#they actually are very good examples of the 'good guy' stereotype in that way

[stopmakingliberalslookbad]

Principles that so-called "leftists" have abandoned since October 7th

Being against religious fundamentalism: You guys used to think that fundamentalism was a bad thing. Don't get me wrong, you still believe that OTHER religions that are fundamentalist are bad, but Muslim right wing religious fundamentalism is very much okay with you. When you express support for religious fundamentalist groups like Hamas, Hezbollah, or the Islamic Republic, you are supporting suppression against women, LGBT people, and Jews (though the latter doesn't bother you at all). These are not resistance groups, they are terror groups.

Anti-racism: Mocking Israeli accents is suddenly funny to you. Jews aren't oppressed any more and antisemitism isn't as important as other forms of ethnic hate. It's okay to discriminate against people based on where they're from (the treatment of twenty year old Eden Golan is a particularly disgusting example). Indigeneity expires if you're Jewish. You support land back efforts for everyone but Jews. You employ the noble savage stereotype against Palestinians, because "That's just their way!" Holocaust inversion and even denial? NBD. Jews are trying to take over the world and are bloodthirsty monsters who support genocide. And the blatant tokenization is horrific. Some of you have even used the expression "Good Jews".

Being against ethnic cleansing: You bleat about the non-existent "genocide" in Palestine (and it is NOT a genocide according the the actual definition of the word), but your only solution is to ethnically cleanse Jews from the Middle East instead of supporting the two state solution.

Anti-nationalism: Jewish nationalism is bad. Arab nationalism is good. There are 22 Arab states and over fifty Muslim states, but even the two state solution in which there would be 22 Arab states, over fifty Muslim states and one Jewish state isn't enough, because Jews bad. Arab and Muslim conquest and imperialism? It's a good thing, ackchuyally!

Belief in science: Genetic studies prove that all ethnic Jews (yes, that includes Ashkenazi Jews) are indigenous to the Levant, but you guys seem to believe that we fell out of the sky. Archaeology proves that Jews were there first, but those findings are "fake" according to you.

Once again, I am asking why are you guys willing to sacrifice your principles for Palestine?

[famwhy]

Hobie Brown's Slang

Okay, here is a bit of criticism and advise for how to write Hobie Brown's (from Spiderman: Across the Spiderverse) speech patterns.

When I read fics on Hobie Brown, the slang that he uses is not AT ALL the type of slang he uses in the movie. Fics like to use stereotypical British slang like 'wanker' or 'gheezer' and while it is sometimes said, it's not used often by youth in the UK nowadays.

Instead, the type of slang he uses is called 'Road' slang or 'Roadman' slang. I believe it's a mixture of Jamaican and British terms (please do correct me if I'm wrong, I may be British myself but I don't know everything).

For example, in the movie, Hobie says 'man like Miles, my guy!' after Miles goes against the Canon event. He's basically hyping Miles up - the term 'man like' is often followed up by a name to (as said before) hype that person up and praise them, in a way.

Another example of him using road slang is when he calls Miles a 'youngen' - it's quite obvious what he means by it, he's basically calling him a kid. This term is usually used by people who are quite a bit older than the recipient. In fact, it was his use of this term that solidified my theory of him being quite a few years older than Miles and thus, of him not being as much of a potential love interest for Gwen as an older brother figure for her.

Now, how do you write road slang? By learning it through watching people who use it often and understanding the context.

Some real people you can watch and learn the speech patterns of Hobie Brown through include:

KSI (the youtuber)

Mo Gilligan (the comedian)

Babatunde Aléshé (also a comedian)

And a series on Netflix that I highly recommend you watch in order to really understand the way he talks (though the above examples are good ways too) is the series 'Top Boy'. Though, a fair warning that it's quite the violent series due to it being about UK gangs.

Please keep in mind that this post is NOT AT ALL made to attack writers or put them down for the way they write Hobie, it is only here to inform and teach you how to write his speech patterns properly because he 100% deserves the accurate representation.

Hobie Brown is an amazing character that made me so happy to see on screen because he actually seems like a guy I would know and be friends with in real life rather than a stereotypical depiction of a British person that you see often in media nowadays. I feel the same way about Pavitr and the way the movie didn't stereotypically depict South Asians.

To see both my ethnicity and nationality being accurately depicted in western media is just an amazing feeling that I wish to convey to you all.

Love, a very happy spiderman fan.

(Update: I now have a post where I write Hobie's speech patterns myself so you can also use that as an example if you wish. But again, the examples listed above are much better to learn from since my one post can only teach you so much.)

[erosastro]

Astro Observations📍

🎈Okay let me know how you guys feel about this one, but I’ve noticed with Synastry, if say you have a cancer Venus and your partner has a Pisces Mars but they’re not enough to make the trine aspect, the effect is still felt just not to the same extent. So imo it’s still a good and significant thing but it might almost be felt not immediately or as strongly as the aspect itself?

🎈Everyone talks about how Virgo placements are always “clean” and “organised” but I really think it depends on how it’s aspected. For example my Virgo ascendant is square my Sun and square my Pluto and I’m messy as hell. Though I have to say there’s some things where it might seem messy but it’s organised chaos in way? lol

🎈I’ve noticed that one of the things that stand out the most in my relationships (romantic or otherwise) in people I get alone with, is Venus conjunct moon and Sun trine Moon. Those are always my best relationships where there’s mutual understanding and mutual respect.

🎈Moon conjunct Neptune tend be very psychic and intuitive people, especially if Neptune is well aspected to other personal aspects too.

🎈Aquarius placements can be very clingy and I don’t know if they realise this but once they’re comfortable with someone, they can be clingy and it can turn into them being like leeches too in some cases (I.e. will not let go at any cost and you have to pry them off). They also tend to stay in toxic situations longer than necessary at times especially if they have water placements in their chart too in their personal planets (for eg Aquarius Sun with a Pisces Venus)

🎈Let’s talk about Libra and Pisces placements and their avoidance of conflict at all costs. They’d rather push things under the rug than deal with it head on or tend to be “fence sitters” even when a situation calls for being firm in one side or the other. A lot of people think Gemini’s play devils advocate but in my experience, I’ve seen this mostly with Libra and Pisces placements.

🎈Saturn in 8th house in a natal chart is a really tough placement to have. These individuals experience a lot of loss in their lives from an early age and their transformations tend be very intense, more so than most other peoples. They also tend to have delayed sexual experiences but it can also be explosive.

🎈I am personally a fan of opposite connections (eg Taurus Moon x Scorpio Moon) in romantic and other connections. I think it’s the right amount of challenging but they also still have a lot in common. Of course there should also be other harmonious aspects in someone’s chart too but I personally love opposite aspects in synastry.

🎈I saw this on twitter and I was surprised that this person was dragged for it but there was a post about how air signs don’t work with water signs because air signs can’t be emotionally mature enough etc. all the usual stereotypes (don’t go on twitter astrology pages they’re full of it on another note) but someone pointed out the air signs are actually very in touch with their emotions as they rule the heart chakra and they were mocked for it and it made me realise people actually don’t know this?? Air signs rule the heart chakra guys believe it or not and they’re not as emotionally inept as people think they are 🤣

🎈I know 7th house overlays are considered one of the best because it’s the house that represents partnerships but people forget it also represents enemies, so it’s not unlikely you may not get along with some people who have 7th house overlays with (obviously check aspects as well).

🎈Okay has anyone noticed that Sun trine Sun can definitely get along really well but they can also really despise each other?? Like I’ve noticed this a lot and I can’t figure out why, like even if they have other placements that are favourable, for some reason the Sun trine Sun is what I’ve noticed as a pattern the most for people that clash.

🎈Prettiest/most good looking rising signs imo are Mercurial risings(gemini/virgo) and Cancer/Pisces risings. Idk there’s something ethereal about them👀shoutout to Libra risings too

🎈let me tell you something, one of the worst aspects you could have with someone(that I’ve experienced personally), whether romantic or friendship wise, it’s Mercury opposite/square Mercury. The communication is either really heated and you can’t get on the same page or non-existent and hard to come across. I don’t recommend it 🙃

🎈Favourite composite moon for friendships/siblings is Gemini/Leo. Favourite composite moon for romantic relationships is Taurus/Cancer or Libra and for parents/parental figures is Cancer/Virgo.

[relaxxattack]

you are so very homestuck knowledgeable. when you have the time and should inspiration strike, please tell all your headcanons about oliveblood trolls.

ooo what a great question! for this one i think first we'd need to break down current stereotypes about olivebloods. there's actually not much that we're given about them tbh

according to the homestuck wiki, which is based on info from both the comic and more dubiously canon things like friendsim and hiveswap, the olive caste's two singular traits seem to be "wild animal" and "romance liker". both of these, obviously, are traits pulled from our wonderful main girl nepeta, who was the singular representation of the olive caste for a long time; alongside her dancestors. which is quite cute, who doesn't love nepeta?

the thing is though that i am one of those nitpicky people who likes to say, "well, hey now, nepeta isn't actually representative of her caste at ALL." in fact, none of the beta trolls are. i honestly feel like it should be assumed that just like the beta kids, the beta trolls are weirdos, and not really the 'norm' in their society.

nepeta lives out in the wilderness very specifically away from society in a way that is remarked on as being unusual even for someone of her color; and she does not even understand what role her caste would have given her in normal society. and i mean... considering aradia tavros and sollux are LOWER than nepeta, it doesn't really make sense for them all to have nicer houses than her unless she's unusual in her situation.

^ nepeta is in fact NOT a good representation of olivebloods.

which means... no, i don't think all olive trolls are romance obsessed wilderness girls, actually, sorry, hiveswap friendsim, i have to shelve you from my alternia analysis for now.

luckily, there ARE other olivebloods in the series!

first of all, the other leijons. unfortunately, none of them are really "good" examples either. meulin is from an entirely different planet, and disciple is from an ancient history perhaps even less representative of "normal" life than nepeta is. all we really get from them is stuff we already knew from nepeta-- the wildness, the relationship interest. with an added fact that both meulins seem to be somewhat bookish.

and so who does that bring us to? the final canonical oliveblood.

that's right.

troll will smith.

troll will smith is canonically an oliveblood. not only that, but he's a famous actor, which means he is basically a "model" for society- for what it looks like once you "have it all made". i would imagine this goes even more for alternia, supposedly a very movie-geared society.

the two troll will smith features that canonically exist on alternia are Fresh Prince and Hitch. in both of these films, will smith plays a character that is self-made and clever, a regular guy who is just skilled. it should also be noted that while a "threshecutioner" is a job with a heavy blueblood populous, greenbloods can also be one, and it's common enough that a show about it wasn't cut by the alternian dictatorship.

so therefore, what traits can we pull that all of these olivebloods (and equius lol) display to us?

olive trolls are lower class, but they're capable of working up through their connections

likely due to this, olive trolls are often clever and self made. they're likely quick-witted and sharp

they're good at their jobs! most olive trolls that are seen in the comic are very good with their respective practices (be it drawing, writing, bookkeeping, or melee fighting)

it's possible that olive trolls have a good intuition, and are fairly in touch with their own instincts. this would explain why some of them seem to fare better in the wild or in fights, and also why they are stereotyped as having a natural inclination for relationships. i think this is also a good transition ground between the impressive physical psionics of the castes lower than olive, and the emotional/mental psionics of the highbloods above them.

so, there we go. these are my olive headcanons! they're not comfortably well off or anything, but they're not wild animals either-- they're hard workers and skilled at what they put their minds to. probably usually working a nine to five and doing their best in life hoping to move up with a good quadrant or promotion. at least, in my headcanon anyway- no need to take this as fact!

[ironyscleverer]

Good Omens Book Racism

This essay was originally a reblog of this post, but I’ve decided to make it a post of its own so it’s a little easier to read.

***

Rather than diving straight into examples from the text, I want to take the time to explain my intentions/goals for this little essay. Sorry if it's boring, but I do think it's important.

First, I want to clarify that I'm not just taking the opportunity to dogpile on NG by calling him racist. The people who commented that TP was equally responsible were 100% correct! Rather, I hope that now that we know NG isn't a good guy for other reasons, people will be more receiptive to my critiques of the book without jumping to the authors' defense.

I also want to note that I believe every instance I reference in this essay is not in the show. Someone in production clearly recognized that the book didn't age well, and quietly removed the bad bits without a word or a guilty speech. I think this is part of the reason why the fandom hasn't really addressed these moments; the show cut a lot of the racism, cynicism, and generally icky bits. The overall the tone of the newer content is very different and much sweeter. Personally, I prefer it this way!

Most importantly, though, I think a lot of people reading this might wonder--why talk about racism in a book that's 30 years old and has a modern adaptation that fixes almost every problem? Isn't it normal for old books to be a bit suspect? Why go through the effort of bringing it up?

The answer is that it's less about the book more about the fandom; the fact of the book being racist isn't the problem--I fully understand that it's 30+ years old. But the fandom is alive and well, and the lack of discussion is what feels weird to me. I was disturbed by the book when I first read it, and finding nobody online who felt the same way was a bit isolating. I had to wonder if other fans didn’t notice any racism, didn’t remember, or just didn’t care. By talking about racism, by making it clear that yes, we notice and we remember, i think we can make the fandom a more welcoming and inclusive space.

So really, my only goal for this essay is for it to exist; I want it to be out there so that if someone else, like me, goes looking for online acknowledgment of racism in the book, this will be there for them to find.

I think you get the point. Let's move on to the actual substance.

I’ve selected three specific passages from the book for us to examine, as well as a few other moments that I’ll describe, but won’t directly quote. Let’s start with the most obvious (to me) example of racism, which takes place on the whaling ship:

“The captain drummed his fingers on the console. He was afraid that he might soon be conducting his own research project to find out what happened to a statistically small sample of whaler captains who came back without a factory ship full of research material. He wondered what they did to you. Maybe they locked you in a room with a harpoon gun and expected you to do the honorable thing.”

To be clear, associating Japanese people with honor and ritual suicide is a racist stereotype. Writing a Japanese character this way is racist, full stop. Later, the navigator also refers to the captain as "honorable sir." This is probably in reference to the different levels of politeness that exist in the Japanese language. However, frankly, I'm mixed Japanese, and seeing any white person using the word "honor" in reference to Asian people makes my skin crawl. Even ATLA is on thin fkn ice (although the fact that it's literally just Zuko helps a lot).

This passage is the most clear-cut example I can find of racism in that it fits into the framework of "author makes x joke, which feeds into y racist stereotype." However, there are other moments that may not directly do this, but definitely are sus enough to make you think "why tf would you say that." For example, this is how the narrator describes Aziraphale when he drives Anathama home:

“As soon as the car had stopped he had the back door open and was bowing like an aged retainer welcoming the young massa back to the old plantation.”

I can't even begin to logic my way through whether this is technically racist or not. I'm still back at wondering why on EARTH would anyone choose to write this description. It’s just repulsive. Purely based on how I feel reading it, and how I feel imagining a white man writing it, I'm gonna go with yes, this is racist.

Another example of a similar variety would be this moment, when Crowley is trying to get to Tadfield:

“It's all out of control. Heaven and Hell aren't running things any more, it's like the whole planet is a Third World country that's finally got the Bomb…”

Again. Racist? Maybe? It shows a dismissive attitude toward "the third world," which I suppose isn’t explicitly non-white, but mostly it’s just weird and uncomfortable. It's less about the actual offense and more about the...why did the author write that.

There are more such moments throughout the book that I could mention, such as the half-assed attempts at AAVE and Caribbean dialect (I think Haitian? it's when Azi is searching for a host). There’s also that whole affair with Madam Tracy and her Geronimo character. I assume that one is meant to reflect badly on her, but in the back of my mind there’s still the knowledge that the authors chose to put it there.

After a point, all these individual moments start to blend together, and the possible motivations and excuses become less convincing. Maybe on a case-by-case they can be written off as characterization or irreverent humor, but in the aggregate they’re just unpleasant. Again, my overwhelming thought is just, "Why?"

Ultimately, that question, "why would the author write that" is at the center of my critique of the book. More specifically, the question is "why do these authors, given their identities, feel comfortable writing the things that they do?" In this case, it's clear the authors, as cishet white British men, thought these kinds of racial comments were funny and didn't have the social consciousness to know better. It belies a kind of arrogance, audacity and frankly entitlement that only people with their social standing tend to possess.

Anyway, that’s all I have for now. I hope this was enlightening for some people. I just wanted to provide a little bit of perspective, and maybe reassure some other fans that have recognized these things, but haven't seen them discussed online before. To them I'd say: don't worry, you're not the only one.

[maximumqueer]

In lieu of the second season of OPLA starting production, I want to talk about my mixed feelings on the first season of it.

Because I got into the anime and manga through the live action. So I will always like it at least a little bit for introducing me to honestly my favorite piece of media ever. But now that I'm caught up with the anime and manga, and know the characters and story better, I find myself having more criticisms of it.

The overall narrative is rushed in a way that leads to important character moments being glossed over. Syrup Village in OPLA is a good example. Usopp does a lot less in the live action, most of his big emotional beats cut for what I can only assume were time constraints. Reducing Gin's role to a one time appearance, and the Don Krieg Pirates to a cameo also feels like a product of the limited runtime, and cheapens Sanji's reasoning joining the crew, as we never get that moment where Luffy witnesses him feeding a starving man, and decides then that Sanji will be is cook. Replacing it instead with Luffy seeing him fight and tasting his food. Which in my opinion kinda misses the point of why Luffy wanted him to join. And that was because of Sanji's kindness, which is not nearly as present in the live action.

OPLA also removes a lot of side characters from the islands the main cast visit, making the world feel smaller, and the stakes lower. Like, the reason I personally cared so much about Luffy and Co. helping out places like Orange Town, Syrup village, Cocoyashi Village, is the people that live there who we get to know (in the anime and manga). I feel far more invested actually knowing the names of several of the people and the village, and knowing that their lives will be better after the big bad is taken down. It's not just a fight for the sake of having a fight, but a fight to help out a group of people who need it.

These characters also end up trying to free themselves from the big bad. Them playing an active roll, and not just being used as hostages (like they were in the live action) is just so quintessential to One Piece in my opinion. Having characters native to the island already willing to stand up to the force controlling them, and Luffy's involvement being to aid them, and not just swoop in a save a group of passive bystanders who were simply waiting for a hero to save them, is subversive for shonen (hell just fantasy in general) and having the live action remove that just feels wrong, as characters having freedom and agency is a big overarching theme in One Piece that has been there since day one.

Then there is the characterization. Zoro is probably the most egregious change. Zoro (bur especially pre-ts Zoro) was far goofier than his live action counterpart. And I do think that that level of goofiness is essential to him as a character. Like, I cannot picture OPLA Zoro attempting to cut off his feet, fail, and then decide to strike a cool pose while he is slowly turning into a wax statue. I cannot picture that version of the character beefing with a bird while lost, when said bird is LITERALLY a compass. OPLA Zoro just feels like your stereotypical stoic cool guy, when he is very much not. He is a bit of a loser (affectionate) and to see him be treated like he isn't feels off. Nami and Sanji are closer to their anime/manga counterparts, but are still different.

OPLA Sanji is not pathetic enough. To use an analogy, OLPA Sanji would take off his coat to place it over a puddle so a pretty woman didn't have to get her shoes and feet wet. Anime/manga Sanji would hurl his body onto the ground, and have the woman use his back to prevent getting her shoes and feet wet. They said this change was to dial down the more pervy parts of his character, which is fair. But that aspect of his character only really starts up in a bad way in Thriller Bark. The part of the series that adapted was when Sanji was pretty much only presented as a hopeless romantic who worships the ground all women walk on and would do anything a woman asked of him.

Nami is similar to Zoro, in that she is just to serious. They both lack the whimsy their anime/manga counterparts have. And she just feels a bit more one dimensional in the live action because of it.

As for Luffy. Him referring to himself as a "good pirate" just feels all sorts of wrong. He has never shied away from that label, and never has had any issue with being lumped in with "bad" pirates in the anime/manga. He never was angry about being framed for crimes, but I get the feeling that OPLA Luffy would be more likely to be angry about that, because he is a "good" pirate. This Luffy doesn't feel like he would go on a rant about not wanting to be viewed as a hero. They also made him nicer overall, and this sounds like a weird thing to complain about, but Luffy not holding his tongue and just telling people how he feels about them, positive or negative, is what makes him as a character work. Is what separates him from a typical run of the mill shonen protag. Him being a kind, but not nice and overall blunt in conversation is pretty integral to his character, and I can't help but feel that the writers and directors of the live action were afraid of keeping this character trait because it could make him unlikeable. (despite that fact that he as been #1 in literally every One Piece popularity poll)

And obviously this is not a critique on the actors, I think they did a phenomenal job portraying their respective characters. This is more about how the writers/directors/producers decided to adapt and change the characters.

I kind of suspected that when I watched the anime (a more one to one adaptation of the manga) as well as read the manga (the source material) that I would end up having more issues with the live action. I do still like it for what it is, and I'm planning on watching the second season when it comes out, I just wanted to share how my opinion on it changed after reading/watching and catching up with the anime and manga.

[lycannovastar]

Actually DNI with me if you headcannon/believe Lukas is a cutesy twink or is an overly skinny guy

To be clear I’m not targeting anyone or pointing fingers, this has been an issue since the fandom practically started and I don’t really see anyone touch on it. I’m really tired of seeing the “uwu twink” stereotype for Lukas in the community and it’s unfortunate that it’s been around for so long.

Lukas uses a bow as his main weapon, I don’t know if any of yall have drawn back a bow but coming from someone who has: you need a lot of upper body strength. The tension of the bow bending is very strong when pulling back an arrow, and even HOLDING that draw is straining to the arms. Strong muscles in the back, arms, shoulders, and core are key to bending a bow back with ease.

Of course, the amount of strength depends on the amount of draw weight you have on your bow. Draw weight is the amount of force you need to draw back your string to the anchor position. “Why would you need draw weight” You ask? Draw weight affects the speed, accuracy, and overall power of the bow. Too much weight can make you tired or fatigued, too LITTLE weight could make your arrow strength dwindle

Now apply it to Lukas’ bow performance: especially seen in season 2, he is shown to not only draw it back on the regular, but have accurate, strong, and fast shots; able to pierce into the Prismarine Colossal in episode one of season two.

More examples of his strength come from episode 7 of season 1, where you have the choice to either save Lukas or Petra from being chipped. If you leave Petra to be chipped, she comes back at the end and puts up a pretty good fight with Jesse. This exact fight happens if you leave Lukas to be chipped, and doesn’t change in difficulty. Harper even says “your friend looks pretty tough” to both characters. Now if Lukas doesn’t know his full strength or willingly refuses to use it full power is up for debate, but either way he puts up just as good of a fight as Petra does in that episode.

Now I’m not saying to draw/hc him buff asf, but either way he still is a strong character and a lot of people in the community take it for granted or sweep it under the rug.

The mentality people also headcannon onto Lukas is absurd too, sure he’s not a stone cold bastard but he isn’t a do no harm cinnamon roll people like to call him as either.

“he was scared and froze up a lot in the witherstorm episodes!!” I think most of us would piss ourselves if a giant world eating monster was chasing us.

Sometimes it’s as if people make him out to be like nerd from the boyfriend’s comics with how stereotypical they make Lukas. No it’s not a problem to make him queer, what is a problem is feeding into the stereotype that borderline infantilizes a lot of men in the lgbt community just because they aren’t buff or overly masculine.

Lukas is not a knight in shining armor, but he’s not a scared, lost puppy either. He’s a man who enjoys literature and is a “do no harm but take no crap” kind of guy. His character has grown over the episodes and it’s really sad to see people misinterpret characters like him (looking at you radar infantilizers)

Again, not pointing fingers, this is a problem that’s been around for years and I’m getting real tired of seeing the jesskas ship like this

Thank you for reading

[writingwithfolklore]

5 Writing Rules I Like to Break

                Listen, I am firmly of the belief that writing doesn’t have rules. There’s no one way to do it—no one schedule or technique or tip that’s going to work for everyone and produce perfect narratives. Which is a good thing! I think if we all had to write exactly the same way, our stories would end up looking very similar.

                So while in general I tend to say throw out any and all rules (and yes, even including the advice I give on this blog if you so desire), here’s 5 common writing rules I specifically and intentionally break, and why:

1. Write what you know

I already talked all about how I tend to ignore this advice here if you’re interested. The TLDR version of it is that you can absolutely write things beyond your scope of knowledge (in fact, I’d guess that’s where the majority of fiction comes from) as long as you write it genuinely—this rule should be instead ‘write what you feel’.

2. Don’t edit as you write

Booo!! Okay maybe it works for some of you—if so, by all means continue (this applies to all the rules I’m about to mention, so just keep that in mind). Editing as I go is how I get back into the swing of things in a new writing session, and also allows me to try a scene a few different times to get the most I can out of it. I tend to believe that words are words even if they’re edited, rewritten, or even deleted.

If your goal is to finish your project as fast as possible, I imagine going back to edit before you’re finished your draft might slow you down. However, I also imagine editing as you go might save you an entire draft. Whatever works for you here is what you should do, but I personally love to edit as I write.

3. Avoid ‘said’

At least I think a lot of you guys are with me when I say that ‘said’ is sometimes just the best word to use. Using lots of descriptive words like, ‘yelled’, ‘begged’, ‘exclaimed’ can be distracting. When the dialogue speaks for itself, the ‘said’ disappears into the background of the scene, while necessary for grammar, it’s a formality for the actual storytelling. As well, I like to experiment with said by adding a descriptor afterwards. ‘Said quietly’ ‘said through a laugh’ ‘said without taking a breath’ etc.

4. Avoid adverbs

Here’s what I’ll say about word usage in general, as long as you pick your words with thought and care, you may use whatever words you want. Words have different specific connotations, and not always will avoiding the adverb have the same impact. For example, changing “he laughed lightly” to “he giggled.” We may have removed the adverb ‘lightly’, but ‘giggled’ holds a completely different connotation. It evokes a sort of immaturity, not unlike the ‘schoolgirl’ stereotype. If we don’t want that connotation, in this case, laughed lightly may be better.

                So don’t count out adverbs for the sake of it. As long as you’re choosing your words with intention and you understand the meaning behind them, you can experiment with a world of adverbs!

5. Never use passive voice

This one I didn’t realize was important to break until quite recently. We tend to be taught that passive voice automatically equals bad and I’m here to tell you that isn’t true. Passive voice should equal focus on action. Active voice equals focus on character. There may be certain sentences in which focusing on either the character or the action is more beneficial.

For example, “the alarm was pulled by Alice” (passive) kind of sounds clunky and wrong, whereas “Alice pulled the alarm” (active) is much more effective.

BUT “Alice was dragged out of the way” (passive) focuses on the action of Alice being dragged, rather than “Something dragged Alice out of the way” (active) focuses on the something that is doing the dragging, which in a moment of action, may take away from the pacing.

As long as you choose your voice with intention, both passive and active voice can be used to create strong, effective sentences.

                What are some typical writing rules you tend to ignore?

[cocogum]

The Great Wave - Chapter 5 Review

‼️ SPOILERS FOR THE CHAPTER ‼️

I’m not going to lie, this was the best chapter of the first volume so far. Not only was it better than the old chapters because we had much more to see and think about, but it’s also because it had some soft intimate moments mixed with happy scenes and not to mention felt longer than the others.

I would like to point out that I was completely in the right to explain why it was perfectly reasonable for Amalia to be worried that Aurora would take her place. In my chapter 4 review, I mentioned how Aurora had no right to lead the kingdom without Amalia even if it was in her legal right to do so. Aurora doesn't fully grasp the beliefs of the Sadidas. If she banishes Amalia, the final member of the royal Sadida family, from the kingdom, she will lack crucial insight into the kingdom's governance, particularly regarding the functioning of the Tree of Life.

It's important to note that while Yugo may not be a Sadida or a Twelvian, he has at least demonstrated the bare minimum level of cultural understanding and interaction that surpasses Aurora. Having lived among the Sadidas and rescued them multiple times, he has even communicated with King Oakheart without difficulty. However, it's worth noting that not all Sadidas may fully accept Yugo despite everything he has done. A good example of this would be what @vinillain has said about the topic in their post. I actually recommend you to see what they have to say about it.

Aurora has told Amalia to go back to her adventures, implying that she doesn’t need Amalia IN HER OWN HOME. Not only is the blue cow trophy wife a dumbass, but she’s also extremely unaware of the consequences she could receive if she lets her go.

It’s completely ridiculous but insane to kick the only remaining royal family of the Sadida kingdom if you don’t know how to keep the very living thing that keeps its people breathing.

This just keeps me wondering what the hell is Aurora’s goal besides ruling another kingdom other than the Osamodas one. Is there even another goal? Because if there isn’t, you gotta keep the only member of the royal family around you if you don’t want to fuck a kingdom up babes.

Aurora is legitimately an embarrassment to all blondes out there. They are already tired of hearing the annoying stereotype of “being dumb blondes” so don’t make it worse for them.

I hate what this is implying and I hate how Amalia explains it to Yugo.

Amalia already told Yugo in Season 4 that the sadidas protect the trees with their lives. And now, she’s here specifying to him that once a Sadida dies, they are still very much present in other ways.

Tot I swear on my ass, if this turns out to be some kind of foreshadowing for Amalia’s death, I’m booking a plane ticket straight to France. However, if this turns out to be some sort of implication that Amalia will replace or be the official guardian of the Tree of Life, I might be into it. We’ll just have to see where her words will go.

I loved how Yugo immediately went to console her and brought her into his arms. My guy doesn’t hesitate at all anymore and I’m so proud 🥰 He’s now able to give her the love she deserves 💕

This is the first time he mentions the past, and I'm glad he remembers how she used to be and can see the good in her, even when she was less mature.

Look at how he admires her in this very moment! He’s absolutely smitten 💕💕

“But already full of courage.” Yeah, the fearless sassy adventurer is definitely his type lol

I’ve been seeing a lot of people talk about the pregnancy situation with Aurora and with Amalia as well. The recurring references to pregnancy in certain chapters have led some to speculate about their significance. They are so vaguely placed in some instances but still present that the mentions almost appear like they’ve been strategically placed, leading to the belief that they may play a crucial role in upcoming events.

Here, we have Amalia crying her tears out at the idea that Aurora is perfectly justified to regain her position as queen simply because of her alleged pregnancy.

Just this scene alone makes me believe that Amalia has all the right to get pregnant as well. This is literally the scene that’s pushing the idea of her getting a kid.

Amalia. Get pregnant already. YUGO HELP HER-

I genuinely hate the fact that Amalia believes Armand would’ve let Aurora become the leader in his place because she’s harbouring his “child.”

Like no babe that doesn’t make any sense.

Throughout Season 4, we were able to clearly understand that Armand and Aurora did have feelings for one another but that didn’t mean Armand thought she was worthy to take his place if he was gone.

There’s a reason why there was only one throne in the Sadida kingdom.

There’s a reason why he was the only one conversing the most with other symbols of power or influence such as Master Joris, Yugo, and the cow king.

There’s a reason why he only addresses himself when he’s talking about the sadida leadership.

There’s a reason why he says “my people” rather than “our people”.

There’s a reason why he told Amalia, straight to her face, that she’s got it from here right before he sacrifices himself.

Armand never thought about Aurora when it came to any kind of leadership.

And sure, even if the child is real (because I still do not believe that wench), that doesn’t mean Armand was expecting the child to take over for him, much less Aurora, when Amalia was still in the picture.

Man was just horny that’s it.

Oh oop- drama???

Omg no this is genuinely such a good moment.

Amalia accidentally tells Yugo that he’s a stranger in the eyes of the royal Osamodas family and supposedly the other leaders as well and Yugo simply accepts this fact while she’s over here internally cursing herself for saying that to his face.

Because Amalia knows she’s right. And Yugo knows it just as much as her, if only more. Despite how Yugo wants to help Amalia in the situation she’s in, he’s aware that his very existence is a disturbance to the other leaders. (Which is a parallel to what happened with the Eliatrope goddess and the other gods around her.)

It greatly bothers Yugo to not be able to help his wife because of what he is and it is pretty understandable. There are people who are clashing with Amalia so he’ll obviously want to fight back.

While we're on the subject of who’s more of a stranger than the actual alien, I’d like to point out that even the royal Sadida staff treats Yugo like he’s part of the family. When Yugo and Amalia were having their moment, Renate (or Canar, I can’t remember who is who these two are just always together) enters the sacred grounds and calls for them, reminding them to be a part of the wedding their friends are having. But the way Renate (or Canar) addresses them is not by their royal status, but simply by their names.

This is an important detail to be aware of because Renate/Canar had no reason to justify why he called them by their names alone.

It just goes to show that some royal servants can be comfortable calling Yugo and Amalia this way without receiving any consequences. It also implies that only the servants who have interacted and gotten along with Yugo and Amalia when they were younger, are allowed to address them by their names.

And I love that fact so terribly much.

Amalia is a queen who understands personal relationships with servants and doesn’t think the idea is a bad thing. She has always been looking forward to speaking to her servants and befriending them since she was a child. Renate, Canar, and Evangelyne are examples of this.

Another detail that can be pointed out in this scene is what Renate/Canar said next: there was a wedding the two are supposed to attend later in the day.

This wouldn’t have been such a big thing to think about if it wasn’t for the fact that Yugo mentioned to Grougal that the two people in question who are getting a wedding, are two of his and Amalia’s friends.

Literally what? Who?!? Who are those friends??? That literally came out of nowhere!

It can’t be Eva and Dally because they already got married ages ago. So who could they be? Some friends who the brotherhood of the tofu met during one of their adventures? New characters that we’re going to see in Season 5 if it ever gets released? Or simply new characters that we’re going to discover in the manga? I’m throwing all the possibilities in the air because these two individuals cannot be normal civilians that Yugo and Amalia decided to plan a wedding for. Yugo precisely stated that these people are their friends.

Because of the Brotherhood’s lack of presence, one might assume that the couple getting married could consist of a Sadida and an Eliatrope, which would explain why Yugo and Amalia are familiar with them.

The Eliatropes and Sadidas depicted in this panel appear to be getting along, as they are all gathered in circles surrounded by Sadidas who seem to be accepting of their presence.

@aphilayx circled the exact amount of small groups that contained sadidas and eliatropes conversing together.

We can also believe that the marriage is unlikely to have any of the brotherhood’s friends who they met in their adventures take part in the ceremony, as was the case with Tristeva and Yumalia’s weddings. It appears that only Alibert, Adamaï, and Chibi, who are not from the kingdom, will be participating.

All of these points only encourage the idea that the marriage Yugo and Amalia would participate in could be between a sadida and an eliatrope.

…if the eliatropes weren’t children.

The eliatropes are not adults yet. Only a few months, or possibly a year, have passed between Season 4 and the webtoon. The eliatropes are not ready to marry anyone.

But then again, an interracial marriage would still make sense. Because why would any other race be here? I don’t see anyone else. The room we were shown only displayed sadidas and eliatropes. The only other person who isn’t an eliatrope, a sadida, or even a dragon, is Alibert (poor guy’s the only Enutrof there lol). He sticks out like a sore thumb 😭

Speaking of the room, we finally get to see Chibi and Grougal! It's great to have more opportunities to see them, especially since they were only featured in the first episode of the Ovas and one episode of Season 4 until now. In both of those times, they barely spoke or said a line. But here, we can finally see them having more moments and SPEAKING.

Well, only Chibi is talking but I think that’s pretty understandable since Grougal seems to be less talkative than him cuz he’s…well a baby dragon.

Grougal chews on wood when he can’t eat anything else…

Honestly, that’s relatable for all human babies. And then we got Chibi over here who decided to snitch on him for trying to eat Az. I never thought the future inventor would be able to snitch like that, how embarrassing.

DUDE WHY ARE YOU BRINGING DOWN GROUGAL LIKE THAT?! BRO’S JUST TRYNNA BE A DRAGON-

I’ve never seen Yugo get this mad at Grougal damn. I only saw Adamaï acting like that in season 2...daddy’s mad.

Yugo gives off the vibe of being the responsible older brother who had to act mature to help the parents handle the younger kids. He’s such a big brother to them both to the point where he’s making me think he’ll be such a good househusband father.

He’s even compromising with them!! Telling Grougal to wait a bit until the food can be ready.

Please that is such a fatherly thing to do!! They usually do this when the mother isn’t watching lol. Yugo’s over here telling Grougal to wait just a bit longer so he could be able to eat whatever he wants at the banquet.

By the way, I bet the feast will only be filled with drinks and fruits based on the food we’ve seen in the webtoon trailer.

Ruel had once complained that all the sadidas ate were soups so I guess that’s also another thing these people eat. The only time I’ve seen a sadida eat meat was Amalia in the first episode of the Ovas cutting a cooked animal in Ruel’s contraption.

So yeah, Grougal’s gonna starve either way lol

Also I’m definitely using this panel as my lock screen 💕💕

Look at him, he’s about to ground him before Alibert can.

Just cuz of this scene alone, it made me think that’s how he’s gonna act if he ever gets a kid(s) with Amalia. So if his kid misbehaves, he’d make that frowning face lol

And now we’re back to these imbeciles.

It irks me that these two blue-skinned clowns are being served and taken care of by the sadidas. They got THEIR OWN SUITE ARE U KIDDING ME-

The blue cow king even had some food prepared by the sadidas for his goofy ass ride! Stop treating the sadida servants like they are your own ones!!

Aurora is as unlikable as always, ordering the people to prepare her room.

I swear not even younger Amalia used to order her people like that. She used to get along with them and even talk to them as if she was about to spill some tea. But Aurora? Cow is so entitled that she’s even acting like that to people who are not even from the same race as her.

Blue cow mentioned that the chest the Sadida servant was carrying, had a “kougnard” in it (in English it’s a “skrot”).

We couldn’t see what it looked like but it clearly scared the shit out of that sadida woman. So I took the time to search up what a “Kougnard” was and it turns out it was actually a very ugly bat creature.

A “kougnard” is an animal you can use for transportation or a companion you can bring around while adventuring. Their main use is transportation though so they carry you from point A to point B if you can’t find a zaap gate near you.

They originally came from Ecaflipus, the Ecaflip God’s dimension. The kougnard that Aurora has is a newborn one which would explain why it could fit into a chest.

For a visual example, this is what a kougnard looks like in its adult form 👇

So yeah, pretty ugly.

Like ew wtf no wonder the sadida woman shit her leaves. Sorry for any player who uses these things but I don’t see how you can even touch one of them, let alone look at them for more than fifteen seconds. They look like ugly crusty bats that are fighting for their lives just to breathe.

Also what’s up with Aurora keeping familials in chests?? Wtf?? Isn’t she pro-animal or whatever?? Literally what’s up with that?? What’s so special about a living baby kougnard that she has to keep it in a chest???

That thing is even ugly as a baby, just look at how that sadida woman reacted when she saw it. Literally freaked her the hell out.

Apparently, Aurora wears the animal on her head in the next chapter according to what the next chapter’s cover entails. She seems to have something in her head and @geekgirles deduced that if we focus our attention on the top of her head, we can see claws.

I swear if that blue cow is actually looking down on people in that panel while having an ugly crusty-ass bat on her head, I’ll be laughing my ass off at this goofy behavior.

[dallasgallant]

“Ain’t nobody call the Fuzz in this neighborhood cause they know better!”

This line sits with me as a very telling one that often goes overlooked, as it’s lost in the blur of energy before the rumble. Now most of this is going to be from existing knowledge but it did prompt me to dig into poor communities a bit more. The line is said differently between the Book and the movie but both are said within the idea of pride and community— when they’re caught up in the high of before a rumble, all the energy close to bursting out of them- repping their kind and going on this spree of yelling stereotypes and taking ownership. In the movie Steve’s much more happy and hyped as he yells it— in the book he also says it to correct Darry but in a more exact tone.

In a surprise to no one cops aren’t friends to poor communities. Economically poor, crime heavy communities tend to be over policed and often met with force, brutality etc. We know the boys get hauled in a lot, sometimes just for the assumption they did something. Cops pick out, they stereotype and often target within the neighborhood.

There’s a social aspect as well that’s not so direct to do with police action and that is the social isolation. Lack of resources, mistreatment and disapproval from those outside creates strong communities that further isolate. In a lot of ways it’s a helpful thing, mitigating the effects of poverty by having a social net and trust. A detail I like is that Darry seems to be a part of a phone tree when Pony was late the first time (not exclusive to poor areas but a great example of having networks.) People help each other out “help their own” building networks. A lot of work is under the table or can be barter based - questionable legality of work, building/fixing things, way of general running of life. Perception of law is different.

This isn’t to say everyone in the neighborhood has broken the law at some point but it’s likely a lot have at least something of questionable legality or more likely have family members who are greasers, criminals etc but will protect them. All of the guys instantly flock to go help Dally after he robbed the store and have been stated to hide and protect the guys whenever they do something like this. It comes back to the “help/protect your own” … no one in the neighborhood is calling the cops because they know what will happen if they do. A family member or friend might be taken in, potential brutality, people coming in and uprooting the way you live your life because it’s “abnormal” etc etc etc.

If someone does call the cops who do you think they’re going to help? A bunch of no good, greasy hoods or the nice boys from the other side of town with their khakis and new cars and clothes? It was probably a greaser who threw the first punch too… doesn’t matter their side of town or what its over, or if some Soc is standing over some bleeding greaser kid. It’s systemic. (An aside but this is also why it drives me nuts people would assume the boys to be bigots because they’re … lower class in the 60s… let’s do some introspection there. Added to the fact that, there’s a lot of overlap with racial issues, their community would likely be FAR more integrated than the west or even rest of the town. Not that their wouldn’t be ignorance but the assumption— that’s not the point of this post but a pet peeve of mine)

Anyways, the Outsiders often gets reduced to a simplistic “use vs them” of just Greaser vs prep like it’s one of the beach movies they watch. When in reality it’s actually a lot to do with class and societal expectations/conditioning.

—

Papers if interested Here and here

Either for general interest or potentially helping with writing. Ones an older study (which skimming and certain sections I found interesting), the other IS Wikipedia but it’s for the general idea

[phoenixkaptain]

I absolutely love Legally Blonde (the musical). Elle is such a great character!!

The audience is introduced to her in such an amazing way, with her mathematically trying to figure out what to wear. “It may be perfect for a blonde, but I’m not that blonde. I may be in love but I’m not stupid, lady, I’ve got eyes.”

Elle in general is so good. She’s so smart and she’s legitimately the most interesting character to follow.

But!!! The best!!! Part!!! At the end of the musical, when she says she’s leaving, Emmett confessing that he loves her isn’t what convinces her to stay. Instead, it’s the other female characters showing their support for her!!! The way the girls in this movie support each other!!! The “Greek Chorus” is perhaps my favourite example, if only because they’re so supportive of absolutely everything Elle does!!! It’s so sweet!!! “We came to see our president be legally blonde”? Best line, I love it, it’s so good.

But also, the romance between Elle and Emmett is so fucking good. Emmett supports her through absolutely everything. Emmett is such a great person, but also his musical cue is an oboe, which means I’m biased to like him anyway-

“They laughed at me like they’re laughing at you. We can’t win if we don’t follow through.” “Though it’s hardly my business to say, could it be the real thing in your way is the very man you’re trying to impress?” “But I know it’ll all be worthwhile when I win my first lucrative trial, and buy my mom that great big house out on the cape.” “As I hugged my mom and told her, with the chance I’ve been given, I’m gonna be driven as hell.” All of Emmett’s lines are so good, all of his songs are perfect, Emmett is the best character ever.

I love the ending, when Elle proposes to Emmett. It’s the character coming full circle. She begins the musical by planning an outfit that will be perfect for Warner to propose to her to; “This dress needs to seal the deal, make a grown man kneel, but it can’t come right out and say bride.” “I’ve got t leave Warner his pride.” She’s fulfilling the stereotypical idea of the woman having to be proposed to. She can’t propose to him or look too desperate to be proposed to, because that will ruin his “pride.”

Elle proposing to Emmett at the end shows such an amazing character growth. She knows she doesn’t have to fulfill the stereotypical female role in their relationship. She proposes in a room full of people, proving that she is no longer concerned with her partner’s “pride.” She proposes by saying “Emmett Forrest, please make me the happiest woman I know.” She proposes in the stereotypical male style, but it’s so fucking sweet because Emmett is so excited and they just love each other so much-

But the best way to portray the character growth is two specific interactions. To set it up, the Greek Chorus mentions, in the very first song, that being married won’t come between Elle and their “sacred bond of sisterhood.” Later in the same song, the Chorus sings: “We love you guys.” And Elle responds: “No, I love you guys.” Note that she specifically says “I,” because presumably, Warner doesn’t actually care all that much about them.

Now, in the finale, the Chorus repeats the line, this time to Elle and Emmett: “We love you guys.” But, this time, Elle and Emmett respond together: “No, we love you guys.”

Emmett supports Elle’s interests to the point that she feels comfortable sharing them with him. She feels comfortable introducing her best friends to him and he actually likes them. It comes full circle. Elle finally has someone who supports her completely, just like she supports Emmett completely, they make each other happy. It’s so sweet.

Also, it’s kinda funny because Emmett is Elle’s sugar baby-

[haru-dipthong]

Really good anime translation: コタローは一人暮らし

I complained in a post a while ago about how I mostly think english translations of anime aren’t very good, and @japanwords asked me if there were any anime I know of that have good translations. I don’t actually watch that much anime so I didn’t have a good answer, but recently I found one that really fit the bill: 『コタローは一人暮らし』or “Kotaro lives alone”

For those who haven’t seen it, it’s a show about a 5 year old kid who lives alone without any parents or guardians, and makes friends with his neighbours in the apartment complex (a lazy manga artist, a woman who’s a hostess at a local nightclub, and a scary yakuza who finds Kotaro unbelievably cute). These friends end up helping Kotaro when he needs someone to act as a guardian, such as when he enrols at the local kindergarten.

The other thing you have to know about Kotaro is he speaks like a Japanese feudal lord.

This really is the crux of what makes the translation so good, because how the hell do you translate that?! The way they chose to do it is by using archaic english phrases. He kinda speaks like a Victorian era gentleman, and he sometimes even verges on sounding like a stereotypical medieval knight. This works perfectly, because Kotaro is actually imitating a character from his favourite cartoon: a samurai hero/feudal lord. Let’s look at some examples:

「放すである」 "Unhand me!"

A simple example to start with, I thought it might be interesting to compare how a 5 year old might actually say this, and how I would translate that:

「放してー！😭"」 "Let goooo! 😭"

Even though the japanese uses the same verb (放す), the english translation is completely different. The choice here to make it “unhand me” (much more evocative of a time period) instead of just “let go of me” (simply a longer way of saying it) is a perfect example of the care this anime puts into its translation.

狩野：「美月さん、アイス食べます？…… あれ？」 “Hey, Mizuki. Would you like an ice cream cone? …… Hello?” 美月：「アイスをもらうけど私、狩野くん誘ってないんだよなぁ」 “While I appreciate the ice cream, you know you weren’t actually invited, Karino.” コタロー：「お邪魔である」 “Interloper.”

邪魔 is a notoriously difficult word to translate, and the natural-sounding corresponding english phrase will vary quite wildly depending on the situation. In non-feudal lord speech, it usually gets translated to something like “you’re getting in my way” or “get out of here” or even “you’re a burden” (my least favourite).

Here, it’s creatively translated as “interloper”! A great way of sneaking in some archaic english while deftly handling a classically difficult-to-translate word.

コタロー：「わらわは写真が大の苦手なのだ」 “I am ill-disposed to having my picture taken!”

Here we have a slightly longer sentence which shows us a bit more of Kotaro’s unusual speech pattern. He uses the archaic first-person pronoun わらわ（妾）and often ends his sentences in なのだ. なのだ is not a particularly odd grammar structure to use, but it is unusual to use it unabbreviated (i.e. not shortening it to なんだ and/or adding よ to the end) especially when using it in speech rather than in writing. Not abbreviating it (as would be expected in a formal situation), but immediately contrasting that formality with the informal だ rather than です causes the speech to sound archaic without actually using any archaic vocabulary.

Now, if this show only translated the old-timey speech pattern well, I’d still call it a good translation. But the attention to detail and focus on natural sounding language extends to the other characters too!

Let’s take a look at an example of Karino’s speech. This is from ep 3; we already know a fair bit about who he is - a manga artist who doesn’t leave the house much (mostly works from home), usually wears comfortable clothes around, leaves things til the last minute and is generally a pretty lazy guy. I say this because the following translation doesn’t “work” (that is, the english and japanese wouldn’t mean the same thing) if it was spoken by a different kind of character.

phone rings 狩野：「担当さんかー」 “Oh great, it’s my editor” 狩野：「お疲れ様です、狩野です。… はい … 今日原稿を？はい、わかりました。じゃあ、後で」 “Hello, this is Karino. How may I help you? … Yes … Wait. Now, now? … Uh-huh, yes. Okay, thank you, I’ll be there soon.” コタロー：「どこか行くのか？」 “Do you need to go somewhere?” 狩野：「仕事。出版社に行く。今回もダメ出しされんのかな？」 “Yeah, I gotta go to work. There goes my day. … I’m sure he’ll just rip it apart like he always does.” 狩野：「あの人結構グサグサ刺さる事言うんだよなぁ」 “The way he criticises, it’s actually pretty hurtful.”

I really like this translation, it feels very clever and results in very natural sounding english. I said this wouldn’t work for a different character, but I think even for the same character, this translation wouldn’t work on ep 1 - the audience wouldn’t have the context for the translation to omit the specific words it does and get away with it.

For example, the line 「今日原稿を？」 directly refers to a manga draft, but the draft isn’t directly referred to in the english. But it ends up being ok, because we can infer that he’s handing in some sort of draft for review from a later line (”I’m sure he’ll just rip it apart…”). Also, 「出版社に行く」 directly states that he’s going to the publishing house, but the english simply refers to it as “work”. But we can infer this too - he’s going to see his editor, and since most of his work is drawing and writing, which he does at home, we know that when he says he’s “going to work”, he’s actually going to the publishing offices.

Prioritising the natural sound of the script over the specific details is a bold choice that really pays off, imo. This is some of the most natural english I’ve ever seen in an anime translation. I recommend checking it out if you’re interested!

[shirefantasies]

Hi Marti! I think I've got a doozy for ya, hope your up for it. How do you think The Company of Thorin Oakenshield would go about trying to set two folks up, like romantically? What's everyone's like technique I guess- who's more straightforward with introducing people to eachother, who's a background guy like manipulating things so the two potential lovebirds end up sharing space at a public event, who's talking up the other person when they aren't around, who's explicitly like 'you and this person would make a cute pair.' and. and and and- most importantly- how does this change if this involves their brothers/relations? I'm grinning so damn hard rn, I believe in you!

I'm absolutely obsessed with this ok??? YES 🅱️LS (also, portraying this like it’s you & another company member hehe)

Warnings: a suggestive joke or two

How Thorin’s Company Would Set You Up With Someone

Balin

✧ Sensible, subtle, simple. His approach will be more along the lines of getting you and his target to spend more time together.

✧ He’ll ask you both to go complete a task like gathering firewood together.

✧ As you two (even if forcibly) are spending more time together, he might start bringing them up more, daring to ask a question about that.

✧ One tell he has is the proud, sly little smile that can sometimes be seen upon his face as you two interact.

✧ When you two actually get together, he makes his grand reveal, smugly telling you both he’s been around long enough to be able to tell when two are right for each other.

Dwalin

✧ Has no clue what he’s doing, frankly, and likely is only doing it because his brother or someone else roped him into it.

✧ Or else he has a really strong protective instinct toward you, the other company member, or both. Then it becomes a matter of greater urgency, more based upon the concept of making sure you are with someone he trusts. Simply put, no one else will do.

✧ Rather than wax poetic, Dwalin prefers putting you in situations that display his target’s skills and worth. If they’re a fighter, he’ll send them in to save you, for example.

✧ Very subtle with the stereotypical ‘wingman’ comments, but they're there. “Looks like you got rescued today, eh?” "You know, if there's anyone I trust for help with that, why it would have to be..."

✧ His eyebrows raise when you actually announce this very soul to the company as your one, but he's the first to clap hands to your shoulders and bring up a shout of celebration.

Thorin

✧ By far the most awkward about it- he can barely process his own feelings, let alone others’.

✧ “I- I just want you to be happy.” Hopes you know what he means by that, but it’s a coin toss honestly.

✧ Relents and assigns you two joint tasks like unsaddling the ponies or gathering firewood, hoping that’s enough to help draw you closer.

✧ If one of you expresses any sort of heavy emotion, he actually does a really good job relating it to the other’s experience and directing you that way, prompting a heart-to-heart.

✧ Smiles widely and pulls you both lightly into his arms at the news, taking it as a sign of continuation and prosperity to come.

Oin

✧ Surprisingly one of the more discreet ones.

✧ Makes a lot of conversation as he patches you up anyway, so teasing questions about who amongst them you fancy most just seem to come with the job.

✧ Little do you know that the moment you spill, Oin turns around and starts teasing the other party about what a catch you are. What? He’s getting older, let him have his fun.

✧ He makes you his nursemaid of sorts to help the next time they get hurt. If you take great issue at such sights he’ll just ask you to keep them company upon being patched up.

✧ “I said it would be a match, and a match it is!” He calls out, fists pumped into the air at your revelation.

Gloin

✧ Physically shoves you in the direction of his intended target under the guise of merriment. Not hard, just enough to get them to turn and look at you and see the moment's right.

✧ Comes up with team games so you two can be on a team against him and whichever friend or brother he's roped in that time.

✧ Finding out if your feelings are true is in the interest of his betting pool, so Gloin is not above asking you the occasional alluding question, usually a small one like what your type is.

✧ The first to laugh heartily and slap you on the back if you display any sort of flirting behaviors!

✧ Shouts with wild abandon when you come out with it, racking up all his sacks of coins with glee before he grabs you two and gives you an affectionate, proud shake!

Bifur

✧ Silent observers are some of the most deeply perceptive individuals.

✧ Thus, whoever’s end it’s on, Bifur can see feelings blossoming, his head bobbing back and forth between you two with interest at nearly every interaction.

✧ Eagerly employs some rather…unorthodox… methods of seeing you set up. “I can steal his socks and give them to you so you can be the hero who finds them!”

✧ Begins telling both you and his intended match heavily exaggerated stories of each other’s great feats, completely unaware of the separate conversations about them you’ll then have.

✧ Grabs your hands and joins them when he hears the news, nodding and clapping proudly!

Bofur

✧ Can be obvious about it, but still one of the most natural.

✧ Throws an arm around you both, all but dragging you over to the fire to sing and dance with him…and more importantly each other!

✧ He’s often off doing the laundry, so he oh-so-innocently spills something one day and asks his target to surrender their shirt…right in your full view, of course!

✧ Pulls you into more jokes with whoever fancied, teasing them and then calling you out by name to join in: “Isn’t that right?” He winks at you the moment you look at him, the scoundrel!

✧ “See, didn’t I tell ya it was meant to be? Nothing but blessings from me, you two.”

Bombur

✧ Finds himself smiling and clasping his hands whenever you two interact. Maybe he can help it along...

✧ Excuse king. “Say, could you go fetch ‘im for me? …Why? Oh, because I borrowed something the other night.” “Can you sit there? It’s just I’m a bit warm, so I’d like to be further away from the fire if you please.”

✧ Being married himself, he understands some of the best how a good relationship starts, i.e. with a firm friendship. Thus he starts talking to you both and joking around more to make memories that bring you together!

✧ Also gives his targets credit for anything. “Lost one of my gloves the other day ‘n’ you’ll never guess who found it!”

✧ Beams and offers the biggest bear hugs he can when you announce your relationship. Bragging rights who? Bombur just loves love.

Dori

✧ Lives for the drama anyway, but general investment would grow tenfold if that person happened to be one of his little brothers.

✧ The questioning sort, suddenly asking you things like if you’ve ever considered settling down after this is all over and if so, any inklings with what type of person?

✧ Suddenly he can’t speak highly enough of this person even if it’s not one of his siblings, tossing it into your teatime conversations how they’re that strong or this skilled or he hears that family crafts the finest courting beads if he’s one of the dwarves.

✧ It’s enough that you pick up on what he’s doing and tell him that well, if that company member is interested then they’d best just tell you, prompting Dori to rush to them and try to convince them to confess.

✧ Whether they need the push or not, Dori’s target eventually makes a move, leaving the older dwarf to brag like a proud father, uncle, big brother, you name the dynamic he can do it!

Nori

✧ Not shy about any part of the whole affair. Watches you both with a shit eating grin.

✧ “So, if it had to be anyone there, who’d it be? …what, I can’t be the first one to be asking that, can I?”

✧ Heavily contemplates going the jealously route. Barring you getting uncomfortable, Nori starts being far more friendly with you and putting his arm around you more often to see what his target does.

✧ Proceeding, of course, to teasingly confront them about it later. “What, did it bother you? Wonder why. Maybe you oughta take that up with ‘em, then.”

✧ Some company members bought his act a little too well, gazes swiveling between you and your match and Nori himself as if expecting him to now be jealous.

Ori

✧ Surprisingly great at matchmaking- his fear of being discovered keeps him very very discreet, and he has a great sense for love.

✧ “Can you two sit right there? I’d like to get some drawings while we’ve got the time. Thank you! Oh, just a little bit closer. Little bit more. There we go!”

✧ The moment you need help, Ori knows someone who can help you! Sends you right their way with an innocent little smile.

✧ Has made it his business to have a general idea of what everyone likes, which comes quite well in handy pointing out to you that someone else in the company's got a similar interest or hobby. Grins to himself when he sees you actually approach them about it.

✧ Feels no need to come out and announce himself to you once you're together, but he brags about predicting and matchmaking you two endlessly to Dori, who listens with great pride.

Fili

✧ Having the absolute time of his life.

✧ He’s likely gotten up to this due to gaining the knowledge- or else it simply being that obvious- that one of you has feelings for the other or is attracted to them. Thus, teasing abounds!

✧ “Ever thought about it? …what? Why, you two, of course! Everyone else has, after all.”

✧ Leans on his sword or against a tree, giving his best attempt at a smooth pose as he whispers that they like you too. Yes, even if he isn't certain that you like them as well.

✧ "Finally!" He calls out the first time he sees you two kiss. It may earn him a smack, but it's worth it.

Kili

✧ Likely doing this teamed up with Fili and also having the absolute time of his life.

✧ Jokes around any time you two are paired for things. “Well you two make quite the handsome couple, don’t you?”

✧ Plays sides with whoever he's closest to, possibly with his brother falling to the person's other side. "Be honest, who do you think is the best looking of us all? What do you think of that one there?"

✧ "Come on now," he asks you directly if you have any interest in his target, especially if he knows you do, "you can tell me." This, of course, is punctuated with a wink.

✧ He wasn't expecting to actually become your confidant, but when you tell him you trust him with your news and that he's the first to know, he can't help beaming and pulling you into a hug.

Bilbo

✧ Insists to all the other company members that hobbits are the best at matchmaking, thank you. But that, of course, leaves him to prove it.

✧ Step one: food. Food is one of the greatest bonding agents known to hobbits, so Bilbo will task you with bringing your potential interest dinner and thus sitting at their side for the meal.

✧ Step two: common interests. Bilbo himself becomes something of a double agent, talking to one of you and then the other and dropping names at any good opportunity. Perhaps both of you knit. Maybe you need your blades sharpened and they've just done theirs. You could simply just have the same favorite animal and the both of you will know it by the time Bilbo is through.

✧ Step three: strategically moving your bedrolls to be right next to each other. What? It works! That night his target ends up rolling against you in his sleep and you lean up against him.

✧ When you wake up the following morning, shock overtakes you, then shy smiles and a private conversation that has Bilbo smirking to the rest of the company triumphantly.

Taglist: @lokilover476 @fuckyoumakeart @kilibaggins @mossthebogwitch @ibabblealot @joonies-word @stormchaser819 @pirate-lord-of-narnia | Reply/Ask/Message to join!

[the-music-maniac]

Zoro has rapidly become my favourite character in One Piece and so I felt the need to write this after seeing one too many people misinterpret him as this alpha male type of dude purely because he's muscular and likes fighting. Don't do my boi like that, I actually think Zoro is a very good example of non toxic masculinity, and I will fight people over it. I've seen someone call Zoro a red flag. I will find you.

I've seen this happen quite often when it comes to characters with certain body types and defining traits, especially in shows with large followings like one piece, where people just tend to equate muscular + likes to fight + likes to drink to a certain archetype of personality without looking at the nuance? In reality, Zoro is a very likeable guy in my opinion (once you get over how terrifying he can be as an opponent).

Disclaimer: I haven't finished the entire show so feel free to write any rebuttals if you think I got anything wrong! Fandom debates can be quite fun.

I also mention Sanzo/Zosan very briefly so feel free to skip over that part if you're not into that ship.

The biggest thing I think people tend to forget is that Zoro is kind. And this one I don't understand how anyone can forget, because it's like an integral part of his character. Sure, his goal of becoming the greatest swordsman is not a path that's without bloodshed. He's not kind in an all encompassing, indiscriminate way, he's kind in a practical way, especially in the world he lives in with the type of life he leads. He doesn't have qualms about killing when necessary. But the motivation behind those actions are never cruel. He wants to be the greatest swordsman, but he's not amassing that skill because he wants power. He's doing it for love of that weapons style and for the childhood dream both Kuina and him had. Does he like fighting? Yeah, but I'm pretty certain it's purely for the competition of skill. And Zoro shows his kindness with how willing he is to help those who need it, in that he usually doesn't use his strength to take what he wants/hurt others but to protect. Even when he was a bounty hunter and earned his moniker of Demon of the East, he was just trying to survive. I'm not sure how people forget that he's a kind person when our initial introduction to Zoro was him agreeing to get tied to a post for a month without food or water to save a little girl and her mother. He's kind in the little ways as well, in that mundane everyday living type of manner, not just in the big, heroic "risk your life" type of way, which I think is important to acknowledge. He didn't have to tell that girl that her food was good. And Zoro is pretty damn good with children - we see that with Chopper, and we see that with that filler episode with Zoro babysitting and - I think there are some more examples but I can't recall them right now. That's a very big green flag in my opinion. The little gestures can matter as much as the big ones. As far as I'm concerned, those traits couldn't be further from the "alpha male" stereotype.

I've also seen people characterize Zoro as just a cool, quiet, man-of-few-words type of guy, and sure, I can see how he would give that impression if all you saw of him was random edits of when he gets serious but honestly, the man is pretty fucking sassy. He's also just - SUCH a 19 year old with all the antics he gets up to with the rest of the crew, and I'm aware he gets much more serious after the timeskip (I haven't gotten to that point yet in terms of watching but I don't care about spoilers so I know the reason behind it), but like. I don't think he lost his snark from some clips I've seen. Zoro is funny, and I think people ignore that too often for the cool guy type of characterization. Not that he isn't cool - Zoro has his moments but that's not all he is. The man gets lost running in a straight line???? He once almost got frozen in wax and decided his priority was to ensure he died in a cool pose. That type of willingness to be silly is not something you find in a stereotypical alpha male type of personality. Like, who are you kidding, he's lame af, unashamed of it, and it's fabulous.

Another thing, granted this is not a common opinion by any means, but on one instance I've seen someone act as if Zoro's some lady killer or some shit and I actually had to pause and stare at my screen in disbelief. Could I see women being attracted to Zoro? Yeah sure, I mean the one example I can think of right now is Hiyori (another example may or may not be me. But then again you knew that didn't you, considering this post is just one giant love letter to Zoro). But does Zoro purposely try to attract women? Uh no? I don't even think the man is straight. He's either aromantic/asexual (very ace of him to not give a shit about romance but leap up in two seconds upon hearing the word "sword") or just gay, cause he exhibits very little interest in romance, or very little indication that he finds women attractive. And I pinpointed attraction to women specifically just cause people tend to assume Zoro is heterosexual and have the audacity to get mad at you if you try to imply otherwise. Which to me is clearly heteronormativity speaking because where. Where is he straight, I don't see it. And sure is there a possibility he may be heterosexual and just unwilling to act on attraction because he has a different goal in life? Yeah sure, but you can't act like that's the only valid interpretation for him. But regardless, no matter what sexuality you headcanon him as, he's still very very far from "manly man with ladies swooning left and right into his muscular arms" type character. I mean if someone swooned into him I'm pretty sure he would catch them on principle without registering any romantic connotations whatsoever. (Note that these opinions do not stop me from being a Sanzo/Zosan shipper, but that's more because I find the concept entertaining. An argument could also be made that Zoro does pay the most attention to Sanji, even if it's to fight him). So yeah, another strike against the whole alpha male type of characterization. Zoro doesn't really give a shit about romance and even if he DID, I am convinced he still wouldn't treat a potential romantic partner as anything but an equal, doesn't matter if that s/o is a man, woman or non binary. And this segways into my next point.

Because Zoro has some very refreshing attitudes about gender, both his own and of other people. This doesn't just tie in with the sexuality/romantic partner thing, it ties into the willingness to be authentic/silly thing, and the "likes to compare skills through fighting" thing. I very much think that Zoro just doesn't really register gender roles much, or he does and he just doesn't care about it. And I'm aware this partially stems from a position of privilege he has as a guy - he doesn't need to care about gender roles and how people view him because he's a man. He wouldn't be short changed for anything if he doesn't notice. While the same luxury is not extended to individuals like Kuina and Tashigi, who were in a field of practice that looks down on them purely for being women. Having said that, Zoro literally just doesn't give a shit who he's dealing with, man, woman or any other gender. If you challenge him, he'll fight you. And the level of effort he gives that fight is usually dependent on ability and the situation. If you annoy him, he'll annoy you back. He has no qualms about snarking and yelling at Nami the same as he would with a male member of the crew. People in the past that have pointed out to him the difference in the way the rest of the world perceives men and women - like with Kuina and Tashigi for example - is met with confusion. And again, this is partially because Zoro has the privilege of not noticing, but honestly even if he did notice, I don't think his personal actions would change. And I find that refreshing. I love Sanji as a character, don't get me wrong, but his whole refuses to fight women schtick is something that annoys me (even if I do headcanon that it partially comes from a place of trauma). And moreover, Zoro gives me the impression of a person that doesn't give a shit if his own masculinity is "compromised", going by the stereotypical definition of the phrase. He does shit cause he feels like it, not cause it's the "manly" thing to do. Yeah, he happens to like drinking, working out - things that are considered traditionally masculine, but I get the sense that if he did have hobbies that were not traditionally masculine, he would just go ahead and do them regardless of what people think of him. His antics pre-timeskip wasn't exactly the epitome of manliness, it was silly and goofy and he has no qualms about it cause it was authentically him. And he wouldn't feel threatened if he were to do anything not in keeping with a "manly" image, even if he wouldn't do any of that of his own volition. Like the babysitting filler episode? The man was in a crop top that said "mama" on the front. I fully believe that if he lost a bet to Nami and had to wear a dress or some other traditionally feminine piece of clothing, or if for some convoluted reason Luffy ordered him to put on a disguise like that for some mission or whatever, Zoro wouldn't give a shit as long as it was comfortable and didn't obstruct his ability to fight. If someone made fun of him for it, he would probably bite back depending on how insulting the person is trying to be, cause not caring about wearing non masculine clothing doesn't mean he would be okay with someone looking down on him, but he wouldn't automatically equate the two to each other without that interference, and that association wouldn't be permanent. Would he choose to wear a dress on his own? Probably not. He does still have clothing preferences and they tend to be simple, practical and comfortable, and with certain clothing pieces, in keeping with his culture. Would he fly into an insecure rage about not being a girl? I don't think so. And that's so far in attitude from the whole alpha male thing that it's not even funny. The whole concept of an identity centered around being an alpha male reeks of insecurity, and Zoro is very secure in who he is as a person.

And this is also why I think Zoro would act differently in a romance than how "alpha males" would act, even if it's with a woman (I still don't think Zoro is straight btw, but just for conjecture). For one he respects people based on ability and if not that, determination and heart, so right off the bat he's not gonna treat his partner as lesser than him by virtue of being a woman. And I've noticed that a lot of heterosexual couples (not all, mind you, but a lot) seem to care more about dating a gender role than dating an actual person. By that, I mean individuals who pride themselves on being a model of masculinity however they define it - usually look for a partner to compliment them in that regard. I find this counterproductive, because your partner is not meant to be a tool/accessory to maintain your image, and also because being the perfect man or woman is too narrow of a definition, and it doesn't exactly leave you a lot of room to live comfortably as a human - with all your fallible moments that don't fit comfortably in little boxes. It's impractical and illogical. If you value maintaining the status quo and assigning responsibilities and roles based on arbitrary rules assigned by society instead of ability, if you care about that more than you care about helping your partner and maintaining a functional life, I don't think y'all are gonna last long. That's just my two cents. But for the reasons listed before, Zoro barely even registers gender roles, and he's a pretty "get shit done" type of person. He's not gonna give a shit. He'll do what he's able to do for the relationship, and he wouldn't feel insecure when his partner does the same, even if it doesn't fit into traditional roles. And considering Zoro's love of sparring/fighting I don't think he would get with a partner that isn't able to give him a run for his money anyways. Another thing that sets him apart from the alpha male stereotype, those guys are terrified of anyone challenging them for their position of "authority", however dubious that position is (and however stupid it is to care about notions of dominance for a relationship. Have y'all seen those interview videos with guys who actually believe that? "I can't date a girl that bench presses more than me cause that means she becomes the dominant figure in the relationship" excuse me what.)

This post is getting overly long so I'm going to end it there. Thanks for reading!

[sokkastyles]

I feel like there's this kind of... Schrodinger's Aang problem, both in the show and the fandom, that gets to me because Aang is simultaneously presented to be so wide beyond his years, yet the argument that he's a twelve year old kid is trotted out constantly to defend and absolve him of any possible wrongdoing. He's supposedly wise and worldly enough at twelve to preach to Katara about forgiving her mother's killer, but he's also twelve and therefore too young to understand not, yknow, kissing Katara without her consent or blaming a fictional portrayal of her on her. (Obviously both things are examples of Aang just blowing past Katara's emotional and physical boundaries, I don't think it's talked about much how Katara never actually asks Aang for any advice about going to confront Yon Rha, he just comes out swinging, but the show and KA/wider fandom don't treat it that way). Do you think if Aang was written to be even a little older, say Katara's age, this would happen so much, even if the writing stayed the same? Defense of the EiP kiss, for eg, is already awful, but often relies on the "he's just twelve so its 'not that bad'" excuse.

I do think if Aang were older, or more physically imposing, people would recognize these things as Aang disrespecting Katara's boundaries, yes. We have this image that men who behave that way look a certain way and are threatening to women in ways that are easily identifiable. For example, the stereotype of the big angry man or the scary rapist hiding in the bushes, when in reality, most assaults are committed by someone the person already knows, a friend or a boyfriend. Just look at the "Nice Guy" belief and the way it manifests itself in KA vs Zutara discourse. Zuko is the scary bad boy who isn't good for Katara and probably an abuser, while Aang can't possibly hurt Katara because he's "just a kid" and "so nice." The problem is that this kind of rhetoric is entirely manipulative and incredibly coercive, and Aang hurts Katara by the very premise that he's so innocent and wise that she's not allowed to feel hurt by him, and if she does, it must be because there is something wrong with her. That idea, that Katara just doesn't know what is actually good for her and what she wants, and needs Aang to tell her, is implicitly presented in the show both in Ember Island Players and The Southern Raiders. And both episodes use Zuko as the underlying threat that is leading Katara away from good guy Aang.

[velvees-archive]

save for the dual destinies dlc case, i’ve finished my first play through of the mainline ace attorney games. incredibly solid series. i have a draft with my thoughts on each case in the aj trilogy + game ratings. dunno if i’d wanna post it though, it’s kinda long.

so instead, i’ll post some misc thoughts about phoenix and edgeworth portrayals across mainline/aai + my personal favorite interpretations of them by the writing team!

spoilers for AA mainline and AAI duology

by far, my favorite phoenix portrayal is og trilogy phoenix. the way he interacts with his environment and the people around him is very authentic, albeit rude as hell (which, in hindsight, is even more authentic for phoenix, so…). saw someone’s tumblr post mention that phoenix is such a “straight guy” which…yeah LMAO. real to life accuracy, so much so it’s infuriating. i think what i’ve played of dd’s dlc case captures what i wanted to see from post-trilogy phoenix in that he’s still an asshole and comically stupid, but not actually stupid, if ykwim. something i disliked abt the rest of aa5 and aa6 is how the writing team watered his character down to the following two oversimplifications: “phoenix only wins cases bc he bluffs!” and “uhh...what evidence does phoenix present now?”

don’t mistake a silly man for a stupid man. mia calls phoenix a genius in the og trilogy. phoenix dives in head first but he’s meticulous when it comes to drawing out the truth. most of all, he doesn’t outwardly show how frazzled he is (see that one drew misham quote about phoenix quietly watching the court as he’s accused of forging evidence), even if he feels that way. i get the colorful usage of expressions is for comedic effect but it just makes him look like he doesn’t know wtf he’s doing, and that’s a disservice to his character. yes, he bluffs, but he isn’t clueless. anyway, i’m excited to replay the first trilogy now that i “know” second trilogy phoenix. that might also just be my way of saying “give me back MY phoenix”, bc the last time i’m (mostly) on board w his portrayal is in aa4, and even then i didn’t like the dialogue in his forged evidence trial.

*though, as of writing this, i’ve seen some good arguments abt his forged evidence trial dialogue that make me think ok maybe it was actually pretty accurate. let’s see wht i think on replay

on the other hand, my favorite edgeworth—at least in principle—is post-apollo justice edgeworth. in many ways, i think how he’s portrayed at 35 is how he would’ve been had dl-6 not occurred, barring his career choice. still a bit pompous, still fairly mean (at least on the surface, we all know he cares more than he lets on) and perhaps a bit uptight, but self-assured and just. the writing team makes a point to show that edgeworth doesn’t care about prestige or fancy titles. that feels like him in a way post-first trilogy edgeworth doesn’t. this particular point was fleshed out in aa1 and rfta, tho, so idk if i can give yamazaki credit for it.

there are some things that will always bother me abt post-first trilogy edgeworth (the problems are present in the aai duology as well) where the writing team shoves him into a box teeming with boring tropes for his character archetype.

an example:

creds for both these pictures: me

edgeworth is fine w pictures in the first trilogy, but comes to hate them in the aai duology.

ik it’s small but honestly what was the reason? what justification is there for this outside of wanting to fit edgeworth into a “cold character” stereotype?

bridge to the turnabout and turnabout ablaze are only about a month apart. i’m not buying into the sudden aversion to picture taking, regardless how minute a criticism it is. in any case, i feel like what i’m trying to say comes through w these screenshots: yamazaki’s edgeworth is always just a little off.

i am forgetting where i saw the post and i have too many liked posts to scroll thru to find it again but i saw a reblog?? tumblr post?? abt yamazaki and takumi’s diff approaches to edgeworth, where takumi says edgeworth listens to trot while yamazaki thinks he’d listen to classical music, and if that doesn’t drive the point home, idk wht will.

why then, did i enjoy post-aj edgeworth most? short answer is i’m taking liberties w his development and its implications. while i never completely buy into post-aa3 edgeworth, i can digest and get behind most of him when i’m not nitpicking, unlike w post-aj phoenix. does edgeworth feel a little uninspired and one- as opposed to three-dimensional? yeah, but his core is so strong i can overlook it. i’ll miss seeing a developed edgeworth when replaying the trilogy. him at 35 makes me feel warm inside.

anyway, i didn’t intend to start hating when i made this post bc i ultimately still believe the second trilogy was pretty good, if not overly ambitious with it's storytelling. maybe i'll post that AJ trilogy review.

overall, tho, t&t and aai2 were my favorite games to come out of the franchise. i’m going to do that slow replay of the first trilogy, aai duology, and aj:aa before making final judgments.