#theories and lore

[alphabetically-incorrect]

wait wait wait

but then how did Casey Junior not get it too? Casey carried Donnie from the battlefield to safety with him strapped to his back, probably bleeding all over him, and is also injured and bleeding to boot.

pure luck of the draw?

Draxum's mystic flower immune booster protecting him?

the virus being "smart" so it only targets Donnie? (would explain how it doesn't seem like it's contagious)

Hopping back in the “when did Donnie get sick” train because of your latest update with memory ritual Casey, I think I have a pretty good guess as to what got Donnie.

The very long episode known as episode two, aka “carry the uncles.”

We see them extremely battered, can from the looks of it, both of them have a couple open wounds. While infection can get in though the holes on our faces (nose, eyes, mouth), it can also get in through the bloodstream, where it is usually identified by white blood cells.

Donnie is significantly more battered than Casey, who appears to be severely bleeding though his leg, plastron, side, and forehead. All prime locations to get into the bloodstream unnoticed.

(Another thing. Outsider cells can pose as insider cells, which is usually how stuff like cancer happens. I don’t doubt that when the kraang made that virus they took a few humans to make sure it was extremely lethal and wouldn’t get fucked over by Donnie’s white blood cells, as you said before that the area around Donnie’s grave turned so desolate that even other kraang vines were KILLED by the infection. (Which makes me think it behaves like the fungal virus of the last of us but worse.))

The earliest we see Donnie obviously pull his dramatics is episode six, primarily the first pannel of part two of episode six, kraangified.

This is the very same episode where he perched on Raph by using his spidershell’s arms.

Donnie was most likely feeling the effects even earlier, but because the episodes between 2 and six are more filler and elaboration (and also where people speculate he got it, episode three.) we don’t know.

I should note, people claim he got it in episode three when he ran a kraang over. This is likely not true, as you stated the infection killed kraang vines around Donnie’s grave. Why would you carry it on your body for long periods of time with how lethal it is? Wouldn’t you put it on one of your hounds or zombies?

From episode 6 onward, we see Donnie increasingly get more dramatic and need to rely on his tech more until he, unfortunately, goes poof from this plane of existence.

(One more thing I want to add is that this infection was most likely similar to a fungus or cancer, as it was eating up Donnie from the inside and transforming his cells into other cells, which is most likely how his blood turned pink.)

Anyway, theory time over, thanks again for giving us this wonderful series, can’t wait to see what happens when small donnie realizes why Casey got so upset over big donnie.

Wow, that's one BIG study.......

I'm not going to say anything because you've already said everything. But I will add here one new screenshot from a recent update as confirmation that you're right. Because if you look at the location of his injuries in both pictures....

[strange-and-artistic]

what if the creepers were the previous generation of villager’s defense system that were replaced by the more advanced iron golems causing these units to be abandoned and left to rust and overgrown with moss

with the operating system deteriorating with time, these units no longer function properly, becoming a hunk of metal filled with explosive faulty electrical components wandering the earth, becoming a hostile mob themselves

[chloesimaginationthings]

Vanny can’t explain everything in the FNAF pizzaplex..

[hitokiri-izou]

I'm sorry but ena the order is NOT beating the gaiathra triclops allegations

[oblique-lane]

Another take on the TF2 Clone Theory:

Continuation to this.

When I was talking to people about the clone theory, they were always asking me about who were originals and who were clones. I didn't understand why that matters; they're all same people with the same memories of their pre-service past, right?

What I didn't understand is that people had entirely different take on how clones are made than I do. I've never even thought about the fetus tubes until someone specifically pointed out that scene in Emesis Blue... (I also didn't know cloning was a real life thing?? Not just sci-fi trope??)

So yeah I've always thought cloning was instant because it would also explain how respawn works. Classic "resurrection" either isn't the thing (lame) or just takes too much time to commit. However, the super cool very scientific respawn machine will use your remains + storage bio supply to quickly rebuild a new body (as it was at the assigning day) and put your consciousness into that body so you feel like you're living nonstop.

(at least that's the theory)

Also, to answer these questions:

They do remember their connections, their past and their memories. Memories of the past are the same.

Their families were not cloned, they aren't involved in this business in any way. They don't know.

However, to keep this secret from the mercs... Of course if both of the clones will speak to their families they will soon spot some weird things and inconsistencies (talking about things that seemed to never happen). Not even talking about visiting family on holidays, that's an obvious no-no.

So... First of all, a big deal is to make REDs and BLUs lives and experiences here as similar (ideally identical) as possible.

And second: I think their connection to the world is just very limited/prohibited. The telephone connection is entirely controlled by the Administration (Sniper has to drive far away to sneak talk to his parents). Letters are monitored, censored and withhold if necessary (or copied if they are FROM the family). No going home until the contract is due (many years??) etc...

Which contradicts comics in s lot of ways but you know what? I don't even care. Comics are an unreliable narrator anyways. I mean uh... I uh. I'll talk about it some other time.

[g4l4xy-qu33n]

Okay, so I discovered something when re-reading Journal 3. The page that has the Oracle on it:

When I first read Journal 3, years ago, this didn't mean much. Oh look, it's the girl that saved Ford from Bill's possession by putting a metal plate in his head, hooray! (and some other stuff but anyway she didn't seem super significant at the time).

Well, this time around I recognised her, specifically because of the Book Of Bill AND thisisnotawebsitedotcom. She's Seveneyes! (the scratched out member of Bill's crew in BoB, and a blacked-out photo of her appears on the website when you put in 'seven eyes'.

I'm not sure if this means anything, but it certainly blew my mind!!

[a-scary-lack-of-common-sense]

Eldritch/not-entirely-human Grunkle Stan stories have been eating away at my brain, so I have a silly little concept of Mimic!Stan.

He and his Mystery Shack are both mimics that lure tourists in as a literal "tourist trap" to gather and devour them! Since the house is alive, it raises a few (read: several) child safety concerns that lead to a LOT of rules to be created for Dipper and Mabel to follow when they eventually arrive, such as:

Be careful not to get lost in the winding hallways! The Mystery Shack is bigger on the inside, and you don't want to end up in the wrong areas.

Don't go through randomly appearing doors, they may eat you.

If you think you feel the walls around you breathing and the floor beneath you shifting, no, you don't.

If you think the walls feel a bit damp, you're imagining it.

Watch your fingers around windowsills! You wouldn't want to lose any of them.

Don't linger too long under the doorframes; it may start feeling like they are slowly constricting around you.

[cantobear]

doodles from the past week

[rassicas]

today on splatoon mythbusters: is Agent 4 a country bumpkin?

no lol this is probably the funniest widespread misconception to come out in recent years A big part of it is because people misunderstood this map.

I came across this trivia point on the wiki page for agent 4 while making this post LOL agent 4 has better access to public transportation than 95% of you With all that green on the map and nothing marked in between, It seems that people have been assuming the population density of inkopolis looks something like the image on the left. While it's unclear exactly how big the population is of inkadia and the surrounding area is, going roughly off of how irl east Tokyo and neighboring Chiba prefecture look, i think its safe to guess were dealing with an urban area that looks more like whats on the right.

(side note about population count: i take the account of the Low Water Party with a grain of salt since that isnt even a real number they used. something that is more reliable is that graffiti artist Sally has over 240k followers on social media. while followers can be from anywhere in the world ofc, it sounds like her fanbase is largely in inkopolis. i think its safe to say inkopolis is a very big city!)

If we're to look more at the irl equivalent of the area, it seems the Inkopolis Coastal Connector is based on the Keiyo Line. Following that line roughly to where 4's house is lands us in a ward in Chiba city. It doesn't look like much, but about 100k people live in that area. Not a super crazy urban area like tokyo, but still urban.

(incidentally, a major landmark on the Keiyo line is Makuhari Messe, where 3 of the irl splatoon idol concerts have been held. maybe a coincidence but maybe gives more credence to the idea that that's what the coastal connector is based on?) Apparently on the Japanese side, there's a theory that 4 is from Yotsukaido, which is a little further north of the area i circled. why there? Yotsukaido means "4 town street"...4...haha

Ok enough guessing based on "vibes" and real maps that may or may not be accurate to how things are in the splatoon world. The Actual lore: On Splatoon base it's confirmed they grew up about 40 minutes away from Inkopolis by train, close to the city. That's like a nothing amount of distance.

Another developer interview from 2017 goes into more detail.

Inoue: Agent 3 had a very "I've finally made it to the city" feeling, with a strong desire to become fresh. 4 on the other hand, not so much. Rather than being someone from the countryside, they're more like someone who came from a commuter town within the greater metropolitan area. It's like a place where the limited express trains wouldn't stop at, but the semi-express trains would (laughs).

so agent 4 is very clearly, a city kid. agent 3 is the country bumpkin, from an area so far away its not even on the map. According to splatoon base...

Far enough away that they moved to inkopolis alone. meanwhile 4 lives close enough that they could just go home to their parents after battling.

Also this is something that I never see brought up. Amidst the dubiously canon early concept comics in the back of the artbook, there's a comic about agent 3 leaving their hometown, mentioning they live in a seaside town called [REDACTED] with a population of 5000.

Again, these comics are dubious since theyre so old. but there are ideas in these comics that have carried over to the final games in some form, and this is consistent with agent 3's final characterization that they come from a far away small town and had a longing for the city.

anyway tldr i think its funny how agent 4's fandom characterization/backstory got swapped with 3's all because of a misread map

[grailknightmonty]

upon the heart of magic mountain 🌸🗻

from the oceanic goddess revered in the cyberpunk city on its hillside, to the stories of the ochre-feathered canary who's song hasn't been heard in years, it has been long thought by theorists that perhaps the magic imbued into this mountain was no coincidence- but rather the creation of mystical beings seeking to make a haven of sorts, a home protected by the powers that lie within this volcanic formation.

[binomech]

Agency is important to Viktor as a character, as someone who not only rejects the fragility of the organic body on the basis of his personal hangups about labor and emotional turbulence, but also in that he is always willing to use his own body as a test subject.

In Arcane, canonically, the judgement cast upon him for being visibly disabled has been an obstacle in his career in a way that doesn't grant him the privilege or funds needed to work on projects geared towards improving the lives of those bearing the brunt of prolonged work in industrial labor. His body is a front that people are unwilling to see past.

In his masking there is of course a sense of hiding his true self in a very literal interpretation, but this mask can be seen as liberatory: He is the one choosing the version of himself people see, and it does not diminish whatever is behind it. In body-modding there is a choice of what to show, what to hide, what to keep and enhance, what to reject.

The hexcore arc has been described as him being used as a flesh puppet, and this is in direct contradiction with Viktor's defining characteristics circling around the concept of control (of one's image, of one's flesh, of one's living circumstances, of one's emotions). I imagine that possession of this sort is body horror to someone like him, the vulnerability of himself as an organic, fallible human a door to this loss.

Where the hexcore uses organic tissue to grow, the inorganic becomes a symbol for reclaiming one's agency. Viktor and Jayce are scientists, engineers - in times of hesitation and grief, they do what they do best. I imagine machinery to be an opposite to the arcane: Metal is reliable and human where the arcane is unpredictable and beyond the confines of humanity as a species.

To bring yourself back to the body you rejected, that rejected you, you must go back to being human, and what's more human than invention, creation, a product of the earth sculpted by human ingenuity?

In our factory, we made hammers. You always save yourself. There is always a choice.

[rayroseu]

HEAD IN HANDS,,,, Just realized the profound realization that at Knight of Dawn and Meleanor's fight, I know they'll never talk it out... But I just realized that the story even expresses that fact visually....

throughout their fight and even until their death, they stayed at their "masked" form.

So, in Knight of Dawn's view, Meleanor was just a dragon and why the story makes it seem like he's just "insensitive" to the fact she's a living person too, because in that fight, he viewed her a monstrous dragon because Meleanor fought him as that. And, Dawn as a human, can't possibly interpret Meleanor's language as a dragon, much like how Humans are inept in fae language and why humans are still having a difficult time understanding faes and their morals.

The same thing with Meleanor, Knight of Dawn was in full armor in that time, so in Meleanor's point of view, Knight of Dawn was just "a piece of metals". (Like how Malleus viewed Ortho as just a "metallic technology"). Additionally, Knight of Dawn was a person who seem to want to say many things but never did(?), so Meleanor never heard him—

So their resistance, in giving up their role was expressed in the narrative decision that Meleanor fights as a dragon and Knight of Dawn will fight her in full armor and also he's a person who doesn't speak much especially in battles (much like a "metal").

Dawn was only "understood" somewhat when he crashed to Lilia, causing his head armor to fall off.... causing his "mask" to fall off

Its the little things to me OKAYY 🥹🥹😭😭

[illmoraineakoi]

So, I know I'm a little (very) late to the AvA stuff, but I was rewatching AvM Season 3 for the seven hundredth time and, well, I noticed something and I'm curious to know if it's been discussed before.

AvM Episode 29, Purple's story, specifically, Pink's death.

Her color changes as she dies, or is represented to have died.

It fades to grey.

Now, the question is, can we, or rather should we, use this to infer anything lore-related? Was this just an artistic choice to depict the act of becoming unhealthy/dying, or could this be what actually happens to stick figures that die over a period of time? Are their colors linked to their health?

Let's have a bit of fun with it, and presume that the fading of one's color can happen to a stick figure for health-related reasons, as the scene could imply.

This fading seems to involve loosing the saturation of one's color into grey. Saturation is how vibrant a color is, and the complete lack of saturation is greyscale.

The World-of-Alan reason for Pink's death is that she 'got sick', which is where the health connection of this theory comes from. If she did loose her color as she was dying as the notes depict, that loss of color was likely a result of her failing health rather than any other factors, like age or outside variables. A whole bunch of human body stuff are indicators for good vs poor health, including skin color (jaundice and cyanasis are good examples) so why not a stick's color for them?

What if, when they fully die, they lose all of their original color?

Now, let me propose this…

Who else do we know of who has had their color loose vibrancy?

What if Victim's color has lightened because he's ill?

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[beguilingcorpse]

[Image ID: An edited xkcd comic. Person 1 says, "FNAF game lore is second nature to us game theorists so it's easy to forget that the average person probably only know the difference between the bite of 83 and the bite of 87." Person 2 adds, "And time travelling ball pit of course." Person 1 replies, "Of course." The caption at the bottom of the image reads, "Even when they're trying to compensate for it, experts in anything wildly overestimate the average person's familiarity with their field." /End ID.]