would have killed Vi so she blew up the whole blockade, Council tried to turn Silco against her and now he’s dead so she bombs them, all her life she can see that the quality of their life is bad bcos of Piltover, she’s in Jayce’s apartment and immediately goes for the sandwich. Jinx doesn’t come off as a very politically/ideologically motivated character but what happened to all her personal beef with Piltover?

They also inexplicably just ceased to write her fucking up all the time. what about her y’know, being a jinx? In s1 even in acts II and III when she is proficient in fighting and bomb-making they still constantly show her being more of a burden and fucking up in other ways. While never explained (which was good) to me it came off as a symptom of trauma and being neurodivergent, like how ADHD kids can’t escape the allegations that they’re lazy, but on a meta level it did make it feel like she was supernaturally cursed. Part of what felt so profound and empowering about s1 finale and her embracing being jinx it that it was her embracing that she’s different (and ‘wrong’ in some ways) and can never live a happy life in the society she lives in and so she lashes out. Now she just chills and nothing ever doesn’t go her way (ig until Isha died but that wasn’t even directly her fault, Isha just acted on her own choice and agency). Suddenly her mental issues don’t exist or get in the way of her socializing and being a part of society. This bigoted, violent and unfair society.

Don’t even get me started on her mannerisms. Remember how she would bite her lip? I’m not sure if she does that even once in s2. “Sister, thought I missed her”??? let Jinx rhyme sometimes and in general say weird shit, not one-liners.

So the only way for the writers to have Jinx do nothing, heal up completely and just chill with a kid in her lair (and really everything else she does (or doesn’t do) this season) is to get rid of half of her personality, the traits that would dictate she take action and feel wrath and lash out/hurt her loved ones in the process.

All of her tragic traits from s1 that made her Jinx were just erased, not changed throughout the course of an arc, absent from the get go, so that they can have her say that Jinx is dead and have it make sense in the context of s2 cos from her very first appearance is s2 this Jinx was devoid of pretty much all of her jinx-y character traits from s1.

[hardylettuce]

"I don't know how to feel about this-" well that's the thing! Adult media doesn't have to tell you how you're supposed to be feeling, because the assumption is you're an adult and can decide for yourself!

In children's media, there's usually an explicit moral or lesson because the person viewing it is a child and their frame of reference is very small. A kid reading The Lorax for the first time may legitimately not have thought about the environment before that book. A parent may use it specifically TO start a conversation about why their family recycles or doesn't use plastic bags.

But by the time you're an adult, you should have SOME level of being able to decide what sort of media you want to consume, and to decide how you feel about it. There are so many factors here, it's not just "good stories made by good people" and "bad stories made by bad people." Characters can have values that are the opposite of yours, while still reinforcing an overall message you agree with. Stories can be about something you think is important, but in real life the author has morally reprehensible views. Or a movie can just ask "hey wouldn't it be fucked up if this thing happened?" and that's it! That's all it has to be about! And you can walk away thinking "yeah that was pretty fucked up" and it's not any deeper than that! You're an adult, you get to navigate what sort of stories you experience.

The important part here is that you are making that decision for yourself. There have been groups through history who tried to decide for other people what sort of art could and could not exist, and none of them have been what I'd describe as good guys!

“it sounds like you’re justifying their actions-“ i am. they’re a fictional character. i’m okay with anything they do all the time. hope this helps.

[andiloveher]

"are you dead yet?" a calvin gabriel analysis

a/n: this movie is my current hyperfixition right now and this is just my personal take on the character, ben is a genius :) some of these quotes are out of order

thinking about the intro/beginning scene. that evil ass kid. cal gives such theater kid vibes omg.

i don't have much to say about the opening scenes, i think ben gives an amazing way of setting up the character dynamic between andre and cal. at first, it almost feels like he created an empty character out of cal, so it could be easy for someone to step into his shoes and relate to him (until later). cal is usually the one behind the camera, this isn't to say that he is less important than andre but i feel like this is where people start to create that 'soft and innocent' idea of cal. i can imagine him standing behind the camera with a stupid little grin on his face.

thinking about the firework scene; lets get the first thing straight, cal was not manipulated, gaslit or the 'soft and innocent' one here, and neither is andre. both are to blame for this. notice how excited cal is, or at least fakes it. even while watching the fireworks, he seems unamused compared to andre (who calls this out). i think cal has always been a very closed off person, he can be very ignorant and annoying as depicted at the poem scene and several scenes with andre.

thinking about cal's first solo video entry ; "everything is planned so methodically." i LOVE the way he used that word and why he used it. methodically means structured or in an orderly fashion. i think it's a perfect use of the word, the fact that at first they never had a date, they had a plan and knew exactly how they would execute it. "it's gonna be unreal. it's gonna be beautiful." cal looks off as he speaks, almost like he's spacing out while imagining it. cal knew exactly what was to come, and almost fantasized about it. the thought it was beautiful. he starts examining the camera etc, as if he wasn't just talking about a mass shooting, he treats this very lightly. as if, it's just another sadistic thought. "we are gonna leave you all behind, just sticks in the mud that andre and i have made. we are gonna walk away. you see, we see more than you do." cal is fully aware of what's to come, almost as if he's planned this for years ahead. it reminds me of the tate quote "I'm prepared for the noble war."

nearing the end of his 'monologe' he starts spacing out his words, taking longer to deliver what he's about to say as if he's trying to justify it or make someone understand why they are gonna do what they are about to do.

thinking about the party scene; cal silently makes his way out of the party to sit on the steps with andre. when he gets down to the step he basically slouches over, covering his face as if he's exhausted. "i'm just not good at parties."

he keeps his arms crossed over him but his legs out. his legs out are a sense of comfort with andre but i feel like him keeping his arms crossed is because he still feels very closed off or uncomfortable. he stays very quiet while andre talks with his cousin. apparently they have been friends since about sixth grade and cal has been with his family before, yet he still feels anxious and closed off to them.

thinking about the braces scene; ben did this in a lovely way and he's an actually genius. "his parents spent all that money for years on his teeth, just for him to blow them through his skull." - ben in the Zero Day Commantary

thinking about the grave scene; another one of my personal favorite scenes. cal is very defensive on andre during this scene as rachel basically describes him as a bad influence on cal. i feel as if cal is getting defensive because andre was able to understand him in a way no one else would, someone who understood his sadistic ideas and even help him go through with it. someone who saw the need for a 'beautiful' cleansing.

i also think he got defensive when rachel started to describe andre as like the ring leader of all of this, cal wanted his credit and i think this tied alot into the shooting scene later on.

"im insecure and i need attention." god someone get this boy a myspace page.

thinking about the camping scene; where cal jokes around with his family alot, i wonder how his younger siblings felt afterwards

thinking about the poem scene; i don't think the poem has much meaning - also basing it off what Ben said. just some edgy thing a teenager would say.

cal doesn't seem to take anything seriously. being obnoxious to the other people who were there, ignoring andre's points on trying to stay secretive. cal couldnt give less than a fuck.

im jumping far

thinking about the shooting scene;omfgomfgomfg. in the car it's like we see cal truly happy when he is about to ruin people's lives, his smile seems so genuine like he's ecstatic.

when him and andre get in the building, he seems so focused on his first shot, quick to make sure there are no more people.

don't even get me started on the library scene omg

the way cal walks ontop of the tables, showing a sign of authority over everyone else. a moment where he can finally feel larger than others, where he no longer has to worry about staying in his little bubble.

"are you dead yet?" is my favorite quote from the scene. it's filled with so much anger and almost irony. he's taunting them, he laughed at the idea of someone trying to talk him out of it. i think this was the most freeing moment for cal.

i also think he was ready to die, his last conversation to andre says so much. telling him "you're done." isn't of "i'm done" or "we're done." he was prepared to paint the ceiling with his brains - while andre was so hesitant. UGH I COULD TALK ABOUT THID MOVIE FOREVER

[thefirstlioveyou]

Mike only fights back against bullies after they hurt someone he loves, but never for himself.

When he was tripped? When he was pressured to jump off a cliff? he just took it and never fought against it later. He never got back at them for it.

Mike's learned to take it, but he's ashamed of it. Watching back the clip where they trip him, you can notice Mike is trying not to cry. You can hear it in his voice with the way it cracks and shakes, and especially with the noise he makes at the end. He hides how they actually make him feel.

He tries to hide the real reason why he had a mark on a chin from el, afraid she'd think of him as a wastoid/loser. He just wanted one person - just one - to not think of him the way he thinks everyone else does - the way he thinks of himself.

He hides the reason for the bruise from the first girl that's ever shown interest in him. He doesn't tell his parents. (there is zero implication his parents are aware of the bullying until finally when his son is wanted by the whole town s4. karen is right there in front of him to see the scab but we never see acknowledgment from her). There's a good chance nobody but Dustin and El know about the whole cliff thing.

We are explicitly told how Will and El feel about the bullying and hate they've faced in their life, but not Mike. They are hiding him cause LOOK AT HOW HES OUT OF FOCUS IN BOTH OF THESE SCENES!! DURING THESE LINES!!!

MIKE UNDERSTANDS THEM. He knows where they're coming from!! why isn't he just saying that? pride. shame. fear. downplaying his emotions because his parents have taught him what he thinks/feels/does does not matter. not that they insult him.. they just ignore him or things that matter to him. that's enough to make a child feel insignificant.

buddy all you did was slightly open up about feeling not needed and insulted yourself in the process...

karen failing to call it by the actual name implies she doesn't remember details about him -- the things that matter to him. his correction implies it's important to him that she refers to it by its actual name, and this is most likely not the first time he corrects her by the way he says it casually.

the fact mike has zero reaction to any of this implies this is a normal thing for him to hear in his house (another instance in which he doesn't defend himself from insults, because he himself believes it)

His parents do not go to him. They do not intervene and rather wait for him to feel better on his own. Mind you this is a 12-14 year old boy. Why on earth is it all on him to manage alone???

"how is this bad?"

this plays exactly after we get a scene of Joyce not confronting Jonathan - her son - crying in his bedroom. Jonathan is parentified. He doesn't receive the same attention he needs as a child the way Will does because he needed to help provide. Although they're entirely different situations from each other (put down the fucking pitchforks), they both include a parent avoiding emotional connection with a child that's dealing with grief to let them take care of it by themselves. this is a clear parallel that's meant to be noticed.

they continue to just wait for mike to fix it all himself.

Mike feels worthless. He feels like a loser. He feels like he doesn't belong the same way El and Will do. He doesn't feel needed. But he's not gonna say it because he's learnt it doesn't matter. We have all the reasons to believe why he would feel that way.

Instead, during scenes where Will and El talk about bullying making them feel worthless, the director and cinematographer will simply just make sure he's in the background and out of focus, much like he his to his parents. Much like he is to the GA. Much like how it feels to suffer from depression.

[heightsofmadness]

In fairness, generational spinoffs are fraught by their very nature.

"I want to make a sequel," you say. "A lot of people liked the first one. I want to make another one."

But all the characters in the first one have finished their journeys! They don't have as much room to grow anymore.

"That's fine. This is about their KIDS. That means we get characters who are real real close to the ones everyone already loves, but we get to watch them do different adventures and stuff!"

Except that's hard, because if their parents are the original cast, then you're basically telling your audience to get invested in characters who are those-guys-you-like-but-not-as-good-yet, and also those guys they liked are still presumably in the picture. Not only that, but you're fighting an uphill battle to convince the audience that these are conflicts your new cast needs to solve, rather than something Mom or Dad can fix.

So we're living in the long shadow of previously-successful characters. How do we get out from under it?

Kill the parents.

Physically separate the kids from the parents somehow.

Make the parents shitty parental figures.

The first one is risky because not only have you told your audience to care about somebody else, but you've unceremoniously removed the characters they DID like.

The second one is doable, but not every plotline lends itself to this, and you also risk the audience asking why they aren't watching a DIFFERENT show, one where the main conflict is about the parents trying to make their way to the kids.

The third, in theory, solves a ton of problems! The parents' original skillset doesn't necessarily map to parenthood, so it's justifiable. On top of that, not only does it give your former-protagonists-turned-supporting-cast a potential arc: they need to learn how to fix their parenting style! And if the kids want to fix the relationship too, then they're suddenly trying to resolve the same conflict that the audience wants to see resolved!

...It's just that it can be hard to convincingly make a character kind of bad at parenthood without making them seem awful overall, and that means it's easy to accidentally do a character assassination.

Generational spin-off media is like “okay, what would be the most in-character way for the previous show’s protagonist to comprehensively fail as a parent?”

[dp-marvel94]

Real -Chapter 1

Summary:

While hiding from his parents in Gotham, an ill-timed encounter with his neighbor, Jason, has Danny pretending to be his own twin. Fortunately for Danny, the more he pretends the easier it gets. Until he is not pretending at all. Or: Danny names a duplicate and via ghost logic, said duplicate ends up becoming real.

Next->

Also on AO3

Notes:

This story was written thanks to @jackdaw-sprite who commented on a Tumblr post a wrote asking what I should write next with "I haven't read nearly as many of your works as I'd like to before saying which ones I'd like to see continued, but there's one where Danny names a duplicate, and because of ghost logic, the duplicate becomes real. It feels like such a neat idea to play with!" So here I am writing a whole fic about it! Structurally, this is still very much half-fic outline with some important scenes written out. I'm not planning on expanding it beyond what it is. Still, I hope you enjoy the story. :) A note for readers, those here for the DC content especially: this is very much a Danny heavy fic. The focus will be on Danny and Jamie's relationship as the clone goes from just a duplicate without its own life, to a real person with his own identity. The Bats, Jason especially, will be present, and important for Jamie becoming his own person. But those relationships are definitely secondary to Danny and Jamie's.

After a reveal gone wrong, Danny runs from his parents and the GIW. Soon, he finds himself living in a crummy apartment and trying to keep a low profile. He doesn't have very much, so he is very excited to find an actually in decent shape couch that someone was throwing out. It's late so, figuring no one will see him, Danny duplicates to have two pairs of hands to get the furniture up the stairs and into his apartment. 

Of course, Danny does get spotted by his neighbor, Jason, who offers to hold doors open and help with the unwieldy couch. Names are exchanged: Danny and, after a pause as Danny realizes he has to come up with something for his duplicate, Jamie. The "three" manage to get the couch inside. But now Jason is worried about what appears to be a pair of twins, 16 years old at the most, living alone in the apartment with one ratty couch and a bookbag between them. Jason isn't pushy or overly concerned, but he does make a point to check on his new neighbors regularly. 

After the second time running into Jason and being asked about "Jaime," Danny realizes he's going to have to pretend to be his own twin. Duplication is very helpful for that, though he tries not to do it too often and for too long; it does use a lot of energy. He'll just have the "twins" make regular, short appearances together. It's not like he's trying to get close to anyone in Gotham 

But inevitably, short appearances escalate into having dinner with Jason. The first is a one off; man claimed he made too much and Danny didn't really have money for food. Plus it was really good. Accepting the hospitality just this once wouldn't be that bad. Of course, "Jamie" has come to dinner too.

One dinner leads to more meals with his neighbor, to Jason trying to teach "the twins" to cook more than easy mac. 

Jason's youngest brother meets the "twins" when he pounds on the door during dinner and barges in, complaining that "Father is being unreasonable" and had ground him.

Damian and "the twins" end up huddling in Jason's apartment during Danny's first rogue attack since he arrived in Gotham. Jason ran off as soon as the alert went off, claiming that he was needed at the fire station where he worked. He pointedly says that Damian can stay and look after his non-Gothamite neighbors since he's grounded. The preteen is prickly but does stay put. Danny starts to get restless, unable to re-merge and starting to fear that his energy will waver and "Jamie" will pop out of existence. He nervously eyes the door and Damian threatens to stab him if he tries to leave, saying that "Todd is apparently fond of you both and will be quite peeved" with Damian if something happens to Danny and Jamie. 

Well.... Jamie will definitely disappear if Damian stabs him. So Danny manages to maintain his duplicate for five hours, more than twice as long as any time before. By the time the threat is over and Danny can go back to his apartment, he is straining, desperately trying to hide how exhausted and shaky he is from the excursion. He loses hold of the duplicate as soon as the door is closed.

Despite the hardship, maintaining a duplicate is somehow so much easier after that. He can stay duplicated for longer and gradually, he realizes controlling the secondary body is becoming easier. At the beginning, he needed a lot of effort and control to pilot the duplicate, having to mentally direct it to speak or move. He played "Jamie" as being shy and quiet, so there was less talking to dictate. But overtime, the need for mental prompting becomes less and less. Playing "Jamie" became more automatic, more instinctual. Almost like the duplicate runs on auto-pilot, mostly acting how Danny himself would, though more reserved. To an outside perspective, it looks like "Jamie" is finally getting comfortable and coming out of his shell. But to Danny, this was a relief, spending less energy running his duplicate and less time worrying about being found out.

Slowly, Danny meets more of Jason's family. One of Jay's brothers, Tim, runs into him at his coffee shop job and, blinking sleepily, asks which twin he is, before realizing that Danny is wearing a name tag. This leads to Danny's coworkers finding out about "Jamie" and his "twin" visiting him at work.

As the act grows and more people end up meeting "the twins," Danny spends more and more time pretending to be a pair of twins in more and more ridiculous situations. Playing both of them gets easier and easier, more and more comfortable until the twins can banter, share inside jokes, and tell stories from their childhood. Maybe it is intentional, maybe it's subconscious. But slowly, differences develop to differentiate the twins. "Jamie" is growing out his hair. He loves toast and watching documentaries about history. Danny, more and more convincingly, pretends to have a brother until at some points... it no longer feels like he is pretending.

Despite his new friends, Danny is still so lonely. The apartment is still almost bare, the money he gets from his job barely enough. It's never the job he wanted; he wants to be in school now, applying to colleges so he can get into NASA. But he can't do anything to draw attention to  himself, not with the government breathing down his neck or the danger of the vigilantes running him out for being a “meta”. And he misses his friends and sister so badly.

One particularly hard night, when he is heartbroken and hurting, Danny lies on his second-hand mattress in the dark, weeping. He mourns his parents turning on him, his heart aching for Sam, Tucker, and Jazz. He wishes more than anything that he was not alone right now.

Suddenly, there is a yanking on his core that leaves his gasping. A full body pulling sensation that almost feels like being peeled, except somehow it does not hurt. A second later, it is over and through his blurry eyes, Danny can barely make out a figure kneeling in front of him. Arms coax him into sitting up and pull him into a hug. Danny cries for a long while, not thinking about what just happened, not thinking about what... or who... is holding him. He just accepts the comfort, savors the feeling that he is not alone.

Finally, after the tears slow, Danny pulls back and looks. He lets himself realize what he is looking at. And as he takes in eyes like his, the feeling is something between awe and fear. There is a light in the blue eyes, a spark that he does not recognize. 

And as the brow wrinkles in confusion and the mouth slowly works, words spiral out. Words that Danny could never have predicted.

"If we... if you keep doing this..." Each word is slow and deliberate, as if each takes great effort. "This...." One hand motions slowly, vaguely, as if un-used to movement. "Jamie won't be a lie anymore."

Danny is stunned. He stares for a long while, unable to process. He does not understand what the words mean, why the spark in those eyes makes him just as elated as it makes him afraid.

So he takes the duplicate's hand and pulls the ecto-energy back inside himself. He reabsorbs it and "Jamie" disappears. And Danny thinks.

Slowly, he realizes how easy staying duplicated has become, how distant and foggy memories from his duplicate's perspective are. He replays the words in his head. 'If you keep doing this... Jamie won't be a lie anymore.' He wonders if they mean what they suggest, and most startlingly.... he wonders where they had come from, if not from himself.

For a few days, he avoids anyone who has met the twins or claims that his "twin" is busy whenever someone asks. But inevitably, his trusty neighbor Jason notices the avoidance and invites himself over to cook dinner. Reluctantly, Danny duplicates; there is clearly no avoiding this conversation.

The dinner is awkward. Danny has a hard time looking at Jason.... and an even harder time looking at his seeming twin. None of the three say much and by the end, their neighbor huffs a sigh and says his piece. 

“Look. I know that no one, especially two teens, live in a shitty apartment in Crime Alley if they can avoid it. I don't know if you got kicked out, ran away from home, are hiding from something. And I don’t care. I won't ask. But I was an alley kid. I lost my mom younger than both of you, ended up on the street. I know what it's like just scraping by, trying to survive all on my own.  That's why I look out for the kids here. I want to help you guys, no matter what your story is.”

Danny stammers out a disbelieving thanks. He is touched, really, despite the fear of discovery, of vulnerability quivering in his heart. Jason is a good guy and it feels good to have someone who cares. But... the maybe-not-a-lie sits on the couch beside him. A story he could never hope to explain...

Jason smiles, ruffling both of the twin's hairs. He stands to leave. "Take care," he says, almost afterthought. "You're lucky to have each other."

"Jamie" seems to lean, just the tiniest bit closer to Danny at the words. 

Jason leaves and it is just Danny and his duplicate. The half ghost releases a breath, letting some of the tension release. He reaches to reabsorb his double and-

A shaky hand grips his forearm. Danny looks, meeting the blue eyes. The spark is back, just the smallest hint in the posture that something is different. Slowly, the brow wrinkles, becoming something worried.

"What is it?" Danny finds himself saying, as if he expects a real response.

"Have... each other." Again, the words are slow as if just the act of thinking is hard. "Not a lie."

Now Danny's brow is wrinkled. "Not a lie? Are you saying that's true? Or asking if it is?"

"Not a lie." The words repeat. "Jamie not a lie."

Danny's stomach knots. He’s heard his duplicate speak dozens of times, even been surprised by some offered puns. But this…

“Not a lie.” One more repeat, this one faster, surer, almost desperate.

Danny looks up again. “Jamie.” He says the name. He’s spoken to his double before in front of other people, as part of the act. But this… it feels as bizarre as it feels right. “Jamie…. Are you… real?”

For just a second, there is something like hope in the other’s eyes. Then, the brow furrows in great effort. “Yes… No….” One more longer, unsure pause. “Becoming.”

“You’re… becoming real?” The words are breathy. Danny isn’t sure whether they make him feel that same hope, or if he feels sick.

The half ghost looks away, staring down at his lap. He doesn’t know what this is, how this is  happening. A moment of panic stabs. Is he sick or insane? Or… is it a trick? A trap?

Danny reaches with his mind, trying to feel. A parasite infecting him? Another ghost, trying to overshadow. There is a connection, a bundle of a dozen fine threads. It is a link to… something not quite separate. Danny feels the almost presence at the end, the not-quite himself he is speaking with. And… It is like cradling a baby bird. Small, fragile, and so young. No malice, just pure innocence.

The half ghost looks up again. His hand shifts, feeling the cold flesh. His fingers press, the almost flutter of a heart beneath the skin.

The awe from that late night rises, a question echoing in his head. What happens if he lets this  continue? 

He… won’t be alone. Danny remembers that night, crying on his mattress and desperately wanting comfort. And all those times hanging out with Jason. The jokes and banter started as an act to sell the lie. But… weren't they so much more now? Danny had pretended to have a brother and in pretending had imagined one… Now that brother, that twin sat beside him. 

But at the same time… fear spiked. What would happen if he didn’t stop this? Could he even stop this if he wanted to? It feels inevitable, unstoppable. Not if he stays living next to Jason. But… if he tells the truth? Or if he runs, starts again somewhere else. He could reabsorb his duplicate now and let this whole thing fade into memory. Jamie would disappear…

A wave of fear surges from outside himself. Danny meets terrified eyes. Something in him softens, crumples.

“Jamie?” Danny asks again and can almost feel the heart-flutter solidifying. “Do you want to be real?”

There is a pause, the fearful face becoming something narrowed eyes and sure. “Yes.” So much determination. Danny feels the one thread of dozens snap.

“Alright then.” Danny heaves a sigh, deciding. 

He will hold out as long as he can. He will stay duplicated, keep Jamie here until he’s not a duplicate at all. Jamie will be real.

[irunaki]

You mentioned gods when you showed us the OC map, may we see some?

YIPIII!!!!!!

So: I still need to organise things but here's the rough idea

There are 2 main religions around the islands and then there's like 30 more little ones that for now I don't think I'll develop much cuz I'm lazy

All the Gods from all the religions live together in the first sun (there's 2 sun's in case u didn't read the first oc thing)

Humans are the only ones whose Gods were denied bc since they fight too much abt it Gods decided they didn't deserve to have their help (whomp whomp)

But there's some Gods that are commun in every religion, just changing some small things

So the principal is the 1st sun God, cuz its the most important sun

Then some religions have all the suns in one god and all the moons in one god and other have a different god for each sun and each moon

Then theres like gods for everything

So the gods ill show here i didnt decide what religion they are specifically but they are from one of the 2 principal ones

(This drawong its old thos sucks)

Soo this is Aik he is one of the love Gods

He is the God of romantic love, he has a sister that is of family love and a brother that is of carnal love aka lust his father is of kindness/affection yk those types of things and his mother is of of birth and children and all that

I have the designs for his siblings and I should start making the ones for his parents soo ya

Bad English but ya

Look at the boy :3 he's like a big brother for all the other Gods, specially for the sun and moon ones but he isn't like the one who rules it all arl this is not like Zeus also he asks consent

Ok so thus is the lover it talked on the page above (his design inst finished yet)

then we have these two cuties

So the first one is the God of chaos, confusion, pretty much anything that doesn't make sense (they actually go down to the mortal World just to mess with things like randomly giving someone wings or turning your house upside down xd) I haven't decide their name yet cuz they go by too many names

Hes not a bad guy btw hes just silly like think of Discord from mlp when fluttershy alr made him good.

the second one is Afhria, and she's basically the opposite of them, Goddess of organisation, preparations also associated with luck, prosperity and education

ok so this one is Rokha and hes the "auxiliar " God like he is the one to be called when its going on like a ritual or a sacrifice or smr like that hes the one here tp help it go well and assure it gets to the God the mortals are trying to comunicate with (he's a sweetheart)

Hes also associates with things going well and luck

this is the early concept for Womm, the God of the starts but it's not finished so his design will probably change a lot yet

Heres a Aik paper doll I made btw

And here's some other concepts

1- Aik and his brother

2-Surya and two of his brothers but I didn't finish their design

3-Afhria and the Chaos :3

TYSM FOR THE ASK!!!!! ill try to develop the other gods cuz I have a looot of concepts but never actually continued them

[mooki3-bear]

Who wants the drama (babydaddy!Chris sturniolo x black!fem!reader

Summary: A look into the morning with Chris as the father of your child

Warnings: None

“Chris, what are you doing here so early? It’s not your week,” you say as you open the door in nothing but a bonnet, plaid pajama pants, and a fresh love sweatshirt, to see your daughter's father.

“Why do I need an excuse to come and see my favorite girls” He leans in to kiss you on the cheek. As you push his face away with an eye roll you hear your three-year-old running around the corner. 

“Hi Babygirl” Chris exclaims as your daughter, Isa, runs into his arms. “You spending the night” your sweet, curly-haired, girl asks him.

“No, I'm sorry honey! Mommy doesn’t let me do the anymore” With that comment, you hit him on the arm as you make your way into the kitchen.

You and Chris decided to co-parent a year ago after a particularly bad falling out about how each of you wanted to raise Isa. You also just had different goals in life that just didn’t meet each other's so you decided to call it quits and just live separately. Besides all of the disagreements, you both still find a way to get along and raise a beautiful little girl.

Chris follows you into the kitchen with Isa in his arms. As he sets her at the table for breakfast he notices a big bouquet lying on the counter.  “Where’d you get these from, Trader Joe’s,” he says with a giggle.

“No, you fool. I got them from…someone”  You say, putting eggs on your daughter's plate. 

Chris’s smile instantly falls from his face as you look at the big smile that just appeared on yours. “What do you mean? Like, you went on a date with someone” he says as he circles the counter to stand next to you. 

“Why do I have to go on a date to get flowers? Maybe he gave them to me just for fun”

“He? What the hell do you mean he”

“Chris! Don’t curse in front of my child” You whisper, waving a spatula in his face. You both turn to see Isa staring at you both, eggs stuffed in her mouth.

You both mentally agree to go into the guest room to argue while she finishes eating.

“What’s his name”

“None of your business Christopher”

“Does Isa know about him?” he said, crossing his arms with furrowed eyebrows.

“No Chris! I went on one date with him and I'm not just gonna let her around anybody” Chris lets out a sigh as he sits himself on the bed.

“It’s been a year man. I need to get some too”

“What makes you think I'm getting anything” You quirk your eyebrow at the boy as he sits up on the bed.

“I'm serious y/n! I haven’t been with anyone since we broke up” he explains as he walks closer. He looks deeply into your eyes, waiting for a response from you. You by instinct put your hand on his arms as you lean in closer to him, inches away from his face.

“Aww…that sounds like a huge you issue” With that being said, you walk away to go get Isa ready for daycare.

After what felt like an hour, Chris follows you to meet you in the kitchen.

“I can take her today,” He says as he notices you packing the rest of Isa’s lunch. “You don’t have to do that Chris,” You say as you put the glittery lunch box into her purple backpack.

“Of course I can! I didn’t get my license for nothing” he states, standing proudly.

You roll your eyes as you shove her backpack into his hands, before bending down to tie Isa’s shoes.

“Have a good day princess! Make sure daddy walks you in ok” Isa nods her head as she gives you a kiss on the cheek.

“Aw damn, I forgot something,” Chris says as he pretends to look around.

“What is it” Before you can say anything else Chris sneakily gives you a quick kiss on the cheek before grabbing Isa and running out the door, the little girl giggling in his arms.

You yell Chris's name with a giggle before running behind him to see him putting Isa snug in her car seat.

Watching him, you couldn't help but think that there is no one else you would rather have to be your baby daddy.

[voidingintotheshout]

Islamic perspective:

First, for what it’s worth may Allah ease your suffering regarding going through such a tragedy. As for the Islamic perspective, it’s a little multifaceted, but in general the way I see it it seems to vibe with what you were saying. Like some Americanized Muslims have a different perspective on this that more mirrors Christianity, which I’ll get to in the next paragraph, but in general, Islam has a view that a loving God can still exist in a world, where bad things happen, and doubting your faith, because a bad thing happens, is usually a sign in Islam that you didn’t have much faith to begin with.

In modern Christianity (20th century and beyond) as practiced in America, There is an idea that I call “God as a micromanager”. Essentially, it’s as if they believe God is kind of like a helicopter parent that will not intervene and micromanage your affairs as long as you’re doing appropriate things, but as soon as you might do something that could hurt someone else or yourself in a tragic way they believe God would immediately intervene and prevent you from hurting yourself or others, and thus if someone hurts or suffers, then clearly, God has failed them. Like the helicopter parent on the playground who is willing to sit on the sidelines until the child is a little too excited and is about to run into traffic and then obviously the helicopter parent will run and stop that from happening. In Islam, the big thing is that Allah has given people free will, which means that they are free to do good and bad things. Not to shock anybody, but not all people care about being good. Not all people are concerned about how much suffering they cause. Not all people are concerned about whether they do things that benefit others. Some doctors are only concerned about clout and a paycheck. Some doctors are concerned about making people healthy. Islam creates the rulebook for what God expects but not everybody is even interested in looking at the rules. In Islam, when it says that hard times are a test, what I’ve gathered that it means is that it asking if that difficult time causes you to turn towards Allah or turn away from him? It’s for this reason obviously that Islam can say that sometimes the hardest test for Muslims are good times because you don’t feel the need to do your prayers if things are going well and that’s why sometimes success can be a harder test than poverty. If you’re having rough time, and you immediately want to turn towards Allah/HaShem/God, then in terms of Islam, that is a test that you passed. Alternatively, if you turn away from Allah during a hard time, then that’s a test that you failed. It’s a situation that Allah would be monitoring to see how you react, but he wouldn’t intentionally cause suffering just to get a reaction out of you. The world inherently has suffering, because some people pursue pleasure without worrying about how those actions affect other people. Some people just like having fun and getting high and they don’t necessarily care if their high supports a drug cartel. Some people just wanna buy some cheap stuff at Walmart and they don’t care whether it’s made by sweatshop or slave labor overseas because they just wanted a cute T-shirt, or whatever. I’m not immune to these kinds of things. Sometimes the suffering is happening intentionally at the hands of a CEO, and sometimes suffering is happening at the hands of consumers who don’t care enough about the consequences to their actions. Like I know that factory farming is bad and that animals raised in a kosher/Halal method are given a better quality of life and death but if I choose not to buy that more expensive meat than I am kind of responsible for suffering that might be happening because of my purchase and I’ll need to answer for that someday.

I hope that this is an OK addition, but I feel like it’s a perspective that may not be obvious to some but in summary, Free will means free Will whether it hurts people or not. And just because some thing is a test doesn’t mean that the teacher created the test it might be something that is a reflection of who you are.

Finally, I hope that everyone who is dealing with suffering gets direction towards an easing of that suffering, and I hope that everyone Who feels triggered because of the suffering that they endured at the hands of religious people can also find an ease of that suffering. Anything that gives people power can inherently be misused because people have free will, and not everyone uses their free will well. 

This is perhaps a cruel feeling to have but I am made almost angry by people who “doubt their faith” just because a bad thing happened to them.

You always knew it happened! You are an adult! You know horrific accidents happen, innocent people are hurt, fawns die in the woods without witnesses! But as soon as it’s not “somebody” and it’s you, you stop believing in a loving God?

If you say “I can’t reconcile all the bad things that happen on Earth with a God who is good” I get it.

If you say “I can reconcile all the bad things that happen on Earth with a God who is good” I get it.

If you say “I can reconcile all the bad things that happen on Earth, but I can’t reconcile all the bad things that happen to me with a God who is good,” I dont understand. I’m uncomprehending.