#theories and lore

[alphabetically-incorrect]

wait wait wait

but then how did Casey Junior not get it too? Casey carried Donnie from the battlefield to safety with him strapped to his back, probably bleeding all over him, and is also injured and bleeding to boot.

pure luck of the draw?

Draxum's mystic flower immune booster protecting him?

the virus being "smart" so it only targets Donnie? (would explain how it doesn't seem like it's contagious)

Hopping back in the “when did Donnie get sick” train because of your latest update with memory ritual Casey, I think I have a pretty good guess as to what got Donnie.

The very long episode known as episode two, aka “carry the uncles.”

We see them extremely battered, can from the looks of it, both of them have a couple open wounds. While infection can get in though the holes on our faces (nose, eyes, mouth), it can also get in through the bloodstream, where it is usually identified by white blood cells.

Donnie is significantly more battered than Casey, who appears to be severely bleeding though his leg, plastron, side, and forehead. All prime locations to get into the bloodstream unnoticed.

(Another thing. Outsider cells can pose as insider cells, which is usually how stuff like cancer happens. I don’t doubt that when the kraang made that virus they took a few humans to make sure it was extremely lethal and wouldn’t get fucked over by Donnie’s white blood cells, as you said before that the area around Donnie’s grave turned so desolate that even other kraang vines were KILLED by the infection. (Which makes me think it behaves like the fungal virus of the last of us but worse.))

The earliest we see Donnie obviously pull his dramatics is episode six, primarily the first pannel of part two of episode six, kraangified.

This is the very same episode where he perched on Raph by using his spidershell’s arms.

Donnie was most likely feeling the effects even earlier, but because the episodes between 2 and six are more filler and elaboration (and also where people speculate he got it, episode three.) we don’t know.

I should note, people claim he got it in episode three when he ran a kraang over. This is likely not true, as you stated the infection killed kraang vines around Donnie’s grave. Why would you carry it on your body for long periods of time with how lethal it is? Wouldn’t you put it on one of your hounds or zombies?

From episode 6 onward, we see Donnie increasingly get more dramatic and need to rely on his tech more until he, unfortunately, goes poof from this plane of existence.

(One more thing I want to add is that this infection was most likely similar to a fungus or cancer, as it was eating up Donnie from the inside and transforming his cells into other cells, which is most likely how his blood turned pink.)

Anyway, theory time over, thanks again for giving us this wonderful series, can’t wait to see what happens when small donnie realizes why Casey got so upset over big donnie.

Wow, that's one BIG study.......

I'm not going to say anything because you've already said everything. But I will add here one new screenshot from a recent update as confirmation that you're right. Because if you look at the location of his injuries in both pictures....

[strange-and-artistic]

what if the creepers were the previous generation of villager’s defense system that were replaced by the more advanced iron golems causing these units to be abandoned and left to rust and overgrown with moss

with the operating system deteriorating with time, these units no longer function properly, becoming a hunk of metal filled with explosive faulty electrical components wandering the earth, becoming a hostile mob themselves

[chloesimaginationthings]

Vanny can’t explain everything in the FNAF pizzaplex..

[xesnox]

Save me Ancient builder tribe gajinkas, save me…

Structure constructors or something, idk, I never played the Minecraft.

In the nether fortress crafting my Withers, and by Withers, heh… let’s justr say.. inter dimensional societal collapse…

Usual design rant below

I believed veils would work great for the Ancient builders as not only can they hide their identity efficiently, keeping them relatively ambiguous, but also protect from the weather in the generally warmer climates they were largely stationed in, and equally work as face masks against disease and virus‘, all whilst still being able to be stylised in different ways, allowing the shape language to remain distinct.

Other visual inspirations were pirate and sailor clothing for the cold costal tribe, Ancient Greek and farmer attire for the warm costal tribe, and funnily enough: sci-fi desert planet Civilisation concept art for the desert tribes design.

Aswell as ofcourse their own respective structures and the loot within.

The colouration does differ in my head from what I rendered, I believe a lot of the little trinkets and details would have different colors, but I didn’t want the shillouettes to clash or melt into one another in this lineless style so here are the base colors for now, as I tried the former and it didn’t look good.

Look I know they were like a massive imperial force or whatever but you cannot tell me a group of artists inventors and architects that relied heavily on their semi sentient bio-mechanical hellspawn machines (and some necromancy) to do their bidding, bunkering up immediately once the odds were no longer in their favour, could handle a punch or two.

These people probably looked like starving artists, especially after the overworled was turned into a withering shithole for a couple years, legends was definitely a fanfiction they wrote about themselves. /j

[the-mercurial-star-o-vesper]

TF2 COMIC THEORY (and Spoilers)

What, did Zephaniah Mann do?

Look, if there's one thing I know about Valve Lore, is that its really hidden, really coded, and TF2 has been fucking TEASING for decades now.

And as far as I'm concerned...

We know who the mystery man in the rip is... That's Gray Mann, the missing brother. Gods knows he's been teased enough over the years.

But here, I'm interested in...

[ Spoilers below ]

... Where the stinger occurs.

Zephy is not an only child.

Because his brother is Silas Mann, the Headless Horseless Mann. Owner of a mansion, haunting that very mansion. Shown in the first picture posted. They ran "Zephaniah Mann and Sons, Quarterly Munitions" Together.

Its a tradition for Mann sons to kill the other siblings. Its why there was such a rivalry between the Mann twins (erm, Triplets).

Our Admin apparently knew already, was already observing the situation...

She was waiting.

What, did Zephaniah Mann do?

Why does the administrator hate him so much?

Does it have something to do with a little girl...

... Who can't remember how her parents died.

The man in the picture wears a Towering Pillar of Hats. While that's just the TF2 Timeline Aesthetic... there is another significant element.

Its in Coal Town, surrounded by Hales. While its the "Booths" hat, it was around, clearly, before Bilious was a baby--in Barnabas Time.

Zephaniah and Sons would become Mann Co, after being given to Barnabas.

What, did Zephaniah Mann do?

Easy.

He murdered the Administrator's father, Silas Mann, and her mother, out of "Tradition", and then claimed that HE was an ONLY CHILD like the selfish self-centered bastard he is.

And Our Administrator ensured, even through vengeance that lasted centuries, to a point where she didn't even remember why she started, that it would Never Continue.

Vengeance of a little girl who lost her parents.

Arguably, in comic lore, the torn picture isn't exactly accurate anymore.

Because that Gray Mann in the center, and our Mann Twins didn't even know there was a Gray Mann, and in fact, most of the people in the picture didn't even know about him. And if they took a picture, then clearly, someone would've known.

So its more than likely, a portrait or lore symbollic only. Only meant for the fans, to know what we're looking for and Who, about the time of the first Halloween Events.

( Look it took decades to get all the comics, mate, its not gonna be a craft masterpiece. We get what we get. )

[g4l4xy-qu33n]

Okay, so I discovered something when re-reading Journal 3. The page that has the Oracle on it:

When I first read Journal 3, years ago, this didn't mean much. Oh look, it's the girl that saved Ford from Bill's possession by putting a metal plate in his head, hooray! (and some other stuff but anyway she didn't seem super significant at the time).

Well, this time around I recognised her, specifically because of the Book Of Bill AND thisisnotawebsitedotcom. She's Seveneyes! (the scratched out member of Bill's crew in BoB, and a blacked-out photo of her appears on the website when you put in 'seven eyes'.

I'm not sure if this means anything, but it certainly blew my mind!!

[a-scary-lack-of-common-sense]

Eldritch/not-entirely-human Grunkle Stan stories have been eating away at my brain, so I have a silly little concept of Mimic!Stan.

He and his Mystery Shack are both mimics that lure tourists in as a literal "tourist trap" to gather and devour them! Since the house is alive, it raises a few (read: several) child safety concerns that lead to a LOT of rules to be created for Dipper and Mabel to follow when they eventually arrive, such as:

Be careful not to get lost in the winding hallways! The Mystery Shack is bigger on the inside, and you don't want to end up in the wrong areas.

Don't go through randomly appearing doors, they may eat you.

If you think you feel the walls around you breathing and the floor beneath you shifting, no, you don't.

If you think the walls feel a bit damp, you're imagining it.

Watch your fingers around windowsills! You wouldn't want to lose any of them.

Don't linger too long under the doorframes; it may start feeling like they are slowly constricting around you.

[cantobear]

doodles from the past week

[jjkbambi]

sorority car wash luigi mangione x reader (18+)

smut summary: your best friend’s brother luigi visits your sorority’s spring fundraiser

warnings: long ass argument, our frat boy #graduated, rough as usual, name-calling, p in dis v :3, is car sex public? car sex, implied cheating, jealous quickie, assume everything is unedited

the fundraiser had drawn out the worst of penn state: truck drivers, high school football coaches, republicans with obvious gambling addictions. despite the obvious discomfort around dancing around frat row in a bikini, there was an undeniable satisfaction in knowing every passing gaze was a dollar to your name.

well — not necessarily your name. it was a dollar to your sorority house, your sisters, your reputation. your public display was, in all, an investment for an impressive bullet point on your college resume. any level-headed businessman would’ve been able to see that.

unfortunately for you, luigi mangione majored in computer science.

your heart falls to the floor the second you see his car swerve into the street. your feet move quickly, running up to the side of his car before any of the girls could hound a dollar out of him. his window is down and you’re in it, both whispering and yelling, “what the hell are you doing here?”

“car wash,” the brunette boy says flatly, gesturing to the hastily painted cardboard signs wrapped around your sorority house.

“it’s for penn students only.” you say, trying to wave him off. the thought of him—or anyone else from back home—meeting your new fair-weather city friends is unbearable. it would take months to salvage your pride.

“it doesn’t say that anywhere.” luigi argues. “plus, i’m an alumni.”

interest washes over the crowd of busy rich cheerleaders as they begin to inch nearer to the scene. you’re frazzled and fucked. “mangione, please don’t embarrass me.”

“you’re embarrassing yourself,” luigi says. his eyes glance over your body, skin exposed and wet with the moisture and mess of the event, boobs perky underneath your strappy bra. “seriously, what the fuck are you wearing?”

you feel a rush of insecurity as you bring your arms up to cover yourself. “it’s sorority tradition—“

“we didn’t do any of this at my frat—”

“it was an engineering frat, you didn’t do anything—!” as your whining comes to a close, a pool of your sorority sisters begin to flood around you. your heart rate sparks.

“who’s this?” your roommate asks.

the italian boy is quick to smile at the new company, his earlier furrowed brows and fault-finding demeanor vanishing in an instant. “i’m luigi,” he says with a brief wave. “i’m with y/n.”

“he means we’re friends from back home,” you correct quickly, shooting a glare at him. “he actually went here. he was in phi psi.”

“aw,” your roommate coos. “those guys do my homework all the time.”

he reaches over to open the car door, the force pushing you aside as it swings open. “get in the car,” luigi says. you pause, confusion swirling around you. then, luigi glances at your crowd of sisters, acknowledging them with a slight nod. “i’m borrowing her for the day. is there some sort of curfew i need to know about?”

“no, but it’s karaoke night,” one of your sisters tell him. “you should come! it’ll be at zbt.”

luigi raises a brow. “the sports frat?”

“yeah,” your sister says, grinning. “y/n’s boyfriend is the president. he’s super nice—you’d like him.”

his eyes flick to you. “boyfriend?”

“luigi’s busy tonight,” you say, forcing a tight smile, desperate to change the subject. “besides, he’s probably super jet-lagged—he is supposed to be backpacking through asia right now, after all.”

“yeah, well,” luigi says, his voice cool but with an edge that stings, “i stopped by for my sister’s birthday this weekend.” his eyes narrow as he looks straight at you. “guess one of us had to remember.”

your shoulders stiffen under the weight of his words, heat rising to your face.

“aw, luigi, you’re so sweet!” one of your housemates chimes, completely oblivious to the tension brewing. your guilt crashes over you, hot and suffocating. it’s almost embarrassing, the sudden clarity of how far you’ve strayed, how horrible you’ve become. “y/n’s boyfriend does cute stuff like that too. he came all the way down this morning to get pictures of her in this new outfit.”

if you didn’t feel stupid and cold before, you most definitely do now.

luigi glances over his shoulder. “isn’t the zbt house just around the corner?”

your housemate, still oblivious, grins and adds, “yeah! he’s always doing cute stuff like that for her. like, he prints a bunch of pictures of her and made a wall in his room because he thought she’d think it was sweet.”

you had no intention of your best friend’s brother ever finding out about your flamboyant college romances, yet here he was, gossiping with your girls. “he took that down as soon as i asked him to,” you explain.

“yeah, and ever since then, he sends flowers like, everyday.” your sister hums, bright-eyed. “so thoughtful, right?”

luigi’s jaw clenches, and his shoulders tense. “yeah, cute,” he says, voice low and biting. “guess that’s what happens when you’ve got nothing better to do than play personal assistant.”

“luigi.” you say, a desperate attempt to draw the line.

“get in, now,” he beckons.

luigi’s dark eyes never leave you, boring into you with a relentless intensity that makes your stomach churn. the look isn’t anger—it’s something deeper, more personal, and it clings to you as you fumble into the passenger seat. each movement feels heavier than the last, his unyielding stare haunting you as you slip inside, shutting the door between you and the reality you can’t escape.

the car swerves sharply, pulling you from your thoughts as you put your head in your hands. “i totally forgot,” you mutter, voice barely audible.

“clearly, you had distractions,” luigi says, his tone colder than you expected, like a wall between you both.

you feel his disappointment radiating through the air, and it hits harder than you’d like to admit. “you know,” he continues, his voice laced with bitterness, “back when we were close, you never would’ve forgotten something like that. but i guess things are different now.”

you wince, knowing he’s right. you’ve been so caught up in college, in the chaos of sorority life, parties, and the constant buzz of new experiences, that you’ve lost touch with everything that once mattered. and now, forgetting his sister’s birthday feels like the final nail in the coffin.

the silence hangs heavily between you, suffocating and full of unspoken truths. you can’t even find an apology that would suit the sin.

he reaches over to the backseat, tossing his jacket over your cold body, his fingers brushing against your skin as he does. “you look stupid like this,” he mutters, his voice laced with something deeper than frustration.

“it’s fucking weird,” luigi continues. “i used to watch you, how effortlessly you picked things up, how eager and excited you were for everything.” he sighs, his gaze flickering to you for a moment, like he’s trying to see the version of you he once knew. “but now… now it’s like you’re someone else. all that potential, all that drive—it’s like you’ve buried it under all this nonsense. i don’t even recognize you anymore.”

“oh, come on, luigi,” you say, defensive. it felt weird to have him like this—so cruel, so suddenly. “i make one mistake and now you don’t recognize me?”

he tuts, then rolls his eyes. “don’t act fucking dense.”

“i’m sorry, okay?” you say, half-defeated. “you’re not exactly giving me a chance to explain.”

“an explanation isn’t good enough.”

��just because i forgot one day doesnt mean im not here,” you argue. “you’re the one left the fucking country!”

luigi almost laughs at the dead argument. “and you stayed and still couldn’t show up when it mattered. how’s that any better?”

“i didn’t forget on purpose!” you can feel your temperature rising. “i’ve just been swamped with everything, alright? it’s not like i don’t care.”

luigi’s hands grip the steering wheel tightly, his knuckles white. “so that’s your excuse?” he says, his voice sharp. “too busy to remember my sister’s birthday, but not too busy for that stupid fucking boyfriend of yours?” he laughs bitterly, shaking his head. “god, you even joined that sorority for him, didn’t you?”

your face goes white and he takes it as confirmation. “fucking knew it. that’s exactly what it is, isn’t it? you’re too busy trying to be a penn girl, pretending like you fit in, just because he’s part of it. you’re so caught up in his world that you can’t even bother to remember the people who actually care about you.”

you’re cold underneath his judgement, almost speechless. almost. “this is why i didn’t want you finding out about him,” you truth.

“i was in a frat, y/n. i’ve seen girls like you before. weekends spent doing dumb shit like car washes for the sorority, all glittered up for spirit week like it’s some huge fucking accomplishment.” his anger cuts into you like a blade. “you're too fucking good for that.”

your heart is pounding now, and you feel your face flush with anger, embarrassment, and something else—deep, gnawing ache in your chest. your fingers tighten around the door handle. you can’t stand sitting here, suffocating under his judgment. without thinking, you yank the door open, trying to escape the weight of his accusations.

but before you can move, luigi’s hand shoots out, slamming the door shut. “what the fuck are you doing?”

“i don’t want to talk about this anymore.” you say, trying to push down the panic rising in your chest. you don’t want to be here anymore. not in this car. not with him looking at you like you’re some stranger.

“you’re not getting out of this car, y/n.”

you don’t respond. instead, you unbuckle your seatbelt and shove the door open, stepping out of the car before he can stop you. it’s like your whole body is running on autopilot—everything inside you screaming to get away from the mess he’s created, from the mess inside you.

“y/n!” luigi’s voice cracks, rising in a panic as he stops the car and jumps out after you.

you are not turning around and getting into that car and letting him humiliate you. your hands shake as you pull out your phone, desperate for some relief, something to help you make sense of all this. the contact name lights up on your screen, and you hit call, needing your boyfriend now more than ever.

before you can even hear the first ring, a hand shoots out, grabbing your wrist and yanking your phone from your grasp. you whip your head around, heart pounding in your chest, only to find luigi, his jaw clenched tight and eyes burning with fury.

“what the hell are you doing?” you demand, your voice shaking with a mixture of anger and frustration. “give it back!”

but he doesn’t budge, holding your phone just out of reach. his voice is a low growl. “you’re fucking unbelievable. you’re seriously calling your boyfriend right now?” he’s glaring at you, his face hard with a mix of disbelief and something deeper you can’t quite place.

“you made your point, mangione!” you say. “clearly you already hate me, so i don’t see the point in sticking around for the ride. thanks for the reminder! see you around!”

“y/n, stop, i don’t hate you—“

“y/n? hello?” your boyfriend’s voice crackles through the phone, confused, a little worried.

luigi straightens, his hand tightening around the phone as he holds it to his mouth. “she’s busy.” he tosses the phone back into his car, cutting off the call with a finality that makes your heart race in frustration.

he opens his mouth for another lecture but your hard heart won’t let him in anymore. you’re beyond annoyed. he can keep the fucking phone, for all you care, you really just needed a second. you try to turn away, but he’s too fast. he grabs your wrist, pulling you back, and you’re caught off guard by the force in his touch. the heat between you is unbearable now, and the intensity of it makes your mind race.

“let go of me!”

“no,” luigi snaps, his voice harsh but laced with something you can’t quite place. “you don’t walk away from me.”

“i can do whatever i want!”

“you’re sure about that?”

without warning, he pulls you toward him, and before you can fully process what’s happening, his lips are on yours. it’s rough, unexpected, and it throws you off balance. your breath catches in your throat, and for a split second, you don’t know what to do.

your mind spins. this is worse than wrong. you shouldn’t be kissing him.

his grip on you is unyielding like the force of gravity, and you’re suffocating underneath the pressure, your confusion mixing with a strange, undeniable pull that makes your thoughts scatter. you pull away quickly, breathless and disoriented.

“luigi, no—stop,” you say, trying to regain your bearings, but your heart is still racing, your body still tingling from the kiss.

he doesn’t. he won’t.

his mouth is on yours again, aggressive and intent and so fucking mean. your balance is completely lost, your feet no longer sure of the ground beneath you. luigi doesn’t let up, his body pressing you into the side of his car and it’s like everything you knew about him is shifting, unraveling before your eyes.

when he pulls back, your chest heaves as if you’ve been starved for air. you try to summon another surge of pride, but luigi moves faster than your thoughts can catch. “lift up your legs,” he grumbles against your lips. you do. he carries you on him as he yanks open the door to the back seat, his hot breath hovering over your neck.

“you’re so fucking stupid,” luigi mutters into another sloppy kiss. “need me to teach you how to behave, yeah?”

desire and desperation muddle your better judgement. everytime you come up for air, you try to return to reason. “we shouldn’t—”

“let me,” he says. “i’m gonna take care of you.”

you shake your head as his warm hands grope and clutch at your cold nude. he was right—it was a stupid fucking outfit.

“relax,” luigi says, climbing over you, biting and sucking at your neck. you feel him between your legs, hardening. “you need me to teach you how to show you the ropes, don’t you? you need me, right, baby?”

“i have a boyfriend,” you whimper.

“doesn’t matter.” he says. “you belong to me.”

you’re in the corner of his car and there was no escape. luigi was all over you, grabbing, pulling, biting. “come on,” he beckons, coming in for another kiss. “make yourself useful, baby, i came all this way.” his fingers moving your bikini to the side and sliding his slender fingers into your aching clit. you quiver as he breaches your entrance.

“how often do you fuck him?” he asks, his two fingers digging into your core, storming your senses. the abruptness of the question made your nerves spike. there’s a certain amusement in his gaze, as if your misfortune is his greatest entertainment. “where? hm? hallways? dorms? in the shower, after his games, d’you spread your legs open to make him feel better about being a goddamn loser?” he’s intent on leaving your skin covered with evidence of him. he paints across your neck with his hot wet tongue, sucking and biting at your sensitive skin. you whimper at the sensation. “you’d make a perfect fuckin’ trophy wife.”

“i didn’t—“ you truth, shaky and red. “we never…”

“god,” he moans. “good fuckin’ girl, saving yourself for me.”

your mind is hazy, though not completely lost. “you’re jealous? of him?”

“why would i be?” luigi asks, smug. he knows he has every damn right he every right to be—he feels your slick drooling out of you, your body quivering underneath him. “i’m the only one who gets to have you like this.”

he reaches for his belt. you need this as much as he does. he can see the way your eyes flutter shut at the feeling of his shifty friction, and it sends heat rushing down his abdomen. no reason to be patient about this.

“someone’s gonna see,” you whine.

luigi laughs against your mouth. “go on then, show them what a perfect fuckin’ penn girl you are.”

you barely hear him. your lower lip is between your teeth as you work to free his cock from his boxers, and he hisses in pleasure as you pump him gently, smearing his precum down his shaft. he reaches between your legs to hook his finger around your panties, pulling the gusset to the side.

your cunt glistens. you’re soaked.

“you’re unbelievable,” he grunts. “acting out because you couldn’t get any good dick?”

“you’re so mean to me.”

“just missed you, is all,” he murmurs.

you’d never expected him to be so big. you brace yourself on his shoulder with your free hand, sinking down on him gradually. you’re so wet that it only takes a moment to adjust to his size before you’re rocking against him again, and he pulls you back in for another hungry kiss, guiding your hips with his hands. a grin etches at the edge of his lips when he feels your cunt tightening around him when he brings his fingertips to your clit. “what, already, babe?” luigi teases, pretending his own release isn’t just moments away. “c’mon, that’s gotta be a new record.” you try to laugh, but he pushes the pressure on your clit, and you arch your back as the coil in your belly tightens.

“you’re so big, luigi,” you choke out.

“i know, pretty girl, i know,” he tries to assure, though he’s too lost in his storm of pleasure to have the decency to slow down.

tears well up in your eyes as he buries his cock deeper into you. hot flashes of pain and pleasure overwhelm you; it’s a devastating spell of torment and sanctuary. “luigi,” you whine. “too much, i can’t—“

“you’re so fuckin’ tight.” luigi says. “fuckin’ perfect, you know that?”

“i can’t, lu,” you whine. “you’re too big—”

“be a good girl,” he says. his cock bullies into your sensitivity. you swear you hear yourself snap in half. “let me fill you up, princess, let me make you mine.”

you’re a mess underneath him, whimpering and crying at the unfamiliar pleasure. something in the background begins to hum over and over and over until luigi glances over his shoulder. “your boyfriend’s calling,” he says. “you should answer, show him what a perfect slut you’re being for me.”

you run your head back and forth. “no? you don’t wanna do that for me?” he questions, eyebrow raising. he raises your body—closer,deeper—just to slap his hand against your ass. you jolt at the pain, shivering. “thought you were being good.”

“luigi,” you cry. “it hurts.”

“fuck,” he moans. he can’t help but slap your ass again. “you gotta make it up to me, y/n. you gotta let me come inside you.”

“lu, wait—“ you begin weakly, tangling your fingers in his hair. he cuts you off by sucking harshly at the delicate skin of your throat, and instantly you feel the coil snap.

“jus’ like that, baby, all mine,” he growls into your skin. you feel him smile against your neck as he marks it up. “i should visit home more often, yeah?”

“lu, please,” you moan.

“tell me who you belong to.”

“you, luigi. i belong to you.” you cry out as you convulse around luigi’s cock, slumping forward onto his muscular chest with a shiver. the sensation of your walls clamping down on him like a vice makes luigi dig his fingers into your flesh as he pumps his own release into you, swearing raggedly as his hips buck.

aside from the sound of your breathing, the car falls into a complicated silence, the windows clouded, blurring the world outside like some unspoken secret. your heart races as you both sit there, dazed, caught between confusion and something deeper. the empty neighborhood feels almost dreamlike, a quiet refuge for a moment too fragile to face the world. silently, you’re grateful for the solitude, for the way it shields you both.

“relax,” luigi mutters, his voice cutting through the haze. “this whole street was bought up by some real estate asshole. prices went sky-high, and no one took the bait.”

you glance at him, startled by the sudden softness in his tone. “is that true?”

luigi doesn’t answer right away. instead, he reaches over to the passenger seat, grabbing your phone. the motion is deliberate, almost taunting, as if he’s enjoying how unsteady you’ve become.

he tosses the phone onto your lap, the thud startling in the heavy air. “penn daily did a piece on it” he says, his voice low but cutting. “you can look it up after you break up with your boyfriend.”

your eyes widen, and you grab the phone quickly, clutching it as if it could ground you. “god, can you stop bringing him up for two seconds?”

“why?” he retorts, leaning back against his seat with a knowing smirk. “you brought him into this when you started dating the guy who shows you off to frat row and makes you fake-smile your way through glitter car washes.”

“he wasn’t even at the car wash this time,” you mutter, frustration bubbling up.

“too busy setting up karaoke night? are we going to that?”

“no.”

“my sister would probably love it,” he points out playfully. “and i know you didn’t get her a present.”

you roll your eyes, trying to avoid the guilt that wells up. “don’t remind me.”

“don’t be a brat,” he retorts, his voice firm but not unkind.

“I’m not being a brat,” you snap back, but there’s a hint of defensiveness in your tone.

“yeah, you are,” he says, his voice softening just a little. “but we’ll deal with that later.”

he glances over at you, a hint of a smirk on his face. turning your gaze to the window, avoiding his eyes. god, how were you meant to recover from this? another silence encapthres you and the awful spell of awkwardness washes over you both. until—

“you know i could never hate you, right?”

“hm?”

“you said earlier i made up my mind about you,” he murmurs, his eyes holding yours in a way that makes it impossible to look away. “i have… but not in the way you think.”

your breath catches, his words pulling at something deep inside you. “then how?”

“i’ve always liked you,” he says softly, his voice steady but tinged with something deeper. “hated seeing you go. hated the idea of you at college with some asshole who doesn’t see you the way i do.”

your heart skips, his words unraveling every doubt you’ve ever had. “and how do you see me?” you ask, barely finding your voice.

he leans closer, his gaze unwavering. “as everything.”

[melmedarda]

For a while, the fandom has wondered, what on earth is the gold on Mel's skin? Are they tattoos? Is it armor? Well, all, I believe I know what they are. First, enter Mel's in-game lines:

I believe that the gold on Mel's skin are sigils. Not tattoos or armor, but sigils. We get an understanding of sigils from Rell's bio, that sigils are painfully grafted onto the skin. This would explain the agony Mel was in during her transformation. The more sigils one has, the more powerful they become, because sigils amplify magic. Which is interesting, because the Black Rose has been experimenting sigil magic.

Now you may ask, what the heck is a sigil, and what does it do?

Sigil magic seems to be type a branding, and seeing as Mel's power was awakened in the Black Rose's hands, does this mean the additional sigils she gained were branded upon her by the Black Rose? Just as they did with Rell? Amara mentions that Ambessa stole is more precious than any gold. So perhaps the thing Ambessa stole from the Black Rose were the sigils on Mel's neck, back, and thighs in season 1, and they served to protect her magic, but now they empower it.

This theory makes more sense when you consider how Mel did not have any markings on her skin in the 1.08 flashback. She was not born with the sigils, and I don't believe she needed the sigils to use her powers, she uses them in BS&T to protect Ambessa from death.

However, if her powers were awakened before her exile, Ambessa who before had not known of Mel's powers before this, might have stolen the sigils from the Black Rose in an effort to grant Mel the extra power she might need not only to protect herself, but to serve Ambessa's purposes. ("Your birth, the entire course of your life, was no accident. She hid you because you are that which she covets most: a weapon.")

I do believe the additional sigils (gold on her skin) might have been a Black Rose addition from LeBlanc, especially because after Mel is awakened, her jumpsuit is decorated with thorns. So perhaps, in her awakening, it is Leblanc who brands Mel with the sigils to finish the work Ambessa started. To make Mel into a powerful weapon at her disposal. After all, LeBlanc does comment on how swiftly Mel's talents have developed, which is possibly because of the sigils that helped to channel and focus Mel's magic.

But now that Mel is no longer in league with the Black Rose, I wonder if and when Leblanc will come to collect. Of course, I could be wrong, because these sigils do not resemble anything the Black Rose does. They look more Solari, which might be the kind of magic Mel inherits from her father, if she inherits any magic from him at all. So the sigil could have taken form according to her expression of magic.

And there we have it; my theory of the gold on Mel's skin. If you've gotten this far, thank you for tuning in!

[rassicas]

today on splatoon mythbusters: is Agent 4 a country bumpkin?

no lol this is probably the funniest widespread misconception to come out in recent years A big part of it is because people misunderstood this map.

I came across this trivia point on the wiki page for agent 4 while making this post LOL agent 4 has better access to public transportation than 95% of you With all that green on the map and nothing marked in between, It seems that people have been assuming the population density of inkopolis looks something like the image on the left. While it's unclear exactly how big the population is of inkadia and the surrounding area is, going roughly off of how irl east Tokyo and neighboring Chiba prefecture look, i think its safe to guess were dealing with an urban area that looks more like whats on the right.

(side note about population count: i take the account of the Low Water Party with a grain of salt since that isnt even a real number they used. something that is more reliable is that graffiti artist Sally has over 240k followers on social media. while followers can be from anywhere in the world ofc, it sounds like her fanbase is largely in inkopolis. i think its safe to say inkopolis is a very big city!)

If we're to look more at the irl equivalent of the area, it seems the Inkopolis Coastal Connector is based on the Keiyo Line. Following that line roughly to where 4's house is lands us in a ward in Chiba city. It doesn't look like much, but about 100k people live in that area. Not a super crazy urban area like tokyo, but still urban.

(incidentally, a major landmark on the Keiyo line is Makuhari Messe, where 3 of the irl splatoon idol concerts have been held. maybe a coincidence but maybe gives more credence to the idea that that's what the coastal connector is based on?) Apparently on the Japanese side, there's a theory that 4 is from Yotsukaido, which is a little further north of the area i circled. why there? Yotsukaido means "4 town street"...4...haha

Ok enough guessing based on "vibes" and real maps that may or may not be accurate to how things are in the splatoon world. The Actual lore: On Splatoon base it's confirmed they grew up about 40 minutes away from Inkopolis by train, close to the city. That's like a nothing amount of distance.

Another developer interview from 2017 goes into more detail.

Inoue: Agent 3 had a very "I've finally made it to the city" feeling, with a strong desire to become fresh. 4 on the other hand, not so much. Rather than being someone from the countryside, they're more like someone who came from a commuter town within the greater metropolitan area. It's like a place where the limited express trains wouldn't stop at, but the semi-express trains would (laughs).

so agent 4 is very clearly, a city kid. agent 3 is the country bumpkin, from an area so far away its not even on the map. According to splatoon base...

Far enough away that they moved to inkopolis alone. meanwhile 4 lives close enough that they could just go home to their parents after battling.

Also this is something that I never see brought up. Amidst the dubiously canon early concept comics in the back of the artbook, there's a comic about agent 3 leaving their hometown, mentioning they live in a seaside town called [REDACTED] with a population of 5000.

Again, these comics are dubious since theyre so old. but there are ideas in these comics that have carried over to the final games in some form, and this is consistent with agent 3's final characterization that they come from a far away small town and had a longing for the city.

anyway tldr i think its funny how agent 4's fandom characterization/backstory got swapped with 3's all because of a misread map

[grailknightmonty]

upon the heart of magic mountain 🌸🗻

from the oceanic goddess revered in the cyberpunk city on its hillside, to the stories of the ochre-feathered canary who's song hasn't been heard in years, it has been long thought by theorists that perhaps the magic imbued into this mountain was no coincidence- but rather the creation of mystical beings seeking to make a haven of sorts, a home protected by the powers that lie within this volcanic formation.

[nadas-dirthalen]

Dragon Age: the Veilguard Was Packed with Lore — But Many of Us Overlooked It

— PART ONE — [ 2 ]

Welcome back, friends and travellers. If you've been here a while, you'll know that I wrote 30,000 words of predictions in the week and a half before DA:tV released. But here's the most surprising thing—I was right, for the most part.

I spent my first Veilguard playthrough grinning (and then sobbing) at all the lore reveals. And here's the thing: I think most of us missed a lot of them, including even me.

So let's begin with...

Titans: Dark and Light, Compassion and Rage, the Eternal Hymn and its Endless Listeners (1/2)

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

Alright, pals. If you've been here a while, you know how this goes. I always start by listing what we're going to cover, like anyone who's never fully recovered from academia.

Today's Discussion:

What Veilguard (Re)Taught Us about the Titans

The Titans the first Shapers of the known world.

The Titans are beings of the Abyss.

The Titans are sleeping, dormant—but alive.

Dwarves are the Titans' children, created to tend them.

The Evanuris mined the Titans' bodies to create people.

The Titans—the Earth—fought back.

What Veilguard (Re)Taught Us about the Titans

The best thing about Dragon Age, as someone who loves the series to death, is that its worldbuilding is consistent, but also bears the unique quality that we, as players, are not aware of it all. Our protagonists in each game don't know everything; the people they learn from also don't know everything. We learn what we can through codices that are all biased and need an extra layer of decoding. This is a feature, not a bug.

It also means that we did not know how to understand the Titans before. Even my 30,000 words of theorycrafting, especially my piece all about the Titans, had elements of speculation. I had to check that speculation against other sources like the Chant of Light, which is a source that we REALLY did not know how to decode when it was revealed piece by piece in DAO, DA2, World of Thedas, and Inquisition.

Here, I'm going to break it all down, piece by piece.

The Titans were the first Shapers of the (known) world.

It is said in the Descent DLC that Titans are enormous beings whose singing shapes the world. Their existence predates much of Thedas, if not all of it. The Titans are called the first Shapers for this reason, and in Veilguard it is restated several times over that they did, indeed, shape the world—for instance, by Cole in Inquisition.

"Their ancient shapers were mountains drawn of all their wills, walking their memories into valleys of the world." —Cole dialogue.

Inquisition told us so much more about the Titans than just that, though. The Titans have a realm all their own, a counterpart to the Fade, mentioned over and again in the Chant of Light and referenced as a quest name in Inquisition.

Here lies the abyss: the well of all souls.

The Titans are beings of the Abyss.

Now, it's important that I mention right here that the Chant of Light has existed long before Inquisition. In fact, its tale is what opens DA:O as the game begins. Recently Eurogamer stated that BioWare has had a massive lore document for the 20+ years of its existence, and I believe that there is no truer example of this than in the Chant of Light itself.

The Abyss, for a long time, was a mystery to us. Inquisition cleared it up a lot—not only with its game content, but with World of Thedas' publication shortly thereafter.

Not only is the Abyss referred to in many elven codices, but we go there. The key locations of the Descent DLC—the Forgotten Caverns, Bastion of the Pure, and the Wellspring—are in a region called the Uncharted Abyss.

Now, with Harding, we go deeper into the Deep Roads than the average dweller. The same is true in that instance: venture down far enough, and we reach a Titan's heart.

We find a Titan's heart there. But the Titan does not wake—none have before DA:tV, and even then, they have not fully woken. Because, for as long as we have known...

The Titans are sleeping, dormant—but alive.

"It's singing. A they that's an it that's asleep, but still making music." — Cole dialogue.

There is so much Cole dialogue in Inquisition that speaks on the sleeping Titans, on their old songs that once sang the same, on how they will never wake up, that it would be folly to try and post every codex here. Suffice it to say: Cole knows of the Titans, knows of their songs, and knows they are asleep. He is one of the pathways to our knowledge of the Titans in Inquisition, and his words are peppered throughout the game.

The Chant of Light also makes reference to a mountainous Maker, who oft speaks about a forgotten mountain. When Andraste meets the Maker "in darkness unbroken," specifically, these words are used:

The Maker Appears to Andraste (7) Eyes sorrow-blinded, in darkness unbroken There 'pon the mountain, a voice answered my call. "Heart that is broken, beats still unceasing, An ocean of sorrow does nobody drown. — Andraste 1:7

Heart that is broken, beats still unceasing — a being who has been broken, but whose heart still beats. We can hear that, in the Descent DLC.

Veilguard confirms that both sources are true through Harding, her personal quest, and the codices for the Dwarven people.

Records that exist outside of Orzammar mention "great sleeping Titans" and "the First Ancestors." — Codex Entry: Harding's Notes: Orzammar and Titans

Harding's experiences in Veilguard, in this way, serve to prove Cole right. That is a deliberate narrative choice: BioWare's way of saying, Yes, this is true. Yes, you should take Cole's take on Titans as correct.

We also know, from Cole, that this state of being is permanent. Not only are the Titans asleep, but they don't know how to wake.

Songs screaming far away. It wants to wake up but can't remember how. No one should be here. — Cole dialogue.

This becomes crucial information in Veilguard, and central to the main plot. It serves as the backdrop for what actually matters most to the characters living in Thedas right now, which is...

Dwarves are the Titans' children, created to tend them.

By now, a lot of people have seen this reveal in the art book: the dwarves were created to tend to their Titan hosts/makers. But we knew this before—we just didn't know it in context, and therefore we did not believe it to be objectively true of Thedas.

In truth, we've known about the elves and the dwarves' origin since the Chant of Light came out in full with World of Thedas volume 2.

At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities. — Threnodies 5:5

I talk about it in more depth in my Chant of Light dissection, but what this verse says in context is that the dwarves (the Maker's second children) are beings crafted by the maker: bodies made of lyrium, souls made of the same "dream and idea, hope and fear" as the original spirits.

This concept has already been massively hinted toward with both Valta (who has become The Oracle in DA:tV) and Dagna, who both connect to isatunoll during Descent and Inquisition's base game, respectively.

We've known about the Evanuris' horrible crimes since before Inquisition, as well, for the same reason and from the same verses in the Chant of Light.

Until, at last, some of the firstborn said: "Our Father has abandoned us for these lesser things. We have power over heaven. Let us rule over earth as well And become greater gods than our Father." (8) The demons appeared to the children of earth in dreams And named themselves gods, demanding fealty. — Threnodies 5

With the context given to us by Trespasser and Veilguard, we know without a doubt that the Evanuris are those "jealous spirits" that comprise the Maker's first children.

And just like the Chant describes, they sought to conquer the earth: the realm of the Titans.

The Evanuris mined the Titans' bodies to create people.

Trespasser taught us so much of what we needed to know about the Evanuris' and Titans' conflicts. Its codices in the Deep Roads outline how it was Mythal, specifically, creating some of the first elves in the coffins found in that zone. The Temple of Solasan features coffins of the exact same kind.

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris. — Codex: Torn Notebook in the Deep Roads, Section 3

My (updated) translation: Isatunoll Mythal gives you dreams Lyrium within Becomes Solas evanuris Little stone boy You give nothing to the Titan (anymore) Forever, forever.

Trespasser reveals that Mythal mined the bodies of slain titans and rendered their demesne unto the People: she conquered Titans and used their bodies for her own ends. The hints about these actions, however, are not exclusive to Trespasser, nor to Solasan. These seeds were planted all the way back at the Temple of Mythal.

Elgar'nan, Wrath and Thunder, Give us glory. Give us victory, over the Earth that shakes our cities. Strike the usurpers with your lightning. Burn the ground under your gaze. Bring Winged Death against those who throw down our work. Elgar'nan, help us tame the land.

This codex to Elgar'nan makes reference to Elgar'nan giving victory over the Earth (capital-E, the Titans). Trespasser would follow this up with much context—that it was Mythal who was first known to have slain Titans, "rendering their demesne unto the People."

I theorized that Mythal's mining of Titans for lyrium to make elvhen bodies was what angered the Titans, based on codices in Trespasser and the Temple of Solasan. (I go into much more depth there!) Veilguard confirms this theory in Solas' Memory #4: A Memory of Manifestation.

Solas: I have the Fade. Besides, this talk of taking on a solid form. When you took the glowing stone to build your body, did the earth not shake? Mythal: The lyrium gives us the strength we had when we were of the Fade. We are the best of physical and spirit.

Mythal's crime was what took the war with the Titans in a new, darker direction. It was what would set off the chain of events that would change the very nature of the world—and it was foreshadowed, back in Inquisition, by Cole.

The Titans—the Earth—fought back.

"They made bodies from the earth, and the earth was afraid. It fought back, but they made it forget." — Cole dialogue.

In this post, I theorized that it was Solas' creation itself that caused the first Titan to "go red." That is to say, to change its nature and fight back. I used codices from Trespasser and Solasan to get there, as well as one paragraph from World of Thedas and this codex on Fen'Harel that describe the Forgotten Ones as "beings of terror, malice, spite, and pestilence."

Thinking about those words, and specifically terror, I read the codex in the secret Deep Roads room in Trespasser with fresh perspective.

For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire. The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast.

Terror. The first of the turned Titans. The fire/plant/ice imagery also caught my eye, and when I went back to Solasan to check, there were many hints that this was, indeed, where Terror came into being. (For more, go look at the most recently linked post in this section!)

Huge implications for Solas aside, what this codex taught me is that Titans' natures could change. This was confirmed in Veilguard many times over, yes—but my point here is that Inquisition taught this to me, just a few days before I gained the context of Veilguard. This was never a retcon! However, this lore plays exactly to BioWare's rules: we did not have the full context, and so almost no one read that Deep Roads codex as it was meant to be interpreted—including me, the first few times I read it!

It was only when I'd seen the achievement icons before Veilguard's release that it all clicked for me. All of the lore of Inquisition and everything before it made sense. That was never a bug, never a retcon, but a genius twist on BioWare's behalf: one that almost no one guessed at for an entire decade.

One that changes everything.

Titans, we know for certain now, behave as spirits. Obscure hints in World of Thedas, Inquisition, and the previous games have been confirmed in Veilguard. This new understanding changes not just the Titans, not just the dwarves, but reframes everything we know about the entire history of Thedas and how its magic system works.

______

Thank you for reading! It means a lot when people engage with these. And don't worry: I'm not nearly through with them. It's taken me a while to compile everything, but with more of Veilguard added to the wiki every day, it's a lot easier to compile things for these posts!

(Immense thanks to the wiki staff, of course. <3)

Up Next: Titans and Spirits are far more similar than we think, and it means everything.

[rayroseu]

HEAD IN HANDS,,,, Just realized the profound realization that at Knight of Dawn and Meleanor's fight, I know they'll never talk it out... But I just realized that the story even expresses that fact visually....

throughout their fight and even until their death, they stayed at their "masked" form.

So, in Knight of Dawn's view, Meleanor was just a dragon and why the story makes it seem like he's just "insensitive" to the fact she's a living person too, because in that fight, he viewed her a monstrous dragon because Meleanor fought him as that. And, Dawn as a human, can't possibly interpret Meleanor's language as a dragon, much like how Humans are inept in fae language and why humans are still having a difficult time understanding faes and their morals.

The same thing with Meleanor, Knight of Dawn was in full armor in that time, so in Meleanor's point of view, Knight of Dawn was just "a piece of metals". (Like how Malleus viewed Ortho as just a "metallic technology"). Additionally, Knight of Dawn was a person who seem to want to say many things but never did(?), so Meleanor never heard him—

So their resistance, in giving up their role was expressed in the narrative decision that Meleanor fights as a dragon and Knight of Dawn will fight her in full armor and also he's a person who doesn't speak much especially in battles (much like a "metal").

Dawn was only "understood" somewhat when he crashed to Lilia, causing his head armor to fall off.... causing his "mask" to fall off

Its the little things to me OKAYY 🥹🥹😭😭

[illmoraineakoi]

So, I know I'm a little (very) late to the AvA stuff, but I was rewatching AvM Season 3 for the seven hundredth time and, well, I noticed something and I'm curious to know if it's been discussed before.

AvM Episode 29, Purple's story, specifically, Pink's death.

Her color changes as she dies, or is represented to have died.

It fades to grey.

Now, the question is, can we, or rather should we, use this to infer anything lore-related? Was this just an artistic choice to depict the act of becoming unhealthy/dying, or could this be what actually happens to stick figures that die over a period of time? Are their colors linked to their health?

Let's have a bit of fun with it, and presume that the fading of one's color can happen to a stick figure for health-related reasons, as the scene could imply.

This fading seems to involve loosing the saturation of one's color into grey. Saturation is how vibrant a color is, and the complete lack of saturation is greyscale.

The World-of-Alan reason for Pink's death is that she 'got sick', which is where the health connection of this theory comes from. If she did loose her color as she was dying as the notes depict, that loss of color was likely a result of her failing health rather than any other factors, like age or outside variables. A whole bunch of human body stuff are indicators for good vs poor health, including skin color (jaundice and cyanasis are good examples) so why not a stick's color for them?

What if, when they fully die, they lose all of their original color?

Now, let me propose this…

Who else do we know of who has had their color loose vibrancy?

What if Victim's color has lightened because he's ill?