#these lines were !!!

[thesinglesock]

my mom walked upstairs in her seal skin boots. Fjonka (my rabbit) came running to greet them (her seal skin boots). she sniffed them for a second. nuzzled them, before realizing they weren't breathing. horror dawned on her. she begun to understand she was dealing with something she couldn't comprehend. she backed off, without letting them out of her sight. she STOMPED to let them (the seal skin boots) know that she did NOT like this situation. my mom stomped back. Fjonka stomped harder, exhibiting a bravery and assertedness I had no idea she possessed. mom turned and went back down the stairs. Good job, Fjonk. You sure showed those undead vampire rabbits who's boss.

[stemmmm]

the scene people keep screaming about from chapter 5 of theseus' guide

[stellarglowsquiiiid]

Parkour Civilization 1 is about how capitalism incentives the people living within it to keep moving up its ranks (even though it’s functionally impossible to do so), believing they’ll be safe if they just get a bit richer, only to be in a situation that’s even more difficult to maintain. How one bad fall can cost you everything, and how it’s much easier for the rich to avoid making that fall.

Parkour Civilization 2 is about getting betrayed by queercoded bitches (you are parkour Jesus Christ).

[hinamie]

oversaturate

[flagellant]

yeah we might be brothers in christ but so were cain and abel so shut the fuck up before i decide to find a rock about it

[synthaphone]

i suspect they cut the 3rd stage of the manectric line for being incredibly stupid looking, but i think they should have kept it, exactly like that with no revisions. dog that got stuck in its one of its owners shirts and is trying to act like it wants to be there and can leave at any time

[deadpoolsmom]

as far as one piece antagonists go Crocodile truly gets absolutely scooby-doo’d at unmatched levels

He immediately falls for a phone scam and from basically little garden to rainbase he doesn’t even know the strawhats are alive (and clowning towards him at incredible speed). As soon as he does, they’re in his house tearing at his walls and bringing marines into his villain lair.

He uses a literal floor trap door over a gator pit to catch them, gets phone scammed again, full scooby-doo chase scenes after Chopper through the streets while still missing him, and suddenly his prisoners have escaped his impossible cage, and his giant bananagators are dead. and Nico Robin saw it all happen.

He then spends rest of the arc complaining about those meddling kids and their dog “strawhat pirates and their weird pet” and at no point does he even know how many strawhats there are.

Like yeah he keeps having plans on top of plans to stop everything Vivi can do but also she keeps coming up with a new thing to do (Tom and Jerry ass dynamic).

Part of it is that he’s underestimating them and keeps grandstanding villain monologuing but also teens keep killing hundreds of his grand line bounty hunters and he straight up does not know what is happening.

Cause he IS trying to kill them he’s sending top assassins after them and ripping out luffy’s organs, the whole time he’s yelling HOW ARE YOU ALIVE?? DIE. as whack-a-mole Luffy keeps inventing new ways to hit him.

[nero-neptune]

…we’ll show ‘em what we all mean!

[stil-lindigo]

bite of winter.

a comic about a princess who died in the snow.

--

creative notes:

--

all my other comics

store

[chloesimaginationthings]

Vanessa made her suit for the FNAF mimic..

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[valtsv]

sleeping with plushes is humiliating because they're the biggest snitches on your fucked up sleep acrobatics. every night i go to bed with a plush critter in my arms and every morning i wake up and they've somehow migrated to face the wall in shame like this

[lonelyoleander]

fellas is it gay to um uhhh.. um.... uhh hhhhh ?????

[friedunicornstudio]

We painted a new Shiranui zodiac piece this year featuring all the brush god constellations!

(Shiranui themself is in front of the Hanagami, but we did paint them. They're still there. It counts)

[ragweed-babey]

Wrong

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY