#there isn’t that same clear

[speciouspessimism]

blahblahblah but throughout trc/before the events of td3 and all does declan think ronan loves him? does ronan think declan loves him? or do they both think the other just wants to see them miserable and dead?

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[sweetmapple]

Mostly Hiring manager, but HR manager and PR manager too

[boobilby]

Tmnt and some human designs for mm/tot + 2012 (all wip designs)

[crunchie-morris]

Do you think the side of tiktok that’s obsessed with butch greaseball knows that female Spot Conlon was in that same theater about a year and a half ago

[jolliestlolli]

Hellaverse-antis are such a fascinating animal to me because personally, if I hated something with that kind of fervent unrelenting passion, I would just… not talk about it. I wouldn’t pay attention to any news regarding it, I would try to pretend it doesn’t exist, and if I somehow did get exposed to it on accident I would maybe be upset but I would just distract myself with something I do enjoy and go about my day.

But that’s not what these people do. They keep up with the news, they watch the shows, they stalk Vic’s twitter, all so that they can point to any tiny imperfection no matter how insignificant it may or may not be and use it to justify why Vivziepop is the worst thing to ever happen to animation, the internet, and the concept of artistry as a whole

[godsofhumanity]

[texting] Penelope: Are you eating healthy? Odysseus: Yes... Odysseus: today i ate aged organic milk tossed over seasoned tomato puree spread on baked whole wheat. Penelope: Wow! Let me see? Odysseus: [picture of a cheese pizza] Penelope:

[worstloki]

AU where Loki doesn’t interfere with Thor’s banishment at all and it takes Thor years to prove himself worthy and when he returns to Asgard everything is just. The same. Nothing seems to have changed at all and everyone greets him like his absence was a minor obstacle that didn’t fundamentally change Thor and the worst part is Loki stepped down from the place as regent without any delay and Thor can’t help but feel there’s something underlaying the way his brother looks at him now and won’t let him touch him and Thor doesn’t know what he could have missed because he doesn’t think he would have found anything wrong with the things around him and how everyone behaves if he hadn’t spent time on Earth reflecting.

[noirandchocolate]

Age of Calamity is such a funny game when you think about it because most of the characters go through Events and use their strengths and suffer hardships and stuff, but honestly they mostly end the game the same as they started it. It’s not “bad storytelling” or anything to have most of the main characters (Link, the Champions, Impa, etc) not change very much character-growth wise, I’m not insinuating that. They’re heroes and it’s fun to watch them BE heroes and in some cases have nice heartfelt moments together, etc.

But it’s just hilarious to me that the characters in the game who DO get some form of character development arc are:

3. King Rhoam (a distant third place but he does realize his kid’s interests were helpful not frivolous and he apologizes and lets her continue leading the army and fights by her side)

2. Zelda (expected, she is the main character after all, and she gets to grow from doubting herself based on her father’s words and how special and talented everyone around her seems to be in comparison, and being upset at not being able to help more, to realizing her worth as a capable leader whose love and passions were what saved everyone)

1. MASTER FUCKIN KOHGA (goes from trying to peace out and let his lackeys take care of every fight, to desperately NOT wanting to leave Sooga and the others behind (poorly and obviously hiding it behind “come on stick together so you can protect me!” while he as the PC for your first play of that mission is clearly doing all the work to protect them); ends up not only joining Zelda’s faction to protect/get revenge for his Clan despite his hereditary beef with the royal family, but PERSONALLY taking to the battlefield including in the final deadly dangerous missions; declares during that final battle that HE is gonna “send that giant menace packing,” ie the very same monstrous entity he previously served)

Like. It’s not even close. Master “Top Banana” “Kill You All To Death” Kohga. Has THE most character development in the game.

And it’s just. So unexpected and therefore great and entertaining to me.

[lunarsolar1]

Did anyone else noticed that Charles seems to be the only one that puts effort to save them from death or being taken away?

Maybe I need to watch the show again, but of all the times they were in danger of being separated, Charles is the first one to step in and defend them. I don’t think I remember seeing Edwin step in or fight or do something to avoid the situation, I wonder why that is? (Unless he did but I don’t remember because I have a brain of a goldfish) but I wonder why, some times it gets me thinking if it was Edwin’s turn to fight for them, is he going to do it? WILL he do it? Is he willing to go as far as attacking someone (like Charles did with the night nurse) or even worse? What would he do in that situation?

It gets me thinking as well, even if Charles doesn’t feel the same way. His feelings for Edwin (platonically) are so so deep and immense that he would literally do ANYTHING to not get separated from him almost like he literally CANNOT live without him, maybe he cannot imagine what he would do if he doesn’t have Edwin by his side. They have been together for so many years, he’s used to him. Losing him would probably send him into a mental breakdown or worse, and that is something interesting to think about.

[capricioussun]

If you are still taking requests... any papyrus with a stuffed animal? (my first thought was Edge, or Dusk, because both deserve soft comfy things)

I have the biggest soft spot for fell papyri w/ plush you are SO correct

[leclercskiesahead]

Wonder what that section of Lando fans who claim McLaren (specifically Andrea) hate him just because the team don’t have a first driver preference are gonna say today considering it was McLaren who gave Oscar a slow pit stop

[onebillionbeans]

Concept for the setup of my COTL au

The lamb is a good vessel. The best vessel. Fueled by the vengeance burning in their veins, they start their crusades with leaps and bounds towards progress. It stills, somewhere in the middle. They become comfortable in their situation. Summoned to their god at his whims- first to demand, then to plan, and then to chat. The one who waits is everything- their god, their savior. He is even, not so secretly, someone they hold a certain mortal kind of devotion for. Things that make them sigh when they look at camellias and stare at the ceiling at late into the night.

Affection, they think, is returned. Not in the ways of mortals- never that way. But their god lets them stand in his hands and peak under his veil when their curiosity is piqued. He allows them comfort, allows them to rest. There is a gentle nature within him, dead like the rest of the veil but not quite yet completely decayed. The Lamb’s devotion only grows as time is spent lingering in the place between.

The cult grows. It prospers. New buildings, new rituals, disciples crowned and friends old and buried revived. Five becomes four becomes three becomes two-

Becomes one. The last fight. The last slaughter. The last chain broken.

He speaks desperately, demeaningly, to them the second to last time they are to meet. None shall wear the crown but himself. None could wear it as well as he, admirable though they were. They will return to their home, and afterwards will lay down their life at his feet, and all will bask in his glory once more. (Are they afraid? Why are they afraid? It is too late for that)

The Lamb does not want to die. It no longer terrifies them like it once did, but to be the last sheep and lay down their life…? For a god, no less. Yet another sacrifice.

But of course they would. For him. The one who holds all the devotion in their heart. And also because they are tired. They hope they will be given a place to rest. They have faith that death will be kind to them, as he has so often before. A quick death, a restful sleep, a tool put back on the shelf.

They kneel before him, on that foretold day, and relinquish to him what they have borrowed.

Their death is none of the things they hoped for. (The crunch of bones is perhaps the worst part.)

They wake, gasping and shivering. The voices of those they have long since killed buzzing in their ears like flies.

“Before us stands the last of its kind. All others we have hunted down and put to the blade.”

They could almost think it a dream, if not for how they hurt.

[diorgirl444]

RIFF LORTON ANGST IN THE WORKS ‼️‼️‼️

[grass-tin]

Dreamer but I tried designing her more like a lamb/sheep

This was also an anatomy practice for me

I’ll probably never draw this design ever again lol

[dykedvonte]

A crazy thing about Mouthwashing is that Pony Express lost communication with one of its freighters for months and didn’t send anyone to check.

A genuinely reputable company, or at the very least a decent one, would have sent someone, something out to check after about two weeks of silence. Two months is when the crew start questioning if they are even being looked for which implies they were already expecting it to take a while cause P.E just doesn’t care.

They don’t care about who they hire. They don’t care about the conditions they place their crew in or how safe the safety measures actually are. They just don’t care, made rules and regulations so they can care less and succeed in getting away with it with how little those ideas are discussed.