#and that he was only ever antagonistic because he was possessed

[perenlop]

in general i think im really tired of kirby antagonists that are like “ohhhh this is the main antagonist- actually they’re just being possessed and they’re not actually responsible for their actions at all”

[fluorescent-if]

| DEMO | RO INTROS |

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Welcome back to Misty Cove!

Your hometown that holds all of your best memories from childhood. Days where you spent all of your time with friends, exploring and playing. The most notable thing about both you and your hometown however, is what started happening in your teenage years. After you and your friends uncovered a mystery about the high school you all went to, you starting finding more odd occurrences across the county, and well, it's not like anybody else was going to solve them.

You and your friends because a team of detectives. Most your teenage years and early twenties were spent solving odd crimes across the country. You were all best friends.

That was until four years ago when...

Well, you're not sure you can remember anymore.

It doesn't matter right now. Welcome back.

'Return to Misty Cove' is a horror/mystery Interactive Fiction game that is inspired by Scooby-Doo, Soul Reaver, and the works of H.P. Lovecraft. This work will be rated 17+ for gore, violence, swearing, death, body horror, and possession that might not be suitable for everyone.

Customize your MC's appearance (gender, height, body type, ect.) develop their personality and become the linchpin of your mystery solving team.

Find out more and possibly solve the mystery that has been haunting your hometown.

Rekindle, or destroy old friendships (and maybe develop romances) with your former team, and meet others along the way.

Have an animal companion! (dog or cat)

Major Characters

Cameron "Cam" Morris (M/F) [RO]- Tech-savvy and mechanically minded, Cam is currently working as a mechanic after you and your group broke up, they are currently going to grad school for mechanical engineering, and still sends postcards and pictures to you. They are likely the sweetest person you have ever met, even if sometimes they are too kind to people who don't deserve it. Out of the four of you, Cam was always the one who needed to do what was right, no matter the cost, and even if what they thought was right at the time hurt in the long run.

Ollie Cohen-Reyes (NB) [RO]- Ollie has always been interested in macabre and strange, spending hours researching in the library any and every topic they were interested in. They get along with very few people, but once they are able to get close with others it becomes easier, and they become sarcastic and witty, and feel less uncomfortable talking about their interests freely. They work as an adjunct professor in forensic anthropology.

Rose/Rory Thompson(M/F) [RO]- They are a loyal person, first and foremost. When the group broke up they somewhat lost their purpose, but they ended up settling and working as a bartender in Misty Cove. Having taken boxing and self-defense classes from a young age due to their paranoid parents, R was always the best when it came to physical confrontation with the cases you investigated, even if outside of this they never seemed like someone who had that much power. They have become far more aggressive and assertive than the person you knew as a child, now having the attitude to match their technical know-how.

Terra Clarke (F) [RO]- You originally knew her by a different name, but she started transitioning early on life, and Terra is the only name you can remember now. Normally when you say it it's followed by a nasty comment. Terra was never someone you got along with when you lived in Misty Cove. She was antagonistic towards you and your friends, but a lot has changed since the last time you saw her. She now owns her Grandpa's diner, and tries to take good care of the people of the town, especially since the mayor won't do much. She is always exhausted now, but is very happy to see a familiar face, even if your history is muddied because of both of your actions.

Randall 'Randy' Clarke - Terra's grandfather and former owner of "Randy's Diner" always very kind to you and your friends, even if you all never got along with Terra. He has been running his diner since the 60's and has faith that his granddaughter will uphold the legacy.

Ana Lloyd - (An-uh) the mayor of the town of Misty Cove. Trying to "restore the former glory of the town" as if she didn't move here less than 2 years ago, and was the only person who ran when the former mayor died while in office. She has been selling some of the old public spaces to business developers as a way to "expand the town and bring in new people".

Mrs. Ms. Emerson Talbot- Your former English teacher from high school, you never got along with her that well. She, now in her 70's has only gotten more bitter. You just hope she doesn't hold grudges.

Dorothy Giles- Your co-worker, likely the only one in your office who has a soul anymore. A woman who would go to the ends of the earth to protect the people she cares about, even if those people are just 20-somethings that she has taken under her wing.

(Things are subject to change throughout the games development)

[abyssal-ilk]

A thing that people always forget when chastising vivienne for being so apathetic to cole is the fact that she is a circle mage. People whom are forced to learn that you should not trust demons nor spirits or else they’ll put you down AS A RITE OF PASSAGE. Think back to what Mouse says in DAO. “Keep your wits about you, mage; true challenges never end.” She knows that for the rest of her life, demons will tempt her and try to possess her. She has seen mages turn into abominations, knows how they get them- of course she will support templars who have the skills to subdue them. And now to have a spirit scurrying around without supervision what is the last bastion against a Tevinter Sidereal… I too would be worried as hell if i were a circle mage.

EXACTLY!

not only is vivienne a circle mage, but there are also a few other factors that play into it that make cole so untrustworthy to her. vivienne underwent her harrowing when she was young– in fact, she was the youngest mage to have ever gone through a harrowing and survived it. we don't get to learn much about what she went through during her harrowing, but we DO have this banter between her and cole:

harrowings on their own are already traumatic enough, and with the added insistence from the circles that all spirits and demons are dangerous (which we see vivienne repeat above, "all it can do is harm."), it makes complete sense on why vivienne would be so put-off by cole! especially given how kind he is! she thinks that kindness is a ploy, and why wouldn't she if her harrowing was anything like the warden's in DAO?

and then that's not even acknowledging the fact that cole isn't just ANY spirit. he's the ghost of the spire. he's killed mages before and admits to doing so. and even though he was wrong to do so and realizes that what he did was wrong, that does not mean that vivienne automatically has to suddenly be okay with what cole did. of course vivienne takes cole being the ghost of the spire harder than everyone else in the inner circle. she is the only circle mage there. it is entirely plausible that she sees cole as a threat and views herself as being the person most able to recognize that threat because of what she was taught. it's why she struggles so much to empathize with cole on any level.

ive already talked about this briefly on another post, but cole is also fairly antagonistic to vivienne as well. it's easy to look at their dynamic and think that, well, cole is just trying to help vivienne but he... isn't? his version of helping her is prying into her thoughts without permission and continuing to do so even after she has shown clear discomfort with it.

cole drags her worst memories and thoughts out publicly in front of not just vivienne, but the rest of the party and anyone else who may happen to be standing near them. it's DANGEROUS, what he does, because vivienne is a player of the game. her position at court is a precarious one, and to have someone like cole who can just pick into her brain whenever he wants with no repercussions? it's scary! it's scary because vivienne has no defense against it, especially if the player supports cole and downplays the harm he does. and what can vivienne do about it? she's an ally of the inquisitor, and that makes her cole's ally by proxy. telling cole to stop doesn't work, insulting him doesn't work, trying to get the inquisitor to intervine doesn't work– nothing seems to deter cole.

which is why THIS piece of dialogue is so important to me:

despite everything i've said above, vivienne still cannot help but care about cole. no matter how dangerous he is, no matter what she was raised to believe, she still cares about him and worries for him. their dynamic is SO interesting to me and i really wish people dug into it a bit more rather than just dismiss it as vivienne being needlessly cruel to cole. it's so much more than that.

[reixtsu]

In an alternate universe, they are real and you are a fictional character.

Includes: Xiao, Aventurine, Diluc, Itto

About you: you are the main antagonist in an anime and video game.

Xiao

Aether begged him for weeks to watch your anime with him before Xiao got annoyed and finally gave in to his wishes. The plot he found a little interesting, so say the least. The story was a little cliche and overall not within his genre. At least that was until you showed up. He tried to understand your motivations and actions, after all, you were the villain. Why did he find you amusing? Why did he find your beauty otherworldly? Xiao starts to watch your anime  secretly during his own time, often acting like he has no interest in you or your anime. However no one can ignore his little blush at the mention of your name. He was obsessed with you and even bought merch and made a secret shrine. Once your arc ends, however,  he will still root for you within the depths of his heart.

Aventurine

Headphones ready? Check. Anime on? Check. Other computers with your playable character on screen? Check. With all of that checked, Aventurine was ready to watch today's new episode of his favorite anime. Why was it his favorite? Because it had you in it. He grinned as you walked up to the screen, but Dr. Ratio roughly shut the laptop, effectively cutting you off. How could he?! He just slammed a computer shut when a goddess was in the middle of making her speech? Aventurine whined as Dr. Ratio dragged him away from his computer and lectured about his unhealthy obsession with you. Luckily, Aventurine was willing to gamble anything for you. He watched your anime every single day, made you his wallpaper, and spent all his money on your merchandise. IN the game you were in, he would gamble so much just to get you maxed out in everything, making you his most prized possession.

Diluc

It all started when Kaeya went on a drunken tangent about you and your anime. All Diluc could do was sit there listening to his brother ramble on and on about you. He didn't think much of you at first, simply keeping in mind about how much Kaeya simped for you. After a lot of pestering, Kaeya finally convinced Diluc to watch your anime with him. At least one anime was the agreement, only one. One became two and two became three. Diluc couldn't stop thinking about you. Your characterisation, design, personality, voice, motivations, everything. You were so fascinating to him. Kaeya would always take the opportunity to tease him about his new obsession with you, but Diluc just brushed it off, proceeding to think about you as he cleaned a few glasses. Mind you, he is a quiet fan of you, and often doesn't make physical attachments with you other than a small image of you in his wallet. If Kaeya ever finds the picture, he swears he will kill him.

Arataki Itto

After seeing a few posters of you hanging around Inazuma, a man fell head over heels for you. Your physic was what got him first, but when he discovered you had an anime, he and the Arataki Gang started binge-watching your anime like their life depended on it. He would show off edits of you and ramble about  elegance to Shinobu every single day, much to Shinobu's dismay. He laughs at every lame joke you say and cries during your backstory. He was a very vocal supporter and wasn't afraid to show just how much he loved you.

[crimson-and-clover-1717]

I’ve read a few takes which view Izzy through a Marxist lens and paint him as a working class* hero. The premise being that this proletarian warrior is unfairly usurped in the affections of Ed by some upper class, monied, artsy type; and to not root for the grassroots character makes you somehow a bourgeois prick.

Izzy is never in Ed’s affections romantically. Ever. So the premise falls at the first hurdle.

But for the sake of argument…

If you’re truly going to view the show as a Marxist allegory, in which an individual overcomes horrendous class obstacles, then that character is Ed Teach.

Ed rises from extreme poverty to become the most successful and infamous pirate in history. It’s a rags-to-riches story.

The takes I’ve read on this completely ignore the fact that Ed is also ‘working class’. And the only conclusion I can reach is that Ed is ‘the wrong kind of working class’. Because what these interpretations do is separate the idea of the working classes into a ‘deserving’, romanticised, white, ‘salt-of-the-earth’ type, and non-deserving groups not worthy of recognition, usually representing people of colour.

And so we’re back to race. The Marxist lens as I’ve seen it applied here defines the white working class man as having had his toy stolen by the white bourgeois man. Ed is a just an object. And when Ed’s handed back rightfully to Izzy by the British Crown as payment, he is literally chattel returned to the correct owner.

A large part of the show is Ed’s fightback against an ownership narrative in order to claim his identity for himself. That to be with Stede is his choice; and Stede’s initial obliviousness is an extremely important part of that narrative. The agency has to lie with Ed first, and the writers clearly understand this. Else we might be setting up a power struggle over ‘who owns the brown man’.

Stede never lays claim to Ed because there is no claim to lay. He instinctively and intuitively falls into a reciprocal friendship with Ed, which eventually grows into an equal love and natural affection. Stede always sees Ed’s personhood. And it’s really important that Stede views Ed, at the very least, as an equal in terms of human worth. Societally they are not equal due to white patriarchy; however, Stede’s giving up of his wealth, his bourgeois status, is another step towards a truer equality between the two.

Meanwhile, Izzy views Ed as a valuable asset to be utilised for a certain masculine glory and riches. Izzy might not be bourgeois, but his worldview is certainly bent that way. He will willingly and violently take possession of another human being as an interpretation of owning the means of production - that isn’t exactly proletarian. It’s participatory enslavement and a bourgeois act.

We know nothing of Izzy’s past. We can presume he’s from a working class background because Occam’s razor would suggest as much. But we are never explicitly shown Izzy’s class in the way we are Ed’s, because Izzy’s class isn’t overly important to the story unless it serves the narrative of Ed and Stede. It has no independent meaning. He’s an antagonist. And let’s face it: he cosies up to Chauncey and the British establishment pretty easily when it suits him.

If you must apply a Marxist lens to this story, your working class hero is Ed. And if not, why not?

*I’m using ‘working class’ as a Marxist term. I realise in 1717, it was not widely used

Ed Teach, finally co-owning property and a potential business. It’s not a fairytale ending entirely, but it is an important practical ending to a lifelong journey from nothing. And Ed might never have to go hungry again.

[burnttongueontea]

I have this line in one of my fics about Aziraphale's 'company-owned human heart' that has been on my mind recently.

Because for me personally this is the number one plot hole at the end of the book/S1, and actually one of the best justifications for why more story was needed: the corporations.

It's established so many times, and is so key to several plot points, that Aziraphale and Crowley need to borrow a body to be on Earth and that Heaven/Hell have control over their access to this resource.

That's why the narrative stakes are still high for them in 'risk to life' situations, even though they're technically immortal. It's why Aziraphale has to possess Madam Tracy to be able to get back to Earth and help stop Armageddon. It's why Crowley gets stuck in Hell for decades (and possibly tortured) after he takes the laudanum. (It's also the reason Heaven feel entitled to keep up a running invasive commentary on what Aziraphale chooses to 'ingest'.)

In the original ending, Aziraphale's 'no body' problem is sorted out by Adam who gives him a new one, and then off they go to their happily ever after at the Ritz. But... this doesn't address the fact that Aziraphale and Crowley are still able to be 'killed', in which case (with Adam now a normal kid) they would be totally dependent on their antagonistic employers to get back to Earth. In a fantasy universe where so many things are handwavey or determined by 'rule of funny', this is one of the few story rules that is actually pretty clear and consistent.

It's also, imo, quietly a tragedy for Aziraphale and Crowley. Not just because of the risk of getting discorporated (which is at least theoretically avoidable). They experience Earth via their corporations; everything about who they are is now defined by the lives they have led in human bodies; and those bodies belong to someone else. This is a problem that touches absolutely everything they care about. Especially now that they have realised they want their relationship to be human in a way that Beelzebub and Gabriel don't. What does it mean to communicate love body to body, express love as a thing of the body, if that body is effectively a bit of equipment on loan to you from the office?

Their happily ever after can't be complete, I don't think, until they have more ownership over themselves on this front. And that can only be achieved by a waaaaaaay more drastic rearrangement of the status quo than what we got in the resolution of the Antichrist plot.

[lizaluvsthis]

SMG4: The PuzzleVision Movie

[SPOILER ALERT and more into the ship]

VERY.

MAJOR.

SPOILER.

PLEASE.

Its funny enough how i predicted spongebob squarepants in my theory

(It even also has the ship I had a true pairing with. Squidbob.)

When old fandom meets the new fandom I'm currently in be like-

I see how they got each other's backs...

Suprised that SMG4 has done this- because last time we remembered, Smg3 is the one who comes risking his own life to save his buddy.

Now it's giving the DEJA VU moment but this time SMG3 is the one who gets saved by smg4.

"You saved me!"

Notice how different they act around their partner when they get saved?

Smg3 during wotfi 2023 AND in his recolor design during the 10 year anniversary.

He himself has pushed those things away or pushing out the soft stuff saying— "yeah yeah" or "I'd like to see you die otherwise"

BUT HIM? He still couldn't accept himself with the softness he's gained alot. He still calls his FRIEND. Baka.

(Hah idiot.)

One thing to say that it WAS AWKWARD SMG4 just looks at our guy. My man... my homie... buddy chum pal old fella amigo-

You. Are not. Okay. My man. (GAY PANIC SAYS OTHERWISE)

I know its not relevant but I drew this back in march 25 believe it or not I may have predicted this as well

Me and my brain goofing around telling me what if the gays did do that.

Anyways- back when Three lets Four carry him, as much as they both hate each other they atleast had to do it somehow inorder to escape.

Yet four could ever care less and he was still grabbing his waist at that time, and Three not giving a sh-t just looking up at the sky noticing how pretty it is.

Three... DO YOU HAVE ANY IDEA WHOSE GRABBING YOUR WAIST RIGHT NOW??????????

Two siblings getting both of their fingers broken.

And its even in the right hand! Since Mario is immune to broken bones, Meggy however gets to be on the same place Mario has been in IGBP. NOW she gets to feel the pain what Mario may had felt.

-

And thus at the near end where SMG4 hits PV with a meat hammer or aka luigi- HE LITERALLY KICKED THE HEAD OUT- AND THE ANIMATION THAT MADE IT SO SERIOUS.

I think I understand his anger so much from this clip that everyone would agree.

Ever since PuzzleVision gave back everyones conciousness- he showed the Western Spaghetti and IGBP act of the crew on how emotional things became.

"And SMG4... who knew you could play an antagonist so well! High ranks for me!"

He felt so guilty. He looked down. He knew what PV was talking about.

By an antagonist' actions.

Just like how he was possessed by the goop itself, he started going crazy during that time and he let his anger get on to him.

SMG4 DID NOT WANT TO BE THE BAD GUY.

He was so scared and felt pity to himself because of that. And it was all ruined because of PV himself.

Smg4 didn't want to remember what happened during that encounter and never will.

Besides on the deal with PuzzleVision. SMG4 and Meggy's traumatic experiences weren't talked enough from their problems during the movie.

So much things are happening from the show that no one is talking much about it while watching.

"Is... is it over?"

Smg4 proceedingly cried emotionally because of the torture. He was apparently too blind enough to notice now that he realized it was him to blame. He was so dumb enough and so angry that he could cry.

Three didn't even slapped him or shut him off, he lets him cry over there due to the fact that he may need to release his emotions.

Because he knows how sentimental Smg4 became when it involves with dealing his own emotions that HE couldn't even give an advice for. But could only stay quiet.

Because at what hell of a state would he even say to SMG4 when they're trying to escape from this hell of a nightmare?

Four still doesn't accept himself, and neither does Smg3 too. From everything that happened.

Our boys are suffering enough and its hurting us like hell.

[child-of-the-danube]

Right, it's time to go absolutely bonkers with theories. This whole episode has to be one of Lilia's visions (or Teen controlling them subconsciously) because everything was off about it.

- First Lilia wakes up knowing that the Salem Seven are there. As much as we know, Lilia is rarely ever able to so directly read her visions/premonitios, she usually just blurts them out in a nonsensical order and doesn't remember doing so, but this time she was completely sure.

- Jen was strangely VERY antagonistic towards Agatha from the start of the episode. They aren't really the best of friends but this was different. The way she shut down Rio for defending Agatha. Then "tell us more" when Agatha mentioned selflessness with the brooms.

- Alice then suggests that they have to get off of the road which was thing no.1 Agatha told them not to do and they saw the road swallowing Sharon at the start of episode 3 for straying off the path. Which later it does to all of them again, which makes me think this wasn't a real/the correct trial at all. The moment they hopped on the brooms they fucked up and the road was punishing all of them just to swallow them in the end.

- Also the road forces them down. They're falling and the world is inverted. What if the road swallowing them wasn't just Teen's doing but actually the road taking them to the proper trial which is Lilia's. We saw in the snippets hinting to Lilia's trial that there's a floating and falling down scene but the people around Lilia aren't the coven. It's the Salem Seven. Maybe that's how they get back up as later on in the snippets there's a scene of Agatha fully covered in mud speaking to Teen so they clawed their way back up.

EDIT 1: YO NEVER FUCKING MIND THIS. In the scene where Agatha is covered in mud talking to Teen, the road is still yellow so they probably clawed out BEFORE Lilia's trial

- The door of the trial house is plain wood. All of the doors before had the Moon phase fitting to the person who's trial it is ON THE DOOR. But this time they see the Blood Moon through a window. In the episodes before, the outside of the house they were in wasn't real. Also, Alice's Moon was a Waxing Crescent. By all means, the following Moon phase should have been the First Quarter (when obstacles start to rise and decisions need to be made - obstacle being Teen knowing who he is now), not a Full (Blood) Moon cause the Full Moon comes after a Waxing Gibbous. And the Moon was the colour close to Wanda's look and crown.

- Also why would the main character's trial be in the middle of the show? Makes no narrative sense. And Agatha's biggest trauma isn't her mother and the coven, even if it was very significant to her becoming who she is, it's her son. Her trial would be Nick focused. A cabin in the woods, the 80s look, Ouija board etc. are all very much staples of teen focused horrors. Besides why on Earth would Agatha's trial make Teen get his powers? The trial ends with Teen speaking Nick's name and Agatha telling Teen he's so much like his mom. Lilia even tells him to pray to the Divine Mother at the start of the episode when they hop on their brooms. Him getting his powers means his sigil is broken. He remembers who he is, who his mother is and now Agatha knows too. This was 1000% percent his trial nobody can convince me otherwise

- Lilia asks what's on the back of the pamphlet and it says "for ages 3 and up" so again alluding to kids, which Teen is the only one of there.

- They're all dressed as campers beside Lilia. She looks like a camp counsellor or a mom that went to see her kids there. Which, ok, she is the oldest, but not that significantly older than Agatha. In the trials before, she always matched the others perfectly, this time she doesn't. Why?

- Lilia accidentally lets go of the Ouija board thingy, which Teen said not to do under any circumstances but nothing happened to her. By road logic, shouldn't she have been the one possessed or hurt? Actually, nothing happens to her for almost the entire episode (and Rio, but that we know why). Agatha gets possessed, Teen is attacked by both one of the Salem Seven and possessed Agatha, Agatha almost kills Jen and Alice dies. Lilia is at no moment in true danger nor does she intervene. She's practically just a spectator.

- Then the board says Death is with them which shouldn't be a shock. Agatha knows who Rio is and they all know by song that walking the road means holding Death's hand. Lilia is constantly bringing up death. Why would it single Rio out when the rest of the trial didn't have anything to do with her and Agatha's bond or trauma?

- When the board freaks out and the screams begin, Lilia says she hated this the first time. What time? There were no spirits screaming from beyond the veil before unless we count her hearing the pictures in Alice's episode but I'd say that was just her memories as she was the only one hearing it. Now everyone hears it. And Teen says that Lilia is being weird again. I might be reading to much into it, but the screams kind of have the echo a tubular space, like a tower, would perhaps make. On the Tower card we see a blue crown at the top. I believe Teen (and Rio whom we didn't see getting swallowed by the earth end of episode as she was probably guiding Alice to the other side) are sitting Lilia's trial out next episode and it's gonna be Agatha, Lilia and Jen trying to get back to them.

EDIT 2: This one I still somewhat stand on, except the crawling back part, cause in the trailer we only see Lilia with Agatha and Jen dressed like Wizard of Oz/Wicked characters + the Salem Seven, but no Teen and Rio.

- Ok, Agatha is possessed and kind of out this episode but I'll still point out that when Evanora appears, it's Lilia asking the questions and standing in the middle protecting the coven. She works as an almost narrator this episode.

- When Alice tries to save Agatha, Lilia says "Knight of Wands" which one of the meanings is caution against hasty decisions such as Alice blasting Agatha knowing that's how she takes power.

- The door out of the trial opens upwards which it didn't do before. Both Jen and Alice's trial had them go down a door as the road seems to be a descent into further hardship/hell metaphor. The only door it would make sense to go upwards is the end of the road.

- The road turns yellow when they get back so Lilia's trial is next

EDIT 3: I just realized that Lilia repeats "punish Agatha" she looks right at Teen, not at Evanora. She could feel something was off AAAAAA

I'm begging people to discuss this with me. Give me your theories, the things I might have missed or ignored. Cause I'm going nuts about this episode

[raayllum]

like Callum made the right choice in 5x08 for his character and the thematic narrative. Thematically, Rayla cannot permanently die (she's too sacrificial) nor can she have a partner, honestly, who'd be willing to sacrifice her like that. Callum also cannot be willing to sacrifice her like that for the life of a stranger dragon he's never met, or not take the dark magic risk; not only is this how he's always clearly been ever since S1 ("But not everything [has changed]: I would do anything for you") but doing so would make him exactly like the worst of Viren: "If you have to choose between [the world] or your brother, pick the egg." Callum is having a dark path arc, but he's not having an antagonist or villain arc.

That said, there's a reason Callum is Chained Up when he gives the spell and locked in a damp dark brig and has to use the snake-chain spell specifically, because TDP loves its irony: what gets more ironic than freeing yourself from chains in order to free and save your girlfriend, when you know in doing so you're chaining yourself further and further to the main villain and his will in doing so? When you know that you would?

There's a reason 5x08 ends with Callum looking scared and sad and the shot of the snakes, because those aren't fun things (hi Ocean arcanum epiphany) to learn or fully accept about yourself. There's a reason that what characters justify with "I had no choice" or "this is the right thing to do" isn't always the literal case. "I had to, to save my friends" or you could've left it. You could've tried something else than dark magic. But you didn't, because you thought that was the one thing you could do in order to not lose your friend, so you did it; You Made Your Choice.

For example, if we're talking what happened in 5x08 in a "this would keep The World 100% safe" type of deal? Callum fucked up twice. He gave the spell and he didn't know Finnegrin would be dead or unable to use it by episode's end. He did dark magic — with no idea that it wouldn't let Aaravos automatically possess him in that moment — because a world where he didn't even try and save her was worse to him. But it was a risk! Both of those things were massive risks!

Just because they didn't amount to the extreme consequences they could have had, yet, doesn't mean that they won't, since soo much of TDP is just "this thing had unforeseen/unwanted consequences as a result of the choices you made" (the loss of Rayla's team, Harrow's death, Sarai's death, the possession at all, Karim's banishment, Zubeia's corruption, Claudia's 5 season long descent, and I'm sure going to the Starscraper next season, just to name a few quick examples off the top of my head). As Harrow says:

H: But I do know I will pay the price for the choices I've made. I've done terrible things. I thought they were necessary. Now I don't know.

Rayla thought she had to leave; she didn't. Rayla thought she had to find Viren, twice; that wasn't true. She chose to leave both times. She also chose to come back both times. She could've doubled down, but she didn't. Viren, finally, didn't.

Every step forward is a choice.

That's true for Every Single Character in the show.

To deny them that is to deny the agency they do have in the circumstances they find themselves in; Soren could've not stabbed his father, Terry could've chosen to tackle rather than stab Ibis, Viren could've chosen to grieve his son. That doesn't mean they didn't have good reasons to do the things they were doing, that doesn't mean their justifications weren't strong, that doesn't mean they were necessarily wrong to do so. But they made Choices.

So did Callum. And he chose what regrets, sacrifices, and losses he could live with, in order to save the person he decided he couldn't live without.

It's that simple, and that complicated.

[nyarlathotep-thecrawlingchaos]

I have a little bit of an interesting question! I know you stated you like writing horror and NSFW, or at least you do not mind dabbling in them, so I'm curious to your opinion:

(Please, very important onto this, keep in mind that, when I ask about 'Yandere', while yes, I mean this lovesick, obsessed character who goes to kidnapping/harming others/threatening/killing etc extremes to get the object of their affection/obsession, there's many yandere types. I PERSONALLY like only a handful of them because I am very careful with TW (I do not like toxic relationships where the 'darling' is deprived of privacy, is mistreated, forced to do things, has hands laid on them, has their emotional well being messed up by demeaning words, etc, and I do not enjoy abuse depictions of the trope either, so I cherry-pick a lot (due to personal trauma). Yanderes are often portrayed as straight up abusive when they needn't be, there's delusional ones, lucid ones who do not want to feel the way they do, others who rather give themselves to the object of obsession/affection and would rather hurt themselves than ever upset them, others who lean more towards manipulation, etc.). I say this because TW are important and while this is 'just a question in a blog' I want to inform you that there is NO EXPECTATION for you to write abuse, toxicity or anything of the sort. While being WELL AWARE that yandere relationships WILL be unhealthy in nature, it is that kind of 'unhealthy possessive' vibe you can enjoy IN FICTION, and should NEVER allow in real life. Take care of yourselves ❤️)

Obviously, none of the characters are canonically yandere, but do you have any opinions on who could fit the bill? And how/what way/what category they'd fit into?

Please ignore this if it makes you uncomfortable in any way and even if you simply respond without any headcanons/just a little ramble, remember to put TW so people who blacklist yandere stuff or feel trigger by any of it continue having a safe space here! Love your blog and what you do! Keep up the amazing work, and congratulations on such endless artistic talent!!

I haven't done a whole lot with the Yandere trope. I have one unpublished fan fiction for another fandom entirely that involves a yandere character in an antagonistic role. I don't tend to romanticize it because of how problematic it can be.

So needless to say, ⚠️ trigger warnings ⚠️ ahead for this topic, some more than others (lookin' at you, Doffy).

I feel like Sanji could fit the bill of being the lucid, regretful yandere. He knows that his obsession with you could be problematic, but he just can't help it. He gets insecure and jealous easily, and may be inclined to threaten any other men that happen to get to close to his beloved, platonically or romantically. He wants you completely to himself. Would be apologetic about his behavior and feel sincerely guilty for it, but just unable to keep himself from doing so. He also feels his behavior is protecting you in a way from being taken advantage of, and that's the only justification he can make for it—even to himself.

Mihawk, while his confidence and ego mean he's not really the jealous type, would still be a worthy candidate. He wants you aware that you are his in every sense of the word. You, your love, your mind, your body, all belong to him. No one else. He may very well be violent about it, though not toward you—just toward anyone who dares challenge his ownership over you. Toward his lover, he would be particularly doting and gentle, treating you like a fragile and priceless work of art. He would be incredibly disinclined to allow you to go anywhere without him; and if he finds out anyone else is attempting to court your affections or, heaven forbid, hurt you, then their days are going to be numbered.

Next would be Crocodile. Getting more ⚠️triggery⚠️ here. Prime candidate for a possessive yandere. Even if he doesn't have much time for you, you're still his property. He'll expect you to have time for him, to adhere to his schedule and his whims. He'll have a list of rules that you have to follow—no speaking with other men without him present, no going out in public without him or a guard that he has personally assigned to you; this is as much for the sake of keeping you safe as it is to ensure that you don't do anything he would disapprove of. In exchange, he'll shower you with lavish gifts, and treat you like a princess when he is with you...but if you break the rules, there will be consequences.

And lastly, and by far the most triggery, Doflamingo. Congratulations, you've caught the attention of an absolutely sadistic and manipulative yandere! He values total control over all aspects of your life. But he's going to make you think you have some freedom at first. He'll pout a little if you want to go somewhere without him, but he'll allow it...on the surface, at least. Then he'll hire some thug or other criminal deviant to scare you right back into his arms, whether with idle threats or physical force. He'll make you feel like he's your only source of safety and comfort. Make you defend him to your concerned friends and family of your own volition, until you have absolutely no one left but him to turn to. He'll justify it by saying it absolutely is for your own safety, and he sincerely believes that to be true; even if he wasn't hiring people to frighten you, there's still every chance that you could be hurt or enticed to leave if you stray too far from his side, and he can't allow that. Whether he views you as a lover or just a plaything, no one else is allowed to touch you but him.

[morningstarwrites]

Oo are we doing pet names?

Alastor uses a few in natural speech like "dear" and "sweetheart". Darling feels natural, and cher is actually used in New Orleans if the sites I've seen are right. Dearest is a nice extension of dear. I would suggest "dollface" because I mean...look at Lucifer. But it doesn't feel...sophisticated enough? for Alastor.

I think it's funny if Alastor just kinda...insults him in French? just with a possessive "mon" in front? Like a more classy way of saying "that's my idiot".

I think it'd be hilarious if Alastor just dropped "mon petit chou" because it's a common French endearment I remembered and when I looked up the translation it was "my little cabbage" which is so fucking dumb I love it. And the idea of Lucifer understanding the words but not knowing the context and being baffled is so funny to me. Alastor shamelessly just looking at him like "Hm? Is something wrong?"

If he were to be, like, vulnerable, "mon cœur" means is a French endearment that mans "my heart" so that's a uhhhhh thing you can use >.>

I personally like other people calling Lucifer "Luci" or "Lu", but it doesn't really fit Alastor to me. But I think it's hilarious if anyone jokingly calls him "Lulu".

I think Lucifer calling Alastor "deer" is funny and honestly suits their senses of humor. I think he might also use more typical and modern feeling endearments, maybe as a joke at first but then just keeps doing it. Sweetheart, sweetie, baby, babe, things like that. Maybe "beau" if he's being kinda old fashioned. Maybe "lovely" as a less intimate option for "love".

Lucifer also calling Alastor things in every language BESIDES English or French is funny but also kinda sweet because Alastor has no idea what's being said to him and might think it's an insult (as he does to Lucifer) and it might be, or it might be the sweetest thing ever, and only Lucifer knows. Adorable, affectionate, antagonistic. That's them lmao

While I don't know if/when either would be at the point to say it, I'm an absolute sucker for "beloved".

i guess today is nickname/pet name q&a! DEAREST, darling, so cute! BELOVED!!!

also i've seen french-speaking Alastor floating around, and i like it a lot, i just don't know if he'll speak it in canon/on the show. I also agree that Lucifer would probably do more modern pet names!

I'll think about it, lol. i guess nicknames are more popular than i thought! thank you for your suggestions!!!

[jerreeeeeee]

*"understanding" meaning they know they disagree but also understand the other can't be stopped/thinks they're doing the right thing, whether that manifests as avoiding the topic altogether when they meet, or just weary acceptance and frank conversation; and "antagonistic" meaning at least one of them is actively trying to interfere/stop the other/convince the other to stop, in the interaction itself

i see a lot of different interpretations of barry & lucretia's relationship after the voidfish and i've gone back and forth over what i think so i wanted to see what the general consensus is

my thoughts under the cut

i can't imagine barry realizes what's happened and doesn't try to 'reason with' lucretia for a little while, before eventually somewhat accepting that she won't listen to him, because after a certain amount of time, it just gets exhausting to hope he can still sway her. like i don't think he gives up, he still tries sometimes, because he has to, that's his whole life at this point, hoping and trying and not giving up in the face of isolation and despair and impossible odds, but he knows he has to pick his battles. and sometimes they catch each other on bad days and he’s just really fucking glad to see her and really fucking disappointed in her and really fucking tired, unable to muster the conviction or energy to fight with her.

and lucretia doesn't do much trying to convince barry, because she knows she couldn't get him on board with her shield beforehand, and he definitely doesn't approve of what she did to taako and himself, not to mention davenport (if he even knows about davenport, cause that’s gotta be really distressing for him, right? do you think barry ever tries to kidnap davenport).

i think after that initial period, and certainly after the BOB is created, they're both afraid of what the other is up to, afraid the other will disrupt their own plans, and try to avoid the other detecting them altogether. but, they're also both incredibly lonely and know the other is the only person in the world who understands what's at stake and the burdens they're both carrying, so even though they don't seek each other out often, they both want to, and maybe sometimes do. a conversation after lucretia gets out of wonderland is especially compelling.

i don't think they interact between here there be gerblins and reunion tour, though, mostly because i think lucretia just doesn't really leave the moonbase now that the bureau has some wins and is getting closer to its goal, and as soon as she knows barry's messing with the boys, she's too paranoid at whatever barry's plans are that are completely unknown to her and wants to avoid him in case he's come up with a way to really stop her. and barry is equally paranoid about her discovering his information gathering and keeping him from his plans to infiltrate the moon base, so he doesn't want to show back up on her radar. i don't think lucretia confronted barry when he possessed pringles, because barry still puts the instructions on his coin for the old puzzle, but if he'd been caught, i think he would've anticipated it changing, so i think she discovered it after the fact.

i don't know if i even think they've spoken since lucretia created the bureau, because that's when they start to become, like, "enemies," officially, as lucretia genuinely starts to villainize barry, however reluctantly. although, depending on how much contact they'd had before that, depending on if she's aware of him out in the world working against her or if from her pov he just sorta disappeared somewhere mysterious, maybe she's not even really thinking of barry as 'the red robe,' and more thinking of herself. because she does tell thb originally that the red robes are all dead and gone, and if she'd truly anticipated them coming into contact with barry, wouldn't she have said, there's still one out there, he's dangerous, don't talk to him, etc, like she does later? maybe the red robes story was originally just an easy way to explain away why the relics existed, and privately, to hate herself for her role in it. maybe she doesn't even realize she's villainized her old friend until that consequence makes itself clear by accident, and then there's nothing for her to do but lean into it and turn the remnants of their family against him for real.

[honeycreammilkshake]

If that leak is real Gege may really want a sequel that has Sukuna but NOT yuji lmao, sorry Gege, I LOVE Sukuna but Sukuna without Yuji doesn't sound good, he is a good character but the rest of the cast is.....I still don't get why it was so hard to understand the huge appeal Sukuna/Yuji duo had.

Same with Yuji without Sukuna, standard safe ending with a trio safe ending, sorry I don't like those anymore

100% with you, anon. even if you don't ship sukuita, you can't deny sukuna and yuuji had one of the most fascinating relationships between a protagonist and an antagonist.

they both hate each other so deeply, but everything between them has always been much more personal than when they're fighting others. and sukuna definitely gives yuuji special treatment. he uses kozou almost exclusively for yuuji (and the one time i believe he doesn't, he's still referring to megumi as the "other" brat) to the point where it's almost like a pet name.

and what is so interesting about this is that sukuna so dismissively calls megumi "brat," in a way that i feel is trying to disassociate yuuji from the word.

there's a reason why i think of this as the sukuita divorce era and that is mostly because of how sukuna keeps claiming to not need yuuji any more, always trying to sideline yuuji in favor of others, but he also can't seem to stop obsessing over yuuji and making everything about the guy he supposedly finds boring and worthless. sukuna goes out of his way to praise/compliment others during their fights, so that everyone but yuuji (who he only ever admires in his private thoughts) seems to get some kind of in-depth commentary on their abilities, while sukuna merely insults yuuji (rather weakly, too). it's even funnier when sukuna unironically can't stop making everything about the brat even when yuuji isn't there, because when sukuna's fighting maki he still manages to frame his admiration of her skill in a way that insults yuuji, despite the fact the boy isn't even there so why does it have any relevance at all??

not only that, but sukuna loves to torment yuuji, dragging his cruel taunting out in a way he doesn't do with others. he deliberately changes back to let yuuji see the devastation of shibuya, because sukuna understands how much the needless death of strangers and innocents impacts yuuji.

and he also makes a big deal of how little he thinks of yuuji, how unthreatening and boring the brat supposedly is to him shortly after possessing megumi's body.

what's really interesting here is how, despite a chance to kill yuuji, sukuna still doesn't. in fact, he's had multiple chances to get rid of yuuji but still he keeps the brat around. maybe he finds yuuji a more worthwhile opponent after all. maybe he even wants yuuji to remain alive till the end of it all, if only to see the brat suffer through the breaking of all his ideals.

there's also the matter of how sukuna can't keep his hands off of yuuji, almost as if he misses the closeness he had when yuuji was his vessel. it's far more intimate and physical than it needs to be.

this panel in particular really showcases sukuna's overall feelings toward yuuji. he's cradling the back of yuuji's neck, almost tenderly, as he pounds his fists relentlessly on the side of yuuji's head.

yuuji drives sukuna to such violent reactions because sukuna's on the defensive with him. they both get under each other's skin and ignite a hate far more consuming than others bring out in them.

and the way yuuji also fights sukuna is so unnecessarily up-close and physical as well.

the raw emotion of yuuji beating into sukuna, his crazy side really showing in how rough and unmerciful he is right now.

sukuna draws out the worst in yuuji just as much as sukuna arguably drew out the best in him, too. if it wasn't for swallowing that cursed finger and becoming the vessel of the king of curses, yuuji wouldn't have started down this path of working so hard to save other people's lives. as he himself said, he'd never before considered putting his own strength and talents to use helping others, and never before had he considered he might be the only person capable of doing so, but seeing how sukuna caused so much devastation and death drove yuuji into becoming a fighting force for good.

and just like sukuna brings out so many overwhelmingly strong feelings in yuuji, the boy does the same to him as well. sukuna is at turns extremely aggravated and enraged because of yuuji, and surprisingly pleased because of him as well.

sukuna can keep talking big about how uninteresting and inferior yuuji is yet the moment yuuji comes into view, sukuna is all psyched up for their fight....

he even looks excited and pleased to fight with yuuji again even though he claims to have no interest in the brat .... not fooling anyone sukuna ( -. -)

sukuna also can't seem to stand yuuji looking down on him with "pity" which sparks a much more violent reaction than he had with other people when they suggested sukuna was lonely and unfulfilled with his life, or even tried to "force" sukuna into thinking like them.

i think my biggest disappointment with this series overall is how gege chose to focus so much less on these two and their dynamic. i hated it when yuuji kept getting relegated to the sides over and over, and i also didn't like it when sukuna kept having rather pointless fights with everyone but yuuji.

the fact that yuuji suddenly wanted to offer sukuna mercy and even connect with him despite hating and despising his very being before was also such an unexpected twist that i would have loved gege to expand on and give a little more context and feeling behind.

i think, with a relationship as fascinating and complex as theirs, focusing more on it would have only made jjk even greater. but sadly, gege chose not to do that. and i feel like that why a lot of the recent chapters have been rather disappointing.

thank you so much for your ask, anon! sorry for the rant i came back with.

[stringsbasement]

Thoughts on Irep?

i find him to be pretty cool!! i actually wrote up a response for this question before i was even aware he made an appearance in the latest episode, and surprisingly got a few things right. so i'll paraphrase some of that original text:

"a new wish has been consistently bringing back older characters and concepts to re-introducing them in a way that expands and strengthens the existing lore. it isn't a question of whether irep would appear, but in what manner. because of how peri is, unless they make an insane twist that would negate all the fluff the cosma-fairywinkle family has had up until this point, (which i doubt,) irep would still be an antagonist. so they'd have to introduce him as a real threat, along with a new rule"

and they did

my first thought was that irep is hideous and i LOVE him for that. i truly do. i couldn't stop laughing. 10/10. what even is that haircut. someone get him a barber from fairy world

my second thought was that having him be an anti-fairy godparent to dev is fantastic. i already enjoy dev's character and his constant conflicts with everyone around him, because i believe it's only accurate, you know? for someone who has been neglected and led on for so long, the only thing he wants is for someone to consistently be there for him, and yet, there's always something that gets in the way. there's always a but when it comes to loving him

so he fills the void with material possessions and glory that he knows deep down he doesn't need or want

this show is threatening to break the characters' core beliefs than actual, physical dangers. in the original show, the threats have mainly been death, physical injury, or otherwise world-ending catastrophes. most of hazel and dev's problems are "small-scale" compared to those. the plot instead hinges on their relationship and internal character conflicts. a new wish is about family relations and trust. dev's lack of it is glaringly obvious, and it shows in his erratic behavior

i think the reason why dev hates peri is actually because he's his fairy godparent. there's a very clear-cut sense of obligation to grant his wishes. to him, peri is just another helper robot. another person to lie to his face and give him conditional love. another source of money. he already has an abundance of that, and now he has an abundance of magic too! and then dev finds out that some wishes can't be granted at all. it's like the universe is against him. i really can't blame the kid for wanting another "solution"

so we have this fundamentally good but misguided character who is offered that solution in the form of a demon. if that's what gets him his happiness, he'll do whatever it takes, since taking is all he's ever known

what i particularly enjoy is dev's willingness to do these bad deeds. because the thing is, dev's first wish was something he thought up himself. and irep never gave suggestions. it's not so much that irep has a magical influence over him that makes him do bad things, but that dev is naturally making bad decisions because he thinks it's what'll fix all his problems. that means it'll also be up to him to realize the weight of his actions and the awfulness of his father. then again, he didn't blame his father for his actions in the ep "operation: birthday takeback,' but hazel. he also doesn't think to hold himself accountable for any of the events that occurred in "lost in fairy world," even though it was his fault too. so i don't expect him to realize it right away, or in a sensible manner. it would be funny if dev tries to summon irep through ritual, or barges into anti-fairyworld demanding him. i'm thinking that we'll get a friday the 13th episode, but we can only speculate so much with what we have

the episode does bring up some other cool things to think about:

"it's irep now thanks to your irritating son's name change!" now this line really caught my eye, because it puts into question the free will of anti fairies. in irep's first appearance as foop, he already found his name "unfortunate," merely accepting it instead of, you know, changing his name to something that separates him from poof. they're trapped in their realm and they have to abide by the rules set in place by the fairies, unable to so much as fight back without using legal technicalities because their jorgen is too weak to help. this is already an unbalanced dynamic. and then in the episode "terrors twosome," it's shown that anti-fairies are quite literally tied to their counterparts, and not just branching off of each other in a "what if" scenario. they're a separate kind of entity meant to compliment fairies, but not so much the other way around

i say this because the second fairies stopped having babies, anti-fairies did too. i don't think we get to see or have anyone comment about how it went down, so anti-cosmo might've been as much of a handful as cosmo was, but if they're meant to be opposites, wouldn't anti-cosmo be an easy baby? independent from the get-go like irep was? then it wouldn't be that they chose to stop having babies, but that they couldn't. not without their counterpart having them first

but even if this was all true, they genuinely seem to enjoy creating the chaos that they do. their intentions are always just as cartoonishly bad as we think it is

if irep wanted chaos, he could just try causing it on his own, but then jorgen would be involved if ever the wishes get too big and out of hand. could having a godchild be another loophole? "a child must always get what they want" is a legitimate rule that was able to override the other rules set, and allowed hazel to have cosmo and wanda as her godparents even if they failed the trials

if an anti-fairy had a godchild, they'll be free to cause a moderate amount of chaos whenever they want as long as it was to the whims of the child. also, it's clear irep still has issues with validation and being compared to peri, since he tears up and goes "that's all i ever wanted to hear," when dev calls him better than peri. it's funny to see irep still clings on to their rivalry when it looks like peri could care less about it anymore

buuutttt i like to think that irep genuinely wants a godchild. there's a deleted scene from the episode "oddlympics" (found it on page 5 of this script) where anti-cosmo cries over not having a godchild, which we know that fairies use to fill the "void" of not being able to have children. irep mostly takes after his father, and even from the little time we've seen with him on the same screen as his parents, it's clear that anti-wanda loves him as well. and, for all his attempts to make himself look evil and irredeemable, he was jealous of peri, who was famous and had the love and adoration of the masses for existing. he wants that for himself, too. it's why he wanted peri gone in the first place

(that info combined with peri and irep's mutual hate for theatre means that fairies and anti-fairies may still share some similarities not reliant on their innate link to each other)

so, imo, it's not a stretch to think that irep wants a kid to love and who will love him in turn, albeit in a sorta corrupt way. it would be an interesting twist too!!

all-in-all, i'm excited for what the show will have in store for peri, irep, and dev. i expect a silly episode where peri and irep go head-to-head with granting dev's wishes, and i'm hoping for an ep that shows irep and his anti-parents

that's all,

:)

[sticks-stones-sonic-insanity]

I JUST FINISHED SONK ADVENTURE 2 IM NOT OKAY OMG

The scene with Shadow falling to earth was funny at first and it all happened so fast i was still trying to wrap my head around it. Ppl talk about that scene a lot which theyre so right for, but i need to talk about the scenes after because oh my god they broke me!?!??!

Sonic, coming back onto the ark, completely silent. Everyone asking if Shadow made it back and he just slowly shakes his head without a word.

The scene where Sonic gives Rouge Shadow's inhibitior ring hold so much more weight to me after actually playing the game: In the short time they knew each other, Shadow saved Rouge's life. Twice. This is the only possession she has to remember him by. Knuckles asks her what shes going to do now and she actually stops to reflect and remarks how shes thinking of changing jobs, something else on her mind now(What exactly shes referring to in this moment isnt stated but theres a fair few connections to draw there). After almost getting killed during a heist and never getting a chance to thank the guy who saved her from it, that's a pretty good and strangely mature call to make from a writing standpoint. This whole scene has a similar feeling like that, like the jokes and the extravagance thats typical of the cutscenes have really been toned down with intention.

This one genuinely shocked me, and im really surprised i havent come across anything about it yet because the scene between Eggman and Tails was actually super deep?? There are a lot of different Sonic medias as far as I im aware that have touched on the paralells between Eggman and Tails: their small similarities and how well they work together when they have to, but the scene here really stuck out to me. Eggman is talking about how much he admired his grandfather as a child, how much his work inspired him to learn and create and strive to be great like him, drifting off to question whether or not he really wanted to see them all fall. Tail's response is very chipper and optimistic, but i really like the idea of Eggman having almost this turning point here, having to face something so saddening as watching someone you love curse the world and everyone on it(including you). After arguably some of the most dangerous and threatening feats have been accomplished by Eggman in this game as the story's primary antagonist, is this moment a nod to him maybe stopping to think about what he's done? Im amazed by how much meaning can be taken from these few seconds of dialogue!!

Finally, the last two moments. Amy, despite having had her own short heart to heart with Shadow before the final battle and ultimately being the one to spurr Shadow on to fight alongside Sonic and the others, doesn't seem as upset by Shadows death as Sonic is. This is genuinely, in my limited knowledge of Sonic media, one of the only instances i have seen Sonic be thoroughly shaken up by something and brushed it off when someone asks him whats wrong. In most cases, he's just relatively unfazed from an emotional standpoint like that, so theres nothing to brush off in the first place. But here, the ever-yapping blue blur remains silent for a while, just staring at Earth in a similar paralell to how Shadow used to. It isn't until Amy comes by that he looks away. Its the really subtle details here that get me: Sonic doesn't look or respond to her right away. There's a prominent pause of silence before he turns to her and says its nothing, switching the topic immediately to rush her along. Sonic, typically impatient and eager to move to the next adventure, slows down and is the last to leave the deck, delivers the farewell line to end the game. Again, the contrast in how slowly and soft he speaks here in comparison to literally anything else he says in the game is insane. The pause between "Shadow" and "the Hedgehog" is still very funny to me and im not lost on how the delivery does end up being chopped up quite goofy like that, but if that isnt an absolutely insane way to end off the game with such a somber, emotional moment...

Sonadow or no sonadow, take it as you will, its undeniable how impactful this adventure in particular is to Sonic. How much Shadow meant to him by the end of the game. How much his sacrifice meant. I really see his discussion with Rouge as both a way to comfort her, and to comfort himself. To say out loud how heroic and brave he'd seen Shadow to be, regardless of the intention that came from his creation. Sonic is big on freedom and giving people the opportunity to live how they want to, and Shadow's sacrifice in that regard means even more to him. He had just come to understand what he had truly promised Maria he'd do, joined Sonic whole-heartedly to help save the planet, and never got to experience anything beyond that. Given Eggmans continuous antangonistic streak at that point (I'm not fully aware of the other villain's Sonic had faced up until that point), it's rare that Sonic actually gets to see someone who opposed him change for the better!! And not only was Shadow one of the first to do so, but he was a speedy teen hedgehog!!! Just like Sonic himself!!! Its like Shadow said, there was so much more to them that they never got to find out about each other!! The fact that Shadow gave up all of that possibility, all of his own personal freedom to help Sonic save the planet and the freedom of all the people on it? That hits. HARD.

Im not familiar with the full canon of how Sonic actually managed to get one of Shadow's inhibitior rings to give to Rouge, as he's actually not shown in any scene taking them off during the final battle(i actually dont even think their mechanics are properly explained which is more confusing but yk), but getting into more headcanony, sonadow adjacent space for a second? I like to think Shadow actually took two of his rings off/had two break off before he fell. Sonic gave one to Rouge, and secretly kept the other for himself. He obviously didn't want his friends to ask him more questions about how he was feeling, so he hid it in his quills before he greeted them back on the ark. Shadow ended up meaning a lot to Sonic, and it's really interesting to think about what was running through Sonic's mind when all was said and done.

Uhhh anyways good game very very infuriating at times but very good game i have a true taste for the appeal of Sonic games now and i want to play them all. If you actually made it this far, thank you for reading my silly sonk rant! If you have any information you know of to patch the spaces where I'm lacking or just want to discuss your own thoughts on the ending feel free!! Have a good day or night wherever you are :]

[claudiablogger]

i love your takes on armand,he gives the ick but it’s fascinating at the same time lol what is your take on loumand from armand side? do you think he genuinely liked louis at some point?! it was all about his obsession with lestat? why he wanted to keep him so bad,again,only bc of lestat(i hope not tbh)? did he love him? idk after the last two episodes i bounce so much with this!!

thank youuu everyone loves an evil man until they get one and suddenly he's their canceled wife. or a doe eyed twink. or an overgrown teenager. anything but the actually interesting version of himself presented in the source material. but i digress imo armand absolutely loves louis he's so. his hunger is bottomless and he pours all of it into louis and by god will he ensure louis takes it. without complaint too we wouldn't want to get hysterical now would we dear not in this already fragile state. anyway i do think the choices armand makes in no pain are incredible (scarily straightforward) foreshadowing for the latter half of s2. like base conditions and consequences 1. he wants a relationship with louis on his own terms (on coven terms he set) or not at all; 2. he expects louis to make the necessary unquestioning sacrifices for acceptance and for their romance--first his freedom, then claudia; 3. and in the absence of this sacrifice he kills him/possesses him completely when that fails--e3 ends with armand deciding not to kill him but instead have sex with him. and the trial's ordeal ends with their eternal companionship built on armand's lie . othello had to kill desdemona bc if she could betray her father to marry him she could betray him to sleep w someone else etc it's all about making sure the wife knows her place

in dubai he's definitely a hundred percent in love w louis + having been shown their bedroom i don't subscribe to the bed death theories. but imo louis doesn't have the breadth of choice to ever meaningfully reciprocate. his love is a small box....it's all carefully curated to ensure he appears louis' only option and his best chance at enduring vampirism + the sickness of living without claudia. in his mind he keeps louis because he loves louis. he keeps louis because he wants complete control over his own illusion of servitude. he keeps louis bc he's earned the right to louis + his companionship

i do genuinely think his obsession w lestat is different entirely; armand respects lestat too much to ever love him the way he loves louis. man to man lmao.....he knows lestat can't be possessed the way louis can and his envy is only amplified by louis' love for him. i also do think in his eyes he just vibes w louis better (while in her eyes well. armand voice your wife is counting down your thrusts) while his relationship with lestat 1. was primarily antagonistic 2. was edited to fit the narrative of his powerlessness + being wronged by him in order to appeal to louis' sympathies 3. eventually became about louis' love and louis' choices . yay