#they are WEAPONS in his possession

[walk-to-gallows]

Castiel should be thankful that Jimmy Novak had the biggest, saddest, most pathetic blue eyes in existence

[greenlaut]

bitter tea & oranges

sequel -> tea & dates

[callme-aprilroseisha04]

heyyyyyy if u didn’t notice I’ve been thinking about the tadc puppeteer au a lot haaaaaaaa

[blueseysyogurt]

adam parrish is to me what rory gilmore is to high achieving teenage girls

[pa-pa-plasma]

I know the concept of more supernatural/paranormal elements is cool but it will never stop being funny to me that in every series ever, when a ghost shows up the main characters have to do rituals & research the history of the haunted item or house or even whole town & use specific items like salt & incense & talisman to banish the ghost all dramatically & supernaturally, but in Danny Phantom this kid just shows up with nothing but his fists, a thermos, & pent up aggression. put em the fuck UP, you ectoplasmic son of a—

[grif-hawaiian-rolls]

"I don't miss!"

I,, might've gotten a little carried away with gravhammer Donut, ya know, just a smidge

local artist not immune to putting their favorite in vaguely god-like finery

[silverhalla]

Back at it again with another theory: What if Lucanis’ betrayal wasn’t a betrayal at all?

(obviously, spoilers below the cut)

During The Wigmaker Job, we have some dialogue between Illario and Lucanis about their position within both the Crows and the Dellamorte family. Illario wants Caterina to step down so he can take the coveted First Talon spot. Lucanis reassures him that his time is coming, to which Illario makes a snide comment about whether his cousin would ever go against their grandmother’s wishes. When they continue the conversation after the job, Illario states that Lucanis is the potential heir, that he’s her favorite, and that he’s unlikely to say no to her. Lucanis doesn’t argue, only insists that he doesn’t want to be First Talon, and that he hopes she’ll see reason before that. It’s mentioned again in Eight Little Talons - Caterina favors Lucanis. It’s well-known enough among the Crows that Viago and Teia discuss it in front of her (not on purpose, but she doesn’t deny it). He’s her prodigy through and through.

In the opening scene for the Lucanis quest in Veilguard, Caterina is poised, as you’d expect of the First Talon. She’s certain that the body they buried wasn’t her grandson, that it had been altered with blood magic. She doesn’t pose it as a theory, though: she poses it as a fact. It could, of course, merely be her confidence, but there’s another very unusual aspect to the scene – everyone else discusses how Lucanis was clearly betrayed, that someone must have sold him out in order for the Venatori to capture him. Caterina is the only one in that room who never speaks on it. She doesn’t ask for justice, doesn’t mention vengeance, never acknowledges that her grandson was sold out by someone he trusted – perhaps because he wasn’t. 

What if, when Caterina comes to him with a plan, with an impossible request, he’s still her favorite prodigal grandchild, and he still does whatever she asks? She’s had him tortured before as a child, has tortured and starved and beaten him herself before, because it makes him stronger and more resistant to it in the future. He says in The Wigmaker Job that he used to hate her for it, but now he understands. He justifies it. All Crows justify it, because they have to - if they don’t, then the cruelty wasn’t for survival’s sake, and their suffering meant nothing. Perhaps he doesn’t even question it. When Caterina tells him that she has a job for him, he takes it. 

What if the contract has a caveat? Sure, Calivan must die by his hand by the end of it, a little treat for a job well done, but what if his primary mission is reconnaissance, is discovery? The Venatori are using blood magic to torture and corrupt prisoners. It would behoove the Crows to find out what it entails and how to resist it, before it’s turned back on them. It would have to be someone so deeply, unabashedly loyal to her that when she asked them to infiltrate a Venatori prison, expecting torture at best, their own death at worst, they’d take the job anyway, no questions asked - someone Caterina can trust, certainly, but also someone who has never once said no to her.

And Lucanis has always been a loyal grandson. 

[acebabecd]

"How dare Orym be angry and constantly bring up his murdered loved ones whenever people act like their deaths were acceptable collateral, he needs to get over it and listen to others for once!" Is it crack? Is that what you smoke?

[browniesarethebest]

I've seen a few things where Rise Mikey's mystic weapon was possessed by a demon.

Now imagine he befriends this demon which is part of why he gets so good with his weapon. None of his brothers know because they never really think to ask, and Mikey doesn't want to bring it up because he thinks they'll take his weapon away if they realize he's communing with demons.

Anyway, the fight with Shredder happens and his weapon gets shattered. The demon is free, but it doesn't really have anywhere to go in the human world and Mikey doesn't want to say goodbye so he offers the demon to possess him. It does.

It's a mutual relationship and Popcorn (Mikey named the demon because he couldn't pronounce its real name) really doesn't come out except when they're alone. He still doesn't tell his brothers. The first time his family meets Popcorn is when they're losing a battle pretty badly and Mikey knows it's the only way to save the day.

His brothers are absolutely flabbergasted when Mikey shouts "Popcorn!" and just bursts into flame. And then proceeds to curbstomp the villain.

[mitskiluvr]

that body never belonged to you in the first place

[puppetmaster13u]

I wasn't going to do any designs for when the robins were older yet but I was sleep deprived and just started sketching, so have a Red Hood.

Au belongs to @phoenixcatch7 and you need to check them out <3

[nayruwu]

we accept the love we think we deserve or whatever Stephen Chbosky said

[cyndrastic]

hey remember when i said i was drawing Vic Chaos as a milf?

alternates with different lighting (with and without words) and a time lapse under the cut! (btw the words on the cover all have to do with lore in my post covid au so send asks if you’re interested <3)

tw for nudity (without genitalia) in the time lapse cause i shaded the whole body before drawing the dress

[vaugarde]

in general i think im really tired of kirby antagonists that are like “ohhhh this is the main antagonist- actually they’re just being possessed and they’re not actually responsible for their actions at all”

[the-introverted-extrovert]

The prompt for day 6 was to draw him in a sports uniform. I'm happy with how it turned out, but something tells me he shouldn't be allowed to hold a bat.

[orbdotexe]

can i just say that Longing For Acceptance Already Given is STILL rotting my mind? its tooth-rotting-ly sweet but its not straight fluff and my brain goes haywire everytime I read the line "They settle instead for a soft rippling in the Light; the feeling of tucking a sleeping other’s hair away." bc oh my GOD what possessed me when i wrote that. holy shit

Look. i know "pining" is usually used in a romantic way, but i think Wolf is just generally pining. Like anything they touch could shatter or wilt in their hands at any given moment and they hate it and they hate themselves but they're too tired anymore for there to be any real fire behind it and they want so badly to reach out but its tiring and dangerous and do they even deserve it?

If, by taking this hand, theirs would be cut off? Are they the offered hand, hiding a blade, claws? Are they capable of dulling their edges, of meeting gentleness with gentle hands?

Which, while it's not the highest quality, Against Better Judgement (ch2 of One Mirror, Two Reflections) comes back to this in that brief misc Wolf POV. Their sort of amazement/realization/mild crisis that they're holding something, wrapped in their hands, and its warm and its alive and it's not trying to run from them and- Its someone who trusts them, implicitly, not to hurt him.

It's the hand they're so afraid of and they can't figure out if they want to hold on to it and never let go or if they want to run, just keep running, and never let anyone so close ever again. Maybe he should be afraid of them, actually, maybe that terrifying hand is really theirs and their claws are going to cut him open when- if they try to hold on.

And the question of "theirs or his?" after calling the touch a lifeline... "Did that even matter?"

and the line "This quiet destruction– progress?" back in Longing? oh dont get me started.

hi helloo i am Not crying over my old writing. this is a perfectly normal thing for me to be doing. hi hey hello do you hear me. i did NOT mean to write a wholeass essay here it was just supposed to be reminding people about that one line, how did we get here. and anyway the very fact that i barely mentioned Ghost here isnt really a crime bc he's almost an extension of them. another piece of their soul. that softness comes so natural with him, another limb, and he responds in kind, and they both know the other is fragile, and they both know its in two so very different ways and yet they just get it. There's no one else like each other even if they both need more friends. theres nothing more important than each other and they're all they've got and and and-- if you know whats good for you, you will NOT read these tags