Replying to ur post didn’t scratch my brain enough on how insanely compelling the Charles and Carlos dynamic is to me irl so here I am spamming ur inbox (apologies)
Charles’ tendency towards emotional avoidance is patently a defence mechanism against vulnerability. One thing that really compels me though is the rare moments when Charles’ defensive wall drops and you get his true emotions shining through
It’s most obvious when he’s happy with his race results (Monaco, Monza). But I’d say it’s most heartwarming when it peeks through every so often when Charles relaxes enough to half-forget the camera. I’m thinking the kiss towards Carlos in the rayban shoot. The time when they decorated Christmas cookies on the sofa in the sun. The first fiorano music challenge
In those moments Charles gets giggly and shy and has a wickedly impatient sense of humour, but above all he gets a really really fond look on his face
Which is why I’ve never understood people who say they aren’t friends and are playing it up for the cameras. All evidence points towards Charles putting up emotional walls for the camera rather than acting it up
Anyway, f1 shipping aside, they are friends your honour and they are fond
I love the way you’ve analyzed this, and the examples you’ve chosen are spot on, because these are little things I’ve also noticed along the way but when you look at them in this context you see how much the behavior fits with their characters.
Charles is so good at putting up the nonchalant guy facade and hyping himself up. Every challenge they’ve ever done is always Charles saying he’s the best and no one can beat him and when he ends up losing he’s like oh I’m so bad at this but he laughs it off. There are so many little moments when he’s with Carlos where you can see the fond look ™ and it’s so special and heartwarming.
Carlos knows he’s good at a lot of things but you can see more clearly that he has some self doubt and that he’s still working on not being so “soft” by trying to “bite and not get bitten” but it’s so against his character to be mean he’s such a softie!! And that’s why he wishes he could care less, like what he thinks Charles can do better.
People who say they’re not friends overestimate how much these guys can act because trust me they can’t, just watch any of the scripted promo videos (shell) and you’ll see.
This was so fun! I love analyzing them so much, you can always talk to me about them!!
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i picture bday party girlie as being like Dramatically hot like the kind of hot where you can literally see heads turning when she walks past… so hot that everyone is like how did He bag Her???
and then flatmate is a girl next door kind of vibe like definitely gorgeous but where hot wouldn’t necessarily be the first descriptor until you see her let loose and you’re suddenly like i would kill myself for one night with her lol.
d word… drop-dead. like ur a goner the second you lay eyes on her. she gives cunty miniskirt and sunglasses strutting through london with her obsessed bf on her arm vibes.
office girlie i think i would beg her to be mean to me and i would like it but also she’d be my best friend. sheer tights and thick thighs and a leather blazer ohh i need her
barista girlie hallway crush… girl you get obsessed with because you always see her around and you can’t believe someone’s that gorgeous but you never go up to her
this didn’t really answer your question bc i think they’re all incredibly hot in different ways but if i Had to pick i think d word is the hottest <3
- heather 🫶
long post we r discussing everyone
the thing about bday party girly is that getting to that level of hotness was a gradual thing - not full ugly duckling transformation, because you were always pretty, but just finding your way in terms of fashion and beauty and discovering the styles you liked best and that suited you really well, and that did wonders for your confidence (which i think is like half the battle of hotness). but it still wavers, and you have a hard time with comparison to others (specifically, the girls you see matty with before you get together) and believing in yourself in regard to anything that isn't your writing ability; this is a leftover from your teenage years, where you'd only ever really get complimented on your brain and your writing and never on your looks, which you know isn't a big deal and it's nice people think you're smart but also... sometimes, when you're 16, you need to hear from someone that isn't your mum or your girls that you look nice lol. but you persevered with both writing and the style search, and it worked out well - one of the first things matty said when you guys were first introduced was "i've read your work! and i don't think it's fair that writing so good can come from someone so attractive. not fair at all", and when you realised that there was no punchline, that he actually meant it (he really did. he thought you were gorgeous)... yeah. we know what happened next
flatmate YES ok like you really are just so pretty and (as we know from pre dating flatmate era) a lot of people think that as is and they fancy you BUT like you said it isn't until you loosen up or you get kinda animated that it really sinks in how sexy you actually are. like, matty's already excited to be sat next to you the first time you meet, but it isn't until you roll your eyes and say something sarky and smirk that he properly becomes enamoured; when you're yapping with some other people during a break and you start ripping into a boy who said something really stupid or mean or whatever... yeah, matty's a goner (he really would kill himself for one night with you lol). such a fun couple, the two of you, because you're both aware of how hot you are - i mean, you both have your moments of insecurity, we all do, but you're generally very self-assured. and it's hot to see. very
d word... so fucking true. and you don't know it! you're too busy doing 5 million things at once to pay attention to people Wanting you, and all your self-care beauty regimes/pilates/buying nice clothes is really for nobody but yourself, because - eldest daughters rise up - you're really the only person who takes care of you. and then matty happens, and you like him so much you let your guard down a bit and relax, and suddenly you have someone else who takes care of you so naturally it's kinda overwhelming, someone else who makes a point of proving to you just how beautiful you are, someone else you want to look nice for, someone else who loves you and appreciates you and is almost unhealthily obsessed with you; he's never not clinging to you, as if you'll disappear the second he lets you go, and never not looking at you like you're the most precious thing in the world. you kinda are, to him, though
office girly - coolest person alive i fear. kinda like flatmate in that you know you're hot, even without the myriad of incredible outfits you've painstakingly put together; i do think you're the best dressed of the tmr girls, actually. anyway! THE body - soft curves, long legs (thick thighs save lives), hips that matty wants to (and has, actually) take a bite of, possibly the best arse in london, and we've all read tiny bikini so we know what your boyfriend thinks about your tits lol. there's a running joke in your relationship that the reason matty (art critic) fancies you is because you're built like the girls in Classical art, which he denies like "not true! you have nicer boobs" lmfao little freak. people are a little bit surprised when the two of you get together, because he's so shy and quiet and weird and you aren't, but holy shit do you look good together - i think you skew slightly on the edgy side of the fashion scale, so literally you and matty (when he loses the cardigans) are kinda the hot alt couple everyone dreams about. also yes heather she would be your best friend she's so sound!!
barista girly is very reminiscent of the girl who got on the same tube as me at westminster station a year ago and had a striped shirt tucked into flared jeans and pointed stilettos on and the most flawless straightened ponytail i have ever seen - chic as fuck, and you see her on public transport ONCE and think about her forever. intimidating, but so alluring, and if anyone actually plucked up the courage to talk to you they would learn you're lovely and also kinda a massive flirt; that is, until you meet someone you really REALLY like (matty) and you get really quite shy and soft. that said, before you meet him, you do Fuck (people of all genders), and actually you (and your strap) are responsible for a really quite massive amount of Best Sexual Encounter stories, so you're very known for being sexy lol - incredible energy matching going on between you and matty, actually. like, it should technically be a sad day for everyone else when you and matty get together, but you just work so well and look so incredible together that everyone's like. yeah ok this makes sense. yeah, you're gorgeous
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A New World: part 5
Bayverse!Leonardo x reader
Part 1 Part 2 Part 3 Part 4
A/N: It has been some time, so I decided it was more than perfectly fine to post another part to this story. Here ya goooo
Leo is 25, reader is 22 - 23.
Warnings: None so far💙
“Okay”, (Y/N) said while playing with the pen in her hand, in a way Leo only had seen Donnie do it. “How did the other ninja turtles manage to travel through dimension?” The next day (Y/N) had decided to sit down and brainstorm ideas on how to get Leo home. At first Leo wanted to tell her that she was stupid for thinking that they even could do anything, but decided that maybe it would be a good idea to listen to the girl, who had mentioned his bonsai tree and childhood fear of heights, without him ever telling her about it.
“I don’t know, you tell me. I don’t even fully know how Krang did it, but surely I know how I did it in another universe”, Leo said, a little tired with a hint of sarcasm in his voice. It suddenly made sense to (Y/N) why Leo was the way that he was in Rise. Speaking of Leonardo from Rise…
“Well, there is this one version of you that jumps through portals as often as he changes his underwear”. That comment made Leo stare at her, wondering if she truly was mentally stable. “Probably the best place to start. Leo, swing one of your katanas and see if you can make a portal”.
Leo stared at her in bewilderment. “What?”
“You heard me”, (Y/N) said.
“You seriously believe that is going to work?”, Leo asked, raising his brow muscles at her, hoping that she would tell him it was a joke. But of course she didn’t.
“Well, you’re still in my house, and apparently not just a figment of my imagination, so yeah, at this point I would believe that pretty much anything is possible”.
Leo sighed, annoyed over the fact that she once again had a point. He stood up and signaled for (Y/N) to stand back. She quickly did as he took out his katana, noticing the way (Y/N) was staring at him, almost starstruck.
“What?”, he asked.
“Oh nothing”, she said, slightly embarrassed. “Just kind of always wanted to see you do that, sorry. Now continue, don’t mind me”.
This girl. If Leo didn’t manage to get home to his own dimension, this girl would be the death of him.
Leo held the katana in front of him with both hands, feeling the eyes (Y/N) on him. He had no idea how to do it, and he had no idea if it would work. But he went for it, and did a quick circle in the air, hoping for a light of sorts. But nothing. Nothing happened. No lights, no portal, no nothing.
“Well, that didn’t work”, (Y/N) said.
“Nooo waayyy”, Leo said dragging out the words. “I thought there was a portal right there in front of me!” (Y/N) said nothing but just raised a brow at him. “Sorry”, Leo quickly said, putting his katana away. “I tend to get a little stingy when I’m stressed, even-”.
“Sarcastic? Yes, I know. Remember, I’ve seen every version of you in action”, she said, pointing to the movies, still out on the sofa table.
“Oh, yeah, right, I forgot…” Leo felt his face get a little hot. “So, how else have they been able to travel through dimensions?” Leo could just not bring himself to call them “me and my brother”. They were NOT him, and therefore NOT his brothers. His brothers was where he left them, back in his own dimension.
“Well, most of them involve Krang or Shredder, but for obvious reasons we can’t do those”. (Y/N) was thinking, almost so hard that Leo could hear the gears turning in her brain. “There was that one time - no that was Shredder… Or maybe! - no, Krang did that… WHat about! - no, that was time travel and that was Renet… There was also the time April’s uncle got stuck in another universe… but that was Donnie that got them out of there”. Leo sunk back down on the sofa, listening to (Y/N) thinking out loud. None of what she said rang any bells, and at one point he stopped listening, until suddenly…
“The battle nexus!”
“The battle what now?”
(Y/N) just kind of slumped at that, before breathing out something along the lines of; “this is going to be harder than I thought”.
(Y/N) sat down on the small space left for her on the sofa, and started to go on google on her Macbook. As Leo tried to look along over her shoulder, she tilted the laptop away from him. She didn’t need him to know how many TMNT related videos she had been looking at.
“Do you mind?”, she said.
“Oh… sorry”, Leo said, leaning away again, yet he couldn’t shake the suspicious feeling he got from (Y/N)’s actions. She was hiding something. She was friendly, even though Leo found her slightly annoying at times, but she had not yet given him reason to suspect her of any bad intentions. That was the first time he thought she might be up to something.
“Here you go”, she finally said, turning her screen back towards him. Leo was shocked to be met by a video of a cartoon version of him and his brother’s following master Splinter down an alleyway. Yet the first thing he noticed, that he just couldn’t stop himself from saying…
“Why are we naked in that?!” Leo almost jumped on the sofa, shocked and embarrassed, by the actions of he did not commit himself, but another version of him in a different dimension. “Where are their pants?!”
“Believe it or not, the fact that you’re wearing pants is not that common for the TMNT universe”, (Y/N) said, slightly surprised by his reaction. “Now shut up and watch”.
Master Splinter drew a sigal on the wall, before mumbeling a bunch of words unknown to Leonardo. With that he disappeared through the wall of the alleyway. These versions of Leonardo and his brothers did the same thing, following their father into the battle nexus.
“You want me to try that?”, Leo asked.
“Yeah, and if that doesn’t work, I don’t know what else would”.
“Sounds very uplifting”.
And with that, Leo and (Y/N) sat out to create the portal to the battle nexus. They moved the sofa out of the way, and removed a few of the frames on the wall, so they had space to draw the sigal. Following what was shown in the video, they drew the sigal, and reluctantly, Leo started chanting, the way the other version of him did. And once again, nothing. Leo covered his face with his hands, sighing irritated. (Y/N) asked him to try again, so he did, and still nothing.
Now it was (Y/N)’s time to sigh irritated. She dropped down on the moved sofa and started rubbing the temples of her head.
“This is going to be harder than I thought”.
Leo wanted to be sarcastic, and say something along the lines of; “oh, you think so? Really? Not like I didn’t tell you so”, but he decided against it. (Y/N) was only trying to help him as much as she could, even if her means was limited. And it was obviously starting to frustrate her. Annoying or not, she only tried to help Leonardo.
“Maybe we should take a break and try again later”, Leo said before standing up, towering high above (Y/N) in her seat. It never ceased to amaze her, how tall he actually was. “Food and meditation helps the brain”.
“See that sounds a lot like something you would say”, (Y/N) laughed before standing up herself. “How does Chinese takeout sound to you?”
Okay, maybe she wasn’t that annoying after all. But Leo still couldn’t shake the feeling that something was off. And if it wasn’t (Y/N), then what was it?
—
Somewhere at a location unknown to the public, deep underground, a man was hunched over an open hatch in his big machine, connecting wireless. It was quiet in his laboratory, except from the sounds of his tools working against the metals of his machine. In the observatory on the floor above, sat a human boy, casting glances at the man on the floor below, before returning to the Teenage Mutant Ninja Turtles comic in front of him. The exact same comic his father and his workers had taken their code names from for easy convenience. But the boy’s attention was now being taken from the comic at the sight of his father, and the boss of the man in the lap, showing up in the opening elevator behind the man in the lap. He watched as his father walked to the man, hands behind his back, talking, yet his son in the observatory couldn’t hear him through the thick glass. Though he wished he did. Yet he watched them in silence, their mouths moving.
“I hope my son didn’t cause too much trouble”, the boy’s father said in his calm tone, causing the poor scientist to jump in surprise.
“N- no, n- not at all Sir”, the doctor said, casting a quick glance at the circular machine behind him. “Nothing that can’t be fixed”.
The boy’s father took a step closer to the machine, taking it all in with his eyes hidden behind glasses. He then turned back towards the scientist, still with an unreadable facial expression, that caused people to fear him.
“Tell me, Dr. Lilja, how long until the machine is finished?”
The doctor started to fidget with his white sleeves, his fingers digging at the fabric. It had become a bad habit of his.
“It is hard to tell”, started the doctor, keeping his eyes away from the stern man in front of him, instead looking at the big machine by their side. “There’s no doubt that your son didn’t do anything on purpose, but it has given us a bigger setback than I first thought it did. It doesn’t mean that it can’t be fixed, but at this moment, I do not know when that will be. It could take as little as hours, days, but could also take as long as weeks, months… maybe even years”.
Lilja didn’t have to look at the boy’s father to know his facial expression. Anger. Irritation. Rage. Even though the young boy couldn’t hear the words of the two men in the laboratory, he knew the face of his father, and he knew that that face meant trouble. Big trouble. The same face he got after he accidentally broke the machine Dr. Lilja had been working on for months. And how did he break Dr. Lilja’s machine, you may ask? He played with his Teenage Mutant Ninja Turtle Leonardo action figure on the machine buttons, while his father and Dr. Lijla was talking in the observatory. After that, he was no longer allowed in the laboratory, but only in the observatory, where he could play with his action figures and read his comics… Yeah, not his proudest moment…
The boy’s father grabbed Dr. Lilja by the neck of his shirt and stared him straight into his scared eyes. The boy gasped, putting the comic up in front of his face, only letting his eyes peek over the edge, watching the interaction play out in front of him. Lilja feared those eyes more than anything. He remembered clearly what happened to Dr. Stockman, last time he caused so much anger.
“You fix that machine in the time I told you to!” He didn’t even have to come up with a threat. Lilja knew what the punishment for not listening to him was.
“Yes! Yes! Of course Agent Bishop!”
It was at moments like this, where it once again made sense to Dr. Lilja, why Agent Bishop had chosen that code name.
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
---
P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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