#there are more thoughts but i didnt want to get into spoilers

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[burningfunobject]

S2 arcane spoilers!!

Anyone else notice how dim viktors eyes look in the new season like

And it's like this for nearly every other shot

Compared to his eyes in s1

And he's rlly out of character too

And sure that could be the trauma of EVERYTHING that's happened

But I feel like it's more than that

The hexcore is controlling him obviously so maybe we'll see him try to fight against it??

I really hope he does bc I don't think the whole magic arcane Jesus thing is really working for me tbh

OR if he doesn't manage to get free of the hexcore maybe he decides to lean into it by baking himself even more robotic buy powered by hextech or whatever the new equivalent would be

I've also been thinking maybe he'll start upsetting the chem barrens?? But it seems kinda unlikely

[screechingfromthevoid]

I don't think Dorian wants the stewardship. I never thought he wanted the stewardship.

They're his characters and Robbie can do what he wants but when Dorian says "I'm free" it kills me inside because you can hear the relief but you can also hear the lingering dread of "for now".

And when orym asks about the future Dorian only wants "day by day" which is totally fine in the short term. But when time comes and his parents are old and grey and tired, will he return? He is next in line. Will his parents do their damnedest to stay alive as long as possible so Dorian can be free for as long as he can? Will Dorian come home and gently coax the stewardship from them when they are no longer fit?

Who will be the next Firstsun?

[legendoftherisingtide]

[intro]

Bakugou is a prideful, arrogant person. He holds himself to the highest standard; he is the best and everyone else is simply below him. Everything he has ever done was in pursuit of being number one, shining above the rest. He has to have a perfect victory, he has to be a perfect student, he has to win to save.

He pushes and pushes and won’t let anyone see his weaknesses or his insecurities. He can never lose, he can never fail, he can never show that he regrets or hesitates or that he hasn’t thought everything through. He must never be vulnerable in every sense of the word.

Then why is he standing in the rain.

To apologize shouldn’t be a sacrifice, but it is for Bakugou. To pour his feelings, to admit his wrong, to let down all of the walls he has built and be vulnerable. And in front of his whole class.

He is willing to sacrifice his pride, to fully sacrifice any superiority he could have, to bare his soul and even risk rejection. Because he knows Midoriya is more important. Because he wants him to come home, he wants him to know his true feelings, because he wants things to change. 

Because Midoriya has changed him. Midoriya has opened his eyes; by showing him he’s allowed to be open, that his feelings should be expressed, that he has so much to learn, and so much of that was learned through Midoriya just existing.

He isn’t sacrificing his safety frivolously because he’s expected to as a hero; he is doing it because he has grown. He is doing it because he has finally admitted to himself that he wants Midoriya to be with him and safe.

So I will sacrifice this for you. Not because it will change anything, as much as I want that I know that I can’t just fix all the wrong with just this. And I am willing to do as much as it takes to earn your forgiveness. But I don’t need that from you, not now and not ever if you don’t want that, I just need you to rest. I did so much wrong. And I am sorry for everything. You don’t have to do this alone. Lean on us. You are so strong and being supported doesn’t discount that. You’ve taught me that. 

I hate the rain. But I will brave it for you. 

He would do everything in his power, admit so many things, just to get Midoriya to take care of himself. We see him being the most vulnerable he has ever been in front of people that aren’t Midoriya. He does so much completely out of character, all in pursuit of being there for Midoriya. 

For Izuku.

He finally gets over himself and finally tells Midoriya the feelings he has felt for so long.

He lets go of this idea he is inherently better and finally acknowledges that his hatred for Midoriya has always been about his own shortcomings and insecurities. But he still wants to be better, they are still rivals. He isn’t going to sacrifice that part of him because that is just who he is; he is still going to push to number one.

But now it’s different.

There is verbal and vocal acceptance and respect. Before it was unspoken; their relationship had changed ever since Ground Beta. They were proper rivals, with mutual respect and care, they were actively making each other better.

But Bakugo finally verbalizes it and tells Midoriya, not only is he sorry, but he wants to actually have a proper friendship; he wants to continue to become better and earn his forgiveness. He wants them to push each other to be better, he wants to continue to fight for the top spot, he still wants to be the best.

But when did it become something else? 

When was the turning point when it started to shift from wanting to surpass Midoriya and be the best, to wanting to keep up with Midoriya and stay by his side?

Bakugou has already sacrificed himself for Midoriya before. His body moved on its own; with no hesitation, he would save Midoriya. He has already risked his life for him. But there is a layer to it that I don’t think people talk about. 

He tells Midoriya he shouldn’t try to win this on his own. 

He disguises his concern with an insistence that he’s in it to fight for himself when he initially joins the battle. But it is to fight by Midoriya’s side and support him.

But taking the hit for Midoriya, jumping in the way isn’t just support. This is sacrifice. This is giving yourself to ensure the safety of someone. And it was second nature. 

There are two reasons and both are a sacrifice of something in the moment.

It is knowing someone is so valuable, so great, in all senses of the word, that they must be protected. Bakugou is sacrificing his body and admitting that Midoriya needs to stay alive, for personal reasons and/or for the world. He needs Midoriya to be okay, Midoriya can’t fight alone and Bakugou will do anything to make sure he will be okay. 

But the sacrifice of ideology. 

With every development, he has relinquished parts of himself. When he sacrifices himself he is not only sacrificing his body but is admitting that he can’t do this on his own; he needs Midoriya too. This isn’t him wanting to be better than Midoriya, it’s him wanting to do it together.

Midoriya changed him.

He doesn’t die for Midoriya. He wakes up and just as his last thought was Midoriya, so was his first as he woke up. He runs to his side. People are dragging him back, trying to have him rest, knowing before he even said anything that he would lose his mind over Midoriya’s situation. 

Everyone sees how Bakugou feels about Midoriya.

He sacrifices himself because Midoriya can not die on him. Midoriya has to stay alive. Midoriya has to keep fighting. 

There can not be a world that doesn’t have him in it.

This is the culmination of what has been developing ever since the final exam where Bakugou finally works with Midoriya; the day that win to save, save to win was noticed. Then furthered after Ground Beta where they finally talked to each other and something changed within them both.

But the final sacrifice is the culmination of Bakugou’s character.

He knows what this decision will mean. Everyone screams for him not to. He knows that he is going to die. He knows he will not win this fight.

This isn’t dying for the cause. This isn’t just a hero complex. This is because he can help Midoriya and he will. This is for Izuku.

I will sacrifice myself for you. To give you more time, to give you even the slightest chance of winning. I will sacrifice myself for you because you are who can win. I am going to die. I am going to die and in my final thoughts, I will ask if I will still be able to be by your side.

It is no longer can I beat you. It is no longer can I surpass you. It is can I still catch up to you. It is can I still even be equal to you. He has already sacrificed the idea that he could beat Midoriya, that isn’t what he wants anymore. What he wants is to stay here with him.

I will sacrifice everything I am. I have wanted to be the best. All my life I have wanted to surpass you and everyone around me. But you. I will let that go for you. I let it go in my mind for so long now and I have never wanted to admit it. Is it even possible? Is it even possible for me to catch up to you? Is it even possible for me to stay by your side. I can’t be that anymore. I am sacrificing even that now. I will never be number one now. I will never become the person I always dreamed to be. I will never surpass you. I am forever sacrificing that now. I will die here.  

But can I still be with you?

The sacrifice of his life is him fully relinquishing everything he is, admitting that he can’t keep up, losing all of the progress he has made, letting go of everything that made up his character.

And the last thing on his mind is if he can still be able to be by Midoriya’s side.

He won’t let him go again. 

[dandelion-roots]

Helena Eagan, VIOLATION (2025)

[ID: a digital drawing of mark s and helena from severance next to a heater. helena is lying on a blanket that says lumon over and over again. she's entirely ice blue, with only the mask she's wearing being warm orange. the mask is of helly r. her smiling face is drawn on with sharpie that has smudged in places, and her hair is angular like it was cut from paper. mark s is over her, his hand cradling the mask. we see the back of his head and a crack in it in the shape of an anatomical heart. helena's hands are at the edges of the crack, pulling it apart, and the exposed brain is pink in the middle and blue around the edges of the crack. a needle with a tear on it is going into his brain. mark s is also in warm colours like helena's mask and the heater. in the background are design elements- the elevator with the down arrow, ms casey's turned away face, shrouded figures and eyes. End ID]

[pixelatedmars]

finished arcane act 3,,,,,

[jamiethebee]

You know what irks me the most about the mha ending. (Sorry I'm still on it.)

Like the early parts of the manga, there were so many grown up hero AUs in fandom (like storylines that took place when they're adults and heroes) and they're fun! A little silly!

And then we had the war arc and cities are being destroyed and everything's torn up and for over a hundred chapters, it's been oh huh I guess every AU like that will just be canon divergence lmao

And then Horikoshi basically wipes the slate clean so I guess all those AUs could technically canon compliant. There's not even much in the way of lasting physical damage! Because it's dealt with???? Immediately???? Within months?????

Which is fine! Nothing wrong with it! The AUs are fun! But, it just irks me that you could throw out half the manga because it didn't matter. Nothing majorly changed. Silly adult hero AUs for everyone I guess because the League may as well have been 2 bit villains for all the effect they had at large was. Idk. Maybe I'm bitter? Maybe my brain still trying to process the ending and the change in how AUs relate to canon? I guess - what was all the constant sprinkling in of "society has let people down" that we see from chapter 1? It meant nothing? I guess????? I mean A WAR HAPPENED. But whatever I guess heehee wasn't that soooooo silly???? That people's take on early story can be the same as post story?????

[tariah23]

🗿

[what-is-it-to-be-pk-esque]

My partner finally finished BG3 but has no idea that his ending was actually bad cause he was a pro-Vlaakith githyanki who rode off with Lae'zel but got NO EPILOGUE where Withers points out y'all died im 😭😭😭

they have no idea what happened with Gale or anyone else (who was still alive) after flying away 🙃🙃🙃

[1eos]

Prev anon, I WARNED YOU THE BOOK WOULD RAISE YOUR BLOOD PRESSURE BECAUSE OH MY GOD THE GIRL LIVED AND DIED AS SAC OF DONATABLE PARTS! I READ IT AT 16 AND CRIED SO MUCH BECAUSE SHE JUST NEVER HAD A LIFE. SHE DIED THE MOMENT SHE GOT FREEDOM. THE WORST ENDING PLOT TWIST BUT OH MY GOD. (Also I’m a bish so I was hoping other sister would finally tap out and be like “I have VASTLY overstayed my welcome on this planet at the sake of my sisters health and wellbeing” which she technically was ready to do but she ended up having a long life???? . Also white privilege is that the brother never goes to jail).

when i got to the part where the dad is like 'he wants to be punished for being a serial arsonist so i'll do the worst thing to him--giving him a hug' i thought abt the ask u sent me earlier and thought thats what u meant bc that pissed me off bad BUT IT ONLY GOT SO MUCH WORSE. like it was ooooooooooooooooooooo weird the book did all that about that child having no autonomy or choice just to kill her off and her organs donated without her conscious consent. it was such a cop out. even if she went through all that decided ykw? i DO want to give a kidney that wouldve been a bit defanged on the whole autonomy from her parents BUT deeply realistic or hell even if the car crash happened and the sister said HELL NO i do not want this kidney im ready to go. like its so odd that in this specific narrative the sister is like im done suffering i feel like such a burden bad things keep happening to my family bc of me and then her sister dies and shes in the throes of agony but just takes the kidney.

im just kinda let down bc this book requires you to 1. fill in a lot of emotional blanks. like i can fill in the blanks and say the sister took the kidney despite being ready to die earlier bc she already felt like she had to live for her mother or it would be a waste of the sisters legacy. but it wasted so much time on that useless ass love story when it couldve been fleshing out the emotional ramifications of the ending

which leads to point 2. a LOT of the parents shortcomings are just glossed over? the parents emotional neglect 2 out of 3 kids and the 3rd feels like a black hole that's ruined everyone's lives with a disease that's beyond her control but its quite clear to me the author expects us to believe the fitzsgeralds are good ppl just 'doing their best'. like its sooooooooooooo white american early 00s middle class w no care for anyone but themselves it honestly makes me fucking sick. the mother especially like basically had a favorite child and lowkey resented the son for daring to want to be loved and was clear about how the youngest was expendable. and the book emphasizing on how much she mourned 😐ok but u got what u wanted lmaoooo. like im sorry idk where i was supposed to get the feeling that she loved all 3 of her kids at all 😭😭😭😭😭 and then the brother turning his life around all bc his father negated consequences for him AGAIN. not to be a cynic but ppl don't change just with a fucking hug lmaooooo he shouldve gotten 15-20 years. gotten out in 5-10 for good behavior, started a prison outreach program and THEN maybe i'll believe he's changed.

[amethyst-halo]

my excerpt thoughts

[thoughtpeek]

I'VE FINALLY FINISHED BROTHERSHIP IT WAS SOOOOO GOOD!!!!!!!

[limonjarritos]

Till should get to go on a murder spree for funsies 💖💖

[lem-argentum]

^the sillies. 💛

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)