#these are our own characters in our own story just seeing if anyone is interested

[not-poignant]

Hi,

I'm not sure how to approach this without sounding like an ignorant asshole, but I'll give it a go.

I'm from a country where the Trans movement isn’t very visible, and most of what I know about it comes from the internet. I’ve never truly understood gender dysphoria. I’ve tried to listen and put myself in others' shoes, but I struggled to be genuinely empathetic. Instead, I just tried to be supportive because it was expected of me, without really getting it.

It might sound silly, but reading Underline the Black made me stop and think… Wait, is this what I think it is? Reading Efnisien’s internal monologues and introspection made me feel something—maybe not from the same circumstances, but in a way that something inside my brain clicked, and I finally saw where the pain was coming from.

I guess what I really want to say is thank you. Thank you for helping me begin to understand and for broadening my perspective. It might sound small, but it’s something I deeply appreciate. I’ve been trying for a long time.

I do feel a bit foolish realizing that it took an ABO fanfic for me to get it… but at the same time, I was also reading about your real-life experiences. Or at least, that’s how it seemed to me. Forgive me if I’m wrong.

You have an incredible talent for expression.

Anon, until you know otherwise, everyone has to start somewhere. This applies to unlearning our biases and prejudices, which we all have for something, or many things, until we unlearn them. The fact that you've even tried to be supportive of something you don't really understand is still important, and still matters. It's a step into understanding, even if you don't have it yet.

I don't think it's foolish that it took you a story to realise what you've realised! This is actually exactly why representation of diversity (in gender, sexuality, culture, race, etc.) is so important in fiction. Because it's in fiction we can be free to explore concepts that are different to our own, or that challenge us, or make us see the world differently. This is why it's so important to know it's possible to identify with a trans character, or a POC character, or a character from a different culture to ours etc. Because that's when we humanise what we previously saw as like, different, Other, hard to understand. We go 'oh that's...really relatable actually, I think I'd feel the same way if that was my experience of life' or 'I don't know if I'd feel the same way but I really understand where that person is coming from.'

Gender dysphoria is complex, and different for different people. Being able to write it metaphorically through Efnisien's journey has been really interesting for me personally, because I've been able to depict both the inner conflict of knowing that your being is not...automatically going to be accepted as normal no matter what, unless you stifle or suffocate yourself, alongside the true euphoria and joy that can come with living as your best life, or your very self.

I have once seen a good analogy which is simply: Imagine from tomorrow onwards, everyone uses the pronouns you don't associate with yourself. You are bullied and mocked unless you wear clothing that is opposite to how you want to appear to others. You are put down and treated as psychologically abnormal for finding joy in true expression, even when that expression doesn't actually hurt anyone else at all. And now tell yourself that even your loved ones, when you desperately try to explain how wrong it all feels to be treated as so different to your true self, they explain that it's just mental illness, or that you're just confused, or that you don't understand yourself, and condescend to you, and treat you like they somehow have always known you better than you know yourself. And that's when you realise you might have to choose between your true self, and your family and loved ones who don't understand, or worse, hate you.

And then imagine that's the rest of your life, but it could change in an instant, if all of society just accepted that you are who you say you are! That all of your depression, and oppression, and suffocation could literally just vanish, if everyone was like 'oh sure actually, you want those pronouns? Cool! You want to wear this clothing? I like it!!'

And that journey is very tough in the real world, even in more accepting places (the US is clear evidence of this). In Underline the Black, I get to put Efnisien in a very specific space, and show the journey in a kind of specific way that isolates it and speaks through metaphor.

My experiences are different to Efnisien's, though I am trans, I never actually started out wanting to write a 1:1 trans narrative. Like, in this universe, "conventionally" trans people exist too. Efnisien's experience is a new thing, and a separate thing, but still - as we can see - a very good metaphor as well. I like telling parts of my story, but only small parts. I am more interested in...telling healing stories where I can watch a character heal and go 'oh I would like more of that for myself, as well.'

(Also, it's better to just say omegaverse, or AOB, etc. because a/b/o without the dashes is a slur in Australia, and while I know most people don't live here! We try to avoid slurs from other countries when we can. And we can only know to do that once someone tells us!)

But yeah, no, you don't sound like an ignorant asshole at all. You sound like someone who has learned something, and has gained more understanding, and was open to doing that, and honestly anon if more people came to something they didn't understand from your perspective, acceptance and love would be a lot easier to teach people.

It's so important to read stories about characters who aren't quite like us, or aren't like us at all, because that's when we realise just how much we actually do share so many similarities, and why our differences matter too.

Anyway thank you for sharing your message with me! I really appreciated it.

[thelocaldummmy]

Bip's story

“Humans live on Earth. A planet in our neighboring galaxy, the Milky Way.” The teacher turned on her heel and drew a picture on the board. A circle with irregular shapes on the inside. She colored the inside of pieces green and the rest of the circle blue. “This is Earth. While it isn’t far away from Loren, our planet, humans aren’t aware of our existence. We should be thankful for that. For if the humans found us, we’d be doomed.” Opii tried to follow with what the teacher was saying. He was in class, but he couldn’t concentrate. Mom was sick again and he was worried about her.

“The humans would’ve wiped us all out if they knew of us, for they have a habit of taking new creatures for their experiments,” the teacher went on, drawing on the board with every new bit of information. A ringing noise echoed through the hallway. The class was over, finally.

Opii hastily gathered all his things and bolted out the room. The hall was a blur of voices and colors, drowned out by his need to see his mother and to make she was there with him. The voices talked and laughed. At him or at something else, he didn’t know.

He sprinted home. His aunt would be there, but he cared more about his mother than hated his aunt. She was an obstacle of sorts, keeping him from the happiness and safety of mom.

He was in front of his house now, slowly opening the door to not alert his aunt of his whereabouts. She was probably in her room. Opii crept up the stairs and entered his room. After quietly locking the door, he sunk down beside the bed. “I’m worried too, Opii, and scared,” Esii mumbled from their headspace. “I just want her to come back,” Opii said aloud, “I want her to be back here, all better.” “I do too.” Opii sat silently on the floor, waiting for his aunt to start yelling for him.

“ARE YOU READY?!” she screeched, “WE’RE GOING TO VISIT MY SISTER NOW,” she used the name that Esii and Opii hated so much, “SO GET DOWN HERE!”

She called his mother her sister like she couldn’t bear to think that this was her nephew.

Opii stood up and walked downstairs to find himself face to face with his aunt. Her face contorted to a mouth-full-of lemons expression, and she grabbed the body’s wrist and pulled Opii out the door. The wrist hurt. They hated her.

The hospital was close by and didn’t take long to walk to. Opii could feel eyes on him. He didn’t know whose, but he didn’t look up.

Their mother was sick. Very sick. Again. He had that to worry about, not the eyes.

When they entered the hospital, Opii's aunt sat away from him. A doctor walked up to him and smiled.

"Opii, nice to see you again," the doctor said, extending a hand.

He flinched at the sudden movement but shook the doctor's hand after a few seconds.

Opii sat, waiting for someone to tell him to get up to see his mother. There was something wrong. The doctors were panicked. People were in whispered talk.

A faint boom sounded and everyone sprinted outside to check it.

"They're here," someone murmured. Opii didn't know who "they" were. The same doctor picked up Opii and ran. Ran like their lives depended on it. The doctor ran from the hospital and dropped Opii after what could've been a few moments, or several sunlit days.

"The humans," the doctor panted, "They're here. Keep yourself safe, Opii and Esii. I'll go back for the patients. You just hide, please."

Opii was crying now as he nodded and hugged the doctor. He ran. Ran as fast as this stupid body's legs would go.

Almost everyone died that day. Opii looked for his mother after the humans left. For days and days. Everyday, he found nothing and his hopes dropped. He and Esii thought they were the only ones left.

That's what they thought as Opii moved aside the rubble of the hospital.

"Anybody?" Opii called without much hope, "Please, just answer if you're there."

Six others peeked out. A tall yellow one, a green one with floating rainbow orbs around their head, a star with a body, a tall black cat-like one, one that looks like they're made of ice and messy red being.

They looked at Opii. Opii looked at them. He and Esii weren't alone in this.

[moiraimyths]

Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.

Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)

Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!

For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^

[gb-patch]

GB Patch Games: Response About Sensitivity Reader

[Some of you might not have heard of this happening, but I wanted to address it across the board]

Hey everyone,

I want to make a post about the screenshots of comments from one of our sensitivity readers. The situation is that neither me or Rose want people to feel uncomfortable with Our Life: Now & Forever, but Rose hasn’t done anything terribly wrong and isn’t going to be punished.

The comment about OL MCs wasn’t meant to be genuine hatred towards all male players/MCs of OL. Rose wrote a reply about it-

"Hi everyone! This is Rose, I want to address the male MC comment since it was taken wildly out of context and without the lengthy discussion that was after it. I don't hate male MCs, in fact far from it, male MCs are integral to the story in OL:NF as female and trans MCs are. I think the relationship they could potentially have with Qiu could be a great asset in my opinion as they figure out their gender alongside the MC. The discussion itself was about how I noticed players were sticking to heteronormative norms by shipping Tamarack with a man purely out of societal norms than it was genuine thought into the characters and how I personally wished there was more sapphic relationships with Tamarack or just Tamarack with trans characters as a sapphic trans person myself. I didn't mean to offend anyone by it as no one but my friends who understood what I legitimately meant behind my message and it definitely wasn't meant to be seen seriously. I am sorry regardless to anyone I have offended and I love your male MCs regardless."

And most of the comments were about me. I’ve seen screenshots of the full conversations and they’re not as harsh as the cropped snippets made them out to be. It was longer discussions about not including Derek in any base game Moments for no good reason and not having any plus-sized love interests in OL1 because I was afraid players wouldn’t accept it. That’s not a lie, it’s what I decided for the game I created, and it is ridiculous of me. I’m the one who should be feeling embarrassed over how OL1 will forever be that way, not the people who remember that I did that. I’m not perfect and Rose actually cares more about the players than making me feel like I am flawless.

I also don’t want to tone police an employee venting about their boss in private, on their own time. Both the OL games deal with personal, important topics. This is sensitive work, and it can bring up frustrations. Sometimes people do use harsh words among friends, but they wouldn’t ever say it to a person seriously and directly.

I understand if you wouldn’t want to see anyone speak badly of a dev you like, but I promise it’s not a point of contention between me and Rose. I don’t feel mistreated in anyway. Rose genuinely cares about the Our Life series, and that’s why they get fed up with me over certain parts of the game.

Rose has never been unkind or unreasonable to me when working on the project, and their advice is detailed and well-explained. They do care about the game and want it to avoid having content that upsets people because of my own ignorance/shortcomings.

This being shared publicly from a private server is targeting Rose and seems to be a continuation of things that have happened before this. I don’t want this to continue happening. If you do still have concerns over the one comment about the community, you can let me know. But again, I don’t want people being mistrustful of Rose on my behalf for comments about me in conversations with missing context.

Do not send angry messages to Rose about any of this. We’ll do our best so that OL2 will be better than I was before. Thank you to everyone who reads this and participates in the community!

[sarahreesbrennan]

Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?

Genuine question.

Ohhh, my dear anon, I don't believe this is a genuine question.

But it does bring up something I've been meaning to talk about. So I'll take the bait.

Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.

Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.

… I have to say from my experience of women and men's writing, I haven't found that to be true.

I’m not in this to have an internet argument. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.

I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.

In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.

Depiction isn't endorsement. Depiction is discussion.

Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.

I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.

I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?

I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.

If the moral thing to do is shut people out and shut people up? Count me among the villains.

[amazinglyashy]

hello, idk if you're open but if you dooo, can you do HC of lads seeing MC being more...brutal? since we all know our mc is badass but kind right, but what if sometimes she slipped and her darkness come forth more than she usually let on? hahahah idk it just after all mc been through she's more than validated to be villain u kno. so yea! thankchuu

Just a heads up, I am ALWAYS open, it's just a matter of when I get to the request, so as long as you're patient, anyone can send in anything anytime!! :D And ooh, this is an interesting one, but something I've definitely thought about haha. MC's been through a lot, and I feel a lot of readers also have too, and there comes a point when you gotta say screw it, I'm mad now. (I'll also say I'm still really grumpy about how little we get regarding MC's grieving during certain points of the story, and the lack of how the Li's all react as well to the news, no matter how little they know about the situation :/) Thank you for the request <3 hope you enjoy!

Love and Deepspace Li's reaction to seeing you finally snap

Rafayel -

He's somehow... not surprised.

But can you blame him?

The amount of rage Rafayel carries in his heart is constantly, constantly threatening to bubble up to the surface and boil over the edges of his last remaining ounces of humanity. The amount of cruelty on the basis of pure rage that he could commit is not a volume that he is proud to carry, but something he carries heavily though.

So seeing you finally snap is... almost cathartic.

He knows what he's been through, hell- he knows a great deal of what you've been through. Even in the distant past. It would be a wonder if you weren't angry. If you weren't seeing things. If you hadn't 't been simmering up to your breaking point from microaggressions and trauma stacking up and up until-

Here you were.

And for him, it feels like you're doing something of your own volition- feeling something that was entirely your own. Devoid of any outside influence or need to be the kindest person in the room. To keep your head down, path straight and narrow.

And despite the sheer amount of power he possesses in comparison to you, he will admit if asked- that he was just a little bit afraid at first. Even if just for a moment.

And damn, he was proud of you.

Zayne -

Calmly, he watches you.

It's out of character, sure, given how you usually are. Even when you're rude or abrasive, it's never anywhere near... something quite like this.

But the other thing is- he has a good grasp on the human psychic, just from his medical knowledge, even though it isn't his main area of study. He knows what it takes to truly make someone snap, both from personal experience and from his findings in research.

He also knows the extent of things you have been through that have been building up, cumulating into this moment before him where you have finally just broken.

Depending on the level of rage and cruelty you reach, he may stop you, or he may let you go. Either way, his actions are calm and calculated, no matter how he might disagree with, agree with, or fear your actions. He knows someone needs to remain levelheaded in this situation, and he's more than capable of taking on that role.

Gods forbid once you calm down that you feel guilty. If what you did was uncalled for or wrong, he'll discuss it with you, but if there was justifications to your actions or experiences and trauma that had led you to your moment, he'll just pull you into a hug slowly, his expression even.

He'll say it if he needs to, but his actions will hopefully tell you that nothing, nothing you do will ever change his love for you.

Xavier -

He's startled.

He himself is used to having complete control over his emotions, to the point where he can disguise them exceedingly well to maintain a calm aura. So seeing you fully snap and head down a warpath, it's... shocking.

But he's not entirely surprised.

Honestly, he would be more surprised if you had never got this angry at all, given the things you had told him under the covers in his bed, after a particularly late night in his apartment watching movies together.

You've been through a lot.

He knows that.

He knows how it hurts.

So when you finally rage, it takes him a few moments for even the thought of stopping you to enter his mind. And even when it does, he first has to have a small battle internally on whether or not letting you go off and have your cathartic moment is better, even at the cost of a little bit of destruction.

He'll stop you if it's particularly dangerous though, even if it means having to wrestle you away from whatever it is that was taking the brunt of your anger.

Otherwise, he'll just let you go.

Whenever you're done though, if you dare try and steal a glance back towards him, afraid that you may have scared him or made him scared or angry with you-

He'll just flash you a small, comforting smile.

Sylus -

Sylus spends the majority of his time in a cesspool of seething rage, backstabbing psychopaths, and fake smiles that take advantage of the weak and needy.

Anger for himself, anger towards others, anger to benefit others who can't seem to get angry themselves-

If anyone knows what fury is, it's him. Whether secondhand, personally, or just being around it for so long, he knows the emotion intimately well and every single shape or form that it could possibly take.

Still, seeing you suddenly lose it is... surprising.

He likes it.

Not in a way where he's turned on necessarily (though it is an additional feeling), but the enjoyment stems from constantly seeing you put others before yourself- watching you make yourself small so that the people around you could be big- and now finally watching you take what you deserved in his eyes.

He won't intervene unless you're doing something he knows you'll deeply regret later, instead favoring watching you until you've burnt out and finished to the end.

He's mostly quiet, he knows it's probably not something you want to talk about, like most people wouldn't want to after a particularly vicious outburst in an argument. But he can't help a few small comments.

"I'm surprised. I never thought the kitten had such big claws. You really surprised me, sweetie."

[peanutpinet]

BABE!!!! We absolutely need a second part to Little Things, we need to know how their relationship develops and see Sylus fall in lover with reader's soul. PLEASE BABE PLEASE!!!

Welcome to My World - Sylus x Fem Reader (Sequel to Little Things)

Request: Craving for a sequel to this w/ reader actually going back to her world and sylus just defying all odds shshshshs these kinds of fics are so interesting love em <3

A/N: Just a lil something for those who wanted to see what would Sylus be like if he were to actually come out of the screen and into our world (still having his evol but is not addressed). Also if anyone is a Kpop fan, I just want to say, do have a listen to Aespa’s Welcome to My World. It embodies this fic so much and am putting some of the lyrics into the story! I hope you guys enjoy!!

Disclaimer: I do not own the images nor the characters or you (the MC). All images were taken from Pinterest.

Also, if you haven't read Little Things, the "first part" of the story, do have a read. Will be link here. But you don't have to read it and can just read each of these fics seperately

Warnings: Fluff but mainly ANGST, Isekai Theme, Will be Going back and Forth between LADS universe and our universe, slow burn because Sylus is tryna find you :))

Funfact: I remembered the TV Show: Westworld and how the characters of the game gain conciousness when writing this fic

Songs to listen to: NCT Dream - Broken Melodies, Aespa - Welcome to My World, NCT Dream - Like We Just Met

N109 Zone - 01:48 AM

It was in the middle of the night. When all are asleep, people in the N109 zone, those in the shadows have only started to wake up and get on about their day, including Sylus. Slowly awakening from his slumber, Sylus saw the girl that was beside him, fast asleep. Her chest was rising and falling in a steady motion; indicating that she was in a deep sleep.

Smiling to himself, Sylus decided to scootch a bit closer and caressed the girl’s cheek. But as he did, the girl immediately grabbed his wrist tightly and jerked awake. “Who the fuck…w-where am I?!”

Hearing the girl’s words, Sylus knew. “You’re not her…”

Real World - 09:28 AM

You woke up with a pounding headache but slowly regained your consciousness, you noticed how the bed wasn’t as big nor was it as warm as when you were used to. Jerking up, you took in the room you were in. The bright white ceiling was the first thing you see, the smell of alcohol and blood was faint but you could smell it, and then you heard a beeping noise which made you turn and saw that your hand was hooked onto a monitor and an IV drip.

Whipping your head around, you search for your phone until you find it and immediately look at the date when you suddenly get a notification from both Instagram and Twitter mentioning the new update for Love and Deepspace.

“I’m back…” you sobbed yet your fingers glided across the screen of your phone, pressing the game that you swore you were in

As the game loads, you see the cutscenes of all of the characters and can’t help but feel emotionally overwhelmed whenever you see Sylus’ cutscenes.

Once the game loaded and you could hear that cafe jingle along with those familiar red eyes, you tried to see whether or not anything had changed in the game other than the new updates but when you clicked on his tall figure, the lines he said were nothing out of the ordinary. Even in the text message icon, you couldn’t text him like you did when you were in the game.

“Was it all just a dream?”

“Y-you’re awake!!” you heard someone talk and as your eyes looked at the doorframe, it was the nurse

You soon found out that you had been in a coma for a little over 2 weeks yet it felt like you were in the game for 2 months, maybe even more. Your best friends came to visit you every day and now that you’re awake, they were bombarding you with food, life updates, and all.

For once, you actually didn’t feel as lonely as you were when you appeared in the game.

Maybe it truly was all just a dream…

From a distance, a black crow was watching your interaction with your friends from a tree that was just outside of your window. After some time, the crow eventually fled and flew away from the tree.

N109 Zone - 04:18 AM

Sylus was beyond pissed. He took MC to where he took you in the beginning to get your evol and aether core checked but additionally, he wanted to know if you were truly not in the MC’s body. Sylus’ worker questioned as to why he brought MC again to check her evol and aether core, confusing the Onychinus’ leader.

Even when the two came home, the twins didn’t notice any difference from MC. What’s wrong with everyone? You’re not MC and it goes the other way as well. Why were the twins pestering MC who to Sylus, was not you.

“But boss, Miss Hunter and you have known each other for over 2 months now. What do you mean she’s not her?” Luke questioned, genuinely confused at his boss’ attitude

“She’s not. Have you forgotten who taught you both how to cook the simplest meal? The one that bought you those bulletproof vests?” Sylus demanded, something, anything about your sudden disappearance or at the very least, anyone other than him remembering your existence

“It’s Miss Hunter, though?” Kieran replied, making Sylus groan. “Just, leave me alone for the next few days” Sylus left the room and walked past MC who grabbed his wrist, making his brow arch in confusion.

Sighing, Sylus turned to see MC. “What is it that you want?”

“Where are you going? I went through all the trouble to get the N109 zone and I want answers regarding the aether core” MC demanded but Sylus just chuckled and used his evol to remove MC’s hand from his wrist

“You already have the aether core you’re looking for. Why don’t you go back and ask your doctor about that? I have other matters to attend to. Like why are you here instead of her” Sylus mentioned, walking away until MC talked to him

“You’re always mentioning her but you never mentioned her name. Who are you exactly talking about and what does it have to do with me?” MC questioned and this time, Sylus grabbed her by her neck and pinned her to the nearest wall

“Don’t tempt my patience. I only have so much left ever since your attitude shows up instead of something else I want. From here on out, I could care less about your little quest. You can even have that brooch you’re wearing to get in and out of the N109 zone without getting harmed. But I want you to leave. Go back to your doctor, that fish man of an artist, or fake hunter for all I care. When I come back to this place, I hope that you’re not here anymore. Or you’ll hurt even more” Sylus warned, releasing MC as he went who knows where.

Sylus went into his car, the car that you love to drive in. Though you were just a soul in MC’s body, he could immediately tell the two of you apart. What scent do you like, the small trinkets that you would buy to keep his things more organized, some small keychain plushies that he would put on his keys which is in contrast to his scary look.

You might just be a soul that just so happens to be in MC’s body, the body of a person he should’ve been interacting with, the one he should’ve been bound to. But why does his heart feel incomplete? Why does his soul long for your own.

Gripping onto the steering wheel, Sylus looked at the plushie you put in this car. It was a koala, one of your favourite plushies, because you told him that you looked like a koala when Sylus carried you around. “I swore to you that if this were to happen, I would find you. Regardless what happens, I will find a way to get back to you. Our stories’ unfinished, sweetie. Wait for me. I’ll do anything to get back to you”

Real World

It’s been several months since you woke up. You still played the game but not as often anymore. You got a job at your friend’s office as a secretary. It pays well, you and your friend are roommates, life has been going fairly well that you barely played the game that provided you comfort.

One day, however, there was a bouquet of red Carnations mixed with pink Camillas on your desk with a note attached to it. “I hope this gets to you. If this ever reaches you, it means that I’m another step closer to seeing you again. There’s this uneasy feeling I’ve been feeling since you were gone. I promise I won’t stop finding you”

Confused, you asked everyone, including the delivery man who delivered the flowers to you but no one knew where it came from. It didn’t even mention your name and only a description of you.

Brushing it off, you thought it must’ve been some kind of prank until several more flowers reached you. One after another, there were notes along with the flowers which all made your heart clench because whoever this person was, it seemed that either you left a very deep impression on them or this was some sort of stalker.

“Did the first one reach you? I’m getting closer”

“I hope that you’re eating well. Wait for me”

“It seems that you’ve forgotten about me once more. No matter, I’ll be sure to jog your memory once we meet again”

Another year has finally passed and the bouquet and notes kept on coming until you saw the flowers and notes that came in. Instead of the usual red Carnation or pink Camillas or even sometimes Forget me nots, this time it was a bouquet of black and red roses with a note of a familiar handwriting and scent.

“I’ve finally found you. You said that you were worried about me finding the real you but to me, you’re just as perfect as your soul. Your face, your body, it matches your soul perfectly. And even though you might’ve forgotten about me, I assure you that my love for you is still the same like we just met. Perhaps in the game, I would allow you to go live your life without me because it’s safer for you. But here, looking at you, I can feel myself coming alive once more. Whether you try to move on, I know that there’s a lingering feeling behind your pretty head thinking of the possibility. And you would be correct, sweetie. I’m fulfilling my promise to you. For there is no love greater than mine.

P.S: we should thank Mephisto for always managing to find you when I couldn’t

-Sylus”

You were in shock. Sure, there was a small voice, hidden behind all your to-dos, your schedules, your wants, likes, needs. A faint voice telling you of the possibility that perhaps Sylus was the one to send you all those flowers and notes but you were in your world, the real world. You would lock that faint voice and never think about it again. You were realistic. There was no way that a fictional 3D man would send you all of that.

And Mephisto? He’s a bird. A mechanical bird that is tied with Sylus. Everything seemed ridiculous. You couldn’t think straight for the rest of the day until your boss called you for a sudden meeting outside of the office and at a restaurant.

The restaurant was filled with high-class people, some were doing business with another while others were simply finding ways to spend their money. Suddenly, it reminded you of the time when you were in MC’s body and Sylus would take the two of you out to dinner.

Remembering Sylus, the flowers, and the note, you decided to excuse yourself to the restroom but in reality, you decided to log into the very game you downloaded to seek comfort. The nostalgia was coming back. They made a new update and introduced a new male character. Once your game loads, Sylus is still in the game and when you poke him, thinking that he’ll respond like how he would when a player hasn’t logged in for so long, he surprises you.

“You’re probably wondering why am I not responding to you in a way that you expect. Well, why don’t you check my messages on the message feature, sweetie?” Sylus mentioned and immediately, you went to open the message feature in the game and once again, you were shocked with what you read on the screen that you had to cover your mouth.

“It’s been a while, hasn’t it, kitten? I’m sad that you’ve forgotten about me but I’m genuinely happy with how you’re living your life so far”

“But if I were to tell you that I want to be apart of your life here, would you accept me?”

You were given the chance to answer him, to reply to this sudden message but your boss had already called you back and unfortunately, you had to go back to the table and sit beside your boss.

As you were about to sit down, you heard that familiar soothing voice that always calms your nerves; especially when you’re in the N109 zone. “Is this your secretary that we’ve been waiting for?”

Immediately, you looked up and met with those soft bright red eyes behind small glasses. The white hair you’ve gone through with your fingers was styled like how you first met him. The figure sitting in front of you was wearing a soft grey sweater and black jeans.

And that smile, that smile that you’re so used to seeing everyday is now showing in front of you again. “Pleased to meet you, sweetheart. Shall we begin the meeting?”

Throughout the meeting, you tried your best to pay attention and jot down all the notes you needed. You struggled for a moment and even towards the end, you stutter your thank you and goodbyes until the white-hair man called you.

“Waiting for someone, sweetie?” you heard that damn voice as you could feel all hairs on your skin stand up

Turning around, you finally got a good look at him. All of his 190cm height was towering over your figure. Your actual real-life self and not the MC you created in the game.

On one side, you wanted to talk, to question him if all of this was just another one of those visions you used to have. On the other, you wanted to jump at the man in front of you. To cry in his arms as he holds you close. But nothing. You were frozen in your spot as this Sylus look-alike smirked at you and held his index out which suddenly a black crow rest on.

“Is, is that…” you managed to utter, making the man in front of you chuckle

“Mephisto. An actual crow this time” he said, extending his hand out so the black crow was within your reach

Extending your own index out, the black crow, Mephisto went onto your index and you instinctively stroke its head. “We never stop looking for you, you know”

You look up to see those eyes that once were filled with rage now filled with sadness. Sighing, you tried to remind yourself that this is the real world, not your game.

“I'm sorry, sir. You must've gotten the wrong person. I don't think we’ve met before this meeting today. Your bird must be very friendly to have gone on another person’s hand” you mentioned, intending to return the black crow, still not believing that the man and bird in front of you are who you think they are

But instead, the man in front of you turned and took something from his pocket. “Is that so? Well then either you don’t want to remember what we’ve been through or Mephisto might’ve gotten the wrong person. Then how about we reintroduce ourselves to one another?”

“I’m Sylus, this is Mephisto. We were from a faraway land called the N109 zone. For the past year, I've been building my multimillion security tech company” Sylus mentioned, extending his hand out, revealing the brooch that you once wore as a promise to Sylus to stay by him

Shocked to see the brooch, you stutter at your words but Sylus noticed this and gently took one of your hands which you didn’t deny. “I meant what I said and I’m keeping my promise. My only regret is I couldn’t come find you sooner”

“H-how? This has got to be a joke. You’re not real. You’re not actually here. I must be dreaming again. I’m going mad” you started to lose your mind but Sylus pulled you into a hug

“Tell me this isn’t real then. Tell me that you don’t see me. Tell me that you don’t feel this warmth we both have wanted for a long time. Tell me you don’t want this and I’ll gladly walk away from you so that you can continue to live your life as is but don’t expect me not to want to be a part of your life. Don’t think that even if I walk away today, I won’t try my best to still keep an eye on you” Sylus stated, whispering into your ear, kissing right below your ear

Taking in his calming leather scent, you slowly sob in Sylus’ chest as he strokes your head, calming you. “You’re such a stubborn crow” you finally hug Sylus, indirectly accepting him back into your life

“I know. But it’s worth it. I finally get back to you. Though I can’t offer you as much as I would when we were in the N109 zone, I do promise you that I will be here this time. I’m not letting you go that easily. So, you’re willing to let me back?” Sylus asked, making you chuckle

“Welcome to the real world, my world, Sylus” you said, getting on your tiptoe to give his cheek a kiss but instead, Sylus turned his head, held your neck and leaned for an actual kiss

A/N: Ngl, I was simping over my own writing of this. Where can we find an irl Sylus T^T

[utilitycaster]

I wanted to explore the idea of people who dislike C3 not engaging with its themes because I haven't actually seen anyone making the argument give a full rundown of said themes, and this may end up being several posts. I'd like to start with anticolonialism. Perhaps it is a theme; if so, I think it's presented exceptionally badly, in a way that appeals uniquely to white westerners desiring to see themselves as a combination of victim and savior, rather than as a complex issue in a story centering the colonized. It got very long, so it's under a cut.

If this is the theme with which we as the viewers are not engaging, I'd argue neither is the work itself - it's largely projection. As many others have pointed out, the use of Marquet, a setting inspired by Africa and Asia (and presented in a highly stereotyped and Orientalist way in Campaign 1 no less) as nothing more than a casual backdrop with little engagement with the cultures present, and with much of the story elsewhere, undercuts that badly. I'd actually argue this is a recurring issue with Critical Role's works; Ank'Harel appears and is even fleshed out more in Call of the Netherdeep, but the story follows, and mostly takes place, among the Calamity-era ruins being excavated and amid faction squabbles concerning them. The culture and politics of Ank'Harel remain a distant second to the greater mythology of the Calamity, and again, after the society and culture and everyday people of the more European-inspired Wildemount took such a front seat in Campaign 2, it seems like a worrying pattern. Given the increased sensitivity and investment towards the cultures based on those in our own world that (for the most part) did the colonizing, and the "set-dressing", as others have called it, status of Marquet, perhaps this world is not a good one to tell that story. What's also interesting, and telling, is that the African and Asian - especially West, South, and Southeast Asian - was even a defense within the fandom: the reason so few of Bells Hells were from Marquet, we were told, is because the cast is white. In that case, and given how Marquet is so poorly integrated into the story that multiple beats relying on knowledge of the Apex War fall flat, why didn't we set this in Issylra (notably, the continent in which modern, mortal-driven occupation efforts are occurring)? And more importantly why are we trusting a group nearly entirely made of white culturally Christian Americans to tell what is argued to be an exceptionally leftist story on religiously-motivated colonialism if we can't even trust them to play a character from a real-world culture heavily impacted by said colonialism?

Another rather significant wrinkle is the fact that those wishing to release Predathos in the service of destroying the gods were happily working with the Kreviris Imperium, who desired to colonize Exandria. Remember how everyone was just talking about how the poor Ruidians would die if the planet were destroyed and how they're the victims in all this (and honestly, I don't disagree that the commoners of Ruidus, especially those without psychic powers, have a uniquely rough deal) when the planet cracks? Well, let's talk that through. I think the role of the Vanguard's Ruidusborn in this is rather important, ie, if they are throwing off the colonialism of the gods (to be discussed later whether I consider that valid), they are doing so by stepping on the necks of the common people of Ruidus. And if those people will be doomed by the release of Predathos, it is Bells Hells who doomed them.

The people of Ruidus were told of their manifest destiny of the Blue Promise by their governing body (which also served, effectively, as religious leadership, with mind control). I think "Propaganda" is a poor real-world metaphor for "sends dreams of the land promised to you each night, making you both jealous of what they have and very much influenced by their culture, while you have no dreams of your own" but it's the best I have, but that itself occupies an interesting space. It's a great beat for sf, but this actually leads to a rather worrisome metaphor regarding the nature of cultural influence (which was spoken of on a 4-sided Dive and is often cited here, and I think the way it's discussed fails to consider the implications). The idea of cultural hegemony and globalization is a very real one. It can occur within one's country (I, a non-Christian American, am well acquainted with many Christmas songs and traditions and am given Christian holidays off work but must use vacation for my own). It can also occur outside of it, as with globalized beauty standards - white ideas of beauty leading to light skin being prioritized in India, or double-eyelid surgery becoming common in South Korea. The situation on Ruidus therefore has some interesting implications. What does it mean for them to have inherited culture from Exandria - but at the hands of their own government that seeks to colonize Exandria? Is this a good way to explore these topics, when Exandrians are neatly excluded from the spread of their own cultural hegemony (as they had no idea) and are also poised to become the victims in this colonization? This idea, incidentally - that the people of Exandria exist in an impossible in-between space in the colonization metaphors, blameless victim yet free from the ugliest consequences of being a colonized culture - will recur, and I think that is the most damning evidence that this is at best a story of anticolonialism stripped of nuance and complexity.

In a further exploration of the cultural impact of colonialism, what does it mean that, again, I, Jewish from birth and raised in a Jewish home and sent, even, to a Jewish school through middle school (though not a Jewish preschool) have a pretty thorough knowledge of not just Christmas songs, but could probably name a bunch of individual Christian denominations and maybe even the intricacies in how they depict their crosses - while generally having freedom to practice my religion within the dominantly Christian US, if not equality in doing so - but Bells Hells, living under the presumed thumb of the gods, can't reliably tell their symbols or domains? Others have already covered this but if the gods are the dominant force, why have Bells Hells managed to largely avoid any actual consequences for godlessness other than "when I asked for something, I didn't get it?"

Why have all the governments we've seen, save Vasselheim (which, again - we haven't ever spent a ton of time in, so why did we go to Marquet again?) failed to convey religious dominance at the hands of the gods? The Clovis Concord, Tal'Dorei, Whitestone, Niirdal-Poc, Syngorn, and as far as I can tell Ank'Harel, Jrusar, Bassuras, Court of the Lambent Path, and the Stratos Throne (and if the latter isn't then Imogen and Ashton grew up in its borders without any religion forced upon them) are all secular governments that at most have outlawed Betrayer God worship. The Empire (in which Ludinus Da'leth has been a major political force for centuries) has strong restrictions on worship of all but six gods, and if you look at the first Tal'Dorei Campaign setting, it was at the timed conceived of as banning all deity worship. The Dynasty is a theocracy for a non-pantheon entity, engaging in missionary work but largely depicted as (if I may, oddly) devoid of violence. While Uthodurn's King Imathan Talviel is himself a worshiper of the Arch Heart, Uthodurn appears to have no state religion. Indeed, I'd say, as again, someone of a frequently persecuted religious minority, who lives in a country with a dark history of forced conversion of the native colonized people into Christianity [the Native American residential school system] I'd say that for a world in which the gods are objectively real? Exandrian governments are bizarrely lenient and bloodless when it comes to religion. Only the Dynasty even has a state religion of the aforementioned locations, and they don't even outlaw worship of non-Betrayer gods. The Empire, Concord, and Dynasty have, at most, fines or incarceration for worship of illegal deities. Hearthdell lost more people from their own attack and from the people teleported away by the solstice than from the missionary work; you think the might of Vasselheim couldn't have slaughtered the entire town if they went in? The only places we know of as even possibly more brutal are the Betrayer-worshiping Iron Authority, which remains vague and undescribed (weirdly, actually, given that the Crown Keepers might have gone there in the time between EXU Prime and Bells Hells); and Aeor (execution by hanging for deity worship).

I am not saying that any outlawing of religious worship (nor lack thereof) is a good thing, but we live in a world where people have - and still are - killed for gods for which we have, in my opinion, no proof of existence. It is unbelievably telling that the grievances provided (Tuldus, Ludinus, and members of Bells Hells) are all entirely individual experiences rather than anything systemic. It's people mad at their small communities or their parents, and that anger is valid, but it is immensely dangerous to take one's own individual negative experiences and treat it as systemic. This is the underlying motivation of how countless people are radicalized into hate groups (see: MRAs/incels, who are mostly mad at their mothers or at the fact that increased rights for women means women don't have to date or marry men if they don't want to - men are still the dominant class here, but their perceived individual slights and their extrapolation to this as systemic dominance of women is the radicalizing factor). The fact that Exandria has failed to set up a world where this is any sort of religious hegemony - Vasselheim is certainly important, but they aren't even a centralized governing body of worship a la the Catholic church, let alone a force outside of Othanzia, and are seen as an ally by the nonreligious Percy and Keyleth - again lethally undercuts the idea of this as anything but the most softened and childish discussion of colonialism and religion. Even Deanna's question to Pelor regarding Hearthdell reveals it as inaction - a failure to stop - rather than a command to act. It's at the level of how we teach American kindergarteners of the first Thanksgiving, except unless the entire narrative is wholly unreliable this is the actual story of Exandria. One giant pulled punch.

To quickly cover other items highly relevant to any sophisticated discussion of decolonialization/postcolonialism/colonialism in general that are absent from Campaign 3, and indeed Exandria as a whole: as multiple other fans have discussed, there is no concept of people of mixed race if the gods are the colonizers here. There is insufficient discussion of how, for example, many colonized or oppressed cultures have adopted western religions and see them as highly integral to their culture today - Catholicism in Central and South America and parts of Southeast Asia; Islam in other portions of Southeast Asia; Christianity within Africa and among African-Americans descended from slaves. This does not make the original forcing of said religion right or just; but any discussion of decolonization must account for the wants of those colonized, and I find that Campaign 3 fails to do so. The lack of meaningful conversation with common people across Exandria is something many of us have brought up. If we assume the members of the Accord are not necessarily speaking for those they rule, why do we have no concept of how the people at large of Whitestone, Gelvaan, Jrusar, Bassuras, Uthodurn, the Silken Squall, the Empire, the Dynasty, and the Tal'Dorei Republic feel? And if they are speaking for those they rule, well, we know how they feel.

I finally want to discuss that weird and, in my opinion, nonexistent irl space between actual colonizer and the colonized that mortals occupy. I personally reject the idea of the gods as colonizers given what we've seen in Downfall and because the metaphor is rather messy given the mythic scale. However, let's let treat them as such in this moment. Exandria was populated by titans. The lore is (possibly deliberately) vague and at times contradictory here, but either the titans lay dormant for a time after the gods arrived but before mortal society developed; or they lived in harmony with said mortals (who were created by the gods). They assisted, in some tellings, of the sealing of Predathos by the gods. They then, for unknown reasons, either awoke, or turned on the mortals; in the resulting schism they were killed and sealed by the Prime deities and the mortals. The Betrayer gods were those who wished to leave. The Betrayer gods too were sealed. The last known titans, sealed but not dead, were either destroyed or banished by the Ring of Brass during the start of the Calamity in order to prevent complete annihilation. The titans are now dead. Per Ashton's commune with them, there may be something that will rise again should the gods be eliminated; [only] the strong will survive it.

Questions to consider:

Why are a number of fans arguing that this story is one of anticolonialism so eager to place blame on Asmodeus and hope Predathos eats him first, when he is arguably the ringleader of those who most hoped to leave Exandria to the titans while they were still living? Do you hate the leader of the one most willing to decolonize? Or is the issue that this would also mean abandonment of the mortals, in which case, which is worse - destabilization or maintenance of a current situation (ie, the status quo)?

If the gods are colonizers, why isn't Predathos? It is no more a native of Exandria than they are. We know the gods were driven by an existential danger to their lives (which may or may not have been Predathos). Did Predathos lead the gods to Exandria and later corner them there, setting all of this in motion? Or is Predathos no different from them, driven to Exandria out of the need to survive? Given the titans opposed Predathos as well it is difficult to paint it as their savior (and the idea of an external savior of the colonized is, as discussed, one with unfortunate implications)? What is Predathos, and why is it better than the gods, if you believe it to be?

What are mortals here? They are not colonizer, nor are they native. I've discussed the (also very unfortunate) implications of treating sentient beings as ecology metaphors, but given that mortals truly did have, per the story, no agency in arriving on Exandria but were rather created here, are they akin to a non-native species? Such a species can be either invasive or beneficial, which fits with the idea of mortals being unique in their ability to change. Mortals were the ones under threat from the titans despite, again, being neither colonizer nor colonized; mortals participated in their destruction.

Where do the eidolons - seemingly unaffected by all of this - fit in? For a story about how change and newness might bring a better world, why the focus on the long-dead titans instead of the nature spirits that have seemingly taken their place? Why are many of Bells Hells constantly looking back and not forward?

And that last point feels particularly salient. The people of Exandria - a people whose opinion, again, in this campaign, it feels we have failed to explore - exist in an in-between state. They are more the heirs of the colonizers, in this assumption that the gods are colonizers, than the colonized. They cannot undo what the gods did. The gods can at this time only act through them.

What does it mean that we as the audience are intended to see ourselves most in a people who were not themselves those doing the colonizing, who are now under threat from colonization, and who might cooperate with the driving force behind that colonization? What does it say that our mortal viewpoint characters put more effort speaking to and for the dead than to the living? What does it tell us that many of them see themselves as the victims? What does it say that past campaigns had multiple characters subjected to actual systemic oppression (the twins, Jester, Molly, Veth-as-a-goblin, and Fjord all experienced racism) and explored the concept of the other (the Dynasty) and Campaign 3 never did? And when we add that to all of the above - that this world has failed to set up religion as even remotely close to both the meaningful and the oppressive force as it is in our own, despite the gods being real, that the grievances are individual and not systemic, that nearly all actions by the gods are motivated not by greed but by survival - is this an anti-colonialist work? Does it grapple with the problems of decolonialism meaningfully? Or does it let a white American viewer fantasize about a world where they are the oppressed, under threat of colonization, where their personal grievances are all forms of systemic oppression, cleansed of their own complicity in these systems, and where they can never be blamed for their actions because this is all so hard to choose- despite a far softer and gentler world than the one in which we actually live. And does it do so in a work they were going to watch anyway because they've been watching since well before this was introduced, thus permitting them to pretend they are experiencing a sophisticated anticolonialism narrative without having to go through the effort of actually reading that linked pdf of Orientalism they reblogged?

[sp0o0kylights]

Indie horror filmmaker Eddie Munson, high off his first big (underground but notable) success, knows the movers and shakers of the film world have their eyes on him. 

They're just waiting to see if he was a one hit wonder before they open all the doors he's been trying to kick down. 

His next upcoming film is his chance, his shot at finally making it. Of being like Rob Zombie and the other creators he looks up to that masterfully blended metal and horror. 

This is his golden ticket. 

The project starts off smooth. His last success has greased the wheels, and things fall into place faster than ever before. 

He's got the best idea for this insane haunted house story, a true "mazes in mazes" type of deal with a queer twist. A real look at how a place can haunt a person just as easily as a ghost can.

 Everything's going swimmingly--until one of his leads drops out the day they're due to start shooting.

No call no show's, and later, Eddie will find out the guy got a last second call back to be a contestant on one of those Love Island bullshit romance gigs (and laugh his ass off when the main love interest takes one look at Billy Hargrove and goes on a five minute rant about ugly mullets on national television) but right now? 

He's fucked. 

He's called in every favor he has for this film. Maxed out every credit card he owns, tapped every contact, got on his hands and knees and begged his rising star journalist best bud to help him market it. (Which Nancy agreed too, for way less cash than she should have.) 

 Eddie can't get anyone on the phone, much less find a replacement actor and the amazing place they rented, that is so dark and wonderfully eerie, is booked out the rest of the year as an AirBnB. 

If he doesn't film now, he loses it all.

Cue the other lead, unknown theater actor Steve Harrington, watching his hair pulling, tire kicking, 'cursing and hopping while holding a toe' mental breakdown and asks why Eddie himself doesn't act in it. 

"Just go full Kevin Smith man. Act and direct." He says, with an easy grin. 

Jeff, Eddie's tried and true videographer, trades glances with Gareth and Grant (Eddie's long used special effects and makeup team, who double for about twelve other jobs because they're also his best friends and they're all in this together, make or break.)

"We don't really have a lot of other options." Gareth hedges. "You're already using me and Grant as background characters." 

Eddie, hands fluttering around his face as though trying to wave away this entire situation, squeezes his eyes shut and lets out a pained hiss. 

"Fine, fine!" He announces with the air of a man running towards a fire. "Fuck it, this is our one shot and so help me I will be shooting it!" 

Steve politely hides a laugh with a cough. 

"Chuckle all you want big boy, I'm going to tragically romance you so hard people will forget both of our characters actually live." Eddie snarls.

Steve, the handsome bastard, just winks.  "Looking forward to it." 

Eddie blushes, but hides it with a surge of frantic energy, conveyed by lots of yelling and moving and getting the ball rolling. 

Two days later, Steve would give the performance of a lifetime down on his knees, covered in a literal pound of fake gore, booty shorts and nothing else as he sobbed about how a lover could become a home. His hands clawed at Eddie's jeans before resting a tear stained face on a slim leg as he bent his body towards Eddie like it hurt to be away from him. 

Eddie would later receive equal praise in his own acting during the scene, with the world and every reporter in it asking how he conveyed an otherworldly panic so beautifully throughout Steve's performance. What was he thinking, to evoke those expressions on his face? 

The way his own pale hand, unmarred by blood and acting as a metaphor for the plot, would come to stroke Steve's cheeks.

Eventually he'd come up with a smooth polished answer that cheekily pleased his audience, but nothing would ever come close to the truth. 

("Eddie I've known you since grade school." Jeff said that night, a scant few hours after they'd wrapped. "You can act man, but not like that." 

Eddie made a wild "shut up" gesture, looking frantically over his shoulder before admitting; "You saw how close his face was to the prince of darkness!? I was seconds away from popping a boner next to his lips, in front of the 4K camera!” 

Eddie bounced into Jeff’s face so he could hiss: “He fucking had his chin on my thigh, Jeff, and I am only a man. A mere mortal!" 

"So we're gonna unpack all of that later." Jeff said finally, when he'd managed to get his mouth working and Eddie back out of his personal space. "But dude, we've talked about you calling your dick the prince of darkness." 

Eddie flipped him off.) 

One year later and critics named Corroded the best horror film of the year, praising the camera work, practical effects, and how there wasn't a soul alive who was surprised to hear Eddie and Steve were dating after their explosive on screen chemistry.

No one ever quite understood the prince of darkness jokes or why Steve mentioning it made Eddie blush, but that was a secret to find out later. 

Today on WIP’s I have no intention of writing, indie horror movie AU!

[st4rtar0t]

Describing your love trope with your future spouse as a writer

Pick a picture

MASTERLIST ☆ PAID SERVICES

LONG POST AHEAD!

Pictures belong to their rightful owners, I only own the content of this post.

Picture 1

Arranged blind date

I stared at my reflection, the dress clinging to my frame in a way that was both flattering and unfamiliar. It had been months since I’d worn anything other than sweatpants and old t-shirts. My heart pounded as I thought about the evening ahead. What had I let Emma talk me into?

“Trust me, y/n,” she had said, her eyes sparkling with excitement. “You deserve someone who treats you right. This guy is perfect for you.”

I wanted to believe her. After all, Emma knew me better than anyone. She had seen me through the worst of my relationship with Adam, watched as I shrank into myself, convinced I was unworthy of love and respect. She had been my rock when I finally walked away.

Now, she was determined to help me move on, even if it meant dragging me into the world of blind dates.

“You look stunning,” Emma said, stepping into my bedroom. Her smile was warm and reassuring. “And you’ll be fine. Just be yourself.”

I nodded, trying to steady my breathing. “What if he’s... I don’t know, another Adam?”

Emma shook her head firmly. “He’s not. Trust me. I’ve known him for years. He’s kind, funny, and he’s been through his own share of heartbreak. You two will understand each other.”

Taking a deep breath, I followed Emma out the door and into her car. As she drove, I gazed out the window, my mind a swirl of anxiety and hope. The city lights blurred past, a cacophony of life that felt distant and unreal.

We arrived at the restaurant, a cozy little place with warm lighting and the comforting aroma of home-cooked meals. Emma squeezed my hand. “He’s waiting at table five. Go on, I’ll be right here if you need me.”

I hesitated, then nodded. “Okay. Here goes nothing.”

As I approached table five, I saw him. He was looking down at his menu, but there was something about him that immediately put me at ease. He had an air of quiet confidence, and when he looked up and our eyes met, he smiled. It was a smile that reached his eyes, genuine and warm.

“y/n?” he asked, standing up and offering his hand.

I took it, surprised by how natural it felt. “Yes. And you must be Michael.”

He nodded, his grip gentle yet reassuring. “It’s really nice to meet you. Emma’s told me a lot about you.”

I laughed nervously, taking my seat. “All good things, I hope.”

“Only the best,” he said, his eyes twinkling with kindness. “She’s very fond of you.”

As we started talking, I found myself relaxing. Michael was easy to talk to, his sense of humor lightening the mood. He shared stories about his work as a graphic designer, his passion for painting, and his dog, Max, who sounded like a real character.

“So, Emma tells me you’re quite the photographer,” he said, his tone genuinely interested.

I blushed slightly. “I dabble. It’s just a hobby, really.”

“From what I hear, you’re pretty talented,” he replied. “Maybe you could show me some of your work sometime?”

I nodded, feeling a warmth spread through me that I hadn’t felt in a long time. “I’d like that.”

The evening passed in a blur of laughter and easy conversation. For the first time in what felt like forever, I was enjoying myself. Michael was attentive, respectful, and genuinely interested in what I had to say. It was a stark contrast to the indifference and criticism I had grown accustomed to with Adam.

As we said our goodbyes, Michael looked at me with a hopeful expression. “I had a great time tonight, y/n. Can we do this again sometime?”

I smiled, feeling a lightness in my heart. “I’d like that very much, Michael.”

As I walked back to Emma, who was waiting with a knowing smile, I realized something. Maybe, just maybe, I was ready to open my heart again. And maybe this time, I’d find the love and respect I truly deserved.

⁠—⁠☆

Emma hugged me as soon as I reached her. “See? Told you it would be fine.”

I hugged her back, gratitude welling up in my chest. “Thank you, Emma. For everything.”

She grinned. “That’s what friends are for.”

And for the first time in a long while, I felt hopeful about the future.

Picture 2

Friends to lovers

I stood outside y/n’s apartment, nervously shifting from one foot to the other. The city was quiet tonight, the streetlights casting a warm glow on the sidewalk. I had been here countless times, but tonight felt different. Tonight, everything was about to change.

Taking a deep breath, I knocked on the door. Almost immediately, I heard her footsteps approaching. The door swung open, and there she was, her smile lighting up the entire hallway.

“Hey! Come on in,” she said, stepping aside to let me pass.

I walked in, my heart pounding in my chest. “Hey, y/n. Thanks for having me over.”

We settled on her couch, the same spot where we’d shared countless conversations, laughter, and even tears over the years. She handed me a cup of tea, her eyes sparkling with the warmth I had come to cherish.

“So, what’s up?” she asked, taking a sip of her own tea. “You sounded a bit urgent on the phone.”

I looked at her, really looked at her, and realized just how much she meant to me. Her kindness, her strength, her infectious laugh—all the little things that made her who she was. It hit me like a tidal wave. I was in love with her. I always have been.

“y/n, there’s something I need to tell you,” I began, my voice trembling slightly.

She set her cup down, her expression turning serious. “What is it? You know you can tell me anything.”

I took a deep breath, gathering my courage. “y/n, you’ve been my best friend for as long as I can remember. You’ve been there for me through everything, and I don’t know what I’d do without you.”

She smiled, reaching out to squeeze my hand. “I am your best friend. I will always be there for you no matter what happens. Now tell me, what is bothering you?”

I swallowed hard, feeling the weight of the moment. “But that’s the thing. I don’t just see you as my best friend anymore. Somewhere along the way, my feelings changed. I’ve fallen in love with you.”

Her eyes widened, and for a moment, there was a silence that felt like an eternity. My heart was in my throat, fear and hope battling within me.

“oh…” she whispered, her voice barely audible.

I pressed on, needing her to understand. “I know this might come as a shock, and I don’t want to ruin what we have. But I had to tell you. I can’t keep pretending that what I feel for you is just friendship.”

Her eyes searched mine, and I saw tears forming. Panic surged through me. Had I made a terrible mistake?

But then she smiled, a radiant, beautiful smile that took my breath away. “I’ve been waiting for you to say that for so long.”

Relief washed over me like a flood. “You... you have?”

She nodded, tears spilling over her cheeks. “I’ve loved you for years. I was just too scared to tell you. I didn’t want to risk losing you.”

I reached out, brushing a tear from her cheek. “You’ll never lose me, y/n. You’re everything to me.”

She leaned into my touch, her eyes filled with love and vulnerability. “I love you.”

The words were like music to my ears. I pulled her into my arms, holding her tightly. “I love you too, y/n. More than you’ll ever know.”

We sat there, wrapped in each other’s embrace, the world outside fading away. All that mattered was this moment, the love we had finally confessed, and the promise of a future together.

As I held her, I realized something. Love had been right in front of me all along, in the form of my best friend. And now that I had found it, I was never letting go.

Picture 3

Opposites attract

I watched him from across the room, the way he moved with such effortless grace and confidence. The party was in full swing, laughter and chatter filling the air, but all I could focus on was Ethan. He was the epitome of extroversion, charming everyone around him with his easy smile and quick wit.

I, on the other hand, was more comfortable in the shadows, observing rather than participating. I preferred a good book to a loud party, a quiet evening at home to a night out on the town. Yet, here I was, drawn to someone who was my complete opposite in every way.

Ethan caught my eye and waved, making his way over to me. My heart skipped a beat, a mixture of excitement and nervousness swirling inside me.

“Hey, Y/N,” he said, his voice warm and inviting. “Why are you hiding over here all alone?”

I shrugged, trying to appear nonchalant. “Just taking a break from all the excitement.”

He laughed, a rich, contagious sound. “You know, you’re the only person I know who comes to a party to take a break from it.”

I smiled, feeling a little more at ease. “Well, someone has to keep an eye on things from the sidelines.”

“Mind if I join you?” he asked, his eyes twinkling with that mischievous spark I was starting to adore.

“Sure,” I said, surprised by how much I wanted him to stay.

We sat down on the edge of the patio, the cool night air a welcome contrast to the warmth of the crowded house. For a moment, we just sat in comfortable silence, the sounds of the party fading into the background.

“You know, Y/N,” Ethan said, breaking the silence. “I’ve always admired how you can just... be. You don’t need all this noise and attention to feel happy.”

I looked at him, surprised by his honesty. “And I’ve always admired how you can light up a room just by walking into it. You make everything look so easy.”

He smiled, a softer, more genuine smile than I’d seen before. “It’s not always as easy as it looks. Sometimes, it feels like I’m just playing a role. But with you... I feel like I can be myself.”

My heart swelled at his words. “I feel the same way, Ethan. With you, I don’t feel like I have to hide.”

We continued talking, sharing pieces of ourselves we hadn’t revealed to anyone else. I told him about my love for painting, how it was my way of expressing emotions I couldn’t put into words. He opened up about his fear of being alone, how he surrounded himself with people to avoid facing his own insecurities.

As the night wore on, I found myself drawn to him in ways I hadn’t expected. Despite our differences, or maybe because of them, we fit together in a way that felt right. His outgoing nature balanced my introversion, his confidence bolstered my shyness, and his warmth melted my reservations.

Ethan reached out, taking my hand in his. His touch was gentle, yet it sent a jolt of electricity through me. “Y/N, I know we’re different, but I can’t help how I feel. Being with you makes me want to be better, to be more.”

I looked into his eyes, seeing the vulnerability and sincerity there. “I feel the same way, Ethan. You make me feel... alive, like anything is possible.”

He leaned in closer, his gaze never leaving mine. “So, what do you say we give this a try? Us, I mean. I know it won’t always be easy, but I think it could be something amazing.”

I smiled, my heart full of hope and excitement. “I’d like that, Ethan. I’d like that a lot.”

As he pulled me into a gentle embrace, I realized that sometimes, the most unexpected connections can be the most beautiful. Despite our differences, or maybe because of them, we were falling for each other, and I couldn’t wait to see where this journey would take us.

[once-in-a-blue-moon-rising]

Seen a few 'maturity is realising that it's not a look of love' videos on Instagram re: 457, and while I do realise it is Not That Deep, I nonetheless have THOUGHTS

The crux of those thoughts is this: has fandom's view of shipping narrowed so far that unless two characters are mashing their faces together on-screen, it's immature to interpret the text contrary to what we assume the creator's intention was?

With this ship specifically, let's start with the obvious: the actors have insane chemistry. This is true whether you see the characters' bond as platonic, romantic, antagonistic, or something else. They are very obviously comfortable and friendly with one another in real life, and this translates into an intense on-screen relationship between Gi-hun and In-ho (and I'm sure this is exactly what the director did want, because, newsflash, this is our protagonist/antagonist duo).

I do think it's valid to ship something based purely off the actors' chemistry, but the comment is obviously referring to the characters themselves in the context of the story, so let's address that too.

There's a clear motivation for the way In-ho stares at Gi-hun, follows him around, and generally tries to insert himself into his life, and this is what these posts are referring to. He's testing his ideology, he's watching how he's affected by the horrific things that are happening around him, and to help him do this, he's ensuring that Gi-hun trusts and likes him. It's important if he wants to prove to him that the world is unchangeable, and humanity irredeemable.

And because of that, it's not the 'look of love'. Case closed?

Well, no.

Because there is so much nuance and depth that you're failing to explore, if a look can only mean one thing.

Because why does In-ho bother? Why is Gi-hun worth his time and interest? In-ho - via the games - has access to resources that far far outweigh the money Gi-hun won. He could prevent him from finding the island forever. He could just have him shot tbh. He's not really a credible threat - at most, he's a minor annoyance, because people need to be paid off every so often to prevent him getting too close.

Just through this detail, we can deduce that In-ho cares, in some way. He is interested enough to want to change Gi-hun's mind, when it would be so much easier to... not. Is it love? It's certainly fascination. And I don't think it can be argued that he brought him back for the VIPs' entertainment and not his own, because Gi-hun was searching for three years before In-ho let himself be found. And even when he's found, it's Gi-hun who suggests going back into the games.

So these stares - yes, he's testing him, but he's doing it because he wants to. They denote genuine interest. How did this guy retain his hope and faith in humanity? How can I prove to him that my view is correct?

And I'm very much not saying that a romantic interpretation is 'correct', because fiction should be interpreted however the audience sees fit, but what is love (in all its forms) if not wanting to know someone and be known by them?

This is even more compelling to me when we take into account In-ho's backstory, which we learn a bit more about in season 2. Because he and Gi-hun are so similar, except in the way they've used their trauma to interpret the world. Which just adds to the evidence that In-ho would be fascinated by this man, be determined to know him and to change his mind.

What I'm saying with all this isn't that 457 is canon, and that anyone who says otherwise is media illiterate. What I'm saying is that the real immature interpretation is one that's surface level, be that interpretation 'uwu he loves him' or 'he's PLOTTING evil things'.

[hearts-are-connected]

Dang it, I love this ship and I love the enemies to lovers trope. I get that a lot of people see them as a surrogate father and daughter relationship, but it feels like a been there/done that kinda thing.

As much as I love that trope, I'm also a little tired of it. There's only so much Last of Us style found family I take after seeing it for so many years.

The thing I love about VaultGhoul or Ghoulcy is the idea of Lucy breaking down of Cooper's walls while he helps build hers up.

Is he incredibly cruel to her and those around him in the first season? Yes, extremely

Does he need to chill out and find some of his humanity that's been buried under 200+ years of wasteland survival and bitterness? Yes

Who can bring that needed direction to his life while learning the ways of the new world she finds herself in? Lucy MacLean

I know that the canon ship of the show at this moment is Lucy and Maximus, and as much as I love him, I find the pairing obvious and kind of boring from a story telling perspective. I loved it on my first viewing, but upon re-watching the series, I wasn't as behind it as before. I see their relationship, kiss and all, as a kind of first fling for the both of them.

While it doesn't diminish the care they show one another, there's not a lot behind them as a couple. Now I know that some people might turn around to say how she and Cooper spent less time together than her and Max, but I guess the thing I look forward to is seeing what their relationship brings with the second season.

I feel like Max and Lucy will have a great friendship and I'm interested to see where the Brotherhood fits into their dynamic as well.

With Cooper though, I find his story so tragic, as it's supposed to be. He's your standard hardened survivor who only looks out for himself that's now stuck with the happy-go-lucky main character, however, she's not that character anymore by the end. She's still going to be the Lucy we love, but she's changed by the end. While not losing her compassion and some optimism, I think Cooper is going to bring out a harsher side to her as we saw when she bit off his finger.

I want to see her building up her walls and learning when to let them down. How to truly survive while still bringing her own energy to the wasteland and people around her. I want to see Cooper regaining some lost humanity while learning to truly care for another person again. To see the two of them as eventual equals in one another's eyes as they continue on their journey as reluctant allies.

I also want to say that I'm personally kind of tired of the 'age gap' argument. We have stories of teenagers falling in love with hundred year old vampires. So can we just drop the age gap thing?

As long as they're both consenting adults who understand what they're getting themselves into, who cares about an age gap.

Does it truly matter in the scheme of things when we're talking about a world with cryo-stasis and super mutants?

I personally don't think so.

I don't know if anyone will even bother reading this entire thing, and I know I went on a little long, but I wanted to write down my thoughts on the whole shipping situation with the Fallout TV show fandom at this moment.

I'm a VaultGhoul shipper and I can't wait to see where the second season takes our main trio of characters.

[avithenaftali]

October 28, 2022, 7:11 P.M.

For whatever reason I enjoy thinking about Diana Wynne Jones' writing as a whole and picking out unexpected or resonant trends. For example, some things that comes up often is:

She'll fabricate a world (right down to its cosmology), fill it with memorable characters, set one or two short novels in it... and then never touch it again. On to the next one. Rinse and repeat for her entire career.

The concept of multiple/parallel universes appear half a dozen times in different novels/sequences, but always in completely different ways. The multiple worlds of Chrestomanci function very, very differently from the multiple worlds of The Homeward Bounders, which themselves function so different from the Ayewards/Naywards of Deep Secret, or the walls between the worlds in Dark Lord of Derkholm. More importantly, all these approaches to multiverse explicitly contradict each other. There is no larger DWJ multiverse; there is no way to coherently combine any of them, much less all of them. I love her for this. Every book is its own project. Franchising be damned.

With one exception (which is the Dalemark quartet, oddly enough), none of these worlds are sealed-off secondary worlds. Our own Earth appears in all of them, though usually from the 'wrong' end of the telescope. Meaning, it's stuff like reading Charmed Life and assuming you're reading a magical secondary world fantasy for most of the book... up until the point when Janet is pulled into the story due to Gwendolyn's spell. The reader instantly understands that Janet is from our own world, from the 1970s when the book was written. She never makes it home, either. She never sees her parents again. She's a supporting character who becomes permanently stuck in the world of Chrestomanci, as a casualty of Gwendolyn's spells.

It is interesting, though, how there are almost no sealed-off secondary worlds in DWJ's oeuvre.

There are lots of neat things to say about how DWJ did this, and why she'd do it, and the implications in the storytelling. But tonight I'm thinking mostly about how it can be a moment, narratively, that makes you halt and have to recontextualize all these things you thought you knew (or were assuming) about the nature of the story.

In Ursula Le Guin's The Dispossessed, Urras is obviously the metaphorical capitalistic stand-in planet for our own Earth... up until a moment right near the end, where we realize our own Earth exists in this novel too and is an ecological wasteland due to unchecked climate change.

Urras may be the distorted-mirror, uber-capitalist version of our own world. But it's also a planet with a functional ecosystem. It's a planet where society is careful about maintaining that ecosystem. We're not going to be Urras, says Le Guin. We'll be lucky if we become Urras. To become Urras means we wised up in time to not go extinct.

And suddenly, little subtle moments in the worldbuilding around both Anarres and Urras—their shared attention to their own ecology—come into a different light. All because our own, devastated Earth turns out to be present in the novel too.

And in Howl's Moving Castle, Howl is a magician who fits into the fairy tale landscape of Ingary as naturally as anyone else—until the chapter when he has to go home to retrieve a lost spell, and you realize home is in another world, aka home is our world, aka Howl is fucking Welsh and found his way into Ingary by pure accident. And Ben Sullivan, Ingary's missing royal magician, is no native of Ingary either.

To Sophie, it just means that both magicians travelled to Ingary from the same enigmatic foreign land, which is as strange to her as any spell.

To us readers, it means "oh my god he's Welsh too? Just how much is Wales secretly connected to Ingary? Next thing you'll tell me Ben Sullivan's a rugby player as well—"

[bwat5-blog]

Caitlyn & Violet: A Deeper Look

**Spoilers For All Of Arcane**

Recently I reached out to the community asking for some requests on angles/ideas/topics and so on that anyone would be interested in my analysis on. A few of you amazing folks responded for which I am extremely grateful. @phoenixlionme asked me to delve into a few points I have never discussed at all, regarding Caitlyn Kiramman, and the way she connects to Vi's heritage and past.

Caitlyn as a bridge between cities

Caitlyn's similarities to Vi's loved ones

Caitlyn compared to the leaders of Zaun (for Clarity @phoenixlionme phrased it as people Sevika has followed, this is just an easier way for me to approach it in my head)

So! to that end, I will be digging into these ideas and expanding my own insight into this wonderful character. As I am so fond of saying, good stories matter. And the continued exploration and discussion of this story and it's characters will help it live on. Thank you.

Caitlyn As The Bridge Between Cities:

When the story begins, Caitlyn and Vi could not be from more different worlds. Vi's life is poisoned with violence and loss, even witnessing the deaths of her birth parents at the hands of Enforcers. In that opening scene, they are monstrous. Emerging from smoke and shadow, dealing death and pain all hidden behind cold unfeeling masks. Her childhood in Zaun has made her a hardened survivor even at such a young age.

But in the sunny streets of Piltover, where Caitlyn has been raised, the Enforcers are smiling, happy symbols of peace and safety. Caitlyn is the daughter and heir to one of the great houses of Piltover. Her name means innovation, wealth and respect. She receives shooting lessons from the sheriff of Piltover herself. She joins the enforcers when she comes of age because the reality she has known has only ever taught her to view them as a force for good.

But of course as the story commences we see these two individuals from totally different worlds come together. Their realities joined in ways both good and bad. So let's dig into this further, starting with the simple stuff.

Vi-

Well to state the obvious, Caitlyn is love with the birth daughter of one of the architects of Zaun, and the eldest adopted daughter of another. Although Vi's place in Zaun likely feels unsteady to her after all that occurs in Season 2, it seems logical to suggest that during the reconstruction efforts after the war and during the restitution efforts towards her people she and Caitlyn's relationship will help bridge the gap in general.

Sevika-

At the end of season two, Caitlyn has given the seat of house Kiramman to none other than Sevika of Zaun. People have done just about everything in their power to pretend this doesn't matter. It does. It just does. I know there were people hoping to see the Piltover elite lined up and executed by firing squad, while Jinx reigned supreme over the flames and was served tea by a chained and forcibly blinded Caitlyn, all while Vi excoriated herself with a flail and sang Jinx's praises loudly for all to hear. But for those of us who were never fitted for our tinfoil hats, this is a massive step.

The council hold the highest positions of power in the twin cities. And now because of Caitlyn, one of them belongs to the undercity. She has literally created a link between the two surrendering her own families power and giving it to the undercity who have never had that voice before. It isn't all encompassing change because that isn't real. It's a first powerful step made by someone with all the power, to start bridging the divide.

The Commander -

Alright. Now we start getting into the more complex part of her relationship with Zaun. Caitlyn's arc is immensely complex and controversial and there is a lot of depth and nuance to this part of her story. I have written about this in HEAVY.. HEAVY DETAIL. So if you would like to see that I would love for you to check it out. But for our purposes here I am going to keep to the basics. Because to discuss how I feel the aftermath of this will lead to her having more of a connection with the Undercity, we at least need to go over what happened. To begin with, lets do a very quick barebones rundown:

Born in Piltover

Entered Zaun with Vi

Reentered Zaun leading strike team. Hunting chem-barons, Jinx, and Shimmer.

Becomes The Commander

Occupation Of Zaun

The War

The Strike Team:

Now, on a logical level only, the strike team did not do anything wrong. The Chem-Barons were dangerous drug lords. Shimmer is an absolute threat to all of the Undercity. And while there is obviously so much more to be said about Jinx, for their purposes they are hunting a dangerous terrorist who just assassinated three of their leaders. Yes. For logic based purposes only this does also includes the Grey. I have beat this horse to death, kicked it while it's down, revived it, and shot it in the head. I am not doing it again here. So I will just say that on a purely logical level, using a non-lethal crowd dispersal weapon on specific targets while hunting dangerous crime lords and a terrorist who likes things that go boom.... Not the worst idea.

The real issue with the strike team's actions, can be discussed in two points:

Caitlyn's motivation-

"Can I do the right thing for the wrong reason? Is it bad that I'm making friends with my demons, and Living by a couple deadly sins Just to make sure I finish what you began And I ain't afraid to lose a life or ten If it means that I get to win in the end (woo) So I'ma do this on my own, step into the danger zone Pull the pin and watch it blow

I would rather die alone" (Hellfire Arcane)

The problem is that Caitlyn did not lead her team into the undercity to liberate it's people. She did so for revenge. Each action pushing her further and further into her rage and pain. So even though her actions were "pure" her intention was driven by hate.

2. History with Piltovan Oppression-

As stated, the goals of the strike team were pure. And on a purely logic based level, the fan reaction to the grey has been hyperbolic to say the least. The problem is in the history. Uniformed Enforcers using a weapon that no matter how overblown the reaction does make people choke and cough and possibly pass out. It's all just too reminiscent of what the Undercity has been through before.

The Occupation:

So despite this being a massive part of this story, for our purposes here there is not a terrible amount to say. As very rough overview:

Caitlyn has become commander over the two cities during a period of Martial Law.

Ambessa Medarda rules from the shadows using Caitlyn as her scape goat.

All of Zaun has been placed under full occupation until Jinx is found. Dissenters are jailed, there are checkpoints, and it seems as though the Noxian "peace keeping forces" are being as brutal as possible. Therefore driving dissent and anger to even higher levels allowing Ambessa more time to achieve her goals.

Occupation ends when Caitlyn realizes how she had lost her way, turns on Ambessa, and the occupation ends in the days leading up to the final battle.

The issue of course is that Ambessa's part in this aside, Caitlyn was the face of it. And as I have said from the beginning, I am NOT attempting to absolve Caitlyn of her responsibility in what happened. Some portion of our fandom have essentially chosen to pretend Ambessa just strolled in, and offered Caitlyn the job of despot while they held hands and skipped through the torture camps together. You and I know better. But the people of Zaun lived it. And they don't have the benefit of having seen everything we saw and understanding all of Caitlyn's story. So at the end of the day Caitlyn is the face of the oppressive regime that made their lives hell for a few months.

How They Move Forward:

Okay. So tying it all together how could "Commander Caitlyn Kiramman" possibly become a bridge between cities with everything that has happened? Because they are all moving forward. I am not pretending that it is anywhere close to over. In fact as I said earlier when discussing Sevika it is just a step. But Zaunite and Piltovan alike saw Caitlyn almost give her life to end Ambessa. And the two cities fought side by side against the threat to all life that Viktor posed. So moving forward:

Caitlyn is married to a famous Zaunite.

She has given Zaun their first real step toward equality.

Her guilt is going to drive her to keep working to make things better for the Undercity. It doesn't take deep character analysis to see that.

She is a Kiramman. Despite her perversion of her families work with the ventilation during her darkest moments, she has all of that knowledge now. I predict she will keep working alongside Vi to find ways to make things right.

I know people have felt quite strongly that the show didn't do enough to resolve Piltover VS Zaun. But I think people need to remember that as insane and epic as it was, this show was essentially a prequel to our time in this world. There is so much more to come. Caitlyn is a young woman who has made mistakes, but I predict will go on to do great things for Piltover and Zaun both. After all, if the right hand woman of the man who unleashed shimmer on their streets can become their voice in government, and the feared and insane terrorist daughter of Silco can become their hero, maybe their former oppressor can become one of their greatest allies.

Caitlyn's Similarities To Vi's Loved Ones:

This is an interesting one! I honestly had never even considered this sort of thing but when I started digging there are many qualities of those Vi loves that are all collected with Caitlyn Kiramman. I'm sure you could do a massive list for this sort of thing so this is just some ones that stuck out to me.

Jinx:

The parallels between these two characters have become quite well known at this point and for good reason. Their intertwining stories are a massive part of this show and impact both of their characters greatly. But in terms of her connection to Vi, I have one I really want to focus on.

Putting Vi First: Both Jinx and Caitlyn go through a tremendous amount of suffering over the course of this story. Their stories are so in-depth, and complex and layered. And over the course of their stories, they both hurt Vi terribly (obviously there is more to it, there is a lot of nuance to these situations and I'm not dumping on Caitlyn or Jinx. Just staying on topic). But for two characters who are at one point almost sworn enemies, when it comes to addressing the pain of one they love, they are remarkably similar.

Caitlyn- So much happens between Caitlyn and Vi. But when it comes down to it, with Vi angry over Jinx's imprisonment and Caitlyn and Vi still far from totally reconciled, how does Cait makes things right? She gives Vi the choice. She clears the way for her to free Jinx if she chooses. Even knowing that that Vi could take Jinx and vanish forever if she chose, and Caitlyn would never hold Vi in her arms again. She puts Vi first. Even though it could be the end of her.

Jinx- Good lord talk about complicated. The relationship between the sisters is beautiful and heartbreaking in equal measure. There is so much on both sides, but when the moment I want to discuss comes, Vi has come to free Jinx from prison. Jinx knows that Vi has lived a life, consumed by guilt over everything that has occurred. Vi has never allowed herself to choose her own happiness for a variety of reasons. So what does Jinx do? She forces Vi to let her go. She locks her in the cell and gives Vi the permission Vi would never have been able to give herself. She tells her she deserves to be happy, to be with Caitlyn. Because in that moment of terrible sorrow even with all that Jinx is suffering, her eyes are finally opened to how much she loves Vi, and how much Vi loves her.

2. Vander:

Much like Vi and Caitlyn, at first glance it seems almost laughable to try and find common ground between "The Hound Of The Underground", and "The Leader Of House Kiramman". But if we really dig into it, the similarities emerge. In fact far more than I ever would have guessed.

A: Both do something they regret in a moment of deep loss and pain to someone they love.

Vander- We really are never given all the specifics, but whatever Silco became, Vander completely owned his regret and remorse over trying to take Silco's life.

Caitlyn- In that horrible moment after ventilation chamber battle, Caitlyn clubs the woman she loves in the stomach with her rifle stock and abandons her crying in the dark. I could write pages on the evidence of her remorse (and have written quite a bit) but you get the idea.

B: Both can see the truth of Vi's worth.

Vander- "You have a good heart. Don't ever lose it. No matter how the world tries to break you"

Caitlyn- "Despite it all I can tell.. you have a good heart"

This is especially impactful given Vi's struggle to see the worth and value in this part of herself as her story continues.

C: "When people look up to you, you don't get to be selfish.. whatever happens. It's on you".

Vander- At the moment he is in Silco's clutches, facing death. Vander does not beg for his life. He simply asks Silco to spare the lanes. Spare the Undercity. His self sacrifice continues all through the heartbreaking series of events that follow. Attacking the shimmer mutant, taking shimmer himself to save Vi, and blocking Vi's body with own during the fall.

Caitlyn- Now of course, it would be completely out of character for Caitlyn. But thinking about in strictly what is possibly, Caitlyn had just about any other option if she did not want to stay and fight Ambessa. Let alone on the front line. She knows she played a part it everything going so wrong, and rather than using her wealth and power to escape the fighting, she plants her feet and faces down the devil who almost took her soul forever. Never-mind the fact that she rips that knife out of her own body to help finish Ambessa, knowing full well that may well be the end of her.

*Caitlyn laying down her hate for Jinx in favor of her love for Vi works here as well*

Caitlyn's Reflection Of The Leaders Of Zaun:

Each of the three here have in some way shape or form been leaders to the people of the Undercity. And for a character who became such a figure of oppression to the people of Zaun, Caitlyn Kiramman shares a lot with all three of these figures. We have discussed Vander and Jinx. But I wanted to talk about Silco for a moment:

Finding "Strength" out of pain:

Silco- In the wake of Vander's betrayal, he reinvents himself. Believing only in the strength needed to destroy those he views as his enemy. Even if it means betraying every ideal he ever had.

Caitlyn- In the wake of her mothers loss and her separation from Vi, she becomes someone the old her would have despised under Ambessa's tutelage. Becoming a better fighter, gaining "control" over two cities, and learning to be ruthless. But in fact surrendering everything about her that made her who she is.

The Difference however, is Caitlyn sees the truth. Because of a variety of factors she sees how far she is fallen and that she has betrayed her belief and her ideals. She sheds her own blood alongside those willing to fight for her to protect all people regardless of the city of their birth. She finds the true strength that Silco couldn't.

Conclusion:

Sorry for the GIF-a-palooza but every time I think about her character her story gets me more and more. She truly goes through so much, learns, changes, falls down and picks herself back up. Thank you again to @phoenixlionme for this opportunity to delve deeper into her character and get me thinking in ways I hadn't considered! I hope some of this may lend itself to peoples understanding of this incredible character and if not hopefully at least the enjoyment of the show. Thank you to anyone taking time out of your day in this mad world to read the writing of a grouchy nerd like me. You will probably never know how much I appreciate it.

Keep standing up for stories that matter. See ya next time.

[cindersnows]

the problem with mitsi (or as i like to call it. mitsogyny)

(context: this was written under a youtube video, which i'm sure most of us have at least seen pop up in our recommendeds, in response to many people taking criticism against the new episode. it has been edited a little to be more cohesive as a somewhat-essay)

ok, i wanted to write out a rant/essay/ramble/whatever sort of summarising the criticism against mitsi's plotline because a lot of the people here seem to be misunderstanding the fundamental issue that people have with it, including some of those people themselves.

first off, an analysis that i think tell both sides of the argument very well which i feel should be read before reading the essay: Mitsi: What Makes A Fridged Character (and why y'all are wrong about it) | an AvA essay by InksandPensblog. i will note: i don't care to discuss whether mitsi was fridged or not and that won't be of much importance in this post. the above link gives some insight into some of the fandom's criticism of mitsi and how she was "fridged", defining common tropes for examples. that's what's relevant to this post.

the main issue with mitsi, in my opinion, is less with the fact that mitsi's a girl and moreso the fact that she's one of the only female-coded character in the series, and that her character's main purpose was to further victim's own development. the other arguably female-coded character in the series is pink, who (like navy) only really exists to explain purple's motivations. i don't have much of an issue with that since they're not meant to be important or sympathised with at all. that's not their job in the story.

with mitsi, i've seen people point out that she has more character to her than just victim's love interest and supporter: she invents rocketcorp, she's smart, she's kind, innocent and helpful. narratively speaking, she shows other creations' relationships with their animators, parallels her innocence with victim's trauma, and introduces victim to the outernet (as most fans call the stick realm).

but most of this things imo are either stretches or invalid arguments. she's not really a 2/3-dimensional character in any way; her main character traits boil down to the fact that she likes to be in service of others with no nuance behind why she likes helping people. she hypes up victim for the villagers, she starts a company with him to share his talents with the world, and she helps him overcome his trauma from alan's torture. all of her main plot beats center around victim: and while technically the sticks are genderless and free to be interpreted however the viewer wants, alan and most of his team see all the main characters as male, and that subconciously affects how they're written. mitsi, the first major female-coded character, spends most of her storyline in service of victim, a character not written as female.

there's also the issue of her being victim's canonical love interest. i feel like this statement from alan is important to keep in mind (don't mind the sound effects and edits, this is the only isolated clip i can find at the moment). in particular:

"i just assume that [the ava/m characters] are just a bunch of bros]. i haven't thought of adding any female stick figures but i think it'd be good. i don't want to introduce any romance though, i don't want that to be a theme."

he seems to have changed his mind on that last part, which is fine, but the notable part for me is that he seems to associate female characters with romance from the getgo. before anyone misinterprets this, i'm not trying to call alan sexist or anything. but there's a common issue with women in stories being reduced to just a romantic partner for the male lead, and mitsi falls under this, with her entire character existing to serve victim. (not to mention people will make things about romance whether you like it or not. that's just basic fandom. search up grapeduo or chodark.) even her death is to put victim on the path of vengeance--- it doesn't need to happen to show the extent of tco and tdl's destruction, because that's already made pretty clear in ava s2 the flashback and the earlier scenes showing various characters escaping burning buildings. when you write a female-coded character whose only purpose is to serve a male character, you're contributing to sexist narratives.

a counter i see many people point out with the idea that she has no character is that she does have character traits, it's just that they're generic ones like "kind" and "innocent". the issue is that she has no flaws to counterpoint this; it's not that she didn't have enough screentime. in ava4 for example, we see tsc's flaws pretty clearly; they can be very mean when they want to, they're petty (albeit for a fair reason), they're a little impulsive. this is shown in 11 minutes (from the moment they come alive to the end of the video).

with mitsi meanwhile… she doesn't seem to have any flaws? she helps victim whenever she can. she's nice to all the villagers. her customers all like her and she's a great leader at rocket corp (to note, specifically as part of a pair with victim. they're a power couple, she's barely given credit for her work alone). she has 13 minutes of screentime, or 10 if you count from her waking up in the outernet. there's plenty of opportunities to show her having flaws; maybe she acts a little selfish during tdl and tco's attack, only wanting to help herself and agent smith, or maybe she overworks herself, or feels awkward at having too much attention (and that could also be why she redirects so much attention to victim, she's shy). you could argue that the episode needs to develop victim and agent smith too, but ava4 shows that's easy to do too: just a few seconds dedicated to showing rgyb fighting over who leaves first shows that they can be selfish and childish. it's very easy to insert a moment like that for mitsi.

it's a little disappointing when the first major female-coded character in ava is completely flawless, with no personality outside of being nice and helpful for others.

also, slightly unrelated, check out this quote from mitsi's plushie website: "her white featureless face seems to ooze mystery and feminine power all at the same time." her main character trait, as a woman, is being feminine. it's irritating as someone who's been raised a woman to see her reduced to just her gender. she feels more plastic than a person, like the concept of what a woman should be (perfect, kind, useful) and not an actual character/person.

i would expect more from the writing in the series seeing as it's not just an independent passion project anymore, and has multiple writers that all could've worked to flesh out mitsi, or at least get a sensitivity reader of sorts to point these issues out. it's extremely disappointing and i can understand why people were upset.

tldr: the problem isn't just that mitsi's a girl, or that she's nice or dating victim, it's that she's written in a misogynistic way.

[tpwk-formula1]

Kinktober Day 5 - Corruption - LH44

Lewis Hamilton X Reader

I am more than willing to write a part 2 to this one shot as there was no sex in this one. I felt to keep the realism of the story it didn't feel right for the character to lose her virginity the same night she had her first kiss.

TW - Virgin, smut, oral (male and female receiving), NO ACTUAL SEX

WC - 3100+

Y/N POV

August 2024

Walking through the paddock I can't help but speed my way toward the Mercedes Hospitality knowing as soon as I got in there, there would be no more eyes on me. I mean I know realistically no one gives a fuck who I am but with all the hustle and bustle around me I can't help but feel anxious.

Once I am in the comfort of a quiet room in the hospitality I pull out my laptop and get right to work knowing I didn't have much time before I would need to be in the garage to take pictures for the official Mercedes accounts.

Being one of the main photographers for Mercedes definitely has its perks but being as quiet as I am it has been hard making friends with people.

As I am editing a photo of Kimi and George for Instagram I hear a soft knock on the door.

"Um, come in?" I stutter a little making it sound more like a question than a statement. When the door opens slowly I see Lewis's head peek in to see who was occupying one of the only empty meeting rooms in the whole hospitality.

"Oh hi Y/N," I hear Lewis say softly before he comes into the room and closes the door.

"Hi, Lew. How are you doing today?" I ask softly while still looking at my computer too intimidated to make eye contact with Lewis.

"I'm good, just trying to get away from all of the noise," Lewis tells me making me finally look up and nod my head softly.

"I get that," I tell Lewis softly finally closing my laptop to give him my full attention.

"What are you working on today?" Lewis asks me showing a real interest in my work.

"I'm actually working on more promotional photos for Kimi and George for next season," I tell Lewis making him smile.

"I've been working for Mercedes for the past 3 years and I'm gonna be completely honest it feels strange editing photos for the team without you in them," I tell Lewis for whatever reason. This makes him chuckle a little.

"Don't get me wrong, I'm happy you're doing what is best for your career," I double down in slight embarrassment hoping I didn't offend Lewis.

"I know what you mean. I don't think anyone even myself expected it," Lewis tells me in a reassuring voice to make sure I knew I didn't offend him in any way.

"I have a hard time grasping that you have worked for Mercedes for 3 years know and I feel like I barely know anything about you," Lewis tells me honestly making me smile a little.

"I don't think anyone really knows anything about me if I'm being completely honest," I tell him.

"Well tell me about yourself then," Lewis says with a smile on his face.

"Well, what do you want to know?" I ask back in a softer tone than I intended.

"Whatever you want," Lewis tells me leaving the ball in my court. I can feel my anxiety start to grow slightly from the pressure of having to tell him about myself.

"Well, I'm from Brisbane and grew up with 2 older brothers and a little sister. I always loved taking pictures when I was really little, so it makes sense that I went on to become a photographer. I moved out on my own only a year ago when my parents retired and decided to sell our house and travel the world forcing me to finally leave the nest. I always grew up really quiet which made it really hard to get through school but eventually I made a core group of friends. I'm so sorry I'm rambling," I finally realize I'm word-vomiting to Lewis.

"No I enjoy listening to you talk. Keep going if you'd like," Lewis tells me clearly interested in what I have to say.

"Well then, my dad was always into Formula 1 and even put my little brothers into karting but they both were shit and it was too expensive to get them the proper training and equipment to help them be good. I ended up being the only one into racing like him so we would go to the Australian Grand Prix together every year. That was when I knew I was gonna be a Formula 1 photographer someday. You were actually the first driver I ever met. I was like 13 and this awkward quiet kid and my dad had surprised me with paddock passes. You signed the hat I was wearing and just all around really sweet. You ended up winning that year and I was so excited," I tell him some more looking up to realize Lewis is smiling and clearly listening to every word I was saying.

"Oh wow, I knew you were young I didn't realize how young you were. I'm assuming that was 2015?" Lewis's comments make me nod and laugh a little.

"Ya I turned 22 back a few months ago," I comment softly which has him nodding his head.

"Tell me more, I haven't heard you talk this much and if I'm being honest I love your voice," Lewis tells me making my cheeks grow red in a blush. I don't know the last time someone had complimented me.

"Well, when I went to Uni everyone tried to convince me to pick a more reliable career, but I knew what I wanted. As soon as I graduated I started applying to every position in photography F1 could offer and basically, now I'm here. Uh, I've never had my first kiss, matter a fact I've never even had a boy frie-," I finally cut myself off realizing I was starting to anxiously ramble about the most embarrassing aspect of my life.

When I look up at Lewis in sheer embarrassment I notice a look in his eyes that I had never seen before. It wasn't a bad thing but it made my body heat up in a way I had never felt before.

PRESENT TIME

"Y/n can I kiss you," Lewis asks softly. We are standing in my small apartment after another one of the many dates we have been going since the day in the meeting room. After I embarrassingly spilled my guts about never being in a relationship Lewis matched my energy by admitting he had been in a relationship since the one he got out of in 2015.

A few weeks after that conversation and many more after he finally asked me out on a date. I was worried given our drastic age difference however over time I realized it wasn't a problem if we didn't make it one.

"Yes," I finally whisper out before feeling Lewis's lips graze mine softly. When he finally places his lips on mine and starts to kiss me I instantly start kissing back, not entirely confident in my ability but I knew that whatever I was doing felt good. I could feel the start of a heat rising in me, one I only felt when I was with Lewis but this time it was stronger that I had ever felt before.

This being my first kiss I lose my breath fairly quickly so I'm pulling back gasping in softly. When I make eye contact with Lewis I notice the look he gave me back in the office.

"Was I okay?" I ask nervously not entirely confident in my previous actions.

"Baby, it was perfect. But just to be sure should we try again?" Lewis asks softly making me laugh a little at how cheesy he was being. Instead of using my words I pull Lewis closer by his neck and crashing my lips against his.

This time when I part my lips slightly I feel Lewis slip his tongue into my mouth making me instantly gasp at the feeling before following suit and allowing my tongue to tangle with his. In the midst of out make out session I feel Lewis pick me up and placing my thighs on either side of his waist and moving us towards my room.

When we get into my room he softly lays me on my mattress.

"Is this all you want tonight?" Lewis asks me before he moves any further.

"No, Lew I need something," I tell him softly.

"Pretty girl, what do you need?" Lewis asks me back while looking into my eyes.

"I don't know how to explain it. I've never felt like this before," I tell him honestly. While I was completely innocent and had never even masturbated I can only assume this is what it feels like to be turned on but I'm far too embarrassed to admit it.

"I think you do know what you need," Lewis tells me urging me to be honest with him. I close my eyes refusing to look at him before I say, "I need you to touch me."

"Are you sure?" Lewis asks softly which has me opening my eyes and making eye contact with him.

"If you're sure," I tell him not wanting him to feel the need to do something just becaus I wanted something.

"No, this is about you. Are you ready?" Lewis says repeating himself but using a more stern voice and vocab.

"Yes," I tell him firmly when I get a sudden rush of confidence. I instantly feel Lewis's hands graze my sides slowly pulling my top up exposing the lacey white bra I had worn today. I lift my body slightly to allow Lewis to pull my shirt completely off. Once it is completely off Lewis immediately brings his hands down to my tits to grip them through my bra.

"Fuck Lew," I moan out the second I feel Lewis's hands.

Lewis starts kissing down my neck making his way to my covered tits but they didn't stay covered for long because Lewis was helping me sit up slightly to unclip and pull off my bra. Once I'm free from my bra Lewis brings his lips back down to mine where he slowly lays me back down where he starts his trail of kisses again.

When he reaches my tits he almost instantly takes one of my nipples into his mouth while playing with the other.

"Lewis," I whine out dragging his name slightly from the pleasure. I feel Lewis slightly smile against me before moving to the other tit to suck my other nipple into his warm mouth.

While he is still pleasuring my tits I feel him move his hands down to the jeans I was wearing where I could feel Lewis starting to unbutton them before slowly pulling them down with my already soaked panties. Once my jeans are fully off Lewis slowly trails his kisses from my tits down my stomach.

"Lewis, hurry up," I tell him while getting impatient with him.

"patience, pretty girl," Lewis tells me still not going where I want him the most.

I start to feel Lewis, ghost kisses all over my thighs making me gasps out in shock.

"Please," I whine out to Lewis growing more impatient by the second.

Lewis finally brought his mouth to my pussy taking a long strip from my virgin hole to my aching clit.

"Fuck, Lew," I gasp out the second his tongue grazes my clit.

While Lewis was keeping a steady pace he was eating me out like it was the last meal he was ever going to eat.

"I think- fuck Lewis, something's happening," I stutter out when I feel an overwhelming pleasure I had never once felt before. My words only spurred Lewis's movements to pick up pace bringing me closer to the edge.

"Oh, fuck, fuck," I moan out the second my body was thrown over the edge for the first time ever. Lewis continued to eat me out to help me ride out my orgasm that felt like it was going to last forever.

When I finally come down from the intensity of my orgasm, my legs still shaking from the intense pleasure Lewis lays down next to me pulling me into in chest.

"Thank you," I whisper out to Lewis not really sure how to have pillow talk. Lewis just chuckles a little before placing a kiss on my forehead.

When I shift around a little I feel something poking my side. When I reached down to see what it was it had Lewis gasping at the touch. When it finally registered in my brain what I was touching I make eye contact with Lewis while still rubbing him threw his jeans.

"Y/N if you keep doing that I'll cum in my pants," Lewis gasps out through a light laugh.

"Then take your pants off," I finally gather enough courage to take the lead knowing if I did something wrong Lewis wouldn't judge me.

"This was about you tonight," Lewis tells me while his breathing began to grow labored signifying he was growing closer to cumming. When I realize he wasn't going to help me help him out I sit up all the way before climbing on top of Lewis and sitting on his legs so I can still unbotton his pants and pull his hard cock out of the jeans that had grown to be comfortably tight. at some point in the night Lewis had lost his shirt, making it easy to place soft kisses all over his chest.

Once I finally get Lewis's hard cock out of his jeans I look up to Lewis and ask, "I wanna make you feel good, please."

"Fuck, whatever your comfortable with, pretty girl," Lewis finally says giving me full permission to explore his cock and body.

I take my time exploring Lewis's body with my mouth. Spotting tattoos I had never seen before, which I softly traced with my finger before making my way down to his cock which was starting to leak precum with how hard he was.

I slowly start jerking his cock off while holding eye contact with Lewis. I can see how Lewis's breathing was starting to pick up again before his eyes rolled back signifying he was experiencing pure pleasure. When I realize his eyes were going to stay closed I decided to shock the both of us by leaning down and pulling the tip of his cock into my mouth.

The second my tongue started teasing his tip Lewis's eyes flew open realizing it was no longer my hands that were touching him.

"Y/N what are you doing," Lewis gasps out when I start slowly taking him further in my mouth trying to test the waters. Instead of answering him, I start bobbing my head trying to bring him more pleasure.

"Fuck, so good baby," Lewis moans out which only encourages me to go faster, which resulted in me going a bit too fast and hitting my gag reflex making me gag quite hard around Lewis's cock which instantly had Lewis gathering my hair in his hands and pulling me off.

"You've got to take it a little slower, pretty girl. This isn't some kind of race," Lewis tells me while I'm still gasping lightly for some air while allowing a couple tears to fall.

"I wanna make you feel good, besides, I kinda liked it," I admit making my cheeks heat up. I can't believe I just admitted to enjoying it when choked myself on Lewis's cock.

"You liked it huh?" Lewis teased me slightly making my cheeks grow more red.

Instead of answering him I went back to work with my mouth this time being a little less cautious with my movements which resulted in me occasionally gagging around his cock.

"Who knew my pretty girl was such a dirty slut," Lewis moaned out making me moan out around his cock from the degrading word.

"You like being called a slut don't you?" Lewis questioned which had me nodding my head the best I could with my mouth still full of his cock.

It doesn't take long before Lewis is grasping my hair to try and pull me off his cock.

"Baby, if you keep doing that I'm gonna cum in your mouth," Lewis gasped out while still trying to pull me off but instead of pulling back I pushed my head down as far as I could making me gag and choke a bit around his cock. This sent Lewis over the edge making him cum straight down my throat. He's still cumming when I pull back slightly to bob my head a little to help him ride his orgasm out the same way he had done to me.

When Lewis was done cumming I pulled off his cock with some of his cum still in my mouth.

"You can spit it baby," Lewis tells me softly but instead of listening I swallowed down every last drop and even licked the little bead of cum that was still left on the tip of his dick.

"What the fuck," Lewis gasps at how the girl who never even kissed a boy an hour ago was now licking his cock clean.

"Was I okay Lew?" I finally ask once we are cuddled up comfortably.

"Are you sure that was your first time?" Lewis joked clearly having enjoyed himself.

"Ya, I liked it though. I wanna do it again and again. I liked when yo called me the dirty name too," I tell him too embarrassed to say it myself.

"I don't remember what I said," Lewis says clearly wanting the dirty words to slip past my lips.

"I- uh, well you called me a slut," I whisper out which makes me realize how insane I was for enjoying such a term.

"Ya? Do you wanna be my little slut pretty girl?" Lewis asked softly making my thighs clench together. I just nod my head too embarrassed to say it again.

"No, I want words. Who are you?" Lewis said a bit sterner than he had ever talked to me before.

"I'm your dirty slut, Lew," I tell him while making direct eye contact with him. While I was embarrassed to say it out loud I couldn't help but bask in the pleasure it was to say that. I enjoyed being a little slut for Lewis and while I was still a virgin I couldn't help but be excited to explore everything more with Lewis.

"Get some rest pretty girl with a mouth and pussy as good as yours I will be going in for seconds before the clock strikes midnight," Lewis tells me making me cuddle further into his side and falling into a light sleep. Lewis kept his promise, by morning time he had managed to make me cum a dozen more times with just his mouth and fingers.