#there's so much that happened that i didnt even mention

[pinkmoondoll9shihtzu]

a

Yesterday i got the craziest message out of the blue .. My ex bf from 2011-2013's other ex gf who he was with before me hit me up to say that he got arrested?? And that her and like 5 other people are pressing charges against him for assault spanning across all different periods of time.. it's really wild idk how to feel. She said if i feel comfortable i can give my own testimony for when they go to court , even tho i dont live in england anymore.. Im like yeah honestly i will because like this dude is so unrelentingly violent and scary he legit almost killed me it was so extreme, i've known a lot of corrupt ppl but he is the only one i've always thought needs to be locked away from society like it's a murder scene waiting to happen not to mention he is just a straightup rapist

it's crazy too cus like 4 or 5 nights ago i had a dream that me and him and the girl who messaged me were all watching videos of ourselves in that time period like i even posted about it on here. i thought it was just a typical trauma processing dream not an actual premonition of something i would have to revisit irl

She said something about how she'd been looking back in her old fb messages with him to help paint a picture of the timeline so out of morbid curiosity today i checked to see if i still had ours. Sure enough i do, i've never looked at them retroactively before, but holy shit like... He is so much more of a monster than i even remembered, i dont get triggered easily anymore but it genuinely hurt my heart to see how horrible he was. Every conversation is just him snapping at me because i didnt respond to him fast enough or something so minor, and the whole time im just trying to apologize and de-escalate but it makes him more and more furious. the day before i was about to fly to london to move back in with him he was threatening to kill himself because i was going to my friends house to say bye to them. He was like "You're going to a party i just know it you're lying to me you'd never tell me you're really going to a party because you know i'm suicidal you've ruined my night you're a piece of shit" Like this was the NIGHT before i was about to leave everything behind just for him

i'm like rly shocked at everything i saw in that convo today im not even scratching the surface with this post. Anyways i guess it's cool that there is some justice happening right now and the people who survived him have been able to band together to try and ensure he can't hurt anyone else in the future. i rly wish none of us ever had to go thru any of that tho ugh i was so young i just really had no idea and it fucked me up for many many years afterwards. ive come a long way tho .

ill probly delete later cus idk who lurks this blog. i prefer not to show weakness :K But yeah.. just wanted to express this crazy unexpected life event and get it off my chest while its fresh

Peace and love !!!

[skunkes]

[nebuladreamz]

A little different than last year's, but here we are again. To say that this past year hasn't been absolutely wild would be a lie, cause HOLY SHIT MAN

This year's birthday is. A little different for me, but you already have the silly comic to show that so I won't make like a broken record oops

But, despite the changes and hills that life's decided I should climb or throw at, it hasn't changed the fact that I'm so genuinely fucking thankful to the people that I've known since joining this fandom. I'm not even kidding when I say that being here has actually changed my life for the better. I know I said something similar last year, but this time, hoo boy it sure turned up the AMP and test how far I could go.

So, to everyone, both new and old; thank you for being here :D

@garbagechocolate @darkxsoulzyx @smoljeanius @bunmuffin @skizabaa

@tuzesdays @sleepykas @fernzwing @kandidandi @starsketchez

@just-a-drawing-bean @notdysfunk @ilsole @amberluvsbugs @cloudyvoid

@nomsthecat @alfinefalf @nosleepygay @theblog-with-thestuff

@cacaocheri

(Edit: ty kibbits for informing me of the. Fuck ass tagging system)

AND TAGGING OTHERS BECAUSE. POINTS. BONKS WITH HEAD. GETTING TO EITHER INTERACT OR TALK OR WHATEVER IS ALWAYS A DELIGHT

@ohno-the-sun @kibbits @ink-yy @saltyfryz @kaprisvn

@hierba-picante @sunny-sophies-garden @cookiiemancer @sneeblbop @justaduckarts

@pepethehumanz @crystalmagpie447 @woolysstuff @mocha-illustrates @duhsty1

@sanchensky @pillowspace @victarin @witherfide

[I DEFINITELY GOT SONAS WRONG AND THESE AREN'T ALL THE SILLY PEOPLE I KNOW BUT IM SITTING HERE AT 2:30 IN THE MORNING JUST KNOW YOU'RE THERE IN SPIRIT HANDING YOU ALL POPTARTS WAUGH]

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[aspennntree]

since we only see the fucking. what do i call it. this thing.

when theyre alone do we think oscar has told the others about these weird merge episodes? because it doesnt seem like they know...

[magistius]

they did nothing wrong [said with understanding that they are a nuianced character but that theyre villainized to hell and back and you stand in support]

[daily-lea-crosscode]

was genuinely in a haze drawing this

[thedrotter]

Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!

First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.

Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!

If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.

I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.

Of course, the "..." lines won't count. I am so sorry Aya!!!!😞

Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.

Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person

(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)

With nothing else to be clarified let's get to the numbers!!!😊😊

First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:

Shunsuke (With a lead of 535 lines over second place!!)

Yuuichi

Rei

Yuuichi's Heart

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww

Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!

Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.

While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.

Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!

In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.

With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww

But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.

Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!

Shunsuke

Yuuichi's Heart

Yuuichi

Rei

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.

In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).

And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.

I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.

So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.

Average Line Count (YH and Takumiel counted individually): 197 lines

Average Line Count (When combined): 247 lines

Average Word Count (YH and Takumiel counted individually): 1,333 words

Average Word Count (When combined): 1,666 words

So there it is. That's how much the characters in Re:Kinder speak!

But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.

When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!

Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)

Ryou: Shunsuke - Said 14 times

Sayaka: Murderer - Said 7 times (All in one sentence!)

Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)

Aya: Sorry - Said 5 times

Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)

Hiroto: Shunsuke - Said 17 times

Yuuichi (separate from YH): Problem - Said 17 times

Yuuichi's Heart: Mama - Said 24 times

Yuuichi (Overall): Mama - Said 31 times

So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!

I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!

[sonknuxadow]

you know i do wonder how many sonic characters actually have living parents. like knuckles is the last of his kind so obviously his parents arent around anymore. both guys who could be considered shadows dads are 100 percent confirmed dead. sonic is canonically an orphan im pretty sure. and on the other side of the coin cream is like the only character in the game cast who has a living parent we actually see onscreen. but what about everyone else i dont think theres a straight answer for any other character. other than rouge's mom being mentioned a couple times i Guess but we dont even know anything about her or if shes still alive just that she existed at some point. are these kids constantly putting themselves in danger because they dont have parents around to stop them or because their parents just dont care

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[the-judicial-assistants-notebook]

You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.

(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)

The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:

Kay is very, very sharp.

In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:

Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...

Kay: Oh, I know! It's one of the kidnappers, right!?

There's even a point where she tells him off for overexplaining things to her:

Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?

And, near the end of their first case together, he acknowledges that's she's generally quite quick:

Kay: OK, what should I re-create first?

Edgeworth: ...You haven't figured it out yet?

Kay: Heh, maybe I have, and maybe I haven't.

Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:

Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?

Edgeworth: Alright, I'm counting on you two.

Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!

...

Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.

Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!

There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:

Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?

Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.

Kay: Ms. Shih-na.

Shih-na: Yes?

Kay: I... have no intention of taking back any of what I've said.

Shih-na: ...?

Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!

Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:

Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.

Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.

She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:

Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.

Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.

Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.

Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.

To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.

With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:

Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!

Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.

The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:

Edgeworth: ...Kay, it's not good for you to stay up late, you know.

Kay: Yes, gramps!

...

Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.

Kay: Nngh... Yes, Mr. Edgeworth... I'll try...

Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.

Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK

Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!

[hellcatchvalley]

the way that if any bh member died now it wouldnt even be a "oh no im gonna miss them :(" feeling but more so a "man they didnt even really get a chance to finish anything" feeling is.

[heartual]

had such a good experience with surgery today i can’t even fully explain

[carcarrot]

scrolling back through my liveblogging of the day of the nyc concert because of recent notifications and its such a fun mixed bag of emotions to relive it all again

[narwhalandchill]

Honestly. thinking back on it (am mega late yes) even though i like. ultimately enjoyed going thru fontaine AQ as an experience in terms of its emotional core and payoff with characters like navia neuvillette n furina having very strong writing and characterization i do think the overall AQ lore and worldbuilding is probably the messiest in the entire game and feels like all of its opportunities and potential was underutilized the most and thats just. Unfortunate

like yes its inazuma thats the most infamous for how shitty and rushed its execution was (and rightly so) and yes it Also had its share of issues with nothingburgers like the whole statue thing going nowhere or how shoddily constructed the entire it-was-all-the-fatui deal was

but i still think it has a stronger ground to stand on like. all aspects of the story if just slightly differently written and centered around better in-lore reasoning and logic. Are internally consistent with the world ya know. and would have produced a good story. like it could be fixed easily. no need for me to go Full Rewrite here but like just to make a point:

a shut-in deity paranoid and trauma-stricken is ignorant to her peoples wishes and enacts an eternal rule that stifles their hopes and dreams. discontentment in the nation (NOT just the vision holders it shouldve been ALL inazumans divided on this i s2g) has been on the rise but only outside forces stoking the flames push it into overdrive as they seek to exploit the unrest to get the gnosis. couldve brought the whole "peoples faith powers the archon" if they wanted to pop off bc then the fatui by sparking the civil war are Directly weakening eis power like Thats solid! less ei was innocent and only the fatui led to the bad stuff more. ei is flawed makes shit choices and leaves an opening for their operations etc etc etc.

foreshadow signoras past and distrust of the gods in like a tense encounter or two early on (ritou maybe?) where she hints at a deeper reason behind her actions. no need to trauma dump just have her like idk mock us for seeking the archons for "help" in finding our sibling slash truth of the world and coincidentally use wording that directly alludes to what we already heard from dainsleif earlier abt the cataclysm and archons sus so its like an Oh Shit. she can namedrop or allude to venti to imply its personal or sth to further recontextualize her actions in mondstadt as well.

and so on. like then fixing the rebellion (ppl join for other reasons than just the VHD so its a more common cause etc maybe some ppl dont care abt the decrees as much but the drafting of civilians into the ever expanding war effort goes too far) and stuff like that. inazuma had the ingredients for a consistent good story they just fumbled it completely

whereas fontaine tells like. a much stronger and more hype emotional core journey for its focal points as u go thru them but also it just. Genuinely falls apart if you poke at the setting and world for a bit too long its really just swiss cheese and that sucks

like as much as i Do love the narwhal in a very normal and sane way i still think story wise it absolutely goes into the signora tier of mishandled AQ boss fights except Even worse than hers bc. signora Fits inazuma even if she was handled poorly. but with the narwhal (and by extension childes entire presence as happy as i was to see him at all) its just... kinda random? and got pretty much brushed aside even during the AQ like we get the opera hall cutscene and then theres a THIRTY MINUTE cutscene with focalors before the actual fight happens like way to just. eliminate any urgency from the situation bruh. and then at the end both the narwhal and childe kinda just got plot deviced into hyping up skirk and surtalogis name drop. which rly fucking sucks. 99.7% of fandom never reads the AQ fight boss drop to consider the narwhals a sentient thinking feeling entity and not just a dumb big pet bc skirk called it that etc.

childe in general i dont think im necessarily like. as negative on the way he was handled as some ppl are (tho the general sentiments are 100% shared) but its still very much like. a disappointment w his lack of presence and voiced lines and in terms of how a lot of the intrigue set up in the AQ Especially the oratrice judgement just got shrugged off all "who knows 🤷‍♀️" like Are You Serious. and also p much using him as a neuvi hype device like . I saw it i knew ppl were going to be insufferable abt it & was right

i also saw a comment talking abt how childe Being the purple guy inside the narwhal just corrupted or sth wouldve given him a more heightened presence during the boss fight and while im a hater of that concept for other reasons (mostly the. narwhal must have malicious designs for ajax thing) i cant disagree with that take in terms of the story aspect. like if the narwhal ate him when he fell back in (which i kinda? assume mustve happened lmao like where did he Go 😭😭) it Wouldve been a much greater moment for sth like that to be there.

But bc i personally dont like the Brainwashed Puppet Angle i think how id have done it is just. sure make the purple guy more reminiscent of ajax n his fight style maybe even FL . But. feature an actual fucking cutscene in the stomach of us realizing its Not Him. but instead its the Narwhal Emulating Him as a spectral summon thingy. bc it ate his dumb unconscious ass for safekeeping or w/e and is now copying his homework of "use a manifestation of the other as a combat technique" (v romantic btw. soulmates real). like DUDE we had childes earlier AQ appearance Actively Bring Up this EXACT thing! he uses a hydro construct mimicking the narwhal as a combat technique bc of how their encounter rewired his brain chemistry. and now the narwhal needs to improv a more humanoid angle to combat in its stomach after it ate us. so like pov ur the narwhal whats the closest point of reference to draw from at that moment?

Oh Right. the guy ur been fighting for 40+ days . Your guy (derogatory) 💀 like they have a telepathic link who knows if it could just straight up cross reference Our combat moves from the flashes its getting from childes memories of seeing us in action and utilizing that.

like it wouldve been so sick and still left the nature of their connection relatively open ended. like it ate him skirk would be separating them at the end and maybe comment on it a bit and his whereabouts during the entire thing wouldve been Way Less confusing. The knight dude being a mimic of ajax' battle technique would thematically connect to the golden house fight and his hydro whale technique and its just. the current electro dude is just so Huh. like its a good jumpscare and i love the OST obviously but it getting No Lore NOR cutscene sucks so bad

(And like if they wanted the combat design to be so that theres no cutscene interrupting the transition between being swallowed and entering the stomach phase just make it an AQ exclusive one. and if we cant have traveler talk and logistics of bringing paimon/neuvi to make the shocked observation of "is that.... him? no... its just an imitation???" or w/e . Just have us FLASH BACK to childes own fucking dialogue as the phantom him is summoned to face us where he mentions 1) traces of the narwhal on him and 2) the basis behind his hydro summon technique. so traveler can have a silent !!!!!! Realization that he got ate or whatever and now his narwhal is stealing his ideas jsjskdksirigkf)

Anyway i swear this wasnt just abt those two im so sorry . but like yeah its just a fucking shame and also the narwhal being just like . Means to an End in the prophecy feels kinda meh but like i dont have a solid idea on how that would even rly be fixed but yeah. underutilized my both beloveds

Back to fontaine general stuff tho i kinda do think that . hoyo almost missed the trees for the forest w it all if u will excuse the mid metaphor . like they told a very strong emotional story w neuvi and furina and navia But it came at the cost of a highly illogical lore and worldbuilding and its just An Issue if u dwell on it even a little bit and its rly a shame

like they were going for this justice theme of maybe AI justicebot is not The Way (TM) and people viewing court as a spectacle rather than a show of justice but then went never fucking where with it in terms of Maybe This Needs Changing . they made that entire champion duelists a thing despite it being So fucking stupid fundamentally like it just relies on nobody with enough raw power to just solo any duelist ever getting into the ring

(no credit for this tho this was a comment thread i ran into on leaks sub. there was also a point made abt how childe dueling and winning against clorinde when hes accused wouldve been such a great moment of like both showcasing clorindes role and linking to their earlier sparring and holding back thing and also that maybe the system sucks when this is possible and while i get the story needed him in jail so he can reunite w his narwhal . im now mad this didnt happen. give him a W in combat hoyo.)

like theres this entire thing about flawed justice in fontaine that is present in the 4.0 story but then it just...... Disappears. Bc AI justicebot was anti celestia archon deleter all along and it finished its job so its no longer a fundamental ethical issue for the legal system and fontaines ppl to grapple with and confront shit like childes sentencing. And furina wanted dramatic trials bc of what she was told by focalors but since she retires its now just neuvillette whos super fair so everything is fixed .

im not as big of a hater of act III as some but like thinking abt these things further makes me like it less and less like Yes they wanted this meropide vs regular fontaine dichotomy explored and all but thinking of it is just. i wonder how worthwhile the opportunity cost was in there (i have no correct answer btw)

bc . if you keep the childe jailed bc justice AI bot. they shouldve shown the people responding to it . bc that entire highly controversial judgement is Literally accompanied by the solving of the serial disappearances case AFTER multiple ""culprits"" had already been imprisoned for it which i actually forgot (thanks same reddit comment for reminding me) like Whats with those people then????? and just. Everything to do with the entire case including childes deal shouldve been a much bigger social upheaval anyway like ik stuff like furinas SQ shows ppl personally affected in the aftermath but i mean in bigger scale.

And Then if we like run a bit with this alternate hypothetical idea of childe no diffing the court system (clorinde im sure youre powerful but like i put more faith in those ruin guards that lasted 4s against FL than u girl) so hes simultaneously kind of a criminal let off scot free but also its so stupid to think a guy thats like 25 at most is involved in a 20yr old solved case it couldve been actual source of political discord. and like if you need to get him to the narwhal for plot reasons its Rly Not That Hard theyre obsessed with each other bro gets pinged a whale call once and its like yes honey we jailbreak for reunion tonight (hes going to throw hands Immediately bc hes the toxic battle maniac one). also yes ik they wrote it weird so technically ajax cant duel after the oratrice decides hes involved which is major intrigue point (that canon wasted but oh well) but like. they couldve written differently idc. he couldve even gone off investigating why AI bot considers him guilty on his own and then jeepers!! speedrun glitchless any% spawned into the primordial sea!! hes missing! but like this isnt a well articulated idea whatsoever lmao im just winging some shit

meropides existence in general was also just weird. again i enjoyed the character writing it enabled for wrio and the HotH trio and despite disliking childe just being MIA i do like how the storytelling around his escape expands on his social intelligence and street smarts still. but as an entity the fortress is just sorta there as a system that Obviously shouldnt be Like this when its literally the other side of the coin to fontaines Already dubious legal system but then they went the whole. its a gathering place for exiles (still a prison)!! a home for those alienated by the surface world after so long (so why KEEP them in there that long)!!!! protectors of egerias secret (okay Sure. but whats the need post prophecy then)!!!! And its like. okay im not about to uhh. overstep my understanding of the risk a chinese company limited by often nebulous and inconsistent censorship would take if they went for a full on prison reform/abolishing angle w the writing like i dont think that was in the cards. But it still means meropide as a system just falls apart if u think abt its existence critically At All and its hard to say whether fontaines writing omitting sth like it entirely wouldve ultimately been better for the overall focus of the story anyway. but yeah

and its just. im sure theres even more that i havent even noted here (logistics of nobody drowning in the flood & rest of teyvat being unaffected etc etc) bc this is just a rant ramble not a coherent analysis but my point in all of this is that the abundance of issues like these just kinda add up so that by the end its kinda like fontaines simultaneously the AQ that id say has the highest highs in terms of its best moments and strongest emotional beats and how much heart it carries . Like im not taking that away from it.

but its also the AQ with like genuinely the messiest fucking groundwork in lore and larger worldbuilding implications whose aftermath leaves the most plot threads barely explored or just discarded altogether by the end and its just?? Such a weird mess like i very much enjoyed it despite the problems and for me it still overtakes sumeru in many aspects but i cant pretend those problems arent there . like consistency of writing and lore accounted for sumeru is still the best AQ

(oh also. the fact that to my knowledge no fucking fontaine NPC Ever reacts to the events throughout the AQ is fucking insane. like other nations could get away w sth like that better but. THE ENTIRE NATION FLOODED. How the fuck arent they talking. ppl in meropide post act IV abt the close call. ppl who saw the narwhal in the opera house in V. Like . HUH???)

but yeah its . A weird situation w fontaines writing as a whole . & yes im giga late to the discussion HSJSJSKSI but oh well thats my brain for ya