#there is no defense because its me writing for you

[emmyrosee]

Pls pls pls help a girl out!!

Its shark 🦈 week and whenever I’m in shark week I crave angst full on body angst ne you write it best 😭 pity me

I write it the best…? 🥺🩷 also no specific character in mind for this, but yall are married so 🫶🏻

————-

You’ve been yelling at each other for hours.

The circles of verbal assault haven’t slowed its pace, vile, cruel words flying from one mouth to pierce the heart of the other, only for the other words to come harder, meaner, louder. The throes of anger keep you both pinned in place, unable to stop, think, and see the damage you’re causing each other.

Your hands are swollen from your fists being so tightly balled, migraine forming from your scowling. His brows are stuck pinched in the center of his forehead, so deep you’re convinced they’ll stay there for days after you’re done. His teeth are grit so tight together that you want to massage his jaw to make them loosen before he shatters his pearly whites into pieces.

The culprit? A cold cup of tea, that now sits to the side dejectedly.

Because of that cold cup of tea, you’ve been screaming for two, going onto three hours, with no end in sight.

But, it’s not about the cold tea. It’s about the fact that the urgency in your love is gone, the quickness and determination to be with each other has dissolved into nothing but sugar melting in a mug of tea. Your time together has been awkward, it’s been minimal, and in your search to do something nice for him, like a warm cup of tea, he allowed it to get cold, and… what happened next?

There’s boundaries being crossed, lines of truce being broken as you cast vicious words against each other, the use of insecurities to make the other crumble and conjure a look of hurt, only to morph to disgust and yell back something even more heinous.

And yet…

“What did I even marry you for?” He snarls, throwing his arms out. “I’m certain it wasn’t for this! So why are we wasting our time right now?”

Your world stops.

In an instant, all words die on your tongue. Your mouth opens and closes like a fish as all you can think about are his words. They repeat in your head, almost in slow motion, as your heart sinks in your chest.

“What…?” you croak. Your throat is dry, mouth cottony, and you silently pray to anything, holy and not, merciful and malicious, that you didn’t hear him right. Your mind is lying, so tired of fighting you’re seeing the worst in him as a defense mechanism.

“You heard me,” he barks. “Your life is so miserable? You hate it here so much? GO.”

You heard him right.

You wished you hadn’t.

Your arms come up to cradle yourself in comfort, the fire swirling in your chest now extinguished, the once lively fight now being reduced to a ringing in your ear.

You’d… when did he…

“You don’t get to sit here, call me a cheater, a loser, a liar, all for your own good mind. Not when I’ve put my whole LIFE into you. I gave you my WHOLE. LIFE.”

“Why…”

“What?” He snarls.

You sniffle. Your bottom lip wobbles, and you blink a line of scalding tears out; you’re surprised they don’t sizzle your flesh from being so hot with frustration.

“Why… are you being so mean?”

“Mean?” He snaps. “Mean, you’ve called me some of the cruelest shit I’ve ever heard in your vocabulary, but I’m being mean? Do you even hear yourself, IM THE MEAN ONE?”

“Do you really wonder why you married me…?”

Your voice is so quiet, you wonder if he heard you.

He opens his mouth to spew his venom, only to stop dead in his tracks. His brows soften as his eyes widen, jaw slacking subtly. For the first time tonight, the room is quiet; still thick enough to cut the tension with a blade, but it’s quiet enough where you both can gather your thoughts.

You wipe your nose with your arm, “do you really think I want to stay here and fight with you? Is that how you think I want to spend my night with you?” You sob softly, “because it’s not. I don’t want to fight with you over cold tea… I don’t want to…”

You can practically see the lightbulb over his head light up. That’s right, you think to yourself. This is about tea.

“I…”

“I don’t question why I married you,” you whimper. “I know exactly why- because I love you. But the man I know would never, and I mean never, verbally assault and question his love for me over a cold. Cup. Of. Tea.”

“I don’t…” he shakes softly. “How did we get here…?”

“You started this war,” you hiss. “I didn’t.”

“Baby…”

“Don’t you fucking baby me,” you snap. “No. You don’t get to do that as a way to weasel out of this. You’re not going to guilt me with pet names to forgive you.”

“No, no, baby- damn, no, I mean-“

“You know what?” You pull your lips down into a frown and throw your hands out in defeat. “You want me gone so bad? I’m gone.”

“No, no, wait,” he begs, reaching out for one of your hands. You whip them back like he’s made of fire, and he reels away, as if keeping you safe, “no, I don’t want you to leave. I don’t question my love for you, I’d rather die than ever have you wonder if I love you-“

“Then you’d better have a goddamned good explanation for this,” you hiss. “Because right now? We’re done.”

“No!”

“I’m…” your strength is gone. Your lip quivers and your hand comes up to cover your mouth, and you wail as you make a dash out of the room, darting for the bedroom. You lock the door and slam your fist against the wood, screaming, howling in agony at the heartbreak of potentially losing your husband over a cold cup of tea.

Things spiraled so far out of control, that he questioned his love for you. How are you to come back from that? Angry words are truth shrouded in cruelty, and you are not going to let him berate you in such a manner as to wonder if this marriage was a good choice. You deserve far more, far better, than that.

On the other side of the door, you hear a soft poomf, then a thump. You stop crying to try and figure out the noises and their purpose.

“I’m here,” he says quietly, a far different tone from how he was speaking to you not three minutes ago. “I won’t try to come in. I won’t make you talk to me. But I’m here… and I love you. And I’m sorry.”

“Bite me,” you choke.

You hear him sigh through his nose, “I… I know why I married you,” he whispers. You don’t say anything. He continues regardless, “because you’re you. And on our first date, you were late because you hated the outfit you had planned, but you looked so fucking good, I couldn’t handle it. And it was that day, I decided I wanted to wait for you, forever. You are more than worth waiting for. And…” you hear him clear his throat, but there’s an emotional block in his voice, “I’ll keep waiting for you. Right here, on this floor. I’ll sleep, I’ll eat, I’ll piss I’ll die here, I don’t care, I’m right here. And I’ll stay here to prove that you’re worth waiting for.” He shudders.

“I’m happy to wait for you.”

———

haikyuu: daichi, kageyama, tsukishima, kuroo, yaku, iwaizumi, mattsun, hanamakki, oikawa, kyotani, ushijima (different font), kita (also different font), atsumu, osamu, suna, sakusa, meian

bnha: bakugou, dabi, hawks

jjk: gojo, geto, nanami, sukuna, toji, shiu

tokyo rev: baji, draken, mikey, hanma, rindou

[psicheanima]

I've always admired your eye for fashion. Your posts about it on twitter are some of my favorite of yours. Out of curiosity, did you ever encounter a character who had a sense of style you thought didn't suit them which couldn't be explained by purposeful characterization? And if so, how did you think they would dress?

Thank you very much. Yes, it happens a lot, but to answer I suppose I want to talk about a problem in comics of continuing to write characters who were very much a product of their time fashion-wise: Laura Kinney and Nico Minoru. Despite these characters being incredibly gothic with unique outfits, and saying MANY times that this style of dress “felt like them”— in recent years, Neither of them are goth, ever. Especially Laura. She is only drawn in incredibly bland clothes. The edgiest she will ever get is a leather jacket. She dresses explicitly like a girl version of her father, when her unique taste in fashion was a clear stand-out from the writers to create her own unique, more emo identity than Logan had— he is very recognizable by his flannel and more western biker clothes.

For Nico, it all starts with that demon Kris Anka. In his defense, Nico had been wearing increasingly un-researched gothic fits the more she was divorced from Runaways comics. Her outfits got more stereotypically emo rather than punk, clearly drawn by artists who weren’t too well educated in fashion. Nico was known for being a goth character. It is essential to her moody history and even her powers— they involve her needing to cut herself, clear goth stereotype which is deconstructed.

But Kris Anka’s designs of the Runaways were very “updating to suit modern sensibilities.” Karolyn’s, who was peak 2000s soft bohemian— with wrap around tank tops and NEVER without her frayed jeans, was now a complete prep, wearing things that her more down-to-earth, hippie original never would.

In Nico’s case, she is not a goth anymore. She is alt, yeah, but alt grunge. She wears bright colors, dyes her hair in a distinctly 2016 way, and for some horrible reason— is very attached to flannel. This portrayal of her fashion became repeated by other artists to the point that it’s her look in the new Spider-Man show. You understand how upsetting this is to Me? It’s like if someone ripped off all my finger nails than made me eat them.

Yes, the type of goth they were was most popular in its time. But they were characters constructed around those styles and should keep them. They should not grow out of the styles, but evolve with them. I am also an adult and I dress the way they did. It just hurts to see characters with my fashion sensibility have their drip taken away in such a barbaric manner. And have these sauceless outfits now be their style. Laura is her own person— why would she just be a woman version of her dad? Because she’s figured out her life she went from painstakingly choosing her presentation to being a lazy bum who wears only primary colors? To being the lobotomized man’s view of “badass woman clothes”? Just make genderbend Logan art, I will fucking kill you.

[florrentine]

the walk back from the coffee shop to her apartment hadn’t been much more than half a dozen blocks — a distance that a few years ago she wouldn’t have batted an eyelash at while walking in new york city, ( and done it with a pace that was much quicker than the one she’d been using tonight. ) but a fair portion of her reasoning for taking it slowly this time had a lot to do with who she’d been doing the walking with; and julian hadn’t seemed like he was in much of a hurry, so why should she be? the fact she’d slipped her hand into his not long after leaving the cafe certainly seemed to contribute to the pair keeping a slower pace — one she had every intention of maintaining ( along with the little bit of body contact that came along with it ) until they reached her building.

the lobby was deserted despite it being relatively early still, the closest thing they had to company coming in the framed sign blocking the elevator apologizing for it being OUT OF ORDER — a fact that had managed to slip her mind in the last few hours despite having to navigate it for the last few days. she curses quietly under her breath about 'the bloody lift' before pressing an apology about their having to use the stairs instead against his cheek and initiating the familiar pivot to the stairwell.

the amiable warm-and-fuzzy feeling from the drinks she’d had earlier had already been fading bit by bit on the walk over, aided briefly by the coffee she’s forgotten to drink save for a few sips in lieu of ( and much preferring ) carrying on quiet conversations as they walked, but she hasn’t noticed it all that much – especially since julian’s able to produce the same feeling with relative ease. “i was thinking …” she pauses in between floors one and two to tug gently at his shirt collar, the usual delay ( and copious amounts of overthinking ) between what she thinks and what she says apparently as out of order as the elevator that’s put them in the stairwell in the fist place. “maybe i could convince you to stay for a bit longer tonight?“ she leans in and up on tip-toe so she can playfully sneak a small series of kisses that start at the corner of his mouth that will hopefully sweeten the offer, ”or ‘till tomorrow, maybe? if you want to?“ before continuing the climb towards her place on the third floor.

her apartment isn’t too far from the stairs, yet she leans against the white painted door labeled ‘3H’ out of habit before drifting back towards him while attempting to free her purse out from in between the door and her hip. she can feel his finger beginning to trace the curve of her ear when she turns her attention downward ( and regrettably, has to let his hand go for the first time since they’d left the cafe ), gently brushing a few curls that have put themselves in his way before leaning in to distract her nuzzle against her ear with kisses that feel similar to the ones she’d offered up in on the stairs.

“does this mean you’re thinking about it?” she hums quietly while her fingers swirl around the inside of her bag; the dimmed lights of the hallway making touch a better bet than sight in finding them, “staying?” she feels the pad of his thumb gently lift her chin around the same time her fingers brush against her keys, the warmth of his breath on her neck causes hers to hitch, and the slow addition of his mouth feels very much like an answer to her question.

after a few attempts ( and probably a good dash of luck by way of muscle memory ) she manages to get the key in the lock and find the handle ( again, having to rely on touch alone — everything else about her is solely focused on the attention he’s paying to the underside of her jaw one inch of skin at a time and how she wants more of it. ) “we should get in before my neighbors get a show.”

@juliankayed gets a combo; [ ear ] sender nuzzles and kisses receiver's ear + [ underside ] sender leans in and places a suggestive kiss just under receiver's jawline

[front-facing-pokemon]

[compacflt]

tbh it's all speculation and every source says that they HOPE cruise will return. considering cruise just announced he's moving to warner bros i think they're doing damage control and really hope they can do it because he's their cash cow. until cruise himself confirms it i don't believe it.

yeah im with you on this, a lot of people have been saying this which is good.

I actually believe a top gun 3 will never be made because you CANNOT reasonably convince people the f-35 is a bad plane for two movies in a row. So they have to use the f-35, but tom cruise will never agree to make the movie because there are no two-seater f-35s so they'd have to use CGI lol

*I wanna stress I'm not like Anti-topgun3... im just anti- creative bankruptcy for the sake of a profit incentive... which a lot of Hollywood seems to be engaging in these days. endless sequels & prequels to profit off people's nostalgia for inarguably better movies of the past.

I've tried to keep my criticism of TGM to a minimum on this blog bc it really is a good movie &I hate to be Such a Crank All the Time, but its exactly my criticism of TGM too. As a story, it literally just reuses the same themes and motifs of the first movie with a few character tweaks & modern-warfare set dressing. rebellious kid (only rooster goes slow and not fast) who got shut out of the Navy (which for recruiting propaganda purposes is the Most Desirable Place To Be) needs to connect with a father figure to get over the ghosts of his past and reach his full potential. okay. it's the same story. it's literally A New Hope versus The Force Awakens levels of "we've seen this all before."

like im racking my brain trying to figure out how they would possibly write a third movie with the available threads left to pick up... I hope tom cruise says "no thank you" and top gun 3 languishes in development hell because my only answer is "I think the story is gonna suck shit"

[topicaltropic]

oops! all wips

[caffeinatedopossum]

I don't understand why it's generally not socially acceptable to recognize your good qualities. Like I don't understand why it's bad to be a show-off or a know-it-all or to brag. Like I think most people know "those things = bad" but not why.

It also seems like people are always either waaaaay into one end of the scale where they are just so unbearably full of themselves and have preposterously high self esteem (and most people act like this is fine too? Like a lot of celebrities and white men specifically seem to be like this) and I don't understand why so many people respect them then. Or they're the complete opposite with self esteem way too low despite the fact that they have redeeming qualities.

I feel like maybe the reason it's considered bad to brag is because you might 'make' other people feel inadequate but see that seems like a stupid reason to me because the problem then is not that you stated an opinion of your own self worth but is actually that everyone else is conditioned to compare themselves to each other in a very unhealthy way. And I think instead of discouraging people from opening up about what they take pride in, what they like about themselves, what makes them feel happy or content or confident, maybe we could just be discouraging people from viewing those things as personal threats? Idk just trying to formulate some thoughts on this

[valzhangism]

do you think Leo is a misogynist

nope and i'm not just saying that because he's my favourite character. calling leo a misogynist is just objectively ridiculous; the most "misogynistic" behaviour he ever exhibits is flirting awkwardly and thinking of himself as a casanova but even then when he gets put in his place it's not like he gets angry or violent or even all that upset. it's clear that his flirty behaviour is just another coping mechanism that can manifest negatively like, say, his bullying frank. he's best friends with piper, is intimidated by annabeth, and becomes close with hazel and reyna. all characters with which he has completely normal and meaningful interactions with. frankly i don't get at all how people see him as some raging misogynist—the most he has is a minor sexism problem that is typical of most teenage boys, one that even percy has.

tldr; no. nothing leo does is ever that serious.

[syncrovoid-presents]

I will continue being gone for a few days, sadly my original al plan of releasing the newest chapter of The Consequence Of Imagination's Fear has also been delayed. My apologies

Can't go into detail because its hush hush not-legally-mentionable stuff but today is my fifth 12 hour no-break work day. I'm also packing to move too in a fortnight (which is a Big Yahoo!! Yippee!! I'll finally have access to a kitchen!! And no more mold others keep growing!!! So exciting!!!)

[milfygerard]

im sorry and it was a post from a mutual no hate but every post i see comparing taylor swift to mitski makes me want to pull my hair out. the reason their music is so different is because they ARENT IN THE SAME GENRE!!!!!!!! TAYLOR SWIFT IS A COUNTRY SONGWRITER WHO MAKES MULTIGENRE POP MUSIC!!!!!! at LEAST compare her to someone closer to her genre like a kelsea ballerini or a kacey musgraves like its just bad song analysis

[summer-fruits-and-cream]

@internetcatholicism is blocking people who are brining up OUR's problems on their post asking for donations to support the org

I'm all for blocking people on social media but conservatives will complain about how biased and close minded people are, and how no one's willing to have a conversation. And then when it's pointed out that a charity may be sketchy, they refuse to even do any research.

I'm tired of all these people who have decided that liberals only hate sound of freedom because "oh they think it's connected to qanon". As if there aren't multiple accounts of problems

They're screaming about child trafficking but God forbid they give their money to someone who will actually make a difference

[judyalvqrez]

the way people are once again removing all the nuance and moral greyness and complexity out of the last of us, but especially joel miller’s character is kinda concerning lol

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

[uss-edsall]

Ridley Scott, regarding his new Napoleon movie, is being aggressively defensive about its inaccuracies with historians. He's gone on record saying "When I have issues with historians, I ask: ‘Excuse me, mate, were you there? No? Well, shut the fuck up then.’" This is a classic argument of people with no idea how historians do their work, how historical accuracy is determined and evaluated, and - in Ridley Scott's case in particular - how important it is to properly portray historical accuracy in other media.

The reason why Ridley Scott is being so aggressively dismissive of complaints about historical accuracy is due to past beef leading to a problem he likely has.

This is a movie that, by din of being touted as a 'nonfiction' movie about a historical figure, is basing much of its marketing on historical accuracy by default. The trailers show it's not, and reviews by historians say it is riddled with dozens if not hundreds of inaccuracies. Napoleon's portrayal is frankly a surface level depiction and nowhere near the nuance that historians were hoping for.

Scott's defensive about it. He need not be. If he had a historical consultant then he could go "I'm not an expert on the time period, but I have someone who is, ask them about it" and fob them off on his movie's historical consultant. It's a whole Thing. He doesn't have one, however, so he has to defend it personally.

You see, Ridley Scott probably didn't hire a historical consultant for Napoleon. The last time he had one - Kathleen Coleman for Gladiator - she was so upset over the inaccuracies he pushed through and how little her work affected the film, she requested her name be taken off of it.

Why this is important is because so many more people will watch a movie made by Ridley Scott than I or any other person could write. More people will watch Scott's Napoleon in the States than five hundred books about Napoleon combined worldwide.

More people watched Dunkirk than ever read a book about the Evacuation of Dunkirk. The movie Breaker Morant did so much for public perception about the execution of a genuine war criminal people in Australia still on occasion call for a pardon for Morant.

Fundamentally, mass media like movies will always have more impact of a popular perception about somebody, a time period, an event. That's why Ridley Scott making an inaccurate movie and going 'oh, you weren't there, you didn't see it with your own eyes, so how could you know, I don't have to listen to you' is a problem.

[renthony]

In Defense of Shitty Queer Art

Queer art has a long history of being censored and sidelined. In 1895, Oscar Wilde’s novel The Picture of Dorian Gray was used as evidence in the author’s sodomy trials. From the 1930s to the 1960s, the American Hays Code prohibited depictions of queerness in film, defining it as “sex perversion.” In 2020, the book Steven Universe: End of an Era by Chris McDonnell confirmed that Rebecca Sugar’s insistence on including a sapphic wedding in the show is what triggered its cancellation by Cartoon Network. According to the American Library Association, of the top ten most challenged books in 2023, seven were targeted for their queer content. Across time, place, and medium, queer art has been ruthlessly targeted by censors and protesters, and at times it seems there might be no end in sight.

So why, then, are queer spaces so viciously critical of queer art?

Name any piece of moderately-well-known queer media, and you can find immense, vitriolic discourse surrounding it. Audiences debate whether queer media is good representation, bad representation, or whether it’s otherwise too problematic to engage with. Artists are picked apart under a microscope to make sure their morals are pure enough and their identities queer enough. Every minor fault—real or perceived—is compiled in discourse dossiers and spread around online. Lines are drawn, and callout posts are made against those who get too close to “problematic art.”

Modern examples abound, such as the TV show Steven Universe, the video game Dream Daddy, or the webcomic Boyfriends, but it’s far from a new phenomenon. In his book Hi Honey, I’m Homo!, queer pop culture analyst Matt Baume writes about an example from the 1970s, where the ABC sitcom titled Soap was protested by homophobes and queer audiences alike—before a single episode of the show ever aired. Audiences didn’t wait to actually watch the show before passing judgment and writing protest letters.

After so many years starved for positive representation, it’s understandable for queer audiences to crave depictions where we’re treated well. It’s exhausting to only ever see the same tired gay tropes and subtext, and queer audiences deserve more. Yet the way to more, better, varied representation is not to insist on perfection. The pursuit of perfection is poison in art, and it’s no different when that art happens to be queer.

When the pool of queer art is so limited, it feels horrible when a piece of queer art doesn’t live up to expectations. Even if the representation is technically good, it’s disappointing to get excited for a queer story only for that story to underwhelm and frustrate you.

But the world needs that disappointing art. It needs mediocre art. It even needs the bad art. The world needs to reach a point where queer artists can fearlessly make a mess, because if queer artists can only strive for perfection, the less art they can make. They may eventually produce a masterpiece, but a single masterpiece is still a drop in the bucket compared to the oceans of censorship. The only way to drown out bigotry and offensive stereotypes created by bigots is to allow queer artists the ability to experiment, learn through making mistakes, and represent their queer truth even if it clashes with someone else’s.

If queer artists aren’t allowed to make garbage, we can never make those masterpieces everyone craves. If queer artists are terrified at all times that their art will be targeted both by bigots and their own queer communities, queer art cannot thrive.

Let queer artists make shitty art. Let allies to queer people try their hand at representation, even if they miss the mark. Let queer art be messy, and let the artists screw up without fear of overblown retribution.

It’s the only way we’ll ever get more queer art.

_

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[luveline]

Something for hotch? Maybe where reader gets hurt/a concussion on a case and goes to the hospital but refuses to tell him she went until someone else mentions it?? <3 you dont have to do it if you have something similar but i love your writing!

ty for requesting!! <3 —Hotch will look after you, even when you don’t tell him you need him. fem, 1.7k

cw reader has a concussion

Hotch rubs his face when he knows nobody’s watching. Hand over his eyes, thumb and forefinger working against a brewing migraine. It eases a little of the tension there, but he can’t do it like you can. There’s something in your hands that makes him want to call them lovely hands, such a quaint word. You rub the space between his brows with your thumb until his aching is gone or replaced. Fondness with its own heartbeat wakes whenever you’re near. 

You’re not near. His head hurts. He wants a cup of coffee and a shower and to call Jack. The cases are never over when they’re over, is the thing, and he can’t keep track of everything. He has to answer questions and patch holes now, before the work follows him home to take up space on his desk. 

He talks to police officers, chiefs, victims families and firemen and Penelope, too, anybody who needs to ask him a question. He tells Emily to go back to the hotel because she’s exhausted, and warns Spencer that staying too long will give him another headache. He’s surprised half an hour later when Morgan grabs him by the arm. Hotch assumed he went with Spencer. 

“Hotch, what are you still doing here?” 

Hotch gives him a strange look. It’s not as though Morgan hasn’t seen Hotch clean up a mess before. “Sorry?” 

“I thought you’d be with Y/N.” 

He tries very hard to look casual. The team are often better at pretending they haven’t noticed you and Hotch slowly moving together. “She went home.” 

“No she didn’t, they took her in an ambulance. She’s at the hospital, nobody told you that?” 

Hotch knows Morgan can finish up for him. He doesn’t even say where he’s going or what there is left to do, Morgan is more than capable of handling the unit, and he’s a phone call away. Hotch rushes for an agent with a car and tells them where he needs to go as he punches your speed dial into his phone. Number three, after Penelope and Jess. 

You don’t answer, it makes him feel sick. He calls again and JJ picks up. Blessed, amazing JJ. 

“Hi Hotch.” 

“Is she there? Can I speak to her?” 

“She went in for an MRI a half hour ago.”

“JJ, what happened? Why didn’t anyone tell me?” 

“She said she told you.” A dry laugh from down the phone. “You’d think I’d learn not to trust her. I love her, but she’s a liar.” 

Hotch could say the same thing. “JJ, what happened? What’s wrong with her?” 

“I think she’s embarrassed. When everybody was coming back out, someone stepped on the back of her leg and she slipped down the stairs.” 

“Who stepped on her?” Hotch asks. 

JJ laughs. Hotch wonders if they’re too far into working together to scold her for unprofessionalism, but then he remembers the Unit would fall apart without her and holds his tongue. He’d fall apart without you, maybe, and he could stand to be a little more defensive. 

He’s out of the car and into the hospital in record time. He follows the signs to the Emergency Room, gives your name at the desk, and doesn’t have to flash his badge to get told what room they’ve put you in. He would’ve, and he would’ve threatened legal action. He’s no saint. He’ll abuse the system (in innocuous ways only, of course) if it means he gets to see you. 

You’re in a bed but sitting on the side of it rather than laying down. JJ sits in the chair beside you, two contrasting expressions on your faces. You’re smiling. JJ bites her lip. 

She turns to Hotch with relief. “Hey, look,” she says gently. 

“You took a long time to get here. Was it the moon?” 

Hotch understands quite quickly. “Sorry. Nobody told me you got hurt. What happened to the moon, honey?” 

You give him a vacant look. Turning back to JJ, your hands vying for her arm, you hold her to your stomach gently and squeeze your eyes closed. “The light.” 

Hotch turns to the wall, looking for the light switch. It’s hidden behind other concerning tech, so he’s careful about what he presses. You sigh and draw his attention, wiggling back on the bed to almost fall off the other side. 

“Maybe she thought she told me,” he suggests, not scolding JJ, but unhappy nonetheless. You clearly aren’t in a state to make decisions for yourself. 

JJ rubs your arm. “She got worse after we got here. That’s why they sent for her MRI so quickly. She’s on and off with it, incoherent and normal again.”   

Hotch knows she’s concerned for you, but he can read her restless leg; she hasn’t talked to Will or heard about Henry in hours. “Go back to the hotel, JJ. I have her.” 

JJ gives you a hug, to your confusion, and bypasses him fast. He can hear her phone ringing before the doors shut from her departure. 

He admires her loyalty, he just wishes she’d called him two hours ago. 

You rub your eyes, the loose sleeves of your hospital gown shifting against the loose knot behind your neck, and he genuinely despises the idea that you’d been here, hurt, without him. “Can I tie your gown again?” he asks. 

You nod into your rubbing. 

“I turned the lights off. It shouldn’t be so bright in here anymore.” He rounds the bed to your back, where a great deal of skin is showing. He smiles though he shouldn’t. You poor girl. “You’re a little… stark.” 

“I’m trying to think of some fruit and milk,” you tell him. 

“Do you need help?” 

“Not for the fruit.” 

“But for the milk,” he surmises, bringing the ties of your gown as close as he can without strangling you and tying them in a neat bow. 

“I don’t think that’s what I meant to say.” 

He puts his hand on your shoulder, his thumb to bare skin. “That’s okay, honey, you’re having a little trouble now, but it’ll go away soon. If there were something wrong, the doctor would be here.” 

“You could be a doctor.” 

“I couldn’t. I don’t know anything about medicine.” 

“A very nice doctor. Big hands.” You breathe out loudly, more animated than he’s ever heard you. “Whoo, I’m cold. I think they made me naked.” 

“How about I tuck you in, would you like that?” he asks, leaning over you in hopes of you turning your head. 

You stare up at him. “You want to?” 

“I’d love to. I want you to be comfortable.” 

“My boyfriend might not like it.” 

Hotch tries not to sulk at another horrible symptom. You aren’t only incoherent, but amnesiac. And you’ve forgotten who he is, in a way. At least you’ve remembered you have a boyfriend. He hopes it’s him. 

“No? Why wouldn’t he like it, honey? I’m just trying to take care of you.” 

You visibly fluster. “You’re calling me honey like he does, and he won’t like it ‘cos he takes care of me. He loves to go to places but he doesn’t know where he’s going.” 

That second half is gibberish, he’s sure. Hotch puts his hands carefully under your armpits and manoeuvres you back toward the top of the elevated hospital bed.

You put your hand to your tummy as you lean back, and hiss as your head touches the pillows. “Ow.” 

“Sorry,” he murmurs. 

“Don’t tell Aaron I got hurt.” 

“Why not?” 

“I fell down the stairs. He’s never fallen down the stairs.” 

“I have, actually. Twice. And it doesn’t matter how you get hurt, I want to know you’re alright, so I need you to tell me.” 

He pulls the sheets up to your legs and over your lap. Tucks them tightly behind your back, hands lingering on your hips. He watches you look at him, your cloudy gaze tracking over his eyes, his nose, and his lips. “Aaron?” you ask eventually, lifting your chin. 

“Yes?” 

You breathe out an unmissable sigh of relief. “You didn’t come with me.” 

“I didn’t know you were hurt.” He squeezes your hip softly. “You didn’t tell me. But it’s not your fault, is it? You got hurt.” His voice falls into silk. “Is that warm enough?” 

“I’m glad you’re here. I need you to get my shoes.” 

“No shoes. Can I have a hug?” 

“Why?” 

“Just to hug you,” he says softly. “It might make you feel better.” 

You raise your hands clumsily like your fingers are full of sand, forcing him to see his arms under them and behind your back. Your cheeks align, his rough with stubble, yours warm with the heat of a flush, perhaps from the injury. Your hands flop down onto his back as he rubs two separate, loving paths on the gown and your skin. 

Thank god she’s okay, he thinks. 

“Am I stuck like this?” you ask. 

“Are you worried?” He taps your back. “I doubt it. We might have to stay here for a while, but it’s okay. Feeling better is the priority.” 

“I’d like to go back.” 

“Home?” 

“For breakfast.” 

“Are you hungry? I can find you something to eat.” 

“What?” you ask. 

You sound so genuinely confused that Hotch laughs into your shoulder, before giving the fabric a soft kiss. “It doesn’t matter. I’m gonna bring that chair over and sit with you, okay? We’ll wait for the doctor together.” 

He sits with you for hours, talks to doctors and nurses alike as they come to check your vitals and explain your scans. Your confusion doesn’t lessen until the night time, and even then you act oddly, bringing his hand to your mouth to kiss strange parts of his fingers. The skin shy of his nail. The underside of a knuckle, the curve under the meat of his thumb.