#they LITERALLY did not have the budget for the entire point of the series- to travel in space and time

[youngpettyqueen]

why is "yeah TOS was so low budget they had nothing but 2 pennies and glitter glue and a dream" such a common sentiment on this site. Star Trek was the most expensive show on air at the time. it cost huge amounts of money and constantly went over budget, and it was constantly on the verge of cancellation in big part because of this. the amount of money being poured into it was a part of why it did get cancelled- it was getting low ratings and consistently costing the studio an arm and a leg each episode

I get that the effects and everything in Star Trek look low budget by today's standards, but it was anything but low budget. if you want to see what low budget sci-fi looked like in the late 60s, then I suggest Doctor Who, which ran on a budget of pocket lint, shoelaces, and a dream

[overclause]

Why I hated the new AvA Episode: how you butcher your entire shows cast, their personalities, motives and likeability In one episode.

Before I start angry ranting I wanna say that I love this show regardless and I mean no harm to the creative people behind it. I think they did a fantastic job providing us a indie animation show through out the years and I wanna thank Alan for inspiring me as an artist. But seriously..... did It really have to be like this?

My opinion may change as I rewatch It a while later or with the relase of the new episodes. I'm well aware of that. So even If It changes, It'll be fun to look back at this.

Thread is long so I'm cutting it under here.

I'm gonna talk about why I don't like about this epsiode, and things that I actually liked, under different titles.

1- The killing of characters for the sake of plot

This is something that's at this point happened SO MANY TIMES through out the entierty of AvA/M It fucking dissapoints me.

The first time this happened was In The Showdown, here we had Dark (and Chosen) re-introduced to us again for the first time. Within the same 20 minute episode / season we already said goodbye to Dark. The reason why he was there and killed afterwards was to reveal Second's powers. That's literally It. The entire point of that episode and Dark's death was so we could get Orange's powers revealed.

Now I'm actually okay with The Showdown's short comings as a season because well, It's old. It was much more low budget both In terms of writing and animation. But that still made me really angry about how they killed off a character just for the shock and plot point of Second's powers. You don't have to kill off a character who Is important to the series just so we can put emphasis on another. It's just really sad for Dark (WHICH I'LL TOUCH MORE ON LATER).

The second time this happened was The King, which I'm more okay with, because there was a reason why Gold and Pink died. To set up a relationship between Purple and K.O. but even that was very rushed, since we had no clues or hints about their backstories before the two episodes where It was revealed.

And finally, coming to this episode, Mitsi. Now before I talk about her I wanna say that as much as I don't like Victim getting a love interest, I'm okay with her and that. I'm okay with Victim and her and how they were once a couple. But It just really rubs off the wrong way when you introduce us one of the only confirmed female characters of the show and make her a love interest. On top of that- you kill her off. Why? to make a reason for Victim's anger. The problem Is that Victim already had a reason to be angry at Alan. I don't think he needed a love interest to be killed just so he can start planning for revenge. You already showed how he as PTSD, (which was done In an excellent way and one of the things I really liked about the episode), you can just build on top of that Instead of having someone else killed for him. If you want us to feel pity for Victim- we already did! He was already such a complex character and a story about how abuse changes a person, but now the plot has literally just turned into ''You killed my wife so I hate you!''.

2 - Chosen, my poor boy Chosen.

TCO deserves his own section because oh my god they did him SO DIRTY.

I hate how they potrayed Chosen in this episode more than anything else. He turned from a character that I loved so much to.... what? one dimensional guy who does not care about ones he killed...? What happened to scenes in Showdown where he was clearly against Dark's ideas of destroying the internet. You know, where he LITERALLY FOUGHT HIM NOT TO. Did he do that all for no reason?

Chosen, until this episode, was always presented as a character who was misunderstood and afraid of coming to terms with whats happening around him. He excused Dark destroying the internet because he literally had no one else to go to (atleast thats how I interpreted it BUT I GUESS NOT). He was shown be hesitant when Dark was doing those things, that he actually did not agree with his ideas. I and many others believed that he was gonna be redeemed and be a part of the future episodes, but now what?

He literally killed Mitsi with no hesitation, no holdback, no regret. You took a character that was set to be redeemed and gave a reason to hate him. Sure, It was in the past, and It was in Agent's POV, but like If he is the one we are supposed to cheer for, why? I just don't get it. You made me absolutely hate a character that I loved so much and I despise that.

3- You hyped Second's powers only to make it ''just another thing''

What I mean by that is... I thought Second's powers were special to him. I really love Second, he is my favourite character in the show. In The Box they showed us that yes, Second's powers are special, no other stickfigure can do what he does- bring things to life. But now It all just feels so predictable. Because we saw where his powers are sourced from, what they do and what they mean. He turned from a character that excited me about the big reveal to... Oh. It's just that. Whenever an animator brings a stickfigure to life the green magic happens. Second is an animator. Hooray.

4- All your characters are one dimensional

I already kind of touched on this but I really need to type all this out In a simple way because It drives me crazzzy, and It's also very funny.

Victim turned from a character who was abused and then became the abuser himself to ''You killed my wife''.

Chosen turned from a character that was misunderstood, had nowhere else to go and no one else to ''I killed people because... because.. I'm mad. Yeah''.

Second was hyped to be a character with special abilities and powers to ''Oh I guess I'm connected to this Instead of being independant with my own lore''.

Dark was always just a character of ''I'm here to destroy, that's all I do.''. They could have brought him back and showed him display atleast a hint of empathy, but nope, he still Is just ''The Dark Lord''. They didn't even have to redeem him just come on show me something else he does than just destroy, all because he is edgy!

Agent... I'm sad about Agent. I thought Agent was gonna play a bigger role because they really had focused on him In the previous episodes. I thought he was gonna be there to tell his own story, to be against Victim eventually. No. He just witnessed what happened and decided to stick with Victim. Why.... why?? What's the motive there??He now Is just yet another stick figure.

Its just sad.

5- My thoughts about this series- final conclusion.

Changed. That's all I can say.

For me this show has always been about how abuse changes a person. How what your precieved as influences you and destroys you from the inside and out.

Dark, Chosen, Second and Victim are very special to me. They all come from the same story of being tortured by their creator, yet, they all end up in different situations.

Victim was abused over and over again. He found a way to stay alive, but his anger and rage was still within him. He had turned into the abuser which he had despised, doing awful things.

Chosen was used as an adblocker, a tool. When he escaped he was happy, but never free, as he was constantly being dragged down to do things he didn't want to or be chased around by people who want him dead.

Dark was created just to be a weapon. He escaped with the help of Chosen, found a way to call him his friend, but ended up falling for his internal desire to take revenge on what hurt him.

Second found a way to make ammends with his abuser. He became his friend, forgive him, and found a way to live a life happily with his friends. He didn't know about the truth behind Alan and his wrong doings because he was just... all too naive.

For me, Ava was a story about them. The four brothers who went through the same thing, but ended up being against eachother. It was meaningful to me In a matter that It was there to tell a story. Their story.

But now they are all just ''I hate you because you did this''. And I hate that. I hate how after an entire year of waiting this is how one of the biggest plot points Is revealed. It feels disrespectful to them. I hate how we are most likely never gonna see them In the same room. I hate how Dark was completly shrugged off, how Chosen turned into a villian. How Victim's motives were just cliches. How they are all just cliches!!!

When I was waiting for this episode I of course knew that what I wanted from the show wasn't gonna be it. That my theories were not gonna be true, that I knew I was gonna be let down. But I thought I would be let down In a good way. I just feel bad now because the characters I very much loved have been turned into cliches right In front of my eye. I thought my expectations were gonna be broken In the best way possible. But honestly, this was the worst It could have been.

-IN MYYY OPINION

That's right It's all my opinion. If you completly disagree, thats cool. Good for you even! I mean this in the most non passive-aggresive way possible. I'm glad some people could enjoy this episode.

That's all I'm here to say for now. Thanks for reading. Feel free to share your own opinions.

[plague-karm]

Sonic 3 Spoiler Post Wheyyyyy

I’m gonna talk about literally everything so if you still haven’t seen the movie then scroll away, I will be adding images a week after this post goes up as well so yeah. This is NOT going to be well thought out at all it’s just going to be a ramble fest because why not shejsjjejejs

The fact that they made Live And Learn a song Maria wrote gives it SO much more meaning and a reason for the song to be included in the movie (besides fanservice lmao), a story line centred around the process of grief culminating with a grandiose reprise of a song made by the person one of the characters is grieving? CINEMA

The third act was incredible of course but god I wish they stopped going back and forth with the Robotnik stuff, the switch ups between the immaculate fight choreography and the slapstick bullshit really began to run its course and I was just waiting for peak to start again

Speaking of those fight scenes OH MY GOD THE FIGHT CHOREOGRAPHY IS SOME OF THE BEST THIS SERIES HAS EVER HAD IT WAS ON SOME DRAGON BALL TYPE SHIT. When Super Sonic and Super Shadow were beating the everloving fuck out of each other in different countries I was stimming like crazy

Knuckles is the unsung MVP of this movie and I’m so happy they got to show his character development in a really natural way, he’s really become a big brother figure for the other two and the way he tried to talk Sonic down after Tom almost died really got to me he’s come so far 🥹

When the trailer fakeout shot came up I was LOSING IT 😭

Also I want to know what the cinematographer was smoking because some of the shots in this thing are BEAUTIFUL, especially the ones in space (when Sonic and Shadow enter their super forms and go around like blazing comets I was going crazy)

The colour grading is a huge step up from the last two movies as well, you can tell the budget went up because the models here are stunning (especially Shadow’s)

I wish Live And Learn got to play a little longer but I’m just happy they included it either way (when the vocals came in so did I)

Agent Stone continues to be one of my favourite human characters in the entire series, I honestly wouldn’t mind them adding him to the games because his dynamic with Eggman is way better than whatever Orbot and Cubot have going on

They definitely listened to the critiques for the second movie as well because the human stuff has been very toned down and I honestly think it’s for the better (and this is coming from someone who actually really likes Rachel idk man she’s just fun)

I’m pretty satisfied with how they handled Gerald outside of the usual Jim Carrey shenanigans, portraying him as a madman so consumed by grief that he’s completely willing to let Earth and himself die out of pure spite was crazy, I saw someone say that this is how he’d act if he didn’t get executed 50 years ago and I can see that pretty clearly. I loved the glimpses of humanity we get of him as well (the way he referred to both Maria AND Shadow as “kids” in the flashback made me feel like he genuinely did care for him at that point and the death of Maria just threw him off the deep end)

The scene of Shadow and Gerald finding Maria’s body was DEVASTATING, the way Shadow didn’t know if she was dead at first and all it took was to see how heartbroken Gerald was to figure it out killed me 😔

Speaking of which they actually did a rewrite for Shadow’s backstory while keeping a lot of the same elements and I’m pretty happy with it for the most part, him coming to earth in a comet is black arms foreshadowing 100% and the flashbacks of him and Maria just hanging out and having fun like normal kids was really nice (the inclusion of the biolizard being the monster in the movie they were watching was really cool too I didn’t even notice that at first until someone pointed it out)

Despite these changes he was handled SO well, Keanu did a great job voicing him and to hear that he actually wanted to play the character made me so happy, it’s almost like getting people who give a shit about the source material is a really important factor of making adaptations succeed idk

The reason why Maria’s around though is kind of weak? She isn’t ill in this version and the only reason she’s in the lab is because Gerald takes her everywhere? That’s it? Why couldn’t they have said that he adopted her or something? (Or maybe her parents had an incurable illness that Gerald tried and failed to help with so he took her in after the fact idk)

Ben Schwartz popped OFF in the third act god I love it watching whimsical characters completely losing their shit after they’ve been pushed too far

The fact that the iconic “announcement” was changed to a tragic yaoi send off is beautiful, I hope Agent Stone comes back in future movies his dynamic with Tails was really cute

Pansexual Eggman is now canon we are so back

Loved the brief snippet of E.G.G.M.A.N, it played for five seconds but I was stimming anyway

The soundtrack is also a huge step up from the first two movies as well (also Throw It All Away is one of the song titles holy shit)

The post credits scene was PEAK I love Metal Sonic and Amy’s designs so much, Im really interested to see if it’ll be a loose adaptation of Sonic CD or it’ll be its own thing (maybe Amy and Metal are originally from the games’ bad timeline and that’s how Silver shows up later? I’m not sure, I just want Silver fans to get SOMETHING they’ve been fucking starving bro I feel bad for them 😭)

[misty-slays-blog]

Okay I'm going to give my quick, abridged thoughts on Haladriel/Saurondriel this finale (could be better, could also be worse), and some ramblings about the series going forward, before taking a couple of days to let it all sink in.

We have been fed. Was it a lavish six-course meal? No. But I hadn't expected it to be, and it wasn't crumbs either. We did get Sauron admitting he cares about Galadriel (his Queen of Light) and that he doesn't want to kill her. So what Charlotte Brandstrom said - Sauron loving Galadriel - yeah, I can see it. And that gives me hope going forward. Saurondriel isn't dead at all (despite what they may claim on reddit).

I dreamed of a Dark!Galadriel arc but never expected it outside the realm of fanfiction. In fact, what went down is pretty much what I envisioned they would do. I am okay with it. Also let's not forget that they had written S2 already before the release of S1 and before the huge fandom reaction to Saurondriel.

(And mark my words, I think the wound in Galadriel's shoulder will play a role going forward - side note, did anyone else love Gil-Galad's line when Galadriel woke up? He's so done with her antics, bless him, I love them both).

But my critique of the fight is the same critique I have had for the entire season: it's way too rushed. I can see what they were going for, I can stand behind what they wished to convey, but the execution was just way too hasty. It's like we got all the pieces ("his queen", him not wishing to harm her, Galadriel faltering when she saw Halbrand, also really loved how Galadriel actually put up a fight against a literal god and even had the upper hand at one point, etc.) but they just didn't dwell long enough on them to really mean something. This is the result of having too many storylines crammed into too little time. I would much rather have them spread their budget over 10 or even 12 episodes instead of 8 because now, so many characters sadly lost their place in the spotlight, and certain emotional scenes lacked impact.

Another critique that I have is that the women didn't shine this season. Galadriel was captured by a man for a huge chunk of the season and then rescued in the end by three other men. We lost Bronwyn, Estrid only existed as love interest, and Míriel, Nori & Poppy hardly had anything to do. The only female characters who weren't really reduced, were Disa and Eärien.

I didn't really keep track but did they even pass the Bechdel test this season?

Seriously, they would do well to hire more female writers and fix this.

They are rejoicing on reddit right now, that the finale seems to mark the beginning of a "wise" Galadriel who will forever steer clear from the battlefield. Honestly this misogynistic mumbo jumbo makes me sick and I hope, hope, hope that the writers don't think this would be a good idea. Yes to wise(r) Galadriel, character development and growth, no to domestic, perfect Galadriel staying at home while the men around her go to battle. Please let her be flawed, let her be tempted by the darkness, let her be a warrior. She is one of my favorite characters and I dread the idea that they might actually reduce her to a side character.

I know I might be in the minority, but I actually liked season 1 more for that reason than season 2. Yes, it had its flaws, mainly in pacing and editing, but the world just felt more alive and fleshed out.

Overall I'm rating this season not great, not terrible.

[lesetoilesfous]

anyway here's my thoughts on veilguard.

i liked it! i really, genuinely enjoyed it. there were moments that made me cry and truly moved me. there were plot twists that really surprised and shocked me. i felt emotionally impacted by the game. i love so many of the characters - both companions and npcs. it's beautiful. it's fun to play.

is it a perfect game? of course not! a) there's no such thing b) gang, i thought we knew this?? it's a game that's been in development for a decade, more than 3/4 of the team got laid off, it's had its usp constantly switched around lord knows how many times. it was never going to be perfect! i went in with my expectations underground and came out with a game i liked much more than inquisition.

neither inquisition nor veilguard were ever going to be like origins and da2. the creative team changed massively between those games. but also, the world changed! the industry changed! the climate in which people were working changed! for goodness sake there was an entire pandemic!

we were never and are never going to get games like da2 and origins again because the world is different now and that's ok. it's good to have new things!

could there have been more conflict in veilguard? sure. could it have been more politically and socially sensitive? maybe. but you know what? i work in media and i know how incredibly fucking hard it is to get any kind of purse-holder to sign off on one explicitly trans character, let alone nine (by my last count): specifically and lovingly designed across a wide spectrum of voice and appearance to illustrate that non-binary is not 'girl-lite' or a third gender, it's just not binary.

we went from vivienne being BALD in inquisition because they couldn't be fucked to design afro hair to a game where it is literally not possible to have an all-white or an all-male team for the first 5 or so hours of the game. one of your team members is a south asian woman with a prosthetic leg and at no point is her disability fetishised or exoticised.

god knows its not perfect but gang i really don't think y'all are recognising how fucking much good stuff we got in this game. literally, please, give me the title of another AAA game that has this much explicit trans rep. that has this many major characters of colour written with care and thoughtfulness. this many companions who are people of colour and essential to the plot. do you know how hard that is???? and everyone got fired!!!! it took 10 years!!! despite everything they got all this through!!!

like. it's not surprising to me the game is gentler than earlier entries in the series. earlier entries in the series are also, often, VERY RACIST. as far as earlier entries in the series are concerned: transgender people don't exist (except Krem, of course, but he is one character in a very big game). they are so obviously trying so hard and in a landscape where i literally cannot think of any other game of this scale and budget that is trying at all, yeah, i'm giving them a pass!

the things that drove me nuts in previous DA games were the christian fascism, the genocide apologism, the white supremacy, the 'peaceful protest' crap, the copaganda. veilguard doesn't do that and it's amazing and heartbreaking to me that so few folks in the fandom seem to value that.

there's this thing that happens whenever a piece of media is actually, truly diverse where fandom attacks it much, much more savagely than media that is actually racist, sexist etc (supernatural vs steven universe, star wars vs dream daddy, etc). people translate the fact that it takes them a little longer to connect with characters they're unused to seeing in fiction into meaning that the art is 'objectively bad'. and then assholes with money use that violently negative reaction to justify continuing to make games without trans people or brown people or a majority of female characters.

"look! veilguard did that! nobody liked it!"

please. consider why you are reacting so much more harshly to a game like this than you did to a game where you literally led a catholic inquisition, planted your flag in indigenous people's land, and had the power to enact military law on anyone unlucky enough to come across your army of religious zealots, up to and including executions.

no one is perfect. fandom isn't activism. consumption of media isn't activism. you're allowed to dislike things and you're allowed to yell about it on the internet and it's my responsibility to block content i don't want to see. i get that.

but just in case anyone else is feeling the way i am: i liked veilguard. i think they tried really hard. i think a lot of the team got fucked over by asshole bosses and worse executives. i think the game obviously got cut short and rushed, which we knew before it came out. and i still think they wrestled a fun, emotionally impactful game out of that housefire, and that that's worth celebrating.

[aroaceleovaldez]

So, in your last post about the Percy Jackson TV show, I felt you lacked a few pieces of information/points. While it is true that the CGI in the film is pore and not constructed well, please note that while they have a large budget Disney has made a lot of restrictions to the show. In the original scrips there was a significantly larger amount of violence that would have needed more CGI. This was latter edited out of the script due to both restrictions and budget cuts for other parts in the show(sadly). Also to bring into prospective Sea of monsters the movie was made 10 years ago. Inflation has juristically affected the way money is used in films. Another thing to note is typically movie budgets are less than TV shows because they only are filming for one larger block of time. TV however they can take years meaning the acters need to be paid even for the time off set. This is not to say movies cannot take years, but it is to show that TV shows are filmed longer. I would also like to say I am genuinely not trying to be rude or unkind about your opinion and thoughts on the subject. I am just someone who has a different insight into the topic because of the things I know about the topic (I myself, am an actor and for the most part I think this is why the CGI was not the best as well as some of the script work). 

I did actually calculate inflation for Sea of Monsters versus the PJO TV show. We know the PJO TV show allegedly had a budget of $12-15 million per episode. For comparison, this is the type of budget Disney+ usually uses for stuff like The Mandalorian. I was doing a generous underestimate for the entire season which comes out to $96mil (12mil per episode x 8 episodes). Sea of Monsters' budget was 90mil. Here's that inflation:

So lil over $120mil. Going for a top estimate for s1 of the show (15x8) that's $120mil. And as far as I'd heard that may also not include stuff like budget for casting for the show. They are still roughly in similar ballparks.

Regardless of this - as an animator, i can tell you there is no excuse for that wonky CGI trident other than it being extremely quickly done. That's literally a transform error, like ctrl+t type stuff. That is a lazy and cheap trident, probably because Disney notoriously overworks and cheaps out with their CGI. The CGI problems in the show are majority because Disney's being cheap about it. This shows in nearly all the CGI in every episode.

If they had to remove violence from the script and so remove CGI scenes with it, then theoretically they should have more room in the budget for more or better CGI where it already is in the show. That money doesn't just vanish. Changing that in the script gives them less of an excuse, actually.

Also, as i mentioned in my previous post - if you don't want to CGI hydrokinesis, don't pick the franchise where the main character's defining power is hydrokinesis. If you can't have much violence, DON'T PICK THE GREEK MYTHOLOGY SERIES WHERE THE MAIN CHARACTER BEHEADS TWO PEOPLE IN THE FIRST BOOK AND IT ONLY GETS BLOODIER FROM THERE. You cannot have PJO without some level of violence. It's kind of very inherent to the series. Rick actually talks in his original Teaching Guide for The Lightning Thief about how, in argument against attempts to ban TLT (in this specific instance for "being too violent"), that monsters in the books poof into golden dust for a reason, because then they haven't "died." There is no blood. They can and will come back. Because it's fantasy. That is the excuse for all the violence. Of which there otherwise technically is a lot of.

If you are doing live action PJO you are going to have to have some amount of violence (and there is absolutely a level that is perfectly suitable for a PG13 audience. The show right now is leagues below that level. PG13 just means parental guidance for under 13 - this majority has to do with concerns about children under 13 replicating behavior on-screen. Past 13 kids know better than to do that, which is why that rating is a thing. There are plenty of film/media/etc that are way more gory and violent and are still PG13). You are going to have to CGI monsters/creatures to some degree regularly (alongside demigod powers like Percy's hydrokinesis even more regularly). And between those two things, characters are going to have to look like they're physically interacting with the CGI at times. Disney is capable of doing this. Disney does have the budget for this for the show. They're not doing it because they're being cheap. Disney has done this before and does it regularly. This is not anything new. It entirely has to do with CGI not having as many unions. They have no excuses. If they didn't expect to run into these problems then they clearly did no planning for what adapting the series would entail and didn't think at all of what the series actually featured before diving into it. And they have no excuse for that! That is step one!

[downtroddendeity]

@turnkeyassurance saw your tags and figured I'd take the opportunity to pause my descent into madness to give my more sober opinions on the Ni no Kuni franchise, lol. (Warning: I am a humongous JRPG nerd)

The NNK games are really odd ducks, quality-wise. You can call either one a good game or a bad game and call either one better than the other, and any combination of those opinions can be something I think is entirely justified. Both of them have things they do remarkably well and also serious, profound, deal-breaking flaws, and the really weird thing is that there's almost no overlap between those two lists for the two games. What clicks and doesn't about both of them is going to be deeply individual.

What Ni no Kuni: Wrath of the White Witch does, with resounding success, is Vibes. It sets out at every single step with the goal of being a playable Ghibli movie, and it sticks to that principle. It's all about beautiful, cel-shaded whimsy. It's a game for people who want to feel like they're wandering through the meadows in the movie version of Howl's Moving Castle. There are lots of puns, and you can befriend all the random encounter monsters and feed them ice cream.

But that's also its Achilles' heel: because it's dedicated entirely to imitation, it has trouble bringing things to the table that are really its own. It has the visual and narrative aesthetics of Hayao Miyazaki's films, but it doesn't have the raw emotion at the heart of them. And as a game, its mechanics combine the clunkiest features of menu-based combat and action RPGs, and while everything about the Pokemon-esque mechanics seems designed to encourage players to collect and experiment with them, the balancing turns attempting to do that into a miserable grindy nightmare.

The other problem is that it... isn't actually the first Ni no Kuni game. Wrath of the White Witch is, in fact, a remake of the Nintendo DS game Ni no Kuni: Dominion of the Dark Djinn, which was never released outside Japan. The reason for this is pretty easy to explain, because DDD had another gimmick besides its aesthetics: it came with a real-life physical copy of the wizard spellbook, and the player had to look things up in it and draw sigils on the DS touchscreen to cast spells. So, we've got a high-effort remake that had to completely cut the central mechanic... and which also expanded the plot so that the original main villain was no longer the primary antagonist. This results in a game with what is very clearly a final dungeon and very clearly a final boss and very clearly a resolution to the story, which suddenly has a completely different plot dropped on it like a fucking anvil that it expects you to be just as invested in even though it hasn't had anything like the same level of buildup.

And ironically, this is almost the exact opposite of the biggest problem with Ni no Kuni 2: Revenant Kingdom, a.k.a. the one with my new blorbo, the President of the United Union of Eagleland. 2 is an effort to try to cement an identity for the series that can be its own, rather than requiring them to depend indefinitely on borrowed Miyazaki nostalgia. It just has the teeny-tiny, itsy-bitsy problem that at some point in development it had a budget shortfall so bad that you can finish the game without ever realizing that there is a continent-sized crashed interdimensional spaceship on the world map.

This game has had a machete taken to it. Don't get me wrong, I genuinely respect the work they did to make what they could with what they had, but you can see the signs of massive scope cuts to literally every aspect of the game. The back half of the game has almost exclusively recycled enemy and environment assets; voice acting has been trimmed down to canned voice clips; the catboy protagonist's ears and tail are barely animated; one minigame was so inadequately playtested that a level 16 mission is massively harder than level 50 ones; and while whatever restructuring they had to do to the main plot still left the final version with a more solid and coherent central arc than WWW in my opinion, it also left a lot of truly gaping plot holes, like oh, I don't know, why the President of the United States got turned into a 19-year-old.

Literally, they just. Entirely forgot to explain that. Half the DLC is just the writers scrambling to fix stuff like that and add a bunch of character development that should have been in the base game.

However, despite all this, I personally enjoyed NNK2 more than NNK1 unironically, not just for Rolandposting reasons. Compared to the first one, it plays much more smoothly as a straight action RPG, and while it can't provide the same knock-your-socks-off aesthetic cohesion, to me it seemed a lot more heartfelt- that is, like a game that was made because people had a story they wanted to tell.

But, well, we wouldn't be here if it wasn't for the non-unironic reasons, because the story they really, genuinely wanted to tell was about a magical catboy growing up and learning to become a leader, and somehow, miraculously, they really thought that was the story I was here for too when they opened the game with the President of the United States being isekaied by Nuke-kun.

Sorry, guys, I have a crippling addiction to dramatic irony and my day job is tech work in local politics, you could not have more laser-targeted this at making me specifically laugh my ass off if you tried.

[neko-loogi]

Alright, I'mma give my opinion again. This time with Hazbin Hotel..

So I saw the trailer for Hazbin Hotel a few days ago and honestly, I am so disappointed. Like, you're telling me I waited years for them to release a trailer for the series, and this is all we get??

I'm not saying it wasn't enough, no, on the contrary, I think they revealed way too much. But what I mean is, I was expecting something else, because this ain't it, chief.

***

Alright so first off, we have the voices. I'mma be hella honest with y'all, this shit sounds unfinished, as in, it sounds like Viv got confused and published the behind the scenes instead of the finished product because omfg, the voices sound bad.

I genuinely don't understand the weird obsession Viv has with hiring celebrities or broadway actors into her shitty shows, it's not like she's rich enough to afford that- plus she does this often, doesn't that mean it affects the budget of the show? (I don't know much about that stuff so bear with me).

It's funny cuz, she hires these super famous celebrities to voice characters in her shows, but she doesn't need to, like, you can be a professional, but that doesn't necessarily mean you're a great VA. It almost feels like she does that because she wants to feel important, she wants to show off like "Oh look at me, I have celebrities voicing my characters! Aren't I cool?"

But anyway, going back to the voices, I have to say this, my least favorite are Alastor and Angel Dust. I just think it's absolutely ridiculous that Viv got rid of the pilot VAs just to replace them with broadway actors, only for them to make the characters sound flat and emotionless.

Like, it's funny because she makes these broadway actors imitate the voices from the pilot, however it doesn't come naturally for these actors and it shows. It almost feels like they have no idea what they're doing. It legit sounds like they're reading the script but not putting any effort into it. (Y'know how people shit on anime dubs because they don't sound good or whatever? That's exactly how I feel about this-).

The next thing I wanna talk about is the animation. Don't get me wrong from what I've seen, in some moments the animation looks alright, but other times it looks choppy as hell. I thought this show was supposed to be more 'professional' since they literally got A24 and Bento Box ent. for this. But yeah, all I can say is, the animation hasn't changed at all, the only thing that is slightly different is the art style but aside from that, the animation still sucks.

And finally, the last thing I wanted to discuss is the plot of the series. So as we all know, in the Pilot, it was established that Charlie (along with Vaggie) opened the Happy Hotel in hopes of redeeming sinners so that they can go to heaven because Hell was too overpopulated (plus the whole extermination thing). But the whole point of the plot was that she wasn't entirely sure she could actually do it or if it was even possible, and that's what made the plot more interesting back then. But here? It's absolute garbage. Not only did the trailer basically reveal way too much information already (before the series could even come out yet), but the plot was changed entirely!

Like I mentioned, Charlie's motives were to redeem sinners, but here she's more focused on having some kind of war with heaven/the angels. And that's the thing, now that we know that heaven is a thing in this series, plus the inclusion of Adam, it just makes the series feel so predictable, because now we know that the sinners can be redeemed, which beats the entire purpose of the show. It's like, "Hell bad, but heaven is worse" and "Good VS. Bad!!", cliche type of thing. You think a series 'made for adults' would have a more interesting plot than a kids show, but nah, we get these basic ass levels of writing. I swear a fucking five year old could come up with something better and far more creative than this nonsense-

***

So yeah, I'm honestly hella disappointed that this is what the series has turned into. I had high hopes for Hazbin Hotel (since Helluva ain't shit-), but nope, it turns out, Viv is capable of making herself look even more stupid by completely butchering her own series. Hell, I actually have Amazon Prime, but I am probably not even gonna watch this shit, I'll just wait till some dumbass on YouTube uploads the first episode or something stupid like that (so that I can watch it and critique it later). Because I know that someone definitely will.

Anyway, that's all for today, thank you for reading my dumb post- alright bye!

[maferf107]

The Dragon's Prince ending rant

I need to put this somewhere, spoilers ahead. Excuse any spelling errors

The dragon prince's ending was TERRIBLE it got me thinking that the series took a nosedive in writting after season 3.

Like this last seasons were full of incoherent plot points, nonsense lore, forgetable lore and moments, characters going in circles, character arcs that reversed, went nowhere or were reapeating over and over again, mental gymnastics to get the characters to do shit.

Like what was Ezran's character arc at the end? I thought they were going to do something interesting with his change of characters and the fact he built weapons that could KILL DRAGONS, HIM. With how much emphasis it had I thought it would be important, but no, that just never gets resolved. The Nova blade stuff was ridiculous

What do you mean we spent so much time trying to keep Aaravos in prison only for him to get out so easily? The candy-fake pearl stuff was stupid and contrived, the way he WAS DEFEATED was stupid. We spent so much time saying he HAS to be imprisoned only for him to get killed and he will come back? awful

The last was fight terrible and anti-climatic and killed all character's arc, except for Aaravos and Claudia I guess

THAT ENDING REVEAL WAS THE WORST THING I'VE SEEN AND NEGATED THE ENTIRE SHOW LIKE WTF

I'm still mad that Zym was never a full character. He is THE dragon Prince, you know, who the series is named after?

Callum's arc got thrown in the garbage by taking off the emotional importance of his sacrifice by achieving nothing with it and taking away the consequences. It felt like the writters just pulled some bullshit out of their ass to avoid having him face consequences.

Also for a final season you would have expected them to put SOME budget into the animation. Like the animation was never the series' forte but like, I SAW THOSE PNG'S AT THE END.

Another side note is that the violence was kinda nuts for a series marked for 6+ kids. It personally didn't bother me, but it makes me question how or why they managed to greenlight it. We all saw Karim get crushed by Aaravos, even that surprised me.

The ending got me thinking how past season 3 it felt like the main characters were just going in circles, not only literally (in the plot) but philosophically (in character arc and groath), decisions meant nothing, there were no consequences or nothing gained because the writer's would just pull somehting out of their ass to move the plot foward. Seasons 1 to 3 were rather good and compacted so what the hell happened.

The only things that I found enjoyable, logical and worthwhile past season 3 were: The whole sun-fire elves plotline with Jania, Amaya and Karim; Viren's charcater arc (even though him dying three times felt a bit repetitive, I still liked his arc); Soren, Claudia, Terry and Aaravos. Basically the sun-fire elves and everything regarding Viren, his family and Aaravos. To me, they were the ones that felt like their arcs were complete, logical, fun, and had continuity and consequences. They were the ones were their actions made sense and the writting didn't go back and their arcs, like they did with Ezran and Callum

Anyways thats all my rant for now. I am mainly just... disapointted

[stackslip]

augh yeah as much as i do love the parts of COS that are very obviously trying to do something competent and genuine, the amestris parts are just so ????

ill be honest, im pretty sure i blocked those scenes out, so remembering that what happened on the amestris side is. yikes

definitely wish the movie was more focused and didnt try to add as much as it did. especially roy -- i dont mind the beginning, hell i think him exiling himself to the north is a good concept, but the fact that he takes back his position (iirc) is just. so are we throwing away the character development and him realizing that he CANT change the military from the inside or what.

in general i honestly wanted to see less of the military cast. they frankly dont have much reason to be there other than the fact people wanted to see them (esp armstrong... just. WHY). im sure there are still ways to work in roy if the creators really wanted him to be there but like. idk! they sure didnt have to do it like that! we couldve spent more time on exploring noah as a character. or let izumi die on screen. sigh

been a while since i rewatched COS but thanks for pointing out all the weird stuff, i'd almost forgotten it and i honestly shouldn't.

(and of course i have to say i love your posts on the series proper. i will never be normal about scar. ever)

the second i saw roy in there i was like why is roy still in the military at all. wasn't his whole arc about realizing that he can't do shit within the military because it is an institution built on atrocities and exploitation? why is he still in it then. why is he talking about serving his country. why's he talking about waiting for ED that makes no fucking SENSE. (why is he alive. someone said they thought roy was supposed to die by the end of 03 but they kept him alive bc he's a fan fave and i wholly believe this frankly). why is the country's military still seemingly intact with a whole surveillance network, when 03 ended on the military being severely crippled and amestris's neighbours getting ready to invade it and bring it to its knees? why are we literally seeing *the fucking weimar republic* in cos only for amestris to not parallel it in any way and instead be the brotherhood-type funland where once you've taken out the mean führer, everything is fine and there's nothing to fix?

and like. this is a short movie right! i know that they were denied a season, maybe even a season and a half to finish off the show and that some elements of cos were meant to be in the og show's ending. and it shows! bc again munich is fucking reasonably competent considering how much is crammed in on hour thirty. and i know that cos's production was also rushed as hell and that as an Anime Movie they were contractually obligated to 1) put as many recurring fan faves in as possible 2) have at least a third of the movie be a big action scene. so like. i can understand the limits. you have no time, you're told you have to put all this shit in, you want to finish off the brothers' story at the very least. but my gd! you're telling me you had an izumi death scene and it doesn't happen??? you could cut roy out ENTIRELY from this. you could not put ARMSTRONG IN LIORE. you could..... i know they had no time at all, i know once again it was 03 being shafted by production committees and time and budget but it's legit insane how the very stupid and seemingly innocuous choice of having armstrong "rebuild" liore comedically completely slapped me out of whatever headspace cos had managed to slip me in before. i was enjoying it a lot until we got to amestris. and this armstrong thing, followed by rose's line here:

it's just. it's almost comedic. i'm almost wondering if the writer is fucking with me here and acknowledging just how stupid it is to put armstrong doing alchemy in liore is. probably not but gd this is bad. this is brotherhood levels of obliviousness to the themes.

anyhow i'm not finishing cos tonight bc i'm too pissed about it lol. it's funny bc for years i was told it was bad but for the opposite reasons that it's actually bad. like folks kept saying the munich parts were bad/stupid/wrong and made no sense when to me they're by far the most thematically coherent and interesting/emotional bits of it. i LOVE the relationship between noah and ed. and like, i know the bar is is in hell when it comes to depicting roma on screen, but i can't help but appreciate the little and big ways both noah and her people get humanized, how they feel like the most real and concrete part of this world ed insists is a dream or hell. but really, genuinely noah is so good, alfons's weird crush on ed is hysterical, the general atmosphere and research around 1923 munich seems genuinely thoughtful (and it also tells me that the writers had been thinking about this long, long before even 03 ended). i genuinely believe that making munich! hugues a nazi sympathizer and a racist is a really inspired and brave choice that makes the audience reflects THEIR hugues and how the amestrian military behaved. so anyhow these parts are good, genuinely. it's sad that that's the first third and then you get thrown into this mess, and there's still a whole stupid nazi battle to come. it's stupid. it's stupid especially bc there's a genuine part of the movie that IS smart and thoughtful. it'd be so much easier if all of it were bad, or if the difference between the writing in each part weren't so obvious. anyhow. i wanna finish cos bc i wanna see wrath's arc end and envy eating hoheinheim and ed/al reunion and more of noah. but also i think i'm gonna be writing off large chunks of it lol.

(also thank you very much, i'm trying to preach 03 to whoever i can whenever i can. appreciate the love)

[aokozaki]

I tried playing Caligula Effect Overdose a while back, and I really did not like it at all.

while I found the story and characters, like, decently interesting I guess (in the sense that I could see them theoretically going someplace interesting? theoretically), I thought the game was overall quite dull and tedious in both gameplay and aesthetic, and that the BGM for the first dungeon, in particular, sucked dogshit. I found it to be a highly irritating and intrusive earworm that continually grated on me the more I listened to it.

Eventually, I turned the BGM off altogether, and in so doing, discovered that the game has literally no foley work. There's no sound effects for your fucking footsteps. They couldn't be bothered to make your fucking feet make sounds. In the remake of the game that- *cough* anyway at this point it was just like, alright, great, so you have left me with the choice of this inane garbage elevator music, or this lifeless void of a stock anime high school world where you literally can't even hear yourself walk around

I tried playing it for a little bit after that but I didn't see anything dispelling my impression that it was a cheap and boring Persona knockoff, so I stopped.

anyway you are now free to type below your reasons why I should give it another chance

Well, is it a Persona knockoff if the similarities are because one of the lead writers actually worked on Persona 1 and 2?

Like, you know the visual effect when a character first awakens to their Catharsis Effect? Here's what Persona Summoning looks like in P2.

It's not a Persona knockoff, oh no, it's the only successor to pre-modern Persona. A Persona 3 for a world where Persona 3 wasn't a soft reboot of the series.

The game's antagonist, Thorn, could easily be a MegaTen antagonist, she shows the most influence.

Anyway, as for the jank dungeon design, sound design, gameplay design... yeah the first game is a mess. It was a budget RPG originally released for PS Vita and it shows.

It's not a good game, you're here for the story. And honestly the music, because as long as you don't ruin it by getting lost in the dungeons for too long (they're so badly designed lmao), the soundtrack is a tour de force of famous Vocaloid Producers putting out some of their best work.

And like, c'mon, the anime highschool is supposed to be stock, the entire game is an unsubtle commentary on escapist media set in high schools.

Turn the difficulty down to easy and don't try to play Caligula Effect like it's a well designed game, it's not. Brute force your way through the story because it is pretty cool.

And if it's still too shit, skip to Caligula Effect 2, which had a different developer, who actually turned the concept into a much more functional game.

[doyouremem8erme]

asks for tomorrow when you are in (point emoji) The Car

what are your biggest inspirations for your ocs and the stories you want to tell?

if you could have absolute control over any book being adapted to film, what book would you choose and how would you adapt it? if you don't have a book choose something else

what is the sexiest car

1. i think the biggest thing is preexisting stories whether music or other works. but also various times in my life that i feel nostalgia for or that otherwise really affected me. and finally relationships that transcend boundaries of platonic/romantic and even fate and lifetimes.

for academy of bad cats, the biggest inspirations for the way the story is told are sparklecare and matilda. but the story itself is still very much at least very loosely based on real events

liminaland is a bit of an outlier since its much more rooted in aesthetics than my other stories, but it did have inspiration from infinity train and a bit from amphibia. and the relationship between the main characters is certainly one of those relationships transcending expectations of platonic and romantic attraction.

the world of light was very inspired by various songs by sleeping at last—the “light” in the title comes from light, which inspired the very first short story i wrote in that setting—melius’s story, which establishes the timeloop and the doomed romance between him and mahina. its still quite funny to me how closely the plot of world of light resembles homestuck despite being put together years before i ever read it, and the fact that the timeloop was created by a character literally originally named akemi before i renamed her to atsuko to stop it from resembling pmmm, which i also hadnt watched and knew almost nothing about at that point! bigger inspirations for the world of light were the sajana/bayala books by gecko keck, and the wolves of the beyond books.

other minor characters i have are usually based around a very specific theme song or concept. sarah and ben are based on the plans album by death cab for cutie, from their designs to their story to their names. phoebe and mara started out as designs i was given based on moodboards i made, and their stories grew entirely out of those designs.

2. hmmmm well before the wildwood movie was even announced as being made by laika that was already my ideal vision for an adaptation and i am sooo excited for it to come out… the laika style complements carson ellis’s illustrations sooo well

but since that one is already happening! i think an anime movie of escaping exodus by nicki drayden would be absolutely beautiful… the visuals in it already feel like if studio ghibli was gorey body horror i think itd work so well

also i know it would never happen and if it did happen it would not be to the vision of fans. but… animated warrior cats movie… hot take lowkey would be kinda fire if they actually USED that realistic 3d animation style for it. like the fandom is so so full of talented 2d animators that create so much incredible stuff on their own but 3d is harder to pull off well on a low budget. and seeing those books brought to life like that would be insanely cool. ofc it would be way too violent for the target audience of the books but if we are simply talking dream scenarios…thatd be so cool. and it would be cool if it was 2d animated too! they both have their pros and cons.

finally another that i know would never be done well but i would still want to see so goddamn bad would be. homestuck movie series. they could probably pull it off in 6 movies at the most and ive talked abt how it could be split up before… i think it should be slightly cheesy live action. like a little bit campy with intentionally dated cgi especially within the medium. faithful to the original comic but perhaps adding in some more modern references… imagine if they were able to get some of the iconic homestuck fandom songs for it. what if lets see how far weve come played in the end credits of one of the movies. i had a wholeass dream abt this once. and i wish it was real so fucking bad. but i know it never will happen

3. i dont know enough about cars to answer this sorry…

[staycalmandhugaclone]

Unhinged ask:

Vacationer types - which are TBB boys?

and/or

TBB with an SO that is inquisitive, always asking or wanting to learn.

ty 🌑

I’ll be honestly: I wasn’t entirely sure what you meant by “vacationer types.” I shall shamelessly admit to googling it, which, in fact, did not help, so we’re going based on the first link I read: the planner, the relaxer, the adventurer, the budgeter, and the documentor.

Let’s go in a less common order! (Also, this is post TBB series + a happy ending. I feel like things would be quite a bit different before and during the show)

Wrecker - The Adventurer! (Is anyone surprised?) It’s a vacation, not a mission! If he wants to go explore that shop or this dark and dubious tunnel, all planning goes out the window!

Having an inquisitive SO only spurs this impulse, much to Hunter’s chagrin. If they point out something that catches their eye, Wrecker’s the first to check it out. He may not innately have answers to their questions, but he’s more than willing to make an effort to enable them to try to figure it out themselves – to a point. He may get bored and start wandering if the subject in question isn’t particularly interactive.

Crosshair – The Relaxer – His favorite part of beach trips is plopping into a hammock and listening to the ruckus his brothers cause nearby. It’s rare for him to have that kind of peace. Alone, things would be too quiet; he’d be too exposed, but with the sounds of splashing waves and feigned rage, he’s able to truly relax in a way that’s been robbed from him for years.

He’ll entertain an inquisitive partner for a time, but eventually, he’ll grab them and haul them onto the hammock with him with a barely audible “shh,” eager to share that rare, treasured stillness with them.

Hunter – The Planner – He’s spent his entire life working toward perfecting strategies that literally meant the difference between life and death for his brothers. Those habits aren’t quick to fade and resurface a bit too intensely during vacations. It didn’t take long for his brothers to break him of meticulous itineraries, but he still has Tech research possible dangers and goes through excessive planning to account for each one.

An SO that’s prone to asking numerous questions was initially overwhelming as he strove to maintain some degree of control over his uncooperative family, but, as he slowly comes to accept that things aren’t going to go terribly wrong if he isn’t there to supervise, those endless questions become a welcome distraction even if he often times has no answer to offer.

Tech – The Documentor – …is… is anyone surprised by this? Anyone? He’s literally been documenting everything already, and the chance to visit a new planet without some lingering responsibility dominating their actions? That’s a dream come true! He spends the entire time studying everything from unique cultures to foreign flora and fauna, and happily recants his newly acquired knowledge with anyone near enough to listen.

The more questions his SO asks, the happier he gets! The man will talk himself hoarse. It’s a problem, but he’s so damn cute and passionate – it’s one of the easiest ways to get him to smile.

Echo – The Budgeter – After the first few trips, he started planning two budgets: the one he shared with the others and the one he’d actually prepared. It was the only way to keep from spending every credit they had as expenses inevitably exceeded what should have been enough. Now, he merely sighs dramatically when someone splurges on an impulse buy, but the chance for everyone to truly unwind and enjoy themselves is well worth it.

Like Hunter, he was initially too focused on trying to keep the others reined in, so answering numerous questions was met with distracted replies followed by heart-felt apologies. As things calmed down, however, he was all-too happy to fall into an endless conversation, discussing whatever curiosity their SO was taken with rather than trying to merely offer a direct answer. It becomes a gentle, calming routine and a lovely excuse to pull them just a bit closer so neither have to talk loudly to be heard over the others.

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[hiejindraws]

Key differences between Hyper Projection Engeki Haikyuu!! and Gekidan Haikyuu!! (+ Review)

Btw don’t ask me for scans of the pamphlet or bromides bc I didn’t buy them. The only merch I bought was a t-shirt and a towel ok BABY’S ON A BUDGET.

• No “hyper projection” and no rotating stage

• Less emphasis on music and dancing, more on acting

• The stage is level and not on an incline. This means the volleyball net could be on wheels and be rolled around on the stage (in fact, most of the set pieces were on wheels)

• No epic opening or closing sequences

• Very few (if any, I don’t remember) musical interludes—really, there was music only during the volleyball matches

• No Seijoh/Oikawa theme music 🥲 or Nekoma theme (for when they’re briefly mentioned in the announcement of the GW training camp)

• More characters! Seijoh actors doubled as Yukigaoka players/all FOUR members of the Karasuno Neighborhood Association, not just Shimada and Takinoue!

• They really fleshed out the Yukigaoka vs. Kitaichi game! Like, Hinata had actual teammates, it wasn’t just him and Kagz 1 v 1 on the court like it was in the first Haisute (although, I guess it wasn’t technically 1 v 1 then either bc Kindaichi and Kunimi were also there)

• They included even more scenes from the series and stayed even truer to the source material. I think leaving out the music and intense dance breaks opened up a lot of room for this

Some callbacks to Engeki:

• Hinata hums the tune to a musical motif from Engeki but I cannot for the life of me remember which one it was even though I JUST saw it today. If I had to guess (bc the scene involved Hinata imitating Kagz), it was Kageyama’s theme from the first Haisute when he whips off his cape and crown.

• Ennoshita (AND Kinoshita AND NARITA!!) do the “SE〜NO” synchronized clap with the audience (and it made me so so SOOOO happy!!)

Review:

Overall, this production seemed less “dramatic” in the sense that the entire performance (the acting, music, and choreo/blocking) felt very subdued compared to its predecessor. There was certainly a different energy in the theater this time around. My blood didn’t get pumping the same way it did when I saw Start of the Giant and The Tokyo Battle in-person. I believe this artistic direction was intentional. I’m just not sure it’s sustainable.

What I always appreciated the most about Engeki was that the stage performances perfectly matched the high levels of energy the anime possessed. In fact, I would argue it brought even MORE energy than the anime did or ever could in large part due to Wada Shunsuke’s memorable musical compositions and HIDALI’s ingenious choreo.

Music and dance have always been core elements of the OG Haisute to the point that each show had it’s own unique opening/closing sequence, each team had it’s own musical and dance motif, and certain reoccurring events had their own identifiable themes (e.g. the starting lineup before any given match). The true magic of Engeki lied in the music and dancing. Obviously, the cast brought their own magic by always giving 150% to their performances, but they were also matching the energy the music brought THROUGH their dancing/acrobatics. It’s all intricately woven together.

OH, not to mention the original production’s partial namesake: the projections! There was always a level of suspended reality when watching Engeki because the light projections literally helped to merge the manga with the stage. They transformed the stage and backdrop into anything and everything the story needed—manga panels, speech bubbles, a sunset, a volleyball net. They also synced with, you guessed it, the MUSIC to give an absolutely outstanding audio-visual experience.

It really hit me hard when I entered the theater to see that it really was… just a regular stage.

That’s why I question if this production (and any future ones they may have planned) is sustainable. Not in the financial sense… but just in the way of retaining interest. It didn’t get me hooked the same way Engeki did, so I don’t think I’m able to give it the same level of enthusiasm. I’m hard-pressed to believe others feel the same way. Don’t get me wrong—I enjoyed it. It wasn’t bad. It didn’t take anything away from the series… I’m just not sure it added anything to it, either. Sure, there was music and dancing, but it just paled in comparison to what we were gifted by Hyper Projection Engeki Haikyuu. Makes me wonder why they would take so many steps back with this production.

All that being said… I’m glad I went. I truly did enjoy myself and the cast put their all into these characters. And if nothing else, I’m glad to have gone in support of Suga Kenta (OG Hinata) in his Haisute directorial debut.

[laylainalaska]

I watched Foundation S1-2 this week and really enjoyed it, for certain values of enjoyed, copying over my write-up from DW, now with corrected character names since I've looked them up rather than spelling them from vague osmosis from the show.

(Blacklist the Foundation tag if you don't want to be spoiled from gifs, as I plan to promptly go seek out the least hinged gifs from this entirely unhinged show and bombard everyone with them.)

This show is a bonkers SF soap opera with gorgeous production values, Lee Pace hamming it up in crop tops, and a series of increasingly off the rails holographic versions of a dead chessmaster mathematician deploying his 9999-step plan to save the galaxy. I've literally seen nothing about this at all in my social circles, to the extent that I didn't even really know about it until the spouse started watching it. I was kind of halfway glancing at the screen now and then, if I happened to be in the room, for the first half of season one (and have only the vaguest idea what happened in the first few episodes, based on later events), then got invested and eventually completely hooked in season two, which also picks up after a 100-year timeskip so the cast has changed a lot anyway. Although between stasis pods, cloning, and holograms, it's mostly the same actors. (We have a running joke that by season 3 the cast will be at least 50% Cleons and Hari Seldons by volume.)

Anyway, so it is good? Hard to say! It's sort of like if Expanse and Game of Thrones had a (somewhat more optimistic) baby, in which the budgets are huge, the planets are beautiful, the spaceships are shiny, and lots of Big Feelings happen. The Evil Empire is run by an endless series of clone emperors played by Lee Pace in Romanesque armor and capes with massive amounts of scenery-chewing and an immortal robot bodyguard he occasionally has sex with. They have All The Clones in storage, so if he gets killed, they'll just transfer his memories and activate another one! Meanwhile the rebellion is being orchestrated as a 4000-step multi-century Xanatos gambit by a guy who started by having himself killed and activating a digital copy. Interestingly though, there is so much going on, and it's taking so much time for his plan to come to fruition, that it never really feels like the two of them directly pitted against each other (at least not that much), it's more like all of the stuff that happens along the way, the planets and the pretty spaceships and the people we meet who struggle and fight and save each other along the way.

I have to say that while I'm occasionally reminded by certain plot points and tropes that this is a series based on books from the 1970s, they did a good enough job with racebending, presumable genderbending, and so forth that it rarely feels like it. (Also, though I only know the books from general osmosis, I'm fairly confident the plot has gone way off-book anyway.) In season two there are no less than four young female characters of color in major plot-defining roles, there's a central gay couple whose loyalty to each other in the face of the Empire is a major plot point, and in general it's just a pretty, pretty show full of pretty people and pretty planets (and occasionally some really dazzling space-operatic SF stuff). It is definitely the most OTT and operatic thing I've watched since probably the MCU, and I'm really enjoying it.

Under the cut, out-of-order and largely out-of-context comments on various things I had a reaction to (mostly season 2 since that's where I got invested).

This show is an emotional roller coaster of the highest order. How many different instances of presumed dead and identity-switching can we pack into a single episode?

CONSTANT MY BELOVED. Season 2 in general gives great female characters, I already loved Salvo (;__;) and I also really enjoyed the ladies from the Cloud Dominion, but Constant!! She's just so funny and fun and so absolutely deadpan about everything from conning randos on some backwater alien planet to kidnapping a guy. I was so glad she lived through all of the half-dozen times she almost certainly should have died.

I was surprisingly upset about formerly-trapped-in-the-Radiant half-crazy Hari's death, "surprisingly" because, well, Hari being Hari, and also, it wasn't like this leaves us entirely without Hari Seldons, there's still Creepy Monolith Hari and who knows how many other copies out there. But that one had been through enough with Gaal and Salvor that he really felt like a different person. He's still a manipulative sack of dicks but I liked him! I was sad, but at least hoping he was backed up somewhere! And then two episodes later the most excellent reveal that he and Gaal faked the whole thing! I thoroughly loved all of that. Gaal hugging him! <333

"Don't trust the planet of the creepy utopian space psychics!" Orion and I were chanting at the screen, while they proceeded to not listen to us and it was, predictably, a bad idea. Seriously, when in all of sci-fi was trusting the creepy psychic utopia a good idea?

I had guessed/hoped that the guy with the whispership (can't remember his name) was going to warp into the plaza and save Constant from execution, but I really wasn't sure, and even with an inkling it was going to happen, that was an AMAZING entrance, A+++, no notes. Especially after Constant gave her speech and everything seemed to be setting her up to be a martyr to the Foundation, I was less and less hopeful she was going to get out of it alive somehow. Excellent rescue, very pleased.

I really enjoyed the entire subplot with the Evil Empire Honorable Space Admiral (can't remember anyone's names here either) and the scene in which he justifies his continued loyalty to the Empire is really a good scene. I mean, it's awful. But you can see his reasoning. He can't overthrow the Empire, if he refuses orders it won't change anything, he and everyone he loves will die, and someone else will be put in his place and follow the orders anyway. But then the whole thing with Constant's rescue points out that it may not be possible to change the entire Evil Empire, but you can make a lot of difference for just one person.

But I still wanted him to make better or at least different choices on the blowing up the planet sequence! I guess it all worked out according to Hari's 9999-step plan (my death is only the beginning! the death of my planet is only the beginning!) but that hurted.

Between Honorable Space Admiral and his fighter pilot husband, I was absolutely *not* expecting the husband to be the one of the two of them that survived. However, Honorable Space Admiral and whispership guy got a dynamite final episode (the fistfight with Cleon! never has a man deserved so much punching! the airlock switch!) and they both got to go out in an excellent death scene.

The entire thing with Terminus getting blown up! And then Deus Ex Monolith! And Constant's dads and Space Admiral's Space Husband are alive after the whole exploding planet fell on them! (I was SO happy Constant's family got reunited, I was so afraid she and Space Dads were going to go down each thinking the other one had died.) I think this episode gave me emotional whiplash.

SALVOR NO. WHAT WAS THAT EVEN. She just randomly died at the end there?? Come onnnnn. We already got like 12 death fake-outs in the last couple of episodes! Why'd that one have to be real?!

If time passes differently in the monolith, does that mean the entire rescued Terminus population are still going to be around after the second 150-year timeskip? I have questions!

Speaking of time passing differently in the monolith, best dialogue: Whispership guy: Whoa, it's dark. How long was I in there, anyway? Constant: Three years. Paulie: More like three hours. Constant: We agreed we weren't going to tell him! I love them. <3333

That sure was A Lot with the Cleons. And now I guess there's an entire Cleon/Cloud Dominion dynasty out there somewhere just waiting to cause trouble.

So yeah, I'm really enjoying my bombastic sci-fi soap opera! Season 3 when pls.

[metvmorqhoses]

Nononono waitttt what do you mean about Good Omens season 2?? Why didn't you like it?

I personally thought it was better than season 1 - better paced. There wasn't a single boring moment. And sure, the plot maybe had fewer stakes, but seeing as this was a bridge season between season 1 (the of Good Omens book) and hopefully season 3 (the book that never came out, “668” or something like that), I thought it was good. Warm & fuzzy.

I need to know your opinion now

As abashed as I am to have to respond to such enthusiasm with, well... the very opposite of enthusiasm, please at least know that I consider the truth the best thing I have to offer in general and in regard to that unfortunate (yet somehow still-untouchable?) mess the second season of Good Omens has proven itself to be in particular, so accept it as some sort of well-intended even if perhaps unwanted gift.

This is probably the most unpopular opinion one can have on Tumblr right now, so I'll go straight to the point: Gaiman managed to ruin Good Omens (perhaps he isn't able to write it by himself, perhaps he got carried away with fan service, who knows), once one of the most delightful, witty, engaging, profound books/shows existent, changing its register and raison d'être in order to turn it into, per great popular request, the same lame simple plotless cheesy cookie-cutter gay romance without rime and reason apparently every single piece of media is deforming itself into lately.

The dramatic loss of... artistic quality this show suffered is appalling and even more appalling is the fact I seem to be one of the very few on this green earth to have even noticed? Did I perhaps read too much in the show before? I don't think so, it was indeed a masterpiece. I saw many die-hard fans of the series beyond puzzled at this last season too, straining themselves to try and make sense of it with wild theories, justifying them with the simple fact that Neil Gaiman is a genius and surely this hot mess must mean something, right? I wasn't aware the world was mostly populated by hysterically besotted people hailing Neil Gaiman's alleged greatness from dawn til dusk without contextualized merit, and the discovery didn't particularly excite me, to be quite honest. I think a healthy amount of fairness in the critique of any artist should always be the norm, but I digress.

I'll try to keep it as brief and matter-of-factly as possible, especially since some time has passed and the fumes of my rage aren't as scorching or as precise as they used to be lol

In a word, this season was subpar. Not only did it lack that original witty, ineffable meaningfulness, that intrinsic and very human sense of wonder and protectiveness towards life and its profound sense the original show brimmed with, but even from the most basic literary point of view, it literally lacked a plot worthy of this name, a story, characters that felt complex and real instead of caricatures who tried and reenact themselves, and in general what should have been, quite simply, good writing.

More than Good Omens' long-awaited season 2, this felt more like a high-budget filler fanfiction created by someone who didn't know what they were doing with story and characters most of the time, but who sure as hell wanted to please the audience to disastrous lengths.

The very first thing that irked me beyond belief, and it literally started from minute one, was the immediate, more or less subtle, change in acting from both Michael and David. Michael stressed it way more, with, in my opinion, quite tragic results, thing that from the start immediately allowed me to guess where they were going with their (already established as extremely complex) relationship, entirely turning the vibe from sophisticated allegory of Divine Comedy kind of love (love for your enemy, love for your friend, love in all its form and in its entirety) to banal romantic comedy-level gay drama, downgrading what Crowley and Aziraphale shared (the subtle abysses of it!) into the most boring and obvious of soap operas, obviously forcing them to act out of character in order to compensate (was any flash-back meaningful to their character or the story? Was there a writing reason behind any of them beyond writing for the sake of filling screen-time?).

Some relationships deserve to be left alone, alone in their subtlety and ambiguousness or you'll inevitably ruin them. Not everyone must kiss on screen, no matter how much the audience screams and throws up for it. This little woke drama completely ruined and eclipsed everything else those two characters were for each other, turning them from cosmic and devastatingly loyal best friends to petty and dumb lovers that need two plot devices (the messy pointless and quite frankly offensive representation-wise lesbians from across the street they literally met five minutes prior) to tell them they actually have feeling for each other and should share them. After literal millennia of this relationship, relationship that has its own inner workings and reasons, we needed the plot-lesbians to subvert the order of things and spur Crowley into action, obviously obtaining disastrous and lame results? Are we witnessing the interaction of immortal beings or five-year-olds? The only way I can genuinely make sense of this dumbness is considering those two female "characters" (that feel anything but real people) no more than that, characters, golems, put there by Metatron via the power of the Book of Life (again, so many Chekhov's guns with no use whatsoever in this season) in order to separate Az and Crowley using the only thing that could succeed in doing it - an ill placed declaration of love.

But even this doesn't match the true être of what Good Omens originally was nor comes full circle with the ineffable mystery season 1 ended with. It genuinely feels like Gaiman changed the whole rhyme and reason of the story, vibes, meaning, register, just to meet the modern needs of a category that is sadly phagocytizes everything else in both life and fiction. And I find it a true pity - and a bore.

And even leaving aside this personal boredom of mine at a non-existent plot that consisted in 1) a big mystery that promised cosmic repercussions (season 1 ended with the after-nonapocalyptic world that was slightly changed just because two enemies had loved each other and life too much not to oppose god's plan - fact that was probably god's plan all along), mystery that was actually no mystery at all (two random, from the original story's perspective, previous minor characters in literally ten supernatural minutes fell in love and run away together) and that meant virtually nothing in the grand scheme of things, but serving as a plot device so that the other two minor new characters could intrude into the protagonists' relationship so they could finally have the excuse to jump literary genre and kiss & queer tragedy the story away 2) an endless series of symbols, facts, episodes and characters that constantly seemed to hint at something but that in reality resulted in nothing story-wise (also, the change of heart in God's personality, first the witty and almighty trickster for the greater good, now the divine bully??), even leaving all this aside, I'm mostly disappointed the quality of the writing plummeted so inesorabily one of my comfort show turned into the symbol of an artistic era I'm utterly distraught to have to witness - the era of crowd-pleasers and un-imagination.

As for this being a filler season, writing in such an unresolved way (basic and predictable plot, colourless characters, cliché romance, hours of happenings that don't mean a thing in the current story) is unacceptable and a failure, even if you are a famous writer. You cannot waste hours of the audience's time going nowhere shielded by the sole future promise of sense. Writing doesn't work that way, and I'm sincerely appalled to see people noticing it and deciding to excuse it with a "surely next season everything will look genius!". It doesn't work this way. The faults were too many, they can't possibly be all resolved next season. This product wasn't great, even if your faves kissed and your little fanfictions came true.

The sad thing is, Good Omens used to be a work of art, not the next consumeristic piece of fiction to satisfy woke needs.