#there's not really a point to this post! just that it's something i wanna be more mindful of as i continue to write

[smiggles]

........how would your gender be a worm? you're a person? thats the weirdest response ive ever seen to try and get away with upsetting someone im ngl its screaming "i have a neo gender so i can do no wrong so clearly everyones an asshole for pointing out when im being in the wrong" like bruh its ok to upset someone and apologize theres no need to try and get special behavior and claim insects are genders like my guy touch some grass please your a really cool artist and id hate for this to be the reason i block because you dont wanna admit you triggered someone accidentally

People control their internet experience. It has nothing to do with my gender other than the fact I will be posting worms and if someone doesn't like worms

Then I'm not the blog for them. I'm not going to apologize for being myself in my space. I'm not here to please you or anyone else.

Yes. Insect is a gender. Sorry you're living life where there's no whimsy.

Im a GORE blog. I am by definition a trigger. Come here at your own risk. Learn how to follow and/or block tags. If you want to see something without following an entire blog then

Just follow the tag dude. I'm a very compassionate and patient person. But not when you come to me expecting me to be an Internet Pleaser.

You might be used to being able to wave around a block like it's a weapon at other people but im a 32 year old man. I'm a worm. I live in the grass.

:3 i hope you get to be a worm soon too ♡

[mattscoquette]

rant beneath the cut so skip if u wanna

i’m so so so so close to literally deleting this app and abandoning my blog. idk if it’s me or whatever but i think ive been so depressed lately and writing just seems so chore like to me. i have no new ideas and i haven’t written something ive really liked in MONTHS.

and it makes me feel so bad bc i know im a popular writer on here but i feel like such a fraud bc i don’t like anything im writing and everything feels so forced. it’s even getting to a point where answering asks is a lot for me and i feel like im somewhat avoiding that.

but above everything else i feel like id be disappointing so many people if i left. but i just feel so horrible still being active on here and providing nothing new, where other blogs can post several blurbs a day.

ive been feeling like this for so long and im so scared my creativeness and wanting to write wont ever come back. i’ll get inspired to write for maybe 3 days at a time and then go back to hating what i put out and not wanting to ever write again.

[atalana]

actually you know what, while this isn't something i had an issue with in the movie (and honestly the costume designers for wicked did an incredible job), i do wanna talk about elphaba's stage dress bc i think the tumblr lesbians will have fun with it!

so like i made a post a bit ago about how i literally only have one gripe with the wicked movie and it's that every glinda outfit was pink (probably for marketing purposes, but stage glinda is incredibly varied in her colours, and she only has one pink dress, alongside a white, a yellow, a green, and two blue dresses)

but i didn't really go into how elphaba is, in her own way, just as colourful!

because if you read interviews with susan hilferty, the original costume designer for wicked, she talks about how the primary thing she wanted to play with was the idea of these two as earth and sky

glinda comes from the sky, both literally in terms of her first scene being in the bubble, but also that is who she is as a person, bright, airy, expansive. she gets so many colours because she represents the rainbow, and whenever her and elphie are put in contrast, she gets the light side as is fitting for the show

(i did mention this in my glinda post too, but in the show the school colours for shiz are blue and white, which they do conform to, but while every other student is wearing blue and white stripes, glinda is dressed entirely in white and elphie entirely in blue)

but to the point of this post! you then get elphaba as earth. i've seen posts around about how elphie's magic is so strong because she's more connected to the world around her, and that's not only true but something worked into her costume design! hilferty talks about mica and geodes being an inspiration here, elphaba comes from the earth and is an intrinsic part of it, she may not look like much from the outside but she holds an incredible beauty inside

and so her dress is designed to look black from a distance, but it's actually not! it's dozens of layers of different dark colours, that shine and catch the light in different ways

(these dresses are also all slightly different because she mentions they made each dress for the actress who would wear it, each one is unique to fit how that person plays elphaba)

it also to me represents her public vs private image, people like glinda who've seen those layers to her knows she's a beautiful person inside and out, know how she could be seen and loved and appreciated for her complexity and depth, but no one looks that closely. they see from a distance, and they see what they want to see - a wicked witch in a black dress

(especially poignant given how colourful oz is and how no one else, no one 'good', ever wears black)

and i genuinely do love the details put into elphie's movie design, i'm a big fan of victorian style costuming and she's got a lot of those elements (plus the amount of detail and complexity put into dresses that are entirely black should be commended)

but i wanna show off her coloured dress too, because it means the world to me

[airenyah]

A LOOK AT STYLE'S JOURNEY | Ep 6

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5)

I meant to post this on January 1st since we didn't get a new episode that day, but then I got distracted making gifsets and writing other meta. Oh, and I was also busy finally watching the show with my mother. Whoops. But my thoughts on episode 6 are finally here! ENJOY <3

Pronoun situation: As usual, just assume they use the rude guu/mueng with each other unless I point out a significant pronoun switch.

To recap: Style has spent all of last episode coming to terms with the fact that he was falling in love with someone who regularly kills people. By the end of the episode he has come to a conscious decision that he wants to be with Fadel no matter what. Fadel ends up spending the night in Style's bed where they have a significant conversation about trust before they make love. "Making love", because love is finally most definitely involved in the act.

No. 1: Morning Cardio

It's the morning after and probably the very first morning in their relationship that they wake up together. They bicker and Style finally gets his morning cardio in. All is good, all is well, everyone is happy, no one is sad. I desperately try to repress any memories of how this episode ends in order to get through this scene without sobbing. I end up crying anyway as I think about how the first time they hooked up Fadel abandoned Style on the floor of a cold, dark room after punching him in the gut and now Fadel is lying on top of Style, cuddling and kissing him in a warm room filled with the brightest sunshine.

Anyway, so Fadel wakes up Style who really doesn't want to get up yet. Fadel chides Style for not setting an alarm. But Style won't lie there and get scolded again and so he immediately scolds Fadel back: "I told you to hold back and you didn’t listen to me, either." And since everyone loves the language tidbits so much, here is the literal translation of the "I told you to hold back" part:

Last night I told you to stop เ��ื่อคืนอ่ะ กูบอกให้มึงหยุด [mêuua keun - àh • guu - bòk - hâi mueng - yùt] last night - [particle] • I - tell - for you to - stop

As grumpy as Style is about being woken up and having to get out of bed, there's a lot of amusement in his voice when he says this and his facial expression is also warm as he looks at Fadel. But then he closes his eyes again and immediately goes back to being a little morning grump as he dramatically laments that his body is sore and that he oh so sadly can't go to work. Fadel is now so relaxed around Style that he finally starts cracking jokes and playing along with Style's antics, offering to take Style to the hospital while trying to scoop Style up bridal style (haha. style. 🤭) in order to take him just there. But it's too early in the day for these games and Style really does not wanna leave the bed just yet. And so he impatiently complains about Fadel trying to carry him, and then explains: "I was just being overdramatic." In Thai, the word that was translated as "overdramatic" is สำออย [săm-oi] which my native speaker friend defined as "pretending to be weak about something" and explained that it's a negative word that is mostly used to make sarcastic remarks. That would certainly fit with Style's slight morning grumpiness. I also looked up the word on thai2english which defines the word as following:

[to] look for sympathy (by acting excessively sad or crying)

Style wasn't exactly crying when he complained about his body being sore, but he sure was looking for sympathy. So he clarifies that he was only pretending and that Fadel didn't need to maneuver him out of bed and then goes on to say: "I know you’re like a block of walking ice, but you should learn to read between the lines." In Thai Style uses the word อารมณ์ [ah-rom] here which translates to "mood" or "feeling" or "emotion":

An ice wall like you should learn to read other people's mood/emotions. กำแพงน้ำแข็งแบบมึงอ่ะหัดอ่านอารมณ์คนอื่นบ้าง [gam-paeng náam kăeng - bàep - mueng - àh - hàt - àan - aa-rom - kon èun - bâang] ice wall - like - you - [particle] - practice - read - mood, emotion - others - some

And Style's current mood is "staying in bed" and "wanting to be babied". The message finally reaches Fadel and he pushes Style back onto the pillow. He props himself up above Style and comes back to what Style was saying about his muscles being sore. "They say we should hit it right where it hurts. It’s like exercising. That’s how your body builds stronger muscles." Style responds with a challenge: "Thanks for the trivia, but I don’t see why you’re telling me this." In Thai he actually phrases it like a question:

[...] but what are you telling me this for? แต่บอกกูเพื่ออะไรเนี่ย [dtàe - bòk - guu - pêuua à-rai - nîia] but - tell - I/me - what for, why - [particle]

(Alt. translation: But why are you telling me this?)

I personally prefer it phrased as a question because it makes the challenge a little more direct. With the exception of rhetorical questions, a question encourages a response. With Style phrasing it like a question, Fadel is pretty much obliged to respond because a question is expected to be followed by an answer. And the answer is? "You need to exercise daily."

Fadel leans down and starts pampering Style with kisses. By now Style's morning grumpiness has faded away completely and is replaced by contentment instead as the lyrics "And now I'm yours / All yours, baby / Now I'm yours" play. Now they are officially each other's. They are officially in love.

No. 2: Awkward Encounters

Unexpectedly, Style's dad returns from his fishing trip just in time to catch Fadel leaving the garage. Style walks in on his dad having a very awkward interview with Fadel and comes to Fadel's rescue. By now Style is much more awake and in a considerably brighter mood than he was right after waking up. His dad immediately starts teasing him about Fadel, but Style isn't having it. He shoots his dad down by calling Fadel his "friend" (part of me wonders if he does that because maybe Fadel and Style haven't really discussed how open/official they wanna be with their relationship outside their inner circle of KB/FS and he doesn't just wanna drop the news to his dad without checking in with Fadel first), he lets his dad know he is being embarrassing and then gently sends Fadel away, releasing him from this very uncomfortable situation that he was suddenly trapped in. And I just adore the way Style stares after Fadel, watching him leave without tearing away his gaze:

Even when his dad starts making a teasing sound, Style takes a moment to fully process that his dad is talking to him while he himself is too busy looking at Fadel and having his attention and thoughts fully on his boyfriend. It's only when his dad starts speaking properly that Style finally turns his head towards him. His dad continues to tease him but even with Fadel gone, Style still isn't in the mood for it and quickly changes the topic to his dad's fishing tip. And their ensuing banter is very endearing because you can just clearly tell how important Style's dad is to him and how much they genuinely like each other. And a little detail I also love is how Style's dad wears a vest similar to the one Style wears later in this episode.

(Btw, y'all, Style stares after Fadel for so long that I had to go with using only every 3rd frame to make the gif fit in the 8mb size limit. That's how long Style stares for jgkdkjfdg)

Side quest: To Play or Not to Play

Now, if you read my previous metas and especially my ep3 meta you'll know that I've been arguing for Style not actually being into sleeping around all that much. Now, you could take Style's dad asking Fadel "Are you his one-time thing or are you taking him seriously?" as confirmation that Style is a player after all. However, I still don't think so. First of all, I'm not gonna believe it until Style has said it himself and even more importantly his actions and behavior also convince me otherwise (considering how many lies all the characters in this series constantly tell) and second of all, I'm not sure Style's dad himself actually knows whether his son sleeps around or not. After all, this is the same man who only the other week said "I forgot you like men". And also the way he was so surprised about seeing an unfamiliar face coming out of his house lets me think that Style usually doesn't have any random over-night visitors. Not to mention his dad being surprised about Style's type ("Oh, well, who’d have guessed that’s your type?").

And all that isn't to say Style never has a one-night stand. I'm just saying, I don't think it happens on a regular basis. As I said in my ep3 meta, I think Style makes very deliberate choices of who he sleeps with and that is also confirmed in episode 5 when Style mentions how his dad tried to set him up with some mechanics but Style wanted to be able to choose for himself. If Style does have one-night stands, it seems like he either never brings them home or he simply just doesn't sleep around often enough for his dad to be in any way used to it. Personally, I think it's the latter. I think Style gets picky about who he sleeps with, because to him sex matters (as discussed in my ep4 meta as well).

Oh, and also in Thai the dad uses the expression หลอกฟัน [lòk fan] which is a colloquial phrase which my native speaker friend explained as "to trick someone into sex". And by the way, Style himself uses that exact expression in episode 4 at the Rise Up meeting when he bitches about getting nailed and bailed. And now I'm a bit angry at myself that I felt too awkward to ask about this phrase back when I was writing my ep4 meta, because the "tricking" connotation of this phrase definitely adds some nuance to Style's anger in episode 4. But coming back to episode 6, I think Style's dad isn't necessarily saying this because of his son's potential love life habits and it's more him being a bit of a protective dad who wants to make sure the people his son keeps company with aren't gonna cause heartbreak to his son.

No. 3: Make the Most of It

Style and Kant meet for a drink and Kant gets right to the point: "If they really decided to carry out their operation tomorrow, and got arrested by Captain, what should we do?" Style doesn't like the thought of Fadel (and Bison) being arrested and suggests a solution: "Let's stop them." Kant reminds him that he can't just walk up to Bison and outright tell him to abandon the mission and Style agrees that Kant would not make it out of that situation alive. "Unless you leave him right now", Style says. Or more literally:

Unless you get out of his life from now on. นอกจากมึงจะออกจากชีวิตไบซันตั้งแต่ตอนนี้ [nôk jàak - mueng - já - òhk jàak - chii-wít - Bison - dtâng-dtàe - dton-níi] apart from, except - you - will - depart, leave - life - Bison - since, from - (right) now

It's not like the literal translation is a big difference from the official translation, but I just thought "leave his life" sounds more dramatic and I'm sure some of you will appreciate this little tidbit of info as well.

Style doesn't know if Kant can simply just just get out of Bison's life or not but what Style does know is that he himself certainly can't just drop out of Fadel's life to never see him again: "But as for me, I’m getting kinda attached to Fadel". Or what he actually says:

But to be honest, I've already begun to worry about Fadel. แต่เอาจริงๆ กูเริ่มเป็นห่วงฟาเดลแล้วนะ [dtàe - ao jing jing • guu - rêum - bpen hùuang - Fadel - láew - ná] but - honestly, seriously - I - begin - be worried - Fadel - already - [particle]

Thai doesn't have verb tenses, so I think a possible translation would also be "I'm beginning to worry about Fadel". Personally, I think present perfect tense is more fitting, since last episode Style already told Kant "I’m beginning to worry about him now", which – something I missed it in my ep5 meta in my hurry to finish before episode 6 dropped and have since added to the post – but what Style says in reality in episode 5 is:

I'm worrying about him now. ตอนนี้กูเป็นห่วงฟาเดลแล้วว่ะ [dton-níi - guu - bpen hùuang - Fadel - láew - wâ] now - I - be worried - Fadel - already - [particle]

(Alt. translation: I'm worried about him now.)

In episode 5 Style says nothing about "beginning to" worry, no, in episode 5 he clearly states that he is already worrying about Fadel and so I think it makes sense to interpret his statement in episode 6 as "I've started to worry about Fadel", since it's something that began in the past (episode 5) and is still ongoing as of this point.

Anyway, so Style questions if Kant would be able to get out of Bison's life and lets him know I myself can't get out of Fadel's life now that I've started to worry about him. We immediately see proof of his worry as he practically begs Kant to hurry up with getting the boss behind everything arrested so that this mess can finally come to an end. And once again we see that Style is quite the optimist: "Those two will be free, and we can go on with our lives."

I think it's not just optimism that led Style to say this words, but also bit of wishful thinking and most importantly, a lot of hope. He is well aware that the situation is messy and difficult, but he still hopes, hopes for the best, hopes for a happy ending for them all. There's gotta be a way, right? If Captain Christ only wants their boss, then everything will be fine, right? But Kant reminds him of the bitter reality: "You think Captain would let them walk? They kill people for a living. If they ain’t shot dead on the spot, they’d at least get a life sentence."

I think deep down Style already knew this, but actually hearing it out loud hits different. I think it's only now that it truly sinks in for him that it will likely be the very last time he'll get to spend time with Fadel. Style sinks back into the bench, looking miserable. Kant moves over to Style's bench to comfort him: "We can only make the most of what we have now." For once, Style isn't in the mood to talk. He grabs his drink, clinks cans with Kant, and they both try to wash away their worries with beer. It's not helping. Style stares dejectedly into the air.

No. 4: Please Don't Be Mad

(Side note: in my ep3 meta I couldn't quite tell if Style went to the bar to purposely seek out Fadel or not, and well, I have my answer now hahaha)

Just like Style already mentioned to Kant and to us, him and Fadel are spending their evening at the heavy metal bar. Fadel tells him that this is the first time that he didn't come to the bar alone and Style tells him "Happiness shared is happiness doubled". Style is serious, he really means it. He is here because he wants Fadel to be happy, wants them to be happy together. Fadel makes heart eyes at him. Style gives a little smile back. Fadel gets the tickets. The ticket seller informs them that the band will be playing for the last time. Style looks serious again. The band isn't the only one having a last time. The ticket seller continues: "It’s gonna be a memorable night." Style looks towards the ground. This hits different for him. "You’re right," he finally says, "for me, tonight is certainly going to be a memorable night." And again, his tone is serious. His words hold a certain weight to them, he really means what he says with all his heart. Then he looks at Fadel. Style was speaking to the ticket seller as he was saying this, but really, it's a message to Fadel. I'm going to remember this night, he says, I'm going to remember you. Style may not be able to tell Fadel about how this will potentially be their last night together, but at least he can be honest about his feelings. This night matters to Style, and it matters a lot. The knowledge of this possibly being a goodbye weighs on him and we can tell by the way just how serious Style has been throughout this short sequence. Not the loud, bubbly boy that we've all grown to love. I think Fadel can also tell that something is off about Style, because he raises his eyebrows at him and stares at him quizzically for a moment before he turns to enter the bar. Style follows him.

Once inside, Style is looking rather tense. There is something on his mind that he needs to confess but that he struggle to say. In the end it does burst out of him. "I don’t really like heavy metal," he shouts in the middle of a heavy metal bar. It makes for a funny moment, but Style is clearly distraught. Fadel says he already knew that and Style is relieved that Fadel isn't angry. Now, I've had some thoughts about this.

I'm not sure this confession was really about Style's music preferences at all. It kinda reminds me of how, remember episode 5 of Bad Buddy when Pat "confessed" to Ink, but it wasn't really about his feelings for her at all but rather Ink and that confession served as a stand-in so that he could get the weight off his chest without having to open the real can of worms? Yeah, I think we have something somewhat similar happening here. Now I do very much think Style was absolutely telling the truth when he said he doesn't like heavy metal music. After all, we did see him jamming out to a song that was very much not heavy metal music, so the content of his confession definitely wasn't a lie. But I do think it served as a bit of a stand in for all the things Style CAN'T confess to right now. And there is a lot that Style could and should and probably also kind of wants to be confessing to: the fact that he knows of what Fadel does, the fact that Kant has informed the police of Fadel and Bison's next mission, the fact that said police will be awaiting the brothers there, the fact that this will likely be Style and Fadel's very last night together. Not to mention the fact that Style hit on him for a car before he fell in love for real. But as Kant pointed out earlier that day when they were having a drink together... It's not like they can just walk up to the brothers and just say it. The brothers are killers after all. And in a way, I think Style's confession serves not just as an attempt to be more honest with Fadel but also as a way to assess how Fadel will react if he learns that Style actively lied to him.

Style looks almost a bit too upset and guilty for it to be just about his music preferences after the truth is out of his mouth.

The situation is a bit awkward, because he ends up yelling it loudly in a room full of heavy metal fans, but I don't think he really cares about that more than a whoops in this moment, because what really matters is: "You’re not mad at me, are you?" There is so much urgency to it, his expression kind of pleading:

I'm sorry that I wasn't being honest with you. You're not mad at me, right? You're not mad that I lied to you, right? Please don't be angry with me. Style is so very stressed about this. Fadel's reaction is important.

And Fadel? Is not angry that Style lied. In fact, to Style's surprise, Fadel actually already knew the truth about him (foreshadowing, anyone? 👀). Style is veeery relieved about this:

มึงไม่โกรธอ่ะ กูก็สบายใจแล้ว [mueng - mâi - gròht - àh • guu - gôr - sà-baai jai - láew] you - not - angry - [particle] • I - [sentence link] - happy, pleased - already

In the subtitles Style says "All I want to know is that you’re not mad at me" here. I checked the original line with a native speaker friend who translated it as "You're not mad, then I'm relieved" (and if you put the Thai line into Google Translate it also spits out "If you're not angry, I'll be relieved") which I think matches what Dunk is portraying here through his body and his facial expression a lot better. However, the official English translation summarizes the whole point of the confession very nicely: all Style wants to know is how Fadel will react to the fact that Style actively lied to him and he's desperately hoping that Fadel won't be angry to find out the truth.

And then Fadel isn't angry. And tells him that he wants to see the real Style. Style tilts his head at him, not looking entirely convinced despite the huge relief just now. There is still a lot Style is currently keeping from Fadel, things that are a much bigger deal than his music preferences. Style is still keeping truths from Fadel, still lying to him. And then Fadel drops: "But still, liars should be punished." This has Style genuinely stressed again. There is almost a bit of fear in his voice when he inquires what the punishment will be as he reluctantly lets Fadel drag him away. Style now knows that Fadel won't be angry at him for lying, but there will be consequences (a punishment) (again: will this be foreshadowing? 👀).

No. 5: Fake Fan

Turns out Fadel's punishment isn't all that scary after all, even if Style isn't too hyped about it. Nevertheless, he patiently sits there and lets Fadel paint his face without stopping him. But no matter his patience, Style still can't let Fadel do this without at least a verbal protest. He points out that that Fadel isn't wearing face paint either and is almost kind of offended. YOU aren't wearing any so why are you making ME do it? Style then questions if Fadel even has the skills for what he's doing. Unlike before, Fadel now easily gives up information about himself to Style without hesitation: "I used to wear the same makeup as my favorite band."

A major running theme that we've had going on over several episodes now is how Style keeps trying to get Fadel to loosen up and to have fun. We saw this happening in episode 1 already when Style tried to get Fadel to play along when he made him get the pin off his shirt himself (which actually happened even before Kant made Style hit on Fadel). We saw it in episode 2 when Style pretended they were on a cooking show and provided commentary while Fadel was preparing a customer's food. We saw it in episode 3, when Style follows Fadel to the heavy metal bar for the first time and tried to get Fadel to party and to scream a little. We saw it in episode 5 when Style convinced Fadel to wear the matching couple shirts, pulled him into a dance, and even got him to sing karaoke. And what's more, we've also seen Style trying to get Fadel to socialize. And yeah, of course a lot of what Style was saying and implying about Fadel doing things with Style specifically he said because he was actively hitting on Fadel, but I do think he genuinely meant it when he said things like "But some things are better done together" (episode 2, sports field) or "How’d [having a good time all by yourself] even work? You need someone to 'scream' with" (episode 3, heavy metal bar).

So Style has been trying to coax Fadel out of his shell pretty much since the beginning, has been trying to get him to just enjoy life, has been trying to pull him out of his loneliness. And he's doing it again here: the moment Style learns of Fadel's old hobby, Style immediately suggests Fadel paints his face too. Matching make-up for the two of them. It's something that Fadel clearly enjoys and also they'll do it together. Obviously. Because some things are better done together. And happiness shared is happiness doubled. But Fadel refuses, because he never lets anyone see him with band make-up on.

Edit: There is so much going on here in this scene that I totally forgot to mention a very important language note (and I'm really mad at myself that I didn't catch my mistake before publishing this meta): the word for make-up/putting make -up on is แต่ง [dtàeng] which also means "to marry". So when Style says "Then you should put some makeup on, too" it actually also sounds like he is saying "Will you marry me, then?", which is why Fadel suddenly stops and looks up at him. Make of that double meaning what you will 🤭

After that we get even more running themes: only moments ago Fadel said "I want to see the real you", but this is something that goes vice versa for Style as well. In episode 5 he told Fadel "I promise that no matter who you are, I’ll still like you" and while this was mostly in reference to Fadel's secret hitman identity, this sentiment counts for everything else about Fadel too. And if Fadel enjoys wearing his favorite band's make-up, then Style will also like him for that. Style wants see Fadel's real him and he wants Fadel to be the real him, to live the real him. "How long are you going to live someone else’s life?"

And it's not just that. After episode 5 I was discussing the double date scene with @secriden in our DMs and she talked about how Style was giving Fadel a safe space to participate in all that socializing by being even sillier than Fadel so that Fadel didn't have to be embarrassed about dancing silly dances or wearing silly couple shirts. And I think the very same thing is going on here. Fadel never lets the public see his painted face, whether it's out of fear or embarrassment or something else. And Style offers for them to wear matching make-up. "Try just being someone you want to be," he says, "We’ll do it together." Fadel isn't alone in this, Style is right here, by his side, with him. A safe space. "There’s nothing to be afraid of." Not if Fadel is with Style. Style will support whoever Fadel is underneath his thick, icy walls no matter what. Style is set on it. And tonight, potentially their very last night together, Style will gladly wear make-up for Fadel and Fadel will wear make-up too for his own happiness. They'll do it together and there is nothing to fear when Style is with him. Well? How about it?

Fadel is quiet. He lets Style grab his face and paint on him. Style gives Fadel an encouraging nod, like See? It's not that bad. It's not that scary. I'm right here with you. Be happy. Be you. I love you.

Now, the tear tracks that Style draws on Fadel's face are obviously foreshadowing to how this episode is going to end with Fadel crying because of Style's "betrayal". But honestly, the very first time I watched it? This foreshadowing went right over my head. Admittedly, I was also running on just 3h of sleep that day because I'd been up all night finishing my ep5 meta so I could post it before the new episode dropped and took a 3h nap around noon, so that might have also been a factor in that, but yeah, it totally didn't occur to me that the episode could end in Fadel's real tears (not sure if that made the last scene better or worse tbh). No, the thought that I had instead while watching the episode for the first time was: "Are those the tears that Fadel never got/gets to cry?" And to be honest, I do hope later down the line we'll get a scene where Fadel finally lets it all out, let's out all the pain from all the trauma(s) he's been through while Style is right by his side, supporting him through it, is there for him. Because they'll do this together and Style will always be ready to happily offer and create a safe space for Fadel, just like he did in episode 5 when he was asking Fadel about his parents or when he was trying to get Fadel to let lose and dance a little in the bowling alley or now when he's offering to wear matching make-up with Fadel. And when Fadel cries (and I hope he will cry, and not just from Style's "betrayal"), then Style will offer a safe space for Fadel to cry in, too.

No. 6: (Bitter)Sweet Happiness

Both in make-up, they now proceed to have the time of their lives at the concert, smiling the brightest smiles. They even get to take selfies with the band. Fadel is happy, and so is Style. I think this may actually be the most carefree we've seen Fadel in the entire series so far and it's all thanks to Style.

After the concert they end up standing by a glass window. "Thanks for coming with me," Fadel says and Style looks at him with the warmest, most loving, most adoring expression.

Of course Style accompanied him here. He had promised Fadel in episode 3 already that he would make Fadel 'scream' at some point (that is to have fun, basically) and now they're both here, Fadel is having a good time, and Style is happier and more in love than he could ever have imagined. Fadel continues his little thank you speech: "If it weren’t for you, I’d probably have sat alone over there." Style knows this very well. He saw him sit all by himself last time, refusing to have fun with Style. He saw Fadel stand by himself in the crowd. And even then he was of the opinion that "You’re supposed to have fun with your friends at a place like this". And now Fadel is here. Having fun with him. And there is absolutely no need for Fadel to thank Style, because just getting to see Fadel smile makes Style happy already.

However, as the night is coming to an end the happiness Style has been feeling is overshadowed by the knowledge of what is about to happen next. It's overshadowed by the knowledge that this is almost certainly the last time they'll get to spend time with each other like this. "You wanna come over tonight?" Style asks, "I want to cuddle you to sleep." He doesn't want this night to end. He wants to hold on to Fadel just a little longer, wants to hold him for as long as possible before all of this is over. And best case-scenario, he also manages to stop Fadel from going on the mission like he suggested when he was getting drinks with Kant.

He looks at Fadel with hopeful eyes. But Fadel declines. Style's dad is home and besides, Fadel's got work tomorrow. Work? This has Style listening up. He seizes the opportunity, just like he did back in episode 5 on the floor of the garage. He starts subtly grilling Fadel: "Grocery shopping? I’ll help." Which, by the way, is actually: "The market? I can go with you."

ตลาดหรอ เดี๋ยวกูไปด้วยได้นะ [dtà-làat - rŏr • dĭieow - guu - bpai - dûuay - d^^ai - ná] market - ? • moment - I - go - too, with - can - [particle]

And that makes me cry a little, because the market one of their spots by now. Like, of course Style would gladly go to the market with Fadel. But Fadel isn't going to the market. He tells Style he's doing something else. But Style already knows exactly what Fadel is doing and where he's going. Once again Style tries to get Fadel to spill the truth: "You’re doing a lot of second jobs, aren’t you? What else do you do besides working as a host? You can tell me. I won’t judge." I promise you I won't judge you for being a hitman. I already know this and I'm cool with it. And if you would just SAY it out loud already then I could tell you not to go through with the mission tomorrow. Then I could keep you by my side just a little longer. Please tell me. Style looks at Fadel with big eyes, full of hope and encouragement.

But Fadel does not say what Style wants him to say. Style is disappointed.

He leans back against the glass wall, upset. In the gif on the right it actually almost looks like he could start crying any moment now:

Fadel is confused, but amused, assuming Style is probably just being his usual overdramatic self. He laughs and asks Style what's wrong. Style side-eyes him, still upset and pouting.

This is potentially the last time they'll be together. Tomorrow Fadel will probably get arrested. Tomorrow Fadel will probably be taken away from him. And he can't even talk about it. Can't even stop him from going.

Fadel continues on:

You act like we're not going to see each other again just because we won't be spending the night together. แค่ไม่ได้นอนด้วยกันเองทำอย่างจะไม่ได้เจอกันอีก [kâe - mâi dâai - nawn - dûuay gan - eng - tam - yàang - jà - mâi dâai - jer gan - ìig] only - not - sleep - together - just - do - like - will - not - meet/see each other - again

Style might not be able to outright tell Fadel that he's acting like that because they actually, for real may very well never see each other again when the night is over, but at least he can try to be as honest about his feelings as possible: "It’s been a good night. I don’t want it to end." I don't want to say goodbye. Fadel tries to console him. "When I’m back, there’ll be more nights like this." Style so badly wants to believe him.

He looks at Fadel with big, hopeful eyes. You promise? Fadel nods. And I think, despite Style knowing that the police will interrupt Fadel's mission and that it won't go smoothly and will likely end in his arrest, I think despite all that deep down Style holds Fadel to that promise. And we can once again see how optimistic and especially how hopeful of a person he is. Now matter how bleak the situation seems right now, Fadel has promised to come back and Fadel has promised that they'll have more nights full of happiness together. And a promise is a promise, right? You can't simply just break it. And so Style hopes for the best. He might not be able to get him to stay but at least Fadel will be back. Because he promised.

They seal that promise with a kiss. And it's interesting, because Style doesn't immediately close his eyes when Fadel goes to kiss him but instead looks at him for a moment longer. And then his eyes keep fluttering open for a moment. It's almost as if he can't tear his eyes away from Fadel, as if he can't help but use every opportunity to look at Fadel, to catch every last glimpse of Fadel while he still has the opportunity to do so. They break apart and Fadel tells Style that he's (also) very happy tonight and Style (re)confirms his own happiness. They lean their foreheads against each other. And again, Style can't really close his eyes and fully sink into the moment the way Fadel can. It's like he tries to close his eyes but they keep fluttering open a second later because he just can't keep his eyes away from Fadel, is compelled to keep looking at him while he still can, while Fadel is still right there with him. And even when they break away from each other and turn to look out of the window towards the stage, it takes Style a couple of seconds to tear his eyes away from Fadel, who is already looking elsewhere:

After they've turned around, their hands find each other. And I think in that moment Style really needs that support through his distress and I think Fadel can feel it, even if he can't figure out what exactly is up with Style and why he is acting the way he's acting.

No. 7: Moving On

Fadel and Bison's mission has passed. Kant's brother nearly got caught in the crossfire. Kant wonders if Bison saved Babe. Kant guesses that Bison saved him. With that he also implies that if Bison was the one saving Babe (since Bison is the one who actually knows and recognizes Kant's brother), the one taking the shot must've been Fadel, implying that Fadel would have injured or killed Babe. But Style, who has been spending a lot of time with Fadel and has slowly been getting to know the real Fadel underneath all those walls, just can't imagine Fadel would shoot a random kid. When he asks Kant "You think Fadel would shoot Babe?" it's definitely in defense of Fadel. And that's interesting, because so far he's always been supportive of his bestie and his investigations. He hasn't always been happy about it, but he still never fought Kant about it. This is the first time we see Style actively go against Kant to stand on Fadel's side instead.

Style continues: "You think he knows you’re a snitch?" I think this is partly still a bit of an attack on Kant in his defense of Fadel in the sense of What, does Fadel to have a reason to kill your brother because you did a shitty job staying undiscovered? and partly a genuine question to find out if Fadel would actually have a motive to shoot Babe on the off chance that he did mean to do that. Not that Style actually believes that, though.

Kant says no and says that his work is over and that he's done being a snitch. This should be good news to Style, but Style doesn't look very comforted. In fact, Style barely acknowledges Kant's words. His mind is somewhere else, is with someone else. "I want to see Fadel." Once again we aren't simply just told through text that Style worries about Fadel but we are also shown. And on top of worrying, Style also misses him.

As so often when Style expresses genuine care and attachment to Fadel, Kant immediately disapproves: "Style! You have to get over it. You can’t ever get together with him. Move on." In Thai, Kant uses the word ตัดใจ [dtàt-jai] when he says "get over it". Thai2english defines this as:

to part with something, to give up something (somewhat unwillingly)

Style is unwilling to give Fadel up. He can't part with Fadel, no matter how much he knows he should if he wants to get out of that mess of a situation. "It’ll become a funny story," Kant says, but Style isn't laughing. He is miserable.

No. 8: Will They or Won't They (Come Back)

Fadel and Bison's mission hasn't gone to plan (neither for them, nor for the police), they've gone completely MIA and our two remaining love struck boys that were left behind now stop by the restaurant in the hopes of meeting them there in person if they're already not picking up their phones. However, Style and Kant find the restaurant abandoned as well. Style looks a little disappointed when he states that the diner is closed, but he's not necessarily all that surprised and he is definitely very concerned. Kant walks away from him to check the inside through the windows just in case and Style follows him. They run into the black cat and end up having a little chat.

And what's interesting about it is that during that little chat Style isn't even all that depressed, despite still not having any clue whatsoever about Fadel's whereabouts. In fact, he actually sounds kind of cheerful when he asks and talks about the cat, unlike in the scene before where he was simply just miserable. Style's tone as well as his expression do both get more serious when he says "I guess [the cat] misses Bison, then. He’s a food source, after all", but no matter how troubled he is about the whole situation, no matter how worried he is about Fadel's well-being and no matter how much he misses him, he won't let himself wallow in misery.

Kant says "Why do I have a feeling that this isn’t over? They can’t run forever, that’s for sure. If they haven’t completed their mission, they will definitely come back" and once again we see Style's optimism and bright outlook on life when he replies "I guess you’re right. Before things went down, you saw how attached they were to us". But similarly to the scene in the beginning when they were having drinks, Kant comes back with some realism: "No matter how much you love someone, you gotta prioritize saving your own butts, right?" Style thinks about it for a moment and raises his eyebrows like Yeah, I guess that's true...

Once again, his expression gets more serious and his smile fades but we know he's not giving up any hope of meeting Fadel again whatsoever, because he'll be back in a week to check on the restaurant again. And let's be real, the series might not have shown this to us but we all know Style went to the diner every single day of that week. Possibly even multiple times a day.

No. 9: Something Special to Eat

A week later and we see Style checking on the restaurant again, this time without Kant. And to his surprise and utter joy, the lights are on! Fadel is back and he looks well! Style stares at him through the window, breathes a small huff of relief, then shakes his head a little like he can't believe his eyes, like he can't believe that what he is seeing is real. As I mentioned before, I'm absolutely convinced Style went to the restaurant every single day for the past week and now it turns out that he was right not to give up, not to lose hope, to stay optimistic like he always is. Style's joy about Fadel's return manifests in his whole entire body as he hops and skips through the restaurant doors.

Once inside, Fadel doesn't seem surprised to see him. He doesn't even say hello, but immediately opens up with the words: "I was thinking of going to your place. But you were more impatient than me, huh?"

Language side note, for all you language nerds out there... In Thai the "you were more impatient" is actually only implied, not explicitly stated:

I haven't gotten round to go see you yet. กูยังไม่ทันไปหามึงเลย [guu - yang - mâi tan - bpai hăa - mueng - loiie] I - yet - not be able to (do sth in/on time) - go visit - you - [particle] You came running to see me. มึงมาหากูซะละ [mueng - maa hăa - guu - sá - lá] you - come visit - I/me - [particle] - [particle]

(For the second sentence I decided to translate it as "you came running" because the particle ซะ [sá] can imply that the action should be done quickly. And Style did come running very quickly the moment Fadel was back.)

And when Style replies "Where have you been?" his words are also a little more dramatic in the original, as is fit for his personality:

Where did you disappear to for so long? มึงหายไปไหนตั้งนานอ่ะ [mueng - hăai bpai - năi - dtâng naan - àh] you - disappear - where - for a long time - [particle]

(It's basically "Where have you been for so long?")

A whole week is a long time to not see your boyfriend, especially when you know something bad has happened and you have no idea if he's alright or not. And so Style rightly complains. Fadel says that his phone broke and that he had to change both his phone and his number. Style throws him an almost disappointed look. He knows that this is a lie (or at least the "my phone broke" part probably is. Fadel might have had to change his number for real when he went into hiding). And more importantly, it only explains why Fadel wasn't replying to his texts. It does not answer Style's question of "where have you been?" and so Style is left none the wiser. Fadel says that he was busy and Style continues to complain: "And you didn’t think to contact me a little? I was worried sick about you, you know?" And we saw that. We got to see how Style was worrying when he was longing to see Fadel after hearing how Babe nearly got injured and we saw it when Style checked the restaurant at the very least two times, once with Kant and once by himself (and let's be real, he definitely went more than twice, we just didn't get to witness it). We see it even now in the way he complains to Fadel about him ignoring Style for a full week. Style thought he was saying goodbye to Fadel at the concert because the police would be ripping Fadel away from him but then that didn't actually happen because Fadel managed to escape and Style spent a full week worrying about him, missing him, longing to see him. And then Fadel is back and he's doing well and he didn't even think to tell Style about it. Style has every right to complain and Fadel should know it, too.

Fadel complains about Style's complaining and then offers to make him food like a peace offering and/or an apology. And fun fact, when he says "Anything you'd like to eat?" in Thai it's:

Anything special you wanna eat? อยากกินอะไรเป็นพิเศษป่ะล่ะ [yàak - gin - àrai - bpen pí-sèt - bpà - lâ] want - eat - anything - that is special - ? - [particle]

I'm telling you, when I heard Fadel say the words "eat" and "special" in the same sentence I immediately expected Style to say "you". I think I even said the word "you" at my screen when I watched the episode for the first time. And then Style DIDN'T. He just... didn't say it. When it was literally right there. I'm truly disappointed in him ngl.

Style does not say "you", instead he sits down and let's Fadel decide on the menu and compliments his cooking. Fadel is immediately sus about the sweet talking and asks: "Did you do something wrong?" Style doesn't know that this is a very pointed question, has absolutely no idea that Fadel is currently suspecting him of snitching to the police. "No," Style replies, but his voice doesn't sound entirely genuine. It's not a full lie but it's also not entirely sincere. Did he do anything wrong? It's hard to say. Technically he isn't the one to tip off the police so technically this isn't something he's done wrong. Style also knows a lot more than he should and that's also not something that he's necessarily doing wrong per se, but it's still something he's keeping from Fadel which could be considered wrong. And one could also say that not explicitly warning Fadel about how the police would be at their mission wasn't right. So technically there is something he did do wrong and that he could be feeling guilty about. No matter whether he really did do something wrong or not, Style chooses to deflect and distract anyway. And he changes the topic to something that really is completely true this time: "I just really missed you." Although, when he says "Is it so weird to get a little affectionate?" it's almost a bit of a challenge. Tell me again how I'm doing something wrong. Style continues: "You know, all this time apart really frustrated me." And there we finally have it. The "I want to eat you" bit.

I think at this point it's pretty obvious that Style is being genuine about his flirting, but I just wanna point out that what I noticed before about how Style acts when he truly wants Fadel continues to hold up: instead of being loud and performative, Style gets quiet, goes almost into a whisper by the end of the sentence. And he also gets handsy with Fadel. He reaches for Fadel's nipple specifically and it works. Fadel is very much distracted. But he stops Style because this is not something Fadel wants to do in the middle of his restaurant in front of a wall of glass windows (probably? Who knows with them 🤷🏼‍♀️). Fadel decides on making spaghetti for Style who approves and fondly smiles at Fadel. They keep holding on to each other's hands for as long as possible as Fadel turns around to walk off and I cry and then I cry some more about the way Style once again can't tear his eyes away from Fadel.

No. 10: Oh, I Wish That You Hadn't Pulled the Trigger

It's later in the evening, Style has presumably finished eating (and maybe Fadel, too?) and now they're both wiping down the restaurant. And once again we see something that I've been talking about for the last few episodes now: Style likes helping. Fadel explicitly tells him that he doesn't have to help and that Fadel will do it himself, so likely Style just grabbed the cloth and started wiping without a second thought while Fadel had his back turned. Because helping people is something that comes to Style naturally. He wants to help. And so he insists on continuing to help with the cleaning and, if it makes Fadel feel better about it, offers Fadel to think of it as payment for the free food.

And I know this meta is actually about Style, but I see Fadel watch Style for a moment after Style said that and I can't help but remember how Style was there in episode 3, helping Fadel out at the restaurant when Bison was nowhere to be found and now Style is here again, helping Fadel out at the restaurant without hesitation and of his own free will and I can't help but think that this is probably one of the things that Fadel has come to love about Style. Style is here and he helps and supports Fadel no questions asked. Which make the news he is about to hear even more painful. And right on cue, Fadel's phone rings.

Fadel steps outside to talk to Bison. In the meantime inside, Style moves on to wipe the next table. He lifts his head just in time to catch Fadel looking at him through the window. Style smiles at him fondly.

Style is so happy that Fadel is back, is so content to be around him. The night of the concert wasn't a goodbye after all. He had bid farewell to Fadel internally already but now he gets to have a new beginning after all. Style is overjoyed.

Then Fadel comes back inside, proceeds to turn on some music and Style is confused as to why he would do that. Fadel asks if he can't get romantic and Style calls him out for scolding him earlier about Style being too sweet and cheesy only to turn around all of a sudden and wanting to be romantic after all. Style has absolutely no idea that Fadel sees him in a completely different light now, but I think he can tell that something is kinda off and that the phone call might have had something to with Fadel's sudden change of mood. So Style asks what Bison said. And Style being Style who cares about his loved ones also wants to know if Bison is with Kant. Fadel confirms. Style comments that Bison probably missed Kant. And right after the sentence is out of his mouth, for just a split second before it cuts back to Fadel we can see a very pleased smile form on Style's face.

Bison wasn't the only one missing someone. Style was too. He was missing Fadel so very much and he was worried sick about him and now Fadel is back, Fadel is standing right in front of him in the flesh and everything is all good in this world. Of course, Style is pleased.

And then Fadel says "I also missed you". Style's eyes widen in surprise, his expression serious now. Ever since they officially started dating Fadel has been saying things like "we're on trial" and "I won't ever trust you 100%" and while he did admit to being very happy earlier in the episode at the concert, I think Style wasn't really expecting Fadel to suddenly be so open about his feelings, almost out of nowhere without any obvious triggers. But then Fadel continues his confession by telling Style that there is no one messing with him when Style isn't there. Ah, there he is, that old nagger that Style has come to love. A compliment that comes in the form of an insult. That's more like him. Style is amused and in a lovingly teasing, but also slightly serious tone asks if he's just an annoyance to Fadel and whether that's a good thing or a bad thing. Fadel is quick to assure him that it's a good thing: "Having someone to miss is good. It makes me want to go to the market and go jogging with the hopes of running into you."

Did you notice that I changed something in Fadel's wording just now? Because the official subs wrote "grocery shopping" instead of "the market" and once again I just don't understand the decision to translate it like that because the market is literally one of their spots!! It's not the action of grocery shopping that's important here, it's the place!!! Because Fadel is likely doing some of his grocery shopping at a supermarket too, but it's when he shops at the market place specifically where he has memories with Style!!!

In fact, let me just share Fadel's exact wording of the whole bit:

Having you to miss is a good thing. การมีมึงไว้ให้คิดถึงเนี่ยมันดีนะเว้ย [gaan mii - mueng - wái - hâi - kít-tĕung - nîia - man - dii - na wóiie] having - you - to - miss - [particle] - it - good - [particle] It makes me want to go to the market, มันทำให้กูอยากไปตลาด [man - tam hâi - guu - yàak - bpai - dtà-làat] it - make that - I - want - go - market go jogging in the morning, ไปวิ่งตอนเช้า [bpai - wîng - dton cháao] go - run, jog - in the morning because I'm hoping I'll get to meet you. เพราะหวังว่าจะได้เจอมึง [próh - wăng wâa - jà - dâai - jer - mueng] because - hope that - will - get to - meet - you

And also a little bit earlier when he tells Style "I’ve got no one messing with me when you’re not there":

Without you, there is no one messing up my life. ไม่มีมึงอ่ะ ไม่มีใครมาป่วนชีวิตกู [mâi mii - mueng - àh • mâi mii krai - maa - bpùuan - chii-wít - guu] without - you - [particle] • no one - come - be chaotic - life - I/my

This confession is a parallel to his "I hate that I don't hate you" confession: In episode 4 Fadel said "I don't like you messing up my life" and now in episode 6 he says "Without you, there is no one messing up my life". In episode 4 Fadel said "I don’t like myself when I look for you on the morning jog or at the market" and now in episode 6 Fadel says "It makes me want to go to the market and go jogging in the morning with the hopes of running into you". In episode 4 Fadel said "I don’t like that I miss you." and now in episode 6 he says "I've missed you. Having someone to miss is good."

It's his confession from episode 4 but this time it's romantic and Style even points it out very amusedly, but is also very happy about it: "Are we officially entering romantic territory?" Fadel says that he wants to do what lovers do and Style tells him "I don’t want you to do what you don’t want to do". Or in his exact wording:

I don't want you to do anything that isn't you. กูไม่อยากให้มึงทำอะไรที่ไม่ใช่ตัวเองนะเว้ย [guu - mâi - yâak - hâi - mueng - tam - arai - tîi - mâi châi - dtue eng - ná wóiie] I - not - want - that - you - do - anything - that - not - yourself

Fadel told him at the concert that he wanted to see the real Style, but the same goes the other way around. Style wants Fadel to be the real him, too. And he doesn't want him to do anything that isn't the real him. But Fadel replies:

But I can be like you want me to be. แต่กูสามารถเป็นอย่างที่มึงอยากให้กูเป็นได้ [dtàe - guu - s��a-mâat - bpen - yàang - tîi - mueng - yàak - hâi - guu - bpen - dâai] but - I - be able to - be - like - that, which - you - want - for, to - I/me - be - be able to (cont.)

It's a loaded statement. And it has Style confused.

It's the exact opposite of what Style wants. Style wants Fadel to be himself, Style doesn't want him to live a life that Style tells him to live. Style doesn't understand and while there are questions written all over his face, he doesn't ask any of them out loud. He stays quiet and smiles a little in uncertainty (He's currently living through a happy little romantic moment with his boyfriend, right? Right?? That's definitely what's happening here, isn't it???) as he waits for Fadel to continue and to maybe elaborate. Fadel takes a step towards him and says:

I think... I already love you. กูว่า...กูรักมึงแล้วว่ะ [guu - wâa... guu - rák - mueng - láew - wâ] i - think... i - love - you - already - [particle]

(Alt. translations: "I think... I love you" or "I think... I love you now")

Style is delighted to hear these words. Distracted from his bemusement from only seconds ago he smiles a satisfied smile. He's been so open and honest about his own feelings and finally Fadel is opening up too and giving back. Style happily kisses Fadel in response.

He, too, loves Fadel. He loves him and he's missed him and he's been worried sick about him when he didn't hear from him for a full week and didn't know how he was doing and now Fadel is back, Fadel is well, they get to have more nights like the night of the concert together, they get to be together for longer than Style thought they would. Life is great.

After they part, they lean their foreheads against each other. When they did it at the concert, Style's eyes kept flickering to Fadel's face. Here at the diner Style can sink into the moment and into the touch a lot more now that he knows this isn't gonna be the last night he'll be together with Fadel. (I've hit image limit, but here's a parallel gifset.) He does look up at Fadel at one point, almost as if to check if Fadel is still there, that he is real, that this is not a dream. And maybe it's also to check on him, since he's been acting a bit weird since the phone call. But then Style closes his eyes again and sinks into the moment one more time, just like when Fadel leaned into him. The two move into a hug as they sway from side to side. Style can neither see nor feel Fadel's tears dropping onto his back.

Of course I'm gonna have to wait to see what future episodes bring before I can say for sure, but honestly speaking, I do think Style can kind of tell that something is off about Fadel after his phone call with Bison. Style immediately clocks that Fadel is behaving strange the moment Fadel turns on the music, Style calls Fadel out for suddenly being romantic when only shortly before that he was telling Style off for being sweet, he gets confused when Fadel goes "I can be like you want me to be" when that's the exact opposite of what Style has been asking for and there is also something in the way Style really sinks into the forehead touch but then his eyes open and flicker to Fadel as if he's checking on him (almost as if he was also checking that Fadel was still there and hasn't gone away again, as if Style can feel that Fadel is in the process of saying goodbye to him). Fadel is in a weird mood and that mood probably does reach Style. But the thing is, Style is missing a key piece of the puzzle and even if he can tell that something is off, to Style it still looks like a happy picture. To Style it still is a happy picture. And what Style doesn't know, but what we, the viewers, can very much see coming is that this happy illusion will burst soon enough.

[unhappy-sometimes]

a 2024 writing retrospective (for sxf fanfic)

ignore the fact that i’m a few days late. i’ve been unbelievably busy the past couple weeks.

in this post i’ll go over the fics i wrote in 2024 think of it as an extremely extended author’s notes. i love to talk and will do so when given the chance.

i’ll start from my latest fic and work my way backwards. spoilers for everything i’ve written in 2024.

(Very) Stupid

Something that I try really really hard to maintain in my writing is believability, specifically when it comes to writing characters. Characters acting out of character is one of my biggest fanfic pet peeves: if I wanted to read about someone’s oc, then I would’ve read a regular book. That being said, I think a lot about how Twilight would actually act like if he were in love. I had an interesting conversation with @cantareincminor forever ago about how he’s so emotionally constipated that it’s kind of difficult to write Twilight in love without making him a bit ooc. Right now in canon it’s hard to imagine him falling head over heels for anyone (in my opinion, anyway).

That being said there are moments in canon where he acts flustered in situations that could be interpreted as romantic. So, for right now, my hypothesis is this: if and when Twilight falls in love, he’s going to be an absolute fool. He’s going to do his usual overthinking and overanalyizing, so much to the point that he starts hesitating over the smallest things.

(Very) Stupid is how I imagine all of that unfolding, although for the sake of comedy I did push things to the absurd. Sometimes Twilight does things in canon with such certainty of “Yes, of course normal people do this, I’m nailing this normalcy thing” that he fails to realize he’s being kinda ridiculous. I also wanted to take that element and incorporate it into a fic.

I also wanted to try subverting expectations (ooh fancy literary term) by having them do romantic things that lead them nowhere. I tried to cram in as many tropes as I could—feeding each other with a fork, only one bed, first kiss—but do so under the guise of Twilight completely missing how dumb he’s being the entire time. He only realizes his feelings until after their first kiss, specifically when Yor surprises him with a quick peck on the cheek. This, of course, was deliberate. I figured that it’d make the most sense if Twilight would only realize his feelings in a situation where he wasn’t the one initiating a (somewhat) romantic gesture because he theoretically wouldn’t be overthinking it. Instead, Yor just sneaks in when his guard is down <3

Endings are usually the hardest things for me to write and (Very) Stupid was no exception. I almost had Twilight pass out at the breakfast table when he kisses Yor but then I realized I’d made him faint in almost every fic I’ve written this year and that felt like a cop out. But I figured it out and I don’t mind the way the ending turned out :D

Also, kind of a random reference, but the title is slightly inspired by VERY NICE by Seventeen lol

Holy crap I’ve written so much for only one fic so far. My apologies in advance.

21 Eden Street

I won’t go into too much detail for 21 Eden Street because it’s still ongoing, but I just wanna brag about how fun it is to write hehe. It’s really enjoyable to write pure crack and come up with stupid and insane ideas with Cantare. You don’t need to have seen either iteration of 21 Jump Street to understand what’s going on. Honestly, we’ve taken very little from the source material and treated it more like a loose guide and a basis for brainstorming.

Don’t worry, we haven’t abandoned it! Cantare is waiting on me to finish writing my chapter (hehe sorry, Cantare!) and soon it’ll be back up and running.

Seeing things

Ah, Seeing Things, my beloved <3

This fic has the least amount of hits out of everything I’ve written (which is not surprising to me) but I hold it very dear to my heart. There’s not a specific reason why other than I just really enjoyed writing it. I also spent a ton of time making supplementary drawings and a whole hype campaign for it, too, so I kinda am obligated to feel some sorta way about it.

Anyway, the way this fic came about is simple; I just had the things I am most afraid of happen to Twilight. Yes, I’m scared of serial killers and my loved ones dying like everyone else, but something I am absolutely terrified of are hallucinations. That and doppelgangers.

Not being able to tell reality apart from fiction activates the flight or fight senses in me. Real life can be scary, yes, but reality is bound by the rules of reality. Literally anything can happen in fiction. The most horrific, awful things are possible in fiction and if those things suddenly become possible in reality???? Girl I am GONE. Passing away. Curling up in a fetal position in the nearest corner. I don’t know if that makes any sense. If I ever start seeing things that I can’t be sure are actually happening or not, I am choosing to die right then and there. Doppelgangers as a concept are also really scary to me. It’s like stranger danger but times a thousand because you can’t tell who the strangers are anymore.

In my initial draft, there wasn’t nearly as much of a tension between Twilight and Yor. If I recall correctly, by then I’d written to nearly the end and realized that for Yor this whole experience has been Loid acting just a little more weird than usual. It might’ve been Cantare’s suggestion (just assume everything after Guy’s Night has been beta’d by Cantare and you’ll be mostly right) but I realized that Twilight probably would start to suspect the people around him were screwing with him. I added the scene where his room was messed up and it all fell into place hehe.

I don’t like writing gore or the like because I feel like typical gore quickly starts escalating into levels of pain that the average reader has no possibility of comprehending and it loses its efficacy. Instead I tried feeding into Twilight’s paranoia, adding things that in isolation are just weird but when put together are unsettling. I shamelessly stole the fourth room hallway from Impossible Landscapes, a Delta Green campaign that I highly recommend you check out if you enjoy surreal horror. I purposefully kept some things vague, like the things Anya sees in Twilight’s mind, the way Handler’s face gets warped, or the description of “the watchers” because I felt like going into detail would lose the unknown-ness of it all. That and I’m lazy heehee.

In some way, canon Spy x Family does deal with ideas of doppelgangers and paranoia. Spies are constantly afraid of being listened in on, they don’t know if they can trust anyone, and they always have to keep an eye over their shoulder. For someone who is always a little scared of being spied on (I cover my phone and laptop cameras for that exact reason), that kinda sounds like torture. Seeing Things was a fun way to crank that paranoia up to a hundred. It was especially fun writing the museum scene because I tried thinking of things that are just ever so slightly off, things that theoretically could exist but clearly don’t.

I also threw in other things I’m scared of, like being watched, being followed, the dark, and the bathroom at night just to be extra mean to Twilight <3

Anyway, I’m rambling and this analysis post will be a novel if I keep this up.

Guy’s Night

I do recognize the insane tone shift going from Seeing Things to Guy’s Night.

What is there to even say about Guy’s Night? I got the idea from Psych (the Last Night Gus episode) who got the general basic from the Hangover movies. I wrote it all out in a few days, one of which I was sick in bed. I don’t know what to say.

Looking back on it, I don’t love the way it turned out. I’m glad I wrote it but where I usually don’t mind rereading my stuff for fun I do kinda cringe at Guy’s Night. It relies on a lot of contrivances which I tried masking with humor but it’s still a bit obvious. If you make a timeline of the previous night’s events, it only kinda makes sense.

It doesn’t help that I went into it with no plan whatsoever. I just sat down and said what happens happens. When I wrote in chapter one that something had happened between Loid and Yor, I didn’t know what that was. When I wrote Loid saying “we need to see what’s on that camera film” I was right there next to him saying “buddy, so do I because I have no idea.” When wrote Franky saying that his friend Marko might have answers, I was hoping he would too because I, like everyone else, didn’t know what was going on either.

The ONE thing I DID know was that Twilight got a tattoo the night before. That was it. That’s all.

I don’t typically plan out everything when I write but I usually have a good idea. For Guy’s Night, I had a bad idea in that I had no idea. It kinda shows. Sorry.

That being said, it was incredibly fun writing their drunk shenanigans and banter. The dynamic between Twilight, Franky, and Yuri was so goofy that I’ve seriously debated writing a sequel of sorts. However that’s incredibly unlikely. If I ever do write a sequel, it’d be a Girl’s Night with Yor and a combination of female characters, probably Sylvia and Fiona.

After Peace (and Glimpses of Happiness)

A quick heads up: I don’t go into detail but I do discuss mental illness in this segment.

I am incredibly proud of how After Peace turned out. Not only did it receive a really good reception for being my first fic ever, but it also helped me work through some things in my own life. It’s important to give some context.

I wrote After Peace shortly after graduating college. I won’t go into specifics, but college was really, really difficult for me. I had been so excited for this next step in my life after graduating high school but instead it turned out to be one of the hardest experiences of my life. Depression came out of nowhere and stomped me into the ground.

I used to have very high expectations for myself; I had a clear vision of what I wanted to do with my life and I was taking steps to work towards those goals. Then my mental health tanked and suddenly everything just felt so difficult and pointless. I’d sleep all day and then hate myself when the sun started to set because that meant I’d wasted an entire day doing nothing when I was supposed to be working towards something. But I just couldn’t do it anymore.

That’s something I’ve noticed that a lot of media gets wrong about depression sometimes. It doesn’t always make you feel sad. Sometimes it just sucks everything out of you—sadness, happiness, anger, everything. I stopped drawing, stopped listening to music, stopped eating, stopped exercising, stopped doing everything that I enjoyed because it felt like the equivalent of doing the dishes. Everything was a chore, even the things that I liked.

What really changed things around was when my poor roommate, who was sick of me sleeping for twenty hours a day, dragged my sorry self to the free counseling services on campus. It’s doesn’t fix everything, but having someone who cares about you and you care about can really help your mental health.

Anyway, let’s not forget I’m talking about an anime fanfiction here haha.

After Peace really did start out as a couple of doodles but as I started to write it, I noticed that there were a lot of similarities between myself and Loid. No, I am not a former spy turned grumpy hermit, but I did once have great aspirations and now have to settle for what reality offers me. Realizing that worth comes from simply existing was something that I had to understand in order to begin my recovery process.

I’ve always found it kind of sad that if you took away the goal of world peace from Twilight that you’re basically left with nothing. He doesn’t really have hobbies, no real friends, and he never takes a day off. That’s hardly sustainable. Would he really be happy when there’s nothing left to do? I’d like to think so, but I wanted to see what would happen if he wasn’t.

I mentioned this in the end note, but After Peace was also influenced by this comic I was working on years ago that had the similar premise of “grumpy man learns to enjoy life with the help of a young girl” (very original, I know). I doubt that I’ll ever release that comic in the capacity I once intended, but it does live on in my secret second tumblr account of you ever manage to find it.

Anyway, I was worried about writing After Piece because Anya plays a big role and I am Not Good at writing children. It was hard striking a balance between making Anya likeable but still realistic. I don’t interact with children often and, as a youngest sibling, I don’t have much experience with them. Anya has so many layers—being a test subject, being a telepath, being a child—that it was hard managing them all. But I’m okay with how she turned out.

There is a slight problem in that she basically disappears once Yor shows up D:

I debated having Yor in the fic at all but then I realized that without her the emotional climax would have to rely on a four year old’s emotional intelligence and then decided right then and there that Yor had to be in it haha.

Yor’s whole deal with accidentally killing the wrong person was kind of a last minute addition. I do wish I was able to explore that more, but I also feel like she’s emotionally mature enough to forgive herself more quickly than Twilight would. She ends up serving a bit of a role model to him. It was also nice to be able to write them interacting with the truth out on the table and for them to be honest with each other.

Pacing was something that I was very concerned with. Looking back on it now, I’m still worried that things move along a bit quickly. However, I am reminded of some advice my graphic design professors gave me: “Good design is when nothing more can be take away.” And, because I was writing this as fast as possible, you best believe I was taking things away if I didn’t need them. I didn’t want to fall into the trap of dwelling on Twilight’s thoughts for too long so I instead opted for showing him progressing through experiences instead. I think it worked out.

However because I took so many things out I decided to start Glimpses of Happiness, a supplementary fic to After Peace that fills in the cracks, so to speak. I wanted to have more moments between Twilight and the other characters, like stargazing with Anya and growing close to Yor. Right now there’s only one chapter, but I have plans for at least a few more. I also thought it was important to highlight that mental health recovery never truly ends. Just because Yor and Twilight had a nice chat on the roof doesn’t mean that things are suddenly okay. It’s a long process that sometimes never ends and I wanted to show that.

Of course, I can’t talk about After Peace without addressing the Midwest allegations. As I said, yes, this fic was inspired by my childhood in the American Midwest, even though I was nowhere near any mountains. The Midwest is a silly place full of nothing to do but go to your local Walmart for fun, but I think it served a good enough setting for Twilight to chill out and slow down. If I really wanted to do full Midwest, I’d have Twilight watch a tornado touch down on a cornfield from his truckbed, but that feels sort of out of place.

I feel like there’s more to say but I can’t think of anything and I doubt anyone’s actually gonna read all the way down here anyway. But yeah, that’s After Peace.

Oh, and the A.M. AM by Damien Jurado Youtube video currently has nine comments that mentjon falling from a five story building, which I think is really funny.

So now what?

Against my better judgement, I’m still writing. I have a couple projects in the works, especially one big big big one that hopefully I can start publishing soon. Keep an eye out for that.

In the meantime, thanks for a great year! I hope 2025 holds more great things in store for us all!

-unso ^. .^<

[mochimochimona]

Rewatching Arcane Only For Viktor and Jayce, analyzing for storytelling purposes as an artist* -S1 EP:4 or Viktors staring is sus

I loved that scene, where Jayce firstly implies Viktor to keep sitting so he doesn't need to crawl up and also for taking the blame completly.

A little disclaimer here because it might be confusing why I am doing this analyzis (?)...sss english is not my native language sorry - so I am an artist and Arcane is a huge inspiration for me and I wondered what the animators did to imply Jayce and Viktor being really close to each other, even having feelings for each other. And I do get the impression Viktor always had feelings for Jayce because he acts different in a lot of interactions with him. Body language is also an implication, so I will take a closer look on that as well. So I am going through scenes of them together and asking myself what makes me think they wanted to imply something more than lab partners, what makes me think that and HOW I would have done it differently to AVOID that. Also I want to know if I misinterpreted Jayce's behavior and read too much into it. So, here we go. It's actually part #3 already, I will put a post on tumblr with all of my guesses later. If you wanna share your thoughts, please do so!

Knowing what will happen and how sick Viktor gets, seeing it (really, seeing it because I can pay attention) and Jayce not noticing because he is so caught up in playing political figure hurts. Really hurts. And also I am sure now that Mel used Jayce most of the time to get what she wants (not in an evil way, honestly, she does take a liking to him later one, but I will say not as much as we get the feeling Jayce and Viktor care for each other) and she makes advances to Jayce, using his insecurity and jearning for acknoledgment.

I mean how can Jayce not tell that Viktor is immensly sick? I mean those two were working their asses of in the lab I get that, but I think it started right then and there that Jayce lost their dream, really, and the fact that Viktor is his best buddie (or whatever) and it got worse after he holds the speech.

And Viktor is clearly more devastated, which might even shocked Jayce too, than Jayce was, I mean the reaction:

Jayce really was surprised Viktor was so desperate. Viktor knew he was gonna die sooner or later so I think he thought with studying hextech he might find a cure for himself in the process. He didn't touch him, though, so Viktor wasn't shy, just shocked.

This scene made me laugh and choke, I have flashbacks of Jayce being in the Future but instead of seeing Mel and Viktor through the fire, we see him. Interesting choice to make the appearance of Jayce like that. Is that...is that foreshadowing again???? This makes my brain hurt.

Why am I doing this to myself again?

LOOK HOW HE LOOKS. WHY IS NO ONE ADRESSING THIS. Why am I doing this to myself, SEND HELP? Viktor was confidently asking "where have you been, they asked me to do the speech (or whatever)" but when Jayce touched him, said they were partners, he got a bit shy and even stuttered a bit. Okay so IF you are fine with your homie....anyway, the next thing:

"Not in front of" - there is a pause, his look:

"...all of them" and then THE STARE. Why would you do that? I am an artist myself and when it comes to visual storytelling, I am always asking myself what I want to tell people with frames and panels (if you make comics), so I am really wondering from a storytelling point of view: what did they wanted to make a point about? Apart from highlighting Viktor in this situation, to imply that he isn't comfortable in speaking to others okay. But his pause. Looking at Jayce...?

Because clearly Viktor is staring. Honestly, if they didn't want to make it read as longing, or something similiar/else, you would have took a different shot after he told "not for all of them", because if you did that, you wouldn't imply that he would have done it maybe in front of everyone, but not with Jayce staying there because it made him nervous being in front of him. ALSO really important thing I noticed here: when he interacts with Jayce in close proximity and out of context of research, he gets shy but he usually is a confident person.

And again, you could have approached Viktor not wanting to perform in front of a huge audience differently, if your only goal was to make that clear. Ya know, him being touched by Jayce on the shoulder, saying "You are my partner" and keeping a wide shot, making him gesticulate that he isn't comfortable, "in front of all those people" (he would do it in front of Jayce though). DOES ANYONE GETS WHAT I MEAN?

Still staring, or paying a lot of close attention to your lab partner.

And then he says "you - pause", AGAIN WITH THE CLOSE SHOT. I HOPE for the love of god that some people from the Studio will be at the Art Department in Berlin because I really want to ask about this. And I hope I won't get spooked so I ask lol. Because that's really what is interesting about this.

And then comes a really interesting thing, I guess. Sky approaches and she looks at Viktor. A short, acknowledging look from Viktor and he gets back to Jayce. So I was wondering why they made the shot like that again and showing she has interest in Viktor, but Viktor is just respectful.

And right back to Jayce but the next shot is a perfect masterpiece, I laughed so hard.

Replacing Vikor with the mug, where Jayces "Man of Progress" can be seen is, again, peak foreshadowing and storytelling. Again, you could have showed it differently, but every scene has a message and wants to convey something, so this is an important shot. Man, these guys from Fortiche are madmen. Stopping here or the post will get too long.

[steph-anie723]

any Hamilton hot takes you wanna get off ur chest??

i don’t have any hot takes atm but since that you mentioned getting stuff of my chest I wanna rant about something 🙁🙁🙁☝️☝️

stupid people always mentioning The Reynolds Pamphlet and Lams on Hamliza posts,, yes it’s a recurring issue yes I’ve ranted about it multiple times but ITS DONE SO MUCH???

If I see “but.. he cheated on her!!” ONE MORE TIME I’m going to slam my head into a telephone pole!!!People seem to ignore ALL of Hamliza’s years spent together— trying to deem their relationship as abusive or toxic, yes, the Pamphlet IS important in their story, yes, the Pamphlet IS a major turning point in the musical, however we shouldn’t subject their relationship BASED OFF this one singular event, completely diminishing all the established love they CLEARLY have for each other; Eliza forgave Alex,,, not to mention her dedicating 50 years of her life into post his deathtelling her, her husband’s, and everyone else’s stories. If that’s not love I don’t know what it is— and i feel like in a way if you base their relationship JUST on the Pamphlet it’s like disregarding all the work Eliza had done after Alexander died.

there’s also Lams, I fw Lams don’t get me wrong— but a lot of people definitely think theyre confirmed in love and married or smth that they have to shove it in everyone’s faces about “the letters!!” and all that, trying to disregard the relation of Alex and Eliza

I’m sorry but Alex and Eliza ALSO had letters?? Now my life gets better every letter that you write me???also they were MARRIED?? if you want to use Lams letters as a point to ignore Hamliza how about you can go take those letters shove it down your throat and try to shit out a better counterpoint thanks /j /j /j don’t cancel me!! 😭😭🙁

however I don’t really see this on this app,, mostly on YouTube and Pinterest (since that’s kinda my main app I post on) so i see it a lot in comment sections, and yes I know the people who comment on there are usually younger and more immature than us so there’s also that to take into consideration

[amica-aenigmata-naboo]

Juno

Christian Yu x Y/N - drabble - 585 WC

Masterlist

Warnings: fluff, implied smut, my first Insanity fic!, tiktok trend, song fic, no real warning just very cute, shorter fic but oh well

-------------------------------

You giggled as you ran into the kitchen where Insanity was cooking up a very intricate lunch for the both of you, having hyper focused on making specific foods this time he made an appearance.

“What has you so excited?” he said, smiling brightly at you. 

“Can I film something? I just want to play a song and get your reaction to it.” you asked, setting your phone up to record while grabbing his from the counter to play the music over the kitchen speaker. 

Suddenly “Juno” by Sabrina Carpenter started playing. You saw Insanity start to sway back and forth. He didn’t let on but he already knew this song and exactly what trend you were doing. He made sure to turn the heat down on the stove letting the sauce simmer for a while, giving his full attention to you. He twirled you around, dancing with you. Albeit he was much better at it than you. You both had stupid smiles on your faces as you laughed here and there, mouthing the words. 

You make me wanna make you fall in love

Oh, late at night, I'm thinkin' 'bout you, ah, ah-ah

You pointed directly at the camera as you mouthed the words before leaning your elbows on the counter, poking your butt out slightly.

Wanna try out some freaky positions?

Have you ever tried this one?

You mouthed, winking seductively at the camera with a sly smirk. What you didn’t expect was Insanity pushing himself up right behind you with one hand on your hip and the other tangling itself in your hair, pulling you up into his chest before nestling his face into the crook of your neck. Your cheeks were on fire but you couldn’t help but turn into him, smiling softly before you kissed him.

Completely forgetting the song Insanity turned you to face him, holding your hips tightly as he kissed you. As your arms circled around his neck he wasted no time picking you up, holding your lush thighs around his waist. When you finally broke apart you smiled at each other, completely enchanted and enthralled in one another. 

“I should get my phone.” you said, pointing at it as it kept recording.

Insanity smiled deviously, walking over to the phone with you still in his arms before he smacked the phone down onto the table so the camera was face down. 

“I’m gonna make you Juno…” he said before walking you to the shared bedroom, kissing your neck the whole way.

-----------------------------------

You sucked the ice cream off the spoon as you laughed at the tiktok comments under yours and Insanity’s video. 

@dprdaddyyyyy : WHAT’S IT LIKE BEING GOD'S FAVORITE?!?!?!?

@mit000 : The hair grab???? I’m dead

@yuwantme : they def fucked after this right? @Y/N please confirm

Insanity pulled the hood of his hoodie he let you borrow after up on you, hiding your messy hair. You fed him the next bite of ice cream, reading the comments over your shoulder.

“We def did fuck.” he laughed as you smacked his arm slightly.

“I love you.” you said as you kissed him, tasting the sweet from the ice cream on his lips.

“Not as much as we love you.” he said, leaning back in to kiss you. 

You could feel his eyelashes bat against your cheek and his nose nudge yours when he pulled away. You cradled his face, basking in the warmth of the afterglow. Tender moments like these were your favorite with any of his personalities.

----------------------------------

Naboo's Note:

Hello! A short fic for ya'll! I started my new job but its nights so the new schedule has really been fucking with me and my motivation to put out fics. Most of my requests are for Mr. DPR IAN so I thought I'd give y'all a short one. Hope to post again soon! XOXOXOXO!!!!!!

[monocle-teacup]

Should Earthspark been a sequel instead of a standalone? I don’t see anyone discussing this.

In ES, we got Optimus who is the same as in G1, Spike Witwicky exists (or he’s a nobody), we don’t know how they got to Earth or how the fight began on Earth, did they have selected allies, who died, what characters exist in this continuity, what happened during the war on Earth that could play a significant role in the post-war, what concepts exists?? A lot of the story is generalized. Nothing interesting, just ‘post-war inspired by G1; make it vague, fill the minor gaps, add some changes and let the imagination fill in the rest’. I could be wrong. But I love that they borrowed some IDW ideas.

New audiences are not going to understand what’s going on and not get into this story. Only fans can watch this with their existing knowledge from other continuities. Watching a standalone show as a fan kinda feels… unfulfilling, empty, I don’t how else to say it. I’m glad it’s a new idea but it’s less satisfying. We don’t know who or what the iconic characters (Autobots and Decepticons) are in this setting, they have smaller roles and don’t have much depth. Especially for new viewers.

IMO, ES should be separate from G1. Even if it was a sequel, it wouldn't save the show from writing quality issues which I'll get to later.

From what I've seen on other sites like tfw2005 and reddit, one of the only times ES gets brought up is when a person asks if it's a sequel to G1. It doesn't help how much G1 fan service ES has. While it's neat long time fans can have a "I understood that reference!" moment, there are also TF fans that are sick of the G1 pandering and want something new. ES was supposed to be that, but then it added the fan service like it knew some people would immediately reject the show because it strayed too much from the typical TF formula. It's pretty telling that ES S2 pretty much scrapped everything from S1 to the point that one of the staff made a tweet about it:

Budget and time constraints are most likely a factor for how how vague things are in ES. However, most of the vagueness feels intentional because the writing quality wasn't up the challenge of doing actual nuance. It'd be hard to really make the Cons and Megatron sympathetic if they were shown being utter bastards like most of them were in G1 and especially in IDW. The writing across all seasons of ES operates on the assumption/hope that the audience won't question anything.

And I know people are probably sick of me bringing this up, but the show's insistence with focusing on the Maltos as well as the way they're written is a huge reason why ES never realized its full potential. How are you supposed to look at the effects of war when the main humans behave like there wasn't a war most of the time? Wanna see more of the actual TF characters doing something? Too bad, this is the Robby and Mo Show. Sure, the TFs do get some time to shine, but they ultimately take a backseat to Robby and Mo. The Terrans were supposed to be a new subspecies of TF, but being a Malto is the most important thing.

So many people like to cite Nightshade as being THE reason ES failed when the reality is that the show's overall writing turned a lot of people away. It being a G1 sequel might've made more viewers stick around longer, but nostalgia can only get you so far.

If the writing was better in S1, I'm 100% certain that ES would've been one of my favorite TF series as well as one of my favorite cartoons in general.

[anemicjellyfish]

Tags from my awesome mutual:

Okay, you're not wrong at all. In fact, this is the only thing that was blowing a hole in my speculation about the whole "chest feathers" thing. I almost didn't include the picture of Stella's friends because they both show feathers and I didn't want to dive into them initially because my thoughts were too much effort to tap onto my phone screen.

But! I have another theory about the one on the left of the group, along with an excuse for the one on the right. (This is just headcanon at this point tbh. And I should really be going to bed but I'm gonna keep going because I have no common sense. I hope you don't mind me using a reblog to go a bit more in-depth on my silly ideas.) (Also, I just wanna say that I don't mean any of this in an argumentative way. It's just that I finally found an excuse to sit down and go crazy with talking about characters, birds, and outfits. I could be entirely wrong about everything idk)

Unfortunately, we don't have their names, titles, or much indication of what type of birds they're intended to resemble. My guess for Mr Guy here is that he's a snowy owl. The eyes are a very similar shade of yellow to snowy owl's natural color eyes. And his head/hair feathers being solid white with a speckled breast match up to a snowy owl as well. These are literally the only birds that I personally know of to have primarily white coloration with a speckled breast/rest of body (I'm not a bird expert, and I'm happy to be proven wrong on this point- I actually wouldn't mind learning about more bird species).

But there's something about his chest feathers that makes me think there's a clothing layer there. I think it could possibly be some kind of cravat (Google says a modern term in an Ascot, but idk, I just like period pieces and know it as a cravat).

Because the pattern so closely resembles the one on Stolas' mantle that he wears for his more official "uniform."

But the feathers on Mr Guy On The Left are clearly visible? And I'm not saying they 100% are not visible feathers exposed to us. If I'm proven wrong in the future, that's cool.

I am gonna say, hear me out on this. because he wouldn't be the first character to have visible hair popping up from underneath clothing.

It's speculated (although I'm not sure if it's confirmed) that the black parts of Loona's legs are actually socks. Her fur sticks through in some places, but we see in Seeing Stars that she is wearing some kind of pants/leggings that don't have tufts of fur sticking out. And ripped parts of the pants/leggings reveal the same color underneath as the rest of her fur. Although, it's hard to say for sure. I'm so far behind on things because it's hard to keep up with all the sources of info when they're spread out across platforms.

Mr Guy On The Left also has some feather-like protrusions on his elbow, despite clearly wearing a jacket.

It's getting really late and I'm exhausted, so I'm leaving Guy On The Left Reasoning at that and hoping it makes sense. (When I wake up in the morning and see my stupid posts... yikes.)

As for Lady On the Right?

I think it's just a revealing dress. Her arms are exposed since the dress appears to be a halter-top situation. (I could be mistaken on the halter-top, but this was the only image of her that I have on hand and I don't wanna go looking for more because I'm sleepy.)

Her outfit is revealing, showing a lot of "skin" (feathers) around her chest, and is tightly fitted at the waist. For her, I think it's just a fashion choice.

My conclusion? I don't have one, actually. Until we know a little more about the rest of these bird characters, it's hard to say for sure if Stolas has sensory issues regarding his feathers, especially the ones on his chest.

Stolas and Sensory Issues

So a lot of us see traits of autism in Stolas. I've been thinking about how his wardrobe might be an indicator of it.

Of course, this is screenshot of his latest outfit that I'm using! 😍

The latest addition to his wardrobe has a similarity to previous items: an opening for the feathers on his chest.

While I've loved the jokes about his shirt needing a "boob window," I'm thinking that this is confirming a sensory issue for Stolas in regards to his feathers.

The beloved and/or dreaded royal romper has a similar feature.

Even in LooLoo Land, Stolas' LooLoo shirt has his chest feathers poking out.

Something that some (but certainly not all) autistic individuals struggle with is Sensory Processing Disorder. Since I'm not an expert in this, I'll keep to a minimum discussing the actual aspects of it and reference WebMD.

Sensory processing disorder is a condition in which the brain has trouble receiving and responding to information that comes in through the senses.

Sensory processing disorder may affect one sense, like hearing, touch, or taste. Or it may affect multiple senses.

I'm thinking that clothing pressing down on his feathers may be a triggering sensory input. Similar to the way a shirt tag may be rough to the point where it is a constant irritation. Or a sweater made with infuriatingly scratchy synthetic fabric.

We've already seen Stolas' apprehension toward scrambled eggs in Sinsmas. I've been told by a few people that eggs are a common texture that they dislike.

I don't think it's too far of a leap for Stolas, who is frequently clad in a bathrobe, to have sensory dislikes of both food and restrictive clothing.

But something else in Sinsmas really hammered this home. Stella!

We finally see Stella in anything other than her typical, full-length dress that covers most of her body.

And she has similar, although not as lengthy, chest feathers!

Stella hasn't displayed the same autistic traits that Stolas has. She clearly has no trouble engaging in social situations and doesn't seem to perform any stimming behaviors. The restriction of clothing on her feathers may not trigger any sensory issues if she doesn't have the same sensitivities that Stolas has in regards to her feathers.

We can't see Andrealphus' feathers just yet, but he doesn't seem to be bothered by restrictive clothing at all.

Despite a fluffy bathrobe of his own during the "Spa Day," Andrealphus wears what appears to be a tight, long-sleeved shirt while lounging indoors in his earlier scene in Sinsmas.

(Yes, I'm still using this screenshot, it's too good to put away forever.)

I personally am unsure if the show will ever address if Stolas is intended to be autistic. On one hand, it would be nice for it to be confirmed & canon. But I also think Helluva Boss does an excellent job at the concept of "show, don't tell." They've given us more than enough evidence to come to the conclusion ourselves.

[vwoop-prince]

YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.

There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.

There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.

Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.

And the sky was swirling shades of that same green. It makes him think of Lazarus.

"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.

But in front of those two, within this bubble, was...

"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.

He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.

"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."

"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.

His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.

"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?

"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."

Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...

"What's the price?"

The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.

He was like a taller, slightly slimmer, way hotter version of Bruce.

The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."

"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?

"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."

Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.

Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.

And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?

"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.

He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.

"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.

"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."

There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.

Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.

Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.

"I accept."

He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.

Nightwing gasps once he registers his lungs burning.

There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.

Someone moves their arm beneath his knees and shoulder and Dick passes out.

(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)

[turtleblogatlast]

Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.

[kaitobromota]

[Blows the dust off this blog] Long time no see...

Back in the Danganronpa pits... have some silly doodles for an...AU? or like, slight canon divergence/missing scene? I got to chapter 5 in my THH replay and was thinking about the part where these four are alone in the gym dismantling Monokuma all night.

I know realistically it's supposed to be because they were paranoid and extra careful about taking it slow so nothing went wrong... but like... their alibi is from 10pm to 7am? In my heart of hearts it actually took the whole night because they kept getting distracted and chit-chatting and got into a bunch of shenanigans once the actual dismantling part was done. Like Byakuya says they went to the bathroom in pairs?? Not to mention you'd totally expect him to make a comment about how insufferable it was being stuck together for like nine hours. And Hina says they played rock paper scissors to decide who brought back breakfast???

You can't tell me they didn't bond at least a little bit. A friend pointed out it'd have the vibes of a 4am discord call and that's exactly it. Emotional confessions about personal fears and insecurities to dumb physiological debates that become inside jokes forever. Etc.

[azure-clockwork]

I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes

[m00ngbin]

So I know we all know that Toichiro doesn't actually care about Serizawa or any of the Super Five, and he makes that clear several times throughout the World Domination arc, but I wanted to look at the specific wording I noticed here:

Oh ok.

For most people, (me included), the first time they watch this scene, they expect Toichiro to say something like, "I think very highly of You." That's the normal thing to say, that's what you would assume he's going to say.

But he doesn't. He specifically chooses to say "your Potential" instead. He's making it very clear that he doesn't actually view Serizawa as a person on the same level as him. He doesn't value his humanity or his presence, he values his Power. Toichiro is Only interested in what Serizawa's powers can do for him and how to make them stronger, and it's obvious to everyone.

Everyone except Serizawa. Serizawa, who was so deep in denial that he had convinced himself that he was working for a company instead of a terrorist cult organization. Serizawa, who devoted every minute of his time to Toichiro from the moment he left his room, until the very end of the organization. Serizawa who truly and wholeheartedly believed that Toichiro did give a damn about him as a person and not just his powers.

Serizawa who, even though he heard Toichiro say that he could lose all of the Super 5 and not feel a thing, still believed that Toichiro would.

Before the panel below happens, Serizawa begs Toichiro to stop what he's doing and tries to insist that he's not betraying him. Obviously that doesn't matter to Toichiro, because Serizawa has expended his usefulness and is actively going against him.

That's part of the reason I think that Studio Bones should have added this scene into the anime, I think it would have made Toichiro outright telling Serizawa that he didn't really care about him more impactful. Not just for Serizawa's character, but for his intentions for all of the Super 5. It helps show just how little he cares for other people and how he only sees them as tools, a means to an end. (Even if that was already clear before, it just drives the point home).

Also also also I think that would have made the one line from, (I think), Hatori stand out more. After Toichiro attempts to blow Serizawa, Shigeo and Reigen up, Hatori says something to the effect of, "so the president finally cast Serizawa aside, huh?" Everyone knew it was coming, everyone knew what Toichiro was after, except for Serizawa.

Tldr: Toichiro wanted Serizawa to become stronger not just because he would be more useful to him, but because there would be more power for him to take if need be, and the spare batteries panel should've been added to the anime because it would've made everything more impactful imo

[girlmetalsonic]

something that is like the baseline of amys entire character to me is that shes lonely. shes clingy and physically affectionate in a way none of her friends really are, shes always getting pushed aside and left behind. yeah, she helps out people she doesnt know because shes a nice person, but also, she sees part of herself in them. she wont leave someone else behind because she knows the feeling —and more importantly, hates the feeling. if she doesnt have somebody to stand by her and be there for her, then shes going to be that person for everybody else. something something her obsession with sonic is really just like a manifestation of that desire for closeness with someone, and she thinks that romance is the only way to get that. idk... this hedgehog can have so many abandonment issues.