#there's probably more but it's hard to tell

[hedgehog-moss]

I had a friend over this week and even though the weather wasn't ideal, we decided we were going to go for a long walk in the surrounding woods with all three llamas. Since Pampelune is the uncontested chief, you just need to halter her and her herd follows wherever she goes. Sometimes we emerged from the woods into a pasture and Pampérigouste started galloping like mad (followed by her daughter & her abandonment issues), but then Pampy would object with some firm hums and the other two returned, chastened.

We'd brought a head of cabbage and we gave her a few leaves every time she successfully used her matriarch authority to re-gather our little group around her, even though she'd do it for free, because it's so nice to be able to go on walks with only one haltered llama and watch the younger ones frolic and explore the world as we go. Pampy seemed happy to walk with us at a steadier pace and to trade freedom for cabbage.

We'd initially planned to stay on my side of the torrent, but after meandering downhill for a long time we unexpectedly found an old bridge I didn't know existed, and it looked very inviting, so we crossed. (Ominous chords.) Then we enthusiastically went up hoping we'd see my house from the opposite hill—and we did, here it is :)

And then we went back into the woods, and got lost. Of course. I really think my friend carries some sort of curse because I don't usually get lost in nature but the last time we went on a great hike we also found ourselves completely disoriented in a featureless snowy plain, trying to glimpse the sun behind clouds and debating whether finding the North would help us in any way.

This time we were quicker to admit we were lost, and I said we could either go uphill, and we'd find the road eventually and the nearest milestone would tell us where we are (or we'd reach a farm on the plateau), or go downhill, and we'd find the stream eventually and cross it and then we'd be in a part of the woods I'd recognise. Probably.

Drawback of going uphill: it's technically the wrong direction, so the way home will be that much longer (and night falls at 5pm)

Drawback of going downhill: we'll have to cross the water at some point. Without a bridge. It would take a miracle to find that bridge again, supposing it was a real bridge and not a fae illusion to lead us astray.

After debating for a bit we decided to go downhill, because we were hopeful that we'd find a shallow spot to cross the stream, and also we feared that at nightfall the llamas might just lie down and decide to spend the night right here, in the woods. It's hard to make a llama get up again once she's decided that enough things happened for today.

The question of whether the llamas would accept to cross a mountain stream with us was left undebated—though we did regret having spent our cabbage too lavishly and too soon.

But we followed a rivulet downhill and Pampe crossed it repeatedly, with merry and graceful mountain goat jumps, which made us feel comforted in our decision.

Then we got to a point where the water became visible, and very noisy, and Pampelune started to feel suspicious. She made worried hums and walked more reluctantly and (having squandered our cabbage) we had to cajole her into compliance.

I love that my friend captured the moment when I crouched down and started straight-up lying to my llama.

Poldine was the last one to realise something was afoot, because she is young and trusting.

Once she did, she also became a bit reluctant (she wanted to go uphill again), and more than once my friend had to open her cloak-like coat in order to look like a bat and persuade Poldine that nothing good was happening in that direction.

We found a spot where the water was pretty shallow and decided to cross. The air temperature was maybe 1°c and the water felt like it was minus twelve so my friend wasn't exactly happy about the series of decisions that had led us to this point. I pointed out that last time in that snowy plain there was this piercing relentless evil wind howling in our ears and making unsettling voice-like sounds when it blew through holes in fences (to help her relativise) and she was like, when did this day go from singing walking songs and watching Pampe gambol in pastures to "at least this time we aren't being driven mad by ghostly wind."

I told her that things that go wrong become the most vivid and fun memories in the long term and we debated this postulate for a bit and I felt like I had successfully distracted her from our plight, until she put her foot in the water and said she wished she were in the metro in Paris right now. In Châtelet even. I said "but in two days you'll be in the Paris metro wishing you were here trying to cross a cold mountain stream with three appalled llamas!" and she said yes. Still, the situation is dire when a Parisian says she would rather be in Châtelet.

Pampe actually followed us quite quickly! I'm pointing this out because I'm always talking about how contrary Pampérigouste is, but she was so great about crossing the stream, even humming to her daughter as if to encourage her. I suppose she was telling Poldine that when they make their final escape and become wild llamas they'll probably have to cross mountain streams now and then.

Poldine panicked a bit once everyone was on the other side of the water except her, and although I'd already wrung out my socks I was psychologically preparing myself to cross the ice-cold water again and go get her—but after walking up and down the other bank desperately looking for an invisible bridge, she resentfully crossed.

Then we went uphill again and eventually found our way to my neighbour's pasture! I immediately recognised the old tree in the middle and I was very happy to see it. My friend was holding Pampy and I had climbed ahead to act as a scout, and I cried out to share my discovery feeling like Vasco de Gama. It was snowing just a tiny bit, and getting darker, and I think everyone (including Pirlouit, languishing alone in his pasture) had started to privately wonder if we were going to spend the night in the woods.

One interesting activity we did when we went home was testing the various objects that live on or near my fireplace to see which ones are heavy and stable enough to hang very wet socks. We tried the wistful wooden shepherd, the porcelain fox, the music box shaped like a pile of books, the vase, and found that the only reliable spots in my living-room to dry your socks are under Sherlock Holmes and under Marie-Antoinette so we agreed on a fair sock-drying rotation. The living-room smelled of wet wool (or wet llama) all evening, but we had a glass of champagne to celebrate the fact that we weren't currently trying to fight hypothermia by curling up between two llamas in some frosty meadow, and we felt pleased with our adventure, all things considered.

We realised a bit late that we had been in such a hurry to go home and warm up we'd neglected to reward our hiking companions, so we very bravely put on new socks and went out in the night to look for the llamas with our phone lights and distribute some muesli. Pirlouit was included in the distribution because he definitely would have crossed the stream with us had he been invited (and told his hay was on the other side.) Also we got a kiss from Poldine so I think she replayed the day's events in her head and came to the conclusion that her mother was, somehow, as always, to blame for all this.

[luveline]

Hi Jade! Can I request Spencer and Nurse!reader? Maybe they meet when he’s wounded/she’s patching him up?

(Yes I’m a nursing student I promise we aren’t all mean girls 😔)

ty for requesting!! ik ur not all mean of course!!<3 —you meet the cutest FBI agent ever and tend his wounds. fem, 1.5k

One of the small pleasures of your job is when the patients are cute. Not many people come through as handsome as this one. You’re professional nonetheless. 

“What am I seeing you for today?” you ask, holding your hands behind your back. 

Your patient, charted as a Dr. Spencer Walter Reid, twenty nine years old, gives you a tentative smile. “Someone hit me really hard.” 

You can see the bruise forming against his temple. “Yes, I’d say so. Did you know the assailant?” 

“No, but it’s handled.” His smile turns to a grimace. “Uh, I get these, like, debilitating migraines, and I feel like I have one coming on.”

“A head injury could trigger that,” you agree, holding your hands out in front of you, little torch in hand. “Can I have a look?” you ask softly. 

When you’ve been a nurse for some time, you start to categorise people into boxes. All kinds of boxes for different things, but Spencer Reid gets a tick for a few things straight away: shy, pretty, and sensitive to touch. He must not get touched much, or he’s had a bad experience with strangers. He did just get hit in the head, you allow, brushing a sweet, mousy curl away from his head and holding it out of the way as you shine a light into each of his eyes. He flinches hard, but his pupils react as expected. 

Whoever hit him managed to break the skin, upon closer infection of the injury. The skin has turned purple at the edges of his cut. It’ll be a big bruise in just a few hours. 

“Spencer, please tell me if I hurt you, honey,” you say, voice still soft. If he’s got a migraine coming, he won’t want your usual overloud distinction. 

“It’s okay. It hurts, but not more or less when you poke it.” 

“You have a laceration, yeah? It’s about three centimetres long, but deep. I can close it with a butterfly stitch, if you’re okay with that.” 

“Yeah, please. Um, about the migraine–”

“Do you want a tramadol, honey? I think you deserve one.” 

“I can’t have narcotics.” 

You pull back and straighten the hair you’d displaced. “That’s okay, it just means you can’t have the strongest stuff. Most people try to avoid them anyhow. How about tylenol, would that be alright? Or do you avoid painkillers in general?” 

“Tylenol is fine as long as it doesn’t have the codeine with it.” 

You give him a gentle nod. “I’ll make sure it’s the right one. You can even see the bottle, if you like. Would you want them before or after the stitch?” He probably knows, but you add, “It’s not a real stitch. But it might feel tender when I’m poking around.” 

“Anything. Whatever you want to do first.” 

His eyes squeeze closed. You give him a frown he can’t see, and rest your hand on his arm. “Is there someone here with you?” you ask him.

“My friend is coming, I think. There was a lot going on.” 

“That’s okay. I’m not sending you home until I’ve fixed you, Dr. Reid.” 

He smiles, even with his eyes closed, but doesn’t say anything more. You wash your hands and find your bandages. A butterfly bandage, a sterile wipe, and a square piece of gauze to cover it cleanly. His eyes are opening again when you return, ushering him gently down the bed so you can sit on his right side near the injury. 

“What do you do for work?” you ask him. 

“I work for the FBI.” 

“You do?” You tear open the sterile wipe and again pull the curls from his forehead. “This might sting. Please tell me if it hurts too much.” 

“It’s not the cut that hurts.” 

“I’m sorry,” you say sympathetically. Migraines are a tricky business. If he’s already having one, you probably can’t do much to get rid of it, but that doesn’t mean pain relief won’t help. “I’ll do this as quickly as I can.” 

He’s quiet. You wipe around the laceration with careful, concise movements. The cut looks clean enough when you’re done, and it’s so small you won’t irrigate it. 

“Are you an agent?” you ask. 

“Yeah. Special supervisory with the BAU. The, uh, behavioural analysis unit.” 

“Oh, I know,” you say, putting the wrapping and the dirtied wipe into your cardboard bowl. “I think I’ve seen it on TV sometimes, you guys can track the serial killers and stuff?” 

“Mostly that, yeah. Uh, sometimes we find trafficking rings or missing kids. Sometimes we manage hostage situations. It depends on the level of the crisis.” 

“So you’re the big gun.” 

“I guess so. I’m not actually good with a gun.” 

“No one has to be good with a gun to change the world.” You pull the butterfly stitch from the packaging and pick at a finicky end. “I hate guns.” 

He sighs. “I do, too.” 

“They make my job hard. It’s not nice, seeing what they can do to people. It’s awful, really. Spencer, I’m so sorry, honey, I’m just gonna put this on here, it might feel uncomfortable as I pull the sides together.” 

“It’s okay.” 

You pull the plastic of the butterfly stitch on both sides, cinching his cut together promptly. It looks better now you can’t see the inside. 

“I’m gonna cover this with the dressing now. You don’t have to keep it on if you don’t want to, it’s a pretty small cut, it was just deep. I’d recommend you try to keep it dry for two days, really, you should keep it covered, but it’s up to you. And if anything happens, if it gets infected, you can always come see me again.” 

You’re mildly flirting, then. Just because he’s nice and shy. It might be a little cruel of you to proposition a man when he’s roughed up, though. 

Spencer, luckily, understands that you’re not trying to harass him. “Thank you.” 

You stand, peeling the plastic from the bandaid and exposing the sticky backing. Slowly, you stroke his hair back from the wound and line the bandaid up. He shivers under your nails. 

“So sorry,” you say, laughing under your breath, “it’s my nails, huh?” 

“It’s okay.” 

“You’re a great patient, Spencer. I’d give you a sticker if I could, I’m not kidding.” 

“You’re a great nurse.” 

“Thank you.” You smooth the edges of the bandaid down for good measure and step away from him to assess him. “How’s that migraine?” 

“Getting worse.” 

“You have them often, you said? Treated or untreated?” 

“Psychosomatic, apparently.” 

“Oh, honey, I’m sorry. Has your doctor talked to you about CBT?” 

“Some. I don’t really… want it,” he says awkwardly. 

“That’s okay. If it’s psychosomatic as they believe, it might get better with time. How’s the stress in your life?”

“Stressful.” 

“It must be hard, the FBI, everything. Life is hard enough. Stopping serial killers must weigh on your heart.” You smile carefully. “Was there anything else you wanted to bring to my attention? Any other injury, anything that needs urgent care?” 

“I was mostly worried I had a concussion.” 

“It doesn’t seem like it. You’re not nauseous, are you?” 

“No, I don’t think so.” 

He gets this awful, sad look on his face, it really isn’t nice to see. People come in by themselves all the time but it never gets easier to handle. 

“Are you alright?” you ask, taking his arm into your hand. 

“I’m fine.” 

He had the look of someone who’s always fine. Luckily for him, it’s your job to take care of people, to make sure they’re more than fine. “Okay. I’m gonna get you something warm to drink. Do you like donuts?” 

“Uh–”

“I’m getting a feeling about you. Chocolate frosting, I bet.” 

He smiles, startled and pleased at once. “Yeah.” 

“Okay, I’m gonna get those for you. A drink, a donut, and some much needed Tylenol. You can lay down if you like.” 

He nods but doesn’t move. 

As you’re leaving the room, you cross paths with a handsome man with dark skin and a bright smile. Must be something in the air today, you think. 

“Reid, you okay?” you hear him say. 

“Fine.” 

“You’re pink.” 

“What?” 

“You’re blushing. Oh, you had the pretty nurse, didn’t you?” 

“Shut up,” Spencer whispers sharply. 

“You can ask for her number.” 

“No I can’t, she’s working.” 

“But you want to,” his friend surmises. 

You bite down a smile, giving your head a shake as you go. You need to get a move on. Spencer needs a hot drink, a donut, Tylenol, and a pen. It should be okay if you’re both feeling up to it, right?

[impactrueno]

it helps me to remember when i get sad about how annoyed lydia gets in s4 is that she’s fourteen at that point so she is ACTIVELY going through puberty. and we’re all kind of annoyed with the world at that point, even the people we love.

that's very true. she's also known him for years at that point, and he can be uhh a lot. he can't get away with displaying his huge flaws as often as he used to, lydia doesn't allow it, and when he DOES get away with it, the episode ends with lydia disappointed and even outright mad at him. Midnight Scum in particular is so hard to watch, you can see her losing respect for him as the episode progresses and...then it ends. episode over. beetlejuice is horrible, what did we expect?

but yeah season 4 is. whoof man.

sure, you can chalk up part of it to teenage hormones making her more irritable, but i really do think she's just like, at her limit sometimes. i can't blame her, i too want to strangle him a lot of the time and i'm not even the one putting up with his shit, babysitting him or having to deal with the consequences of HIS actions.

this isn't Critter Sitters anymore, she is simply not having it and she won't make a cute little excuse for him "oh he makes me laugh and eats bugs hee hee"

season 4 lydia reacting at his jokes like 😒🙄

she's probably heard that one a thousand times by now. beetlejuice is a static character; he doesn't change, he doesn't go through character development, he doesn't learn his lesson (outright refuses to) but lydia DOES change. and she will continue to change as she grows older. and i KNOW this is a sad theory but i can't help but think that, as she grows and moves forward, she's just...gonna leave him behind.

it'll be hard for her not to. not only is she starting to make her own life and will continue to get busier and busier and not having time to hang out with her ghoulish best friend...she's also maturing. something beetlejuice has never done, and seemingly never will. and as she grows more mature, those puns and pranks and hijinks will become less funny, and his lying, clinginess and refusal to grow will become more evident. season 4 has lydia expecting better of him and being let down, constantly. if it's exasperating for us imagine how it must be for her.

at what point does it become too much? how often has lydia sat and thought about this kind of thing? considering how intelligent and sensible she is for her age, probably more than a few times. this dead guy inadvertently saved this depressed little girl by becoming friends with her and giving her the confidence to be herself and make her own friends. does she know that though? beetlejuice does, he saw it when they showed him the reality in which lydia never meets him. but lydia has no idea (and he will never tell her) so sometimes i wonder if she's missing that key aspect of why he's so important in her life. it's possible she might've come to the same conclusion herself; but even then, these things can be hard to remember when you're having to, once more, clean up after him and the messes he gets them into because his chaotic impulses are always stronger than him. you can tell she's very tired of this. and she will become even more so as time passes.

best friends forever though.

...

...right?

[purple-plum-petals]

Pleaseeee can you fo more homicipher reaction to mc who is very cheerful in every situation like shes either giggling or smiling, she's so unserious and oblivious af too.

⊱ Homicipher Characters’ Reactions to an MC Who Is Cheerful and Oblivious ⊰ || Multiple Character Headcanons

╭─━━━━━━━━━━━━─╮ Character(s): Mr. Crawling, Mr. Chopped, Mr. Machete, Mr. Hood, Mr. Scarletella (Homicipher/文字化化) Reader Type: Human (Gender-Neutral Pronouns) Warning(s): Minor Spoilers for Homicipher (Mr. Scarletella’s Part), Minor Canon-typical Mentions of Violence. Genre: Headcanons, Fluff, Romantic or Platonic Relationship (It’s Complicated, honestly). Word Count: ~2,100 words. Request: “Pleaseeee can you fo more homicipher reaction to mc who is very cheerful in every situation like shes either giggling or smiling, she's so unserious and oblivious af too.” Author’s Note: This was such a fun request to think about since a human like this existing within the other world would pretty much be a living, walking target – like, you’d probably be dead so quickly if you were oblivious or naïve or too trusting (like me when I first played through the game and was smiling every time a hot monster man talked to me 😭). Since you didn’t specify any characters, I just picked a handful that I thought would have varying reactions to the type of reader you requested. I hope you enjoy! 

→ If you enjoyed my work, please reblog it if you can! Exposure on Tumblr is based on reblogging content rather than liking it, so your support would be much appreciated!  ♡

╰─━━━━━━━━━━━━─╯

👣: Mr. Crawling loves your cheerful and friendly personality, finding it a breath of fresh air within the other world. It draws him to you even more, like a moth to a bright flame. He likes how you sometimes just randomly giggle or laugh. He does it, too, so it’s nice to meet someone so similar to him! He definitely feels this sense of kinship with you when he notices all the similarities you two share. Mr. Crawling does everything in his power to keep you safe, wanting to protect you from everything or everyone attempting to harm you in the hopes you don’t lose that sparkle – that light within you.

👣: He’s already very protective of you, and your obliviousness to the other world and its residents makes that feeling even stronger. He is aware that your friendly and trusting nature will be taken advantage of in the world he calls his home, so he somehow manages to take a more proactive role when it comes to keeping you safe… if that was even possible (it’s ON SITE if he sees Mr. Stitch near you. Mr. Crawling knows how that particular resident acts, and he would prefer not to have him kidnap or try to eat you…). 

👣: Whenever you laugh, he also laughs – you do the same thing with him, too, so you both kind of bounce off of each other and act like the other’s personal echo. Any other resident who sees the two of you kind of thinks you have a few screws loose, watching from afar while you both just randomly laugh together without a care in the world. Honestly, Mr. Crawling thinks it’s nice to be able to laugh with someone else like this. 

👣: Overall, your personality manages to make him love you even more (if that was even possible). Mr. Crawling does everything in his power to make sure you never stop smiling, never once making you feel like you’re not supposed to laugh even if it may not be seen as appropriate in the situation. He doesn’t care that sometimes your obliviousness results in both of you finding yourselves between a rock and a hard place. He will be there by your side until the day you tell him to leave – his love for you is unconditional, and that’s just a fact no matter what kind of person you are. 

🗣️: Much like Mr. Crawling, Mr. Chopped also finds himself immensely endeared to you and your personality. He loves how happy you are all the time, and he finds his mood improving whenever you’re around, too! It’s wonderful to have someone like you around, someone who is always so cheerful and upbeat, especially considering the place you have found yourself trapped in. He appreciates it – appreciates you, as a whole – but that doesn’t mean he has no reservations about your personality… 

🗣️: His anxiety spikes whenever he thinks too much about what you were potentially getting up to whenever he wasn’t around, worried about you getting taken advantage of or giggling at the wrong question and ending up injured, or worse, dead. He really enjoys spending time with you, you’re like a ray of sunlight in such a dark place, and the thought of that being gone after having just experienced it is… quite an unpleasant thought (he doesn’t know what sunlight is, but he can vaguely remember a yellow warmth from a time long forgotten that you remind him of). If he had a body, he’d probably be ripping his beloved hair out just because of how oblivious you can be. 

🗣️: Mr. Chopped is definitely the type to just start scolding you point-blank, telling you that you need to be more careful – his beautiful hair is going to turn grey at this point with how often he worries about you! Please don’t make him worry… It’s not good for his metaphorical heart. He even lectures you about how he typically tells the difference between people he can trust (like you, Mr. Silvair, the Hairdresser) versus people he knows he can’t trust (like the Hooded Child or Mr. Stitch) in the hopes it will have you thinking about your safety more. 

🗣️: Sometimes he feels a sense of helplessness whenever he thinks about you and the fact he can’t do anything to keep you safe; it’s something he opens up about to Mr. Silvair whenever you’re not around. Mr. Chopped finds himself wishing that he had a body, even though you had assured him he was perfectly fine in your eyes without one. He just wants to help and protect you the way that others you knew were capable of doing. Whenever you sense he’s feeling down, though, your bright smile is enough to wash away his worries about your well-being, even if only for a moment. 

🔪: Doesn’t understand why you’re so chipper all the time. Honestly, I feel like Mr. Machete would find it annoying, the fact you’re always smiling or giggling at one thing or another. He’ll purposefully chuck his sword at you in the hopes that it will scare you, make you wipe that stupid smile off your face, but it never does… It falters a bit, sure, but it never fully goes away, and that just pisses him off more.  

🔪: He kind of makes it his mission to try and break you, to see how or what he can do to finally make you get angry or upset. After all, you never really fight back when he tries to start things with you, and that’s boring. He wants you to get frustrated at him, wants to see you throw a punch or try to hit him after another attempt at making your smile disappear, yet you never do. You remain smiling, and you’re oh-so blinding whenever you do, and he hates it. He hates you (or does he? He isn’t even sure himself… emotions are too complicated).

🔪: Overall, Mr. Machete has mixed feelings toward you. He can respect the strength it takes to keep a smile on your face, to remain positive and happy in a place filled to the brim with violence and death… That doesn’t mean he likes it, though, hearing your laughter whenever he does something you find endearing or if you see something you find amusing. It’s a sound that's headache-inducing, yet it also makes him want to pick you up and squeeze you (I’m a firm believer that he would have cuteness aggression). He has a love-hate relationship with you. 

🔪: Mr. Machete also finds himself fed up with your obliviousness and naïvety, especially regarding other residents. He’s getting sick and tired of you finding yourself in trouble and, when it finally sets in you’re in danger, you call to him for help. Why the hell are you calling for him? You got yourself into this mess, and you’ll figure out a way to get out of it… Well, that’s what he says, but he usually takes care of whatever resident you found yourself in a conflict with, or he tosses you effortlessly over one shoulder and absconds if he doesn’t think it’s a fight he can win (don’t ask him why he even bothers saving you – he doesn’t know the answer, either). 

🪓: Your cheerful and peppy attitude, the way you’re always smiling brightly and warmly at everyone you meet, makes Mr. Hood feel both endeared to you and worried about you. You do realize you just agreed to give that resident your heart, right? If he wasn’t here, you most certainly would have died, and that’s not exactly a thought he wants to entertain. He felt protective over you since the first moment you met, and that feeling had not died down once (even if looking after you had made him feel like he’d aged a century). 

🪓: Always places himself between you and other residents when you attempt to communicate with them, using himself as a shield just in case you accidentally agree to something absurd or laugh at the wrong thing. Mr. Hood really shifts into teaching mode after cases like these, making sure you know exactly what certain words mean and when not to laugh, smile, or blindly agree to things. Honestly, if you were oblivious and overly trusting, he would feel it was his duty to stay by your side at all times and would be worried about what would happen if he left you alone.  

🪓: However, despite the persisting feeling of worry your personality and some of your traits bring him when watching you interacting with most of the other residents, he can’t help but enjoy your presence. It’s new, and he surprisingly likes hearing the sound of your laughter. He finds your personality and behaviors to be cute, even though they bring you trouble more often than not. Most of the time, sometimes unconsciously, Mr. Hood finds himself resting his hand on the top of your head, patting it softly whenever you look up and smile at him so brightly. 

🪓: Mr. Hood, despite finding that your obliviousness and your inability to take most things seriously typically ends up with you winding up in troublesome situations that could have been easily avoided, he still wouldn’t change a single thing about you (he has no problem staining his hands with more blood to keep you safe – killing residents while protecting you at the same time is something he’s good at, after all). Your smile is just too bright, your laugh almost infectious, and all he wants to do is make sure it never fades. He feels a strange ache in his chest whenever you take his hands into yours and tug him along, laughing all the way. He doesn’t understand it, but he also doesn’t have the desire to understand it, either.  

🩸: Your personality intrigues him, and he finds himself desiring to know what you’re thinking about. What makes you so happy? How can you continue to travel through the other world, facing one traumatic event after another, with a smile constantly plastered on your face? A person like you is new to Mr. Scarletella, and he wants to be around you more. He wants to figure out how he can be the person making you smile and laugh in such a way – he wants to be able to bathe in the warmth and brightness your aura radiates. 

🩸: Mr. Scarletella doesn’t make his presence known most of the time throughout your journey, but he watches you from afar, keeping an eye on you. However, if he does need to step in to keep you from harm, he will. Your reaction to him is unlike anyone else he's met, though. Most people who saw the man with the red umbrella would scream and run the other way, terrified of the story that was intertwined with his existence, but you didn’t. Honestly, it makes him want you more – you’re new, you’re different – and he likes it… likes you. There’s something about the sound of your laughter and your happy-go-lucky nature that makes him feel alive, in a way. 

🩸: However, because of your obliviousness and naïvety, when he asks for your name and you just give it to him without a second thought… well, it makes his goal a lot easier. If I’m being 100% honest, being oblivious or overly trusting around Mr. Scarletella is not a good mix. Because he finds you interesting and different from other humans he’s seen before, he’s pleased that you’re his now – heart, body, and soul. You forget everything about yourself after, though, and he doesn’t find you as appealing as he once did (he low-key kind of regrets asking for your name). 

🩸: For feel-good purposes, though, we’ll just ignore the last point and continue with the fluff… So, overall, Mr. Scarletella would find you fascinating and would find himself wanting to be near you in any capacity, whether it be as your master or your servant, he wouldn’t care so long as he got to be with you. He honestly wonders how you’ve managed to live for as long as you have considering your general attitude towards most things, but he’s glad that you did. Being with you makes his lungs feel like they’re full of fresh air, and he gets a pleasant tingling sensation in his body whenever he hears your laughter echo through the dilapidated hallways of the other world. 

[covenofagatha]

Two professors and a student (Part 5)

Word count: 3200

Warnings: 3k works of pure smut, fingering, oral, strap on, blow job, squirting, overstimulation, vibrators, probably missing something lol

You can barely breathe by the time you reach their bedroom. Even though you just had an orgasm, you are still desperate for more. 

Seems like they are, too. 

The door is thrown open by Agatha, who clearly doesn't care what it hits and she points you to the chair in the corner of their spacious room. 

Wordlessly, you obey and go sit. You vaguely feel like a child who just got put in time-out. Rio enters shortly after and Agatha grabs her waist and pulls her into a kiss, just as hot as the one from downstairs. You whimper and rest your hands on your thighs, resisting the urge to touch yourself. You can be good. 

Agatha pushes Rio down onto the bed and they work together to get her pants off. 

“Now I’m going to show you what Rio likes,” Agatha says, looking over at you for the first time since Rio came into the room. “And if you can be our good little student and pay attention and make her cum, we’ll reward you. Sounds good?” 

You gulp and shift your weight in the chair, nodding eagerly. Your fingers fidget against your legs. Agatha doesn’t miss the movement, because of course she doesn’t, and grins.

“And one more thing. No touching yourself,” she adds and your jaw drops. “Don’t pout, baby, it’s not a good look on you.” 

She angles Rio on the bed so you can see her fully and pushes her legs open. Even from where you are sitting, you can tell that she has soaked through her underwear. 

“Fuck,” you whisper under your breath, so desperate to feel her, to taste her. 

Agatha has to peel them off her and then she tosses them over her shoulder without even looking. They land squarely in your lap and you have to take a deep breath to collect yourself before you can reach down and touch them. 

There’s enough wetness that you’re able to collect some on your fingertips and without thinking, you raise your hand to your mouth to taste. You instantly moan and want nothing more than to taste from the source. 

But Agatha has got that covered for now. You watch transfixed as she bends down and licks up Rio’s slit, swirling her tongue when she reaches her clit. Rio gasps and you’re afraid you might be dripping onto the chair. 

“Agatha,” she moans and entangles her fingers into the older woman’s dark hair. 

Agatha slides a finger into Rio while flicking her tongue against her clit and you clench around nothing. You are positively aching at this point and want nothing more than to touch yourself. 

But you want to be their good girl, so you dig your fingertips into the upholstery so hard you think you might be tearing into it a little and fight the urge to grind against the seat. 

Rio’s legs are starting to clamp around Agatha’s head so Agatha practically wrenches them apart so you can see even more. She turns back to look at you for a second, face glistening with Rio’s wetness. 

“She likes when you’re rough with it,” Agatha says, smirking as your jaw slackens. “Scrape your teeth against her clit and fuck her hard with two fingers.” 

She does just that when she focuses back on Rio and Rio’s back arches off the bed, a loud sound escaping from her mouth. Your head lolls back against the chair but your eyes never stray from the two of them. You think a single touch to your clit could make you cum right now. 

“Agatha,” Rio chants, hips bucking against her face, trying to draw her fingers in deeper if possible. You can tell Agatha is hitting her spot just right based on Rio’s gasp with every thrust. You’re squirming now, the ache inside you becoming painful now.”Fuck, I’m going to cum.” 

It’s those words that remind you of listening to them have sex over the phone. The memory of hearing her say it then, and now watching her say it, overpowers your brain and you lightly skim your fingertip against your clit without thinking. The featherlight touch is enough to make you moan involuntarily because of how sensitive you’ve become and the instant you do, you know you’ve fucked up. 

It’s like time slows down. Agatha stops what she’s doing to Rio and they both turn their eyes toward you, nasty smirks on their faces. You yank your hand away from your cunt, heartbeat racing. 

“What did I tell you, baby girl?” Agatha purrs. 

“I’m sorry,” you say lamely. “I couldn’t help it.” 

“Come here,” she orders. You obviously obey. Agatha roughly grips the back of your neck and bends you over the bed so your face is only a few inches away from Rio’s pussy. She takes off your dress and your underwear, throwing them somewhere across the room. “You’re going to show us if you were even paying attention or if you were just thinking about yourself.” 

You’re almost vibrating with need and you nod eagerly. Agatha leans over your body and you get goosebumps by how it feels. 

“I’m going to spank you ten times for breaking the one rule I gave you and you better make her cum before then,” she whispers dangerously into your ear. “Understand?” 

“Yeah,” you breathe, already dripping with anticipation. She pulls away and you miss her body heat against yours. She rubs your ass in preparation and you grab Rio’s thighs and haul her to you. You don’t spare any time before licking up her slit hard. Her hand flies down to grip your hair just as the first slap comes. 

You groan, the impact pushing you further into Rio’s pussy and you hear her whimper at the resounding vibration from your sound. You’ve never felt more turned on in your life. 

“One,” you hear Agatha say behind you and you reach your hand up so you can fuck a finger into Rio. Her walls instantly bear down around you and she is so wet and hot. You could die right here, right now. 

You begin to thrust and curl your finger, tongue swirling around her clit, when the second spank hits. This time, your reaction is more controlled and you keep focusing on giving the other woman pleasure. Rio clenches around your finger and her hips are grinding on your face, trying to get more from you. 

Three and four follow soon after. 

“Better hurry up, sweetheart,” Agatha taunts, cupping your pussy to collect your wetness and you almost stop because it feels so good. This time, when she hits you, the sound is a wet smack. You can feel the stickiness when she removes her hand. “Five.” 

You pick up the pace with Rio. Your jaw and wrist are starting to ache and your ass is burning, but you wouldn’t dream of stopping. 

She spanks you again and this time, it’s rougher than the ones before. You gasp into Rio’s pussy and her fingers tighten in your hair. You can tell she’s close. 

“Six.” 

You slide a second finger into Rio, curl them hard, and scrape your teeth roughly against her clit, like Agatha said she likes. 

Rio cums around her fingers with a loud moan, riding them and your tongue through her orgasm. Agatha is chuckling behind you, soothing your ass with her hands. 

“Good girl,” she says, impressed. Rio has gone limp and you can hear her breathing hard. Agatha pulls you back up by your hair and turns you around to kiss you filthily. She sucks on your tongue, moaning at the taste of Rio. Her hand comes up to wipe your cheeks, but instead of cleaning you, she just smears Rio’s juices even more all over your face. “Open.” 

You made an O with your mouth and she shoves two fingers inside, fucking your mouth. She presses hard on your tongue. 

“Such a slut for us,” Rio says and you nod your head around Agatha’s fingers in agreement. 

“Here’s the deal,” Agatha says, pulling her fingers out of your mouth with a pop. “I told you that you had ten spanks and you made her cum in six. So as a reward, those extra four will be orgasms.” 

Your eyes widen. You’ve never cum that many times before consecutively. And you already came once downstairs. You know better than to ask if that counts toward the four, though. 

“Rio, do you want a turn with her?” Agatha asks the woman now perched up on her elbows on the bed. 

“Yeah,” Rio says hoarsely. She climbs over to you and pulls you in for a breathtaking kiss. When she pulls away, Agatha is laying against the headboard, legs open, eyes beckoning. 

You know what she wants you to do. Just like her dream. 

You get on the bed and crawl on your hands and knees until you’re in front of her and then turn around so your back is against her front. Rio situates herself and pries open your thighs. She laughs at how wet you’ve become and bends down to lightly blow on your pussy lips. The air makes your hips jump. You know it won’t take long for you to cum at all. 

And then her tongue is on you and you keen embarrassingly loud. Agatha’s lips find the expanse of your neck and suck, fingers coming up to roll your nipples. Your head falls back and hits the headboard, hands clasping onto Agatha’s thighs and nails digging into the skin. 

“Fuck,” you swear, the stimulation overloading you. “Rio.”  

It doesn’t take much more for you to cum with both of them touching you, especially considering how wet you had been. Rio doesn’t even give you time to come down before she thrusts two fingers in you and your back arches off Agatha’s chest. 

“Fuck, oh my god,” you babble as she mercilessly fucks you, Agatha laughing and biting the juncture of your shoulder and neck. 

You cum again in less than two minutes. 

This time, she slowly pulls out of you and you sag against Agatha, who presses a kiss to the side of your forehead. 

“That’s two,” Rio says, gleefully grinning up at you. “Halfway, doll.” You huff out a breath and close your eyes for a second. Your clit is throbbing with sensitivity. Agatha reaches down to press against it and you jerk in her arms. 

“Can’t,” you whine pathetically. “Too much.” 

“Oh, baby,” Agatha coos in your ear. “You should’ve thought about that before breaking the rules.” 

Rio rolls over on the bed to open the nightstand. She pulls out a vibrator and a dildo attached to a harness. Despite how spent you are, you clench around nothing at the sight. 

“Which one do you want first, doll?” She asks, motioning between the two toys. 

“The strap, please,” you whimper, shakily pointing. Rio’s face lights up in obvious delight and you feel Agatha shift behind you, gently pushing you forward so she can move. You watch, rapt with attention, as she undresses and steps into the harness. Rio helps her and kisses her hotly. 

“Get it ready for me?” Agatha whispers and Rio sinks down to her knees automatically. Your jaw falls open as Rio engulfs the strap-on in her mouth, head moving up and down the length. It’s one of the hottest things you’ve ever seen in your life. Agatha moans like she can feel it and guides Rio with a hand on the back of her head. When she deems it sufficiently wet, she pulls Rio off and climbs back on the bed. 

She resumes her position against the headboard and pats her thighs. You wearily sit on her lap and she holds your hips and helps you grind against the strap-on. 

“You’re going to be a good girl and ride me, okay sweetheart?” 

You nod and position the tip at your opening. Her hands rest on your hips as you slowly drop down her length, pausing when you finally bottom out. Your breath comes out in stutters because of how full you are. Rio straddles Agatha’s legs behind you and reaches around to rub at your still-tender clit. It makes you more comfortable and you begin to slowly move up and down, getting comfortable with the fullness. 

The two women do barely little to help, Agatha choosing to recline with her hands behind her head and watch you appreciatively, and Rio thumbing at your clit with one hand and toying with your nipple with the other. 

It doesn’t take long for you to get tired though. The toy is perfectly hitting every spot in your pussy but your bounces become shorter and shallower as you try but fail to pick up the pace. 

“Can’t, Aggie, please,” you beg, slowing down and opting to simply roll your hips against her. 

“Poor baby, you need us to do everything for you, don’t you?” She asks, hands coming back to stroke your thighs. Even that small touch adds stimulation. It feels like your whole body is a tight livewire about to explode. 

“Please,” you whine and she and Rio lift you off the strap-on. It falls out of you with a wet plop and you can see it glisten. You feel empty. 

Agatha moves her hands to your hips and helps you turn over so you’re on your hands and knees. She rubs your sore ass and then slides the strap-on up and down your slit, getting it even wetter. 

“Beg,” Rio says, coming to sit in front of you so your eyes are on her. Agatha dips the tip inside you and then pulls it out almost immediately. You feel tears prick your eyes. 

“Please, Agatha, please fuck me,” you whimper. Rio grabs hold of your hair and pulls it tightly. 

“I know you can do better than that.” She looks behind you and you imagine Agatha smirking at her. 

“Need to be fucked so bad, please, please, I want your cock in me, need you to fuck me so well,” you ramble, more words spewing out of your mouth but you’re so far blissed out you don’t even know what you’re saying. Rio nods and Agatha pushes in. 

You fall forward onto your elbows and let out a loud moan as she stretches you out again. Your head falls down and your walls clamp down on the toy. “Fuck,” you cry. She sets a relentless pace from the beginning, her hips making a sound every time they bump against your ass. Rio grabs your throat and squeezes, taking all the breath out of your lungs. She drags you into a kiss like that, never removing her hand. Agatha’s finger swipes at your clit and combined with her fast strokes and Rio’s tongue in your mouth, you cum all over her cock in no time. You’re practically sobbing with pleasure at this point. 

And you still have one more. 

Agatha stays inside you until you finally come down and then she slowly pulls out. Her soothing touches to your lower back make your stomach warm despite your worn-out state. Rio gives you one last kiss and pulls away. 

“You okay, baby girl?” She asks gently. 

“Yeah, just a lot,” you answer weakly. 

“Do you think you can give us one more?” 

You know that you can say no and they’ll stop. But this has been the best sex of your life and you would happily spend the rest of your days in bed with them. You think this is what you’ve always wanted. 

“I can do it,” you affirm, voice sounding more confident than you’d expected. 

“You know,” Rio starts. “Agatha hasn’t cum yet. And doll, since you did such a nice job eating me out earlier, I think it’s only fair that Agatha sits on your face while I make you cum one last time.” You moan at the thought and nod eagerly. 

Agatha smirks and turns you over so you’re laying down, back on the bed. You know you must look like a fucking mess. She moves over your body and before she puts her pussy into your waiting mouth, she pushes strands of sweaty hair out of your face and says, “Just be a good girl for me and let me use you, okay?” 

She doesn’t have to ask twice. You open your mouth and stick out your tongue and with a genuine smile, she drops down onto your waiting mouth. She is so fucking wet that the entire bottom half of your face is practically coated with her already. 

You hear the buzzing from the vibrator and you tense in anticipation, but nothing could prepare you for when Rio holds it against you. 

You buck up so much Agatha is almost thrown forward and you don’t think you’ve ever moaned so loudly. Rio began with one of the higher settings and it’s so intense. Tears fall from your eyes as Agatha grinds even harder on your face and Rio is unwavering in pressing the vibrator to your clit. Noises and gasps fall out of your mouth without you even realizing and you think it must be making the woman on top of you feel amazing because her rhythm starts to stutter and she’s getting louder. 

You think you might be cursing but it’s hard to tell with the toe-curling vibrations and Agatha’s pussy in your mouth. You don’t think you are capable of forming a single coherent thought right now. Your legs are thrashing, your hips are jumping, and you think you might pass out from this. 

“Please,” you hear, rather than feel, yourself say. Your orgasm is approaching, but this time, something feels different. There’s a tension building up in your stomach and it vaguely feels like you have to pee. 

Rio leans over to suck your nipple into her mouth and presses the vibrator even harder against you and you cum explosively with a cry, which triggers Agatha’s orgasm. Rio keeps the toy against you and you have to physically close your legs and pull away because the stimulation hurts. 

Agatha climbs off your face and you look down at Rio, who is literally covered in wetness, wearing a smug grin. 

“What–?” You ask, not really sure of the words. 

“Have you ever squirted before, doll?” She asks and your mouth falls slightly open. You shake your head. You didn’t even know you could do that. “I bet you’ve also never cum that many times either?” Another head shake. 

“You did so good for us, baby,” Agatha says, hand cupping your face and leaning down to chastely kiss your lips. “How are you feeling?” 

“Tired,” you say. “Wanna sleep now.” 

“Let’s get you cleaned up and into some clothes and then we can go to bed, okay?” Agatha being soft warms your heart and you lean into her touch. 

“Okay,” you agree happily. Rio brings over a washcloth and gingerly cleans your pussy off, smirking the tiniest bit at your wince. Agatha helps you into an oversized purple T-shirt and a soft pair of underwear. 

“Do you need anything else?” Agatha asks softly. You shake your head in a state of complete blissfulness. She presses a kiss to your forehead and Rio pulls the sheets over the three of you. 

With you in the middle and both of them draping a comforting arm over you, you fall asleep faster than you ever have. 

[glypt0don]

So, this is quite a rant. You can skip to the bottom, if you want to know my opinion but don't want to read that much... But I worked hard on it and I think it's important, so it would make me very happy if you read through the whole text.

So this fits into something I wanted to post about anyway: a broader theme of why do we frame things as wars? Like, why is it culture war, specifically. First I liked the concept, I thought it described something quite complicated reasonably easily. But I pondered on it a bit more and I think there's more going on.

It's pretty trivial, that most societies went through a huge change over the last half century. It's not just feminism. I could make a whole list of things we as a people took on. Anti-racism and civil rights, religious acceptance, global trade, reinterpreting the meaning of peace, connecting the word through the world-wide web, etc. We ( or, as I am barely an adult and have no idea how to change things for the better, I should say you, or maybe chat) decided it was time for change, so change came. You brought it about.

And I agree. Change WAS and IS necessary. What that change should entail, well, we all have our ideas, right? And they have the ugly tendency to differ from each other. The question then is, how do we coincide our contradictory ideas on society? The answer is both worrying and very important.

To be fair, our race doesn't have a great track record on solving these kinds of issues. I dug into my historical knowledge, since, you know, those who don't learn from it, repeat it... The only thing I can compare to what's happening today would be the Reformation (which probably says a lot about my historical knowledge). That's the only time I know, where societal assumptions were altered so much in such a short time. That time it was specifically about the Catholic church (if you don't know, what I'm talking about, you really should, so Google it), and the result was a series of wars, that ultimately may have wiped out about a fifth of Europes population. The wars were of course led by powerful men, who capitalised on the divide to further their own goals.

As back then, now too, we can't rely on institutions to tame the public. Many media and political identities have a direct interest in polarising society. Because that's what happens. All these contentious issues about gender, class, or foreign policy become dividing lines between folks who are supposed to be parts of the same whole (call it community, state, nation or humanity, depending on how wide you can think). You know, how it works, probably saw it a few times, whatever your interests are. It's literally everywhere! We fight it out with the perceived enemy of the week sometimes, when there is an election, something notable happens, or it's simply Pride Month. Then everyone goes back to their respective corners, where they vehemently agree with themselves. We don't talk a lot, just throw words at each other, like Buggs Bunny, playing tennis with a dynamite.

I should say, this post is a notable and refreshing outlier. Thanks, @trans-androgyne , for starting a discussion for a change!

I know, it's a bit like nuclear armament. You can't just stop, because THEY won't, and then they win, and you can't allow that. It's life and death! And I don't have some magic pill to make it all go right, or believe me, I wouldn't sit here, typing this out at 3 in the morning Central European Time. But let me propose this: don't call it a war! Neither culture war, nor gender war, nor anything like that. Because this isn't a war. Just ask anyone in the middle east! They can tell you, what is war, and THIS IS NOT IT! And also, because it may not be guns and destruction yet, but nothing guarantees, that it stays that way. We already had multiple attempted takeovers of capital buildings since this cursed decade began, because our social reality became so fragmented, that you can't accept the results of a popular election anymore. That should raise alarm bells. I know it does, but it can be much worse! Learn from history, do not repeat it! Hit the Wiki page on the Huguenot war! On the siege of Magdeburg. Or, if that's not your cup of tea, watch Civil War! I genuinely think it's the best movie of the year.

Call it Social Discourse! That sounds much more manageable, doesn't it? Or you can come up with something else, as long as it isn't some warmongering bullshit. And maybe the next time you meet someone with sexist, homophobic, racist, or maybe radical left and anarchistic views (whatever you're opposing), don't attack them with your words! Those aren't weapons. Try to talk to them instead! Try talking about feelings! Listen to theirs, make them understand yours! I say feelings, because you both have those. Try finding a common ground, however small, and build up from there. Like Minecraft Skyblock. It can be hard in a challenging way, instead of making you want to shoot yourself in the head. Remember, you aren't fighting a war. You are having a discourse.

All of it is to say, the world and society are changing, wether you like it or not, and we have to change with it, to survive. That is the simple fact. If you call that change a war, that's just gonna make the whole thing unnecessarily painful for everyone involved.

This was sociopolitical advice from a giant armadillo.

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[mikamii25]

Hiiii, I’ve been thinking about headcanons for Mr. Scarletella and Mr. Silver (separated) if they somehow followed us back to the human world. Like, there’s no way these two could handle basic things without needing to hide their forms, right? I can totally see them ending up as malewives. Imagine the absolute chaos of them trying to adjust while also being ridiculously over the top about it. I’d love to get some headcanons of them in that scenario! ♡

HELP YOUR TOTALLY RIGHT. How would they even get around 😭

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Ok, so Mr Scarletella would DEF be a malewife. I mean, he’s literally so down bad for you. I have a feeling he’d never really leave your apartment. Unless it’s to stalk you when you leave.

he’d definitely would ask for you to teach him some stuff. He wants to know how to properly communicate to express his love to you. So you’d probably spend most of your day teaching him how to speak English (or whatever language you speak)

he would most likely bang his head on some door frames while trying to get around in your apartment, since he’s so tall.

it would be SUCH a struggle to find some clothes for him. You don’t want him to be in the same outfit every day, but his legs are to damn long, you can barely find any clothes that fits him (T^T)

he loves to pick you up into his arms (I don’t make the rules here) since your definitely very short compared to him. You’re literally as light as a feather to him.

it would probably be hard to fit him in your bed, but you’d eventually find a way. Probably spoon you from the back. Bro is a big spoon 1000% (since he’s so damn big)

would never shut up about him much he loves you and is grateful that you took him with you 🙏

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I don’t really know much about Mr sliver so this one is definitely short.. 😭

omg, let me tell you, Mr sliver would 100% be a People watcher. He try and learn lots about humans to try and understand them better. especially you.

He’s very interested in learning more about you. He could observe your behaviors all day. He really just loves to watch you! Especially while you’re sleeping. He likes the sweet look on your face as you are deep in sleep. So blissfully unaware of his staring.

you’d definitely have to stop him from leaving your apartment like no one wants to see a 7 foot tall man staring at them in public so you keep him in your apartment so he doesn’t scare anyone lol. It’s ok tho! He could never scare you!

he also very much likes to cuddle with you, SPECIALLY spooning you from behind! He really likes to just place his chin on the top of your head <3

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GAHHH HOPE YOU LIKED IT!!! Btw tags for other people that pretty much requested the same thing: @budijojo @chomichomas @mrwhitequeen

[morallygreychaoticneutral]

Astarion doesn't ask for affection because he can't..... yet.

Ah, more tea steeping in this seeming endless sea of thoughts. This brew is a bit strong on the heart. Read with caution.

Warning for game spoilers and talk of abuse.

This perspective is from game content only. How anybody cannons their relationships or behaviors is perfectly right. No blame, no shame, it's your game.

I was always miffed at the lack of initiated affection from Astarion as a partner. YOU ask him for a kiss. YOU ask him for a hug. YOU ask him to tell you thank you after being an amazing partner and killing a massive beastie just for him! Brat...

But then I had a sudden realization. Given his past, affection is probably insanely hard to ask for. Like it can be for a lot of us.

Stay awhile and listen. (nerd)

Now when I speak of narcissistic abuse I am only speaking from what I know about it. I have no academic or phycology degree on the matter. Just good ol' tossed in the pond and forced to sink or swim experience.

Astarion spent 200 years under the crushing weight of narcissistic / psychopathic abuse. One of the things these types of abusers love to do is take what you love and make you hate it and then make you hate yourself for ever having liked it to begin with. All very nasty business that. But it's one of the main corner stones for the cage they build to control you.

They make you feel as if the request of a simple hug is the most pathetic thing you could ask for. Or the most selfish thing as it inconveniences them. They don't want it, why should they give it to you?

Shame, belittle, degrade, devalue..

200 years with a master who used him like a tool. 200 years with siblings that fought amongst each other so much comfort was a liability. Nights coming home assaulted only to be mocked for your tears. Insulted for your need of comfort.

"Pathetic! Weak! Disgusting! "

Shame, belittle, degrade, devalue..

Affection was nowhere to be found there, I assure you.

And for a Narc. anything given is expected to be "earned" in any way they see fit. And if you were "rewarded" with anything, it comes at high price.

And how dare you not find it fair. You ingrate!

Shame, belittle, degrade, devalue..

Hugs are pathetic. Kisses are an intrusion. Or they become gateways to other unwanted behaviors. To be held...what are you? A baby? The only way you are going to get held, is down.

Shame, belittle, degrade, devalue.. The pattern continues.

But you ask HIM for a kiss. And he says..

"There is nothing I'd like more."

And he means it.

I'd bet a mountain of gold he wants to just ask you himself. But years of conditioning to expect pain when seeking pleasure probably keeps him in a choke hold. Like rats that are shocked every time they try to eat food out of a dish. They learn it is safer to starve.

"I want to ask Tav for a kiss or a hug, but they might think i'm weak. But if they ask me first then it's them who wants it and they can't degrade me for it because they asked, not me. It's safe then."

"I want to ask Tav for a kiss or hug, but they might reject me for being too needy and shame and berate me for being so selfish or demanding of their time and person. But if they ask they have time and want me to kiss/hug them."

"I want to ask Tav for a kiss or a hug, but my primal brain keeps telling me they might demand more than I want to give in return for it. But if they ask, I have the power of negotiating the outcome."

This leads me to believe he would view sex and affection very differently as well.

Where most find affection safe and nurturing, it's anxiety educing and unsafe. It means there are feelings and if there are feelings there is the risk and fear of rejection or judgment. It's much scarier.

Where most find sex to be connecting and intimate, it's been used so much it's lost any meaning. Something you can do a thousand times over and walk away the second it's done and feel nothing afterward.

This may even be a part of the reason why he wants to stop having sex.

He wants to connect with you in ways denied to him. He wants the experience of being courted, treasured, nurtured. It means so much more to him than sex. It is so much more connecting.

Feeling this way is wretched and lonely. The most basic instinct is to want to seek comfort in the arms of those who love us. But it's broken. The risk is too great.

And it's hard. Because you could be the sweetest most honorable Tav in the whole of Fearun. But after being fed poised apples one too many times, all apples appear poisonous regardless of if is true or not.

I have no doubt that this prickly elf soaks up every second of non sexual affection you give him. And truly is grateful for your patience while he slowly and carefully disarms the safety measures he put in place to survive. The fact that he even allowed you to touch him like that at all was a monumental act of trust. And why not? You are incredible after all.

I'm going to go ask my elf for a kiss now. And then cry in my cup.

[dissapointu]

hi!! i love your writing! i was wondering if you could do how arcane characters would react to their partner looking really good??

OMG YES, LET’S GO. You’re serving looks, and these characters are LOSING it.

Jinx

Jinx is walking into the room, probably rambling about some crazy plan she has to blow something up, but then she sees you. Full stop. Like, rewind sound effects stop. Her jaw drops, her eyes go wide, and she’s just standing there with a completely dumbfounded look on her face.

“WHO LET YOU LOOK LIKE THAT?!” she yells, pointing at you like it’s your fault. And then, without waiting for an answer, she’s giggling and spinning around you like a little tornado, tugging at your outfit and gushing about how good you look. But it’s Jinx, so she’ll probably throw in something like:

“I could never wear that—I’d blow it up in five minutes. BUT YOU?! You’re, like, my shiny bombshell baby now!”

Vi

Okay, so Vi acts all tough and cool, right? But when she sees you? Girl is GONE. She leans back in her chair, smirks, and tries to play it cool.

“Damn, babe, where’s the fire? Oh wait—it’s YOU.”

She totally thinks she’s being smooth, but her ears are turning red, and she cannot stop staring. She’ll make some excuse to touch you, too, like fixing a stray hair or adjusting your jacket, just so she can get a closer look.

“You’re killin’ me here,” she mutters under her breath, and yeah, she’s absolutely whipped.

Sevika

You walk into the bar looking too good, and Sevika’s mid-drink when she sees you. She chokes. Like, literally sputters into her glass because she was NOT READY. She tries to recover, clears her throat, and narrows her eyes at you like you did this on purpose.

“Alright, who are you trying to impress?” she teases, but her voice is all low and growly, and she’s totally jealous of anyone else who gets to see you looking like this.

If you’re lucky, she’ll slide an arm around your waist and pull you close, her mechanical arm whirring a little as she leans in to murmur, “You keep lookin’ like that, I’m gonna have to start a fight just to keep people’s eyes off you.”

Silco

Silco’s usually composed, right? All cold, calculating power. But when he sees you, he goes silent. Like, dead silent. His heterochromatic eyes narrow just slightly, and you can tell he’s looking you over, taking in everything.

“Impressive,” he finally says, his voice smooth but with just enough edge to send a shiver down your spine. He doesn’t say more because he knows you know exactly what he’s thinking, but the way his hand lingers on your arm when he passes you? Yeah, you’ve officially ruined his ability to focus for the rest of the day.

Vander

Vander is polishing a glass behind the bar when you walk in, and the man literally freezes. The glass slips from his hand, clattering onto the counter, and for a moment, he’s just staring at you with this big, goofy grin on his face.

“Look at you,” he says, his voice all warm and soft, like he can’t believe his luck. He’s not one to gush, but you’ll catch him sneaking glances at you all night, shaking his head like, How did I get so lucky?

And when you catch him staring, he’ll just laugh and say, “Can you blame me?”

Ekko

Ekko’s mid-sentence when you walk in, and he just stops talking. Like, whatever he was saying? Gone. Deleted. Replaced by you.

“Uh…damn.” He runs a hand through his hair, trying to figure out what to do with himself, because holy crap, you’re stunning. “Okay, but why are you trying to flex on me like this?”

He’ll pretend to pout for like two seconds before breaking into this huge grin and pulling you into a quick spin. “You look incredible. Seriously. You’re making it really hard for me to focus.”

Jayce

Jayce is a talker, so the moment he sees you, he’s throwing out compliments like confetti.

“Wow. Just…wow. Is this legal? You’re stunning. Gorgeous. Breathtaking. Should I keep going? Because I could keep going.”

He’s like a golden retriever, so excited and genuinely in awe, and he’ll definitely try to take like 50 pictures of you, “for science,” but really just because he can’t get over how good you look.

Viktor

Oh, Viktor is a mess. Like, full-on short-circuiting. He notices you immediately, but he’s so shy about it, he pretends to be focused on his work, even though the pen in his hand is hovering three inches above the page.

“You, uh…you look very nice,” he finally mumbles, his face going completely red. But when you catch him staring (because he’s DEFINITELY staring), he’ll push up his glasses and awkwardly add, “I mean, you always do, but tonight, especially…uh…”

Just kiss him already. The poor man can’t handle it.

Caitlyn

Caitlyn’s the type to notice right away but say nothing—at first. She’ll just smile, that soft little oh, you’ve outdone yourself this time smile, and let you catch her admiring you.

“You look incredible,” she says, her voice calm but with just enough warmth to make your cheeks burn. She’ll offer you her arm, all proper and elegant, and lead you into whatever event you’re attending, acting like it’s your moment to shine.

But don’t let her fool you. Inside, she’s absolutely glowing.

Mel Medarda

Mel is a queen, and she acts like one. So when she sees you, she doesn’t react immediately. No, she takes her time looking you over, a sly smile playing on her lips.

“You’re stunning,” she purrs, her voice dripping with admiration. “But then, I’d expect nothing less from you.”

She’s totally the type to dress even better next time just so you two can be the most powerful, glamorous couple in the room.

Ambessa Medarda

Ambessa doesn’t do subtle. The moment she sees you, she lets out this low, appreciative hum, her eyes gleaming with approval.

“You’ve outdone yourself,” she says, stepping closer, her presence almost overwhelming. “It’s…intoxicating.”

She’ll rest a hand on your shoulder, her grip firm but affectionate, and you can feel the pride radiating off her. She knows everyone else is looking at you, and she loves it.

Heimerdinger

“Oh, my stars! My dear, you look absolutely radiant!”

Heimerdinger’s ears perk up, and his little mustache twitches with excitement. He’ll walk around you in circles, marveling at your outfit and making a bunch of overly enthusiastic comments about the “design work” and “craftsmanship,” even if it’s just a plain dress.

“You must let me take a closer look at this fabric—it’s magnificent!”

It’s adorable, really.

Salo

Salo’s not one to gush, but he’ll give you this small, approving nod when he sees you.

“You clean up well,” he says, his tone casual but with just enough edge to let you know he’s impressed.

If you’re lucky, you might catch him stealing a glance at you when he thinks you’re not looking.

Scar

Scar sees you and immediately whistles low under his breath.

“Well, aren’t you a sight for sore eyes,” he says, his grin all crooked and playful. “What’s the occasion, doll?”

He’ll definitely tease you, but you can tell he’s really into it by the way he keeps sneaking closer, like he just can’t help himself.

Maddie Nolen

Maddie is blunt, so when she sees you, she just blurts it out:

“Damn, you look good.”

She doesn’t sugarcoat it, doesn’t make it a big thing. But the way her gaze lingers a little too long? Yeah, she’s head over heels.

Lest

Lest is normally composed, but the moment she sees you, she falters.

“You look…” she pauses, searching for the right word, and then just gives up with a little smile. “Amazing.”

It’s simple, but the way she looks at you? Like you’ve hung the moon? That says it all.

[journalofimprobablethings]

I think the thing about your first response that is provoking knee-jerk reactions (at least, it did for me) is that it implies that character death's only purpose in fiction is to "maximize pain" for the readers, and that any other purpose it might serve can be found through other means. And I don't think that's true at all.

To a certain extent I agree with the OP commenter that it's not necessary to kill a character simply for 'emotional impact' or 'realism'. If an author's main goal with a character death is just to "inflict maximum pain" on the reader, then that's probably not very good writing, and not "necessary". The death needs to do more than just hurt the reader; it should affect the story in some way, either in how other characters react to the death, or how events change because of it.

But I also agree with friskdaferret's argument that some character deaths are necessary for the story that the author is trying to tell. That's the key. Could they choose to write it a different way? Sure. They're the author, it's their story, it's all made up. But then it would be a different story.

I know that you consider the Holes argument to be a bit of a tangent, but for the sake of using an example that's already been brought up, Sam's death in Holes serves a particular purpose in the story. It reflects real-world racism in a very direct way: black men being lynched for having a relationship with a white woman (or after being accused of assaulting/touching a white woman, whether they did or not) is a real fact of American history. It's an ugly fact, and it's something that Louis Sacher decided was important to include in the story. For some kids reading that book, it may even have been their first exposure to that sort of racism. Having Sam leave Kate for other reasons, as you suggest, would change the story, and would make a different point. It's not the story Louis Sacher was trying to tell.

Your argument, if I understand correctly, is that sometimes, the potential pain inflicted on a reader who is very attached to the character might outweigh an author wanting to make a particular point or tell a particular story. How then, do we handle telling stories that are inherently about painful topics? What is the "utilitarian calculus" as it relates to a story like Orpheus and Eurydice which is about grief; or tragedies like Hamlet?

I also think that if you're going to make that argument, you have to consider the other side - that is, what benefit do those deaths, as written, bring to readers? Why has the author included it in the story? What do people get out of it? That answer is going to be different for different readers and stories, but there is a reason that death has been such a prominent trope in human storytelling since forever. Death and grief are inherent, immutable facts of life, and so storytellers are going to find ways to engage with and examine it.

Two examples that came to mind while I was thinking about this post were The Fault in Our Stars by John Green and Babel by R.F. Kuang. Both of those books contain absolutely devastating moments of loss in connection with characters we have become very close to as readers. I don't think I've ever cried as hard at a story as I cried at those two books in particular.

Both of those stories would not be what they are, or say what they wanted to say, if those deaths didn't happen. They are a book about cancer and a book about imperialism and the violence it engenders, respectively. Both those topics are impossible to handle without at least talking about death.

Now, would I give people a warning before I recommend those books to them? Absolutely, because it's the sort of thing you probably want to be in the right headspace for. But do I think that those books should have been written differently, just because the stories were painful? Absolutely not.

I don't know that I agree with any sort of utilitarian argument about the potential effect of a character death on readers vs its function in the story, in part because that sort of thing is impossible to quantify. How would you ever possibly judge what was "too much"? It's entirely subjective, and in the end, authors do not have control over what a reader's reactions to their story will be.

I also think that to a certain extent, readers are responsible for their own reading experience. If a person does not want to encounter painful moments in their reading, that is their responsibility to tailor their reading accordingly. If they as a reader know they are prone to making deep connections with characters such that it might genuinely hurt them if that character then dies, they can take steps to avoid those sorts of stories, or to use sites like doesthedogdie.com to check whether a story has something that they don't want to/can't engage with. But it's not an author's responsibility to tailor their story so that it doesn't make anyone sad. That's not the point of fiction.

Fiction is a reflection of life, and a way for us as humans to examine and process all aspects of it, including the aspects that hurt, that are awful, the parts that don't make sense. It's perfectly valid for someone to not want to engage with challenging fiction, but to say that authors shouldn't be writing it at all because it might somewhere cause someone grief? I can't agree with that.

im starting to think you guys dont like it when stories make you feel things

[lucrezianoin]

Rating all the romances in Veilguard

For no reason that I watched them (here)/played them all. (I played Taash, Emmrich both paths, Davrin, and all the romances up till the commitment scene)

All the romances (with few exceptions) seem to follow the same pattern of: about three or four flirting moments, a missed kiss scene where you non-commit to the romance, a commitment to the romance scene and a dinner/date. All these scenes are also friendship ones and the romance extends them (with various levels of extension). Then the romance has three unique scenes: a pre-Ghilan'nain chat, the post-Fade sex scene, a final chat before the end and that is it.

I am gonna put some of these scenes in preference order! What I look for in a scene is:

If it is a friendship scene: how much the romance scene adds;

The scene tells me something new about the characters;

How well the scene sets up the tone of the romance (especially starting scenes);

Just how much I liked the scene! the tone, the movements, other added things

Every link is the scene from the same youtube channel I linked before, at the correct timestamp.

EDIT: changed the rating for Neve, she is now my second fav (I am replaying it and realized I missed something from her commitment scene)

TL TR: My favorite romances in order:

Davrin: his romance ties very well with his character development and quest. Weisshaupt and his relationship with death being confronted with losing his home, trying to stay casual and then getting attached against his own will, and then choosing a new path (a road less travelled, as he says) which also ties with the relationship with him and his Dalish clan. It is also the only romance that allows the player to decide what comes after for Rook.

Neve: I felt like her romance had its own sub-plot that I did not feel was 100% reflected in her quests (given she shows attachment to other characters and things), but there is a lot of content and like for Emmrich it all fits well in the tone of Neve's character and quests at least: it really makes you feel like you are in a detective story, romancing that one character who has a tons of protective walls around her heart. The banter and flirting was my favorite, with a lot of small back-and-forth, that I think do the heavy lifting.

Emmrich: this romance is a bit less involved with the main plot, but I thought it felt very cohesive. It is a more classical romance which sees Emmrich surprised to be the subject of Rook's flirting, to then taking them both in a very classic path of dating and breakfasts in bed. It also has a lot more content given it has technically two paths, and fits well with the whimsical sometimes humorous tone of Emmrich but also his relationship with death (fear).

Taash: Their romance is probably the easiest and fastest to get. I think the content is a bit less compared to other romances, but their inability to fully express their attachment (especially in the context of their mom's death) was a nice touch. I wish the story had integrated their personal quest (what happened to their mother) a bit more at the end, given we have a parallel of Taash not being able to save her vs being able to get Rook back.

Harding: I think her romance actually makes her character much more compelling to me. We see her dealing with her powers a bit more, and in the final scene it is all pulled together with this dialogue about how she wished the world could stay simple, but closing your eyes against the change does not mean the change is not happening. Still, I feel like she has the least amount of scenes (but my favorite romance commitment scene) especially if she dies then her romance feels absolutely incomplete. In the case of Davrin, his death makes his previous scenes much more tragic instead.

Bellara: I actually really like Bellara's romance, I just feel like if I try to look at it objectively it seems a bit all over the place. It starts very sweet and awkward, but it mainly relegates Rook in the role of someone who needs to reassure Bellara a lot, especially about not being liked. I am also very annoyed by the two mentions of "Rook makes Bellara calmer". As far as I know Bellara is supposed to have adhd, and as someone who has adhd... no, love does not "cure" you. Or make you feel calmer.

Lucanis: I am so sorry for all the Lucanis fans. I have no idea what happened here. I loved the final scene, but the rest of his romance feels strangely directionless. I admit I did not believe it could be so much short in content compared to the other romances but after playing half of it and watching the rest - it kind does. It has some nice extra banter and comments (ex. a lot of supporting Lucanis in battle), but I am also unsure what this romance is even about. His personal quest is about starting to live again and accepting Spite, but his romance seems a mix of guilt for his failure and deflections. The only thing I can come up with is that the writers were trying to convey a Lucanis who was not ready for a romance but still wanted it nonetheless?

The almost kiss:

Bellara: This one has no almost kiss, but I loved the scene nonetheless. The friendship scene is adorable (I love characters who write stories!), and the romance part is quite extended with Bellara giving us new information about her: she never really has been in a long relationship, about her ex from the Veil Jumper, and we also see her trying to act all suave and smooth and almost falling from the desk, which was adorable and sets up the awkwardness and inexperience of the romance.

Davrin: The almost kiss is interrupted by Assan, which makes perfect sense giving the previous interruptions. It also reinfornces the fact that Davrin is direct, and it tell us that there is a correlation with him chasing his romance/being direct and how close to death Grey Wardens are. It sets up an almost casual/overly-flirting and seducing tone to the romance instead of the more romantic one found in others. The scene also makes the friendship version 100% better and make it much more sense.

Neve: The friendship scene is quite cute, but after seeing the romance one I feel like the whole scene is a setup for the romance. Most of it is in the romance version, with a lot of characters moving through the room (checking the wisp, sitting on the desk, almost kissing). It also tells us a bit about Neve: she is attracted to Rook, but very hesitant to start a relationship, almost scared, and that the theme of the romance is this almost magnetic attraction that she cannot resist to. Hilarious also because of Rook looking at the ceiling in frustration when the kiss doesn't happen.

Taash: I am not a fan of the growls, but the movement, the hilarity of Taash standing up saying "yes so..." and pushing Rook against the mirror - perfect. The friendship scene also tells us something on its own and the two takes a different paths. We also find out that Taash is extremely direct, they are very open about sex, and take initiative very quickly when needed. Plus their sense of smell is very developed and connected with the breathing-fire thing. The interruption is probably my favorite here, with Taash and Rook sharing an amused glance, it builds comraderie!

Harding: The scene sets up Harding's main plot (her new powers) in the romance, which will then continue in the actual commitment scene. The scene overall tells us that Harding sometimes loses control of her lyrium while touching people, and that she is a bit awkward but also not too easily embarassed (like Bellara is). In general it is quite sweet.

Emmrich: I usually love Emmrich scenes and this is probably my list favorite in his romance. The dialogue is beautiful and elegant as always, and we find out that Emmrich romance will follow more traditional and romantic paths. We do not learn much about Emmrich himself, a part from the fact that he is interested in the romance. I also am a bit confused by the show of magic, I suppose it is seduction but what does it mean... it escapes me. I guess, another thing we learn is that Emmrich likes to take the seduction into his hands, which sets the tone for the romance.

Lucanis: the first part of this scene is Spite trying to run away. Then the scene feels like it goes from zero to one hundred very quickly, with Lucanis and Rook almost kissing, then bam, Lucanis needs to clear his head - I know it is Spite but it felt a bit strange. I am unsure what the scene is trying to tell me, we already knew Spite is a problem and often takes over/stops Lucanis from doing things (ex. starting scene by the fireplace).

Romance confirmation/commitment:

Harding: the scene expands a lot on the friendship version, so much that I almost forgot I even played the friendship version of it. We also have the continuation of Harding's touching problem, and not only it is hilarious (Harding backing away and being shocked Rook would still kiss her), but also tells us something about Rook themselves (that they are a bit of a reckless fool). The scene happening in public with all the other npcs being like "wtf", hilarious.

Davrin: The scene adds a little bit from the friendship one, with the most schoolgirl kiss in the game (which is adorable), the return of the "hunting" metaphor, and Davrin looking at Rook when he talks about Assan having "the heart of a halla". It all ties in the fact that the scene is a way to draw a parallel between Davrin and Assan - it works well given it is a romance scene and one of the parallels is about both of them finding a new path and having "the heart of a Halla". There is also a small additional banter when you go back to Eldrin, where Rook can tell Davrin "you have me too now".

Neve: So I love this scene (skipping rocks, thinking about her case), it feels very detective-like in a dark foggy city, chasing leads. EDIT: I previously put this down at n5 but I am replaying Neve romance and realized there is so much more. Not only Neve throws herself at you (for a kiss), plus a fumbled kiss, but you also get a very cute banter about "kissing a girl/kissing neve gallus" while you chase for leads. Overall, while the majority of the scene is the friendship version, the romance version changes it quite a bit.

Taash: the scene was great before the romance one, I loved seeing Taash getting to the realization and decision about using they/them. But it also felt a bit like zero to one hundred, with only a few flirtings before (pretty sure only two? or three?). But the kiss? that was the best kiss in the game for me, with Taash being like "okay bye". It follows the general theme of Taash being a bit uncomfortable to face their own feelings, and very direct.

Emmrich: one of my favorite scenes in the friendship version. To see an older than usual character remembering their parents, talking with them and introducing them their new partner is pretty rare. The rest of the scene was quite classical seduction from Emmrich, he really feels like the character who is doing the courting and the scene in general looks quite beautiful. Beautiful kiss too. The addition from the friendship version is the extra seduction with magic.

Lucanis: Zero points for payeya. The rest of the scene is very sweet, I loved that Lucanis remembers Rook's drink and that a previous choice returns in play, but the scene is so short and it seems to mainly revolve around Lucanis apologizing. It tells us that Lucanis remembers, and that probably his romantic side is more acts of service than words, but it also feels a bit like Rook is romancing themselves and jumping to conclusions because Lucanis is giving very little.

Bellara: the commitment scene was so small, and so Cyrian focused I should probably not even put it here.

Dates/dinners:

Emmrich: This is a full on date that follows the Emmrich's path of "classically romancing Rook". We have the dinner, special Mourn Watcher dialogue about the skeletons raised to cook, a kiss, and you can also exchange questions - you can tell Emmrich you are a virgin too haha - plus, Emmrich expresses worry for Rook and how much work he is taking on, which is always nice to see given sometimes Rook feels excluded in the game. The dialogue also remembers previous choices, with different options if you expressed distaste for necromancy.

Neve (scene 1) (scene 2): She has technically two, one where you can meet with Rana or Elek, and then the initial one where she takes you to eat fried fish, so before the start of the romance. Both scenes? Amazing. I absolutely love them, especially the tour of Dock Town and eating fried fish with her while looking at the sea. They felt perfectly in tone of a noir-detective romance. In the first scene we get Neve's main romance theme (the tables always turn) and feels (banter, back and forth) and in the playing cards scene we return to the back and forth banter that is characteristic of the Neve romance.

Davrin: This was mainly about Davrin being asked to take a break and him worrying about Rook working too much, which is always nice to hear! I was a bit disappointed that so much of the date ended up being about Assan and Rook not being able to do mushrooms without tripping, but the small bits of Davrin being disappointed he could not take Rook's mind off work for an afternoon felt strangely in line with Davrin's more seduction-like romance (which seems to be mainly on the casual side of things) and his attempt to make this work.

Taash: I loved Taash's mother immediately zeroing in on Rook being their partner, but sadly there is not really a romance scene. The scene is very similar to the friendship one, and it doesn't tell us anything more about the romance itself or Taash.

Lucanis: I am confused by this scene. It seems much more about Lucanis and Spite than Lucanis and Rook and Lucanis. The part taht is about Rook and Lucanis is very very short, and mainly a lovingly gazing Lucanis and Rook with not a lot of dialogue.

Bellara and Harding seems to have no date/dinner scene. Harding has a longer post Ghilan'nain scene, and Bellara has a lot of small scenes around here and there.

The fight before the fight

Davrin: similar to Taash but softer. This is also when you find out a lot about Davrin here - mainly how he made sure to never get attached - and more about his relationship with death that turns into him wanting to finally think about a future without death. I thought this scene added a lot to his character, and pulled together his whole plot arc too (the non romance one, so his attachment to Assan, his relationship with death, Weisshaupt and his new home). It also felt realistic and hopeful bre-battle, and it is even more devastating in the light of the Harding vs Davrin death choice.

Neve: the voice acting in this one is just stellar. It is also very detective-feels like a noir old movie with forbbiden romance. It shows how important it is for Neve to keep everything under control. Her voice breaking out at the end - amazing, one of my favorite lines by Neve. This does not fully connect with her arc, like Davrin's did, but it is the breaking of her walls scene.

Emmrich (Lich) (link to my twitter): As much as I love saving Manfred, I prefer this scene with Lich Emmrich and how much you can play a Rook that is absolutely extra in love and refuses to listen to what Emmrich is saying. And it is nice to have a scene where a companion actually suggests for the protagonist to not go into battle. It ties with Emmrich's fear of death, and accepting that people around him will always die now that he is a Lich. I was just a bit sad that he clearly did not fully make peace with that before his transformation, given that was one of the requirements.

Taash: classic angst and tsundere, loved that Taash refuses to admit their feelings to avoid getting hurt. This is similar to Neve and Davrin's scene, but I think it tells us less about Taash than Davrin's, and the scene is much shorter than Neve's. It feels also a bit more in line with Taash's character here given what happened to Taash's mother, but I wonder if you can still get this scene if you do not complete Taash's quests... I suspect you might, which makes the scene in that case a bit out of place in my opinion.

Emmrich (non Lich): Look, I LOVE this scene, and I love seeing Emmrich talk about their age difference, but I thought it felt a bit random placed as a pre-battle fight. I know this is about Emmrich confronting his own mortality again, and this is the main theme, Emmrich realizing he is fully in love and not ready at the idea of leaving Rook alone. I love Rook's answers, but I would have loved to expand on this way before (especially given that one of the option is Emmrich implying that Rook does not know what they want because they are too young "I know what I am getting into" / "at your age?").

Lucanis: I really enjoyed this more than I thought I would, but mainly the first part. Lucanis feeling the responsibility of the strike to protect Rook after he failed once. It ties well into his arc, being responsible of this big job, and Rook tried to show him that they are in this together. Except that then the scene kind of derailed, in my opinion with extra Lucanis' deflection. Maybe I do not fully understand Lucanis' romance and character, but the scene goes from: Lucanis' guilt and fear, "I only know death", I am not alone I have Spite, I will kill to protect you, don't promise you will survive. I am unusure what is Lucanis romance here trying to tell me, I wish they had focused on his guilt/weight of protecting Rook more.

Bellara: too sweet for my taste. The scene does not have a fight, but we get Bellara being honest with her feelings, and saying she feels calmer with Rook (which I hate, given she is supposed to have adhd if I understand correctly, and as someone with adhd no amount of romance is gonna make me feel calmer, medicate me). It also re-iterates that Bellara feels bad about who she is, and Rook makes her feel better. The scene does not seem to tell me anything new about Bellara or the romance itself.

Harding: This feels very generic. It is a "what if things go wrong", which makes sense for a scene before the big fight. It is so short, and a missed opportunity to give us a bit more given that Harding can literally die in the next mission. The point of the scene is "I am worried", Rook "It's okay we have us", Harding: "Alright".

Final romance scene:

Davrin: Look, the start makes me a bit embarassed, the shirts vanishing? the fact that Rook in the fade is barely mentioned, how Rook's size does not seem to matter at all, the Rook's breathless moaning - some of the dialogue is a bit strange, if you don't play the joke-y Rook/direct Rook. But it is also the only scene where the characters talk about their future and that to me feels like a conclusion to the romance. I was actually surprised when I got to all the other romances and I did not see the final choice of "what will you do with your LI" like in Davrin's scene. We have a Davrin who is finally living without thinking of death, we have a new choice that is then reflected in the final chat later, Rook and Davrin organize their future together (the road less travelled being one of them, which Davrin says "it is how I found you" and really summarizes Davrin's whole story with the team, Rook and Assan, but also his past with his Dalish clan).

Lucanis: I really liked this scene, both the start of it with Lucanis feeling relieved and the whole "are you falling asleep", and Lucanis asking for Rook to talk to him. It was very sweet without being too mushy, even if it felt pretty short. The scene pulls together Lucanis' attachment, showing how much he learnt to care for Rook. I am still unsure how this pulls together his whole romance (or his fight scene pre battle) more than "Lucanis trusts Rook and now Rook is part of his new life", but it is still worth it for the tenderness. And the whole kneeling part was nice, giving the whole "Dellamorte never kneel".

Taash: picking up Rook is an A+, I admit I was not a fan of the growls, but the whole discussion of their romance? lovely, even if it was pretty short. This is mainly about Taash and Rook defining their relationship, after Taash's fear of losing Rook. They are ready to be honest about their feelings, which is a nice conclusion, but I wish it had tied a bit more into what happened with Taash's quest (their mother's death mainly, especially given that their fight scene was about the risk of losing someone they love).

Neve: this is another direct continuation of the pre-Ghilan'nain scene, where Neve actually cries and we see how relieved she is. Her pushing Rook on the couch and closing the door with magic? Great, stellar. The rest of the scene is mainly about Neve finding the courage to say I love you and living day by day. It is the conclusion of her arc within the romance (tearing down her walls until she can finally admit she fell for Rook). Neve "I won't life like we are not getting one (an after)" is very sweet.

Emmrich: Lich and non-Lich are pretty similar, they are both mainly focused on Emmrich making sure there is no enchantment on Rook, then a kiss and a very humorous cute scene after they bang in a coffin. It did not add any new information to the romance, but it was still sweet, and different (given they are not in Rook's room). I just wished it had tied a bit more into their pre battle fight, or had talked a bit about their future.

Harding: I think she might have the longer scene, mainly because she does not have a lot of scenes before? I found it pretty interesting because she actually suspects for a bit that Rook is a spirit and she remembers Cole. The rest of the scene was a bit too mushy and sweet for me, and more about Harding herself than the romance. It helps define her character as someone who has gone through some really world-shattering revelations, which I think makes her a bit more compelling vs her without the romance.

Blighted Bellara coming back: I think this works a bit better than Neve's version, because Bellara and Rook generally have a more open romance. They already kind of accepted each other's feelings before, even if Bellara never said "i love you". In this scene she is trying to finally say it. It also adds a bit more about Bellara's ordeal with the blight ("you found me and saved me").

Bellara: I feel so bad for putting most of Bellara scenes at the end of each list. The final scene was very cute, very humorous for the first part. Unfortunately it felt a bit repetitive. It was clear Bellara wanted to say "I love you", through a lot of moments in the scenes and she could not say it. The whole scene seems to be about Bellara being open with her feelings and wanting to take a moment for her and Rook vs worrying about everything, unfortunately I cannot help but be annoyed at the whole "Rook makes Bellara calmer" feels I got from it. On the other hand, she is the only one who wonders if she was a regret in the fade regret prison, which I really enjoyed.

Blighted Neve coming back: The scene is the shorter version of Neve's scene, and the reverse of it (Rook is the one worried and waiting for Neve to come back). It feels a bit empty given the ordeal, and given that this happens after the game actually ends. I did not play this, but from what I see it has no "I love you" after and it ends with neve closing the door and it 100% (at least for me) makes Neve's romance feels strangely unfinished because so much of the previous scenes in it were about Neve not being able to not feel fear about losing Rook.

[hmslusitania]

Ranking the Companion’s Rooms by Sleeping Situation

1. Davrin

That is a real, actual bed. It is in an alcove. It is made. There’s a goddamn throw pillow. 10/10, responsible dad

2. Taash

That is ALSO a real bed! It doesn’t have pillows but there’s a horn situation going on that I can’t speak to so probably the lack of pillow is intentional. 8/10.

3. Rook

This couch and the fade!fish have seen More Things than either probably needs to, but the couch gets bonus points for style and looking comfy if not cosy. 6/10.

4. Bellara

I’ll be honest I totally missed that she had an actually mattressed cot in here until I went to take this picture. One bonus point for it being stylish and her room being pretty overall. 5/10

5. Lucanis

That is… a camp bed you put in the pantry. It is, however, an actual designated bed with a cushion and a bed roll. 4/10.

6. Harding

I took this picture early in the game so her room is not yet the beauty it becomes, BUT she ranks higher than some others because a) I’m 100% sure of where she sleeps and b) she’s a stone-magic dwarf so theoretically sleeping on quarried rock isn’t as painful to her as it might be to, say, me. 2/10

7. Neve

I can’t say for sure that you actually sleep on this bench in your office but it’s also the only candidate. The good detective could use a lesson not only in scurvy but in lumbar support. 1/10

8. Emmrich

My dude literally where the FUCK do you sleep?!

…please tell me its not on your autopsy table

0/10

[try-set-me-on-fire]

Eddie drunkenly calls Buck from wine night, confesses some things. On ao3 here.

Eddie calls him at 11:34 pm, and it’s a Thursday, so that means a few things. It’s wine night, the biggest thing. It’s wine night, at Hen and Karen’s, and he knows those start around dinner time so Eddie’s got several hours of alcohol in him. It’s 11:34 pm and Buck got off work at 10:45, another thing, so it’s a toss up whether Eddie timed the call to when he was walking through the door (a feat possible after years of going back and forth between the station, the loft, and the Diaz house at all times of day and night) or if it’s just a drunken coincidence.

“Hello,” Buck answers the phone, dragging out the first half of the word, tossing his keys into the bowl on the counter.

“Buck,” Eddie says, voice bright and not very slurred, but he’s only said one word so far, and Buck sometimes secretly thinks he could probably say his name pretty steadily no matter the situation. Buck is pretty sure he could be all drunk or half dead and still be able to say Eddie just fine, anyway. “Hello. Are you home from, did you get home from work?”

Ah, so, somewhat drunk then. “Did indeed. You still at the Wilsons?”

“Did you, uh- was there fire?” Eddie sounds like he’s trying very hard to sound normal. Buck bites his lip against a snort.

“No fires. Just a half shift, remember. Pretty boring one, honestly.” I missed you probably isn’t fair to say, Buck covered the shift of his own volition, he could have been at wine night if he really wanted. But Donovan’s sister had a baby, what was he gonna do, not let the guy meet his niece? “Hope you had a better time.”

“Great time,” Eddie says, enthusiastic. “They had, uh, mini quiches.”

Buck grins at the empty room. “You’re a man who loves a mini quiche.”

A few seconds of whooshy silence where Buck assumes Eddie is nodding enthusiastically. “The- uh- they had the bacon kind. The kind, and with the- you know, there’s spinach? Can we go to Costco?”

“Sure,” Buck agrees, opening his admittedly pretty sparsely populated fridge. “Could use a grocery run.”

“And get the, get more quiches?”

Buck grabs a protein bar, smiling as fondly as he wants to with no one around to see him. “Yeah, Eds, we’ll get more quiches.”

“And you’ll take the spinach ones? And I get the good ones?”

Buck laughs. “The spinach ones are good. You can barely even taste the spinach, they’re just, like, warm and eggy.”

“Mmm,” Eddie says, doubtfully. “It’s not nice to lie, Buckley.”

“I’m not fucking lying,” Buck cackles. “Your spinach hatred is so unfair, what’d it ever do to you?”

“Taste bad,” Eddie says, adding a blegh sound for emphasis. “It’s like- like- it’s gross, I don’t believe you actually like it, actually. You just want to eat grown up food.”

Buck snorts. “Man, I hate to break it to you, we both turn 34 this year.”

“And I don’t feel like I have to prove that to anybody by eating nasty food,” Eddie says, nose definitely in the air. Buck shakes his head and takes a bite of the protein bar.

“Whatever, man. You just have to live with the fact that Chris is the one sneaking vegetables into your food.”

“You’re so mean. I’m not letting you have any of my actually good quiches.” Empty threat, they always end up sharing, both of them know it. “That’s not even what I called about. That’s not even-“ Eddie huffs so hard it sounds all crackly in Buck’s ear. “I called to tell you that I love you.”

Buck grins. Oh boy, affectionate drunk Eddie is here. He’d wondered just how much wine they’d got through and it seems like Eddie must be nearly a bottle in. “Aw, love you too, bud.”

“No,” Eddie says, and Buck can see the frown from here. “Buck. Listen. I’m in love with you.”

Oh. God. Oh god. “Uh-“ Buck says, stomach swooping all over the fucking place, “Uh- I don’t think this is a conversation we should be having while you’re-“

“Oh, fuck off, shut up. Shut up. It’s fine.”

“Eddie-”

“Buck,” Eddie says, in the annoyed voice he uses when Buck is trying to get him to eat yogurt with his fruit in the morning, or even a dastardly spinach quiche. “It’s fine. It’s fine. I knew you’d- why- stop it. Listen. I feel like this all the time. It’s stupid that I’ve never, like, I never just say this all the time. You’re, like-”

Eddie cuts himself off and Buck waits — sort of fearfully — for him to continue, but the silence keeps stretching on. Buck knows the other side effect of this level on the Eddie Diaz Drunkenness Scale is heightened distractibility, so he probably noticed a nice color or perhaps a bug. They spent a good twenty minutes hanging out with a grasshopper at Hen and Karen’s wedding towards the end of the night, because it was a lovely shade of green and a funny little guy. Oh god, Buck thinks again. I love this man. I love this man a ridiculous amount and we should absolutely wait to talk about it.

But: “You’re tall and you’re in my house,” Eddie says before Buck can do anything to stop him.

“I’m-” Buck glances around the loft. “Eds, I’m at my place.”

“What?” He sounds so indignant that Buck has to cover his mouth to hold a laugh in. “Why?”

“‘Cause I live here?”

“That’s stupid. You should live with me in my house.”

“Should I?” Buck asks, laugh escaping a little bit. “Also, wait, what does me being tall have to do with it?”

Eddie sighs, long and exasperated. “If you live with me you never have to go home and leave me because you’re already at my house. Your house. If you live with me you never have to go anywhere.”

“Never have to go anywhere?” Buck thinks he’s in shock, maybe, about all of this, but teasing Eddie is something that’s always easy to fall into. “I don’t have a job in this scenario?”

“Well you’d go to work. And other places. But you just come back to me all the time.”

“I’d like to come back to you all the time,” Buck says, choking a little on how simply it explains every ache in him. “Eddie-“

“And you’re tall because… it matters because you’re tall because…” Eddie’s voice is soft, his breathing is soft. Buck wonders where he is in Hen and Karen’s house. In a hallway, tucked away from everyone, the nice light from the stained glass lamp they have there warm on his face? On the back porch, out in the cool night air? Buck wants to tell him to come home, wants to make sure he’s warm. “I never had to look up at anybody before.”

“I’ve got like two inches on you,” Buck replies, but his voice is pretty quiet.

“It’s a big two inches,” Eddie says, just as soft. Then, also quiet but of an entirely different flavor, “That's- Sorry- that's what she said.”

“That's-” Buck snorts. “What-” and then giddy laughter bursts up out of him, baking soda and vinegar, foamy and ticklish. He cackles till he’s breathless, listening to Eddie’s responding chuckles over the line, and sinks down to the floor, back against the kitchen island. “You’re so fucking stupid.”

“I scored better on my certification exams than you.”

“That’s not even true!” Buck protests over Eddie’s continuing laughter. “Only in two categories!”

“Overall percentage was higher!” Eddie reminds him, as he does every time they have this argument.

“Well, I remember building construction and related hazards better than you and that’s written down on official paper somewhere.”

“Not fair,” Eddie says, as he always says. “You- you did- you built those. Unfair advantage.”

“I think you’re overselling the kind of experience I got in a few months working construction like a decade ago.”

“It wasn’t a decade when you took the tests,” Eddie points out. “Whatever. Nevermind. And I don’t want to sound like- you’re good at remembering things. You’re not stupid. I don’t want to sound like you are.”

Buck taps his boot against the sink counter in front of him. “I know. You’re not either.”

“I know,” Eddie says, soft again. “But your hands are big, and… you’ve got stubble sometimes, and…” he trails off into just breathing on the other end of the line for several long moments. “Buck,” Eddie whispers in sleepover voice. “Have you ever kissed a boy before?”

“Yeah,” Buck says, knowing Eddie knows this, but playing along anyway. “I have.”

“What's it like?”

Buck hums, closes his eyes. He thinks about the few guys he’d made out with but never followed home when he got to Los Angeles. Thinks about the room he’d crashed in with Connor in Peru, with it’s one mattress and both their clothes living in suitcases because they were too broke to buy any other furniture. He’s still got a t-shirt for a school he never went to, a few sizes too small. The way they hadn’t shared a room once they were in LA, the girls Connor started seeing. He thinks about John from the ranch who left town the next day. He thinks about high school, Len McGuinty under the bleachers in the summer before senior year, both of them giggling and half terrified and the way they’d pretended to barely know each other when school started back up. Hard jawlines and stubble and muscles and height. Having something, for however long you get to have it. Wanting something, very badly. He opens his eyes and it’s almost a surprise that he’s still in the loft. That he’s not at Eddie’s house. All the time in the world there wouldn’t be enough. “It’s good, Eddie. It feels good.”

“Buck,” Eddie breathes, shivery.

“I want to live in your home all the time, and never have to go anywhere,” Buck says, repeats. “I’ll kiss you, if you want.”

“Buck-”

“I’ll love you, if you want.” Eddie is still drunk, Buck tries to remind himself. But it might actually kill him not to say it out loud when Eddie had said he feels like this all the time. How could he not say he feels like this all the time, too? “I’ll love you back. I love you back. I’ll eat all the spinach quiches for you.”

“Buck,” Eddie says, and Buck doesn’t know what expression is on his face, doesn’t know what look is tied to this tone of voice. Is desperate to find out. Quiet down the line for a few moments. And then: “It’s late.”

Buck pulls his phone away from his ear for a second to check the time. Nearly midnight. “Yeah.” His hands feel clammy. It was too much. They should have waited to talk. Eddie wants out now, and that’s fine. Buck will —somehow, skin of his teeth — find a way to be fine with that.

But: “I want to go home,” Eddie says. “Buck. Come and take me home.”

“And then-”

“And then stay.”

“Okay,” Buck gets to his feet, tosses the half eaten bar in the trash. Eddie’s house has food. His home has things to eat.

“Okay,” Eddie says, confident now, everything decided, everything for sure. “I’ll see you soon.

“Minutes,” Buck says, grabbing his keys, half running to the door. “I’ll be there in minutes.”

“Minutes,” Eddie says back. And Buck can hear his smile.

[cringefail-loser]

you are completely missing the point of the original tweet. She is not mad that there aren't other women in the dressing room, she's mad that she's not being treated the same as the other women in the dressing room. You have no proof that she's "getting off" to trying on bras or to being treated like a cis woman. It's very very clear that she simply wants to try on a bra, an experience that most cis girls get to have at a young age.

"[She] could’ve ordered online. It takes 30 seconds to measure yourself.

If you have breasts, you know how hard it is to order a well-fitting bra online. You usually have to buy a couple in a few different sizes, just to find the right one. It's not an easy process! My chest is on the smaller side, and it's still difficult to find the right one. Also, not to mention the experience that comes with bra-shopping in person! It's fun to go to the store and look at all the bras and find the right one for you that comes in your size and is in your favourite colour.

"Real women don't get upset that there's no one else in the Victoria's Secret changing rooms."

If you read the tweet, you'd notice that the woman who made it had to wait for the staff to remove all the women from the changing room. It's not like there just so happened to be no other women in the dressing room, they quite literally isolated her from the other women. Also, I'm sure that if you were forced to be away from the rest of the women in the changing room for no apparent reason, you would get upset too.

"I mean can you even imagine how fucking awkward that situation was for the women [she’s] sexually harassing and [she] doesn’t ever stop and go what the fuck am I doing?"

Oh I'm sure she knew how awkward it was. Imagine being ostracized for that, being called out for being trans in front of a bunch of people who probably didn't care in the first place. This same situation could happen just the same to a cis woman with a deep voice and a more masculine facial shape and build. You all would complain about how misogynistic it is for the VS staff to treat a woman like that. And you know what? It was already misogynistic! This trans woman could have just as likely been a cis woman with masculine features, and the staff had decided to separate her from everyone else just because of her features. THEY QUITE LITERALLY ASSUMED SHE WAS A TRANS WOMAN JUST BECAUSE OF NON-FEMININE FEATURES.

"Also as usual how does [she] know those women are 'cis'?"

You're right! She has no proof that these women in the changing rooms are cis women. But neither did the staff. As said previously, they just decided that she's trans, simply because she "looked like it". You terfs are always the ones to say "we can always tell", but here you are admitting that you can't just always tell. You ADMITTED that some trans women look like how society expects cis women to look.

"Maybe they just thought [she] was your run of the mill male predator?"

If they genuinely thought that, they probably would have kicked her out for being "creepy". But that didn't happen. They understood that she was there just to shop for a bra, but didn't want to let her in for whatever reason. (Most likely transphobia, but y'all always write that off as something that's not real, so I'm not even going to bother entertaining that idea.)

Non-Tumblr users weren't kidding when they said that you all have piss-poor reading comprehension.

[lurkinginnernarrator]

Shen Yuan should be surprisingly good at makeup. Like, we all know that Shen Jiu could draw eyeliner sharper than Cheng Luan, but Shen Yuan had a meimei.

Imagine she has a school dance or something, and maybe a mean girl at school said something that made Shen-mei decide she was going to wear makeup for the school dance.

Now, of course, Shen Yuan and his geges make sure to tell her that the girl was just mean, and she's beautiful when she's comfortable and happy, not because of makeup etc etc it's all very good intentioned.

Even so, she says, she still wants to wear makeup.

So she buys some, and starts practicing. She's ... Not the best. Shen Yuan finds her crying in the bathroom with crooked eyeliner, mascara transfer marks on her cheeks, foundation and concealer in the wrong shade, contour that looks like a 5'o'clock shadow, overfilled brows, blush that won't blend...

He helps her take off the cakey makeup and bundles her into the living room, comforting warm drinks in hand. They spend the night watching makeup tutorials.

Step-by-step Shen Yuan learns along with his meimei how to do a full face of makeup.

The school dance goes perfectly, Shen-mei was the most beautiful resplendent girl in the school and had a wonderful time with her friends.

Shen Yuan and Shen-mei don't stop watching makeup videos and doing makeup on each other though, it becomes a shared hobby. Every few weeks, even into adulthood, they'd meet up, turn on some makeup influencer and take out their makeup brushes.

It was their special thing, something that just the two of them shared.

Cut to post-transmigration, during a visit for planning the 'garden', Shang Qinghua idly asks Cucumber-bro how he manages to draw the huadian perfectly every single time.

(I don't know the correct term, I tried looking for the proper terminology because what I believe Shen Qingqiu wears is some sort of scholar's mark? But I couldn't find anything. Please let me know if anyone knows the correct term!)

Shen Yuan shrugs and goes 'not like it's hard, you probably just suck.'

This leads to an argument wherein Shen Yuan decides to demonstrate his superiority.

They did forget that there was a Peak Lords meeting, and so Shen Qingqiu strolls in with flawless eyeliner, lips, huadian, the whole combo, and Shang Qinghua walks in with a red face and smudged eyeliner (it does look good though, fits his messy vibes).

Liu Qingge feels a little faint when he watches Shen Qingqiu absentmindedly press his fan to his lips, leaving lipstick marks on the fan. (SY wonders why at that moment, the System lets him know that his fan has leveled up.)

Luo Binghe is trying to figure out a way to get Shizun to teach him to do makeup... The thought of Shizun taking the brush to his lips, concentration furrowing his brows, letting Luo Binghe admire his face even more unabashedly then usual ...

Qi Qingqi changes her tune faster because she has to know how Shen Qingqiu got his eyelashes so perfect.

[swappermanent]

Gym Crush (Part 2)

Read Part 1 by @exploratorytfs.

It’s been a year and a half since the swap, and not a day goes by that I don’t think about how crazy it all was. You might be wondering—why would I trade the life I had? I mean, I had it pretty damn good.

Before all this, I was hot. Not just passable, but the kind of hot that turned heads. I had worked my ass off to look the way I did—hours at the gym, eating clean, all of it. And then there was Edgar. God, Edgar. This dude was a walking Greek statue: broad shoulders, a thick chest, veins for days. I mean, it wasn’t just the muscles; it was the way he carried himself. Confidence, swagger, like he knew he could get whatever he wanted. And yeah, I guess at the time, he was my boyfriend.

But even with all of that—being hot, dating a hunk like Edgar—I just couldn’t do it anymore.

You’re probably thinking I’m nuts. I mean, guys like Edgar don’t come around often, especially not for guys like me. Let’s be real, most dudes who look like him wouldn’t even give a trans guy like me the time of day. So, yeah, I was lucky. At least, that’s what I kept telling myself. I should’ve been happy, but the truth is... I wasn’t.

Why? Well, Edgar. He wanted me to be this perfect, submissive, fem bottom. And look, I’ve got nothing against that. There are guys out there who rock that vibe, who own it, and good for them. That’s just not who I am.

I know, I know—saying this out loud would probably get me canceled in half the gay bars across the country. But I really am masc for masc. Always have been. I’m not saying it to be some sort of gatekeeper or anything; it’s just... that’s what I’ve always wanted for myself.

And it’s not just about who I’m attracted to—it’s about me, too. My whole life, I’ve been trying to prove I’m man enough. To the world. To other guys. Hell, even to myself.

Transitioning was the first step, obviously. But it wasn’t enough. I wanted to look the part, you know? That’s why I inked myself up. And the gym was my second home, but even after countless hours of sweat and dedication, I could never quite bulk up. No matter how much protein I shoved down or how hard I lifted, my frame stayed twinky.

Don’t get me wrong—there were plenty of guys who loved me for it. I mean, twinks are kind of a whole thing, right? A lot of guys would’ve killed to look like I did, but that wasn’t the point. It didn’t feel like me. I didn’t just want to be a guy; I wanted to be a man. The kind of man Edgar was.

And Edgar... he didn’t see me that way. Sure, he’d call me hot, touch me like he couldn’t get enough, but then he’d taunt me. He’d weaponize my body. Every time he called me “pussy boy” or made some comment about how he was more of a man than I was, it chipped away at me. He might’ve thought it was playful, but to me it was cruel. And I couldn’t take it anymore.

Initially, I thought if I just stuck it out, maybe things would change. Maybe he’d see me differently, respect me more. He didn’t. My self-esteem tanked. I started dreading the time we spent together, and eventually, I just... stopped putting out.

And of course, that’s when things really fell apart. Edgar doesn’t do well with rejection—big shocker, right? So yeah, I wasn’t exactly surprised when Edgar came sliding back into my DMs after. But honestly, I wasn’t planning on responding. I’d already been down that road, and I’d told myself after the last time—no more.

Still, when I saw what he was pitching, I couldn’t help but be curious. Swapping bodies with a cis guy? At first, I rolled my eyes. Like, thats even possible. But the more I thought about it, the more curious I got.

The guy Edgar had in mind? Not exactly a stunner. When Edgar sent me his photo, I remember staring at it for way longer than I should’ve, trying to pick out anything redeeming. The dude was... average. A little too soft in the face, a little too plain. But, to be fair, there was some potential there. Barely.

His eyes were nice, though—kind of soulful, in a way that made you think he might be a good guy deep down. And the kicker? He was taller than me by a good 6  inches. That alone had my interest. But let’s not kid ourselves; the real selling point was the fact that he had a cock.

That was the dream, wasn’t it? My own cock. I’d spent years dealing with the disappointment of not being able to fully live out the life I wanted. Transitioning had given me so much, but this? This was the missing piece. In this kid’s body, I could finally live out the fantasy that had been sitting in the back of my mind for years.

I could be the top I’d always wanted to be. I could take guys home, pin them down, and breed them with my own cock and fill them with my own cum. No more strap-ons, no more awkward positioning—just me, fully in charge, giving them EVERY. SINGLE. INCH.

Maybe with a little muscle here, a little polish there, I could make it something great.

So I said yes.

I’m not gonna lie—the first year in this body wasn’t easy. Adjusting to a new frame, new habits, new... everything? Yeah, it was a grind. But if there’s one thing I’ve always had, it’s work ethic. Between that and this body’s naturally high testosterone—and okay, yeah, I might’ve dipped into some steroids here and there—I’d say I built myself up pretty damn good.

Look at me now. I run my own training service. I mean, it’s not like I’m the most skilled coach out there or anything. But honestly? That doesn’t seem to matter much. Guys line up for my programs, and we all know why. They don’t just want my advice—they want to look like me. I’m walking inspiration. Living proof that the dream is achievable, or at least that’s how they see it.

And man, the way people treat me now? Everyone’s calling me “bro” or “dude” every other sentence. Not that they didn’t before—I’ve always leaned into that vibe—but there’s something about hearing it now that hits different. Maybe it’s the weight of my cock swinging in my shorts as they say it. It’s like the final piece of the puzzle clicked into place. Everything just feels... right.

And the best part? This manhood of mine? Oh, it’s gotten around.

I mean, come on. Looking like this, how could it not? Guys want me. They crave me. They crave my fleshy, thick, no kidding, natural, beer can of a cock throbbing inside of them.They’ll do whatever it takes to get a night with me, and honestly, who could blame them?