#there's something about ships with protagonists that compel me

[guujikaroko]

I gotta say, the relationship between Wanderer and Lumine is incredibly intimate in the weirdest way possible.

Like, she knows the trajectory of his entire life. From the abandoned puppet to the wandering eccentric to the nihilistic Harbinger to the simple drifter. She's seen the memories of 80% of all that AT LEAST.

Lumine has met his facets, pretty much all of them; outward appearances, masks, festering negativity, sorrow, fury, the deep void beneath it all, and what came after too. She has seen him at his very, very worst and has seen him crawl out of there and stand up.

And the Wanderer is... Pretty much okay with that? He doesn't mind at all?? There's isn't embarrassment or anger or anything that implies he might not be comfortable with the Traveler knowing him from inside out??? In fact, since he asked for her to name him, I'd say he pretty much encourages it????

This has kinda been driving me crazy for a while because since when do you get along so well with her, my dude? Was this an Enemies to Lovers thing for you? Are you on the tsundere phase right now? Is she even aware at least?

[valyrfia]

top five lestappen moment on track or off track from you to change the vibes

You do know how to sweet talk a woman.

5. Lestappen Monaco 2024 hug. Biased because I just have fond memories of this one including but not limited to me putting my phone on the table in a coffeeshop and sliding it across to @thearchercore like it's a particularly sensitive piece of blackmail, but there's literally zero reason looking back on it for Charles to have gone in for that hug. He didn't do it for his future teammate, why Max? WHY THE WAIST? MEN DON'T KNOW THE WAIST EXISTS? It's compelling as hell, and raises a lot of open questions that's for sure.

4. The Austria 2023 wink that's been immortalised across a thousand thirst edits. Charles' entire face goes laser focused the second he sees Max, he winks, proceeds to say good job, Max blushes like Bridgerton protagonist. What's best is that I've seen this in every single Charles thirst edit ever and everyone is slightly ?! when they discover Charles was doing all this at MAX.

3. On track sex at Silverstone 2019. Each other driving like madmen and Charles coming to press afterwards grinning ear to ear saying it's the most fun he's had in his career. Compare to Nico Rosberg's most recent comments about being terrified driving wheel to wheel with Max because Max is a nutcase. It's proof that Max and Charles are able to race each other like no one else, it's the thesis of the entire pairing.

2. The first padel date in October 2023. Lives were changed. Something shifted. Lestappen Gate 2023 began. @tsarinablogs was on a place and I was freaking out in her undelivered messages. Internet went wild. First inkling they might actually be proper friends. What a time to be alive.

1.The 2023 Vegas double interview. With the marriage jokes flying about that weekend it was just perfect timing. Max and Charles' little nerdy racer 'come in', 'copy!' back and forth, them answering questions like a couple while being perfectly weird about each other. I miss them. It was peak Lestappen (so far!) and we didn't even know it.

+1 honourable mention to Austria 2022. I can't not include this iconic moment. Max beaming like HE'S won the grand prix, the sex tape on the podium. It's a Lestappen cornerstone and cemented itself and the ship in the F1 RPF history books.

[stop-breaking-my-heart-telltale]

a brief retrospective on Louis and Violet as love interests, Clementine's bisexuality, and the fandom's continued insistence on fighting over this

In December of 2019, I made a series of posts called "An Explanation of Why Louis and Violet are Both Excellent Love Interests" that explored my feelings on the topic after seeing a lot of fighting in the fandom over who's better; who is the "right" choice for Clementine?

The answer is simple: there isn't an objectively correct choice.

I compared Louis and Violet to the romantic options in other games, including Life is Strange, Persona 4, King's Quest 2015, and Catherine, as well as TWDG: A New Frontier. I wanted to show how much better TFS handled the romance versus those games, why we should be grateful for what we got since it could've been a lot worse, and how the fighting over who's "right" was a waste of time.

I suppose it's only fitting that I'd be driven to revisit this topic after seeing fans continue to argue amongst themselves over this years later in the trenches of a weakening fandom.

Just when I think I'm done writing pieces for TWDG, some random redditor writes an essay about how violentine only exists for "woke points" that grabs me by the throat and throws me down. Then another will insist that clouis is abusive since Louis voted against them in ep2 in their own essay and I'm dragged back here, kicking and screaming.

While I think my previous Excellent Love Interests posts about this are on the juvenile side, I do still agree with my main point: Louis and Violet are excellent characters who make for compelling love interests. The fact that we got them both, that we were given the choice, and that they're as well done as they are, is something I don't think we appreciate enough. Hell, I don't think we even appreciate that Clementine's a canonically bisexual protagonist as much as we should.

We're too busy trying to one up each other with, "Well, actually, clouis is superior because of this and this," and "no, you're wrong, violentine is actually better because of this and this," and sometimes a wild non-shipper will appear out of nowhere to slap down an, "actually, you both suck, singletine is better."

It's sad that this is what fandom inevitably defaults to, always. It stops being about the game we love, the thing that brought us here, and it becomes a pissing match.

Doesn't matter what fandom it is; we end up projecting too much of ourselves onto fictional characters, investing too much of our time into ship culture, hyper-fixating until it becomes part of us... and let's be real, sometimes it's in unhealthy ways.

So, when someone else attacks the things we're attached to, it becomes a personal attack... and when we feel threatened, we become defensive and retaliate... and sometimes, we take it too far and target others out of insecurity, to feel validated, even if it means going after someone who is just minding their own business.

Also, I think some people are just assholes who want to piss on everyone.

Because of this, I would like to discuss Louis and Violet as romanceable characters, why they're both important to TFS no matter who you choose, why Clementine being a bisexual protagonist matters, and the fandom's continued insistence on fighting over this.

For many personal reasons, I've always been trepid about being open with my sexuality as a bi woman. I've done a lot of reflection this year on why that is; internalized misogyny, the biphobia that lingers in the queer community, insecurities, regrets, how I tend to be harsher on female characters over male characters, why it took me so long to not feel afraid of engaging with queer media, admitting I was wrong about so many things I've said in the past, how it's all affected my writing, etc.

When TFS released and I made this blog, I had already accepted my bisexuality but was in no way public about it, not online or in my personal life. But playing the first two episode of TFS, being presented with both Louis and Violet as potential romantic partners struck something inside of me.

Yes, I picked Louis; we all know I'm a major clouis shipper at this point, and if you're new here, then now you know, too.

But it's the fact that Violet's also an option, that with just a few different button presses, Clementine could've fallen for her just as she did with Louis; that there's evidence in game that she shows interested in both of them no matter your choices; that no one in-game judges Clementine for who she chooses to be with... that meant something to me in a way that it hadn't before.

TFS wasn't the first game I played with a bi protagonist; in Excellent Love Interests, I compared Louis and Violet to Life is Strange's Chloe and Warren. I have a lot of mixed feelings about the first LiS game overall, but I've been quite open about my dislike of Chloe and indifference to Warren.

Chloe, to me, is everything I dislike in a love interest, predominately in wlw. 2023 was the year of "CJ dives into sapphic literature and it's a 50/50 chance of striking gold or gettin' hella eaten by disappointment, shaka brah." Meaning I've read a lot of wlw novels, and all the ones I hated featured a Chloe clone, sometimes done even worse.

And Warren? I'll be real honest with you- I couldn't even remember what his name was when I started writing this. I had to go back and check. That tells you what I think of him, no?

So, LiS didn't strike me the same way. Sure, I knew Max was a bi protagonist and that's great, but the choices weren't appealing to me. This was when I was a teenager still somewhat in denial of my sexuality, which most definitely contributed to me being uncomfortable when faced with a wlw relationship portrayed in-game, especially when I found myself wishing Kate was an option for Max... but y'know, "shhhhhhh if I don't acknowledge it, it doesn't exist."

When the first episode of TFS released, I was older, I was no longer in a not-so-great relationship, and had better accepted who I am. The first episode does a great job of introducing you to Louis and Violet, and giving you the opportunity to spend more time with the one you're interested in.

I actually really liked them both when ep1 dropped, but I've always had a preference for a character who is kind, deflects with humor, and tends to be picked on by the rest of the cast... so it was inevitable that I'd stick with Louis. Though I won't discredit Violet in ep1, or the rest of the game, just because I didn't choose her in the end.

That's one of the best things about Louis and Violet as options; they're opposites, yet alike in many ways. They have their appeals and charms. They're flawed. It never feels like a "love triangle" situation where they're fighting over Clementine. Louis and Violet are friends who have known each other from before the walkers came. It's refreshing to have two characters who are interested in the same person but don't go for each other's throats over it. When they do argue over her, it's more to do with AJ shooting Marlon and whether it's safe for the group to let them stay.

I can't fault anyone who struggled to pick between them. When someone talks about who they picked and why, it's all about the player's preferences.

It's your choice to make, and no matter what, you're not wrong for it.

This season concludes Clementine's story, regardless of what some comics will say. It's the last fight. It's her happy ending. She and AJ finally found a home, a family.

I've played these games since S1 came out in 2012, over ten years ago. Clementine holds a special place in my heart. Not only did this important character have a great final season [despite Telltale shutting down and TFS nearly being left incomplete, remember] but she's also revealed to be canonically bisexual.

They didn't release the whole season and then as an afterthought be like, "oh yeah btw she's bi, she has oneline of flirty dialogue with this character so see? we did good rep."

Yeah, I'm side eyeing you, ANF.

They didn't try to hide it. They presented it to the player unapologetically and made a conscious decision to exclude anything biphobic from other characters... which meant a lot to me.

Biphobia is real and it's not that I don't want it explored well in media, but there's something appealing and safe about a game with a bisexual main character who isn't questioned about it negatively; "You're bi? Doesn't that mean you cheat on all your partners?"

To give a compliment to Life is Strange: True Colors, I had a similar feeling in that game, too. Alex is openly bi, she can date either Steph or Ryan and no one questions the "legitimacy" of her bisexuality.

Because that's always a thing on top of everything else, y'know? "You're a bad bi unless you're with the 'gayer option.'" "Bisexuality isn't real, you're just confused." "I don't date girls who've been tainted by a man." "Oh, you're into girls? How about a threesome?"

Violet never turns her nose up at Clementine for admitting she had a crush on Gabe. Louis isn't ever gross about Clementine and Violet getting close. It speaks volumes for their characters and how accepting they, and everyone else at Ericson, are of Clementine no matter who she chooses, if anyone.

That acceptance, even if it's just in a game, means more than words can express to queer players who don't feel that acceptance in their daily lives.

Which means it hurts all the more when it comes to the fandom's own display of biphobia; "You're bi but ship clouis? Why ship something hetero when violentine is right there?" "Well, MY Clementine's straight because she picked Louis! Stop forcing the gay onto MY Clementine!"

Clementine's important to all of us. Why do you think so many people are pissed about the comics to the point of spewing disgusting bile toward Tillie Walden? I've said my piece on that plenty times before, so allow me to say it on this; the representation of bisexuality in Clementine is beautifully woven through TFS in ways that are subtle yet impactful, and I thank TFS for giving that to us.

One argument I've come across recently against Clementine's bisexuality, and violentine in general: "blegh they only included violentine/made Clem bi for lgbt points." y'know... as if that's a bad thing.

It bothers me because A. saying "I'm not homophobic *but*-" and then making a homophobic argument against violentine while insisting that Clementine's bisexuality came out of nowhere and was forced is icky, and B. I know I've said similar things about violentine in the past. I know I used to argue that violentine's underdeveloped, yet the devs pushed it to the forefront over clouis to pat themselves on the back for doing representation, etc.

I don't believe that anymore; remember when I brought up people making arguments out of insecurity? Yeah, that and being lowkey bitter that violentine got more dev attention than clouis sometimes even though like... that doesn't matter? It literally doesn't matter. That's what I meant when I said you get so invested that certain things feel like a personal attack when they're not.

Some of the developers of TFS are queer people. They probably wanted a bi protagonist with a wlw option because that representation is important to them and they had the opportunity to express it, not because they were trying to get "points" with anyone. Go listen to the commentaries for TFS; they talk about violentine with nothing but positivity, and they didn't do that to shade Louis or clouis shippers. And if you do think they did it shade fans, then maybe stop and consider why; do you actually believe that or are you annoyed that your fave wasn't the center of attention?

On the flip side, I also want to say that gloating and insisting that violentine is the better/right choice because of these things is also unpleasant and untrue. It sucks when it feels like things are biased against you and it sucks even more when that bias is weaponized by other fans to beat you down.

But honestly? If you need this much validation on your opinions about fictional characters, maybe you should stop to think about why that is and what it says about you, yeah?

Truly, this whole clouis versus violentine thing is irritating at best, vile at worse. Thankfully it doesn't happen as much on tumblr given the state of the fandom, and everyone's at least agreed that no matter their feelings toward each other, clemricca is worse. So, that's something, I guess.

I think the best way I can put this is you don't get to dictate what other people think and feel. Being passionate is great until it becomes an excuse to be an asshole. Not everyone is going to agree with you and you need to put your big kid pants on and accept that.

I'm under no impression that the fighting will ever stop, even when this fandom is dried up with only bones and memories haunting its desert... but at the very least, I can point some of it out and ask that we do better than this.

The focus gets lost in the fighting, and that focus is Louis and Violet themselves. Y'know, the two this retrospective's about.

Remember when I talked about Persona 4 in Excellent Love Interests and how much it sucks when the person you want to romance isn't actually an option--?

Hmm? What's that? Ah, yes, right- @pi-creates insists I add that TFS and Persona 4 actually are the same because Aasim wasn't an option and they're still bitter about that... but this isn't about Aasim, that's a topic for another day. Sorry Pi, but thanks for the screenshots used in this retrospective👍

Anyway, TFS gave us two excellent choices, and it would've been worse off had it only given us one of them, or none at all.

Louis wears charisma as a mask and uses humor as a shield to deflect. Violet, for as quiet and standoffish as she first appears, has a heart she's both eager and reluctant to share.

Louis is warm curtains of sunlight seeping through the murmuring woods of green leaves and little song birds. A heart carved into the rustic wood of an out-of-tune piano. Music echoing in the early morning hallways.

Violet is the glow of a full moon that illuminates still waters so the stars can dance in its reflection. Paint smeared over finger tips to offer a piece of herself meant to be worn. Constellations of stars named in secret.

They're both lonely people, often misunderstood by the others at Ericson, and sometimes by each other. They want to be known. They want to be seen.

But fear is a powerful wall to overcome.

And that's the beauty of choice. You get the impression of knowing them in the beginning, but it rarely breaks surface tension; Louis is nice and funny but undependable, Violet's rude and reserved and a little awkward. Neither are outspoken about any issues around Ericson, content to keep their heads down.

Clementine has to make the effort to know them, and the game establishes this by asking you an unassuming question: do you want to go hunting with Louis or fishing with Violet?

Clementine either makes an effort to understand Violet's feelings toward Brody and why she's so mean to her, and try to help her through it... or she doesn't listen to what Violet's saying, is dismissive, and ends up making things worse.

When Clementine goes hunting with Louis, she has to make the decision to spend time with him or ignore him in favor of hunting, and should she choose him, he opens up to her just a bit.

Then comes the confrontation with Marlon at the end of the episode where Clementine has to make the choice of who to appeal to. The gravity of this choice is often glossed over, I think.

Marlon has a gun pointed at her head, and she pleas for Louis or Violet to step in and save her. Both are hesitant because of course they are! They've known Marlon longer, he has a gun, and he's using manipulation to scare them into submission; he uses his friendship against Louis, and Minerva against Violet.

But when Clementine gets through to them? They stand between her and Marlon in rather in-character ways; Louis eases in with his hands up, attempting to deescalate the situation while Violet pulls out a weapon and demands he back off.

They risked getting shot. They risked death. They knew what was happening was wrong. They didn't want Clementine to die, they didn't fully believe Marlon's bullshit but were too scared to step forward until Clementine asked them, too. In that moment she basically told them, "I trust you. Instinct tells me you are the one who can stop this. My life is in your hands."

This choice changes them, and this moment ripples through the rest of the season. It makes perfect sense that Louis would be upset over Marlon's death and feel unsafe with Clementine and AJ there whereas Violet sees the death as justified and Clementine and AJ shouldn't be kicked out over it. It's an overwhelming situation for everyone.

I've talked about ep2 and the vote until my lungs nearly collapsed and I saw the gates of Hell over the horizon... but that's fine, I can talk a little more about it and maybe this time the flames with cleanse me of my sins or something.

This is where the fighting really began, and I shouldn't have to say it again, but I will anyway: There isn't an objectively correct answer here, there's only personal preference.

Louis and Violet take very clear, opposite stances on this situation. I think they're both a little wrong and a little right; they shouldn't ignore that AJ killed Marlon, but kicking them out isn't the best solution either.

As a clouis shipper, I happen to like the way these events play out with Louis' vote. But not everyone feels that way. For some, Louis' vote is a deal breaker, making Violet the more appealing option given she voted for Clementine and AJ to stay.

Do you want a girl that's been by Clementine's side from the beginning and was vocal about keeping her and AJ here?

Great, Violet's the choice for you. Enjoy the lovely moonlight and constellation mini-game.

Do you want the extra angst of a boy who made a vote he comes to regret and then does everything he can to apologize and make it up to Clementine?

Wonderful, here's Louis. He'll play you a song he wrote and then name it after Clementine, it's very cute.

While on the topic of ep2, I also want to discuss the episode's final choice of saving either Louis or Violet and the consequences.

You know how in other games, say like massive RPG's with "good" and "evil" choices you can make that end up defining your character? You know how sometimes people question why developers even bothered putting those evil routes in since a majority of people will choose to be good? This isn't a new topic of discussion, but it's relevant to my point- they do it because the option to be evil makes the choice to be good more impactful. If you do choose to be evil, you did it knowing you could've been good and yet you decided chaos was the way to go, and now everyone and everything around your character suffers.

I don't think it only applies to binary "good" versus "evil" choices, either.

TWDG is great with its "You can only save one of them" choices, even if they usually fumble with the consequences in later episodes.

When I'm faced with this choice to save either Louis or Violet, I don't save Louis just because I like him more. Sure, initially that's why I saved him on my first run... but then the rest of the season came out and I learned the consequences of the choices I did and didn't make.

Knowing that he'll get his tongue cut out if I don't save him makes me all the more anxious to choose him. And I know violentine shippers are gutted knowing that if they don't save her, she'll feel so betrayed that she turns on Clementine and in the end is blinded in the boat explosion, so they're just as eager to save her.

But all of us have to live with the consequences of what happens to the one we didn't save, too. We made the decision to save the one we love at the cost of hurting the other we didn't love enough. You can't save them both. You're forced to hurt one of them in order to protect the other.

And it doesn't even stop there. TFS isn't done twisting the knife.

Mere moments before you have to make the choice to save one of them, Lilly's standing over Clementine with her finger on the trigger... only to then be tackled by the person you didn't choose to spend time with.

They just saved Clementine's life only to be dragged away by their neck, and the game asks you what that's worth: They got captured saving you, so do you save them in return or do you remain loyal to the one you chose before?

And when you know the consequences of both routes, when you know Louis will have his tongue cut out and Violet will have her eyes burned?

Louis and Violet are good people at their cores who only wanted to be understood and loved, and no matter what, you have to abandon one of them for the other... and they are left physically and mentally traumatized because of it.

But wait, there's more. The one you didn't save will always survive to the end and act as a constant reminder of what you chose... but the one you saved? If you don't trust AJ, then you'll be forced to watch them get torn apart and eaten alive by a herd of walkers. The only way to save them is to trust AJ so that he shoots Tenn.

A child has to die in order for you to save the one you love again, a choice you indirectly made.

The ending shows you the one you didn't save, and it shows you Tenn's grave... and it presents a quiet question: was it worth it?

Would you make those choices again?

That's the power Louis and Violet bring to TFS.

That's why the choice matters.

We justify trusting AJ because we'd rather see Louis and Violet live over Tenn, knowing we're taking away the best friend AJ's ever had and allowing Minerva to get her way. We save Louis knowing that it breaks something inside of Violet and results in her permanently losing most of her eyesight. We save Violet knowing that we'll find Louis bloody and sobbing in the cell after having his tongue cut out of his mouth.

And we argue about it amongst ourselves even though it's all fucked. There isn't a true happy ending here, not for everyone.

Louis and Violet stand on their own as great characters, but you only get the true depth depending on how you play. They're excellent love interests because they care for Clementine. Through their relationship with her, they grow as people and find the acceptance and love they're starved for.

It's not perfect, but it honestly doesn't need to be. There was care woven into these characters. Both routes have a wide appeal. That means something to so many people.

I know we as fans often will say we wanted more, we wanted this and that, we wish this was different. It's not a dating sim where the main objective is to woo them. It's not a massive RPG with hundreds of hours to explore every nook and cranny of their characters. This is a Telltale game. It's a narrative with Clementine and AJ at the forefront, and it's up to you whether you want Louis or Violet to share that spotlight.

It's a story about Clementine finding a home, about molding what kind of survivor AJ comes. It's about Clementine meeting two broken people with glass shards at their feet, about her glass mixing with theirs. It's a game about choice; which glass pieces do you pick up, and which do you step on?

We should take more time to appreciate Louis and Violet. We should share our appreciation for the development team for giving us a bisexual lead with two great love interests, especially since we almost didn't get TFS in its entirety; we can hate Skybound as much as we want for the Clementine comics, but without them, this team wouldn't have been able to finish the game they were clearly passionate about.

We should have more self-awareness and try to understand why we like and dislike things without targeting others.

In conclusion?

I think they're both neat 👍

[aranarumei]

you listed gsnk as an option and my dopamine receptors lit up. What dyou think about mikorin and mayu

ask me about a ship and I’ll give my opinions + classify them as does / doesn’t make sense, does / doesn’t compel me

heyyy surprise for you. yeah i actually was cleaning up my notes app today and realized I'd answered this and never posted this lol. gonna start off with a does make sense, does compel me and continue under the cut.

okay. hear me out. for a period of time I genuinely believe mayumiko was the gsnk duo closest to being, like, romantic. in a sense. horikashi, nozachiyo, and wakaseo have sure got a lot of development since then (in ch 60, kashima avoids hori and we get a REALLY good moment out of it) but like. just one chapter before that, we have ch 59. one of my favorite chapters. and at that point, I feel like the main couples have had their setup and they're really fun and comedic, but there hasn't been much... advancement, in a sense?

and then we hit ch 59, where "mayumayu" (nozaki mayu, who's been conned into posing as a girl) and "mamiko" (mikoshiba mikoto, who's posing as a girl so that he's not a creepy guy commenting on mayumayu's blog, unwittingly using the name of the protagonist of let's love by nozaki umetarou under alias of yumeno sakiko without knowing that he's the inspiration for the character's personality) basically immediately hit it off over text. seriously, past the first couple of texts where there's a bunch of people commenting on it, all they say is that they'll instantly reply to any texts that come their way. what commences is a hell of texting, probably, but it is a LOT of texting that happens. and that's not something that can be empty! both mikoshiba and mayu seem worn out by the amount of time they spend on it, but they don't seem worn out by each other in the slightest, judging by the fact that in ch 89, not only is mikoshiba still regularly checking mayumayu's blog, he's getting texts with extra art and well-wishes for his exams! they talk to each other about their lives! and it's not something that exists only online, too... mayu and mikoshiba are genuinely and obviously good friends outside of their online identities.

I'm aware not everyone sees it that way, but like, to me, ch 59 was like the most outright romantic the series had gotten. so it's very special to me. so is mayumiko! mayumiko’s so fun because they’re both soooo cool and soooo uncool. but while the mayumiko situation is objectively hilarious, the way they're friends is like... surprisingly understated? it's just something that happens and it works for both of them, even when it seems like it shouldn't. like, let's be real, mikoshiba can be kind of annoying, and mayu can be kind of grating. despite that they end up being really comfortable with each other. like. no wonder they could keep up that texting chain. they just click in general.

so we meet mayu in ch 33, and in ch 37, mikoshiba runs into him, and they've got this fun chapter together where miyako both compares them to cats. then in ch 49, mayu gets mikoshiba to lend him his... questionable? sure. questionable manga. calls him mikoto-san. and it just kind of... happens, them being friends. since they both hang out at nozaki's place. it's neat. in ch 64, post-The Incident, mikoshiba's comfortable enough to ask mayu for help with working out. and mayu knows mikoshiba enough to shout out the specific name of the fake high school from one of the games mikoshiba likes (sure, it's a super popular galge, but that's a strange thing to know well! especially for a guy who's traditionally lazy about everything but judo)

then of course we get to the mayu chapters where he's just so. iconic. in ch 76, mikoshiba needs to bring a guy to the mixer and then after nozaki rejects him sakura's like, ask mayu, who's been on the floor this whole time. side note i think its cute that when mikoshiba asks mayu, he calls himself "mikoshiba-nii-san." and mayu rejects him at first (also using "mikoshiba-nii-san" lol), but he ends up going once he's told he doesn't have to do that much work. and then he grills a girl about her boyfriend bc she says he does judo. and then tries to get some guy's number because he's apparently strong. judo freak (affectionate). and then, of course, as mikoshiba's thinking that "ah, they totally think mayu likes guys, but i guess it's fine since he doesn't seem to care" and when he's surrounded by girls mayu jumps in and says "he's mine," just like nozaki's shoujo manga advice had told him to do. love that for them. in ch 81, though it's a pain, mayu goes along with the idea that all the stuff in the back room is his and not mikoshiba's (though maybe he thought it was more of a pain to explain) and when talking about dating sims, mayu says, "well, guys or girls, both are pretty similar." love that guy for real.

then, in one of the moments of all time that make me insane, in ch 94, seo's pinning mikoshiba, and suddenly goes, it's boring without waka (makes sense! he's normally the guy she pushes around like this) and mikoshiba's like. oh! that's right! I haven't gotten a souvenir for mayu yet! (makes... sense...? because. because he's getting PINNED??? and we KNOW that mikoshiba hasn't done judo with mayu because it happens for the first time in ch 135, where after some really nice moments, mikoshiba sheepishly asks if mayu wants to try throwing him around too. it's a weird expression of care and also the fact that they're still friends after this fact, considering the violence nozaki translates it as, is a testament to their friendship.)

also in the extras for that volume, we see mikoshiba got him a smartphone case, which sucks because mayu's got a flip phone (though it's better than the hairpin nozaki got mayu) but then when mayu figures out a use for that smartphone case, he runs to mikoshiba to give him the good news! 'cause mikoshiba was sulking before... they're fun.

i think I've already said this but they really are close. and i think mayu's kinda clingy. in ch 114 when kashima rei asks to talk to him again, he's like, "go through mikoto-san." in ch 128 we find out that mayu shows girls in his class photos of mikoshiba so they make sure he doesn't get caught napping. this begs the question: HOW did this arrangement exist in the first place? because there's no way I can think about it that doesn't involve mayu and mikoshiba being at some level of closeness. and there's no way mayu can get so many nice looking photos of mikoshiba without being close to him. and in that same fucking chapter when nozaki’s making posts for his blog and turns mikoshiba into a girl, people think that he and mayu are dating. like oh my god. even in gekkan shoujo nozaki-san, when the main cast is meant to be a bit older than the canon timeline, mikoshiba and mayu are hanging out together at nozaki's place. and when mikoshiba and nozaki are getting all chummy with miyoshi, mayu walks in and he's like. ah. a challenger emerges (because he presumably wants to be pampered instead). my point is that they're close they just hang out. it's comfortable, which says a lot for both of them.

in ch 59 mayu's friends are like. his type is 1) someone who's stronger than him at judo or 2) someone older who'd take care of him and. mikoshiba's not #1 but he is #2. those two can be pretty sweetly considerate actually. as we see mayu gets dragged into quite a bit of stuff and does it. in ch 101 he actually finishes up the chapter of let's love while everyone's fallen asleep. and in the vol 14 extras mikoshiba gifts a water plant to a guy he barely knows. just because. so I feel like they're both sweet people underneath it all. and extra fact about ch 59 i know you'll feel crazy about. kobayashi (the guy who actually runs the mayumayu blog) calls mayu maa-kun. i am not joking.

anyways to me mikoshiba and mayu are both this weird security to each other. mayu’s someone who doesn’t care abt social graces and mikoshiba’s someone who cares too much. but when they’re weird to each other it’s like they accept everything. and I just think. despite all of the mistaken identity drama it’s like. idk. they just like each other. they just get along well. and for mikoshiba who’s so awkward with girls, this works out well. also the way that in ch 144 his fav ever gacha character is this kind of gloomy and lazy girl… fascinating thing you’re being charmed by. what a taste you have.

so in the end despite all of the wild situations i think it’ll be simple. mikoshiba will think a little too much and mayu a little too little. but they've gotten along well for so long that I think this will go pretty well, too. it'll just be a feeling that grows kind of slowly until it works for the two of them.

[zadr-day]

Why ZaDr?

Think of every worthwhile rival ship that has ever existed; dip it in a poison coating of cynical worldbuilding, sprinkle it with a topping of shunned existence, and let the devil kiss it with a waxy pair of slimy, scifi alien lips. Only then, will you  have yourself a sample of what ZaDr has to offer. These characters are compelling in themselves; one being a bizarre and paranormal obsessed clone of Earth's greatest scientific mind, the other a malfunctioning spaztic robot ant from beyond the stars. Each of them ostracized, for one reason or another, largely by virtue of their own passionate past mistakes.Those mistakes, failed efforts to be seen as worthwhile, to be praised, to be loved. But then you set them against each other, as enemies. As mirrored foils. Neither of them in the right, gray morality reigns supreme as they are  purely obsessed with their own selfish reasons for self aggrandizement. Anything “good” that might happen as a result of their actions is always cast in the light of unintended circumstance. The true fight is with reality itself, while the sharp end of that crushing conflict is pointed towards the only one who could possibly understand what they’re going through. In the world of Invader Zim, every mentor, leader, parental figure, teacher, adult, child and Invader, feels more real by virtue of misanthropic absurdity. Their inability to provide the support and guidance for the main characters to function in a healthy way, is so very like the absence of nurturing many people feel in their youth. To anyone who has experienced life at its worst growing up, these caricatures of the real world provide a powerful sense of being seen. There is something radical about a story that isn’t written with any other moral than “ this living in society shit sucks”. That speaks to people, and continues to speak to me. ZaDr has always smacked of tragedy, in that you know things will end badly for everyone involved, but it’s still impossible to look away as everything is set ablaze. Two headstrong protagonists, locked in a battle of opposing wills and addictive delusion. It makes the sweetness sweeter, it makes the pains of grand fantasy ache deeper, knowing that these two characters are ultimately fighting losing battles for pitiful reasons.The denial of personal failure, the stubbornness to find purpose. In all of reality, all they truly have is each other. To see that dynamic and ship them is to say that love is possible even in the most dire of circumstances. Time and time again I find myself returning to ZaDr. I think something about the dynamic speaks to the part of us that knows things are wrong and that the fight against it is worthwhile. And that struggle, while futile, can still hold a tremendous amount of personal importance. It speaks to failing, and having the strength to get back up to try again. No matter the odds. For a pairing hated by its own creator, the fixation that Zim and Dib have on each other is an undeniable magnetism seen by the fandom since the launch of the cartoon, all the way back in 2001. This ship has staying power, and after over two decades has failed to fall into total obscurity.  Those touched by its effects have gone on to create resonant, deeply meaningful works. This blog, and the posts that I make on the topic, are my way of giving back to the ZaDr community. By displaying the stories of triumph and tragedy put forward by the IZ community, I hope to welcome new fans and give back to long standing fans by providing a living archive and blog space. I look forward to sharing the wonderful talents of so many artists with you all. Happy first ZaDr day of many

[glitchinginthegarden]

8, 16, 23 for the violence game 😉

-> choose violence ask game

you're gonna get me ostracized, thank you lol

8. common fandom opinion that everyone is wrong about

"Fem V gets too much attention from the devs."

Oh no. What do you mean the second protagonist is being used for the second half of the game's advertisable lifespan? What do you mean maybe the devs wanted to change the face of the game after its initial flop release? What do you mean marketing in gaming is still, in general, defined by the male gaze? (I bet the dudebros complaining about it would sing a different tune if her attire changed tbh.)

I won't apologize for this one because I am so tired of seeing White Guy #472 as the face of every game on the market.

Don't get me wrong, I love cinematic m!V and his sad puppy eyes. He's a great character. Because, guess what? THEY'RE TWO SIDES OF THE SAME COIN. V IS V.

It is LOGICAL for a game company to utilize both protagonists in their marketing. It's not a slight against male V players. It's not raising fem V onto some pedestal. It's marketing.

I am begging people to remove the personal connection here and just see that it's marketing. Idk take an online business class or something.

Disclaimer: this is exclusive of the modding community. I will agree that there is definitely a larger volume of aesthetic and clothing mods made for fem-bodied V. That's an entirely separate can of worms though and I'm not touching it beyond this.

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

The idea that Arasaka would give two shits about V beyond using them as a source of data for their own gains. I don't care how far up on the corporate ladder you headcanon your V to be (or have been prior to the heist), they are no more than a number in their system.

Unless corpo!V is a member of the Arasaka family, they don't matter one iota. The only value they have to that corp is that of the tech in their head.

Can you tell I will never go The Devil ending route?

23. ship you've unwillingly come around to

*longest loudest sigh* Viktor/V

I've just seen some really compelling fanart and vp out there and it's slowly worn me down to going, "Okay, I guess this is actually kinda cute sometimes." Especially if we lean into the Beat On The Brat stuff and Vik's history in boxing. Deep down, I'm a sucker for the character realizing they have feelings for their sparring partner. Something something knowing one another's bodies in the context of causing controlled "harm".

[emotionallychargedtowel]

That post about Higuchi Kouhei and his cat got me thinking about some other tokusatsu-to-BL pipeline actors that are on current or recent BLs, so I thought I'd do a screenshot post about Kamen Rider Revice, a recent toku series that features two lead actors who star in current BLs, plus an actor in a smaller role who was part of a side couple in a BL series that recently completed a second season.

The main character of Revice is Igarashi Ikki, played by Maeda Kentaro, currently playing Ohara Yamato in I Can't Reach You. His siblings are very central to the story as well--by the end of the series, the story is centered around his whole family. Ikki's younger brother Daiji is played by Hyuga Wataru, currently playing Yamasuge Ryuiji in If It's With You.

Here they are having a bath in the opening credits for the show (the Igarashi family runs a public bath house).

I should say at the outset that I can't entirely recommend Revice, especially to folks who don't already have some tokusatsu-watching under their belts. It's a hot mess in a lot of ways. But it does have some really outstanding highlights. The best aspects of the series, in my book, were:

Kagerou (Daiji's demonic alter ego),

George Karizaki (my beloved),

Igarashi Sakura/Kamen Rider Jeanne (the most formidable female Rider I've seen in any series in the franchise), and

the relationship between Sakura and Natsuki Hana (a rare example of a convincing Sapphic ship in a franchise well known for "heated drama between men").

I'm not going to get into 2 and 3 here, as tempting as that would be, but I'll include as much of 4 as time/space permits.

It might seem weird that I'm not recommending a series with some of my favorite characters in the entire Kamen Rider franchise AND a relationship between girls that is a hair's breadth from being canonically queer. It's just too much of a trainwreck to endorse as a whole. But as I said, the highlights are really something.

One of the biggest issues I had with Revice was that Ikki, the protagonist, just isn't a very compelling character. As a result I don't think Maeda Kentaro really got to show the range of his acting abilities in this series. (This just makes me more curious to see him in ICRY. From the excerpts I've seen so far, it seems like he shows a really different side of himself.)

Maeda appreciators might still enjoy the many determined faces and creepy smiles he gets to dish out in this series. Here's a sampling.

It's possible they'll want to look away when he starts doing things like this, though.

Fans of both Maeda and Hyuga might enjoy some of their scenes fighting side by side, including doing their various henshin poses (the moves they do before they transform into their masked Rider forms).

Or when they do things like this bonkers flying kick.

Thankfully, Daiji is a more interesting character than Ikki, so Revice gave Hyuga some more challenging things to do. I thought Hyuga also just really made the most of every opportunity the show presented to him. He was seriously impressive. This is the reason I was sold on IIWY the moment I saw the announcement about it based solely on Hyuga's involvement.

Here's a sampling of Hyuga as Daiji.

In addition to playing Daiji, Hyuga also played Kagerou, Daiji's aforementioned demonic alter ego. Kagerou was formed from thoughts and emotions that Daiji repressed. The biggest of these was his resentment toward Ikki. But apparently Daiji had also been repressing a desire to be a somewhat gender non-conforming goth, because that's Kagerou's other raison d'etre.

In some ways, it's hard to imagine a character more different from Ryuji. If they have anything in common, it's the fact that they both place a high value on honesty.

One other thing that's worth noting about Hyuga's work on Revice is that he was only 17 when the show premiered. He showed major dramatic range in this part, not only playing two very different characters but doing everything from low-key nuanced scenes to bombastic high drama. Not to mention the stunts! Doing all of this at 17 is seriously remarkable.

Now for our bonus dude! There's a secret evil-fighting organization called Weekend that secretly keeps tabs on the Igarashi family for years before coming out of hiding to join the big central battle of the series. One of the Weekend operatives is Ushijima Hikaru.

Look familiar? Maybe not, he didn't make faces like this on his BL series.

How about now? Yep, it's Oku Tomoya, who plays Hanabusa Asuka on both seasons of Minato Shouji Coin Laundry.

Oku has some big scenes and interesting moments in Revice. He does some romantic pining, goes through big-time loss, does quite a bit of martial-arts sparring, gets seriously injured, and more. He even gets to henshin a few times. Here he is getting ready to do just that with Sakura and Hana. Those Weekend uniforms are pretty hardcore in a 70s flight attendant sort of way, but I feel like Oku really sells it here.

While we're on the subject of Sakura and Hana, I feel like I can't mention their relationship without including some moments where their story came particularly close to tipping into full-on yuri.

If you're going to do an enemies-to-lovers story, why not make them full-on superhero nemeses?

The word "date" might not technically get used by the characters, but there's no mistaking that the amusement park hangout Sakura invites Hana on--while she is still a fully-functioning bad guy, I might add--is definitely a date.

Most of the time when a Rider beats their nemesis for the final time they don't hold each other tenderly in the sunset.

By the end of the series, they're in a big tub together at the Igarashi's bath house.

There are tons more examples but you get the idea. If this isn't borderline-yuri I don't know what is.

[a0random0gal]

"healthy" doesn't always mean good in fiction. Eremika's unhealthiness is what makes the ship compelling and interesting. It's built into the core of the story. Also your "healthiest ship" requires ignoring that he emotionally manipulated her into keeping her mouth shut about his genocide plan and threatened to have her memories erased. Historia never expressed any interest in him that way. Men and women can in fact just be friends.

Ohh boy, you're bold anon, I have to hand it to ya.

Yes healthy doesn't always mean good, in fact it can actually lead to some very boring ships, but that is still a perfectly good thing to look for in a pairing.

In contrast unhealthy can be interesting, but mostly leads to abusive relationships that get glorified by the fandom in spite of their toxic nature, and in this aspect Eremika is no exception. These two are just awful for one another.

He headbutts her, call her names, tells her he hates her (I know he didn't mean it, but it wrecked her emotionally so my point stands) put her in a situation that could have gotten her killed, never confided in her regarding his plans etc...

She was an overbearing mama who constantly treated him like an incompetent child that couldn't do anything on his own.

What's compelling in a relationship with this dynamic:

"Eren eat your veggies!"

"Eren put on a coat, or you're gonna catch a cold!"

"Eren don't run you're gonna trip!"

Oh and don't get me started on this

She literally deluded herself for years into believing that everything he did was somehow tied back to her. Even Armin, Reiner and Berthold gave her the 🙄 look.

Also her entire character revolves around him and it makes her super boring and robotic. Even after he dies she spends her life worshipping his grave and dies with that gosh darned scarf on her neck. She only took it off once ( when she gave an ounce of development) before cruelly snatching it from the hands of a dying girl that was using it for comfort (something I'll never forgive her for).

She was originally meant to break away from him but alas, good writing died after 134.

Annd the story never revolved around them. Mikasa only became the protagonist in the last chapter out of fucking thin air and it looked soo forced. Lmao Hisu had more parallels with Ymir than Mikasa of all people.

The only time their relationship mattered was at the end of season 2, but after that we got nothing important.

Last thing on this dumpster fire of a ship... They're boring asf.

Like I know some unhealthy relationships that are toxic and all, but the characters have chemistry, and it can make up for the awful shit they can do to eachother. Eremika has no chemistry. I would rather watch paint dry than think about them romantically.

Regarding Erehisu... Have we read the same aot chapter? Or just the same conversation between Eren and Historia? Because I don't think so.

He emotionally manipulated her to keep her mouth shut

What? When did this ever happen? She chose to stay silent. Hell he didn't even need to tell her his plans, it was quite risky, since she could have snitched on him to the Mps and ruined everything.

He chose to confide in her cause he knew she wouldn't tell, cause she was the worst girl in the world who saved him, the girl who chose her selfishness over the world already, in that cave when she saved him, when she told him that she would always be his ally, that they were enemies of humanity.

She never wanted the future that she was destined to if she accepted the 50 year plan. She had accepted it for the greater good. Something selfless that only Christa could have done.

He knew that, and reminded her of who she really was. A selfish, normal girl like everyone else.

She was shocked by the genocide that awaited them if they followed Eren's plan but ultimately chose it over sacrificing herself and her future children. Totally in character, no manipulation involved lmao.

He threatened to erase her memories

Nope. She was upset so he offered to lighten her burden by erasing her memories if she wanted to. It was a proposal made out of empathy for her shock. No threats, where did you see em?

She was never interested in him

Say what you want about her feelings for him, interpret them how you please, but you can't deny a connection from which feelings could blossom. This meme perfectly sums up my thoughts about this:

Yes men and women can be friends, I just don't see it this way for Erehisu. Actually I could tell you the same thing for Eremika. Better as siblings lol.

[kyouka-supremacy]

Atsushi for the ask game.

ATSUSHI HERE WE GO THANK YOU FOR HEARING MY PRAYERS

Favorite thing about them: HIS SELFISHNESS. It's so so delicious to explore. Can you imagine a protagonist that saves others not out of simple good will, but because of egoistic self-preservation motives? It just feels counterintuitive for me lmao, and I found it quite messed up when I first watched the anime, but now it's so compelling to explore. His whole “everything I do is in order to gain the right to live” is crazy fashinating. Because lol, that's entirely nonsensical to me! There's no such thing as “gaining the right to live”; all humans, every person in the world is inherently deserving of life. All. No exception. So there's no level of “weak” or “worthless” that would make you lose that right. The fact that's it's a vision so distant and absurd from mine, idk, it just makes it very compelling to explore? “What if there was a little fucked up guy who believed the right to live had to be earned” just sounds like a very interesting premise.

Least favorite thing about them: When I first watched the anime, I think I found him low-key annoying? I just... Don't do very well with self-deprecating people and people who complain a lot in general, I usually suffer in silence and tend to (wrongly) assume others should do the same (this probably makes me sound pretty mean, I swear I try to be understanding irl). However, it doesn't bother me as much anymore, I simply think it's more of a distinctive trait of the character that makes him multilayered and unique. As of now, I can't think of anything I don't like about him if not the fact that I wish he'd rely on Dazai and others in general a little less. I know that has to do with his lack of self-worth, so maybe it makes sense,, but as of now he feels kind of stuck. I just wish we'd see him grow more on that front.

Favorite line:

There may be better ones, but I really like the delivery of this one.

brOTP: KYOUKA AND ATSUSHI they make me go insane. Already talked about this in the Kyouka post but just to reiterate: in my headcanon Kyouka really is the only person Atsushi feels genuine, selfless affection towards. It's very sweet. They're siblings. Kyouka's happiness is really important for Atsushi. They really do have that feeling of people who got out of an abusive environment learning what normality is supposed to be like together. I also really like how they compensate for what the other lacks, be it decisiveness and coolhead for Atsushi and empathy and positivity for Kyouka. Although plenty shipping them romantically, I really like platonic sskk and atsulucy as well.

OTP: I really like sskk eheh. I think they're neat. There's a thousand and one reasons why I find them pretty great. They're objectively the only reason why I got invested in bsd as well as the only thing that has me keep up with the franchise to this day. Right now, I feel like the one thing I really appreciate about them is how you can be the worst person in the universe and still somehow be loveable to someone. I think it's sweet. I also find it very fun and enterataining to explore their various soulmatism antics. They're both very complex and multilayered characters with something deeply wrong with how their minds work that makes them very fun to analyze both by their own and in the complexity of their relationship. Their collective story arc and canon relationship progression is extremely engaging and nice to follow, too. I love dazatsu and atsulucy as well!! Both were ships I wasn't particularly invested when I read the manga for the first time, but really grew in me in the last six months or so. I really dig akuatsulucy as well!!

nOTP: Nothing?

Random headcanon: He really likes reading. There's some real meta-analysis to be made here I actually had written this is probably not the right place to talk about, but in a work that's all about literature, he's the character who reads.

Unpopular opinion: He's the hardest character to write / characterize. That's why people should probably go easier on other fans when they mischaracterize him. He's just very multifaceted and genuinely hard to get. I keep seeing people being like “Stop babyfying Atsushi he's an independent adult!!” then turn around to say “he can't be shipped with Dazai because there's too much unbalance of power :// [somewhat implying Atsushi can't make free decisions for himself]”, or “Stop making of Atsushi a soft baby who never did wrong in his life!!!” then turn around to say “Atsushi is the happy puppy of the agency who gets treats and pats from everyone ^^ ” like. At least to me, a lot of people's arguments sound self-contradictory all the time; but that doesn't mean people should stop having fun and characterize the characters as they like! Just, let's stop being mean to each other and try to be a little more accepting towards others' takes, shall we? And yes that also includes letting people find Atsushi annoying if they find him annoying (although like, I've NEVER found anyone call Atsushi annoying ever, so really, what remote fandom spaces is everyone visiting? Why are you looking for clothes (good takes) at the soup store (Tik/tok I assume?) ).

Song i associate with them: Common World Domination by Pinocchio-P, HIBANA by DECO*27, Ghost Rule by DECO*27, so on and so forth.

Favorite picture of them:

Favourite panel from the manga:

Favourite illustration: Look, there's too many beautiful illustrations, I can't chose. Here's a very good one though.

Favourite illustration in the anime art style:

But also:

Favourite Mayoi card:

Send me a character?

[that-ari-blogger]

Inciting Incident (Thank Goodness)

One of the most popular songs in Wicked is sung by Galinda, and centres around the idea that the society she lives in is corrupt and that she is the only one who knows how it really works. But is she right about that? Does she actually know as much as she thinks?

I think the answer is complicated, and that's the fun of it. I think that Glinda has intellectually grasped that the system is flawed, but I don't think she's emotionally wrapped her head around it. Case and point, the complete and utter cognitive dissonance that is Thank Goodness.

Let me explain.

SPOILERS AHEAD: (Wicked, The Trekkie's Tale)

Thank Goodness is actually two songs. Thank Goodness itself, and a reprise of No-one Mourns The Wicked. So, it's a rehashing of the first act, opening with Glinda conversing with the crowd, the difference is whether or not she is appearing to agree with it.

In the first Glinda tries to argue for Elphaba's morality, and it frames the entire story. But now, Glinda stands idly by and goes along with all that the chorus says while they get more and more worked up by lies that she knows to be untrue.

You would think that the two segments of the song being in agreement would mean that they go well together, but they really don't. Thank Goodness and No-one Mourns The Wicked do not fit with each other at all, in my opinion.

So, what does this mean?

I think that this song shows Glinda lying to herself, and finally starting to crack and realise what is happening.

Glinda spends this song deflecting from the problem, instead of confronting it head on. She relies on popularity and giving the people what they want to distract them.

My ex-girlfriend is being hunted by the masses for something she didn't do, but look over here, I'm getting married!

"Like some terrible green blizzard

Throughout the land she flies

Defaming our poor Wizard

With her calumnies and lies!"

The obvious thing here is the tense. This is happening now, as opposed to something the characters have lived through and made it out the other side of. It is more immediate.

But the other thing that I want to point out is the wall that the Ozians are putting up. The reason Elphaba can't get through to anyone is because they think she is lying, because who are you more likely to believe, someone who you trust implicitly, or someone who everyone around you says is dangerous?

The song is broken into four sections. The introduction, Glinda's two reflections, and Madame Morrible's story, which prompts her to change her mind a bit.

"When you bowed before his throne

He decreed you'd hence be known

As Glinda the Good, officially!"

The following is an excerpt from The Trekkie's Tale, a Star Trek fanfic first published in 1974.

"Gee, golly, gosh, gloriosky," thought Mary Sue as she stepped on the bridge of the Enterprise. "Here I am, the youngest lieutenant in the fleet - only fifteen and a half years old." Captain Kirk came up to her...

"Here, take over the ship for a minute while I go get some coffee for us."

This is the archetypal Mary Sue story, a format where the protagonist gets all that they want and more. The world revolves around Mary Sue, and as a result, it isn't particularly compelling. She wins everything, then she saves the day and dies, and everyone mourns her.

Nobody online seems to be able to agree on whether this story was a satire of general fanfiction trends or not, a fact that I find rather funny.

But compare that to the story Madame Morrible is telling about Glinda. Allegedly, the wizard gave her the title for... not much actually. In Morrible's version of events, good people get things just because, and nobody is asking any questions.

Essentially, Glinda is getting all that she wants on a silver platter, with no questions asked, no strings attached. Well, one string attached.

"Then with a jealous squeal

The Wicked Witch burst from concealment

Where she had been lurking, surrpetitially!"

I mentioned in my post on Defying Gravity (maybe go check that one out) that the central conflict that ended Elphaba and Glinda's relationship was that Elphaba was prepared to sacrifice everything, and Glinda wasn't. But Glinda did have to give up something to achieve her dream, and I don't think she quite understood that until now. To get the power she craved, Glinda had to lose Elphaba.

This song is essentially bludgeoning Glinda over the head with the fact that this tradeoff was not worth it.

That is the dissonance inherent to Glinda's entire character. She recognises the flaws in the world around her but has convinced herself that it will be worth it when she gets to power.

I don't think that Galinda would have realised this, and I am making a point of differentiating Glinda and Galinda. In my mind, Glinda is the version of this character who fell in love with and was changed by Elphaba. The two characters are incredibly similar, and one is an evolution of the other, but it is the influence of Elphaba that makes the difference.

Galinda was seeking power for the sake of it, a person who got her way because she couldn't understand anything else. But Elphaba changed that and gave her a purpose for seeking to climb the ladder. I think Glinda believed she could make a difference from within the structure of Oz, probably to help Elphaba.

Glinda has got everything she theoretically wanted, but at the behest of the reason she was doing it, and now that she is here, she can't even initiate the change she wanted to change. Glinda made the wrong choice, and is only now realising it.

"We couldn't be happier

Right, dear?

Couldn't be happier

Right here

Look what we've got

A fairy-tale plot

Our very own happy ending."

If you are wondering why I've been leaving Glinda's monologues until the end, it is because they make my case for me, and make analysis rather difficult as a result. I have been saying over and over that this musical is about dreams and reality colliding, and that is explicitly stated in these verses.

The fact that there are two of these mirrors the two sides of Glinda's character. The first is the side that craves the attention and has got everything that she wants, then the song reminds her of Elphaba, and she tries again with a more nuanced perspective.

"Though it is, I admit

The tiniest bit

Unlike I anticipated

But I couldn't be happier

Simply couldn't be happier

Well - not simply

'Cause getting your dreams

It's strange, but it seems

A little, well, complicated"

This is literally what I've been saying. She's got what she wanted, but not in the way she wants. It's complicated, and that facade of hers is finally cracking.

That duality is mirrored by the time signature, which is maddening. The song oscillates between a ton of different signatures, and if someone with more musical knowledge understands anything more about this than me, please give me a hand.

From my, admittedly limited, understanding, this feels like a lack of surety. Glinda doesn't know what she wants or thinks anymore, so she can't decide what she is singing.

It also gives an incredibly informal tone, as the lack of structure matches how a person speaks, almost. There have been two characters who have distinct speech patterns in this musical, Madam Morrible, and Glinda. The script of both of whom is written in recurring patterns and rhythms, making up words to match the metre of their sentence. It's pompous and pseudointellectual.

This is most obvious in how smooth the start of Defying Gravity is. There, Glinda doesn't have to change how she talks to match the song, because she is already speaking in the right rhythm.

Cynthia Erivo's rendition of this song in PBS's Wicked In Concert is phenomenal and I highly recommend you check it out, not least of all because removing the crowd gives the song a completely different vibe.

But here, halfway through a song, she gives up with artfulness and just speaks her mind. It's still a song, so you still get the rhythms and melodies, but that is breaking down, and is gone in the script from this point forwards. That's partially why I say Glinda and Galinda are different people, they sound different to each other.

There are a few almost exceptions to this rule, and I say almost exceptions because they come really close to breaking the mould, but don't.

In this exception, Glinda is trying to convince herself that she is happy. The song is limited to one thought, the idea that Glinda should be happy, and there can't be anything wrong. She has got everything she wanted, and that would make her happy, right? Happy is what happens when all of your dreams... That's the word that throws her off, dreams.

This is no longer Glinda's dream.

This song is a microcosm of Glinda's entire arc in the musical. She follows the story laid out for her, but is changed by the journey until it no longer fits. She has changed, and now she can't do anything about it.

Ironically, Glinda has gained all the authority she could dream of, but she is more powerless and has less agency than she started with, and all of that happened without her notice.

"There's a kind of a sort of, cost

There's a couple of things get, lost

There are bridges you cross

You didn't know you crossed

Until you've crossed."

Final Thoughts

Genuinely, my favourite trope in a story is a character undergoing character development and not realising. For example, the "nobody's that heartless" line in The Emperor's New Groove.

But Glinda is my favourite example of this because of the way in which she reaches her conclusions. She is smart, possibly the most intelligent character in the entire musical, but her biases cause her to make some serious leaps of logic and ignore several things that would change her worldview until she runs headfirst into them.

Also, the stagecraft of this song is simple in order to not distract from Glinda's thoughts, but that means a lot of these photos are remarkably similar. I apologise for that.

Next week, I will be looking at Wonderful, and how it forms a neat little mirror of Sentimental Man, so stick around if that interests you.

Previous - Next

[day-at-rhodes-island]

My main issue with the seaborn is that they are the least interesting part of the situation they are in, and the fact that they have been given center-stage is frankly criminal.

As always, this is my opinion and not objective fact, but I'm right and would die on this hill.

Let us imagine for a moment that literally nothing is different except that Skadi killing Ishar'mla worked, and all the sacrifices of the abyssal hunters actually did something (we'll get back to this). The only seaborn left are in scattered groups, cut off from we many, that occasionally get attracted to the Abyssal hunters so Hypergryph has an excuse to use those game mechanics.

The first theoretical abyssal hunters event is fairly similar to the Under Tides we do get. It focuses on introducing Iberia and exploring how the inquisition rules with an iron fist even after the danger has passed. Talk about the mass killing of AEgirians and how the terrified communities just let it happen. Glaadia is smitten by Kal'tsit, we get to meet Laurentina, roll credits.

The second abyssal hunters event is about exploring the golden days of Iberia before the profound silence as the Abyssals search for a way to safely return home. Focus on how the partnership with the AEgirians made them strong, and how the inquisition rose to power in the chaos and fear of the silence. They eventually find an old ship and after fighting off the obligatory small swarm of sea terrors set off to finally go home.

The third abyssal hunters event introduces us to the Atlantean AEgirian civilization. It explores the program that created super soldiers with an early expiration date, and how the political situation in AEgir allowed it. People get mad at the abyssals for attracting yet another group of sea terrors. The boss is what is left of an abyssal hunter fully lost to the transformation (perhaps this is a good time to introduce The First To Talk?).

That would be better right? I mean most of what I've described (for the first two) is actually in Under Tides and Sultifera Navis, it just gets overshadowed by the focus on the big spooky ocean monsters and how big and spooky they are.

So, enough talking about what could have been, let's talk about what is, and why it's bad enough that it got me thinking about this in the first place.

The seaborn have no personality. This is intentional. Practicing art and maintaining a sense of self is how the abyssals we do meet have managed to last this long, their self expression literally protects them from the consuming uniformity of we many. This is not, on it's own, a problem.

The fact that this is true and that the seaborn are treated in the story as the antagonist is crazy. They could have been presented in a 'man against nature' conflict sort of way, providing a situation in which the protagonists could shine on their own. Unfortunately, they didn't even do that, as is clearly shown by The Bishop and Amaia.

The most compelling enemies in Under Tides and Sultifera Navis are the church of the deep. You know, the characters that aren't seaborn. Arknights likes having complex villains, and nothing is a less complex character than a seaborn (again, by design!) so they have to bring in characters that aren't seaborn. Just don't make the seaborn the focus in the first place!

Also, by presenting the seaborn as a genuine threat they are giving justification to the Inquisition and the Abyssal Hunter project. I know there are scenes that are meant to show that these things were actually bad, but they're a bit hard to get behind when you have a whole fucking game mode set in an alternate future timeline where the seaborn are an existential threat to all other forms of life.

Another issue with going 'the seaborn are still a genuine threat' is that all the shit Skadi and the other abyssals went through apparently didn't do much, I guess. It feels like they are retroactively ruining a story we didn't even get the chance to enjoy.

I'm going to cut myself off here. There's more narrative nitpicks I have about the seaborn (Like how, just because they don't have personalities doesn't mean they have to be boring, and yet!) but they get even more into how it was executed rather than fundamental issues, and this is long enough as it is.

In conclusion: If the next abyssal hunters event's main story is 'there are spooky seaborn doing bad things, got to go stop them' again, I'm going to scream.

Part 2

[ms-all-sunday]

SO GLAD to see the Zonami love it’s actually so good. For the ask game… Luffy/Usopp

you just want to see me talk about ships i like at this point and im not complaining. so glad i hit the right zoro/nami audience <3

luffy/usopp - compels me and i like it.

luffy and usopp are the naruto and sasuke of this series. you have to accept that. there should be a fanfiction on ao3 and there isnt but there should be of these two fighting and then it regresses into making out with sexual tension and everything.

you know how people say they like zoro and sanji because they like people who are friends but bicker? luffy and usopp are actually that, but instead of fighting about nami or some very semantics based bullshit (zoro and sanji are very catty people who are ultimately very sensitive) usopp and luffy are fighting about love. and that's the best type of bickering ship where people are fighting and it's actually because they love eachother in different ways that they feel they cant express directly. it's tension. its angst. what more could you need. i need them to fight physically and have usopp pin luffy to the ground and then they kiss and wait hold on youre a persona 5 fan. people who dont want persona 5 spoilers. dont read more

finally someone will get what im saying. you might not like it but you will understand and i need that validation because im replaying p5r right now.

so i was censoring myself when talking about their dynamic as naruto/sasuke because i believe usopp as a character is maybe the only comparable guy to goro akechi when it comes to protrayals of mental illness. i believe goro akechi and usopp fulfill the same roles in both persona 5 royal and one piece as direct parallels to the protagonist and have very similar personalities (they both double sided coins) and they both have bpd and theyre both lying bitches and they both put on costumes to make themselves feel like men (akechis dual personas and usopps duel personas with the captain and sniper king). and the akechi bossfight in shidos palace, like the monologue up to it, if I'm remembering correctly i havent seen it in a bit is very usopp at water 7 same type of deal.

their backstories are kind of similar but it's mainly their personalities and neuroses and everything.

you see okay lets talk about something for a bit. goro akechi is why i believe if usopp was lightskinned slash white he'd be the most popular character in one pieces fandom, that being said persona 5 has as you know found its demographic in a way one piece hasnt, so maybe its a problem of demographic or both? whatever. usopp is like goro akechi if he healed or to be honest was better written in some respects. when i say "characters like usopp" i mainly mean goro akechi. mainly.

and what does this mean for usopp and luffy well if i were to be writing a persona 5 royal au for a year and some change i would surely liken their dynamic to ren and akechi, considering ren as a protagonist is *so* similar to luffy.

and their dynamic is similar (theyre the only ones on the same level with eachother both fool cards and both gods.)

and what if i was cooking on that. what if i was making an incredibly detailed au just so i could make a point about luffy and usopp and ren and akechi.

what if i was making an au just so i could make usopp a prettyboy celebrity.

what if i was just making an au for one piece solely so i could have that shidos palace moment with akechis mental breakdown and validate usopp as Also Like That.

what if i wanted to validate usopps mental health issues and validate his position as the best character ever by making an au in which he is compared to another best character ever?

[amelikos]

Stray thoughts about the new opening for Rayquaza Rising. As usual, writing for future reference.

I liked the scenes highlighting the trio's personal frustrations at the beginning. Dot in her room seemingly thinking hard about something and not finding a way out (and I have to say that I like seeing her depicted both in her room and outside, both in her comfy outfit and outdoor outfit). Roy frustrated at not reaching Rayquaza. Roy being associated with red sunset is something I find very neat. It was also shown in Halo (second opening), and I like that he is not simply associated with the blinding sun, but the sunset imagery is prevalent with him... He also set on a journey at sunset back in HZ006. Makes things a bit more nuanced, considering that him and Liko have this sun/moon thing going on.

Liko was depicted looking down after presumably losing a battle (also something I find intriguing). Then, she was shown trying to reach the moon with her hand. Liko being associated with the moon is something I never get enough of.. It's so compelling for a protagonist. Similarly to Roy, she was associated with the moon in the second opening, and some of her most important moments happened at night with the moon (Friede saving her and leading her to the ship at night in the first two episodes, remembering everything while looking at the moon after Spinel wiped her memories in HZ015...). Also loved the depiction that Liko's world takes color after meeting Nyahoja and all her friends. It made me happy seeing the Pokemon shown in their base forms and then their evolved forms. It highlights their growth, but also shows that their past isn't forgotten etc..

Afterwards, the characters from the games are shown. Zeiyu, Briar, Sazare. Briar looked really cool and serious. Zeiyu is really pretty, though she is the one whose role I'm most curious and skeptical about? Briar and Sazare's roles are clear in terms of what they'll bring to the Horizons plot (Terapagos information, Basagiri pictures). I'll just wait and see for Zeiyu. Though, it's neat that we get so many female characters and I wonder how they'll be implemented in our current story.

Afterwards, scene showing all the Explorers. Sango and Onyx are a set, do not separate. I love seeing them together.. Spinel and Agate are also serving, as usual (and I'm getting more into the idea of them as a duo.. they showed up together too). Amethio showing up separately from the others, looking towards the viewer and then in front of him, before being engulfed in a kind of tornado... intriguing choice.

Gibeon is hot. Like, old man is serving looks and for what, really. Loved his scene showing him using(?) the Rakurium, it feels like something straight out of a magical girl show.. Maybe it means we'll finally see him more in action, which I'm really looking forward to.

Afterwards, the trio and Friede are shown facing Gibeon's Zygarde in pink mist. Is that Rakua? More of the Rakurium? Either way, the scene was cool and I have to highlight that I really liked the scenes showcasing Friede and Roy's Pokemon working together. Taikaiden carrying Cap and Lizardon carrying Achigator and attacking together.. like, it's so cute and I love Friede and Roy's bond, they really feel like a big bro and his lil bro, something that is also showcased through Lizardon and Achigator. Liko and Dot's Pokemon are also shown working in sync, which is really good! I also noticed that the scene with Kanuchan could easily be changed/updated once she evolves soon.

Also curious about Terapagos and Rayquaza in this scene. Rayquaza facing Zygarde.. Will Rayquaza join the group temporarily? Terapagos is also shown in different forms (Terastal Form, Stellar Form like in the book they found in HZ056..). Will Terapagos gain enough power to transform into these forms once Basagiri joins the group? Also curious about the fact that Rayquaza might face Gibeon's Zygarde in this chapter. But! Entei still hasn't joined the group and it feels like this chapter will mostly focus on Basagiri, so maybe next chapter will focus on Entei? Either way, this potential confrontation with Gibeon has me curious. Maybe they will face him this chapter, and lose. And then, they'll have to face him again later.

Friede's individual scene (him showing his back to the audience and looking like he is disappearing into the light) also has me invested. Like, I missed Friede and I hope we'll get more with his character in general so I am looking forward to what this means. I think this scene has a bit of an ominous feeling to it, like he is saying "I leave everything to you" before disappearing. Something about the mentor character in trouble, etc. Maybe Horizons will put Friede in some kind of trouble after the confrontation with Gibeon? So the trio can step up and help Friede, who is someone they admire a lot.

The next scene shows Amethio and Spinel. Both opposed to one another, Amethio walking forward while Spinel seems to look in his direction (though it's unclear.. but the fact that it seems like he is looking back is already interesting and Amethio doesn't even look at him at all). Also intriguing to me since this an individual part highlighting both characters, and not just showing them among the other Explorers. So more focus on Spinel and Amethio's relationship? I am really curious about it. Is Spinel still going to observe Amethio? The colors used in this scene are pretty btw.

Also liked the placement of the scenes going "Friede -> Amethio and Spinel" because it connects all three of them.. Their three-way rivalry (Friede and Amethio, Friede and Spinel, Amethio and Spinel, all connected in different ways). The promotional poster for Rayquaza Rising also showed Friede and Amethio on opposing sides. So it makes me wonder if they'll touch more on Friede and Amethio's dynamics in the future. Friede is the coolest guy ever, and I just really love what he brought to Amethio in the first two chapters, so I wonder if they still intend to explore their dynamics.

The scene showing Lucius, Gibeon and their mysterious friend drove me insane and it's probably the scene that stood out the most to me in the opening. Confirming that Lucius and Gibeon were indeed friends, that they traveled together, while casually adding a third party to their side of the story, which adds more complexity and intrigue. The third character is a woman, her colors are reminiscent of shiny Zygarde (green and some bits of white?), she is carrying Terapagos so she might have been Terapagos's trainer in the past? The design is pretty interesting already and says a lot. Gibeon's hair was strictly white in the past too, so it means that the pink shades are caused by constant exposure to the Rakurium? Gibeon also looks so cute carrying his backpack in that scene, btw.

I wonder if Lucius, Gibeon and their other friend called themselves the Explorers. And Gibeon keeping that name in present day, which feels nostalgic and touching too, like he doesn't want to forget his adventures with his friends, etc... Anyway, Lucius and Gibeon break my heart, and I wonder what happened. The way the scene is depicted definitely leaves lots of room for speculation and imagination, which is fun. It feels full of personality, too. Gibeon being the only one to carry a backpack (feeling like the serious type who always plans his travels!), the mysterious woman running (so she might have a peppy kind of personality?), Lucius walking in the middle in a way that feels confident and assured (he is their leader?), etc.

Anyway, overall a very good opening, but as expected from Horizons. The lyrics are great (but I won't go over them right now). I am glad they put so much care into the visuals, just like they did for Halo. But this opening probably has more to speculate on in terms of visuals.

In terms of developments I'm most curious about (other than Liko): Friede's individual scene (what is going to happen to him?), Spinel and Amethio's individual scene (are they going to fight?), everything in terms of Gibeon, Lucius and their friend.

[trillscienceofficer]

The thing about Jake/Ezri is that... I get the feeling that most people look at this ship, and I would gladly accept a correction here, as a way for both of them to have some more 'age appropriate' romantic relationships, which both characters egregiously lack in the show. Which don't get me wrong, is not a bad impulse! (sidenote, I actually think this lack is especially glaring for Jake more than it is for Ezri—I don't miss the couple of episodes where he was apparently dating a woman in her 20s as a teen, as others have pointed out that was a storyline that stank of racist assumptions on the lives of Black boys from a mile off)

But I personally find it difficult to see Ezri/Jake as this, idk, cute 'ideal' pairing, and to me it's more interesting to consider any romantic feelings as... something they're very much not supposed to have for each other.

See, I love the idea of Ezri being the first iteration of Dax that Jake can truly see as his equal, and the way they seem to get along immediately in "Shadows and Symbols", how this represents something unprecedented for both of them even if they just met. They see each other as being more similar than different, and worried in similar ways by Benjamin's behavior. I think that's a really interesting foundation for a relationship.

The obvious rub is that Ezri, despite her nominal age, remembers watching Jake growing up practically from the moment he was born, not to mention having known Benjamin since he was an Ensign. That can't not be awkward as hell. And on Jake's side, Benjamin explicitly telling Jake to not 'even think about it' when he says she's cute at the end of "Afterimage".

So what happens when two young people in their early twenties are drawn to each other but there's this whole mountain of history between them that neither has exactly chosen for themselves? What happens after the ending of DS9, when they all believe Benjamin is gone, and what remains is grief, Jake's devotion to (the memory of) his father and Ezri's decades-long friendship with someone who has meant so much to her and her two previous hosts, no matter Ezri's complex thoughts on the topic of her joining? What happens to them both when the other is just the closest thing to the person they've both lost, but said person definitely would have mixed feelings about the two of them getting closer that way?

(I'm always reminded of "Crouching Tiger Hidden Dragon" here, where honoring the memory of someone they both lost is keeping protagonists Li Mu Bai and Yu Shu Lien apart despite the obvious fondness they have for each other, something that developed between them as a result of said loss.)

I just think there's huge potential for very fucked up feelings and bad ways of dealing with grief, as slow-burn will-they won't-they madness, with Jake/Ezri and honestly this is the angle that compels me the most about this pairing.

[extant-exhaustion]

Can I ask, what are your top 7 favorite media (can be books/ manga/ anime/movies/tv series/etc) and your top 7 favorite ships (can be canon or non canon) from any media? Why do you love them all? Sorry if you've answered this questions before......

Hello! Thank you so much for taking the time to ask! I'm sorry for the delay in my reply. I'm so excited to be here to answer though. I didn't rank these in order, but here they are (and oh my gosh was it tough to choose! I especially agonized trying to narrow down the last spot in my ships list, and honestly, it could have gone so many ways...):

My Top 7 Favorite Media

Fullmetal Alchemist: Brotherhood: If we’re basing purely off of what I think is the best media maybe ever written, FMAB is close to the top. It is the full package of stunning worldbuilding, characterization, emotional depth, intricate yet clear plot lines, and incredibly important themes. I could write an essay on each of those points. It’s the sort of show (and manga) that is a masterclass in how to tell a story beautifully.

Yu Yu Hakusho: Yusuke and Team Urameshi mean so much to me. YYH is a classic ’90s anime in some ways, but it has so much heart. Yusuke’s character growth is amazing. And the humor in the English dub never fails to make me laugh. Yet this show also deeply affects me and has such beautiful messages about love and friendship. What a dichotomy.

Assassination Classroom: This show is criminally underrated. Or, rather, not enough people have seen it. It is one of the most incredible things I’ve ever seen. It’s so sweet. It’s so fucking funny. And it’s so heartwarming. I love these kids so much. I adore Korosensei. Every episode teaches us something—like a real learning opportunity!—and I genuinely cannot say enough good things about it. It makes me smile forever.

Kuroko's Basketball: I am a huge fan of sports anime and this one has so many elements I’m obsessed with. (Plus, Kagami Taiga is in my top ten favorite characters of all time.) There’s Kagami and Kuroko—a red/blue duo who are in love. There are emotionally high-stakes sports games. There are compelling “enemies.” There’s an incredible soundtrack. But most of all, there are basketball superpowers—things no ordinary basketball player could ever do (100% accuracy!?) that just make it so much fun.

Haikyuu!!: My other favorite sports anime is on the other side of the spectrum for realism. It has no superpowers, just hard work and friendship and lots and lots of great characters. I love this show so much because it constantly makes me root for Karasuno, but then I’ll still cry when the other team loses because the characters have all been shown to just be high school kids with dreams who love the sport and are having fun. It’s really sweet.

Demon Slayer: As a total package, Demon Slayer is incredible. It has stunningly beautiful animation; a wonderful protagonist in Tanjirou (and deuteragonist in Nezuko); a lovely sibling story that drives the narrative; a compelling and mysterious central conflict with the series’ big-bad Muzan; an absolutely kickass soundtrack; lovable side characters; high stakes; questions of morality and duty and tradition; and honestly, more that I’m struggling to even name. It’s just an incredibly good anime (and manga).

Tortall books by Tamora Pierce (includes 3 quartets, a trilogy, a duology, and a few standalones; my absolute favorites are the Protector of the Small quartet): Tamora Pierce shaped who I am as a person. I grew up reading her fantasy series and still reread them often. Essentially, they’re books about heroines who conquer various odds, save the day, etc. And because there are so many books that take place in the same universe over many years, you get to see various characters in different lights through different characters’ eyes. My favorite series is about Keladry of Mindelan, the first girl to pursue her knighthood since the king made it legal for girls to do so. Kel is an absolute badass, and she never turns away from injustice, and I genuinely want to be the type of person she is.

My Top 7 Favorite Ships

Kagami/Kuroko (Kuroko’s Basketball): These two will forever and always be one of my top ships. I genuinely don’t know how people can hear some of the things they say to each other and come to a not-in-love conclusion. They complete each other in the way only a true light/shadow metaphor can, but they’re also best friends who laugh together and support each other and have an insanely strong bond. By five episodes in, Kagami is already so protective over Kuroko that he's ready to throw down with street basketball punks over his not-boyfriend. And by the end of the series the trust they have in one another is so beyond a basketball anime that it’s almost ridiculous.

Yusuke/Kuwabara (Yu Yu Hakusho): The number of times these two were willing to die for each other (or gave up their life energy to save the other from death; or found hitherto untapped power as a result of having seen the other hurt) makes me want to scream. Kuwabara crashed Yusuke’s wake to scream at his corpse that he couldn’t die (“You’re supposed to be here…for me!”). Kuwabara shared his life energy to save an injured Yusuke after their very first mission. Yusuke fought multiple insanely powerful demons spurred on at least twice specifically by the fact that they’d wounded Kuwabara. Kuwabara faked his own death thinking it would help Yusuke in battle (which it did, but it also devastated him). Yusuke chased a car down on a bicycle when Kuwabara was kidnapped. Kuwabara cut through the fabric of reality for Yusuke. You get my point. I fucking love them.

Yusuke/Keiko (Yu Yu Hakusho): Yet, I also love Yusuke’s canonical love interest with him. Keiko is his reason for fighting, the light at the end of the tunnel. In one of the very first episodes, while he’s still trying to earn his resurrection, he says that he sees no point in coming back to life if Keiko won’t be there when he does. She’s the only person who stuck by him until he met Team Urameshi. She’s always believed in him, but she doesn’t take crap from him either. They have such a strong relationship that he even once saves the world by essentially trusting in his love for her. (When asked by terrorists to press one of three colored buttons to save the planet, he chose the blue one because blue is Keiko's favorite color.)

Zuko/Mai (Avatar: The Last Airbender): I will probably never shut the fuck go about how important Mai is to Zuko’s journey or how cool she is as a character and how ridiculously underrated she is. She’s so much more than people give her credit for and she understands Zuko on a deeper level than so many other characters. She counters his angst (as only Iroh can do) and she tries to cheer him up (and she inspires some of his only true smiles in the series!). And most importantly, she stands by him even when he abandons her. For me, “I love Zuko more than I fear you” will always be the standard by which other Avatar couples will be measured.

Tamaki/Haruhi (Ouran High School Host Club): I love these two so much. They’re both so queer. Haruhi is my gender-nonconforming fave and the most wonderful character who’s ever responded *shrug emoji* to the question of their gender or sexuality. She’s sassy and hilarious and the reason I say “these damn rich people” with relative frequency. And the fact that she fell for Tamaki, the flamboyant dumb-dumb with a heart of absolute pure gold…ugh. I adore it. He is too good for this world. And they bring out the best in each other. I love them so much.

Ed/Winry (Fullmetal Alchemist: Brotherhood): The balance that Edward and Winry strike together is beautiful. They’re both insanely strong people emotionally, and they’re both wildly intelligent and talented. But their compassion and care is what truly helps them shine. They’ve seen each other at their lowest and supported each other through those times, and they know the weakest and most vulnerable parts of each other. The strength of their bond covers distance and time, and Winry is the home that Edward can always return to. She holds him (and, by extension, Al) together and offers the unwavering support he so desperately needs throughout his journey.

Simon/Baz (Carry On series by Rainbow Rowell): This series hit me like a punch to the gut when I first read it. I love chosen ones who don't really match their prophesies and star-crossed lovers who find workarounds because they care more about each other than whatever is standing in their way. And these two are wonderful together. They're so messy and hopeless and sad sometimes, but they have each other and it's really lovely. Simon Snow is a disaster who loses just about everything except his friends and has to claw his way back from the brink throughout the series; and Baz Pitch never thought he deserved much happiness anyway but finds out that he does, but he's going to have to fight for it.

[canonmisogynyvictimstournament]

PRELIMINARY ROUND - THE LEGEND OF ZELDA - ZELDA

PROPAGANDA

Tetra (The Legend of Zelda: Wind Waker)

1.) Wind Waker actually has a point with its misogyny and kinda condemns the misogyny. We first see Tetra as a helpless girl in the clutches of a giant bird monster. A pirate ship catapults a boulder at the bird, which drops Tetra on the hero's home island. We find out that young Tetra is the rough-and-tumble captain of an entire pirate crew, and the brains of the outfit. We later learn that bird monster has been kidnapping a bunch of girls to find the reincarnation of the legendary Princess Zelda. It is revealed that Tetra is the next Princess Zelda. Because she is Zelda, she transforms from a tanned pirate captain into a pale princess in a dress, and her role requires her to wait in a castle for the hero to finish his quest. Which is what she does. And the point of the story is that this is wrong! The villain is wrong, and the hero's mentor is wrong—they're both hurting children and forcing them to reenact old roles in an old story, in their selfish quest to resurrect their long-dead kingdoms. Then breaking tradition, (I believe) Wind Waker Zelda is the first Zelda to wield the sacred Light Arrows and to take up an active combat role in the final battle. The happy ending is that Zelda turns back into Tetra, and she and Link set out to forge their own future. BUT THEN. The cheap sequel Phantom Hourglass (the equivalent of a direct-to-DVD Disney movie sequel tbh) pretty much opens with Tetra being turned into a stone statue. And she's a stone statue for the ENTIRE GAME until the hero rescures her. Clear-cut sidelining of a compelling female character, smells like misogyny to me. At least Tetra's identical granddaughter was a playable co-protagonist in the next sequel, but arguably Tetra founding a new monarchal country named the same as the ancient one and then actively continuing the tradition of making Princesses Zelda undermines the conclusion of Wind Waker. Tetra possibly has the most personality and most meaningful role out of all the Zeldas, and she's far from the biggest victim of misogyny here—but still, let's remember that even Tetra deserved better than she got.

2.) Was built up as a super-cool pirate leader antihero who helped out Link. Then, as soon as it's revealed that she's that era's incarnation of Zelda, she gets magically put in the standard Princess Zelda dress (which also makes her skin lighter for Some Reason), and she ends up being sequestered in a basement for her safety until the finale, where she actually gets to do something again.

3.) Idk if anyones talked about windwakers sequel game, phantom hourglass yet so i will. Dont go into ph expecting a lot of cool pirate zelda action because shes a statue for like most of it. Shes a statue and you have to go save her.

Zelda (The Legend of Zelda: Breath of the Wild and The Legend of Zelda: Tears of

1.) Oh my god. Oh my goooooooood. She was like. Ok in botw (I don't know). But then in totk, they COULD have had her take a more active role, especially with her whole sage of time thing and the era she was in not having a "hero", but NO. She barely did anything, and then in the end she ended up sacrificing herself (at least turning into a dragon is new. Like I don't really have a problem with the dragon thing but man they dropped the fucking ball with everything else). Like one of the creators literally stated that Zelda HAD to be the damsel in distress (rescue her from a crystal, a castle, whatever) and yeah, they definitely continued that in totk. Please just give a mainline Zelda a sword or an active (fighting) role in the game I am BEGGING YOU. Damsels in distress aren't cool, especially when you hype them up to be super powerful!!! She fucking deleted the Calamity from existence in botw you could have done SOMETHING

2.) WHY CANT I EVER HAVE A MAINLINE ZELDA GAME AAAA

I hope someone else gives good propogands but this is specifically about Tears of the Kingdom. So before it came out, I tried to avoid anything and everything about the game so I could go in 100% blind but I did see a few images of course because internet people don’t tag or algorithms lol but the point it looked like Zelda was the protagonist or at least a swap where they’re both playable choices and you can swap between them because she and link looked so alike and I was so happy to play her and was like as much as I like link free my girl from never ending Princess saving needing and it was happening!!

It did not happen and she was again lost and felt like a repeat of the last game where I need to save her (not exactly the same but COMEON)

3.) forced to be a magic sealing princess when she wants to do science and build robots