#there's probably more characters that I'm missing but again. You guys get the point
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Part 3 for the fitclet I did for @keferon 's mecha pilot jazz au! (ノ◕ヮ◕)ノ*:・゚✧
For those who missed it:
Part 1 || Part 2
This is probably the longest out of all the 3 parts, dear god, I went all in. It came out bigger than I ever expected it to be. I was not expecting it to go this far honestly, but the parasites in me, they begged for more. So here we are! :D
Again tho, idk how in character they will be here, but I tried my best \(*T▽T*)/. Also, kinda bullshitted my way through in worldbuilding bc idk how things work exactly- and I had to come up with stuff on my own, even tho I'm not that good in mecha world stuff, so I'm sorry for any inaccuracies ^^;;
Now, to give credit to those who so desperately deserve it:
My sister @saltynsassy31 for helping me when I couldn't write out some of my ideas and doing it herself (so consider this as a bit of a frankenstein monster of both our writing styles, mainly during intense scenes. If there is any fancy words in this, it's cuz of her) and being my beta reader for this part. Seriously yall, this wouldn't have been as coherent and well written without her help!
Also huge thanks to my online sister @yayadrawsthingz for helping out when I hit a few road blocks during this!
And finally, a huge huge thanks to my honorary online uncle @hexyz09 for helping me finish off the final fight scene when I got stuck during some plot holes and road blocks, or generally just writing myself into a corner and having to help me leave it, despite not knowing jackshit about the au, let alone the ship and characters themselves, but was still willing to help me through in working on the plot, in this crazy obsession of mine XD
Yall have no idea how much help these guys were. Probably wouldn't be able to finish without either of their help ᕦ(òωóˇ)ᕤ
Oh and an honourable shoutout to the song "Headlock" by Imogen Heap! Kept listening to this on loop as it kept my drive up to write this.
Now onto the fic!
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Prowl ignored Jazz's various attemps to push out his servo from the cockpit. Despite the mech being weak himself, the human was still no match against thousands of pounds of metal, especially in his own weakened state.
Which was a matter of its own at the moment. Prowl knew he had very little time to be able to run ahead before the other humans caught on to them, having noticed the alarm bells ringing through the facility.
So he ran towards the exit Jazz had initially pointed out, the only plan they had at the moment.
...
"Prowl! Prowler, hey! I know you can hear me! Prowl!" Jazz shouted as he slammed yet another fist in a failed attempt to nudge the bot's servo out of the way. He hasn't said a word since picking Jazz up, and he wasn't sure how long that was, maybe not that much, but it felt too long yet too little at the same time (what a headache).
Sliding down, he gently hit his forehead over the protective servo and let out a sigh of defeat. No way he could get him to move like this.
Why was he trying to anyways? Didn't he want to be with Prowl? He certainly did, but somehow, something in him made him feel like he shouldn't just be accepting this.
And maybe Prowl also knew this, which is why he took off and hasn’t said a word since. Both held conflicted feelings about the whole thing. If only things didn't feel so blurry right now!
Suddenly, a hard shift made Jazz stumble a bit, grasping at whatever he could so he didn't fall back, loud noises of metal scrapping metal could be heard as something got kicked open on the outside. Jazz scrambled over to the small crevice that opened between Prowl's digits, not enough for him to fit anything over other than his hand, but enough to get a glimpse of what was happening outside.
Prowl had kicked down the exit door to the lab ('not like he had the hands available to properly open the damn thing anyways' Jazz thought to himself). It was meant for mechas to exit the room after they finish off whatever it is they do in here, that Jazz knew, and if he was right, just down the hall there will be another exit leading to the backroom where they stockpiled the mech suits. No one but the technicians were usually supposed be there, it would be an easy fight to get to the big gate that lead to the outside training grounds, which is why Jazz had pointed for the mech to go down there in the first place.
There shouldn't have been a problem besides giving him time to leave unscathed. Which Jazz assumed would not be the case as he was currently inside Prowl and not buying him time to escape. But, to Jazz's surprise, nothing had come close to attacking them, yet.
The pilot did not have much time to contemplate it as suddenly he heard Prowl rumble an annoyed grunt.
"Don't move."
In shock, Jazz stumbled back as Prowl removed his hand and reached for the end of the overhead gate, seemingly alot harder to kick down than a two way door. The only thing it would really do would be to bend the metal a bit but it wouldn't give an open entrance. Jazz didn't dare leave, not like he could from this hight, but even if he could, Prowl would probably just pick him up again; it be a waste of energy really (just admit it, you don't want to leave him). But something about this felt wrong, so far they haven't had a single guard come down the hall, just this small pause would give them enough time to catch up to the two runaways, Jazz was sure that guards had been on his tail when he was under his rampage.
Unless...
Wait.
"Prowl! Wait don't open that gate!" But he was too late, the moment he uttered those words the mech had already been in motion and pushed the gate up with all his might and as quickly as he opened it a gun shot came through the otherside. They had been waiting for them, they knew where they were heading. The bastard he kicked down prior to this probably saw them and reported it, dammit.
Prowl let out a strangled cry of pain as the shot landed right on his left shoulder (like it wasn't damaged enough by the lack of arm), Jazz fell backwards with the harsh motions, hitting the back of the pilot's seat, the impact leaving his vision to go dark for a few seconds before he collected himself as quickly as he could. In an instant though, just as he tried to get back up to see what was outside, Prowl had put his hand back over the open cockpit.
No...he wouldn't be able to fight like this, protecting him as he is would only hinder the bot to more damage. And that's exactly what Jazz intended to express to the other. "Prowl! You won't be able to fight with your hand over me! Forget about holding me inside, I won't leave, I promise!"
"That's not the point!" Prowl growled, letting out another hiss of pain as more shots were loaded, someone shouting out for them to stand down.
Prowl couldn't risk leaving Jazz exposed. Unlike the human, Prowl could take a few shots, their weapons not being strong enough to inflict any serious damage to his plating (though perhaps a bit to his exposed protoform, though he could handle it for a little while longer). But it would take one lucky shot on Jazz to have him dead in an instant, and Prowl couldn't take that chance.
It seemed like Jazz got the message, not spitting back any sort of remark about Prowl's lack of explanation.
But the mech couldn't linger too much on those thoughts, he had to get out, and fast. He was losing too much energon, and his vision was starting to get blurry, which wasn't a good sign. It didn't help that his thoughts were a hazy mess, his usual ability to think logically overthrown by the panic of needing to get out of this place while ensuring Jazz's survival.
It's not like he had much to do, though. Any possible escape hindered by the fact he couldn't use his weapons unless he risks Jazz's life to one lucky shot. Perhaps he could make a run for it, knock through the mechas in front of him and let them tumble over as he reached the final exit; it wasn’t the best plan perhaps, with at least a 19% rate of success, given he isn't in the best physical state at the moment, he probably wouldn't be strong enough to knock them over. Added to the fact the exit wasn't shut by a gate he could simply knock over easily either, like the previous one. He'd have to push it open from the bottom, and there wasn’t enough time for him to act on it.
But he'd have his back turned to the shots, reassuring Jazz's own safety, so he could perhaps risk removing his servo to push the gate open once more.
With a quick warning from his HUD telling him his energon levels were getting dangerously low, Prowl decided to take the risk, with little time left, he took a step forward making a run for it.
The mechas seemed to ready themselves for his attack, quickly positioning their weapons to target him, closing any narrow space they had between each other.
What they didn't expect was for the mech to charge his whole body weight onto them. Despite not feeling any pain, they certainly could not fight against gravity itself. They all stumbled against each other as Prowl made a mad dash to the gate. He slid on his knees and made a quick reach for the bottom of the gate, anxiously removing his hand from over the cockpit, bending over protectively as to not have anything be able to aim inside.
He could feel his spark beating fast from anxiety, they were so close, they'll be able to leave soon enough. Jazz was most certainly having a good feel to Prowl's anxious beat, the loud thruming reaching the bot's own audials was most certainly deafening to the human sitting near it.
Then, a shot.
A pop.
A blinding light.
And the beat stops.
Jazz was curling in on himself as an instinct to protect himself from the sudden burst behind him. It only took a few seconds for him to realise what that was once he couldn't hear a single beat of a spark, or the burning sensation it left, feeling his own heart stop and drop to his gut.
It felt like the world around him suddenly stopped, everything going into slow motion, with no sounds to accompany the dread. Feeling as Prowl's body leaned foward to crash on the ground.
But just as quickly as the silance came, it left. Prowl catching himself from hitting the ground with a grunt, a slam could be heard as his arm and elbow made contact with the concrete floor. His spark beating, weakly, but beating nonetheless. What felt like hours of silance was only a quick few seconds of deafening dread.
"Prowl!" Jazz called out in desperation, reaching out to hold the edges of the cockpit, so not to fall out, but to also try and comfort his anxiousness as he tried to look up at the mech's face. The mech made a sound of acknowledgement, which came out more like broken static, but didn't make much effort to move, his face scrunched up in pain, optics shut. They shot him on his back, too close to where his spark would be, causing him to skip a beat, and busting a bit of his left doorwing, but it still seemed to function somewhat.
Suddenly, both of them picked up on the sound of something opening, giving no time for either to fully process what had just occurred. Prowl made a quick move to get his hand over the cockpit once more (with slight struggle as he stumbled and fell on his aft) as a thick metal slab emerged from above and beneath, right in front of the gate, shutting it close with a protective layer of metal. Guessing by the red alarm ringing around them, an emergency protocol to keep anyone from leaving. Slag.
The mechas surrounded them, guns all aimed to shoot at the alien mech if he didn't comply.
It was silent for a brief moment, in exception to Prowl's anxious beating spark (which wasn't a problem for Jazz at the moment, the burning warmth being somewhat comforting) and Jazz's own heart beating over his ears. Both catching their breaths.
"There's no point in fighting. So make this easy for all of us and surrender yourselves." A nobody pilot finally spoke out, weapon leaning a tad closer than the others.
The atmosphere felt heavy, they were pinned down. Really, the only thing they could do was surrender, but Jazz would sure as hell be reprimanded for his actions and Prowl.....he didn’t want to think about that. No, he wouldn't even allow that thought to become any sort of reality.
"Prowl" he whispered, knowing only the mech would hear him, leaning a gentle souch to his servo as if to beg, "I know you might not have alot of trust 'n me, but this might be our best shot." There was a tense shift, not too noticeble unless you could see the mechanisms from the inside, Prowl knew what he was about to suggest. "You need to let me pilot you." He cringed as he felt the other's servo stiffen, he wasn't pleased with the idea, and neither was Jazz, but he knew this place alot better than Prowl did, and knew how to properly defeat the mechas, knowing their weak spots. And Prowl was all too aware of that too, Jazz knew it. They both were very aware of it all.
"Please," he begged, leaning his forehead on the mech's servo yet again, "I can't lose you again." There was slight shift, Jazz looked up, though he obviously couldn't see the mech's face, the sigh he let out was loud and clear. The controls on the pilot's seat shifted, Jazz got the message:
'Alright'
He couldn't help but let a small smirk creep over his face, making way to sit down and start piloting.
"Under one condition though," Prowl suddenly whispered to him, though it was alot louder to Jazz on the inside.
"And what would that be, partner?" The title flew out too fast for Jazz to stop himself, feeling so natural to call Prowl partner once more. The mech didn't seem against it though.
"No removing my hand."
Jazz was left stunned for a quick second, though it felt like a minute for Prowl as he waited for a reply eagerly.
"I can work with that." Prowl let out a sigh of relief at that, allowing the human, his partner, to take control of him again.
It took a moment for Jazz to adjust himself, in the meantime, the people waited outside anxiously for the other to make a move. When Prowl finally started to shift around to stand up with a small grunt, everyone raised their guns and loaded them up, but didn't shoot just yet. The mech looked up at them with a deadly glare, but made no move to attack, his remaining arm not leaving the open cockpit for a second, he simply stood up with a slight slump to his posture, doorwings drooping down slightly. In all possible ways, he looked weak and defeated, no signs of fighting back.
One of the mechas walked closer, gun still aiming at Prowl, but it was lowered slightly. They reached a hand out expectantly.
"The pilot, hand him over." They demanded, no sympathy whatsoever.
Prowl clutched his chasis, anger pooling over in his spark, doorwings twitching up slightly, but he made no move to attack. Not yet. He heard Jazz speak to him in a low tone so only he could hear it, with a sigh, he relaxed. He slowly, very slowly, drew out his hand from the cockpit, the action in itself having the other mecha have their body relax slightly as they approached the mech, weapon being put down slightly enough, and so did the others around them. Jackpot.
Before he fully removed his servo, the mech made move to crouch down and in a swift motion swung a peed over to the mechas own, catching them off balance and knocking them down. Jazz let out a small hiss to the action, forgetting his own injured leg, but pushed on regardless.
Using the thrusters of his doorwings, they were able to balance themselves back up, Prowl's servo going back into fully protecting it's pilot once more. With most weapons being aimed up and not down, it took a delayed second to aim correctly, but it was enough time for the human and cybertronian duo to twist themselves out of harms way.
Before the fallen pilot could attempt to get up, Jazz made move to aim over the weak spot of their mecha's knee and stepped hard enough to break its mechanisms so they couldn't stand back up easily. But the glory was short lived as more shots were fired their way.
Jazz's hand twitched to move and use its weapons, but he resisted the urge with a slight huff, "Man, 's hard to fight without an arm!"
"This is none negotiable, Jazz." Prowl hissed as they made move to avoid more shots.
"I know, I know! Don't mean it makes it easier!" Jazz tried to analyse their surroundings, though it was made difficult with the many HUD warnings from all the injuries (the pilot couldn't help but mutter a broken "I'm so sorry" to his partner, whether the mech heard him or not he wasn't sure), but pushing through it, he took note of a few key details. There was a metal catwalk grate near above the mechas' heads, running with a few on ground troops, the bastard of a boss being one of the few amongst them. Near a corner stood an elevator to go up and down the area.
How that could help, Jazz wasn't sure yet.
A shot hit Prowl's arm, pain flowed through the mech as he moved out of the way once more. Jazz looked around in a frenzy to find a place to shield themselves....the mechas! Making a run for to the lifeless husks, he swivelled around between them and hid behind the many rows of mechas knowing full well that they would not risk such precious resource and money just to reach them. At least he hoped not, because he just needed a little bit of time to figure something out.
Hearing the big man call out to hold their fire was good enough indication that his idea worked.
"Ok, now we just need somethin' to distract them long enough for us to make a jump to the ceiling." Jazz explained
"The ceiling?" Prowl inquired, not so certain about his partner's ability to properly think at the moment.
Jazz rolled his eyes, but didn't make mention of the mech's tone. "It's the weakest point here, plus" he made way for Prowl to look up to where he remembered the area to be at, "there's a trap door for flying mechas and emergencies. One quick press of a button will open it up, even under "safety protocols."" Prowl let out a hum in thought, seeming to analyse the situation.
"Possible, but where is this said button?"
"Behind the elevator, by the catwalk grating on top. There's a control panel, and one big red button, can't miss it."
"Would smashing it still get it to work?"
"Yes."
"Then I don't have any complaints."
"Good, now," Jazz went back to scanning the area, "how to cause a distraction?"
"Would that broken pipe be of any use?" Prowl made an effort to twitch his head over to the direction of what he wanted Jazz to see. And just as the mech stated, there, by the first floor of the elevator, stood a broken pipe, steam coming out of it.
Jazz smirked "it would actually. If we can get somethin' to shoot at it, we might cause an explosion, giving us time to jump up without being the target anymore."
"Sounds like a plan." Prowl shrugged.
"Don't have anything to add?" Jazz asked a bit surprised.
"No, I don't." The pilot didn't push.
"Okay. Well, let's get these bastards shootin." In quick motion, they made way to the elevator, already hearing the commands to shoot fire, 'but watch for the machines!' Weapons were loaded from above as well, shooting down at the two runaways once again.
Jazz made sure to move swiftly behind the mechas, making sure they were shielded properly. Any gaps they had to cross was a small risk they needed to take, scrapes and scratches being left in its wake, but tried not to do it too often, just enough that they could follow them. They eventually reached where the pipes were, Jazz took a deep breath.
"Ready, big guy?"
"Ready."
They stepped foward, making sure to call the attention towards where they were, but quickly retrieting back behind the mechas suits as they shot directly where they wanted to hit. "Bingo."
Quickly, activating Prowl's thrusters, they leaped over to the metal grates that stood above them as the pipes behind them burst, causing a huge commotion as empty mechas fell down and whatever machine near the crossfire tumbled down. Prowl let out a gasp as he felt the world around him spin, the grating beneath them not being of any help as it shook with his weight. Jazz was quick to hold on, helping the mech stablise himself before aiming with his left foot to kick the big red button with their ticket out of here, the motion causing his vision to flash in pain, but he bit his toung until he could taste iron and pushed forward.
Hearing the metal door above them open up, Jazz readied himself, but hesitated with the warning he'd received from Prowl's HUD from his low energon levels. He didn’t even get the chance to fully check on it though, Prowl quickly pushing them out of the way himself.
"I'll live, just one more push." The mech hastily reassured the human. Jazz wasn't inclined to belive it though, feeling the other's spark beat anxiously (and for some reason that made him feel slightly dizzy. Though he chalked it up to it being his possible concussion).
It took one shot to slip an inch away from Prowl's face for them to finally snap out of it and jump. One more push from his thrusters as they flew up through the trap door and landed on top of the roof with a grunt, the mech's left wing finally giving out.
But they weren’t in the clear yet. Looking out, a wasteland of a forest awaited them, with dense trees at the bottom.
"We'll have to make a jump for it. If we're lucky enough the trees will be big enough to hide us." Jazz supplied.
"45% of that happening. But we don't have much of another option at the moment." Prowl added
With all that being said, Jazz moved into action. With so much at stake, he had to, he couldn't waste another second in debating. Hefting Prowl up, he used all remaining strength to jump where they needed to go, but as the training grounds began to get closer than anticipated, Prowl knew they didn’t make the jump and that made the mech almost freeze.
Though Jazz had other plans, because as their impending flat doom approached in rapid speed, Prowl's remaining thruster burst to life and gave that final impusle they needed to reach the slope. They both braced themselves as they were thrown up and over to their intended destination, Prowl having half a mind to tighten his hold over his chest so none of the debris and impact could reach the fragile human still in his care.
They rolled down the slope, Prowl just barely being able to shift himself so that he was sliding on his back instead. The aggresive motion of going down a not so smooth path causing bigger cuts and slashes against his already damaged frame. But the only thing he could think of at the moment was that they made it.
Jazz was quick to let go of his control over Prowl, who in turn made an effort to sit properly. Though the sudden slamming to his servo made him look down worriedly, moving it slightly to see Jazz leaning on it desperately.
"Prowl-" he heaved, "Prowl put me down I'm feeling sick."
The mech panicked and quickly made move to help the human down, gently placing him on the grass below. Jazz made no effort in being graceful as he hurled over and puked his guts out, luckily avoiding Prowl in all of this.
Clutching his stomach in pain, his heaving and coughs agitating the injuries on his abdomen. Everything around him felt blurry and muffled as his body made sure to get everything he had eaten in the past day out of him.
What made him panic was the sudden taste of iron in his mouth as he coughed up whatever he had left inside. That's not good. And that definitely didn't escape the giant mech's notice, who kept a hovering servo near him.
"Jazz! Is that blood?!" His voice sounded so broken, static lacing over his words.
"Uh- Yeah. Yeah it is." He wasn't sure how to deny that really, and he felt too light-headed to try. But his attention diverted to the sudden pink glow that landed at the side of his vision.
Energon.
Quickly looking up, he finally got a glance at his partner's battered condition. Energon leaked from many different parts of his body, but the main source being from his missing arm. Jazz couldn't help but cringe at that.
But what hurt him the most to see was the weak light from the mech's optics, which still held visible concern on them. Despite being close to going into offline, he still looked at Jazz as if he's about the crumble into dust and leave him. Which he honestly, maybe, felt like. But seeing Prowl's optics flicker as they fought to stay online, Jazz panicked
"What 'bout you?!" He called back, catching the bot off guard. "You're losing too much energon! You look like you're about to go offline!"
Prowl cringed a little, not having anything to counter that. "Well that's because I-"
"No! I'm only a little bit dizzy, but I'll live. We need to patch you up right now!"
"I can help with that."
The new voice catches the duo off guard, Prowl immediately reaching out to Jazz, hand shielding the human from whoever that might be. Jazz looked down from where he was looking at Prowl and turned to see who it was that the voice came from.
There standing in front of them was a human carrying a simple tool box and a huge backpack strapped over one shoulder, filled with questionable things.
---
BEFORE YOU LEAVE, a little something I would like to point out for the fic, that some of yall with either like or not, during the process of writing this, I've seen a few posts keferon made about the spark being radioactive and such, and it sorta made me think a bit while developing Jazz's condition. So well, take Jazz's health in this as you will with this info :)
But anyways, yippie!! That's all for today folks! I hope yall enjoyed this one bc I definitely had a heck of a time writing this one XD
It got alot bigger than I anticipated and took much longer to finish than I originally planned (was supposed to be done 2 days ago).
Now, I know I keep saying "not sure if I'll make another part to this" but then proceed to do so anyways. But I mainly do so because everytime I shared it someone said something that added to the story somehow and gave me ideas to continue foward.
So like, if yall liked this and wanna see more, don't be shy to suggest/add anything to this as it may help inspire me to add more onto this, cuz honestly idk what the fuck I'm doing rn, I'm just going with the flow ᕕ( ᐛ )ᕗ
Also, a bit of note for the doodle, holy shit I did not expect it to look this good!! Tho I suffered with Jazz's suit, plz ignore any inaccuracies tee-hee. Prowl's knee and hands were hell too, especially his knee, but i could like, hide most of it lmao. Actually mainly struggled to not have his hand cover Jazz too much bc it kept covering the parts I actually wanted to show off lmao.
Oh and the guy at the end? Yall can take a good guess as to who it is :)
But since he doesn't have any official design, I kinda went with whatever felt right lol.
I also really wanted to draw out more scenes to add to the fic, but then it would take me a lot more time to actually post the fic as I figure out how to draw robots :'). But maybe I can try and doodle them out another time if I can, no promises tho-
#mecha pilot jazz au#oh god I'm so nervous about this one#i hope yall like it#and plz plz share whatever thoughts you have on this (as long as they're positive ofc bc my ego is very fragile YwY)#cake writed#yeah that's a tag now#cakes art#transformers#tf jazz#tf prowl#jazzprowl
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Uhhh post game cap in regular clothes?
(Prolly reluctantly trying to separate himself from the uniform a bit since….. *gestures at game* all of that happend, but also not quite knowing where to go from here since *gestures at game* all of this makes me feel like trying to move on from the BBs is probably gonna be hard for him and I feel like the uniform may or may not be a comfort to him in some weird sense… Wish I could explain my reasoning better but then again I don’t even think he could .)
Oh Yeah I absolutely understand what you're getting at here. The uniform IS him in many ways- it represented his place in things both as a follower and a leader. As long as he was wearing it he knew who he was (or what his role was) and so did others. That uniform also represented all his hard work to become Inspekta’s right hand man, so it absolutely was a source of pride as well as comfort. Having the BB's disbanded and losing that position and uniform is going to be very, very hard. For the first time in a very long time he's going to have to think about who he is a person removed from a power structure that gave him purpose. He's been completely unmoored in a way. And that's going be incredibly rough- things are going to feel worse and perhaps get worse for him before he can get better. Even though he's out of a toxic situation and in a far healthier place I think it's going to be something he misses for a while. We know from Yugo's drawings that what he wore before joining the Bizzyboys and wears off the clock are more for function and comfort and that he doesn't take great care of himself or them. And why should he? He only needs to be presentable so that he's representing Inspekta well. If he’s not on the job there’s no point in dressing up. In my opinion, the contrast between how he treats his own clothes vs his uniform is really interesting and important. He wants respect but doesn't respect himself and that reflects in his clothing choices. It's also why he panics so much when his uniform gets colored in paint- suddenly he doesn't fit in and his image doesn't command power. I've drawn him in his tank top/shorts and flannel but let’s talk about what else could be in his wardrobe. After rotting for a bit I think Vibiano and the others will help/push him to get a new wardrobe. I have designed some clothes I can see him picking out. Similar shapes to his uniform, nothing too out there pattern or color-wise that would made him stand out (maybe one day he'll feel bolder)- stuff that looks nice and snappy and classy. Stuff that makes him look like a guy you'd respect- yknow? Something he can wear with pride again.
Anyway those are my thoughts/interpretations! They may be different from yours (general not just you anon) but I definitely think his clothing is important to his character! I have a stupid joke follow up to this too but I'm going to post it separately.
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speaking of hair do you think there is any symbolism to the characters who have one eye covered by their hair like lusamine and gladion for example
Oh yeah definitively.
The typical trope of characters having one eye covering their is usually used to evoke shyness, simply not being a very social person, a hidden personality or past, or, you guessed it, ✨trauma✨. And of the characters that have these bangs, they are kinda fit the bill.
Lusamine is the most interesing to me, bc it tells us so much, both before and after we know her story. Before, Lusamine looks like a generally trust worthy person. She seems kind, parental, and incredibly devoted. But then you look at her hair, and how it interacts with her face. For the sake of this post, let's just talk about her bangs. Lusamine's bangs doesn't fully cover her eye. You can see it ever so slightly peeking out. It kinda acts like this...hood, i guess, leaving an overcast shadow around her face. It helps make her otherwise more kind face feel more.....ominous. Her smile doesn't exactly look kind anymore, and her eyes don't seem that welcoming. Like there's something more that your missing. And then you actually get to know her, both in her actions throughout the main game, and what you learn from Lillie and Gladion. Going with what I said before, I do think Lusamine is a woman defined by trauma ( honestly, as he rest of the aether family is), but also someone who is still very cruel to those around her, a stark contrast to how she appeared before. And all of that is still conveyed through her bangs. Hiding one eye, but not fully, her bangs acting as a hood that cast a shadow over her face....it's really good!
Gladion is a similar story: a kid who has been traumatized by the loss of his father and the cruelty of his mother bc of that loss. Unlike Lusamine, his hair fully covers his eye, with you only being able to see it from the side. Again, it's a good way of showing his personality: someone who has something to hide, someone who more than what you think, someone who is possibly hurting. But what makes his hair special to me, is that it really cements the idea that Gladion is an emo ass teen who wants to look cool. If I'm remembering correctly, Gladion's rips in his clothes where done himself? And between the posing and the clothes, you cannot tell me that Gladion thought the hair covering one eye wouldn't be the coolest thing ever. That he would look so cool and mysterious. But, to not bully him too much, I can also see his hair as a slight defiance towards his mom? I dunno how he used to look when he was young, but given how Lusamine pretty much controlled how he and Lillie used to dress, I can imahine the freedom of Gladion being able to do fuck all with his own hair. Though, ironically, if his hair wasn't always covering his eye ( quickly checked the pokeani to see if that was the case and it wasn't! both of his eyes where visible), it would have made him and his mom more similar design wise.
What I said about Gladion, can be said for Arven too, tbh. Hidden past, hidden personality ( as in he's a sweetheart), lot's of trauma- the whole package. I will say, it's particularly funnier with Arven, bc at least Gladion tries to look intimidating and still kinda acts like how you would expect him too. But Arven is so insistent that he isn't sweet and nice even though he very much is. His tough guy act is actively failing lmao. Fucking dork.
And I know, I know there's Cynthia and Volo, but I think you guys would get the point already lol. Though I think Cynthia is pretty funny too. Her bangs are definitely there to make her look mysterious, and she is, but what's hidden is that she's actually a lil goofy. At least in the anime she is. And she's pretty disorganized, which is something you don't expect a woman like her to be at first glance. Honestly, she's a very funny subversion of expectations here lol.
#there's probably more characters that I'm missing but again. You guys get the point#and also i think someone can have hair covering their eye bc it's cool. that's a very valid reason to have that tbh#r answers#pokemon lusamine#aether president lusamine#rival gladion#pokemon gladion#pokemon arven#arven#pokemon#thanks for the asks!!!#r rambles#cause yeah i do be rambling
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being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.
truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh
that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x
#[sitting waiting right here] for billions to have its vulnerable weird scapegoated misfit outcasts actually band together lmao....#like Sure Doesn't b/c billions is like we all hate weirdos & we all love telling them to shut tf up & go away to die or w/e. correctly#can't believe ultimately the Different fund disappears w/o its scapegoat & the Correct ''weird'' char is full axe cap mode finally#& it's sure not a Comment when billions affectionately gives them their free heavenly reward & Ensure zero scapegoating consequences#the [imagine if something about something was about something] approach to Banished Relatives being thoughtful & loving like#& here you see how even As they're banished everything isn't Really fixed for it incl. that people aren't Really just happy he's gone#billions is like no we killed him And everyone has gladly & legitimately forgotten he exists (save the instant it's time to use him)#the hilarious(tm) tragedies surrounding rian like billions' can't make her ''care'' abt winston be anything save more violence#can't pretend rian was anything more than [again we all Know your nads like w/taylor like w/winston] bagina + dialogue source combo in s6#when it's still dimly relevant for prince in s7 but you miss Nothing re: rian if you have no idea that plotline exists#& speaking of actual ''weirdness'' rian was never allowed to have: the tragedy of the tension of Closeted Transness present on screen fr#just as billions has no idea / further willingness to let rian be so ''weird'' as to actually care abt winston or abt not being a bully Lol#meanwhile i figured like oh i'll like a scapegoat. did know ahead of time like bruno's just some guy; not even ''redeemable'' antagonist#but In Practice & w/all that beloved Disabledness & crucial appreciation like you Need this guy; the understanding is Key#like well ofc i would kill for him. ofc just constant like mhm go off king slay fire etc. god tier character cherished forever thanks#but then also like im sure a zillion [intention; inspiration; thoughts] going into Tfw Family Things characters; a zillion interpretions &#thoughts to follow like it truly is Arresting like this clarity on A Disabled Person In The Group like. much much to consider & whew.#reference point like when autistic ppl in some job see an obvious [problem to future mess] pipeline; so you know bruno madrigal. My Vision#When You're So Hated like hey i wanna live unseen w/my so hated little friends lol. just reread how to disappear completely never be found#when it's like grabbing people Who Cares if someone's being ''obviously'' disabled or weird just as how they are existing godddd#people get so mean like Who Cares just talk to them; be around them. some effort some mind your own business some You're Not Above Them#when it's obviously You like yeah. nonzero but limited applicability like [specifically my own nuclear family] but re: Weird; Disabled#as ever i'll Relate & be like but i probably seem nothing like that. or maybe i am very much like that. kind of difficult to tell b/c like#you Do get the disinterest lol & feedback is Not that familiar / in depth even if positive like well. the emergent So Hated / Scapegoating#noting like if a character just seems refreshingly familiar; Understood; comfortable; fun; what's the odds they're cishet allistic lol....#anyway the epiphany like oh it was figurative blink & you miss it stuttering....did [waiiit] Pace that one off like inhaaale Waugh#in fact i'm sure the Verbalizing Effort has staved off the kind of [thinks about all of it a moment] to go Aauughhh about again#which; again; also something happening 5 yrs in re: the clairvoyant soothsayer autistic neuroqueer quant on the show w/No Thoughts abt it#ppl being invalidated by others having to validate themselves (& others in the same boat); billions going & How We Hate Them For It lol#oh & encanto's [excluded party's effort to partake] tragedy vs billions' [where's winston in this office? this event?] good riddance idc
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hey i want to talk about how you should be promoting your work as an erotic author/illustrator
i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.
this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.
i will start with my first and least specific but most important point:
DON'T GET FUCKING CUTE
hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.
and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.
you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.
okay are you still with me. we are going to talk about clarity now.
YOU GOTTA TELL ME WHAT IT IS
good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.
porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!
as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.
while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!
to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!
YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY
hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.
god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!
this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).
okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!
also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.
abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.
I DON'T HAVE A FOURTH POINT
kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.
please do your best to make money. i want you to make money.
as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.
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𝐲𝐨𝐮𝐫 𝐠𝐢𝐫𝐥𝐟𝐫𝐢𝐞𝐧𝐝'𝐬 𝐚 𝐛𝐢𝐭𝐜𝐡
pairing: denki kaminari x reader
word count: 4.8k words
a/n: i'm so glad i finished this and i hope you all like this because i loved writing this. denki's girlfriend is possibly one of the worst people ever...
content warnings: cheating(denki cheats on his girlfriend with reader), praise, unprotected sex, creamie/coming inside, body worship, denki's girlfriend is the absolute worst, multiple orgasms, pining, reader has some self esteem issues and self doubts but denki shows her how perfect she is, oral(f!recieving), denki calls condoms rubber, reader is in denial, petnames, reader is hinted to be chubby, - mdni/18+
you didn't even want to be here... you always got a bad vibe off of them. you're 'friends' with mina but just barely, yet somehow she's dragged you to a party with people who you're definitely not 'friends' with.
at least kaminari is here, he always smiles at you and makes conversation with you even if his girlfriend is a total bitch and probably is the worst out of all of them.
you miss the time before you knew they were dating. somehow after finding that out his girlfriend seemed even worse and more entitled.
you walk into the kitchen in hopes to get another drink but instead you hear that bitch and you had a feeling she was originally talking about you and it was confirmed when she said your name. "i don't know why she's even here. the only reason mina invited her was out of pity." she says spitefully. your eyes well up with tears, maybe you did get invited out of pity, mina is someone who would do that, she knows you don't have many friends.
this whole time you don't realise kaminari is behind you hearing the same thing you are and his face twists in disgust as he hears his girlfriend carry on speaking, "she's just so boring, it's no wonder she's single." your heart fills heavy, it's not your fault that you're single you've just never found someone you clicked with, you blame it on all the fictional characters you like and you often compared them to all your potential relationships. "she's ugly. it's almost a crime that she's at a party with us, that she's in hinami's home. when i started dating kami i met some of his other friends from school when he was younger, that's when i met mineta. the really short one y'know? short, pervy and unattractive, all around terrible guy. he's probably going to be single for the rest of his life, the only way he's not is if he dates her and even then it'll be him who's the more better looking one." they laugh.
why, why, why? what did you ever do to them?
you know you're not the most interesting or the most attractive but you don't deserve this- no one does. you don't want to make a scene but you have to leave, you can't stay here any longer. you wish you could speak up for yourself but you can't and even if you could what good would it do? so you decide to leave before you start hyperventilating, before saying goodbye to mina. turning around to leave when you literally bump into kaminari and there's an expression on his face that you've never seen before and he doesn't even try to hide it.
he looks angry. more than angry, he looks pissed. he's gripping hold of the beer he's drinking so hard that his hands are becoming white around the bottle, his jaw is clenched and his stare is hard but when he feels you bump into him his eyes soften when he looks at you and takes you in. you're biting your lip trying not to sob and tears are filling your waterline. as you see him you can't stop the dam from breaking as the tears heavily stream down your face. as you push past him you hope to never see him again- any of them.
that doesn't happen though. denki has made it a point to wiggle himself into your life, inserting himself there. it happened that very night after you left the party, about half an hour after you arrived home and changed into comfy clothes he came knocking on you door. "kaminari? how... how do you know where i live? wait, what- hold up, what are you even doing here?"
why is he wet, has it been raining? he smiles genuinely at you, even though he's soaked to the bone, freezing from the rain and so very irate with his girlfriend just seeing you cheers him up. he's never seen you in a comfortable setting before, a setting where you're not dressing up from anyone, you look even cuter than normal...
"can i come in?" he asks you and you blink slowly and heavily a few times, processing the question. it relaxes you because the way he says it sounds like a sincere questions. sometimes when people ask a question you know you have to answer a certain way, you know there is a right way.
sometimes when someone asks "can i...?" you have to say yes because saying no isn't really an option, they're not really asking you. but when you heard denki say, "can i come in?" you relax because you know you could just say no and that would be okay, he would be okay with that. if you told him no he 'can't come in' he'd just leave and won't push you to say yes or try to make you feel guilty. sometimes questions like "can i come in?" or a "can we go here?" are almost rhetorical question.
he makes you feel safe.
you nod your head and step aside letting him through. "okay," you reply softly and a little hoarsely, slightly annoyed at yourself for not speaking more louder and assertively.
"how are you feeling?"
the tether that's keeping you from becoming frustrated feels like it starts fraying "how do you think i'm feeling?" beginning to get annoyed at him because why is he even here talking to you, shouldn't he still be at hinema's house with his girlfriend?
"yeah... that's a stupid question, sorry." denki rubs the back of his head with hand and steps a little bit closer to you. "let me make you feel better," he blurts out.
"huh?"
denki steps even closer to you and gently holds onto your hand, clasping it in his. "let me... let me make you feel better. let me apologise on my girlfriends behalf..." your eyes go wide starting to have an idea about what he means but not wanting to verbalise it and jump to conclusions, worrying to get the wrong idea. "let me... show you- show you how beautiful you are, how wonderful you are." he squeezes your hand momentarily and says quietly, almost begging, "please."
"what about your girlfriend?" you say girlfriend with disdain.
"what about her? she doesn't matter. let me show you how pretty you are love."
your heartbeat increases at the nickname and your face heats up. "i- i don't know kaminari."
"denki." he says gently but authoritatively.
"what?"
"please, please call me denki." he pleads, squeezing your hand again.
"okay, denki..." you test his name on your tongue and it sounds right, like you should always be saying it.
even now you're still not sure to what compelled you to say, "please show me denki." you never regretted your answer.
it starts slowly, gently, tenderly. denki cups your cheek in his palm and kisses you, placing his other hand on your hip keeping you close to him. the longer you kiss the more hungry it becomes and you're not really sure if it was you or him that deepened the kiss and pressed your bodies up against each other.
"can i love?" he gestures to your top that he's currently fiddling with the hem of, wanting to lift it up so he can touch you properly and get a good look at you.
you hum in affirmation and keep your lips attached to his, not wanting to separate. denki slivers your top up and puts his hand where it used to be, now on your exposed supple flesh, his cold hands stroking your skin delicately. as you feel his hands you shudder remembering now about how drenched he is. "you must be freezing denki." you finally move away from his lips and see his clothes covered in rain with rain drops dripping down his hair landing on his shoulders.
"it's okay. completely worth it." denki grins at you and you suddenly feel shy by the way he's looking at you. you definitely feel pretty by his gaze, it's electrifying and makes you feel bashful all at once.
"do- do you want a towel to dry yourself off with?" denki kisses your jaw and smiles, distracting you.
"don't worry about it love." his breathe against your neck making you shiver. you pout even though he can't see you and you still worry, not wanting him to get a cold. "you keep me warm."
"but-"
denki presses his lips against yours and wraps both his arms around your waist. you moan quietly and he lifts your top up over your head. "is this okay?"
"yes please," you respond, hoping not to sound too needy.
he smirks at your tone and takes off the rest of your clothes. "jesus, you look even more beautiful than i imagined," he says quietly to himself, you're not sure if you were suppose to hear it or if he even meant to say it out loud. denki runs his hands along the curves of your body.
"you imagined me?" you match his volume and he looks startled at your question, obviously surprised that you heard what he said, you come to the conclusion that he thought he was thinking but he actually said out loud
"who wouldn't? you're beautiful." denki kisses your shoulder and holds one of your breasts in his large hands, stroking your nipple as you bite your lip to stop any embarrassing noises spilling out. you're already feeling shy as it is after denki has said such nice things about you.
after realising what you were doing he takes your chin in his hand and tilts you to look at him so you're making eye contact. "look at me. you don't need to do that. not with me. i want to see you. i want to hear all the noises you make, i want you."
denki grazes his teeth along your neck and you gasp. "those are the noises i wanted." you press your lips together trying not to smile, denki grins at how adorable you look.
he moves to take off his shirt and you thought he looked good beforehand in a casual black button up shirt but god does he look even better with it off. you thought he'd be kind of skinny but he's actually lean and a little slim. you can see some defining muscle, his arms are just the same. a couple of moles on his forearms and faint freckles dust his shoulders and upper chest. you wonder if he has light freckles on his face too because you've never once seen them but maybe you haven't looked hard enough.
you know you're probably staring a tiny bit too much at his slender waist and yellow happy trail that matches the colour of his hair and he doesn't mind one bit, happy that you like what you see and fond of your attention.
"like what you see?" he chuckles. you go to hide your face behind your hand after being caught but denki catches your wrist. "what did i tell you? i want to see you sweetheart." you have the urge to bury your face against his chest, hiding away from his gaze but you resist the urge.
everything became a little hazy after that for the next ten minutes, denki has manoeuvred you into your bedroom onto your bed, hovering over you, and keeping you in between his two arms. you pull denki down by wrapping your arms around his neck so you can kiss him again. the kiss begins slow and sweet before denki runs his tongue against your bottom lip, silently asking for access into your mouth and you grant him it. your tongues intertwine and you can still taste that cheap beer he's been drinking that's still lingering even though you've already been kissing previously.
you could kiss denki all night but he has other plans as he starts touching your breasts again and moves his hand down your body to get you ready for his cock, surprised to find that you're already wet. "wet from just a little kissing? that's so cute." he kisses your cheek and whispers against your ear.
"denki," you whine, "don't tease me."
he has to take a deep breath after hearing you whine, not wanting to let you know how bad you affect him because if you keep making noises like that he'll come in his boxers before he gets inside you. "it's okay love." he grinds himself against your thigh, groaning at the contact, letting you feel how hard he is. "i'm just the same." he says deeply and you shiver at the knowledge that denki is just as turned on as you. he's turned on by you.
his dick is almost painful with being contained in his jeans so he rushes to take them off. precome stains his grey boxers turning the area black and he takes them off too, grinning at you. the one way you would describe denki's dick is pretty, just like him so it makes sense. he's a little longer than average, circumcised and pubes trimmed. you want him inside you. now.
"do you have a- you know?" denki asks, gesturing to your bedside cabinet. he regrets not carrying any condoms in his pocket or wallet but his girlfriend only likes having sex in ones of their bedrooms. she's not a fan of spontaneous sex.
"oh, um, maybe? in the bathroom. i wasn't really expecting this and i don't- don't do this a lot... at all really." you admit, while trying to think about where you keep condoms because you must have them somewhere but you keep coming up a blank. the entire time denki's thinking about how you never do this, it makes him feel special, special that you're letting him make you feel good.
you want him... all of him. "i um-i-i'm on the pill." denki's eyes snap up to look at you.
"holy shit are you serious right now?" he asks automatically and enthusiastically, his face lighting up.
you start regretting your suggestion and denki can tell by the look on your face, he thinks he probably spooked you. "we don't need to do anything like that if you don't want to love. i can eat you out for hours. i mean hell, that sounds like at absolute dream." you giggle after hearing that. "sorry i was a bit quick and excited there, i've just never had sex without any rubber on."
you're surprised after hearing that, thinking that he's the type to go without and you tell him just that. "i think that was why i was so excited, i've always wanted too. it's always been a dream of mine and i don't like using them but i've never brought it up with any of the girls i've been with."
"well.. is it okay that i brought it up?" you ask more confident seeing that denki is delighted with the idea.
"fuck yeah. i trust you like crazy. if it was going to be anyone i'd want it to be you." he tells you, grinning. he trusts you. if he had the opportunity with anyone he'd choose you? your heart flutters.
"i don't really like condoms either and i want you, all of you." you tell him shyly and denki's heart misses a beat after your confession.
next thing you know denki is pushing his cock into, inch by inch. even though denki has already prepped you and has been touching you there is still a slight stretch. both you and denki groan simultaneously. your velvet, warm, wet walls welcome him without any barrier.
what comes out of denki next is a mixture of moans, groans, swearing and praising with each thrust. "fucking hell, holy shit sweetheart. you're fucking beautiful, most beautiful girl in the world, so pretty." with each praise and compliment every slight doubt that lingers in the back of your mind disappears, your sole focus being on the man above you. "you feel so good, lovely." he holds your hands in his, enlacing your fingers, that seems far too intimate for a supposedly one night stand to make you feel better.
he catches on to how to please you best with every gasp, noise and shake, and only after a couple minutes he seems to know your body better than you do. with every thrust he's rubbing against your g-spot, drawing circles over your clit and taking your nipple in his mouth.
you came harder than you ever came that night, multiple times with your ears going fuzzy and eyes going blurry. denki doesn't let you know but he's in the same boat, his come spilling into you, the warmth making you shudder and arch your back, grabbing onto him tightly. he's never came as much as he did and he knows that it's all because of you.
you don't know how it happened but denki ended up staying the night and leaving in the early hours of the morning. this wasn't how your night was suppose to go but you don't regret it. he did what he said he would when he arrived on your doorstep, he did make you feel better and he did make sure you didn't spend the night upset and feeling insecure and alone. that night was so shitty, his girlfriend was so shitty yet he succeeded in making it a good night.
when he came to your door you thought there was a silent understanding, a one night stand and after this he'll go back to his girlfriend. for that one night he'll be making up for what his girlfriend said but it didn't turn out like that.
you expected to not see denki for months, that is if you ever see him again. you expected to go back to calling him by his last name and trying to forget what he looks like nude and how his stomach went taunt as he was about to climax but instead you saw him a week after when he knocked on your door, slamming his lips against yours and pushing you against your wall. at least once a week for months now you would see him, you know you should feel bad for his girlfriend, he is cheating on her with you, but you don't, not in the slightest.
after the first few times denki came by again you slipped in some questions afterwards, wanting to know if he was doing this with other girls. he isn't.
wanting to know if you're still the only person he's slept with without wearing a condom. yes you are and he has no intention of changing that.
you've never asked him any questions involving morality like if he feels guilty or if he loves his girlfriend. it doesn't involve you.
you're aware now your relationship has developed more than it once was, the closest label you have would be friends with benefits. some nights denki knocks on your door unannounced, like always, with a bag of popcorn and your favourite snacks ready to watch a new film that has just come out on netflix. he's probably the closest friend you have, you stay clear of his girlfriend though, she isn't even aware that you and denki are close now. hopefully the last time she's spoken about you or thought about you was at that dreadful party and hopefully it stays that way.
denki likes his girlfriend... he does... if he was quoting mean girls he'd say something along the lines of - there's good and bad to everybody. but his girlfriend is just more upfront about it.
that would be a lie though. there are some things he likes about his girlfriend and when they're alone together it can be really good but he then remembers about how awful her attitude is towards other people. towards you. sneaking around and cheating on her is honestly rather thrilling for him and he likes the idea of silently letting you get your own back.
sometimes he'll rationalise it in his own head while he's drunk. cheating on her is okay because he's always wanted to sleep with you. it's okay because ever since you first met, denki wished you were his girlfriend.
he could never end it with his current girlfriend, his parents always ask about her and it would cause a rift in their friend group. near the beginning of their relationship his girlfriend brought herself a dog but he prefers denki over her, opting to want his attention over hers. if they did break up he knows he'd never see that dog again, he's grown to love it. it's just as much of his than it is hers but he knows that that won't matter and he'll never see him again if they broke up. they work next to each other and they go to all the same places.
he could never break up with her, he'd never hear the end of it with his parents.
so for now he gets to have some joy from getting to see you and kiss you and lay his head on your lap while you watch television together. if he tries hard enough he can almost imagine you're his girlfriend instead.
one night denki's at yours, you're not doing any explicit but you're just enjoying your night together, that is until she spoils it. denki's ringtone going off disrupts hot fuzz and he takes the call not even bothering to pause the movie. you decide to turn it down though. "kamiiiii, where are?" god her voice is grating. once a voice that spewed such nasty things about you now just sounds annoying. "i came by yours and you're not here."
denki closes his eyes shut tight, it looks to you that he's annoyed too. "sorry, i'm out tonight." he lies and know what is about to happen next.
"don't you want to see me. c'mon home, we can spend the night together." she giggles into the phone. you knew it. you knew what would happen when he answered that call from her.
denki knows he does't really have a choice without explaining where he is so he agrees to come see her. "okay, i'll be there soon." you both stay silent for a moment not talking before he breaks the silence. "i'm sorry love, we didn't even get to finish the film. i swear we can finish it next time." he apologises.
he thought he saw disappointment on your face for a second but he knows that he's just seeing things, you wouldn't be disappointed for him to go, you're not like that, he knows to you that he's just someone to fuck. he knows that you're using him to get back at his girlfriend. he doesn't mind that one bit though, as long as you're in his life.
"you can watch the rest without me if you wanted to." he tells you getting up from the sofa.
you shake your head, "no, no, it's fine. we can watch it next time. bye kaminari."
'oh no she's annoyed at me, she called me kaminari. she hasn't called me that in months. maybe she wanted to have sex tonight and i've ruined her plans. i can't stay now though, i'm already leaving. i'll have to make it up to her.'
you don't know why you called him kaminari, you knew it was petty but that didn't stop you from saying it. sometimes you get so caught up with denki you forget that outside of your home he isn't yours and he never will be. you're just sleeping together, that's all, and you don't want anything more than that... you don't...
denki thought about you all night, you never left his mind. he hates that he left you but he felt like he had no option. if he was anyone else he would have enough sense to distance himself from you but when it comes to you his judgement gets cloudy and he'll do whatever he can to be in your life, even if that involves lying through his teeth to everyone about where he is.
two nights after denki left after the phone call he came to yours with a takeaway in his hand and a grin on his face. he doesn't actually say the word 'sorry,' he doesn't acknowledge that he left abruptly, he just grins and asks "hot fuzz?"
you match his grin and let him in. you thought maybe you would be a little annoyed with denki after seeing him in your doorway but you realised that you had no right to be annoyed. you're not his girlfriend.
one takeaway and half a film after you're playing with denki's hair and he hums in happiness and gratitude. "i could have you play with my hair all night but do you want to take this to the bedroom love? i'm still pretty hungry." he takes your hands away from his head so he can kiss your wrist and winks at you. you roll your eyes and call him an idiot. "just for you sweetheart." it just came out and both of you heard. denki splutters and tries to backtrack what he said but it's too late, his whole entire face is red and his eyes are wide and you're doing no better. you haven't fully processed the words yet but you're sure it was accidental, it's just denki being denki. you turn your head away from him, nervous and embarrassed. your cheeks feel like they're on fire and you don't think you have the courage to look at him in the eye. even though you've talked yourself into how it was denki just being denki you still can't look at him.
the implications that he's yours makes you incredibly happy but you don't even want to accept that, after all you just see him as a friend. he's a good fuck. you're absolutely in denial. at least he isn't. he knows he wants you to be his, fully, completely, body and mind.
you both end up trying to ignore what he said, haphazardly but relatively successful, pivoting back to denki's offer of going to the bedroom. "denks are we taking this to the bedroom or not?"
'god she's amazing.' he's so glad you aren't acting weird.
denki's got his head between your plush thighs, he's holding onto them keeping them open so you don't close them and stop him. licking a strip along your pussy, before flicking your clit a few times with his tongue and then lapping up your juices as he plays with your breast and moaning at your taste. "denki, don't do that, it's embarrassing."
he looks up from where he's laying to see you, "what? enjoy myself. don't complain or i won't let you come."
the threat of not being allowed an orgasm shuts you up, knowing that denki will absolutely deliver on that threat if he wants to. you know that he would eat you out for hours not letting your come once.
you loose track of time, your hips start rolling uncontrollably and you grab hold of his hair. "don't get greedy sweetheart, you'll come when i say you can." he holds down your thighs to stop you from moving and kisses your hip, sucking to form a mark on your soft skin. his mark.
for all his threats he does let you come. "you've been so behaved. so good sweetheart," he mumbles against your skin. you come again and again. he finally lets up and you watch him lick his lips and wink at you. you turn your head away from him and he chuckles. his erection is visible even with his jeans on and denki flops down on the bed next to you, drawing you closer so you're laying next to each other, his arm under you.
reaching down to his jeans you start stroking him through his clothes. "don't worry about that, not tonight. i just wanted to look after you, make you feel good." he places a chaste kiss on you forehead.
"you always make me feel good," you tell him honestly and his heart feels like it's beating out of his chest.
"then my work here is done." he replies and you giggle. he is completely and utterly in love with you.
he can't tell you, no matter how much he wants to. you don't feel the same way and he can't lose you.
how much longer will you stay in denial for?
will his girlfriend ever find out about you two? maybe that will be your tipping point. maybe her finding out will make you realise that you want denki more than a quick fuck or a friend. maybe her finding out will be what you need. you're in love with denki.
#denki kaminari smut#denki kaminari x reader smut#bnha smut#mha smut#denki kaminari x reader#bnha x reader smut#bnha x reader#♡ mine / writing#mha x reader#mha x reader smut#bnha kaminari#denki kaminari#♡ denki#bnha denki#chubby reader smut#chubby reader#denki smut#denki kaminari x y/n#mha x chubby reader#bnha x you#denki kaminari x chubby reader#bnha x y/n#denki x reader#denki x reader smut#plus size reader smut#plus size reader#denki kaminari x plus size reader#bnha x chubby reader#denki x y/n#bnha
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I'm still pissed at ROTT so since I'm not a YouTube reviewer you get this text wall of me explaining why while the ending of the movie does indeed suck it isn't just the ending that sucks
Why didn't Jim put on any armor till the very end? you pretentious child why should I care if you got injured when you're running around armorless just because you can't have your magical amulet armor anymore
Why was Jim questioning if he was still the Trollhunter when all the way back in S2 E11 'Unbecoming' of Trollhunters he himself said "I know I'm the Trollhunter. I'm the Trollhunter, Amulet or not"
Why did Jim suddenly start caring about his father in the movie? Aside from the fact the conversation leads to nothing and you could've easily cut it out and it wouldn't have changed anything it was established all the way back in S1 that Jim never cared about his father so why retcon that?
They shouldn't have killed Nomura off so early when we've barely been able to see her dynamic with the Trollhunter cast outside of being an antagonist and let alone see her dynamic with the cast of 3below and Wizards
Following up on the last one why did you send Trolls to the only Titen in broad daylight, you can't tell me there weren't better picks then Nomura and Arrrgh
And on that point, here's my little fan reassignment of the teams
(I put way to much effort in this literally sobbing, pls click 4 better quality :'()
Anyways time to explain my reasonings
Team Sword: the OG was fine I have almost no problems with this one but Krel could've been utilized way better imo, also Arrrgh is perfect for lifting up a giant rock with a sword embedded in it, he's literally always described as a hulking brute by other characters so ??
Team Orb: same thing with Team Sword I have nothing against it and it's probably the best one out of all of the originals but man Nomura interacting with Blinky is just... such an amusing thought to me, it is partly fueled by the short kinda interaction they had when Krel was playing music earlier in the movie but anyways more serious reasoning is I think she's the best alternative to Claire since it's not like her shadow magic was- or could've been used at any point during the mission乁(ツ)∫
Team Sunshine: once again what the hell was Jim thinking with this one? The only one that made sense to be there was Douxie, anyways reasonings with this one is that 1. Toby would actually be utilized lmao 2. Toby and Krel interactions fuel my soul 3. With Toby's hammer and Krels tech they'd probably have a way easier time getting up the Earth Titen
Team Icy: Claire Shadow magic = no rope snapping and lesser chance of Strickler dying aka less unnecessary deaths yay :DDDD
The mission assigning was such a good opportunity to have characters interact who haven't interacted prior/flesh out previously established relationships that didn't get alot of screentime and ROTT blew it, truly so much missed potential but I suppose you can say that for the entire movie
Why did they just casually mention there was a heartstone on Akiridion-5 like we knew that information prior to the movie? no one commented on it and it made me feel insane while watching
GET. RID. OF THE. MPREG. SIDE PLOT‼️‼️‼️ you're not Fairly OddParents it doesn't work and doesn't make sense, Aja and Steve have entirely different biology
(These next ones are more personal/general nitpicks but whatever)
Call me a hater but the whole "Arcadia is the center of the universe" is so dumb, I remember first hearing that little bit of info from a fancomic and i thought it was just having Blinky be egotistical but no, apparently that's a fact of life now
Idk I think it's cooler and funnier if all these guys came to Arcadia out of pure coincidence yknow?
what/where was Dictatious, Chompsky, Nancy/Nana and anyone else I'm forgetting doing during all this especially when Arcadia was being destroyed at the end, just feel like they should've atleast done a quick cut away shot to what they were doing during all this chaos (translation: I miss Dictatious)
Why doesn't Blinky use Dwärkstones anymore, I thought that was gonna be his signature weapon after The Eternal Knight but apparently not I guess, seeing him chuck explosives at Gods definitely wouldn't have been cool anyways...
Blinky sure has alot of time on his hands for being the supposed Head of New Jersey Trollmarket
Btw does that place even exist cuz for all intents and purposes it doesn't, so serious why didn't we ever get to see it dude 😭
Before I get to pointing out the obvious with the ending I'd like to highlight scenes that I actually liked and were actually good!
I liked the scene in the somewhat beginning with Blinky and Arrrgh talking about if the other dies they were glad they got to know the other that was sweet, loved it, 10/10
Like I mentioned earlier the brief scene with Krel playing music and Blinky and Nomura being annoyed by it was great, got a chuckle out of me and I wish we got to see more of that
Blinky being electrocuted was pretty good 👍 the pilot unnecessarily pointing out his multiple eyes and arms was funny to me
near the end where Blinky went to comfort arrrgh when Toby died was another 10/10 I love them ur honor
Okay being nice over, time to dig into this movie again
Toby being the Trollhunter is such a terrible idea for multiple reasons
For 1. It just makes Jim's job harder now cuz changing something as fundamental as who's the Trollhunter is gonna drastically change so many things which inturn makes things far less predictable and unless Jim has the new amulet still (which is unlikely since he's never shown with it after going back) he can't just Undertale-style reset if something goes wrong
2. Toby has never shown interest in being in any leader-type role (unless you count him directing his short film in 3below) and considering part of being the Trollhunter is basically leading an entire race...
3. Sorta following up on point 2 The role of being Trollhunter holds so much responsibility and burden and it just... dare I say, doesn't make sense for Jim as a character to put that burden onto Toby, his best friend
Guys this is the same kid who went into the darklands alone to take on Gunmar because he didn't want to see anymore of his friends/family getting hurt and you expect me to believe he'd then put that all onto Toby?
4. Toby even getting the amulet doesn't make sense considering in 'Unbecoming' the amulet was already taken by Draal by the time school ended
5. Speaking of 'Unbecoming' that episode also established that if anyone but Jim got the amulet Arcadia- and in extension the world- would be doomed and the eternal knight would happen so I guess he wants everyone to die ! ¯\_(ツ)_/¯
Anyways I'm done (hopefully) TLDR: the movies awful, makes dumb decisions, completely ignores or retcons things established earlier in the franchise and didn't utilize it's extensive cast at all
And if you've read this far, thank you I appreciate it and I'll use this time to recommend the original Trollhunters book, it's awesome and has an ending 10x better then this slop please go read it (IHaveATotallyLegalWayForYouToReadItEasily)
#don't ask me why i spent so much time on that dumb chart i don't have an answer#all i can say is drawing characters outside of Jim and Blinky for the first time was hell#especially Stuart#lord...#i implore you all to add anything else to this in the comments/reblogs#trollhunters#tales of arcadia#rise of the titans#toa#my ramblings#YOU ALL WILL SEE THIS#i spent way to long on it
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Luis Sera Headcanon [Collab] SFW/NSFW
Author note: hi everyone. I know it has been Ages but im back with a little gift for all of you and i collab with @sattiene my beloved <3 thank you so much for her input and help because it really helped me out get back in the mix of things. i really missed writing HC for characters soooooo ! My ask are now open! YEY!
anyways i'll let you enjoy this Hc!:
SFW HC:
Meeting you for the first time in the events of the Las Plagas incident, the first thing he says to you is:
"I just have one important question. Do you have a smoke?"
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Manipulation through his puppy eyes.
“Oye, Senorita. Mind a smoke?” *insta puppy eyes*
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Probably ‘almost’ fluent in French and would brag about it to you only (hmmm wonder why)
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Grows every so fond of you when you laugh off his flirting towards you.
But what made him fall in love even more was when you suddenly started to flirt back.
He stutters, is flustered but quickly come back with another flirt (it's a war now)
One time, he was playing around with his lighter while walking, to which you added a remark:
“Hm.. Does this skill also apply in the bedroom?” You smirked.
The man was shooken (idk this isn't a word) and closed his lighter shut.
He shook his head and chuckled,
“There is only one way to find out, ay?” He said looking back at you.
Oh boy…
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He tries to lighten up the mood as Leon isn’t much of a jokester.
And when you laugh at his jokes and Leon doesn't, he points it out:
“Ay, see Y/N likes my jokes.”
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If you are imprisoned, you bet your ass Luis is gonna be your knight in shining armor.
You’ll scream to whoever, to get you out when it’s Luis that peaks his head and saves you his only comment will be:
“Oh so that's what you sound like, hm?”
Alternatively : You are captured and tied up unconscious. He is at your rescue once more and sees you tied up. He would whistle and look away for a minute, putting his fist close to his mouth before snapping out of it and helping you out.
When you wake you bet your ass he will hit you with the oldest pick up line to this day like:
"Oh chica. I've been told I look heavenly, but you're not in heaven yet."
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Is it raining? No problem Luis is to the rescue:
“Where are my manners?” He says as he takes off his jacket and hovers it on top of your head.
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Oh shit! A flight hatchet coming your way! But don't worry, again, Luis is at the rescue,
Hugging you as he pushes both of you away and falls down.
Well now it's an awkward situation as you are now on top of him. You lift yourself to meet with Luis’ face closer than expected.
Of course he shots a flirtatious grin accompanied with his eyebrows raising up.
What he would do to get your attention or to be close to you i swear…
He is down bad for you that's for sure.
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It's impressive when you see Leon in action, a break at the shooting range is always a great pause for everyone, which helps make Luis and you grow closer.
But the music made your feet tap to the beat and that, Luis noticed.
He gently grabbed your hand, waiting a few seconds to know if he was denied and when you didn’t reject his advance, dragged you to dance.
You giggled, you weren’t much of a dancer but the beat was so good and the moment was so right, it made you become one.
That was when you were charmed by him.
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When you get separated, Luis will call you on the radio any chance he gets.
“Hola. Aaah I'm glad you picked up princesa. I’m at the ballroom, come over. We can continue our little dance. Don’t be late to the party!”
When you are a bit more separate from Leon and Ashley, you call Luis and you guys chat
“How's your search? Are you okay so far?” you asked. “Always so worried for me, lindura~” “I miss you too don’t worry” He adds.
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He would scare you by hugging you from behind
Which ultimately ends in you pointing your gun at him
"Whoa whoa, cariño. chill. it's just me, your loverboy."
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Would take pictures of you on his flip phone but the pictures are some of the worst moments of you looking surprised, zoning out, or sweaty with dirt on your face cause you were almost killed by a villager.
You ask him to delete it but nah this man puts it as his wallpaper and keeps it forever.
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If you are infected with las Plagas, he becomes serious
Will still be flirtatious to calm his own anxiety
At the operation table, will hold your hand while killing the plaga
Would turn his head away as it is agony for him to hear you scream in pain
"I know, I know bebe. I'm here. shhh, shh,"
Let a tear fall and wipes it after the operation finish
Man, he thought he lost you!
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But enough heart breaks!
The man is clingy! He loves you so much he always want you close
For example; you want to make breakfast for the both of you in the morning but no no no you are not escaping with his arms wrapped around your waist
"Nooooo, mi amor, stay," He whines in his morning voice.
Will be hugging you from behind while you cook breakfast.
You can feel his stubble tickling your neck
Everything is perfect.
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The embodiment of chivalry
Opens doors for you, pushes your seat for you allllll the time.
NSFW HC
He is loud and not scared to be
Moan, groans, whimpers, yeah you are getting the whole service.
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Service top/ dom
Mutters some Spanish when he is really really into it.
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His foreplay is insane the man is a teaser;
Hand on your thigh just slowly but surely making his way through your core as he kisses your neck and tells you sweet nothing. (how could it not melt to that!)
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You are always his top priority
Can go on for hour for your pleasure only (pls don’t make him pass out i beg you)
Cracks jokes if you are anxious, just to see you smile and relax, that’s already a win for him.
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Mf does the petal of roses on the bed thingy on the special occasion (with scented candles ofc!)
Nice dinners and dancing before a night of love.
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Sex isn't a shameful topic to him and will tease about it.
If you tease him back about his performance he will backfire at you, its constant banter!
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Weakness for lace in lingerie: He would fall weak if he slowly discovered you are wearing a set of lingerie while he takes off your clothes
“You wore this for me cariño.” and also will have his puppy eyes activated.
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Would brag about you all the time and show that you are his girl as he marks you
He loves when you mark him, telling him you are his and that he is yours.
Covered with your lipstick is so hot to him, shows how much you love him.
Takes pictures of all the above
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His biggest turn on? When you ride him.
Holy fuck does he love it so much, just digging his hands on your thighs and trusting at the same beat as your riding makes him melt.
You taste heavenly to him and he loves to eat you out
Face riding? Yes please!
Makes him so horny you bet that shit makes him precum.
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Type of guy to continue slowly thrusting in when done cause God Damn you feel good, he doesn’t want it to end!
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Not into the harcord stuff like BDSM and such but would be willing to try for you
“So you’re into that stuff ay..”
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His favorite positions are any where he can see your beautiful face
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He will never call you names like ‘slut’ and stuff “that's not a gentlemen’s ways”
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You tried your best to please him first but Luis can’t hear any of that: “Ladies first” kinda treatment
“Why don’t we switch it up tonight, let me start with you~” you said as you pressed your fingertips on his pecks, going ever so slowly down.
He shook his head as he chuckled. “You know my policy mi amor” He takes your hand to wrap in around his neck as he positions you on your back while kissing you
I mean, you can’t resist him.
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First time he makes you squirt, the man will be so proud of himself
Will use that fact against you in arguments: “didn’t you gush all over me last night?? yeah that’s what i thought.”
With a smug ofc
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Tell you how beautiful you are especially while making you cum
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Best aftercare, hugs, kisses, shower, and caresses.
The man Orders you to stay put when he cleans up, its “his mess not yours”
#luis sera#luis serra#luis sera x reader#luis serra x reader#resident evil#resident evil 4#re4 remake#resident evil fanfiction#resident evil x reader#luis sera x you#resident evil x you#re4#re4r#headcanon#luis sera headcanon
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If you could, could you post Alan’s lines? I like him but he’s so stone cold at low affinity it’s hard to sus out his personality
SORRY THIS TOOK ME SO LONG ANON AND @otomelover23 so many things got in the way. . .mostly myself lol. . . .
Honestly that stone coldness is a big part of his personality. He's not great at expressing himself and he's very to the point. But as his affinity goes up, he's more. . .concerned for you. And he wants you around more, trusting himself to have you around more.
I posted all of them again this time! A lot of his have similar energy because of his stiffness, so I feel like being able to see them all helps to idk see the gradual change i think.
Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)
"Get your things. We're going."
You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)
"Some letters here for you."
Default: (requires no affinity, has no time constraints)
"...What do you want?"
"Don't get involved with me."
"I'm going out. You guys get back to work."
"Get back. It's dangerous."
"Slack off once, and you'll find out how hard it is to get back in the game."
Affinity 1: (between 5am and 11am)
"Oh, you're awake."
Affinity 2: (between 11am and 4pm)
"I don't eat in the cafeteria. Portions aren't big enough. That's the only reason."
don't feel awkward in there or like people find you too intimidating to be near or anything? aren't worried about seeing Dante? if you say so.
Affinity 3: (between 4pm and 8pm)
"My wallet? Yeah, it's pretty beat up. Can't bring myself to chuck it though. Got some good memories with it."
reminds me of my brother, who kept our dad's old wallet. It's basically in tatters, held together by rubber bands, but sometimes what you have is what you have. . . .
Affinity 4: (between 8pm and 5am)
"I'm going to the Pit. You should go back to your house, {PC}."
he doesn't want you to see him punch a man into oblivion.
Affinity 5: (between 8pm and 5am)
"That sounds like a bike engine, but it's not one I know. ...Be right back."
INTRUDER ALERT INTRUDER ALERT INTRUDER ALERT much like Tohma he's probably pretty security conscious. Maybe he's more security conscious because Tohma isn't around. Or maybe he's not used to how Bonnie sounds yet.
Affinity 6: (between 4pm and 8pm)
"Was that class really revision...? I didn't think I missed that many..."
my boy is not book smart, he is fist smart and maybe street smart. please study with him. he needs flash cards. pretty sure the only reason he's passed any grade is because he goes on plenty of missions.
Affinity 7: (between 11am and 4pm)
"Lunch? Huh. I forgot to eat. Guess I'll just grill some meat and have it with rice and miso soup. That's my go-to."
y'know what i'm glad someone here eats proper meals. even if you forget at least you're eating eventually!!!
Affinity 8: (between 4pm and 8pm)
"One of the Vagastrom guys asked me to add him on WickChat... Do you know how to do that?"
Affinity 9: (between 8pm and 5am)
"I don't want to get anyone mixed up in my life."
He looks sad when he says this. . .he's really worried about how being close to him will affect others huh.
Affinity 10: (between 10pm and midnight)
"Better sleep. Got an early day tomorrow."
Affinity 11: (between 5am and 11am)
"497... 498... 499... 500... Phew..."
don't mind pc they're just gonna watch you do 500 sit-ups/push-ups/pull-ups/whatever. . .no no they don't mind the sweat at all please continue--
Affinity 12: (between 11am and 4pm)
"Bandana seems to disappear right around this time every day lately... What's he doing?"
Pretty sure Sho would be busy with the food truck around thhis time of day. . .does Alan not know Sho runs a business lmao. . .I mean I guess Alan doesn't go into the more populous parts of Darkwick much.
Affinity 13: (between 4pm and 8pm)
"The first-years've each got their own strengths. Both can do stuff I can't."
Affinity 14: (between 5am and 11am)
"Bandana's got potential. He's quick, and he's strong. Rest comes down to motivation."
I think Sho's motivated, just motivated to do his own thing. Although I'm sure he'll develop more interest in the world and actions of the Institute and anomalies eventually. . .maybe. Or maybe Hyde's interest will keep him away lol.
Affinity 15: (between 5am and 11am)
"I'm heading out. Mission. Make sure you go to class. ...I'll let you know when I'm back."
alright mom i'll go to class gosh. does this feel like a headpat or forehead kiss line to anyone else? he just doesn't want you to worry about him. He knows he's doing something dangerous. But he promises he'll come home. He won't be reckless because you're waiting. Maybe I'm reading too much into it lol.
Affinity 16: (between 11am and 4pm)
"Where am I...? Guess I should tell them I'm gonna be late. WickChat was this picture, wasn't it...?"
poor boy is so lost lmao please help him get where he needs to go. . .how does this man go on hikes in the mountains and shit. . . .
Affinity 17: (between 10pm and midnight)
"You're still awake? Don't stay up too late."
Affinity 18: (between 8pm and 5am)
"Oh, didn't see you there. I'm heading out for a run, but... Could you wait here for me?"
He wants to spend time with you, so please be waiting when he comes back. . . .
Affinity 19: (between 10pm and midnight)
"I pat people on the head a lot? Didn't notice. I'm doing it again? ...Sorry."
IT'S HARD NOT TO WHEN PEOPLE ARE SO MUCH SHORTER THAN YOU also that wasn't a complaint please give them lots of pats :'3
Affinity 20: (between 5am and 11am)
"I'm taking some of the Vagastrom guys to the mountains today. ...You want to come too?"
CAMPING TRIP WITH DA BOIS!!!!!
Affinity 21: (between 11am and 4pm)
"This one's all fixed up. I'm gonna take a shower. Wait there."
there like in the shower or--(he uses そこ which refers to someplace near the listener, so he just means 'where you're sitting' but still.)
Affinity 22: (between 4pm and 8pm)
"{PC}. Got time after this? A friend of mine gave me some fresh boar meat."
He wants to cook for you! He cooks in a very wilderness style, but still! He wants to share his bounty! He's showing you he can be a good provider. No, he didn't hunt it himself but good community connections are also important!
Affinity 23: (between 8pm and 5am)
"You're you, not someone else. You're doing a good job. Hold your head high."
he doesn't want you to fall into a cycle of self-loathing or of trying to be anyone but yourself. Maybe what others do feels more impressive to you, but you aren't them and you can't compare yourself to them. Even if you're 'weak' in one way or another, you have your own worth in other ways. So be proud of yourself, instead of trying to get the pride of somebody else. I think he really cares about your mental wellbeing and he doesn't want you to lose yourself. Because he's lost himself--and he doesn't want that for you. Don't wallow in self-pity, don't agonize over the past. Be proud of how far you've come and walk your own path.
Affinity 24: (between 10pm and midnight)
"Can't sleep? ...I'll take you for a drive. Quick run should help you reset."
Imagine falling asleep in his car and he has to figure out. . .does he wake you up, does he carry you somewhere. . .he could bring you back to your place but he doesn't know how to get there so. . .you wake up in his room, in his bed. . .does he have the understanding that "you probably shouldn't sleep in the same bed as somebody without them okaying it first" and he sets up his tent and sleeps in it or uses his sleeping bag or sleeps somewhere else in the dorm or maybe in his car. . .frankly even if he doesn't he'd be afraid of hurting you in his sleep. There's no way he'd sleep in the same bed as you. Maybe lie awake in there with you or something. But he'd be too scared of what harm he could cause to fall asleep.
Affinity 25(max): (no time constraints)
"I'm lucky I've got you, {PC}. As long as you're with me, I feel like I won't lose sight of who I am."
HE SMILES WHEN HE SAYS THIS. 99% of his lines have his usual expression, but this one he really smiles and that's how you know how much he appreciates you. I feel like he kind of gave up on himself--he's a big, dangerous brute, he's not someone worth getting close to, it's dangerous to even want to. . .but you make him feel like maybe he has a chance again. You make him look in the mirror and see someone he hasn't seen in a long time, and he realizes that person is himself and he would have never seen the version of him who isn't dirtied with blood again without you.
Spring: (March-May) (between 5am and 11am)
"Don't get lax just 'cause it's warm out. Stay focused."
(between 11am and 4pm)
"... Good camping weather."
(between 4pm and 8pm)
"Oh, it's you. Must've dozed off. Better get back to work."
BABY IF YOU NEED A NAP JUST TAKE A NAP. . . .
(between 8pm and 5am)
"The cherry blossom illuminations? ...That kind of thing's not for me."
Summer: (June-August) (between 5am and 11am)
"It's getting hot out. Make sure you stay hydrated."
(between 11am and 4pm)
"Looks like we've got another mission order. There's more anomalies out there in summer."
(between 4pm and 8pm)
"The Pit's getting noisy. Those guys better not be pulling stupid shit again..."
LET LEO PLAY MUSIC IN THE PIT HE MISSES GOING TO THE CLUB.
(between 8pm and 5am)
"Sorry, didn't mean to scare you again... I was just going for a jog. Didn't think you'd be round this corner."
Alan turning a corner and slamming straight into you and being shocked aw--
Autumn: (September-November) (between 5am and 11am)
"Good season for a workout. Want to join me?"
(between 11am and 4pm)
"...Maybe I'll go check out the fall leaves."
(between 4pm and 8pm)
"The days are getting shorter. You should get home before it gets dark."
(between 8pm and 5am)
"...Long nights make me think about stuff I'd rather forget."
he killed dante in the autumn or winter. noted.
Winter: (December-February) (between 5am and 11am)
"Cold out in the mornings lately. Guess I'll warm up with a coffee."
(between 11am and 4pm)
"The first-years ditched... What do they mean, "too cold"?"
(between 4pm and 8pm)
"As long as you got some muscle, you can handle the cold."
i handle the cold well because i'm fat, myself. my brother, who's plenty muscular, gets cold much easier than i do U:
(between 8pm and 5am)
"It's freezing... Guess I'll break out the kerosene heater. Gotta make sure you ventilate if you use it indoors, but it works real fast. Can't do without it in winter."
His birthday: (April 25th)
"Whose birthday? ...Mine? Oh... Forgot all about it. ...Thanks."
Your birthday:
"Today's your birthday, yeah? ... Get your stuff. I'll take you for a drive."
New Years: (January 1st)
"You helped us out a lot last year. Hope you'll stick around."
Valentine's Day: (February 14th)
"This chocolate's for me? Do everything proper, don't you? Thanks. I appreciate it."
HE SMILED AGAIN. I wonder if he's ever been given valentine's chocolate before. Even if he thinks it's just out of obligation, I think he must be really happy. . . .
White Day: (March 14th)
"White Day's when you repay people for what they got you on Valentine's Day, right? Sorry if these aren't your thing... Didn't really know what you like..."
. . .my first thought was that i read that sometimes lingerie is given as a white day return present. . .and i just imagined that Alan asked what he was supposed to do if he liked the person he got a valentine's day gift from on valentine's and Leo saw an opportunity for chaos and said to get them some sexy white underwear and Alan just. . .believed him. And it's a very embarrassing moment for everyone involved. pc absolutely wears them when alan asks them out for things tho. waiting for the day alan finds out they're wearing it.
April Fool's Day: (April 1st)
"I'm actually a dog. Woof. ...Sorry, that was a lie. Forget I said anything."
he's a little confused but he's got the spirit.
Halloween: (October 31st)
"Saw an anomaly I'd never seen before just now. Ran away when I tried to stop it. That's when I realized it was a human."
i would not be surprised if his upbringing was sheltered and he just did not know about halloween to begin with haha
Christmas: (December 25th)
"...You should spend Christmas with family."
Well everyone's stuck at Darkwick so that's not likely to happen. Also don't tell that to Sho. . .but we can be family now! And spend Christmas together!
Idle: (about 20 seconds without interacting with the game) (below 13 affinity)
"...You okay?"
(13 affinity and above)
"...You seem busy. Let me know if you need anything."
Absent: (logging in for the first time in 2 or more days?)
"...You came back. You look all right. We're gonna need you for the next mission."
SO YOU SEE HE'S A LOT KINDER AND SWEETER WHEN HIS AFFINITY GETS UP THERE. . .BUT HE'S STILL COLD. BECAUSE HE'S AFRAID. . .but you make him feel more comfortable. You help him feel less like a destructive monster and more like a person. Where he pushed you away before, he keeps you closer now. Still a little at arm's distance but much closer than before. I HOPE THIS HELPED YOU SEE MORE OF HIS PERSONALITY, ANON o/
#alan mido#tokyo debunker#tokyo debunker spoilers#datamining cw#danie yells at tokyo debunker#danie yells answers#danie yells with anons#otomelover23#gotta take care of some irl stuff and then. . .i will be back.
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A list* of Shakespeare characters for which casting a trans actor is the strongest choice.
Take a look at your complete works of Shakespeare. You can pack so much Gender in those plays. I am of the opinion that casting should be undertaken to highlight the text and make new discoveries.
Really, any Shakespeare role can and should be played by a trans person of any variety, but there are some roles in particular that I think would unfold incredible revelations about the text. I'm leaving out magical characters and fools because that's too obvious.
Lysander - Mids; why don't you want me to marry your daughter? Say it, you coward.
Helena - Mids; This one would be psychologically intense for the actress, so really only attempt if you've got a good therapist. Having a trans woman in this role would be such a gut-punch for so much of the text, I honestly think it would make the audience uncomfortable at some parts. To which I say: GOOD.
I have so many more.
Viola - 12th; Also pretty psychologically intense with all the cross dressing, and the wow-you-look-just-like-your-brother, but her equivocation about gender in her conversations with Orsino would absolutely sing.
Orlando - As You Like It; His older brother won't let him go to college with the other men. Proves himself by winning in a wrestling match. Doesn't recognize his crush when she's cross dressing.
Mercutio - R&J; At this point I feel like everyone knows Mercutio is a nonbinary lesbian or trans masc. Right? Like, we all know that. Jokes aside, I think his difficult relationship with masculinity and honor would be interesting if interpreted by a trans actor.
Hamlet - Hamlet; Obviously. I mean duh. trans masc, trans fem, man, woman, both or neither. Any queer person probably gets Hamlet on a visceral level better than any cis straight person. Who's even casting a cis man as Hamlet in the year of our lord 2023? Yawn.
Laertes - Hamlet; Yeah I don't know what it is. This one is purely vibes based.
Macduff - Macbeth; I actually made Macduff a woman, changed all the pronouns and made him a lesbian when I directed, and I'd probably do that again. But I think Duff could also - or alternately - be trans. I think it would say something interesting about violence of his journey, the scene with future King Malcolm, and the fact that Duff is the one to behead ol' Mack.
What do you guys think? Did I miss an obvious one?
* this is not at all a comprehensive list
#Shakespeare#gender#midsummer night's dream#twelfth night#As You Like It#romeo & juliet#R&J#Hamlet#Macbeth
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박제이 JAY 💋 TAKE FIVE! [ MDNI. ]
IN WHICH you've always trusted jay. he's a good director. but you've gotta admit, this gig is... weird
WARNINGS ⨯ fem!reader, pw(out)p, soft dom!jay x sub!reader, director!jay x voice actor!reader, use of pet names (baby, good girl, darling) guided masturbation (f. receiving), recording (audio), fingering (f. receiving), finger sucking, p in v sex, cumming in mouth
WORD COUNT ⨯ 2.4k
AUTHOR’S NOTE . . . i don't even know what prompted this so…. enjoy!
You moan into the mic, marking what feels like the fiftieth time of the day.
This is it, this is the one.
"Hm," you hear the disapproving hum from your headphones, instantly dropping your head in frustration. "I'm sorry Y/N, but I need more emotion."
"Can I have some water?" You ask, instead of returning to the task you just can't quite get.
As long as you've been a voice actor, a good three years, you've never played such a challenging role, which is surprising, considering you once voiced seven different characters in the same show.
Jay, the director, nods at you from behind the glass.
You make your way to his side of the studio in a rush. You truly can't stand another second in that recording booth making such embarrassing sounds into the microphone for a whole group of people to watch and listen.
"What's gotten into you, Y/N?"
This isn't the first time you're working with Jay. He's young, but a very well-known director in the voice acting community under the name Park Jongseong. Though, you know him best as just Jay, one of your old friends from college. Is it nepotism if it's your friend getting you these gigs? But, then again, you're also pretty popular in the community, so... tomato tomato.
You shrug at him, taking a sip out of your water bottle. "I don't know, I guess, it's just—" You raise your shoulders again and take an awkward look around the room. Gesturing with your eyes, you tell him, "There's a lot of people here, it's kinda weird."
The gig in itself is weird, you know this, and you knew this ever since Jay presented it to you.
"You want me to what?"
"It's really simple," he had said. So casually, as if he didn't just drop the bomb that you'll basically be voicing straight up porn. "You make a few... exaggerated sounds, and the jobs done. It pays really well, trust me."
And, since you did need the money, you accepted, expecting it to be the shortest recording session you've ever had.
You were proven wrong already.
Jay lets his forehead fall into his hand, rubbing at his temples as if trying to heal a headache, which he probably actually is. He sighs before letting his arm drop. "Guys, you can go home. I'll take it from here."
They do not have to be told twice because as soon as the words come out of their boss's mouth, they're packing up their bags, putting on their coats and saying their goodbyes. You watch them all file behind each other to exit the studio, and then it's just you and Jay.
"So..." he says, filling the silence. "You ready for another try?"
You're glad he's taken off his director persona. Using it as a pass to strip off some of your own professionalism, you heave a long sigh. "Yeah, sure."
And, so you do.
You moan into the mic, this time making your own face in disgust because even you can hear that it sounded off. But when you turn to Jay, you don't see him mirroring your expression.
Instead, he's watching you intently. His fingers rest on his bottom lip, which is tutting underneath them. He's thinking, thinking, thinking, and you know he's come up with a new idea by the way his lips curl up slowly.
You hear the click of his microphone, and soon his voice fills your headphones. "I have a suggestion." His voice is low, but not hesitant. Jay is anything but hesitant.
"I'll take anything at this point."
"I want you to touch yourself."
His eyes never leave yours despite the window barrier between the two of you. Had you not been wearing your headphones, you would've missed the suggestion entirely, but you cock your head to the side slowly and decide you're fine that you didn't.
He takes your silence as approval. "Pull out the chair and take off your shorts for me," he says quickly. And you do as you're told.
You slowly slide the shorts down your legs, turning your gaze away for a second to recollect yourself.
When you sit down, your eyes meet again. You're sure you've grown a red flush, but he doesn't seem to mind. “Bring the mic down closer to you.” He pulls his bottom lip through his teeth before giving you the next instruction. "Start rubbing your pussy over your panties. Slowly."
Your hand traces its way up your leg, to your thigh, and cunt, both staling and putting on a show. What the fuck am I doing? Using two fingers, you being to draw little circles, then big circles over your clit, starting up a nice rhythm. You hum, pushing your head back against the chair and closing your eyes.
"Good girl," he breathes, and you don't think he even notices he said it.
But you certainly did. It pulls a moan out of you.
Jay hums approvingly from his side. “Slide your fingers underneath your waistband. Touch around your clit, but don't touch it just yet. Can you do that for me?”
You give him a broken hum instead of words, listening to his directions and obeying them simply. Your pussy pulses beneath your touch, begging for your fingers to reach where you want it most. But you listen to Jay obediently, letting your hands draw circles around your cunt, eliciting whimpers from your core.
“You’re doing so good for me,” Jay whispers into your ears. You wish he was in the room with you. You’re not sure what you want him to do, but you want more than just his entrancing voice in the headphones. “Keep reading the script,” he adds.
Right. You almost forgot about it.
Your character is meant to be reading while getting fucked from behind, their words slurred together and interrupted by moans. It’s hot, but the text is less than turning you on.
Starting from the top, you read it out loud, your fingers collecting the juices spilling out from your pleasure.
Without permission, you stick one finger inside of you. You push it in, and out, before retracting it completely and bringing it up to your mouth to suck on it. Once your finger is coated in your saliva, it goes back into your cunt, forgetting all about Jay’s piercing gaze from the other side of the glass.
His voice rings in your ears. “What are you doing, baby? That’s not part of the script,” he teases.
Your finger still in your sopping cunt, you lean forward to start back with the script. At about halfway, Jay’s voice sounds again.
“Play with your clit.” His voice drips with a sense of hunger that turns you on.
Your thumb rolls over your clit, finally, a broken moan escaping your lips. You curl your other fingers inside of you, searching for your G-spot which you just can't quite reach. A whine drawls out of you.
When he’s satisfied with your noises, you hear the click of his mic turning on. “Pinch your nipple.”
Bringing your other arm up, you notice your hardened nipples aching to be played with. You twist and pinch and tug to Jay’s pleasure.
“Good girl,” he groans again. His hand drifts further down his body to where you can't see from where you're sitting, but you watch his arm jerk and match his pace with the fingers in your pussy. “Fuck,” he mutters, taking off his headphones and slamming them on the table before moving for the door into the recording booth.
The sudden slam of the door startles you, making you jump in your seat. You close your legs quickly with your hands still embarrassingly stuck down your panties.
Jay fakes concern. “Aw baby, are you shy?” He kneels down in front of you, holding teasingly sweet eye contact as he gets down. His hands come up to your hips and dig into the waistband. You twitch as he snaps the band against your skin. “How about we take these off so I can see how wet you are?”
They come off within seconds. You’re scrambling to get back into your seat as Jay keeps watching you patiently.
“Perfect.” He runs his thumb against your dripping core, sending shivers down your spine. Your pre-cum leaves his finger shining. He raises his hand up to your mouth and swipes his thumb against your lips. You open them to welcome the taste of your wetness. “Good girl.”
As your tongue laps his thumb, you squeal when you feel an invasion in your cunt. Jay’s stuck two fingers into you, and thrusts them rhythmically to your tongue on his other hand.
You moan at the arousing sensations. Your eyes flutter shut naturally, but they catch on the flickering red light from atop the booth’s door.
It’s still recording. Fuck, you think, unable to form coherent words, bucking your hips as you feel your high coming closer. Your breaths are short and your cries are higher pitched, completely letting yourself get lost in the feeling.
And then it all slips away.
“Why,” you whine, prolonging the syllable in distress.
Jay wears a teasing smile, but his eyes show gentle affection. His hands go down to his waistband, but he interrupts himself in his movement. “Oh, baby, were you gonna cum? I’m sorry, I thought you’d want to do it on my cock instead, but I can finger you some more—”
“No!” You sit up hurriedly, grabbing his waistband weakly to take it off for him.
“Such a good girl,” he says proudly, watching you scramble to take his pants off.
You bite your lip at the wet patch on his boxers, but more at the outline of his hardened arousal underneath them. Jay looks at you intensely, his eyes telling you, “Go on.”
His erection slaps against his clothed torso. His tip shines of precum and it takes everything in you not to lap it all in your tongue.
Jay’s hand harshly grabs your hair, pulling your head to make eye contact with him towering above you. “Darling, don’t forget what we’re here for.”
You’re reminded of the recording mic and the script, crumpled paper, now, sitting on the script-stand. Pathetically, you get up from your knees, placing your hands on the stand and arching your back, giving him clear access to your entrance, which glistens in invitation.
Looking at the microphone sitting atop its stand, bent to where it sits right under your lips, your mind wanders at the thought of the shape and how much you wish it was Jay’s cock. You imagine putting him in your mouth and taking him all the way down your throat, letting him thrust upward, causing you to choke on him and clenching your throat tighter to make sure he spills his seed deep inside you.
The intrusion of him aligning himself to your hole shuts your thoughts up. “Fuck, you’re tight,” he groans as he slides in slowly.
His first thrust pulls out a pornagraphic moan from you. The way he hits right where you need him, balls-deep into your cunt. Your hand drags down to your stomach where you feel the tip of his dick pushing forward with each thrust.
You clench around him, trying to focus on the script through blurry vision. Taking breaks between every few words to moan or suck in a deep breath—more often, both—you manage measly to get through your lines.
“Good girl,” Jay calls you again. His hand reaches down to stroke your hair gently, before he harshly grips the base of it, bundling it in his hands and using it as leverage to slam his hips against yours. “Such a good fucking girl.”
Combining his fast thrusts and his hypnotizing words, you know you’re not going to last long. You feel his cock hit your g-spot and it’s all over. You’re clenching and whining into the microphone, letting out the most pleasurable angelic noises you’ve ever made. Your legs tremble underneath his unstilling movements.
When you’re done shaking in pleasure beneath him, your hips buck forward to avoid overstimulation, his cock slipping out. Jay doesn’t mind, his hand going directly to his aching groin, moving at a fast pace.
“Fuck, I’m close.”
You love the sounds he makes. His low hums, the way he speaks quickly to not interrupt himself by a loud moan.
Steadying yourself on the chair, you kneel in front of him, his cock jerking against your mouth. He groans above you, thrusting his hips into it as he gets close. You open your mouth and welcome his spilling white ropes as he closes his eyes tightly and lets out the most brain-fuzzing sound of the day.
Jay takes his hand and cups your jaw. His thumb swipes over the leftover cum leaking over your lips, pushing it through as to not waste any bit of it. “Perfect,” he whispers at the beautiful sight in front of him.
He pulls out a handkerchief from his pocket, dampens it with water from your bottle and cleans you, then the microphone and script stands.
You thank him as he helps you pull your clothes on over your body, muscles still shaking.
When you’re both on the outside of the booth, nothing is different in the air from when you were out here with him before. You’re not sure if you wish it had changed or if you’re thankful there’s nothing weird that came from what you just did.
“How was that,” you ask, sipping on your bottle. You’re not really serious, you know it was good, but you need the confirmation.
A light dust of pink shades his cheeks as he names the audio file “Y/N as Mina, Ep. 4.” “Yes, you did, uh, very good. Really good.”
A smile creeps upon your lips, but you suppress it by biting your lip. “Thank you.”
With your words, his blush deepens.
But despite his bashful expression, your eyes train on the movement of his mouse on the screen, noting how he duplicates the file and saves it into another folder, labeled: X.
“I’d be happy to work with you again, Jay.”
JJONGSLUTZ 2023
#💋 𐬹⠀꩜ written by sol#enhypen#enhypen au#enhypen fic#enhypen smut#enhypen x reader#jay#enhypen jay#jay smut#enhypen jay x reader#enhypen jay smut#jay x y/n#jay x you#jay x reader#jay au#jay fic#jay fanfic#p.js
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dear calware, I'm not sure how much you know on the topic of Doc Scratch, but I was wondering, why is the common consensus around him that he's like a creepy pedophile? after rereading his messages with Rose, he seems more tone deaf and weird than a fully on creep. is there something I'm missing?
scratch isn't "literally" a pedophile (or a hebephile, which is the accurate term for this situation) which we know because of this
but at the same time, that is still the Way he's written
(i'm sorry if this following explanation is confusing.... i really do not have the right wording to describe it) it's almost like a metaphorical representation. he's a child predator in every way but the actual sexual attraction. the way he's written references the behavior of actual child predators and is meant to signal to the audience that this is the Kind Of Character he is. it's a literary tool(?)to tell the audience that he is literally taking advantage of characters in various ways (as well as straight up abusing damara) while at the time comparing it to child sexual abuse
but if you do want literal actions on his part, he does Literally groom young girls and they are his targets for manipulation
also, directly from the author commentary (which. is not 100% serious at times. but i do think it sometimes offers some actual insight):
I know I just said a bunch of stuff about [DD] maybe being a creep. But look, this is just my OPINION here. I don't think he's actually being creepy about this. I think he has a genuinely parental attitude toward Aradia and wants to see her succeed in her violent and underhanded schemes. See how he wants them to conduct their business with efficiency? He's way too professional to go Full Doc on these girls.
Another peek at Rose suggests she's still at it with her creepy uncle, Doc Scratch.
Then you have a few beats of conversation which bring Equius to mind, such as the creep-factor
[Dirk and Equius] have this creepy-guy streak running through them, with strange or offputting interests, and seem to get a quiet kick out of making others uncomfortable through demonstrations of these fascinations. [...] I'd say these self-examined qualities are just drawn out, isolated, and inflated both for dramatic effect, and also as critical write-up of those qualities existing within many human beings in general, which I would like to think is grounded in a creative process involving a certain degree of humility about some of this bullshit. I like all these characters here, but that doesn't mean I think their unpleasant qualities are good. It just means I am harnessing and heightening those qualities for creating strong villainous portraits.
We start getting the sense that the entire purpose of this conversation, from Doc's vantage point, is just to passive-aggressively manipulate Rose into peering directly into one of his cursed testicles. Wait, my youth pastor is literally barking like a dog right now for some reason. Probably because I put him on a leash and tied him to a post in the backyard. I guess I fucked up again? I mean one of Doc's seeds.
Maybe it's fair to say I have a higher than average tolerance troubling content. But even I have to admit to shuddering a little when I read Doc's creepy lines toward Rose. I think Doc's creep factor toward girls is most likely channeling part of Caliborn's personality, which almost seems to revolve around his horrid attitude toward women. For Caliborn, this weird combination of wrathful misogyny, yet fixation and obsession with certain girls, is obviously central to the type of real-world profile he's meant to portray. But when his personality is more muted among the collective in Doc's head, those qualities come across as more "restrained," "polite," and "flattering," which arguably just makes it all creepier. The result is a creepy dude profile that also exists in the real world, sort of adjacent to the Full Caliborns out there. There seem to be many stripes of this kind of unfortunate male behavior, which all exists in a broader family of sub-Caliborns. The Docs, the Eridans, the Cronuses… They're all sketchy in different ways.
Doc sitting back just to "watch" is another creepy Equiusism. Remember that was a thing with him.
I wonder what Jade would think if she knew she had in her possession since childhood one of Doc's testicORACLES!!! Oracles. The word I meant to say was oracles, not anything else. Anyway, like I was saying, how would Jade react if she realized every time she played with one of her beloved toys, she was actually fondling this weirdo's plump, juicy oracle. I know you think my youth pastor may have something to do with this peculiar outburst, but you're wrong. I "dismissed" him recently, because he told me with great pride that I learned everything he had to teach me. I don't need anyone to keep me from shoving my foot in my mouth anymore, I'm sure you'll be pleased to know. Now let's watch this grieving teen receive a demonic message from an evil puppet's big fat nut.
bonus commentary from book 6 that has nothing to do with the post:
We're reaching a specific kind of story partition. Not the end of an act, but the end of a year. Also an end of "disc," which is a kind of meta-partitioning I just made up for the purpose of closing the book on two years of content, as well as being a good meta-device for introducing the Doc sequence we're about to get into in the next book.
"next book"...... sad
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A needlessly detailed analysis of Heisenberg's Conspiracy Board
One of the random details I was most eager to find in the RE8 game assets was Heisenberg's conspiracy board. (It's labeled 'strategy board' in the game files, but I think we all know what we're looking at here.)
The assets consisted of a base layer (below) with separate higher-res photos of Chris, Mia, Rose (with Ethan!) and the other three lords (clean versions of those last three, plus Heisenberg, can be found over here). The actual model is more 3-dimensional than you might think, with many of the photos displayed as separate 'flaps' that stick out from the base board (which does unfortunately make stitching together higher-res screencaps of the full board very difficult).
There are a few reasons why I wanted better pics of the board, but a real big one was catching an in-game glimpse of this one smaller photo on the upper right of some guy in sunglasses and going, wait, is that Wesker?
Having extracted the highest-res version of that photo possible... well, for that to be Wesker, he'd have to have come back to life and aged about 20 years. Which wouldn't entirely be out of character (he's come back from the dead at least once already, and even Chris is looking his age these days) but is really that who it's supposed to be? IDEK, and neither does this one Reddit thread I found discussing the same question.
There are a few other human-faces around the board ‒ mostly some mustachioed dude(s?) ‒ some of them entirely hidden under other photos on the finished board, but none I recognise. Presumably they're meant to be folks who are/were involved with Miranda or other bio-weapons research, past or present, and maybe they're characters set to appear in some future RE installment. But they may just be stock photos, thrown in to fill space.
But having finally posted this thing and come back to it again this morning, I'm looking at that one larger guy in one of those photos and going, wait, isn't that the Duke?
Goddamn, it is, isn't it? You can even see the lapels of his jacket and the curve of the wagon roof over his head. How did I miss that? XD No prizes for guessing why Heisenberg might think he's worth including on a conspiracy board!
Most of the rest of the board is covered with photos of various monstrous bio-weapons. Again, this is probably meant to represent a mix of Miranda's work and that of other bio-weapons manufacturers. Someone more familiar with extended Resi-canon than I am might even be able to identify some of these creatures, but none were immediately familiar to me.
Even the one zombie face below that looks almost exactly like a screencap from that first iconic zombie-reveal-scene from the very first Resident Evil turned out not to be (and yes, I checked both the original version and the remake), though it may still be meant to evoke that moment. The photo behind it, meanwhile, looks to be just a pair of soldats.
The other big 'notice me!' feature is, of course, the big map with 'BSAA Come!!' scribbled on it. The circled target location is the ceremony site, identifiable by the four huge statues, and the date at the bottom (February 10, 2020) is the date of Miranda's planned ceremony (tomorrow morning).
Presumably, this is supposed to be a map the BSAA themselves prepared for troop briefings, but no-one's going to get much out of trying to take this thing too literally. Realistically, the only reason "BSAA Come!!" is written in such big letters here is to let the player know at a glance that Heisenberg is clued in enough to be expecting a BSAA assault.
That's about it for really obvious features. There's not a lot else here that the casual viewer is likely to recognise or find particularly significant. But I'm way past 'casual' in over-analysing this damn game, and I can point out a dozen other features on this board that might (or might not) be awash with implications about all the juicy intel Heisenberg's got his hands on.
Basically, it's time to play my favourite game: Cheaply Reused Asset or Significant Callback?
See, much as I'd love for every last detail on this board to be dense with important lore, the reality is that the player gets barely a few seconds to look at this thing in-game, and so most of what's on it was probably thrown together in a hurry by some overworked member of the asset team without much thought. And nothing demonstrates this better than the fact that two different photo clusters (circled below) from the right edge of the board are duplicated wholesale as you move left across the board.
Someone's just copy-pasted these in their entirety, slightly reduced them in size, and assumed no-one would notice. The asset team is only human, and believes in working smarter not harder as much as anyone.
Then there's the fact that a number of other assets you can find on this board are actually posters advertising fishing equipment, which you can find around the reservoir, near where you pick up the boat key.
Why would Heisenberg include these on his conspiracy board? There's no good reason, they're just a convenient assets to fill in some space.
And then there's my all-time favourite random detail on this board ‒ a completely random photo of a bottle of Dulvey Beer, two bags of Half-Whole flour, and a carton of orange juice.
Now, maybe somewhere in these games, you can find these exact items arranged in this position next to never-before-found coded clue to the future of the series! But more likely, this is just the asset team making an inside-joke about asset recycling, using a picture of some of the most oft-reused assets in the game, on a board that's already covered in reused assets from elsewhere. (Look, I thought it was funny, even if no-one else looking at the board is going to get it.)
So, yeah, a lot of what's on this board means nothing, except that whoever made it had limited time and a lot of space to fill. And That's Okay.
But then we get to the stuff where I do really wanna believe its inclusion means something. For one, the board contains copies of both the mission briefing Chris' team is carrying when they abduct Ethan (the one you find by the overtuned truck), and Rose's BSAA-headered medical checkup report.
I already have this whole theory that that same medical report being leaked to Miranda might just be a major unsung catalyst for how she realised Rose's potential, and thus set all the events of the game in motion. So finding that the same report has made it's way onto Heisenberg's conspiracy board is a lovely bit of potential validation. Similarly, the implication that Heisenberg might have known about Chris' mission to Ethan's home before it even happened has some tantalising implications (or maybe he just found it out by the van where Ethan left it).
Rose's medical report isn't the only BSAA-headered document on the board either ‒ there's another on the top right (outlined in yellow) that doesn't correspond to any in-game asset I can find (presumably it wasn't actually needed for whatever it was created for). There's plenty elsewhere in this game to suggest Miranda has contacts in the BSAA feeding her all their secrets ‒ and whether Heisenberg got these reports from Miranda or independently, the fact he's got them at all suggests one hell of an info-leak.
Speaking of Miranda, you can find a couple of copies of some of her own research notes on Heisenberg's board ‒ this is the same asset used in her lab under the graveyard, where you can find notes about her experiments on 'Alcina D'. So that's another interesting file that it makes total sense Heisenberg might include on his board.
The board also includes a couple of extracts from that issue of The Dulvey Daily from Ethan's home, with the article about the closing of the Baker investigation. Realistically, this is likely to be another case of a random asset being used without much thought, but it does make sense that Heisenberg would have followed that investigation (and I can't help but loved that Heisenberg felt the Horn of Plenty article was worth including in his vast conspiracy-network ‒ I told you they were shady!)
You can find bits of a couple of Heisenberg's own Soldat-x-rays on the board too. Doesn't make a whole lot of sense, but they do look nicely sinister, so onto the board they go! (In multiple places again)
That's about it for assets I could identify. However, there are also a few photos from around the village itself on the board ‒ two of which were evidently screenshots taken from Ethan's own point of view, given that his gun is clearly visible in the bottom left of the screen in customary position. Objectively, this makes no sense, but it sure does add to that "someone's been watching you" atmosphere that any good conspiracy board should aspire to.
(I also feel like I should totally be recognising that doorway in the photo about the 'o' in 'mother', but can't place it.)
And for one final, bizarre detail, you may notice this weird photo of someone's feet appears in a few places on the board. And it's definitely the same photo ‒ the details line up perfectly, right down to the pin and that bit of string. But for some reason, someone's added a lace skirt to the feet in the example on the left.
You can't even see that skirt in the finished board (it's under Miranda's picture), but it amused me nonetheless.
Before we finish, have a few more close-ups on some of the other weird photos you can find on the board.
So, what conclusions can we draw here? There's a ton of detail on Heisenberg's conspiracy board to suggest he (or perhaps Miranda) has access to files from the BSAA and whoever Chris is now working with/for, that he's researched what happened at Dulvey and has certainly helped himself to Miranda's own files, if you'd like to read significance into what was included on the board. But there's also a ton of complete nonsense, so, you know, pretty much just RE lore operating as per usual.
I hope you've all enjoyed my little descent-into-madness while picking this thing apart.
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I think I'm finally starting to recover, after a few years of artistic dry season.
The plague was a big hit, then losing my job and finally my social life collapsing once my IRL DnD group basically disbanded pretty much destroyed what creative juiced I had always lived on up to that point, and it's been HARD to just not having any desire to be creative or do anything.
But now that I have a job again, and have had it for long enough my bank account is stable, and having been adopted into a new DnD group that's active both in-game (weekly game sessions!) and outside of it (we actually talk and communicate generally as well! It's mostly online, but it's still more than I've had in years), I have started to feel more like myself again. That, and the brain meds. I can't overstate how big it is that my default doesn't have to be brain fog anymore.
Like, I'm doing evening doodles again? I'm actually having fun thinking up creatures and characters and plots again? I stopped carrying my sketchbook and pencil case with me everywhere I went during my dry stint of nothing, but now I actually feel like I'm missing it when I don't have it on me at times, like during coffee shop visits.
And I kinda... want to MAKE a thing again.
(Just thinking out loud again, pay no mind.)
I miss having a Project.
Jumping back into making fully plotted out comic feels a bit too much at this stage, though, so I probably won't dedicate myself wholely to something of that scale.
I don't know what exactly will be the final shape of Arcanth's eventual thing, but I'm currently enjoying myself in the fiddly worldbuilding stage. (And just so you know, in the slight off chance that I might maybe pick Wurr back up again some day, I probably won't tell you about it. After all this time and all the messages I've gotten, I don't trust you guys with that one anymore. Even if I would eventually get back to posting it online, it won't happen untill I have a full year's worth of buffer and that would still be a loooooooong way from now even IF I got back to it full time, and I still have that day job besides anyway.)
But what if...
I think an art book or a zine or something might be more achievable at this point.
I feel like the dinosaur project thingy needs some more fiddling with its eventual format (I know I already have enough concept doodles to fill a zine on its own, but I crave an excuse to go ham with watercolors and make full illustrations), but it's one option I still want to make eventually.
And I kinda want to do a slight redesign for the Singing People. (I bought a skull replica a while ago that had narrower snout than how I had drawn them. And I know it doesn't matter that much, and I can always invoke artistic licence and "they aren't necessarily supposed to be any specific real life dinosaur species, it could always go with the 'undiscovered' route if I feel like it and the Troodon/Stenonychosaurus material is super fragmentary anyway", but I'm pretty sure it would bother me anyway if I didn't at least try it out and see how it looked.)
Though I think I got an idea about what to do with Entica!
Those of you who've been here a while know that one started out as my pandemic project. The world had just shut down along with my job warehouse, things were still new and uncertain, and I suddenly had so much free time and not much to sink my creative juices into, and I wanted something low pressure to do.
So I dug up an old setting from my teenage years two decades ago, gave it a facelift, threw out my teenage baggage and just ran wild. No planning, no plot, just art.
The "no planning" part did get back to bite me when the morbs eventually hit and I finally ran out of the creative juices, but that's still a lot of very good material, right there, ready to use.
But I just thought of a new framing device that would work with the already existing material AND give the character more of a goal and agency to make plotting more fun! And I think I like it.
Instead of a random scribe with no background from a place I didn't bother designing who just wants to see the world, Didor now works for a library that has sent her on a mission [to document something and/or take a message to *place*]. She still wants to see the world, but now she has a background, goal and a motive to do so!
And instead of just hanging around at Maaro's cart while Maaro does her own unrelated thing, Maaro is actively helping in her goal! While also doing her job.
I feel that having Didor be on a field work mission would give it more structure while not having to technically retcon anything already existing, and gives more solid excuse to do things than "random encounter number 82" would. Also potential reasons for further adventures ("While you're already out there, could you maybe also do X on the way?")
Also I want to insert nawani in it earlier. I didn't even have them as part of the setting untill psrt way through, and I want to show them off more.
Maybe a travel journal, perhaps?
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I love how you draw the tweels and Azul. They look so imposing in your art style! I know you love drawing Ignihyde, Octavinelle and Scarabia boys a lot, but I'm curious if you have drawings of the rest of the twst cast as well. I'd love to see everyone in your art style!
Anon! Thank you so much for your kind words. I’m glad you like how I draw the Octa-boys. I’m not even sure which dorm I draw most often, but it has to be either them or Ignihyde haha. But in all honesty, I really love drawing all the characters; even if we don’t care much about them, they are usually still quite pleasant to draw at least once.
Which is why I can actually compile my drawings of pretty much every character in this reply! It’s honestly surprising lol but also not really. I can’t believe it’s been a year since we started drawing and posting twst…
Alright, here we go!
Heartslabyul – wow, I can’t believe I don’t have any coloured Aces that are relatively new… We like Ace a lot, I should probably draw him. And Cater too, to be honest, this is my only coloured sketch with him. I never expected to enjoy drawing these boys as much as I do, to be honest.
Savanaclaw – Leona is the only character I don’t have a proper sketch that is not a commission with lol I’m sorry. But I actually quite like the comms of Leona that I got to draw, so here is one of them! I also really enjoyed drawing Ruggie, I should do it again… And Jack too…
Octavinelle – aw yis yakuza fishies babyyyyyyyyyyyyy. Come on, you know I love these guys lol Whenever I look at them I feel at home. It’s a shame I don’t draw them wearing fedoras (for some reason I’m still intimidated by fedoras), because I love everything about their dorm uniforms.
Scarabia – I also don’t feel like I draw these two often enough, but their uniform is probably the most difficult one to draw, simply because of all the details and prints and gold and accessories. But it’s so worth it!... I also think that Jamil is the prettiest snake in the world.
Pomefiore – it’s stupid how long it took me to find a Rook that doesn’t look creepy in my drawings lol I really love this side of him. I also really enjoy drawing Vil, but whenever I do, I feel intimidated. I just can’t mess him up..! But if the Vil that I drew ends up looking good, I get so emotional that I cry (not a 100% lie)
Ignihyde – picking an Idia and an Ortho out of hundreds of sketches of Idia and Ortho was more challenging that I thought it would be, so I picked these because I still really like their faces and think they’re cute! I also can’t get enough of them… to this day… Their hair, their teeth, everything.
Diasomnia – I feel like whenever I draw these guys we have an urge to make it into an art, this is why we have a lot of finished rendered artworks with them. Their aesthetic is just… super fitting for all kinds of dark and gothic stuff. I also adore drawing their eyes!!! All of them have such pretty eyes.
The teachers – if you feel the urge to laugh at Crowley for only getting a black and white sketch, I encourage you to also laugh at Vargas for not being here at all… I think he is the only character that I’m missing, huh.
Others – bonus round! I actually also have a sketch of Fellow Honest and Gidel but by the time I remembered them I got tired of making this thing lol, and we haven’t watched the event yet anyway, so they’ll get their chance to shine some other time (you can find it on my ko-fi though). Meleanor is also here, and I honestly I would be happy to draw every twst mom at some point… And other minor characters too…
But not the dwarves; screw them (just kidding I might draw them too at some point).
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★★★𝙋𝙚𝙧𝙛𝙚𝙘𝙩 𝙨𝙝𝙤𝙩 (12 𝙙𝙖𝙮𝙨 𝙤𝙛 𝙁𝙡𝙪𝙛𝙛𝙢𝙖𝙨 𝘿𝙖𝙮 1: 𝙃𝙤𝙘𝙠𝙚𝙮 𝙜𝙖𝙢𝙚)★★★
Character: Melissa Schemmenti
Taglist: @inlovewithgreta (Message me to be a part of the taglist until I get a page set up!!)
Trigger warnings (DL, DI): N/a
Genre: Fluff
A/n: Welcome to the first day of Fluffmas! We're starting off strong with the lovely Melissa Schemmenti and a hockey game prompt!
Word count: 2.4k
...
...
A shot of cold air hit your face, sending your already reddened nose and cheeks into a state of more frigidity. You shivered slightly, your eyes narrowing to avoid the snowflakes falling into them, leaving the snow to cluster up on your soft eyelashes.
"Thanks for coming Hon, I know hockey isn't really your thing," Melissa spoke up, looking over at you and a slight smile pulling at her lips at the sight of you all bundled up in her coat and scarf.
You open your eyes slightly to see your girlfriend more, matching her smile as a slight warmth finally comes to your cheeks in stark contrast to the icy air around the two of you.
"My love, you know I'd always come to support your family. After all, it's not every day that one of your girlfriend's friend plays for the flyers!" You chuckled, pulling up the zipper on your (Melissa's) coat despite it already being zipped up all the way.
"I guess that's true," The woman next to you chuckled, tilting her head to look up at the sky that had been covered in a sea of white. "But he's technically just one of my guys,"
You roll your eyes,
"Are you sure we couldn't have parked any closer?" You groan with a slight smirk, leaning forward in a dramatic manner as you felt your feet beginning to cramp up from how long you had been walking. "You get us free flyers tickets, but can't park closer than 30 yards?"
"Do you not see all these fucking cars?" Melissa asked, pointing over at the hundreds of cars filling the parking spaces up one by one with a raise eyebrow.
"Yes Mel, I see them," You roll your eyes in a joking manner, throwing your head back for the theatrical effect as you stood up straight once again. "But tell me this isn't a long walk,"
The redhead nods with a laugh,
"But look, we're here," She chuckled, gesturing to the building in front of you before opening the door for the two of you.
"Thanks baby," You spoke before placing a kiss on her cold lips, watching them curling up into a big goofy smile before walking into the not much hotter building, looking at the closed off hockey arena.
"Of course sweetheart," Melissa smirked, grabbing you by your waist as she led you to your seats that she had gotten with the rest of her family.
"Hey!! There's our favorite couple!" Leo smiled, kissing you on each cheek before doing the same to your girlfriend.
"Miss Teresa," You nodded at your future mother-in-law with a smile, blushing softly and retreating into your coat a bit as she rolled her eyes with a groan.
"Hon, I told youse to call me Teresa, no need for formalities," She chuckled, gesturing for you and Melissa to sit down next to her.
The older woman wrapped her arm around you, placing a kiss on your cheek as her cold red hair tickled your cheeks.
"You excited to see him play?" Melissa asked, pressing her nose against your temple before backing away to look you in the eyes.
You nod with a bright smile.
"I am, I do wish it was warmer though!" You giggled, pressing your mittens up against your cheeks for a sense of warmth. "But then again the ice would probably melt,"
The green-eyed woman simply chuckled, bringing you closer to her before leaning her head on your shoulder.
"Y'know Schemmenti, you're all sappy with me outside of school, but you haven't even told Barb about us," You teased her,
"You know I'm just waiting for the right time, plus, I don't need Janine fussin' about it. I also don't need Jacob and her knowin' my business," Melissa rolled her eyes in response.
You sighed with a slight giggle, understanding of your redhead's hesitation.
"So when does it start?" You asked, looking down at the ice rink that was currently being polished by the giant Zamboni.
"A couple minutes, Vinny told me they'll be starting in about 10, say...where is he?"
Teresa simply shrugged her shoulders, allowing for you to cock your eyebrow at her sudden lack for tightness when it came to being on time.
Melissa seemed to share your confusion but brushed it off as she continued to wrap her arm around you. You sighed in content, looking at the giant illuminated clock in the arena as you internally counted down the minutes to when the game would begin.
After about 15 minutes had passed, the two teams began to enter the rink, positioning themselves to their starting lineup. You still didn't know where Vinny was, and at this point you kind of didn't care and mainly planned on paying attention to the game.
You covered your ears at the sound of the whistle blowing, looking over at Melissa and smiling at how cute she looked focusing on the game.
Your lovesick thoughts were interrupted by a sudden vibration on your thigh and the now turned-on screen of your phone showing a text message from Janine.
"Janine?" You muttered to yourself, your voice not loud enough to draw Melissa's attention to it.
Janine: Hey Y/N! I'm watching the game with the Abbott crew! Hoping to see you and Melissa on TV!
You chuckled, typing out a funny reply about how you had accidentally gotten a seat next to Melissa before shutting off your phone, watching the screen go black before turning your eyes to the players fighting over the puck with their sticks.
Melissa had announced she was going to the flyers game, not mentioning you also coming with her as her girlfriend, so you also told your work friends that you were going as well just in case any of them spotted you on TV. At this point, the whole string of lies was working.
"Oh come on!" The 2nd grade teacher exclaimed in frustration along with the rest of the people around you as one of the players for the flyers screwed up a very easy shot.
You giggled slightly, noticing how Melissa's anger softened at your endearing nature.
"Think I could play better than some of them?" Melissa asked you, licking her lips to rehydrate them from the cold.
"You could definitely beat one of them, you're good, but not as good as you are at baseball," You replied, bending over the arm rest of the seat to press your lips against her hair.
"That's true," She smirked.
You looked off to your right, still trying to figure out where Vinny was, but not letting it overwhelm your thoughts.
'That idiot is late again, I can't wait to see Melissa bust his ass...hopefully with words...I can't watch him get another bloody nose from her,' You thought, shuffling your body to stand up right, looking at the arena once more.
You looked at the at the giant cube of screens in the middle of the celling, your eyes glossing over each of the screens before turning to look back at the players.
"Oh my god you idiota!" You heard Teresa exclaim, making you chuckle, leaning forward as you heard the woman curse the young men on the ice out in Italian.
"Your mother may be better at insulting hockey players than you however," You giggled, placing your hand on Melissa's thigh as you continued to laugh before regaining your composure.
"Oh now that is definitely true, I've been hearing it since I came out the womb," Melissa replied, looking at her mom. "Right Ma?"
"It wasn't my fault those dumb eagles decided to give up a touchdown!" The older woman retorted.
"Yeah, yeah, whatever Ma," Your girlfriend rolled her eyes, resting her head on her hand as she shook it in fake exasperation.
The minutes passed, and you were sure your hearing almost passed as well from the angry yelling from the two women next to you, but you didn't mind. Once the sound around you had gone from yelling to cheering, you glanced up at the collection of screens to see the score, and your eyes could only widen when you saw your face with Melissa's on the kiss cam.
"Um...Mel..." You muttered, tapping her shoulder before pointing at the giant screen, the two of you listening as the cheers of people watching all around the stadium filling your ears whilst you blushed furiously.
"What the hell?!" The redheaded woman exclaimed as she looked at you, confused as there usually weren't kiss cams at the games she went to. "Sorry Hon, I ain't doing this, you know the rest of Abbott is watching," She looked at the camera with an angry glare.
You immediately nodded.
"Yeah, don't worry, I don't wanna tell anyone without you being 100% ready," You said with an understanding nod, your face reddening as you heard the boos of people as the kiss cam returned to the close-up cameras.
"Oh fuck off would youse?!" Melissa exclaimed, making you only more embarrassed.
"Mel, they're just being cupid for a day, let 'em," Teresa chuckled, looking at your girlfriend with a smirk that felt almost mischevious.
"Uh uh- No way, I am not revealin' my relationship to the world on one of these fuckin' things," The green-eyed woman replied with a glare sent towards her mother that made you laugh into your coat. "And besides Ma! You don't like these things either!"
Her mother simply hummed in reply, taking a sip of her hot chocolate (Prosecco).
Melissa nor you were sure exactly what was going on as the kiss cam was on you two for a second time, but you both knew that the redhead was about to take a hockey stick to the person controlling it from how mad (Flustered) she was.
"What the fuck is going on? I- Ma!" Your girlfriend shouted with reddened cheeks at the sight of her mother bending over dying of laughter.
"Teresa!!" You squeaked. "This isn't funny!"
"Just kiss you two! You're dating for ravioli's sake!" She cackled.
"I already told you I'm not letting the people at Abbott see me kiss her till I want them to!"
"And that'll be after Christ's second coming Melissa, just kiss the poor girl! She's blushing like a maniac over there!" Tereasa continued to laugh as she pointed at you.
You simply breathed a sigh of relief as you noticed the screen had changed a couple of seconds ago, ignoring the dying out boos from the crowd.
"Teresa, she'll kiss me in front of people eventually, she loves me," You managed to stutter out,
"Exactly," Melissa mumbled, pressing her lips to your hair as there was no more camera pointed at you two.
As the game got more intense, you on-looked your girlfriend continuing to analyze each of the players movements, occasionally looking up at the screens to get a closer view of each and every shot and pass made. You felt like a magnet drawn to her, but in your head, you wouldn't have it any other way.
"What's that look for Hon?" She asked you, catching on to your lingering stares at her focused eyes and furrowed brows.
"Nothing, I just really, really love you," You smiled, not meaning anything behind it other than pure adoration for her, which she picked up as she always did.
"What do ya want?" Melissa teased, her expression turning more into loving expression as she watched you giggle.
That was her favorite sound after all, your laugh. She'd do anything to hear it.
"Hey lovebirds!" You heard the voice of your mother-in-law exclaim, drawing your vision to the kiss camera once more.
"Oh my god," You chuckled, rolling your eyes once again, looking at Melissa with a smile. "It just won't leave us alone will it?"
The redhead simply remained silent, looking at the camera before looking at you with a soft smile. She leaned forward, caressing you hand as she wrapped her other around your neck. You could feel her the warmth radiating off her cheeks from your bodies inching closer towards each other.
"I think it's telling me to stop being a coward and start loving you out loud like my girl deserves," She whispered before moving the hand that was holding yours to your chin and pulling your lips together.
You felt your eyes flutter shut, your brain going a million miles an hour, to say you were shocked was an understatement. But for a moment, your brain told itself to shut up and just love the woman back.
Pulling your lips away from each other once the crowd had quieted down it's cheering, you looked at Melissa with a loving gaze.
"Melissa," You smiled, your eyes looking at her as if the redhead touching you wasn't real, but just a figment of your imagination too good to be true.
"Y/n, I love you," The older woman pressed her lips against your forehead, leaving a warm feeling in your body before she pulled away slightly. "I'm sorry I never showed it,"
Your smile quickly turned sympathetic the moment you saw an uncharacteristic guilt wash over her facial features.
"You're okay, after all, I wouldn't want to be bothered about my relationship by everyone I knew because of some sudden PDA and all that," You reassured her, tucking a red curl behind her ear.
Melissa simply chuckled, the guilt falling from her face as she laughed.
"But yeah, you do know we're gonna be interrogated by Janine and literally everyone else at Abbott tomorrow, right?" You smirked, pulling up your phone to show all of the messages clouding your lock screen.
"Yeah, yeah, I know," The redhead sighed, pulling you closer to her by wrapping her arm around your shoulder.
You simply leaned into her embrace, looking up at her with eyes of adoration.
"I wonder why it kept picking on us," You pondered, your thoughts returning to the hockey game in front of you.
"Yeah, I wonder," Teresa muttered under her breath with a knowing smirk, looking up at the press box before giving a slight nod.
"Thanks Ted," Vinny smirked back at his aunt as he handed the camera man a stack of cash.
...
If you enjoyed reading this, don't forget to like, reblog and comment! Thank you and you are loved <3
-Akira
#Melissa Schemmenti#melissa schemmenti x reader#melissa schemmenti#abbott elementary#lesbian#bisexual#pansexual#wlw#nblw#wlw ns/fw#nblw ns/fw#wlw and nblw only#fluff#12 days of ficmas#12 days of Fluffmas#shslbunnylover#Akira writes
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