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soapcloth · 3 months ago
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Watching some stupid ghost hunting clips and can’t stop thinking about Soap

Being a cheesy ghost hunting show host and getting great staged footage of a really talkative spirit. It’s all ghostly sexually-repressed flirting and sad backstories that you play into for content. You truly believe it’s just another raunchy-scripted episode cobbled together by your producer until you try to end the session and suddenly you can’t speak. It’s fine though, all of this stuff is nonsense anyway, right?
Days later you still can’t shake the feeling of a large, overbearing weight hanging off your shoulders, split-second glimpses of sapphire eyes behind you in the mirror, and constant wandering phantom touches.
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nipuni · 5 months ago
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Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!
The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.
The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.
When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )
The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )
I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!
But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!
The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdĂłn amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well đŸ€” especially with the whole 'reading Solas' secret diary' thing the game had going on lmao
Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.
Speaking of Rook! ( who in my case has a northern British accent that I loved so much đŸ„ș) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!
I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆
About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!
The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭
Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌
Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.
I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.
OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching đŸ„ș
The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆
But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here đŸ˜”â€đŸ’«
Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!
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myokk · 7 months ago
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clumsy
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pairing: Sebastian Sallow x f!MC
word count: 9,1k
summary: sebastian is clumsy
cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving)
a/n: or: two stubborn brats make things more difficult than they have to be. I've been working on this for a MONTH more or less, ever since I drew the sketch that inspired itđŸ«¶ (I'm the world's slowest writer)
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The first time Sebastian Sallow interacted with her after the fateful events of their fifth year, he fell for her.
Quite literally.
Maybe fell on her is more aptly put - Sebastian Sallow is not one to mince his words or say what he doesn't mean, after all. But, in the years to come, he always insists that he fell in love in that moment.
It was inexplicable. One moment, he was walking around, perfectly content with his loveless, boring life, and the next, his every waking moment was painful. Nobody had ever told Sebastian that being in love would physically pain or consume him so.
It all started like this: one moment, he's walking (well, striding) to Crossed Wands. Fine, he's running. Running late already, for the first meet-up of his last year. But - he isn't to blame for being late. He needed to check on something in the library - during his Transfiguration lesson, he had a hunch about something Professor Weasley had said in passing, and of course he had to go and check to see if he was right before he could even think about besting Leander in the inaugural duel of the Crossed Wands season but now, with how late he is - how many minutes ago had it started? - oh, Merlin, it's already been ten whole minutes and what if they've started without him (not that he can blame them) and -
Sebastian is abruptly pulled out of his thoughts when he collides with a strange obstruction in his way. He was just checking his father's old pocket watch, had only looked away for a split second and he could have sworn that, unless he was mistaken (which he never is), there wasn't a statue in the middle of the suspension bridge. And yet, he has run headfirst into something or someone, and now they are both flying through the air, books whirling around them in a flurry of pages and Sebastian unconsciously puts his arms out to grab her before they hit the ground and now he's holding her tight against him and they land with a loud, ungraceful thud, but at least she's not hurt.
Sebastian shakes his head to clear it after the impact that - miraculously - doesn't seem to have been as bad as it could have been, all things considered, and -
He freezes.
What has he done?
He's pressed up against the most impossibly lovely person he has ever seen quite possibly in his life, holding her tightly in his arms as she glares up at him in indignation, a faint flush spreading across her cheeks, making her face glow. Is this what the muggles mean when they say that they were struck by Cupid's arrow? Her hands scrabble uselessly at his chest as she tries to extricate herself from his grip. It's useless. Sebastian is completely frozen in place as he stares down at her, and he can feel his own face heating up at his inability to get off her. What's wrong with him?
"Sebastian," she repeats, and this time her voice registers in his brain. He realizes she has been talking to him this whole time, and as he stares at her face without comprehending - he couldn't have a coherent thought right now even if he wanted to - he sees her eyes dart quickly down, looking at where their bodies meet before she brings them back to his face, a deeper blush coming over her. "You -"
Oh, Merlin. It's her. He blinks and it's like the fog has cleared from his mind - almost, but-not-quite - and he realizes who he has unceremoniously crashed to the ground with him. The spines of the textbooks they are lying on top of dig into the arm that's pinned under her body and his other hand...he realizes (to his almost-horror) that to any students or professors walking by, it would seem as if they were caught up in quite the scandalous extra-curricular activity because his other hand is actively caressing her breast. Well, that's how it would look to any passerby, anyways.
Because there is no way he would be caught dead in such a compromising position with her.
The two of them haven't spoken since the events of their fifth year - the Year-That-Shall-Not-Be-Remembered-or-Acknowledged - and he had been perfectly content with his plan to continue this strange sort of ignoring that they had played all last year. Both of them pretending that they hadn't become impossibly close after only knowing each other for a few months - a closeness that he had gone and ruined by not knowing when to quit. All he had known to do back then was push push push because why couldn't she see things the way he had? The betrayal he had felt when she had gone behind his back to find her own way to cure his sister, and that one stupid word uttered in the heat of the moment, had caused an irreparable rift in their relationship and he would not allow himself to think about how much he missed her. Still misses her.
Just like he will not think about the fact that she is pressed beneath him in a compromising position, her chest rising and falling rapidly as she glares up at him in indignation. He continues to stare at her. Maybe his mouth is agape. She's stopped trying to get out of his grip and is resting her hands on his chest, seemingly waiting for an opportunity to push him off of her.
"Sebastian. Your hand," she repeats. "You're -"
Finally his idiot brain decides to wake up and Sebastian realizes with horror just how aroused he is at the moment and how did he never see her like this before? He gets up in a flash, pushing her back against the pile of books they're lying on top of, wondering if he can subtly adjust his robes without her realizing and then he makes the very grave mistake of looking down at her and she's still very much red-faced, propping herself up by her elbows and she looks so disheveled and lovely lying on top of the pile of books.
His idiot brain has now woken up completely, and how is it possible for one hormonal, eighteen-year-old wizard to be so embarrassed? He knocked her to the ground, pushed her further back in the books in his desperate attempt to get away from her, and now all he can think about is how to hide his arousal. Shameful, really. Sebastian quickly crouches down to help her pick up all of the books but she shoves him away and glares at him with an annoyance that he's never seen before.
"I can do it myself, thank you very much," she says with a huff, gathering everything they spilled up into her arms. She grabs the book Sebastian is holding out of his hands and he inhales sharply at the touch of her fingers grazing his.
Did someone - Garreth, maybe - spike his pumpkin juice with Amortentia during lunch? It's the only explanation he can think of as he stares blankly down at her. How else would he find her so beautiful, so breathtaking, when the last time they had interacted, Ominis and Anne had had to act as intermediaries for the two of them?
"Well," she says finally, slinging her school bag over her shoulder once all of her books have been unceremoniously shoved inside of it, "it's been...nice seeing you again, Sallow. I hope you had a good summer holiday."
And with that, she quickly turns and walks away in the direction she had been coming from, leaving a very confused Sebastian behind. He watches her as she walks away and her long, swishing braid is the last thing he sees before the door closes behind her at the far end of the bridge.
Eventually, he gathers his wits and wanders away.
He does not go to the first Crossed Wands meeting that afternoon after all.
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She has not had a full-night's sleep since he somehow cursed her mind and her thoughts a week ago, and she can feel herself slowly slipping into insanity. A curse is the only answer that makes sense, the only thing that gives a conceivable answer to all the wicked dreams she has been having since that moment, dreams that cause her to wake up sweaty and breathless and needing him in the middle of the night in a way she has never felt before. She has been an absolute mess, a disastrous version of her normally quite put-together self, and she is not happy about it.
He's sitting next to her now - they were partnered up by the evil Professor Onai in their first NEWT Divination class of the year - and she's holding herself rigidly, arms tight across her chest, in an attempt to not accidentally touch him. Lately, every single time they make fleeting eye contact across the table during breakfast, or when they pass each other in the hallways, a shiver runs down her spine at the unfamiliar look in his eyes and she has to avert her eyes before it's too much.
Divination has never been a favorite subject of hers - too impermeable for her tastes. She is only taking it at the NEWT level because, during her career counseling with Professor Ronen at the end of her fifth year, he had said that if she wanted to be an Unspeakable she couldn't just work with logic (a preposterous thought, but as a sixteen-year-old she hadn't seen any recourse in arguing with the Ministry's requirements). She supposedly needs to get comfortable with the intangible as well. It doesn't mean she has to enjoy it, though: she doesn't, and never will. The Divination classroom is dark and stuffy, tucked away in one of the highest towers of the castle, and the nauseating smell of incense always coats her nasal cavities long after the class has finished. She finds her thoughts getting muddled in the haze of candle smoke and swirling orbs on the shelves around her - magic somehow always feels thicker up here - and the presence of a certain someone whose knees keep brushing hers under the tiny table they're sharing, a certain someone who has - improbably, inconceivably, impossibly - hit a growth spurt that summer and now towers over her and had encompassed her completely when he knocked her to the ground, isn't helping her concentration at -
"This week, we are going to review everything we learned together last year," Professor Onai says, after the class had rearranged itself based on her instructions. Sebastian shoots a look at her as she shakes her head in an attempt to clear it and sits up straighter. She hopes that Onai's lecture will help her concentrate and clear her mind a bit. If she has something to focus on, to try and think of and remember, it will be better than him. Anything would be better than Sebastian. Onai gives an appraising look to each table before continuing her speech. "As your NEWTs are at the end of the year, we need to make sure you are as prepared as possible. Open your books to page two-hundred and thirty. Today we're going to review the art of palmistry. I should hope that you do not need the aid of your textbook to help interpret the lines in your partner's palm but in the case that you do -"
She chances a glance at Sebastian before getting out her copy of Divining the Undivinable from her bag and wishes she hadn't. He looks uncomfortably big sitting on the tiny tea chair across from her, barely any hints of the boy who had completely swept her away two years ago visible on the sharper planes of his face. When had he - had they - grown up?
Sebastian Sallow was - is - charming, and that had been her downfall. She had successfully avoided his charms the year before, and she wasn't going to let that happen this year, no matter how much her body rebelled against her mind and resolve. Because, as she reminds herself, Sebastian Sallow is also manipulative, and cold-hearted, and selfish.
"Well," she says archly, opening her book. She will not look at him. "I suppose I am still quite ignorant of the practice of Divination, so do forgive me if I have to double-check my readings in the textbook."
He says her name as she opens the book, and she ignores him. He says her name again. She continues to ignore him. He grabs the book from her hands and puts it the correct way for her. She was looking at it upside-down. Her cheeks heat up and she continues flipping through the pages, as if nothing has happened. She finds page two-hundred and thirty. She pretends to be interested in what she sees.
(Divination is unfortunately not interesting.)
Oh, fine.
"Do you want to start, or should I?"
These are the first words she has voluntarily spoken to him - not including the events of last week, which do not count as they were most decidedly not voluntary - since he called her ignorant a year and a half ago. He somehow looks surprised to see that she has addressed him, and for some reason this fills her with rage and a strange sort of confidence. Why shouldn't she be able to talk to him?
"Here," she says, putting her hand out towards him, palm up, ignoring the strange fluttering feeling in her chest when he gently grabs it with one of his. Sebastian looks up at her, waiting for her to continue speaking, and were she not looking at him so intently she would have easily missed the bob of his throat as he swallows nervously. "Show me how it's done."
Her breath catches in her throat at the small, mischievous smirk he shoots to her before he bends over her hand and gently starts tracing the lines on her palm with the fingers of the hand that's not holding hers in place. His touch is feather-light and somehow soft, despite the roughness of his fingers as they drag over her palm. Every nerve in her body seems to have moved to wherever he touches and all of the bravado and anger she had just felt is quickly melting away. When she finally finds her voice, she hates how soft and breathy it sounds. She can't look away from the sight of his larger hands caressing hers.
"Well? What do you see? Do you remember the different lines? Because I -"
She falters. The murmurs of their classmates blend together in the background and the dim lights of the candles...the hazy, thick atmosphere and his proximity and the barely there touches of his rough fingertips on her sensitive palm are altogether too overwhelming and she needs to get out of there. She's supposed to be angry with him. Furious, even. Holding this grudge has been the only way she has been able to have any sort of power over him this past year, and yet...all she can think about at the moment are the sinful dreams she's been having lately where he presses her against a wall, desperately kissing her lips, her neck - even she knows that there has to be more to it - but what?
Sebastian blinks as she snatches her hand away like it's been burned and - oh, Merlin - she shoves the textbook back into her schoolbag and almost knocks the candle on the table over and wouldn't it be awful if she had started a fire? But she can't think about any of that now in her haste to just get out of the claustrophobic Divination tower.
Vaguely, she can hear Professor Onai asking her if everything is fine and she's not sure but she thinks she mumbles something about needing to go to the Hospital Wing - that's a good enough excuse to leave, isn't it? - but then she hears his voice, deep and cutting through the fog in her mind -
"Don't worry, I'll take her and make sure she gets there fine." A muffled response from their professor and then his voice, just as clear as before. "No, I don't know what happened..."
She hears him calling her name as she flees down the spiral staircase, almost tripping over her feet in her rush to get away from him, but he catches up quickly, reaching out to grab her arm in an attempt to slow her down. She stops running immediately - she supposes her traitorous body wants to see what he has to say, or maybe it just wants to bask in his intoxicating proximity. He crowds her space, and she sees that unfamiliar look in his eyes again. So very different from the cold disdain she had seen the last time she had been this close to him, during the argument that had ended their friendship.
"Let go of me," she whispers, but there's no conviction in her voice as she gazes into his deep, brown eyes. He can tell she doesn't mean it and doesn't make any move to listen to her. Why can't she hold on to the rage? A muggle quote about anger floats through her mind: Holding on to anger is like drinking poison and expecting the other person to die. What a sweet poison her anger at Sebastian had been, while it lasted. She tries telling herself that he must still feel the same as the evening he had called her ignorant (ignoring the small voice in her head that reminded her of the letters of apology he had sent (that she had burned without reading), the times he had tried to get Anne or Ominis involved and apologize for him) - because why couldn't he just tell her himself? Maybe she had shut down any and all attempts he had made to repair the rift that he had caused in the first place, but she had been right to be so angry with him.
But oh, Merlin, he's getting closer to her, and she can now clearly see the freckles dusting his cheeks and nose and forehead and then before she knows it, his hand is sliding up her arm, leaving goosebumps everywhere he touches and then he's caressing her jaw with his rough thumb and he pauses. Her eyelids flutter closed as her head tilts towards him - she couldn't stop herself even if she wanted to (what does she want?). She can feel his warm breath ghosting over her lips and she has the improbable, ridiculous thought - how is he remembering to breathe? - before he speaks. His lips brush against hers with every soft word and a deep shiver runs through her body.
"I," she hears him say, his voice so, so low, "haven't been able to think since last week."
That's all she needs to hear, the brush of his bottom lip against hers all she needs to feel, to push her into closing what minuscule distance there is between them and then his lips are on hers and it's better than anything she's been imagining. His mouth is soft against hers, insistent, and her hands go up to grip the collar of his plaid jacket to make sure he doesn't go away or disappear on her.
She knows she's behaving wantonly, snogging Sebastian Sallow in the middle of the hallway where anyone could come across them, but third period has only just started and besides, she has had a week of restless nights being tortured by thoughts of him. A week of a few hours of sleep found here and there. Just one kiss should be enough to help her get over these strange feelings, right? She only feels like this because having him lie on top of her after he crashed into her - that satisfying weight of him - the friction of his thumb brushing against her nipple - had made her realize just how stupid she had been, holding this grudge against him for -
She whimpers in protest but it quickly turns into a moan as his mouth moves away from hers and down to her neck. He pulls at her tight collar desperately - she hears some seams ripping - to give him better access to it, and she finds herself arching her back and pushing her body closer to his as he nuzzles her neck with his nose before giving it open, sloppy kisses. When he hears her, he moves back to kissing her, greedily capturing every breathy moan that comes out of her mouth, but the noises coming from him are matching hers, and at the sound she feels an unfamiliar clenching deep in her stomach. Her fingers come up to his hair, going through the silky curls over and over - how are they as soft as his lips? - and he slowly pushes her back until she's sandwiched between his warm body and the cold stone of the wall behind her.
He lets out a low, frantic growl as a hand goes to grip the back of her head, holding her in place as he slants his mouth over hers. He tastes like cinnamon and...like something forbidden. What has gotten into her? She hates him, and yet...
They have abandoned any pretense of propriety - had they ever even been trying? - by this point. His tongue swipes across her lips and then she is completely lost to him, to every sensation of his mouth, and tongue, on hers. His large hands - the wicked hands that had been caressing her palm and had caused this whole mess in the first place - have moved to her waist and are pulling her even closer to him. When he pulls away briefly, she whines in protest, opening her eyes to glare at him. The sight of him, flushed and breathless, his eyes wide and pupils dilated - must match her own appearance because she sees the same hunger she feels in his eyes. She has never seen Sebastian Sallow so disheveled, but she finds she quite likes it and tugs on his curls with a whine. He obliges eagerly, bringing his mouth back to hers.
She's pressed as tightly against him as she can possibly be, and yet it still isn't enough. Her back arches once again, trying to find something, and then he slots one of his knees between her legs. She moans at the friction caused by his movements, can feel an unfamiliar slickness forming at the juncture between her legs, and this seems to spur him on further as his kisses get more desperate and sloppy. She moves against his leg, trying to relieve some of her discomfort, gasping into his mouth, when -
They freeze. Even if they are fully, completely, absorbed by...whatever this is, they can't ignore the strange, metallic clanking sound coming from their left. Sebastian pulls his head back from her slowly, reluctantly, breathing heavily, and looks over to see what the noise is. She wants to, but all of a sudden the horrifying reality of what they've been doing sinks in and oh god what if the noise is a person? Someone who has now seen her in what might possibly be the most mortifying moment of her life - desperately snogging Sebastian Sallow - and she finds she can't look over. She tucks her head into his neck to hide her face as she listens.
"I demand that you get away from her at once, you knave! Cease your attack!"
The voice sounds vaguely familiar, but she's certain that it doesn't belong to any of her classmates. He almost sounds...medieval, but -
"I made haste when I heard sounds of distress coming from down the hallway," the voice continues, "and it appears I have arrived not a moment too soon!"
She brings her head away from Sebastian's shoulder but still refuses to look over at whoever is speaking, instead choosing to stare at Sebastian's face. He's still deliciously flushed from their snogging, still breathing heavily, but now he looks terribly confused. His brows are furrowed, mouth opening and closing as he tries to come up with a response to the outrage currently being directed at him.
The unknown man is continuing his diatribe, almost not even stopping to breathe as he gets more and more worked up, and she hears some more clanking as he reaches a particularly exciting moment in his rant. Sebastian looks increasingly confused, but still shields her with his body, not moving away from her at all despite the accusations.
Her curiosity gets the better of her and she peeks over to see who it is.
The man who has been reprimanding Sebastian so boldly is none other than Sir Cadogan. Although she's never interacted with him directly, she often hears him yelling at his pony as she passes his portrait on her way to Divination. The knight is standing between two witches having tea, who are glaring at him quite angrily as he gesticulates wildly - every movement of his sword comes dangerously close to their display of cakes and sandwiches and it looks like he has already broken some plates. His armor is ill-fitting and loose on him, which explains the terrible noise.
"You rascally knave! I assure you that you do not want to find out what will happen to you if you do not unhand the fair maiden."
He brandishes his sword again, and the woman closest to him quickly snatches her tea cup away to save it from being broken as well. "Come now, Sir Cadogan," she says, exasperated. "Can't you see that these two are in love?"
The other woman joins her protests, nodding vigorously. "Yes, exactly that. Leave them be!"
"Nonsense," he exclaims. "I too have succumbed to my baser instincts on occasion and I can assure you that this is decidedly not what is occurring."
As Sir Cadogan continues to alternate between lecturing her and Sebastian, and directing his two attention to the ladies who are defending them, she looks back to the boy in question. Sebastian is looking down at her, a bemused smile on his lips and she feels a twinge in her chest. His face is still so close to hers that if she wants to, they could be snogging again with barely any effort and her eyes briefly flicker down to his tempting mouth before going back to his eyes, but...
What had gotten into her? What is she doing?
He had somehow managed to manipulate her again, because there is no way that this situation could have happened otherwise. All of a sudden, the anger she's been feeling for the past year and a half - that had left for a brief, blissful moment - surges again, and she pushes Sebastian away from her with as much force as she can muster. She almost feels bad as the happiness in his face turns to confusion, then frustration as he realizes she's getting away from him.
"Stay away from me," she hisses, picking up her discarded schoolbag from its spot on the ground. As she stalks down the hall, she can hear Sir Cadogan cheering on her bravery over the ringing in her ears.
She has a lot of thinking to do.
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Sebastian Sallow's List of Priorities (in no particular order):
Figure out what the hell I'm going to do when I graduate;
Figure out how the hell I'm going to finish this bloody Charms essay before tomorrow; and
Figure out what the hell is going on between us
Sebastian sits in an undisturbed corner of the library - nobody ever comes to this table because it's tucked away between shelves of incredibly dense magical theory books - and is twirling his quill in his fingers, watching the ink splatter on the list he spent his precious time writing instead of the Charms essay he should be working on. He's far away from the first-years who like to congregate by the windows and watch the leaves fall softly to the ground rather than study for their classes. He's made especially sure that he is far, far away from her.
It's not his choice, mind you, but he needs to be a gentleman about these things. If she needs some time and space to figure out that she's as crazy for him as he is her, fine. But even Sebastian Sallow's patience runs thin, and he's not sure how much longer he can give her to come to her senses before he snaps and takes matters into his own hands. If things were up to him, the two of them would be sitting far too close together now in this secluded corner, and maybe he would need to put a hand over her mouth to ensure her complete silence as he runs a hand up her thigh.
Now that he knows what delicious sounds can come out of her mouth - sounds that he caused - he's been having a hard time concentrating on, well, anything. Sebastian surreptitiously glances across the library to where she's sitting and studying with his sister and Imelda. Ever since the events after their Divination class, Sir Cadogan has taken it upon himself to follow Sebastian around the halls of the castle, tripping through frames and disrupting their inhabitants as he lectures Sebastian on love. The tea party women had managed to convince the knight that he had disrupted an amorous exchange, and Sebastian fervently wishes they hadn't.
The whole school is abuzz with rumors about who it could be. Nobody has even come close so far with their guesses, but Anne and Imelda are having too much fun teasing him about it. Somehow, she has managed to avoid suspicion - he wonders how this is even possible, since she's never been able to hide what she's thinking. He makes eye contact with her - has she been staring at him this whole time? - and she flushes before looking over to Imelda, who's laughing too loudly at something Anne's just said. Sebastian can't tear his eyes away from her profile, his eyes following the curve of her eyebrow, the slight upturn of her lips as she smiles at her friends, her eyes as they dart back to him, her cheeks as she turns an even darker shade of red as she realizes he's still watching her. She tucks a lock of hair behind her ear, and rests her chin on her hand as she tries to look absorbed in what Anne is saying to her.
Sebastian wonders if she's thought about him as much as he's thought about her. Judging by how she had snogged him back, he's positive that she feels the same way, but then he remembers how she had looked at him before she fled, and he's not so sure. He sighs as he looks back to his list, bringing his quill back to the third item and ripping the paper as he crosses it out again. His mind has been going in circles since that moment and he doesn't know what to think. He slowly puts everything into his schoolbag before heading out of the library for yet another freezing cold shower that hopefully tempers his now-permanent state of arousal whenever she's around.
He doesn't notice her eyes following him as he walks out of the library.
He doesn't hear her hurried excuse to Anne and Imelda as she shoves her things into her bag and rushes to follow him.
He doesn't hear her light footsteps as she gets closer to him.
When she puts a hand out to touch his arm as he waits for the moving staircase to stop, with a soft, "Sebastian" accompanying it, he nearly jumps out of his skin. He was so absorbed with thoughts of her, that to see her standing at his side, closer than she had been since they kissed was almost his snapping point.
"Can we talk?" she asks, looking almost embarrassed as she avoids his eyes. She instead looks determinedly at his collar. He thinks she probably notices that he swallows nervously before acquiescing, but she says nothing as she turns and starts hurrying away from him without waiting to see if he follows her.
She must know that he would follow her anywhere at this point.
They weave through hallways - Sebastian vaguely wonders where exactly they're going - before reaching a little alcove, hidden by a suit of armor. She looks around before pulling him into it. It's almost curfew and the halls are never that busy when the weather is as beautiful as it has been these days - the end of September seems to be clinging on to the summer for as long as possible.
Her lips are on his before he can even ask her what she needed to talk with him about, hungry and desperate. Sebastian is too stunned to pull away - not that he would actually want to. Her arms wrap around his neck, keeping Sebastian close, slender fingers sliding through his hair.
"What," she says breathlessly between kisses - almost not even moving her mouth away from his enough to be able to enunciate properly, "are you doing to me? I haven't been able to think for the last month."
Sebastian smiles into her mouth, wondering if she knows that she's repeating the very thing he told her two weeks ago. Maybe she has been thinking of him all this time - he almost hopes that she's been suffering as much as he has. Instead of responding, he moves a hand to cup her jaw, deepening the kiss. His other hand moves to her waist, gripping it tightly, pulling her flush against his body and she gasps into his mouth. He slowly moves her closer to the window alcove behind them, snogging her senseless the whole time. She moans into his mouth which just spurs him on further - her skirt rides up to her hips as Sebastian trails a hand up her stockinged thigh and they both gasp when his hand reaches skin. Her skin is so, so soft and her breathing gets faster as he continues to caress her inner thigh, closer to the bend between her thigh and her center. Sebastian wonders if she's ever been touched there before by someone else and jealousy flares up inside of him at the thought.
In one swift move, he scoops her up and places her so that she's sitting on the window-ledge, the dusky light of the sunset illuminating her from behind and making her wispy flyaway hairs a golden halo around her. Sebastian's breath catches in his throat - has he ever seen anything so beautiful as her in that moment? - she's staring up at him, her fingers playing with the hair at the nape of his neck, her breathing shallow and anticipation in her eyes. "You're," he starts saying and his throat goes dry. He brings a hand up to tuck the errant lock of hair - the one she had tucked earlier in the library - behind her ear and she leans her head into his touch, closing her eyes briefly before looking up at him again with wide eyes. "You're perfect."
She smiles faintly and pulls his head back down towards hers and now she's brushing her lips against his, teasing him, before it's too much and he grips the back of her head, holding her in place as he crushes his mouth against hers in a bruising kiss. Her knees are on either side of his waist, and she desperately grinds her core against his throbbing erection and they both groan at the friction. Sebastian moves his hands down to her thighs again as he kisses her, slowly caressing his way up and pushing her skirt up further until it's completely bunched around her waist. She gasps into his mouth at his first tentative touch after he pushes aside her undergarments. Sebastian swipes a finger up her slit, through the slick that coats it, and then he starts circling her clit with slow, even strokes. She shivers against him - at his touch - clinging tightly to his shoulders and gasping into his mouth as he continues.
Every little noise coming out of her mouth, feeling how wet she is, how the slickness keeps growing growing growing makes Sebastian hungry for more - it isn't enough -
Slowly - so slowly - he wants to savor this moment - he lowers himself until he's kneeling between her legs and he looks up at her. Her face is deliciously flushed, all swollen lips and hair in a wild cloud around her face and all she can do is stare down at him. Her chest is heaving and she tries to close her legs - hide what is exposed to him - but he holds her thighs firmly in place on either side of his head. He turns his head and kisses her inner thigh, maintaining eye contact as he swipes his tongue across where he's just kissed, moving closer towards her slick center.
"Oh," she breathes, not-quite-a-word, not-quite-a-gasp, when his mouth reaches her center and hovers over it, lips slowly teasing her the way she had just teased him. Sebastian tentatively runs his tongue up her slit; the loud moan she lets out when he reaches her clit makes him stay there, applying light and not-so-light pressure in equal measure.
Her hands are scrabbling at his hair, digging into his scalp, ruining his earlier attempts to make it look presentable, hopefully attractive, for her these days. She's pushing his head deeper into the space between her legs, starting to rock herself slightly on his mouth, and Sebastian is happy to oblige. He eagerly laps up her slit, and the obscene wet noises as he continues combined with her whimpers and barely-spoken profanities "oh-yes-fuck-yes-there-please-" are making him hard beyond belief. He's straining against his trousers, begging to be let free. Without moving his face from her, he unbuttons his trousers and starts palming himself, using the slickness weeping out of the tip as lubrication.
She's abandoned all control at this point, grinding herself into his face as he laps her up, and it's driving him wild - knowing that he's doing this to her - causing her to be so undone. Normally she's so poised and aloof, never letting any real emotion flicker across her face, so to see her so desperate and needy and wanting him so -
Sebastian's gasping into her, tongue deep inside of her, "ohmygod" he hears her whisper, her hips driving into his face when she shudders and goes still, pulsing around the tongue that's deep inside of it. He slows down, smiling as he continues to run his tongue up her slit until she's responsive again. He kisses her inner thigh and hears her moan before getting up, caressing a finger down her love-struck face and leaning his head down to kiss her deeply. With his other hand he's still touching himself - the thought that she can taste herself on his tongue driving him crazy - and he starts rubbing its blunt head against her swollen clit. She takes it out of his hand- he groans at the feeling of her soft hands (the hands he had held a week ago in Divination and pictured doing this exact thing) tentatively caressing his length before she begins to slide it up and down her slit, coating it in her wetness.
Sebastian has surrendered all control to her - resting his hands on either side of her hips on the windowsill, tucking his head into the crook of her neck and thrusting with her movements as he loses himself in the sensation of sliding through her slick folds. He can feel his release building building building, and when he finally comes, all over her perfect, pink center, it feels like a finally.
Sebastian feels so, so heavy as he pulls his head away from her shoulder, as if he could fall into a blissful sleep right there, in the little window alcove where they've hidden themselves away. The sun has now set completely and they're in shadow as they stare at each other, the sound of their ragged breathing filling the tiny space.
"Sebastian, I..."
She's staring at him with an unfathomable expression on her face, still holding him in her hand, her other hand playing with the hair at the nape of his neck. They look down and he feels his face heat up even more at the mess he's made - he quickly pulls out his wand and cleans her up, before looking back at her, giving her a wry smile as he buttons up his pants and helps her off the ledge. "What did you want to talk to me about, again?"
She gives a slight shake of her head and looks away, but she can't hide the small smile that's growing on her face just like she can't help her eyes that keep wandering over to his. He knows the growing smile on his face matches hers - did that really just happen? She reaches over to lace her fingers through his as they walk around the suit of armor. "I - it's not important."
"Come on," he says, not being able to resist the opportunity to tease her - he's somehow managed to break through the barriers she's set up around her, and he's not about to let the opportunity slide. "Surely that's not what you had in mind when you..."
Sebastian trails off as he sees the expression in her face turn to one of horror - he didn't think his teasing was that bad, was it? - but she's also pulling her hand out of his like she's been burned and -
He follows her gaze, to where it's fixed at the end of the hallway and he knows that once again his face mimics hers. He will never live this down.
Standing at the end of the hallway and looking like two cats who've just found a huge dish of milk, are his sister and Imelda.
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Misery.
Complete and utter misery are what she's feeling, if she has to put it into words, which she does. Writing things down always helps her out, helps her organize her thoughts into some sort of order. Except...this time around, it's not really helping. She can't seem to make any sense of her feelings for Sebastian.
She looks over the muddled mess of words she's written down - stream of consciousness, incomprehensible babble - and sighs. She's been dreaming of falling in love since she was a young girl - Jane Austen will do that to you - and can't believe that now that she's had her opportunity, it has to go and be with Sebastian Sallow. Because it has to be love, hasn't it?
There can be no other explanation for the painful way her stomach twists itself up whenever she catches a glimpse of him these days, the way he's consuming her every thought - even when she's dreaming she can't escape him. She can't get the sight of his tousled curls between her legs, his mischievous, warm brown eyes looking up at her as she had the most mind-numbing, toe-curling orgasm of her life - none of the times she's touched herself have ever come close to the sensations he managed to evoke.
Every time she's walking through the hallways between classes and hears his loud voice as he jokes with Garreth, or Ominis, about quidditch or Merlin-knows-what her eyes snap to his face as if he were the sun, and she a sunflower searching for its warmth. And he is most decidedly not the sun. He has the tendency to snort when he laughs, and he laughs too much, especially at his own jokes. Sometimes he talks while he eats. He always twirls his quill between his long fingers in the most annoying way, splattering ink onto any parchment unfortunate to be caught underneath. But he also...
He also always goes out of his way to prepare Ominis's Potions ingredients (why Ominis decided to take and was accepted into NEWT level is a mystery to everyone), occasionally stops to play a round of gobstones with Zenobia when he has the time. Sebastian can often be found in his favorite armchair in the Slytherin common room, resting his face on his hand as he idly flips through the pages of some book, looking altogether too handsome as he does so. And when he stretches and yawns at the end of every Arithmancy lesson - like he is now - his shirt lifts up a bit and she can see a tan sliver of his stomach and -
Snapping in front of her: she blinks and looks over: when she sees it's Imelda her face immediately turns beet red and she grabs the paper she's been doodling on and rips it to shreds as fast as she can.
"Are you fantasizing about a certain annoying someone?" Imelda asks with a wicked grin, dramatically looking over her shoulder at the certain someone in question. He's still stretching, blinking sleepily; when he notices the two girls watching him he flushes deeply. Her stomach twinges again at the sight of him noticing her - has he thought about her since that moment as much as she has? What would she do if he had? Or...if he hadn't? - and she focuses instead on the paper she is currently destroying.
"Imelda," she hisses, glaring at her best friend, "stop."
Imelda does not stop.
Imelda doesn't stop during their walk to Herbology, and she does not stop as they set up their planting stations, and she most certainly does not stop as they mutter charms over their plants.
Ever since she experienced the most wonderful moment in her whole life, followed by the most mortifying, Anne and Imelda have not stopped pestering her about it. They've finally solved the 'Sir Cadogan Puzzle' - I knew it was you all along, claims Anne - but if they truly knew what had happened between her and Sebastian, she's afraid the two of them would simply combust. She loves them dearly, but they never know when to stop, and they've been pushing and poking and prodding her for more information the whole week. She has managed to remain tight-lipped and, she hopes, mysterious about the whole thing, but she's getting tired of the teasing.
"Really," Anne says, wiping her forehead and leaving a trail of dirt behind, "if you would only talk to him, I would stop bothering you. Promise."
"Yes," chimes in Imelda, on her other side, wrestling the leaves of her own plant into submission. "You know, after we saw the two of you holding hands and looking at each other with stars in your eyes, I'm really starting to doubt that you hate him as much as you claim."
"Were the two of you snogging in secret all of last year too? Because, I'm starting to get annoyed thinking of all the times I had to talk to my brother for you because of your stubborn pride."
Does she still hate him? She certainly thinks she should, but then her thoughts get terribly confusing as she continues to think about him, and she realizes all of her old hatred has long since faded. Anne has forgiven her brother, Ominis has forgiven him, and all that remains is her.
They should talk, but she doesn't know what to say.
She's afraid that maybe the man she's been inventing in her mind this past month is simply a figment of her imagination - a fictitious being created by an accumulation of stolen glances when he doesn't know she's watching, someone who all of their classmates seem to like, someone who is very different from the fifteen-year-old boy she had that terrible argument with all that time ago. Maybe he doesn't actually exist.
She would be crushed if he's hiding the fact that he still holds on to that desperate darkness that had driven him to save Anne by any means necessary.
And so she keeps her space. She watches him from afar, feeling the hatred slowly melt off of her, falling more in love every day, but too cowardly to make the next move.
Anne and Imelda continue bantering on either side of her, not noticing - or, more likely, not caring - that she isn't participating.
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Sebastian's hands are sweating. He wipes them on the inside of his robes as he glances at the girl next to him. She's holding herself rigidly, but she did this to herself, sitting next to him at dinner as she had.
Well, sitting next to him hadn't been completely her idea if he's being honest. He'd been having dinner with Anne, and the two of them were dying of laughter as she recounted seeing Duncan Hobhouse get tormented by Peeves earlier that day. One moment, Anne had been demonstrating what she had seen using her potatoes and green beans as props, and the next, a particularly evil grin had lit up her face as she pushed her plate away with gusto and jumped to her feet, calling her over.
"It would be such a shame for these potatoes to go to waste, seeing as I have a very important meeting to attend," Anne had said, after pushing her friend into the very tight space at Sebastian's side. "Never mind the mess, I can assure you I didn't actually eat the food..."
And with that, Anne had flounced away, Imelda on her arm, the two girls cackling to each other as they snuck wicked glances over their shoulders at the couple.
A couple who is now steadfastly avoiding each other and trying their hardest not to even brush elbows. Sebastian is altogether too aware of her presence, has been for the better part of a month, and his patience is dangerously close to snapping. He keeps getting maddeningly close to finally getting her to open up to him - had actually achieved it for a few blissful moments - just to have it be taken away again. It's almost embarrassing how many times he's thought about their encounter. She had been everything he'd been dreaming about and more - soft, responsive, just as desperate as him - so why has she been avoiding him so thoroughly?
Yes, he's caught her staring at him more times than he can count, with that same unfathomable expression she had before, almost dreamy - wistful - could it be love? But he knows that it's preposterous, wishful thinking on his part. If it were love - if she felt the same crazy, tumultuous emotions that he was feeling constantly - she wouldn't be so cold towards him. Even if she was staring at him more than ever before.
He doesn't notice as she slips a folded paper into the book sitting next to his plate, but he does notice that she sits next to him for barely five minutes, not even touching the food that Anne has so graciously left her, before she gets up and slips away without so much as speaking a single word to him, or even looking in his direction at all.
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Sebastian's sitting in a nearly empty common room after curfew, flipping through his book as he normally does this time of day, when she sees him pause.
Although she's been waiting for this moment, watching him from the corner she's tucked herself away in, she feels ready to pass out from nerves. Her heart's ready to burst out of her chest as she watches him curiously pick up the letter she slipped in his book earlier, brow furrowed. She wrings her hands nervously as she watches him read the letter and flip over the page to see if there's more, and then he goes back to read it again from the beginning.
She wasn't expecting him to read it a second time, let alone a third time, still with an inscrutable expression on his face. Maybe she should have positioned herself closer so she could see every emotion flickering through his face as he reads - she's too far away to see anything and she curses her lack of foresight. If she moves now, he'll see her, and she doesn't even know what she was thinking when she wrote the letter, when she managed to convince Anne to help her get close to Sebastian earlier that night during supper, when she moved herself to sit in this corner just so she could watch him find and read the -
"Hello."
She nearly jumps out of her skin with a muffled shriek at the sound of his voice so close to her. Why does she feel almost guilty when she looks up at him? She's so, so afraid.
Emotions have never come easily to her. Showing them is something she's not sure will ever come naturally - Anne and Imelda can laugh and shout without a care in the world, but she always holds herself back. Hides a small part of herself away, that only she knows about. Baring herself completely to Sebastian in the letter she feverishly wrote the day before was like ripping out a part of her soul and giving it to him to keep. Once the words were written down, there was no way to take them back, not that she wants to.
But what if he rejects her?
Her eyes get hot and tears cloud her vision as she stares up at him, still wringing her hands together over and over, feeling like she's positively going to burst with the force of the emotions roiling around inside of her. Why did she think this would be a good idea?
Now he's kneeling in front of her, holding her hands in his bigger, rougher ones - reminiscent of that fateful day so long ago in Divination when he had flustered her so - and a thumb is gently wiping away the big, fat tears she didn't even realize were rolling down her cheeks and she lifts her face from watching their intertwined hands and gazes tremulously into his eyes.
They are so, so gentle and warm and full of love, but the emotions are still too much for her and she can't stop crying for some unfathomable reason, so the kiss they share is wet and lovely and full of incredulous laughter.
"I love you too," he whispers between kisses, over and over again, until the words almost lose meaning - but these words could never lose their meaning when they come from him.
  In the years to come, they always bicker about who was the first to say it. Sebastian says that writing doesn't count - that his words are the ones that decide who is the victor in this small argument - but she always just smiles at his insistence, knowing that he's kept her letter tucked inside whatever book he's reading since it first fell onto his lap.
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glitchgh0sty · 2 months ago
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IM FINALLY FREE!! My comrades,, take the jazzprowl, make a feast, we must celebrate! XD
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forchimneyandforyou · 5 months ago
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Scene
Tommy calling Buck, wanting to apologise for how everything went down. And to tell him that he wants to see him again because he knows he fucked up and Buck deserves the whole truth and not the mean-spirited things that came out of Tommy's mouth in the heat of the moment. It goes to voicemail.
He looks at his phone, sorrowfully.
Camera zooms in on the phone then zooms out.
Phone is now on the floor in the middle of debris showing "1 missed call from Tommy 💔". Slowly pans over to show Buck's hand laying beside it, just out of reach.
Pans out, Buck's jeep in the middle of the freeway totaled. Only Buck's arm can be seen from underneath it.
End Scene
[part 2]
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fumifooms · 2 months ago
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Kabru party analysis - Trust, and codependence vs emotional unavailability
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I flip flopped on calling this a masterpost a lot, but looking back, yeah. While I do compile every fact I can about the party and its characters a significant part of this is interpretation, extrapolation and speculation enough that it's an analysis more than compilation at this point. Feel free to skim, skip around, whatever makes the experience more enjoyable and useful. I’ll also try and compile parallels they have with their Laios party counterpart, since them being foils and ‘shadow version’ of sorts to our main party is a big part of their fun fact meta, I am however most interested in analyzing them as their own characters- and as a whole together as an entity & narrative device. I did end up getting into narrative and thematic analysis for the main story... Mostly the Kabru & conclusion segments though.
But ultimately the goal of this post is mostly to analyze their relationships with each other because I think that’s the messy interesting part of their group, beyond just being a kabru party facts list.
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Table of contents:
Kabru + party timeline
Rin
Holm
Daya
Mickbell
Kuro
Relationships and overall dynamic
Do they matter at all to the story?
For easy finding if anyone wants to do a focused reread, the main chapters featuring the Kabru party are 10, 15, 31 and 32, and then with chapter 45 everyone but Kabru (and Rin) stops appearing until the final battle.
Kabru of Utaya & his party
What to say about Kabru that hasn’t already been said, how to summarize him as perfectly and concisely as possible
 I don’t think I can reasonably do him full justice here! This is an analysis about his party and not just him so I don’t want to spend forever here. Unlike every other character in his party Kabru is a main character of Dungeon Meshi so plenty of analyses around, meanwhile information can be hard to find and string together for the rest of them or the party as a whole. This isn’t a deep dive on Kabru but a summary, I’ll go over his timeline, goals and general attitude.
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This'll be critical for later, but notice here that this means Kabru's party formed 2 years before the story happens. We get no indication of whether or not party members have changed much or little over those years, even if the party overall seems somewhat incompetent. Kabru's profile says that despite his skills, his lack of experience makes him a mediocre party leader and we do have that inexperience with monsters and dungeons, from what we see in canon. It's partly due to his foster mother training him intensively in combat against humans but seemingly not monsters or dungeon survivals, and partly from what we see with canon's framig because Kabru has no interest in monsters- You know and understand what you love better than what you hate, so Kabru is good at fighting humans and Laios is good at fighting monsters. The party does have rather good chemistry in action, with Kabru orchestrating everyone with commands, but they still end up being defeated as often as not, and despite Mickbell's warnings Kabru pushes to go to a dungeon floor lower than he thinks they can handle with their current ressources, for example. Laios' party at the start of canon were broke, but it's only because their money got lost in the dungeon and (chap 28) the bank would take too long to get their tokens back & take money out to save Falin- meanwhile Mickbell talks about being in the red just because of their current unfruitful dive, meaning they aren't as successful and have tighter finances overall. We see the party hanging out in taverns off-work (though not unlike Laios' very occasionally does as well) and things like Kabru meeting Dia's fiance and the party visiting Kabru's room, so they mayy be paralelling how it's said Laios' party hung out very little outside of work? They don't seem much closer for it, though.
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One other thing to note is that Utaya is not necessarily his birthplace/hometown? The details are unclear, the adventurer's Bible does refer to it as his birthplace twice, but it's also mentioned several times that his mother was "chasen out", even in the original japanese. It sounds like leaving a town to me, but it could be that they were only driven out to their house and moved to a different part of town...? Either way, his mother was "chased out of home" after he was born beause of his blue eyes. Of course, Utaya is where the dungeon overflow tragedy happened when he was 6-7 years old, so it's the town Kabru and his mom were living in, one way or another. It's also mentioned kobolds lived near Utaya, explaining him speaking some kobold, which kobolds also implies the region had conflict beyond the dungeon overflow considering what Kabru says about kobolds in the kobold page.
Her mom having been "chased out of home" over him and then working hard as a single mother to support both him and herself is likely to have made him feel like a burden, which may have influenced his selflessness: the way he's hardworking, the way he neglects himself, the way he keeps others at arm's lenght (maybe thinking getting closer to him would do them no good)*, the way he can be very quiet and a great listener, gauging others' needs- the same way he was his mom's venting outlet when very young whenever she got drunk. *I explore this possibility more in this kabrin brainstorm post. The insecurity of being an incubus/monster, especially with how Kabru did see people transforming into monsters in Utaya- A very interesting recurring angle for him.
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Let's be clear, as Kabru shows again and again his goal was 1) to pierce the mysteries of the dungeon, and 2) ensure that if anyone defeats the current dungeon lord that they won't accelerate the process of the dungeon overflowing or use the power for evil, essentially that the dungeon's power won't fall into the wrong hands, which includes him thinking the canaries shouldn't get the final say in how to handle it all. His goal/plan of becoming dungeon lord himself was to take care of both of these in one go.
He's been at this for years and he's seen a lot of things firsthand when he was 6, so already when he first confronts the canaries at the Island governor's he explains the stages of degradation of a dungeon quite well, he has his own theories that turn out accurate, but he's made them while being barred from most information on dungeons, which the elven monarchy controls access to. Goal 2 is always the main point, but goal 1 is important in order to be able to do it efficiently. Once this, goal 1, is achieved and Kabru learns about the demon through Mithrun, he becomes solely focused on goal 2 again (whereas the On Floor 1 chapters ended with him breaking alliance wth the canaries to demand answer) to ensure the demon stays under control and to stop the current (and possible next) dungeon lord. And then, well, the meeting at Thistle's house happens. Defeating the dungeon then at the beginning of canon was half-cover, a simple unsuspicious way to present his goals, half-goal 1 which would also take care of goal 2 by Kabru himself becoming the dungeon lord, as said. The canaries show up so he indulges in goal 1 while carefully teetering on being an obstacle to the canaries and helping them, and then it's right back to goal 2 with renewed determination together after he and Mithrun fall down into the dungeon and Mithrun spills everything. He doesn't trust Laios as dungeon lord, but he also doesn't trust the elves having the sole duty of managing dungeons.
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It becomes this sort of tug of war of distrust, of who does he trust less to ally against, who does he trust more to ally with, which side to take once it's clear his own side isn't viable alone- he ends up somewhat playing double agent covertly through the story, but ultimately he ends up more or less trusting everyone and playing double agent openly with the final battle, quote unquote having faith in humanity & others, which he'd been cynical about for so long, finding red flags in everyone. But yes yes backing up again, he came to trust Mithrun during the six days in the dungeon together, but not the rest of the canaries and when they meet up again he's still on bad terms with them, we see it at Thistle's house where he tried obfuscating Laios' party's secret and pinned Mithrun to keep him from chasing after them, preferring for the ball to be in their court and for Mithrun not to go kamikaze mode.
His interest in Laios also extended to Falin, their party was quite capable and was more or less next in line to beat the dungeon, but since she died and Laios went into it on a shocking desperate mission, Laios becomes a focus of his as they make very quick progress. No one dungeon diving ever went beyond the big doors guarded by the gargoyles, but Laios' party passes through them just a little after Kabru and Mithrun team up.
All these deeper thoughts were largely unknown to his party members before the story.
He’s secretive and often cold with his party. Even Rin, presumably the closest friend he has, the one who’s devoting herself to specifically following and helping him (while the others also seem to admire him and partly follow him to put him on the dunlord throne, they have their own reasons too), is left in the dark with an arm of distance kept between them. Kabru first reveals he's been keeping an eye on the Touden's party during the sea serpent 2 chapter for example, and goes into it a little more during the Toshiro-Laios parties meetup chapters.
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Although, it might be more appropriate to say that rather the party members aren't really listening. Kabru spoke about his goal to keep the toudens away from the dungeon lord title here, has a whole speech about influence and power falling into the wrong hands, and their reaction is "we know, only you is fit to be dungeon lord!" when that's never been the actual core of the matter, the point. It was the red herring being set up yes, that that was only what kabru wanted, but ultimately looking back he's always had that guardian type motivation more than leader, being a judge and executioner more than a king on a throne, he wants to support what's good and dismantle what's bad, so it suits him to have become a politician in the end instead of the ultimate chief. That also goes into his arc- him learning that sharing duties and goals is good, that he doesn't have to do everything alone and fully trusting others when teaming up can be beneficial, that he alone doesn't have to be the sole voice, that his shouldn't be the sole choice to be made about matters or courses of action. So going back to the topic- another instance of his explanations being dismissed is in this convo with Rin above- Again he talks about dungeons and reveals hints about his true goals, yet after all of this Rin literally only goes "hmm" and silence falls, and then she says she's hungry. Wether she was contemplative or uninterested, the change of topic is rather quick and unceremonious. And this is the person who'd know best about his motivations too, knowing his past well.
And maybe this phenomenon is also why he gets peeved at Rin here and silently chides her. In a "she should know how to think this through by now, she should've taken a second to observe and remember how we do things, she should think deeper about the true important matters" way etc etc. What are we doing this for, what do you take me for? This kind of righteousness is detrimental rather than helpful and strategic, Rin.
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I place both Laios and Mithrun to be very important to Kabru's character and arc, and with Mithrun a significant part of the puzzle imo must have been that Mithrun listened, easily understood. Mithrun understood the gravity and danger of dungeons, was even similarly a victim of one. Where everyone else shallowly misunderstands or dimisses what he says about dungeons and his goals, they're very understandable and familiar to Mithrun, and such bumps don't happen with him. Mithrun isn't playing the social game the same way as others, he just dishes out whatever blunt straight to the bottom of the matter points, he skips the social dance Kabru often gets so hang up on, in a way that helps kabru communicate with him honestly rather than hinder, especially since Mithrun is still quite good at reading between lines. This could be a good part of why they take to each other rather quickly and team up, each other's rationale and plans feel intuitive to the other and they find someone else traumatized by the dungeon, someone who understands, understands not only what he's talking about but also what must be done, the ruthlessness needed. And Laios comes to ultimately balance this out, not invalidating their wants and needs but showing there are other ways to proceed, other people to trust, even when they don't intuitively understand them.
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And on that note I want to talk about Kabru and laios' confrontation. I've already said that his "Laios obsession" is about his dungeon goals and that's very straightforward, and it only got to this point because Laios previously dodged his every attempt at closeup info gathering and still now he can't get a read or grip on him. BUT while some think Kabru's "I just wanted to be friends with you" is just a bullshit he made up on the spot complete lie, I don't think so. We see Kabru cycle through some explanations, angles and speeches he has like scripts, like one of them on the second page is close to this. And we know they're like scripts because that's what he said and how he spoke with his party, the backstory talk, the framing, it's all how he presented it to others as well. But he knows none will work on laios, Laios pushes him like Mithrun to go offscript, to find new approaches and communicate in ways that are more vulnerable and uncomfortable. And Kabru has trouble finding that angle that'll work with Laios, because he doesn't know Laios well enough, and that's what he wants, too, it feels so frustrating and vulnerable not understanding him. As his desperation mounts it sort of just slips out- I wanted to be friends with you. Childish, simple, inappropriate for the grave context and very embarrassing. And he immediately freezes and backpedals- BUT Laios endlessly dunks on the very idea that it could be true and that sets kabru off- after which he unloads a more personal perspective of how it was like chasing after him. And I think that's what it is, it's not a lie but it's a bit of an oversimplification- Not the full reason, but a part of it. Kabru wanted them to get to know each other better and get along, for him not to have to kill Laios, a want he still clings onto even when stakes are rising. He says it all himself here, explains his statement after Laios all but laughs in his face in disbelief. I think this scene and the slip-up shows that Kabru does have a desire for connection, that even when he's all calculating and manipulative with his business mode on, there's that desire under it all. And with Laios, well, what better excuse is there to be interested in someone that so conveniently is at the center of his plans and goals for the dungeon? Meeting practicality and genuine interest makes for this- I don't think that's unique to Laios perse, I do think Kabru is interested in people in general like he himself puts it in contrast with the touden siblings who don't, but with Laios the difference is the utter onesidedness of it, the brick wall of social cues he doesn't know how to approach but both needs and wants to. Repressing a desire for social connections, being bound by it despite wanting to not need them, is a common theme in Dungeon Meshi! And I think this fits into that. It's in the grabbing of Laios' arm too. Yes it's from despair, from the situation and from not being heard out, but that despair hides a desire, and it's a desire both to fix everything and to be seen and heard finally. And you could theorize it's his time with Mithrun that made him help realize here that yes there's some truth to wanting to be friends with Laios, and learn to seize the opportunity, to chase it not just through mind games but also try honesty, bluntness...
His arc with Laios (and with Mithrun) is a lot about teaming up imo, his party disappears and accomplished little because he never fully opened up to them, but when push came to shove and he was thrown into teaming up with someone (Mithrun) unfamiliar with no pretenses possible in an urgent situation he slowly gained trust for him, he learns that trust can be valuable even through the risk, enough that by the time he has to make his ultimate choice of going against Laios and even killing, vs helping him and letting him do his own plan, conflicted as he is Kabru still chooses to defend Laios from Lycion and have some faith- and this despite having his own opinion dismissed by Laios in the scene we just looked at. He is putting faith in Laios to have the weight of that world he was carrying alone for years put into someone else's hands, upon their choices, despite it meaning everything to him. Dungeon Meshi is a loooot about community and unity, about reaching each other halfway to have understanding and accomplish things together, better, and Kabru's arc very much is about that whole thing. Laios decides to go with his own gut instead of agreeing with Kabru's pleading, and there's much to say about that, but ultimately I see it as Kabru being forced to reckon with having to put full trust in another person's judgement yes, terrifying and risky, but sometimes it'll pay off. Seeking to understand each other earnestly IS good, and it's only after all pretenses are out the window that things start to look up, compromise shows willingness to do that.
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So like. Mithrun's half of kabru's storyline is about being understood, getting some of that social connecting need he's been neglecting and showing how genuineness pays off, meanwhile Laios' half is about understanding others, seeing the flaws in how he approaches others. How do you expect people to understand you if you aren't earnest with them, Laios asks? Lycion hammers it home too, being the one to expose Kabru having been fake with Laios and trying being very blunt and direct with Laios. With Mithrun he learns to socialize without playing 4d mind chess again, it's easy with him befause he's so uninterested in respecting social conventions anymore and is so blunt and honest, and with Laios he learns to apply that. Mithrun is his parallel and Laios is his contrast.
Okay this was the story arc bit now getting back to a character analysis focus. Kabru is interested in anthropology in general, with a genuine interest in learning about people and languages & helping people at large. He's concerned with the greater good and "preventing Utaya from happening again", not because he himself doesn't feel safe but because he wants to prevent tragedies in the world, tragedies that affect others the way he's been before. Kabru is individualistic in the sense that he takes everything upon himself, doesn't readily trust others with decisions, but he's also incredibly selfless. He's dedicating his life to investigating dungeons and stopping their meltdowns, thinking someone else than the elves must get involved, he has personal reasons to be motivated to stop the demon but unlike Mithrun it's not out of revenge but out of a concern for others' wellbeing, while Mithrun's motivations are stuck in the past Kabru's are in the future's. In his determined pursuit of his goals he neglects his own needs and wellbeing- Due to his upbringing with the sheltering Milsiril, Kabru has a hard time even doing basic care tasks like cleaning and cooking, if it wasn't for his landlord doing the cleaning of his rented room for him it'd be very messy, bottles laying around because he drinks alcohol to help with insomnia regularly for one. Dungeon diving isn't all that profitable, especially being Kabru's party, and it's unsafe, and it's uncomfortable, and not exactly well seen- He's not enriching himself either in wealth or status, and yet Kabru his spending his every day and every ressource researching about dungeon diving parties on the Island to keep an eye out for possible future dungeon lords, making influential connections like the shadow governor, and of course dungeon diving itself. He even puts it himself, that he'd rather die in a dungeon in pain than stay at Milsiril's, and it's very important to remember that unlike Laios Kabru hates dungeons- He loathes monsters, is terrified of them and the threat the dungeons make, and doesn't even seem to have true curiosity or interest for dungeons' workings beyond how to stop them from causing harm- his dedication to dungeon diving is solely in relation to his mission. While I'm sure he does find some interactions fulfilling here and there, he also keeps himself from connecting with others, treating relationships either as tools (like drinking is to him) or situations to people please and focus on helping fix their issues like with Dia's fiance, sinking a lot of time into it and not opening up himself, gaining nothing from it except maybe some loyalty and reputation, a sense of satisfaction and a sense of having done a good thing.
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The end very much justifies the means with him. He's one of the more politically conscious and few greater good caring people of the cast but he's not without bias, his talking about kobolds for one... more on that in the kabru & Kuro section. He's not blinded by ideas of good and evil since he has no problems with greyer areas if the ultimate result is good- but he can be blinded by laser focus somewhat. His fear over Laios- while clearly not unfounded since kui herself stated that at the beginning of serialization she really thought Laios would become a demon king as dungeon lord in the end- makes him take rash decisions, where if it wasn't for people reviving and saving his party again and again and again, Kabru would never have even met Laios. See, again the theme that he can't achieve his goals alone even if he tries. He doesn't want to share burdens and plans, refuses help sometimes, but he does rely on it like everyone else, and ultimately I think that's what his arc is about like we covered- from being so distant with his party to opening up with mithrun and ultimately, in his kill Laios vs trust Laios dilemma he picked trust.
I do think growing up with Milsiril shaped him into who he became a lot, not only because he had access to knowledge with her ressources and her teaching yes, but most importantly imo he learned to manage an emotionally needy adult. It's mentioned his dead mother would sometimes vent to him when drunk, and it's different but similar to Milsiril being a sensitive recluse hermit who jumps from tears to anger in the blink of an eye, with emotional manipulation whether intentional or not, guilt tripping for even small things like which home cuisine he picks to talk about. Kabru grew used to having to anticipate and pacify or counter Milsiril's moods, to push through the wails and downright threats to be able to make a point and be heard like when saying he wishes to go into dungeons, and she seems to overburden her kids with the task of managing her emotional stability like I implied. She doesn't have friends except literally maybe just Helki her employee, she likes dolls and interacting with her kids and that's all that we see, so she seems emotionally dependent on her kids and esp Kabru imo. So like with how he operates in the present, he learned to "manipulate for good", what words tend to set people off, what ways to phrase things make pills easier to swallow, what face is most pleasing and soothing, what gestures are too much and what gestures are too little. Daily life and ineracting at home with his foster family became a visual novel with right and wrong answers and for smooth days he needs to be a good kid. Milsiril & Kabru is a topic for another day but I do have a lot to say. I do want it to be kept in mind here that Kabru's opinion that it's impossible for elves to see eye to eye with shortlived races is explicitly linked to his experience with Milsiril, as written in his Adventurer's bible pages. This coming up is definitelyyy a headcanon though but since [Helki is the only friend adjacent relationship we know milsiril has] and their relationship is master & servant there's grounds to theorize about how much kabru interacted with him too- how much Kabru saw Milsiril and Helki interact, his only father adjacent figure you could even say... As @room-surprise puts it, growing up in that house watching Milsiril and Helki and himself he learned that life is not to eat or be eaten but instead "to use or be used". Having grown elsewhere than the rigid elven kingdom first, that place with its tons of social etiquette rules and hierarchy, helped him be more critical of that society even as he observed how it worked and how he could work it, his original home may have not been much more welcoming, but sometimes difference is all that's needed to start comparing and realizing how systems are built, and not innate or unchangeable. I think being thrown into it rather than born into it shaped how Kabru perceived it. Psychology also helped him deal with his own trauma imo- in the incubus & parasitic bee comic it seems rationalizing the people from his hometown's superstitions helps him make his peace about it, makes it feel less personal, more distant- it's not my great aunt thinking I ruined my mom's life by being born, it's the human instinct and phenomenon of people being scared of what they don't understand, like a child with pale blue eyes. People being scared by what they don't understand, hm, it really always goes back to this in Dungeon Meshi doesn't it.
I think it's needless to say at this point but it's obvious Kabru is a character very affected by trauma. Faced with monsters, which've ravaged his home in the blink of an eye, he shakes and hesitates. He gets flashbacks when thinking about eating monsters. Wild topic swing but believe it or not there's a recurring "is it ptsd or autism" debate that often happens with characters, including L from Death Note for example, and Kabru has had this phenomenon in a niche of the fandom too. As one myself I do heavily relate to Kabru in the lens of him being an overachiever masked autistic, who unconsciously was drawn to learning psychology out of a need to do so and used to approach social interactions as a more scripted and logical affair than intuitive, and that was in part due to trauma yes- but autism and social-based trauma that pushed you to overcompensate and overachieve is, well... There's a causal link there yes, and it's a tendency that does happen with autism, especially in its afab presentation. And Kabru having ptsd is pretty much undeniable, so then, both? Personally I would claim kabru suffered not only the trauma of Utaya being destroyed but also social trauma living through being feared and hated by villagers and then taken in by elves and being constantly talked over- again different but similar to Rin's own experience and trauma. Truth is Kabru not being autistic doesn't change all that much from the "Laios caught his eye because he doesn't mask well and Kabru has to teach him about it he has to tell him that's illegal and look out for him" magnetism theory because that's also what ptsd does, someone with ptsd depending on the trauma also can become very scripted and nervous about skirting from it. Autism just gives it a more personal lens, where it's not only trauma but just who you are, always feeling a bit apart from everyone else in a fundamental way. In the end what autism and ptsd share in situations like this is that they treat social situations like a survival game, no fun included. This isn't the kabru is autistic analysis that's another topic plus many exist already I bet, but yes just know that these are common and coherent readings that can give a good lens for his behavior or obsessive tendencies.
Last tangent last tangent- but words are Kabru's main weapon right, knowledge is Kabru's main warfare method. Being in a society and with a parental guardian who doesn't put weight into your opinions and wants, speaking and being listened to is hard, and Kabru learned to play the game and dance the dance until he could make connections anywhere. It's of course relevant with how he dealt with Misilril and just how he continues to approach problems and matters now too, it's a way to be, a defense mechanism too, again like Rin's. It's interesting to note that it's Milsiril who taught him a lot, which he mentions is what he's grateful for her for most, teaching him and training him- and isn't that very in line with how Milsiril also felt spoken over and rejected by elven society as well, how she despises elven society even. Almost as if knowledge is a tool when you're devalued and pushed down in a society- Something that was important for Milsiril to teavh to him, which also fits nicely in with Kabru teaching Kuro the common tongue later on too. Milsiril's approach to the game of hierarchy was to keep her head down and obey orders until she could retire living rich as a hermit and foster parent, though, and that's emblematic of where they differ too- Kabru wants to be proactive, do more prevention with dungeons to have less damage control to do, even if you have to throw yourself into danger, even if you have to seek it out, so he makes connections and builds influence and goes dungeon diving. Milsiril wants to go away from trouble, leave to be safer, avoid danger, in life like in work, so she decides to live away from wider society to deal with her trauma and social anxiety, and so she retires and doesn't understand why Kabru would ever want to go near a dungeon again. Words are Kabru's main weapon but ultimately he drops arms and shed this attitude for open communication instead... 😌
I've started doing more analyses with enneagrams, I'll link back here when I make my first enneagram character analysis feature with Laios but in the meantime, sorry if you know nothing about it... If I had to call one for Kabru right now, 5w6/6w5 and 163 for tritype? Which would somewhat complement my reading of Laios as a 4w5 478, being his contrary in the action center 1 vs 8 which is the center that dictates how you judge/approach others/interactions, and the order being that the socialization center is the facet that's most important to Kabru vs what's least important to Laios. Inversely what's most important to Laios and least important to Kabru is the heart center aka how you judge yourself, your relationship with your own self-importance, Laios is very concerned with his own identity and interests and flees oppressive places that make him need to conform too much meanwhile Kabru is to himself only a tool for his greater goal and is ready to sacrifice individuality and his own comfort for it. But hey why would Kabru be 6w5 but still have 1 has his most important type in his 163 tritype? Well 6 is the desire for stability, security, and 1 is the high strict standard & concern for what's right vs wrong. I would consider 6 as his more important type because it's that desire that shaped his 1 importance given to morality, justice, good on a wider scale, etc, especially as someone marginalized where moral policies naturally benefit more people, often especially those devalued ykwim? Bettering the country with policies is right and also benefits him, he thinks everyone should have stability and safety, that it's the most important thing for everyone, but it presents as a 1 way to deal with that issue.
I think an important recurrent theme you can notice here too is onesided and unbalanced relationships. Kabru had the role of significant emotional support to both parental figures he had in his life, when as a child you're the one supposed to emotionally unload and the parents are supposed to take on them and manage the both of you, and it's made him be stuck into that mode sort of by default, letting others open themselves to you as much as they want but not opening up in turn, being more detached and unemotional- and of course, that's what's needed when you need to fix things, when you have to make sure everything is taken care of. It's the approach he takes both for his life and for relationships, so he shuts out his own emotions and pushes himself for others and for the world. He likes knowing, but not being known, because that's not supposed to be his role or purpose. He knows how burdening that can be. It does make the reversal of Laios being interested in Laios actively and Laios being uninterested in Kabru himself interesting. I don't know Kabru knows himself all that well, it's always about others so he doesn't take nearly as much time pondering his own wants, I think that plays into the "I wanted to be friends" too. It's how he's so able to get Dia's fiance to emotionally unload on him and vent over a couple hours and so at ease with it- he's used to it. Ah and even with Rin! He was specifically asked to befriend Rin as a kid, a very heavily traumatized girl- he was asked this because he's a shortlived race kid like her and nice, was asked this by his foster mother for the canaries' sake- he was literally put into that emotional support situation there too.
I am not mentioning every parallel & contrast he has with Laios I don't wanna be here all day!! But hey where Kabru had his town ravaged by monsters as a child and has always holds importance for having community, Laios fantasized about monsters tavaged his town because he hated his community, for one. In this precise scenario, Laios saw flaws and he immediately wanted to give up on that community, meanwhile Kabru saw flaws and wanted to fix them- Well, mostly, since Kabru did give up on relations with elves for a good while, and both end up amending those beliefs and seeking to make a better society within the golden kingdom together.
Here is my very quickest Kabru analysis apparently 😭😭 I NEED to get dragged offstage this can't go on- Idk man I still haven't gotten THE ANGLE with Kabru's narrative in the story I still can't see one thread that makes everything seamlessly connect together like it usually happens with Dunmeshi for me, but there's so much going on here about typical dunmeshi themes like authenticity, balancing considering others & your own needs and connecting...... But my biggest impression after my first read that still lingers now is that Kabru was in good part there to embody that people are a tapestry and that we're like an ecosystem, you can't carry the weight of the world alone because you are not alone and humans are creatures that accomplish feats through being social, like how Kabru couldn't have defeated the monster without Laios' help, Laios couldn't have gotten this far without Kabru's interference. Again it's all comes to that final battle where everyone, different as they may be, come together to fight on the same side, to save their collective world... And the guy everyone believed in least being the one on who all hope and faith and trust is placed in the last desperate shot at winning. Idk man!!! What are we doing here go touch grass breathe in the breeze hug your loved ones what a joy it is to be alive and human!! Take example on Kabru and love yourself. Because you're human and he loves humans I mean- don't actually take notes on self-love from Kabru that would not go well I feel. But yeah like to me Kabru's party gives me a nudge of what direction I should go in to figure out what his portion of the story is getting at, the importance of Kabru's party then becomes showing the state of his relationships at the start of the story before things get shaken up, as contrast and a reference point...
Rinsha Fana
OKAYYY here we are. Not everything is about you Kabru! <- said with Rin's voice (it really truly actually is lol)
I've already done an incomplete analysis of her here, please look at it for Rin pictures & material, but basically her sour and strict attitude seems to be a defense mechanism she can't fully control, like how she tends to frown when she wants to smile. Kabru's words about it are somewhat dubious to be sure, we don't have a guidebook on "when is Rin truly angry and when is she just smiling upside down :) ", but it is notable that Kabru does have a point with that, from what we see.
Her nagging attitude is part of that defense mechanism- As explicitly stated several times, her main purpose in following Kabru is that she's worried he'd get himself into trouble without her. Not unjustified, since he has trouble even cleaning and eating well, and then he gets all wrapped up with the canaries during canon, but yes according to Rin he's too smart and reckless for his own good. This may be why he sees her as a big sister figure, she nitpicks every little thing but at the end of the day her support is unconditional and she'll stand with you whenever you need her. Sort of like a big sister, she gives tough love but ultimately just wants you to be healthy and to take your pain away.
She had a very difficult upbringing, seen as a heretic to burn at the stake in her early childhood then treated like an animal when growing up with the elves. Her parents had an unaligned religion and its practices are tied to how she learned magic, which is why her family was reported to the canaries as dark magic users, but not in time for them to arrive before the townspeople killed her parents. Where with the elves Kabru learned to people please in order to gain more agency and safety when he grew up seen as a pet, Rin learned to be irreproachable and stand her ground when she grew up treated as an animal. The townspeople in Kabru's hometown sought to break up his home and chase out his family, and they may have threatened heavily for all that we know, but Kabru was able to keep his love for humans and belief that humanity is good, the trauma he has is of monsters killing people during the dungeon overflow- Rin's trauma is townspeople burning her house down and lynching her family until she was the only survivor. She sees others as a threat, and not without reason.
Both Rin and Kabru wear masks socially. They go in opposite ways though, Rin oversells her toughness to tell people not to mess with her, she makes herself closed off and intimidating, meanwhile Kabru is more of a chameleon but mainly, he makes himself seem open and appeasing, unthreatening to be trusted and liked more.
She was sent into shock and suffered through severe trauma especially since the people who collected her amidst all this, the canaries, are very ill equipped to deal with emotionally/mentally fragile people, especially shortlived race kids. Because of this whole situation she has some contempt for those who had it "easier", like mages who went to magic school instead of having to self-teach like Rin did. And some of this is disdain that where she had to study everything on her own others have teachers to guide them through it all, a sense of superiority, but imo it's also doubtlessly a defense mechanism, an anti magic-elitism where she sneers at them before they can sneer at her. Before they can call her uncultured, she calls them talentless. Counter before they can even strike. Defense mechanism. In the main story, we hear of this tension Rin has about academy mages with how she speaks of Marcille and her spells- specifically she's rude about Marcille's protection charm/ward and says something about how the one who did it was definitely an academy mage because the spell is too by the book in chapter 32- and this is what I mean, she takes issue with how strict about rules and spells they are, how much they conform, because her own background is being severely mistreated and sotracized for being an unaligned unconventional mage, for doing magic outside of these rules and books. Interestingly, we also see in chapter 10 though that she looks down on people she sees as not successful or capable, saying that they'll definitely defeat the mad mage and "we won't be hand-to-mouth adventurers like you people", perhaps from trauma too- wishing to put a distance between the group she'd normally be categorized with and who she wants to become, or having felt mocked by the guy who talked to them before by having been related to them, because she's so on guard and bad faith always. We don't really know the details of Rin's time with the elves, escept that she was "minded like an animal". We don't even know where she stayed, even, just that Milsiril couldn't take her in because her house was already full. Where did she stay, then? Some shitty orphanage? I like to think she stayed with the canaries as "an impounded article" until she became an adult and left with Kabru, explaining even more her attitude since she'd have all the military influence, and further proving the point that any success she earns was self-made, that anything she knows she had to teach berself because her environment never gave her opportunities. But yes wherever it was, we can only assume that it was close enough to Milsiril's mansion or easily accessible, because Kabru and Rin continues seeing each other. It seems like at first, they would have made trips just in order to have Kabru befriend Rin until she could talk. They may have continued through letters eventully too if they couldn't meet. Hust a lot of uncertainty on every ground, all we know is Rin and Kabru became important to each other.
We actually know little of Rin and Kabru's pre-canon relationship, but we know that Rin was taken in by the elves some time after Kabru was, after her parents were killed by townsfolk and report them as black mages to the canaries, who arrived too late to be able to tell, so just took Rin in and...... Well we know very little of how she was treated, too, even where she was kept, just that Milsiril couldn't take her in and that they "minded her like an animal". We know that Kabru wanted and wants to "get her away from the elves somehow", something he doesn't say about the other kids living with Milsiril and explains his reason as being because Rin has bad experience with the elves, but it's unsure how Kabru left home and how Rin came to go with him. Because of that quote of his though it's likely he invited her along when he left, and she followed. But it's not confirmed, for all we know Kabru could have only invited her after 2 years after leaving when he founded his party. It's obvious Rin holds no love for living with the elves anyways, but we don't know how much freedom she had- it was hard for Kabru to be allowed to leave because he was coddled, notably only leaving 2 years after he reached in-world adulthood despite having first voiced his want to leave when he was a kid, but meanwhile I like to think Rin left very easily because no one cared, she was something that took up space and food where she wasn't wanted or needed, an obsolete "impounded article". She was catatonic when she was first taken in, but it's likely things were cleared up once she was able to talk that no, her family wasn't practicing black magic, and then the canaries just didn't know where to send her because she had no home or family anymore. But then, if she could leave whenever she wanted why wouldn't she have left earlier? Probably precisely because of Kabru too, because she didn't want to leave him. She loves him, and they're more or less the only friend each other had, so she couldn't just leave him behind and try to build a life without him, similarly to how he couldn't do that either. She stayed for Kabru and she left for Kabru.
I made another little post speculating more about her life with the elves and the possible impact of Flamela here if you're interested, as well as elaborating on her abandonment issues and the importance of Kabru to her.
Rin does seem to believe in Kabru's cause, in making him dugeon lord and that being important, but her main motivation is still pretty clearly that she's doing this for Kabru because it's Kabru. She doesn’t seem to really know why or what, just that it should be ‘someone who deserves it’ that beats the dungeon and becomes dungeon lord, and her first lines show her determined to prove everyone they can beat the dungeon. Like stated, her main motivation is she wants to make sure Kabru's safe and out of trouble, so hey why not put the "heretic" magic she learned to use and become his offense mage, why not use it to manage a feat so big and desired (defeating the dungeon) that everyone will have to admit she and her art are worthy of respect, to prove to everyone she can make it with her own skills and own unconventional knowledge. Her magic, the last remnant of her family. Her house burned down with everything she possessed, and she's said to have little attachment to her culture due to having been an immigrant on top of everything else, so the memories and knowledge they've taught her, the lessons they instilled in her and the person they tried to shape her to be, that's all that's left of them. She never speaks of them, at all, likely due to the whole heay childhood trauma thing, so we don't really know her feelings on well, everything, beyond that it was traumatic. We don't know what her relationship with her parents was like. She's a very closed off person. That's another contrast we can point out with Kabru, Rin flees her pre-canaries past and never brings up her family, has little attachment to places she's lived in or her culture, but Kabru is fixated on remembering, brings up his mother and culture whenever he can like in the halloween local sweets extra, has made the tragedy of Utaya at the center of his entire life mission. Rin and Kabru really are contrasts of each other in how they deal with trauma I think, whereas they both become very guarded in very different ways I think this highlights how simlar he may have felt with Mithrun, the both of them having become obsessed with their trauma and eradicating the cause of it which happened to be the same thing, having become workaholics and consumed over it.
She's in love with Kabru, but the way I see it it doesn't seem like she's particularly pursuing him romantically. I do think Kabru's occasional flirting with her gives her needless hope, but I don't think getting with him is either her goal in following him or her plan, I think she's content just following him to taking care of him selflessly, even when she knows he can be a womanizer and dishonest asshat, albeit she'll complain every step of the way yes. Again, unintentional big sister attitude.
Post-canon, she keeps in touch with Kabru and becomes a pharmacist, presumably living in Merini but there's no mention of the location, we just know she's kept touch because of a post-canon extra with Laios and Kabru. Her new profession supports that 1) Rin likes caring after others and 2) Rin never had an interest for anything about dungeon diving in itself. It's also ironic, since she was a offensive mage and didn't do healing.
Contrasts with Marcille, where to start... Marcille is optimist and rather open and Rin is pessimist and fully closed off, Marcille is social and smiles a lot and Rin is the reverse. Both of them have a caring mom friend attitude, but Marcille is more gentle and coddling about it whereas with Rin it's pure tough love, both of them do this to a often stifling degree (Falin, Izutsumi, Kabru). There's the contrast in their appearances too, and how Marcille dresses practically but Rin is more flashy, with an... Ambitious skirt cut? They're both elegant but in different ways, they're both very bold in fights, and stubborn and loud in their beliefs. Marcille was a more or less sheltered girl who learned magic in an academy while Rin learned on her own at the cost of blood and sweat. Both of them seem to have grown up in towns rather than cities, a more rural setting, since there were large fields and chickens roaming where Marcille lived and the little we see and know of Rin's town makes it seem closed on itself. They were presumably lonely growing up, Marcille had no peers because of her irregular aging and spent her time absorbed in novels, where Rin because of her family and culture/race was mistreated and avoided and it seems she spent a lot of her time focusing on learning things instead, perhaps paralleling novels with textbooks even in young age. Marcille lost one parent of natural causes and was traumatized by it to the point it became at the center of her life mission, and Rin lost both parents to murder and was traumatized by it to the point she avoids thinking and talking about it ever again. Both of them seek to learn, use and even create unconventional magic eyond the rules set by people. Both of them have cat energy, thank you for coming to my ted talk
Holm
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Holm is actually rather mysterious. The biggest thing to notice here is that Holm has been to elven jail before, because his research was too close to dark magic. We have no idea of what his research was about at all, we have no details and little clear hints. He's a man of theorics though, it shows in how he talks about magic and spirits, and with his christmas gift exchange gift it shows how nurturing living things with magic really is something he enjoys and has interest in. It's not a lot to go off of, especially since we know canaries are trigger happy when it comes to dark magic, both arresting people who had minor brushes with it or that seem suspicious without any confirmed crime, and with elves exaggerating people's crimes so they become a canary for manpower. Who knows, maybe he is dungeon diving to try and subtly do research at the same time, but the way we get no hints of that and he just keeps working as a spirit user post-canon makes me think it's just work to him. He never mentions researching or seems to be studying something in the dungeon so it doesn’t sound like that was significant part of his reason for dungeon diving. So he had his run-in with authorities and decided to live more simply from thereon. But that could also just be because of the nature of dark/ancient magic and how it more or less poofed from the world after the demon left, too. With the truth revealed and ancient magic unavailable to channel anymore, research becomes less needed and viable. I doubt Kabru knows about his past. Again, much like Laios' party pre-canon, what got them together is work before anything else, with the added bonus of Kabru spinning an important narrative about conquering the dungeon to become dungeon lord.
His chill laidback, more passive and calm attitude makes him feel more vague and mysterious too, hard to get a good grip on, but he’s also the most mature and put together of the group. Very mellow. He's not quiet to the point of seeming asocial like Dia somewhat does, he just seems... Average, in the extra about his sister for example. And good at keeping secrets. His skeleton in the closest is the jail thing and that's that, seems like it put an end to his researching career and he’s now settled for being a spirits magic user as a job which brought him to dungeon dive. Nope sir prison isn't worth it I'm keeping myself into trouble from now on. What job can I do now though, my specialization is spirits arts... Dungeon diver, okay sure. It could be theorized that his usual attitude + his secret are a persona of sorts, where he keeps himself largely hidden and keeps people at an arm's distance. It's pointed out he freezes in the face of conflict- it shows he dislikes fighting, even being worried for the spirits he makes fight, and that makes me think even more that dungeon diving wouldn't have been his first choice. It could also be a good part of why he's so laidback and quiet then, passive. He dislikes conflict, so he avoids being in the spotlight also helpful skill to have when you've had run-ins with the law, and he has such the nice guy reputation that Mickbell doesn't think twice about crashing at his place in the middle of the night- and sure enough Holm lets him in and practically serves him. You could think him a doormat, but we see with the comic of him & his sister that he's very capable of being mad and agitated and go more on the offensive in a social situation, but yes he has that helpless -panics and wails while all his coworkers does things around him against his will- energy that's pretty sopping wet cat. He seems chill and cool but oh no he was actually the stressed overworked protagonist of a sitcom movie. My condolences for your life Holm. In general he's also a decently judgemental person, and although casually and often with a smile he has no problem "telling it like it is", calling out Mickbell's treatment of Kuro and talking about how Kabru can't clean for shit, how he'd "be willing to do anything to achieve his goals" and is too people pleasing, etc. He's confident in himself, and pretty set in his beliefs though we see him debate and compromise with Kabru.
His sister is the only personal relationship we see him have, but it's stated. She must live on the island too, considering Kabru visits her. The Island isn't exactly a place you're typically born in, so it's interesting to wonder what it means that both Holm and his sister would have moved there. Did their parents disown him after he got arrested over his research? There's nothing to say they did, but nothing that hints they didn't either, honestly, so Holm is a bit of a blank slate backstory wise as well. We know his religion's very important to him too though, and it affects his diet. His spirits are very dear to him and it's mentioned for example that he's raised his undine since basically the spirit equivalent of a baby, so it's implied he's been raising spirits for a long time. If his social life doesn't seem to be thriving, his spirits are definitely filling some of his social & connection needs as pets would. He does both healing and offense.
His contrast with the Laios party would be Falin since they're both healers lowkey doormats who notice the flaws in the people around them but don't act on them and prefer being passive and take upon themselves. They both love nature and were pushed by capitalism and rigid structures that prioritize conformity into work they aren't passionate about. The most important thing in Holm's life seems to be his spirits, and the most important thing in Falin's life are her loved ones, I'd say his enneagram is 592 while Falin's hmm, 926.
I ramble more about Holm in this kabuholm post and compile more of his moments, but it's more speculation than analysis, it's a take on him essentially. My personal verdict is- king of staying in his lane. He's here for work and he keeps his thoughts to himself to speak when it's necessary, he's not afraid of letting people have it outside of that though. The separation of professional and personal life is not going to great with his coworker occasionally imposing on his home lol. Reflecting his maturity, he lets others handle themselves and only steps in when he's needed. Hm, sounds like someone else doesn't it?
Daya
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First things first: Daya or Dia? You'll probably have noticed I use Dia, and the reason is pretty simple: Daya/Dia is a nickname. Her official name is Diamond, but the shortening is always used instead- Diamond we have an official spelling for, the nickname we do not. Since it's in katakana (da-ya) and a fantasy world, translations call her Daya, but that's the same pronounciation as the "dia" in "diamond", and isn't it logical for her nickname to just be a shorter version of her actual name? We do know that Kui translates names to katakana being mindful of their pronounciation and not just spelling, like how Tims in Chilchuck tims is written as timzu. Yenpress the official english translator has messed up character names before and this even after official spellings came out, like Mikbell and Sissel, but notablyxthe anime english translation has also gone with Daya. But so, yes, I call her Dia, but of course there's no right or wrong here and by going against official translations I'm making things harder than they need to be. It's just...... Hard to unsee.......
Daya is very underrated for having such an interesting background! She was esentially raised in a cult? The "dungeon keepers". That protects dungeons, in that they keep people from going into it. She never knew why it was an important thing to do, and never questioned it, but as readers at the end of canon we now can imagine that they kept people from going into dungeons so that there would not be new dungeon lords and dungeons would not overflow. Ultimately, Dia fled her home and community because she refused the notion of marrying an older relative to have a child. There's a mistranslation from Yenpress that Namari is from the same tribe as Namari, when the original japanese sentence is just about how they're both from the same race- both dwarves.
No wonder with this background that she "has a slightly otherworldly air". She's very stonefaced and hard to read, but with the focus on duty and discipline she had growing up it's easy to see how she'd have become a somewhat emotionally constipated person in this way. She fell in love with someone of her choosing and is intent on marrying him, contrasting with the man she was ordered to marry back home. It's with a renewed interest in understanding what the life she'd spent so long upholding was about that she went back to work with dungeons as a dungeon diver, in her own words with the goal of understanding what they were protecting. In this way, it seems the marriage order was truly the thing that made everything snap and finally caused her to shake up her life, to look back and start questioning everything- and now she's free, she chooses what to do with herself and who to be with. It's said she loves her husband, and her husband seems very attached to her as well. Somewhat paralleling Chilchuck and his wife, we can imagine how nervewracking it must be to be the spouse of a dungeon diver, who faces death for a living. Dia is very independent and disaffected on top of it, so we see that her fiance feels insecure and even doubts she may cheat on him with Kabru. This insecurity is born from feeling like Dia doesn't need him- and so may leave him in the future. He feels neglected, and Dia probably doesn't show him love and how much he's valued in a way that he sees or satisfies him. That said, her fiance after a couple of cups and an hour with Kabru is shiwn to be very open and emotional, which would presumably complement her well. Dia seems unemotional but she does have her bouts of strong emoting, whether it be distrust, worry, frustration or even wonder- That said, she's not the greatest conversationalist around and I can definitely see her not really understanding how love, care affection and attention, is supposed to look like- Again, she grew up in an extreme social environment.
She's bold and fierce, confident, and notably very very strong. With training from a young age not only in discipline but in fighting she's a warrior born and raised. These are considered tomboyish traits, but I do like how Kabru and the adventurer's bible calls her a lady- she shows wonder at the treasure insects too! She's not disinterested in oretty things, or anything of the sort. We just have little window into her interests, since her life centers around work so much. She also calls out Mickbell for his mistreatment of Kuro, but also does nothing about it. She's quiet and is most often seen closing up the tail end of the psrty looking around for threats while they're on the move. She's quieter than Holm and also more standoffish. The queen of staying in her lane, if you ask me. We'll be talking more about it in the relationships section but you can already see this very interesting party dynamic forming of Rin and Mickbell having their nose all up in others' business while Dia and Holm are very permissive and quiet even while kabrin and mickuro look insane from an outside perspective. Who knows what normal looks like to Dia, though. She disliked Namari because her father made things rocky for dwarves on the Island for a while, so that can show how critical she can be and how her value of not sticking her neck out and staying put & not rocking the boat manifest/the why of it. Like in her home community we can imagine, you have a role in society and being overly disruptive can ruin things for everyone including yourself- even if the one who did the mistake was your parent the fault befalls on your whole family. Very strict hierarchy based outlook on society and community I think... It's interesting that despite of having been a victim of such behaviors herself, part of those faulty lessons stuck with her and she upholds much of the same fallacies.
All of this is very interesting foundation for a character, but yes not much else is developed on Dia and that's wher her story starts and ends- I'll make a diaholm post eventually that delves into her themes of freedom and emotional wallbricking but that's about it from me. I like to think that she likes her husband, but rushed into marriage- that going from a life where everything was structured and decided for her by others to having nothing but choice, from the prospect of marrying an old relative to anyone she chooses, she sort of picked the first guy she liked and made a move on her. Pure speculation, because I like exploring the side effects her upbringing would have had and this sort of detached attitude she has, with some typa off attachment style...
Fun facts: if the modern au christmas gift exchange extra is to be believed, Dia enjoys reading and has some books of her own. In a Daydream Hour she's drawn with Holm out of their work uniforms but she still has a sword at her hip, which may mean she carries a weapon with her even just around town. She has two younger siblings that she never mentions and we presume she left behind at home.
Mickbell Tomas
Okay okay okay now the true insanity may begin! Please refer to this post to see Mickbell's profile pages. Also see the bath comic for another great show of his character! I cannot make a mickbell collage for this there is no pic page umm ummmm additional compilation here.
Despite being an adult of 22 years old, even older than Kuro both literally and developmentally, Mickbell often acts rather juvenile. He tends to be very black and white, he wanted to steal the corpse retrievers’ stuff and was mad when Kabru didn’t allow it, he thinks Kuro talking to others will make Kuro leave him. He's judgemental (exhibit A: comic about Rin smiling) and critical (esp with Kabru). All means justify the end (him having fun, becoming rich) but if others do something wrong efficiency or annoying behavior wise you better believe he'll voice it. He’s very expressive, both in body language and words, swinging his arms as he walks and jumping and stomping the ground in anger. He also has a mischievous streak. He’s casual with touch, touchy feely if you will, and clings to Kuro a lot, both for safety and because he simply likes to. Cough cough separation anxiety and abandonment issues. He knows how to be serious however, especially when it comes to money or risky situations. He does his job well and does it conscientiously. In many ways he's similar to Fleki, if Fleki was more dedicated on the job. He may be very layered, and manipulative when he wants to be, but he seems to value in others the same type of directness that he has with emoting and interacting with others, as seen with his distaste for Rin being a tsundere. He's blunt and straightforward (whenever he isn't with Kuro or scamming), and in that way it seems those are values of his, which may be why he does usually gets along best with Rin, especially on the job.
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He has loose ethics and likes to goof around but is otherwise often highstrung, reflecting Kabru's "relax a little" view of him. He's serious on the job- a contrast you can especially notice in the christmas exchange special. He had to steal and do scams to survive, again the christmas special shows he's good with money and making deals- mischievous and full of himself when he has to sell stuff and quick to flee when he smells trouble, but very focused when it comes to calculating costs and revenue.
Again, despite all his troublemaker toddler behavior Mickbell is surprisingly serious! It's still undeniable that he has capital i Issues, from being very uncaring about how others may see him and developing this "it's us vs the world" mentality with Kuro, to how emotional, exaggeratingly expressive and impulsive he is- in a way that lacks emotional regulation skills I'd even say, to what he says when something displeases him like "she'd be a lot cuter if she smiled more" about Rin after she doesn't laugh at his jokes... This all seems to point towards Mickbell having pretty bad emotional intelligence. You could even easily call him stunted. He doesn't seem very self-aware, his manipulation of Kuro is not something he can do solely unconsciously but it is genuinely debatable how much he knows he cares about Kuro, how much he's aware of what he feels & why, why he says what he says and does what he does. What would he do if you told him that trying to manipulate Kuro into thinking that everyone except Mickbell wants him in shackles and in pain and wanting to have a house and a nice domestic normal life with him is sort of mutually exclusive? I don't think he thinks about the wider picture like that, I think it'd cause some dissonance a bit. He thinks ahead when it comes to finance, but socially he seems to very much live in the moment, not really trying to anticipate how much others will appreciate his input or behavior or thinking about how he'll keep up the charade 2 years down the line. He wants to hustle his way out of being homeless, but in many ways he still has the mentality he had to have for running scams and surviving on the streets at his lowest, one day at a time, succeed this step so you can then succeed the next. In his mind he's constantly making charisma rolls on Kuro and he needs to not fail them.
Don't you worry Mickbell & Kuro is getting a whole section, buuut with Mickbell and Kuro both, character analysis is inseparable from analysis of the two's relationship. The ethics and circumstances of Mickbell working Kuro for peanuts are surprisingoy complex- because that is how Mickbell sees their dynamic, but Kuro sees it completely differently and assigns himself full agency in wanting to stay. Kuro obviously wants to follow Mickbell, and that’s what Mickbell takes advantage of unknowingly, what he thinks is Kuro’s helplessness. What I find much more alarming is Mickbell’s need to control not only Kuro's economical and social life but every aspect of his life. He’s not only overcontrolling, paranoid that someone will want to steal him away from him (both for Kuro’s sake but very transparently desperate to not allow Kuro to leave him as well- will get expanded on), but he also wants to isolate him. It’s no coincidence Kuro has no friends apart from Mickbell- the closest thing would be Kabru and even with him, communication can be difficult and Mickbell does interfere. It's not Mickbell's fault there is a language barrier, but it is Mickbell's fault that Kuro has amassed so few tools in navigating the world without Mickbell, but it is his fault that Kuro feels like he can't tell him he's learning common with Kabru, and it is Mickbell's canonical intent to render Kuro just that, powerless enough to need him- again I cannot overstate how it is straight up said and confirmed in the Adventurer's Bible that Mickbell mistreats Kuro the way he does because he's scared Kuro would/will leave him. Mickbell sees their relationship as employer-employee while Kuro sees it more as guardian & guy who needs to have one, but it is also said that Mickbell sees Kuro as family, and I do think that makes sense, and I do think it can't be overstated how on a deeper level it's Mickbell who needs Kuro, and that Kuro is Mickbell's absolute most important person in the world- his only person in the world, even, in many ways.
"Until he met Kuro, Mickbell was all alone in the world, so he seems to see him as family."
Mickbell is desperate for stable relationships, both seen with his clutch on Kuro and his wanting a house to settle in. Or I suppose, relationship singular, he seems very ride or die on the idea that Mickbell and Kuro are the only thing each other needs, he never seems to particularly try or want to befriend others, is a bit clammed up on himself. Distrustful, assumes bad faith, especially as we see with the half-foot union. Perhaps because he's never felt a sense of community where helping each other out of good will was a thing, survival made everything transactional living on the streets, so he has a hard time having good faith with organizations like unions, and this notion of relationships being transactional would have also shaped why he would frame his and kuro's relationship that way, as employer-employee. Not to say he doesn’t like socializing though, we see him work a room all self-satisfied and tell jokes in an extra comic, and he gets peeved when Rin doesn’t laugh at his jokes, he does like getting general social approval. As he isolates Kuro he also willingly isolates himself, and is ready to burn bridges or opportunities for him.
He's sleazy! Debate about egg or chicken all you want, but I think Mickbell running scams definitely shows in how manipulative he is in relationships as well. With the christmas gift exchange thing we see that he can do scams the straightforward way, selling an item to be much more than it us for an inflated price, but it is specifically said that Mickbell doesn't have half-foot pride the same way Chilchuck does and has no problem using his race to "curry favor", so I would think he's done the emotional manipulation kind of scamming as well, acting like a child in need or such. "If you can use something, you should" is stated to be his motto. Because in a life like his you don't have a lot, you seize the opportunities you get because it's a matter of survival and there's no ace up your sleeve dirty enough to justify not taking advantage of it. All this to say- Mickbell's most iconic scene is arguably his short interaction with Kuro here, and it's extremely blatant manipulation. The anime even ups this with the teary eyes and voice acting- the borderline tears followed by a grin shows just how conscious and intensive his manipulating really can get. Again there's a transactional lens he sees relationships through I think- and that plays into Mickbel scamifying his relationships up... Which in the end I do think he feels scummy over. Simply because, chaining someone to you like that is not something you do if you think you're lovable- if you're all that, if you're great and likable and worthy of unconditional love. That man can't believe in that, he can't believe in his life partner of many years choosing to stay if that didn't happen to be his only viable option. Mickbell lives in fear of being abandoned and it's in good part because the world has taught him he's not valuable on his own.
I think Mickbell lives in fear!! And I think that's deeply interesting. Makes sense for someone with such an harsh extreme upbringing as him to be hypervigilant, with food like with money the way he is with the party, he keeps grudges, both in his backstory extra comic and during canon. He lives in fear and distrust and all these little ways he knows toxmake himself feel more powerful than he is. And I think it's so, so interesting how when he finally accepted Kuro following him, inventing something about him becoming his bodyguard, it was because Mickbell just witnessed Kuro kill and maim a man and he was shaking, so afraid but also accustomed enough to violence and needing to bullshit his way through situations to tell Kuro things like "I'm your master" and for Kuro to just go along with it. Mickbell's is the art of faking it till you make it. Mickbell was afraid of Kuro then, and I do think Mickbell was scared of the idea of what this kobold man stranger could do if he decided that Mickbell wasn't his master after all, until his attachment grew and keeping the charade going was less out of a need for Kuro not to hurt him and more out of a need for Kuro not to leave him. So the fear of retribution because he did not know Kuro became a fear of abandonment when he did learn to know and love him- Kuro leaving him alone, the very thing he desired the firt time they met and Kuro followed him after Mickbell freed him. And this is why I made this web weaving about them this makes me ill good god. He lives in fear of being "found out" by Kuro in a way, for this scam of a relationship to be discovered so he only gets tangled up in his manipulation more and more to keep it going as the stakes keep rising and rising because Mickbell is only more invested with time- and he fears that Kuro would realize it one day but he also fears others will expose him, a big part of why he monitors what others say to Kuro, why he wants to be there whenever Kabru talks with him, why he's so scared at the slightest conversation had out of his hearing range. But! Part of it I'd say is also genuine fear that they could take advantage of Kuro, perhaps because due to his own taking advantage of Kuro and how readily the kobold accepts it Mickbell sees Kuro as a particularly vulnerable person, that he could get tricked by anyone, and let's remember that Mickbell met Kuro in a slave trader's cage- Mickbell's fear of others "taking Kuro away from him" is a double edged sword, it's 'them turning Kuro against Mickbell' but it's also what he always says about Kabru or others trying to 'kidnap' Kuro, what he says about how the half-foot guild wouldn't like his bond with Kuro and take him away from Mickbell. He's drunk his own koolaid in many ways. Separation anxiety and abandonment issues!!!!! Distrust at the world and feeling like he can never have nice things or be safe!!! And this plays suuuuuch a role in Mickbell's dream of having a house I think. Because a house is safe- a house means routine, means a place you can stay in and be protected by, is there a more emblematic symbol of stability and safety? In a house Mickbell is shielded from others' gaze and judgement, he's sheltered from the rain and he can keep food inside, he doesn't have to sleep with one eye open to not be attacked or have his things stolen through the night anymore, no there are four walls and it's warm and he and Kuro can live a peaceful life unbothered, away from the rest of the world that seeks them harm and wants them separated. Which hey that could parallel surprisingly deeply Chilchuck's feelings about a house actually, a house and family as something he has but that can be lost and destroyed- both in people leaving and in nightmares of home invasion.
But like Mickbell telling Kuro to stop snarling and growling because it's scary is such a good and fascinating example of this. How much of it is "it scares me" and how much of it is "you're damaging your own reputation, I'm scared of how people will react if you look too beastly and dangerous and what they might do to you- to us"? And this is especially true because Mickbell knows that kobolds are discriminated and how- for these years they've known each other Mickbell has been the one being the middleman between Kuro and the whole world- he's the one securing board and room for the both of them, noticing how people treat them and what they whisper about them, he's the one who gets told "this bathhouse doesn't allow kobolds" and he's the one who decides to leave and visit every bathhouse until they find one who does allow kobolds, becayse he's not taking a bath without Kuro. Mickbell is sticking with Kuro. They are ride or die for EACH OTHER not just oneway. Mickbell washes Kuro, he did that first time after they met each other and Kuro was a ghastly sight and very stinky, and he does now too, Mickbell patiently explains to Kuro how everything works, and when Kuro messes up something like getting Mickbell wet from shaking off water Mickbell gets mad but offers no punishment except chiding. In the bath comic, we see Mickbell spend HOURS brushing Kuro after his bath. There is immense care put into Kuro from Mickbell's end, as well.
"Now you're the cleanest dog in the whole wide world. No one can look down on you."
But hey, where did Mickbell learn "people leave"? That he’s unlovable and no one would stay for him? It’s a common fear that could be from anywhere honestly, whether insecurity alone or a very specific experience- but we do have trails we can follow... Mickbell lived in the slums of Kahka Brud, which he may have been birn in or interestingly enough since Kahka Brud is seen as a city of opportunities might have moved there. First of all, we have to wonder how he got into the streets in the first place. His relatives are listed as "unknown", but well, as a rule of thumb everyone has parents. Not even Kuro has "unknown" listed in his relatives section, and he's had cut contact with them for a long time by canon. What we know about the "relatives" section of Adventurer's Bible profiles is that it only lists living relatives, for example Marcille only has her mother listed, her father isn't listed as deceased and her step-father isn't listed there, meanwhile Kabru only has Milsiril listed, not his mother or even his father (which we don't know the status of, but Kabru doesn't know him either since he left when he was born). So what does this mean for Mickbell's relatives? Either he doesn't know what family he has, or he doesn't know if they're alive. It's not unlike how Kabru's name is stated as unknown, which either means he was renamed Kabru or that Kabru doesn't know just a part of it, like his last name- perhaps forgotten due to trauma, or his mother never told him due to their disowning them.
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It could mean he was abandoned on the streets before he could remember so he doesn't know of any parent or caretaker they had, or it could be a lot of things. I do want to point out that both Mickbell and Kuro have "permanently out of contact" with their siblings, but Kuro still has his siblings listed on his profile, not "unknown". Since we get this info I do think Mickbell knew his sister, and I think it all lends itself to the "he doesn't know if they're alive" theory more. I mean, so much could have happened! But I think it's pretty safe to assume that Mickbell and his sister were on the streets together, until they were separated. Due to her messy hair and dead inside look I used to like to think she fell sick and as the older brother it fell on him to take care of both their needs and he couldn't manage to heal her before she died- or they were separated or something happened and he had to assume the worst. But something like some big event making them flee on their separate ways and then fail to see each other again, some other tragedy that made him part from her without knowing of her state... Or my favorite: one day she disappeared. Maybe he told her to stay there while he went to steal some food and he came back and she wasn't there, maybe one night she didn't come back to the alley where they always slept and she never did again, just. Did something happen to her? Was there an accident and she died in some ditch somewhere? Did someone kidnap her? Did she just leave him behind? He doesn't know. He doesn't know and he never will and he can't get an answer. And not having closure is almost worse than suspecting she's dead, or even if he knew it for certain. Because there's always a doubt. There'll always be that he doesn't understand what happened. There'll always remain that knowledge that things can just suddenly disappear one day, it'll be a normal day until it isn't, that people can leave, that everyone he's ever had (and there weren't many) HAVE left they're GONE and he's ALONE, and there'll always be that knowledge that Mickbell couldn't protect his little sister, couldn't even know she was in danger that time, if she was. Again in a way there's that parallel with Chilchuck where Chilchuck is very muh someone worried about the people he cares about's safety and has a protector role the best he can, and Mickbell usually is the one getting protected but he is very possessive and overprotective of Kuro, the one person he has. And just. Waughhhh. Idk if I'll make another post about Mickbell backstory speculation or his sister now if unprompted but for the record I like to call his sister Yukibelle/bella. Yuki because it means snow like deathly pale sickly skin, and it's a 4 letter japanese name, which being 4 letters 2 syllables suits half-foot names aaand most importantly, since Kuro isn't Kuro's real name and it just means "black" in japanese I like to think esp because of the language barrier taht that's just what Mickbell named him. And having no parents imo Mickbell would have named his sister, or even renamed her if she did have a name to spite whoever abandoned them...... In big brother fashion he likes to call her Yuckbelle. Ickybell and Yuckbelle the sublings ever. I was the one who chose your name so I can't make fun of it? Haha try again!........ I need to cope somehow guys. Having lived in the streets with the highest degree of life or death survival on the daily it's also easy to speculate Mickbell had other hardships and trauma like, say, selling his body and to people who are less than ideal. Just saying!! A lot of things you can resdy into his backstory that further explain or explore aspects of his character.
Unlike Chilchuck "I will never fight" Tims, Mickbell actually never fights. Like at all. Ever. His skills are clinging, cowering and getting covered, and giving orders. Both Chilchuck and Mickbell can be both mature and immature, but Chilchuck tends to embody maturity within the narrative and Mickbell is usually much more remembered as immature. Enneagram 6w7 (wants stability and simple pleasures & freedom on the side), same as Chilchuck. 6 is the fear of being without support and that's exactly what Kuro offers..... Very 8 as well, there's a case to be made about him being 683 like Chilchuck but I could see him be more of a 2 or 4 too. God he wants to be loved so bad. He's also quite tall but never mentions a diet to not set off traps, which may be because his diet is already poor. To me he seems like he doesn't care for culture at all having lived in survival on the fringe of society, similarly to him not having much half-foot pride, but he does smile as a dwarf so dwarves being the ideal body type still seems to be something he's in line with.
Post-canon, he opens a variety store with Kuro, and it's said his relationship with Kuro stays unbalanced. We don't know where it was opened, if they stayed in Melini or went back to Kahka Brud- but since Mickbell's dream is to specifically get a house in Kahka Brud's best neighborhoods and it's where he lived before on the streets, it seems to make sense house in Kahka Brud would still be his goal and to set up shop there. Not that we get an update on the house funds, the post-canon blurb is still in the near future after canon so their futures are still very much left open.
Kuro
Please refer to this post to see Kuro's profile pages.
Mickbell is so tragedy coded but Kuro is honestly... Like he's vibing. He has normalized the abuse (emotional manipulation & isolating the target both so that they need you for stability and emotional supoort + control their life and relationships are literally abuse tactics come on guys) but so much so that it appears both to Kuro and to us like that abuse has little grip on him, we see that he has more agency than we'd assumed. Kuro allows Mickbell to lower his quality of life way too much for sure, partly because Mickbell plays the part of vulnerable lil guy well, but what's so funny is that where Mickbell thinks he's being a mastermind all "đŸ„șI was the one to save you from the streets, without me you'd be lost!! Everyone else wants you suffering, better stick with me!!😊" Kuro literally explains their relationship with "he's so pathetic and anxious, he needs me there :(" - which lends a whole new look to how pokerfaced Kuro always is when Mickbell is giving him his manipulative drivel lol. It flips the dynamic Mickbell was presenting because where Mickbell tries so hard to force their relationship to be that Kuro needs him, Kuro correctly identifies that it's Mickbell who needs Kuro- even more than for safety and financial reasons, because of emotional ones. So where it felt like their relationship was one where Kuro was fully tricked in that Kuro can only live by Mickbell's side for his own sake, Kuro wants to stay for Mickbell's sake and is well aware of Mickbell's issues and wants to help as a therapy dog would?? He doesn't care about the money or the food, he cares about Mickbell. The irony of it all is that Kuro could have left anytime, but stayed for Mickbell all along. It's easy then to assume that Kuro has it all figured out after reading the secret study session comic but that's also oversimplifying. Kuro seems emotionally intelligent in many ways- but sort of lacks sense in how it should be applied and how things should be, I guess is how I would put it? I still call their relationship abusive because it still is, Mickbell still isolates Kuro and manipulation is still the intent of a lot of what he says and does with him, and "well I know very well they're shitty but they need me" is a common dynamic irl in abusive and toxic relationships too, but it still reframes their relationship a lot to know that Kuro is not at the stage of "Mickbell is always right about everything and I'll follow him to the ends of the world because of it" but at the "this anxious miserable boy needs me and it's my duty to protect him". Mickbell is running a manipulation onemanshow against himself and Kuro is taking another path entirely, he has an immunity called language barrier lmao. /hj Kuro is hiding things from him Mick has no clue about, that he's having nightly study sessions with Kabru, but he's not hiding this out of a sense of fear but out of care.
Their relationship is based on misunderstandings and lack of communication, and that's due to a lot of things both the language barrier thing and how they tend to run with their own interpretations of things (Mickbell thinking he knows why Kuro stays, Kuro thinking MICKBELL IS A KID WHEN MICK IS OLDER THAN HIM). Kabru himself thinks that when Kuro becomes fluent in common and the two can truly speak together is when they'll really become fruends. It's a hopeful outlook! But it makes sense, because again their relationship is based on miscommunication, Mickbell is afraid Kuro only stays because he has to because Kuro can't reassure him that he cares for Mick, and Kuro only has part of the picture because they can't talk it out, so giving them the tools to truly be able to talk and understand each other fully would completely flip the dynamic. It's truly interesting how they only have each other, but even in their relationship they're both very isolated.
"I don't want to make him anxious if I can help it. He's still a kid, but he's been through a lot of rough stuff. I'd like to be somebody he can feel relaxed around."
So yes, Kuro explicitly thinks of Mickbell as a child he must protect and watch over, care for! He has a more mentor way to talk about it, but it's easy to assume Kuro sees Mickbell as family too. Especially since he has a lot of siblings, many younger! He has a bit of a protective instinct and thinks he should be a protector, simply because Mickbell needs him, not for other more grand or personal reasons. He takes upon himself, both duties and in general for everything, he can't talk with others but that's fine, he's a dungeon diver who gets worked hard and even fights and that's fine by him, he just takes upon himself incessantly, like with Mickbell he sort of shrugs and says it is how it is.
Kuro still thinking of Mickbell as a kid has interesting implications. During the main story Mickbell is 22 and Kuro is 18- how many years could they really have spent together? He left his hometown to see more of the world and was kidnapped at a port, so we could assume he left home after coming of age at 13. He was kidnapped at a port and was part of slave market on the eastern continent, where kobolds are rarer and thus probably more profitable, so it makes sense that he'd have gotten sent to the eastern continent straight away. Just travelling the sea can take a while- the world map makes me think the sea between the western and eastern continent is of Atlantic Sea size, which irl can take a little under a week to travel through at a good pace, but with the lack of navigation technologies compared to today if you're less sure of where to go it can be more around a month. Unlikely for Kuro to have spent all that long in a cage on a boat then, but where it could get messier is once he's on the eastern continent. Mickbell freed Kuro from the guy who was holding him in a cage calling him a demihuman trader rather than an owner, so Kuro wouldn't have gotten sold yet? Or traded between different slave merchants, I wouldn't be surprised if he changed hands a couple times without having been ever sold to a customer really. It's said that the Island has a slave market for example so there seems to be large demand in many places and for it not to be done in secrecy really. But their meeting happens in Kahka Brud let's remember- which is a city with a big economical growth and market & sompopulation due to the dungeon cluster there, so it'd make sense for Kuro to have been sent there straight. Kuro was obviously mistreated, shown to stink and likely starved not unlike Izutsumi's experience caged in a freak show, but he's not bony enough for me to really be able to give a time estimation of neglect and starvation with his looks alone. This is a lot just to say "Well if we assume he left home at 13 and was enslaved soon after leaving home, and the process of getting to Kahka Brud could have taken a month at fastest, he could theoretically known Mickbell since then". During canon they're both on the Island rather than Kahka Brud, but we have nothing to be able to tell when Kuro and Mickbell came to the Island, just that they came together and that he was probably hired when Kabru formed a party 2 years before canon. We can try to compare him with Chilchuck- Canon happens in year 514, but Chilchuck came to the island five years ago, when he formed the half-foot union. Comapring them is relevant because Chilchuck comes from Kahka Brud too, again the place with a cluster of dungeons, so Chilchuck and Mickbell choosing to come to the Island for dungeon diving prospects shows the same attitude that the Kahka Brud dungeons are already all pillaged and overworked and to seek dungeons elsewhere. And who knows, maybe Mickbell didn't really choose to become an adventurer, maybe it was just about fleeing Kahka Brud since that was where he stole and did scams, but dungeon diving does seem to be a desperate man's job in many ways so it makes sense either way. The way Mickbell talks about Chilchuck, I don't get the feeling Mickbell's been on the island for longer/as long as Chilchuck and for longer than the half-foot union's existed, which makes sense if we go by the "maximum 5 years ago" theory of Mickbell and Kuro's meeting. They likely stuck around Kahka Brud for a while before deciding to go for it and move to the Island. So I guess, we can shoot to say that they knew each other for a maximum of five years but a minimum of two? I like to think Kuro spent at least a couple of months enslaved and so I'd put my own estimate at around 3-4 years, which is already a lot if you're them. A looot of time to bond with the only person in your life.
It's a bit odd, usually in a character who's been stolen away from their home a goal of theirs would be to go see their family again, but Kuro never brings up anything like that. Whether that means his homelife wasn't great, or that he feels closure enough just continuing to travel as he wanted, or even that he more or less forgot because of the trauma, who knows truly. You'll notice his stated dream is to travel with Mickbell, which ironically is directly incompatible with Mickbell's dream of settling down and getting a house with Kuro to live in. Since he was kidnapped by slave traders at a port in his original continent, we can surmise Kuro always had a taste for travel. Kuro isn't even his real name, Yodan is! His detachment from his homeland, family and cukture is very interesting. He has no problem just leaving it all behind indifinitely.
So yes Kuro isn't his actual name- so "Kuro", meaning "black" in japanese must have been a nickname given to him, and I bet it was Mickbell. Being a half-foot and a kobold who can't understand each other, the language barrier made Mickbell just start referring to him by the color of his fur. Kuro never mentions his real name so it doesn't seem he particularly cares- which is a wider point about Kuro actually, that he seems to be very laidback and laissez-faire type, unbothered and passive. Things are how they are and he goes along with it. He's not a confrontational person but he also trusts his guts when someone like Izutsumi feels off. He never questions Mickbell. When Kabru inquires about him and Mickbell, Kuro goes "oh don't worry about it it's nothing tbh". Which is also in line with how it's stated Kuro doesn't give a rat's ass about honor or wealth, he doesn't really seem to have a moral compass as much as "Mickbell is what matters to me so only what Mickbell wants and thinks matters", he follows Mickbell's orders with blind devotion when it comes to work or what they decide to do with their lives and that's just well with him. This reminds me of Falin a lot, the way I perceive them. Just utter devotion to their loved ones without really caring for what's morally right or wrong- because love is the priority and loved ones' wellbeing and happiness are all that truly matter, and sacrificing themselves and their own agency to make that happen. Kuro overlooks his own needs because he prioritizes others', Mickbell's. I think his views on relationships and what’s normal are very skewed. That said, Kabru calls Kuro overprotective too, and I think Kuro can be very stubborn as well, and as we see with the comic where Kabru and him talk about Izutsumi's smell he's perfectly able to have strong opinions, he's not only the stoic type. Kuro's very coddling with Mickbell, and while I do think he's a nice guy I definitely think Mickbell is an exception where that's pushed to the extreme for Kuro, Kuro's fixated on Mickbell just as much as Mickbell is fixated on Kuro. Codependence has never been truer a word gdbdgd. Kuro is rather polite and conscientious, in a regular conversation you'd think he very well-adjusted, he's smart and very observant, not just aided by his nose but with how aptly he notices psychological aspects of Mickbell for example, he's eager to learn and hardworking.
Kuro's biggest interest and dream is referred to be travelling, he left home to do just that before he was ever kidnapped already so it's not even an acquired taste from being encaged. And that fits well with Kuro just following the flow imo, Kuro's wants like Mickbell are small pleasures in life like that, just walking around and seeing new sights... Mickbell wants food and a roof over his head and Kuro wants food and freedom. Ironically, their wishes are directly contradictory- Mickbell wants to live in a house with Kuro and Kuro wants to travel around with Mickbell, Mickbell even has his dream of a specific neighborhood. But it is very notable that both their dreams mention the other, whatever it is they end up doing they want to do it together. Post-canon, he opens a variety store with Kuro, and it's said his relationship with Kuro stays unbalanced. We don't know where it was opened, if they stayed in Melini or went back to Kahka Brud- but since Mickbell's dream is to specifically get a house in Kahka Brud's best neighborhoods and it's where he lived before on the streets, it seems to make sense house in Kahka Brud would still be his goal and to set up shop there. Not that we get an update on the house funds, the post-canon blurb is still in the near future after canon so their futures are still very much left open. Just wait until Kuro learns common...! That'll solve everything........!
I tried to go extensively into his parallels with Toshiro and Izutsumi here. Hmm 7w6? Noo 7w8 actually god... Too real... Get me out of here the Mickbell and Kuro double whammy is making me need a smoke. Soooo many characters in Dunmeshi have this theme of learning to live for yourself be comfortable in your skin and get in touch with your needs and desires more Kuro!!
Relationships
: Overlook
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Ok THIS is the fun part. So I made this chart as sort of a summary- we'll especially be looking at the personal bonds and work besties relationships through sections, but that's not to say those dynamics are the only things going on. I tried to keep only the basics and essentials, but you could also totally have added a Kuro to Kabru arrow mentioning how Kabru is teaching him common, or one from Mickbell to Holm about how Mickbell crashes at Holm's place occasioanllu. I made the purple lines based on what we see in canon, but it’s totally possible that Rin also judges Mickbell and Kuro, and that Holm and Dia judge Kabru & Rin as well, even though I don’t really think so, not particularly.
And that's what I’m getting at here: their party has a lot hanging in the air that everyone is more or less aware of but don’t truly acknowledge aloud, don't speak about or resolve. Holm and Dia needle Mickbell about his treatment of Kuro but don’t actually do anything or push, Kabru tries to help by teaching Kuro common but seems to be content "meddling" in only small subtle ways over time like that doing just what he can, concludes that the relationship mess goes bot hways and decide to just keep an eye on it quietly, meanwhile Mickbell seems tired of seeing Rin and Kabru bicker over her crush when Kabru teases and they argue, but doesn’t think to have a tal kabout whatever the fuck it is they have going on- it’s routine, it’s just how things are. It's commonplace- so their serious accusations about Mickbell are mentioned a grand total of twice and that's that, and only Mickbell out of everyone acknowledges aloud that Rin and Kabru have a weird thing going on and that Rin is weirdly deoted to Kabru/loves him implicitly. Everyone is much more ready to comment on Kuro & Mickbell than Rin & Kabru- which, absolutely deserved yes, but are what Kabru and Rin have not intensely weird behavior. Would you not get a headache trying to understand what's going on there and listening to their flirting and scolding and arguments on the regular. Do they never get "this needs to stop"? No, only Mickbell? Okay
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Made this lil collage above but it's notable that the whole party throws casual jabs at Kabru all the time also, whether about how he can't take care of himself or how obsessed or weird he can be. Although everyone has respect and trust for kabru, they're also all fairly comfortable criticizing him. We see this in the shapeshifter "what if" comic too- his party members often find KAbru too extreme and overly dedicated, but ultimately trust him and follow his lead. Dia keeps her nose out of things but beyond hater duo Mickbell & Rin, even Holm comments regularly on his people pleasing and bad cleaning and organisation habits. Paralleling the Laios hater duo of Marcille and Chilchuck in the main party, Rin and Mickbell are especially critical and harsh on Kabru, here's a short and incomplete compilation to illustrate the point. Do they do fuckall about it though? No not really.
Everyone at some point or other shows concern for Kuro, it shows they don’t default to treating him as furniture or a tool after a long time of working together, they value him, but there’s always a third party barrier through which they have to interact, Mickbell- except for Kabru who can communicate with him on Kuro's own territory and have alone time with. But no one except Kabru and Mickbell even try to talk to/with Kuro, and you could also easily argue Kuro is not fully humanized, there's how no one except Mickbell worried for Kuro here for example.
I want you to imagine being Dia or Holm. I want you to imagine what it must take for there to be not one but two insane dynamics in your party amongst your coworkers, with who your job is so to camp with for weeks at a time, and not even blink at it anymore. I want you to imagine being kind and queen of staying in your lane and having these two obvious codependent situationships amongst your coworkers and just go "if I don't acknowledge this things are gonna go more smoothly". Save them get them out of there. Just the occasional long suffering sigh and "Mickbell that's not right :/" and yes, your job here is done.
You really start seeing this pattern looking closer where their party are fraught with interpersonal drama. The will-they-won't-they casanova leader & his angry tsundere childhood friend and Mickbell and his "employee" he exploits and isolates from the wider world??????? Truth of their relationship aside as we've discussed, this is how people around them perceive their dynamics and the optics are insane (/negative hello). The true doom of Kabru's party is all this interpersonal drama going on??? The very thing Chilchuck fears about parties lol, HOW has this party not imploded on itself yet. And personally I think that's a good part of what they contrast with the main party about- Where Kabru's party failed, Laios' party succeeded because they talked their differences out, they challenged each other on topics they disagree on and argued, instead of always just brushing everything under the rug. The reason canon happens at all is becase under the emergency of the situation Laios decides to be vulnerable and come clean about his interest in monster cuisine after all, and yes judgement and racism is rampant at first, but they reach an understanding through open communication. Meanwile, Kabru's party doing social 8d chess.......... Just keep on making passive aggressive comments forever see where it gets you.
This party also has a running theme with unabalanced and onesided relationships, and emotional dependence/burdening. It feels weird for it to be so weirdly intricately developed and consistent even though it does nothing in the main story- except for strengthening the whole diverse living cast thing which is important to the lesson and theme of people coming together despite differences is good, and like, "you can't judge others' relationships and sitations without knowing them" you know, but. It's here man it's here and present and too loud for me to unsee. Rin is dependent on Kabru and there's an argument to be made about the reverse being true as well even if Kabru is emotionally unavailable, and then there's the codependent Mickbell & Kuro mess, and even Dia and her fiance are faced with some unbalanced relationship and emotional unavailability. So our lineup is kabrin, mickuro, Dia & fiance and Holm who has a barely breathing social life. I suppose the latter's not uncommn though, the same can be said with most of Laios' party including Namari and Toshiro.... But good lord. This combined with how Dia & Holm get along together the best does make the party dynamic really funny though in a vacuum, everyone's going razy with intense tea meanwhile Dia and Holm the quiet judgers who glance at each other like do you see this shit. You are the only one normal here. (One has researched illegal magic and the other grew up in a cult.)
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To me it's also really interesting Kabru hiring Mickbell and Kuro especially. Kabru is someone who works off reputation a lot, he has his homegrown informant web called gossip buddies and whatnot, and we know that while he's willing to go to questionable lengths for his beliefs, he has a pretty strong sense of right and wrong where stealing from people who ripped you off and repeatedly led you to death was a no-no. With all the shit Mickbell is catching even now about his slave- ehem, business partner, I doubt Mickbell would have seemed anywhere squeaky clean. Kabru hired a pretty blatant morally loose person who has stolen and scammed- and I think that's very interesting. Was Kabru desperate for party members? Maybe with Dia and Holm, believing in his cause was important-? No no, it's more likely the other way around- only desperate adventurers (or the ones who specifically want Kabru as their party member) stick to being in his party, with all the failures it experiences. Mickbell and Kuro are the only on who don't express loyalty to Kabru, so maybe Kabru's party was the only party willing to hire him- especially if he and Kuro are a package deal where they both get paid. And there's how Mickbell isn't affiliated with the half-foot guild too! Which means no work protections for him but also no salary cut? But yes yes, especially with the way he treated the corpse retrievers you'd think he wouldn't want anyone shifty on his side, but there's also the side of Kabru that loves to help others out, both on a societal and an interpersonal level- and I like to think that despite Mickbell obviously being from a rougher crowd he not only saw the two of them for the skilled people they are but also just, saw they were in a tough spot and wanted to offer a chance y'know? I had a convo about that once where I asked my Kabru expert friend what they thought about Kabru's grasp on socioeconomics and helping out people who are in tough situations for circumstances beyond their control, because you'd think Kabru would be understanding but then with the corpse retrievers, who seem Not Well Off and are comprised by many mixed races individuals like a half-dwarf and a half-gnome........ Helki and Mickbell are alike in many ways and it's interesting to think that may have played a part... Kabru seeing this disheveled obviously sketchy down on his luck Mickbell and being reminded of the only father figure he's ever had in his life, another blonde smartass with a ponytail, an ex-convict from a rough criminal background
 And wanting to hire him to help him have a chance to get out of that place lowkey... I'M JUST SPITBALLING!!!!
Anyways so getting back to the crux of the matter, this is how the party naturally divides up with each other, the same kind of way Laios & Senshi and Marcille & Chilchuck did especially early on.
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But the interesting thing is that Kabru keeps everyone at a distance, Rin included, so how does it divide up when Kabru and Rin aren’t interacting? She stays alone? Nope, oddly enough she seems to gravitate towards Mickbell. And the reverse is true- which makes sense since his partner isn’t a good conversationalist. Mickbell doesn’t really see Kuro as an equal, Kuro is his beloved fool he's tricking on the daily in his mind after all, so he doesn't seek out Kuro for opinions, because unlike Rin Kuro isn't a peer. In the page on the right notice the second panel, everyone gives each other a silent glance and this summarizes the dynamics here really well. Kabru is telling his plan of keeping going and this is everyone's moment to agree or disagree. Holm and Dia look to each other, more neutral. Rin and Mickbell look to each other, seeming more displeased, and Kuro looks to Mickbell. In that second of gauging each other's feelings through a glance, their resolve and opinion gets steeled and everyone tells their feelings after, Mickbell and Rin more reluctant. On the left you can see who sits next to who, who walks next to who in the party formation- Rin is always right next to KAbru but Mickbell is at her side, with Holm following without attracting much attention to himself and Daya closing the group on the lookout for threats. Mickbell & Kuro and Rin & Kabru as actual friends impotant in each other's lives tend to duo up, meanwhile Dia & Holm and Mickbell & Rin are more like "each other's favorite coworker" than actual friends, so Holm and Dia don't even necessarily stick together, at the risk of being third wheels. In fact the christmas gift exchange is a good character writing moment with everyone, if you want to look at their gifts and reactions.
So yes this explains how I divided up the chart, the duos are Rin & Kabru bond, Mickbell & Kuro bond, Mickbell & Rin coworker besties, Dia & Holm coworker besties.
Rin & Kabru
I made a rather in depth post on their relationship recently, specifically trying to nail down whether or not Kabru could have/had romantic or ambiguous feelings for her beyond/instead of "big sister":
It's a good look at it that covers most of the matter and has much, much more pictures than I could otherwise put here, so I'm allowing myself to go over this section faster here and summarize things.
Their relationship is obviously very onesided and... Needy, for a lack of a better word, because Rin is clingy and Kabru is probably her one friend in her life currently- but it's always been that way anyways hasn't it, did she have anyone else at the elves' too, did she have any in the village she grew up in that hated her family so much they killed them? She's overbearing and hovers over his shoulder for mistakes when they're together, but her reason for doing so is out of worry for Kabru, that because of his ambitious and self-neglectful tendencies he'll get himself into trouble, and she's not wrong about that! Kabru holds himself on his own currently, but it's not hard to see a future where he slowly descends into neglecting himself more and more in his focus on his work, but no currently he's still able to endear his landlord into cleaning his room for him and to put himself to sleep with alcohol. The relationship is onesided because Rin's always the one pushing and Kabru never truly opens up, but their relationship does have push and pull too- Kabru does pull sometimes. It isn't like Kuro simply passively enabling Mickbell's issues and bad behaviors, but in many ways encouraging them. Kabru flirts with her. He jokes and he teases in ways that come dangerously close to acknowledging aloud she has feelings for it, and never turning her down despite it being clear to us he has no intent on ever reciprocating them- He leads her on, whatever his intent is. And I go into possibilities of how and why in the separate post a lot, but overall I'd say that it's because he does need her back in a way too. It's that repressed desire for connection that rears its head with Laios and even Mithrun too. Maybe they're an ill-fitting match, but it's what he has, the friend he's had for the longest- Like I like to say, seeing Rin as his best friend is so sad and tragic but it’s also not wrong. From what we see she’s the closest to him, which is sad to think about. How can a guy’s social life be so thriving yet down in the dumps truly. She completely relies on him for purpose in her state in canon and dumps her emotions and issues on him, but he does play with her back and avoids his emotions and needs through her too. He has the uer hand in their dynamic, was even the one to ask Rin to come along with him when they left the elven kingdom. She's a fixture in his life, she's a safety net, she's someone who'll love him unconditionally, who even if he mistreats her a bit he knows she'll stick with him. He sees her as a big sister, after all. He knows her tough love is love. Does he give her jokes to latch onto as his way to keep her in check, or to make sure she'll want to keep following him? He can't bear to bare himself to anyone, but if it's Rin, she knows infinitely well how Kabru isn't perfect, constantly reminds him of that, and where in every other relationship he tries to be or has people believing he is perfect, with her he can be a little rotten, a little inconsiderate- and idk idk man. I don't think there's really a conclusion we can get to with them, but a lot of their dynamic feels just very. Mutually unhealthy. Like self-harm almost.
And like, look at the picture of them dancing below! Just it alone implies a dynamic already. They balance each other out somewhat, because they're severe about different things, Kabru encourages her to let loose socially but Rin keeps him from getting too full of himself in his own corner, because she always keeps calling out to him specifically, to the Kabru she knows and that he knows she knows- though maybe doubts sometimes. They both keep each other from being too caught up in themselves- but both of them are also frowning here. They also enable each other in very bad ways imo and inadvertently push each other into their bad habits, nagging Kabru makes him retreat into his shell even more and approach their relationship calculatingly or even coldly knowing of her feelings for him, and getting all the attention from Kabru in a way she doesn't want- because she can tell he still has his walls up- makes her more frustrated and it's all just a bad cycle of feeding each other to continue just as the status quo is. Rin nags him so Kabru throws her a bone so Rin nags him etc. But they're also genuinely dear to each other, maybe more iut of memories than because of the present, so they can't really let go of each other. Fucking doom tango fr
My take on Rin being particularly severe on Kabru, beyond just being worried that any mistake has a dangerous cost for people like them, is that like. She knows Kabru, from way back, and she sees his persona, how he tries to be perfect for others and caters to everyone's needs except his own, how he keeps himself hidden like that. And she doesn't wang Kabru the persona, just Kabru the person, the man she loves- and he's trying to be perfect but it's futile, and it just makes him more cardboard cutout, he's being fake and it just makes her so angry how he keeps his distance with her, so at every turn she tells him when he's not perfect, at every turn she reminds him of his flaws, as if to say, "you can't be perfect, just stop". And every flirt he sends her way during the story makes her madder because again she knows it's just empty air to toy with her, so she scolds harder. Like I don't think she's a self-aware person in general, so I think she mostly just feels this as sadness completely masked with anger that drives her foward and makes her impulsively say things, and she thinks what she says is right and she's being righteous, but also there's just this gaping void in her at the state of things, there's frustration whenever she sees Kabru smile a plastic smile at others all the time, and she doesn't know why. And the only worse thing is to have that plastic smile targeted at her- but it makes whenever he offers her more genuine unprompted attention all the more precious, like in the comic about her smiling.
They kept in touch post-canon! But it seems inevitable to me that the change in their lives made them grow a bit more distant, not working together all the time anymore. Rin figures Kabru is being taken care of by now, being a part of the royal court, and goes to pursue her own ventures, but they're still friends and that shows with Kabru inviting her to the castle. Rin can't help herself but to visit him once in a while to see if he's still breathing I bet- I do think she has a bit of a "only I don't get fooled by you (especially when you say you're fine)" way to think about him and their rekationship, a big of why she'd say the "Don't think everyone's going to fall for you". Anyways, it is fun to theorize Rin might be a pharmacist often hired by the castle hehe, but yes yes that's all we get info wise. Here's to hoping she mellows out some
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Mickbell & Kuro
So, their relationship is more messed up than Kabru and Rin's, but it's less up in the air/free grounds for interpretation, much more directly explained. Their character profiles & extra pages alone give a really good look at their relationship and both their perspectives of it: Kuro's family that Mickbell has to find ways to chain to himself or he feels insecure, Mickbell to Kuro is a vulnerable kid that he chooses to look after and go the extra mile of being mindful & considerate of said insecurities. I already talked about it a lot in the Mickbell & Kuro sections, and the post I linked above has a longer but more compact analysis of them- but yes yes I'll still cover the essential and the new here. I said it earlier but Mickbell needs Kuro more than Kuro needs Mickbell- Kuro is like the entirety of Mickbell's emotional regulation 'skills' lol, where Kuro needs Mickbell in a material sense where Kuro wouldn't be able to communicate well with others or go far without money and Mickbell, Mickbell needs Kuro because otherwise he'd be shattered- not to say that Kuro isn't also very useful to have around for his muscles. Both of them are very physically and mentally vunerable both, the pyramid of maslow is not being met on any level eesh. Kuro needs a compass and Mickbell needs an anchor, both of them needed a purpose in the day to day life of survival and both chose each other for that- protect Mickbell, and buy a house with Kuro. The human mind thrives off of goals, desires. Again this thing with compass & anchor is very reminiscent of Falin with Kuro, the way she centered her life around others, so much so that when she was a mentally compromised chimera she defaulted to that way of being with Thistle. But they're in that spot very similar to them where one is especially very mentally vulnerable and easy to control whereas the other is very physically vulnerable if the other were to decide they've had enough and go murder mode on him. It's the dog loving the chain on its collar.
How long have they known each other? Who knows, but I estimated it between 2 to 5 years, between when Kuro became an adult and when Kabru formed a party- but even those are just guesses. I also think he named Kuro, since Kuro's name is actually Yodan and "kuro" simply means "black" in japanese, with the language barrier Mickbell wouldhave just started nicknaming him by the color of his fur.
It’s important to remember how they started: Mickbell saving Kuro and Kuro saving Mickbell, Mickbell freeing Kuro out of spite which made Kuro follow him and then Kuro saving Mickbell by maiming the guy who had kept him in a cage and was threatening Mickbell, prompting Mickbell to suggest hiring him (while being broke) as a bodyguard, half out of fear half out of seizing opportunities? And we'll get to that but this is a good way to understand why they're both so "It's us vs the world", they both came from a similar situation surviving in the slums together but even before that they had the same man for enemy, Mick helped Kuro out and Kuro helped Mick out in turn, and they stuck together. So that’s the origins of Kuro being "his employee" that he’s working for peanuts, it’s less disingenuous and eager than we’d expect, the attachment Mickbell formed to Kuro was over time, eventually associating Kuro with both safety and companionship. Meanwhile Kuro seemed ride or die very early, being saved helped I’m sure, but remembering that Kuro thinks of Mickbell as a child to protect also helps frame why Kuro would be so ready to devote himself to guarding him- seeing a small vulnerable "kid" in all this danger, constantly surrounded by threats and famine. So in the end, a big factor for their relationship is that they can’t communicate for shit. For several reasons including language barrier, overly controlling and dehumanizing behavior/abuse tactics backfiring- and emotional constipation. They both have preconceived notions and they both just.... Don't really know each other. I don't think Mickbell even knows his name- Kuro thinks he's a kid! They don't know each other, but they also know each other in the way of familiarity, in the form of having spent years inseparable glued to each other. Mickbell doesn't know Kuro's name and Kuro doesn't know Kuro's age, they don't know the other have siblings they have cut contact with and they don't know each other's dreams, they've never had an actual conversation especially on equal grounds, but also they know each other's mannerisms. They know each other's favorite foods. They know the sound of each other laughing and crying and the feeling of each other's warmth. They know each other but they also don't know each other at all!!!!! Crazy crazyyyy dynamic.
The "it's us vs the world" is so so strong with them especially from Mickbell's end, and can you blame him? Can you blame him when he's been kicked down like a dog all his life and he sees that in Kuro too? And perhaps no one else can ever understand Mickbell and know and stay with him like Kuro does, even when they can't even have actual conversations. This is it for Mickbell, Kuro is all he'll ever get in his mind and he's intent on never letting go, he's all he'll ever get and us all he wants and he cannot, will not, ever, let him go.
And the whole snarling-growling thing is very interesting too, especially since that's contrasted with Kabru (scroll down here for pictures). Mickbell has little experience with kobolds beside Kuro but also his first impression of Kuro was seeing him bite and maim a man to death. Kabru has experience with kobolds from his homeland where they're seen as more serious threat than cute doggy people, where there was fighting and rumors and presumably contact too since Kabru learned some of kobold language and he was only 6, AND Kabru has trauma with monsters and beasts in general. When Kuro growls, Mickbell goes "hey I told you to stop growling that's scary :/", and Kabru goes "Kuro, what's wrong?". And this is sooo so fascinating to me. Part of this already is again the language barrier, Kabru can ask Kuro to comfortably explain the issue where Mick cannot (he could still try though since Kuro can still speak some albeit broken common), so with Mickbell Kuro only has body language that doesn't come naturally to non-kobolds to communicate with- but Mickbell dismisses it as regularly as he doesn't. Part of it for Mickbell is having been on the other side of Kuro when angry, having seen how scary he can be and afraid himself- but then why? Does Mickbell still get scared of Kuro when he snarls and acts like that, the way a lot of us flinch when someone gets mad and yells? Does Kuro feel more unpredictable then, and that's scary for many reasons? Or maybe it's because he's scared of the way others see Kuro, that others will dehumanize Kuro if he emotes in ways like this. From where they come living on the streets, looking wrong at the wrong guy can cost a lot, so Mickbell may have extra developed a sense of keeping your head down at the right times and not provoking when risky- and he can't fully control Kuro so when that choice is out of his hands things feel a lot more shaky. Of course though in any case, growling or no growling Mickbell sticks with Kuro, keeps holding onto him when he snarls, it never crosses his mind to step away from Kuro or leave him behind, consequences or uncertainty be damned. Just, the justified concern mixing with the unhealthy possessiveness and controlling, the genuine fear... It represents their wider relationship pretty well in just one example.
He fucking sticks with Kuro with the baths!! Many bathhouses don't accept kobolds but Mickbell tirelessly keeps looking for one who will, Mickbell and Kuro are a PACKAGE DEAL and it stays that way even when it's inconvenient for Mickbell. Mickbell washes Kuro and spends hours brushing him afterwards with immense care and patience, there's effort there on his end too there is consideration and love!! They are sooooo ride or die!!!! "Now you're the cleanest dog in the whole wild world, no one can look down on you"!!!!!!
They have incompatible dreams of the future, Mickbell wants to settle down in a house and Kuro wants to travel, both want to do it together. My thing with Mick & Kuro post-canon is the only ways I see it develop and go down is: 1) Kuro becomes able to easily converse with him and their relationship changes with a lot of rough bumps but slowly and surely towards something better and/or 2) Kuro leaves to travel here and there while Mick manages the house, they’re still in a life partnership but they’re ok being apart for a while now. Mickbell learns that leaving doesn’t mean there’s no coming back and to live beyond each other ykyk <3 But while Kabru himself is hopeful that when Kuro becomes fluent in common Mickbell and Kuro can "really become friends", their post-canon blurbs break our hopes for a near future resolution, specifying that Mickbell "still works Kuro hard". They open a variety store together! I like to call it Mick & Kuro's knick knacks <3 Does Mickbell still keep his prices and product descriptions dangerously close to being scammy? Possible! He's earned it though he has his own store brooo his own building his own business... I know that shit got him emotional We do see that Kuro gets him to be healthier slowly but surely though- in the last chapters we see him push Mickbell implicitly towards the half-foot guild! Kuro is protective but not possessive and he encourages Mickbell to get out of his shell, reflecting how he talks about Mickbell as someone needing support and gentle care & understanding- he was being real about noticing his issues and wanting him to become happier.
Once upon a time back in my early days of shipping mickrin I entertained the thought Mickbell's attachment to Mickbell may have a romantic nature mixed in as well, whether it'd be "genuine" or maladaptive's too complex for me to say- but what was funny is that even in that case to me nothing changed. I think that in a world where Mickbell likes Kuro romantically, he would neverrr ever make a move because he'd be too terrified Kuro would dislike it and leave- so instead it just gets lashed out in different ways and he vents & seeks that out in other people kinda hoping it'd be Kuro or whatever. Kuro's too precious to risk is the thing. "It's us vs the world" and if Kuro leaves then is when he would be truly alone- like I mention in the Mickbell & Kuro I linked I think Mickbell is very afraid of change. It's why I think the possible future of Kuro learning to talk common well would be rockier than we'd assume at first- and I think in that fear of change is the fear of changing the nature of their relationship and lowkey even the fear of deepening it- What if Kuro starts actually understanding what Mickbell always says and decides Mickbell is stupid and unlikable after all? What if Kuro starts talking and Mickbell doesn't like what he says? What would Mickbell do if Kuro started being more inquisitive, asking more questions and requesting more things? Mickbell is terrified of Kuro having agency and it's for a reason!! Mickbell lowkey dehumanizes Kuro as a possession sometimes because that's less scary, because Kuro being a full person with his own wants and thoughts detached from Mickbell is scary!!
Mickbell needs to be Kuro's whole world- because if Kuro got a taste of the rest of the world, everything else there is beside him- beyond him-, then how could Mickbell possibly compete with that? How could Kuro choose Mickbell over the world? And the irony of it all the thing that gets me choked up is that along it was never a competition, the world has always been Kuro's love, travelling is his main interest, and he wants to travel it with Mickbell- The world is wonderful and Mickbell's presence doesn't take away from it but enriches it, makes the world even more valuable and treasured and life more enjoyable and full and god. God!!!!!
So yes these are insane coworkers to have and this is the dynamic that has Dia and Holm side-eye Mickbell and ask him when he's planning to free his house elf. Imagine having a group project in school and these dudes are in your group.
Rin & Mickbell
The hater duo, no 1!!!! Dia & Holm is the second one but they can't hope to match these two's intensity and hater aura. This is our moment to breathe we're getting back into Kuro & Mickbell madnedd after
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I compile their most relevant interactions here, and you can also see a small compilation of them combining their hater powers on Kabru here. There'S a lot of things that make them really fun to pair up, like how they're easily the top 2 most unpleasant bitter Kabru party members and how they like each other best anyways lol, or how they're both in a codependent situationship- and they both have similar defense mechanisms of most things getting filtered through anger, but what's especially interesting is how they're different in the worst way, in Rin's codependent relationship she's the one who gives and devotes herself, the self-sacrificial one, and in Mickbell's codependent relationship he's the one who takes and takes, the self-centered one.
That's already me getting lost in the sauce though because these two are just coworkers and that ends there- in fact with the tavern comic about Rin smiling we see that they get along much more at work than outside of it. I think why they get along is exactly that blunt and critical nature of theirs- Neither hesitate or bother with politeness or little games to say what they have on their mind and when something's a bad idea- it's why with even just a "you see this shit?" glance at each other they get steeled and soothed into reluctantly agreeing with Kabru, "Well, if Mickbell/Rin is okay going along with Kabru's plan, it must be fine after all... Not that we won't shoot him with laser beams with our eyes". Like I said earlier even though Mickbell can be manipulative, but he emotes very strongly and openly and is very blunt as a rule, he seems to value in others the same type of directness that he has with emoting and interacting, as seen with his distaste for Rin being a tsundere in the same tavern comic. You could reach and theorize his distaste in Rin acting all happy because Kabru complimented her, despite her still being very sour, is also from a feeling that she's being easily manipulated, which could be interesting... But yes yes, and similarly Rin is drawn towards someone who is similarly severe with high standards and who's very cautious with plans and money, and with her distaste for Kabru's own playing around and fake politeness it's interesting to think she'd find someone who's authentic to the point of being unabashedly unpleasant refreshing. So yes yes, they're united in haterism, and they look to each other for opinions, and they sit together, and when they meet Laios' party with Toshiro's Mickbell tugs on her (the only other who took a hard stance on wanting the "thieves" to pay) dress to go "hey you see these bastards?", and when Rin casts waterwalk on the party it feels very familiar- which shows still how much familiarity the party has developed together. They don't get together to have a laugh or have fun, but they seem to be each other's favorite coworker and be often on the same wavelength, easily understand each other's thoughts from even just a glance.
You can feasibly theorize Mickbell has a crush on Rin and is jealous of Kabru for it, considering he's always hanging around Rin when it isn't Kuro, how he hangs onto her on the regular, when he sighs seeing Rin and Kabru argue because Kabru flirted, when he's always on Kabru's case, when he's the only one who brings up Rin & Kabru's relationship, when he gets frustrated she doesn't laugh at his jokes and says she woud be much cuter and more charming if she smiled more- which we see Mickbell beam at. Misogynistic energy? Yes. No one said Mickbell hasn't some incel tendencies in him lol. I don't think that's the intent though and all these things can be easily explained by other stuff, but all of these together make it a coherent angle, if you so wish for it. Mickbell lashing out at those he likes because he's insecure when he doesn't have their full attention who'd have thunk! The mickrin manifesto is coming another dayyyy though I can't get more sidetracked
Kuro & Kabru
I already went into some things a bit like Kabru's reaction to Kuro growling despite his trauma wit hbeasts and experience with kobolds' nastier side, and I have a post where I let myself ramble about the two of them here- I'm sorryyyyy I'm sorry everything is so interconnected I can't not repeat myself and link stuff!! But once again I'll cover the bases here- In a non shippy light but also the original post is 90% parallels and analysis too
So their relationship is really interesting in many many ways. Kabru is teaching Kuro to speak and write common in secret, which shows many things already. In the party he's by far the most considerate and caring of Kuro, we see him listen to Kuro's worries about Izutsumi also. We see him ask Kuro about his opinions, for Kuro that's revolutionary, we see him take Kuro's concerns seriously and extensively talk about them and he accommodates with talking kobold as well. For being the one with monster & demihuman trauma, he's the one who humanizes Kuro the most- perhaps because it forces him to take Kuro seriously and keep in mind the whole of him, not only appearances or behavior, in an hypervigilance and "I know what you are" way, if that makes sense?? We see Kabru's urge to spend time to give a voice to the voiceless, to help this one dude, his coworker living in questionable circumstances. And all of this, again, despite his trauma, despite him saying it's best to assume communication with demihumans is impossible in the kobold extra!!! Do see the irony!! And many say that Kabru only said that because it was the Touden siblings and he wanted to say anything to make them think twice about blindly approaching the "cool cute desert dog people", but even if that's fully the case I still think it's interesting that he'd be willing to throw demihumans he spent his early childhood coexisting with under the bus like that- in a way.
He's giving Kuro knowledge... Teaching him like Milsiril once did- the thing he himself most grateful to her for. From one disempowered person to the other he's teaching societal survival skills. He's tutoring Kuro on his own best weapon: words. And he does this in secret, with no laurels and no reward, at night on the regular. I think their dynamic really goes to show just how much Kabru cares about others, how even though he sees Kuro as more "photorealistic" and less cartoony than the others, both because he knows the dangers of kobols and he takes them more seriously- and inadvertently emphasing on the beastly animal side taking away the endearing exaggerated features..... Even then, he's so so very considerate, and kind, and he cares, and how much he wants the world to be better and equal and for everyone to live well. And this shows in how the nightly sessions are also a way he gets to interact with Kuro away from Mickbell's eyes- This is where Kabru inquires about their relationship and learns about Kuro's vision of things. Whenever Mickbell steps in Kabru immediately folds, makes himself as non-threatening and unimposing to Mickbell as possible and steps away without resistance to ease his worries, but when he's away Kabru and Kuro can actually talk. And Kuro does open up to him, and hearing his thoughts Kabru learns about them andconcludes that both of them are overprotective over the other- He sees that the issue and the overattachment isn't oneway, and acts in kind. Kabru keeps an eye on them, as seen also with the end of the extra about Izutsumi's scent, helping in the ways he can, subtly through acts like helping Kuro learn common so one day he and Mickbell may talk.
Kabru is likely the closest thing to a friend Kuro has currently, beyond Mickbell. Which is crazy to think about!! But also man I want you to imagine them having their late night study sessions, talking about their home the western continent together for a bit. Kabru gets to talk about the desserts he couldn't talk about in the elven kingdom and Kuro recognizes them, in just talking about the weather they find so much commonplace, in traditions and myths and habits and ways to be- And maybe from where he's from Kuro's heard of the evil eye as well, knows that tallmen with blue eyes are rare and seen as bad omens, disowned and chased out of cities, but Kuro offers no judgement and so Kabru offers none in return. Like their arrows towards each other are "kobold" from Kabru to Kuro and "he speaks my language", and that's so crazy!!!! That's so little but that's so crazy!! And I truly cannot handle typing these thoughts again so just scroll down here but my god my god!! The heartwrenching isolation of them.
Ah yes- there's also something to say about how only he and Mickbell don't follow Kabru with any solid sense of loyalty! Everyone else praises Kabru's cause and says they're there for him to achieve it, but Mickbell stays quiet on that lol and almost walks out at one point- and then Kuro very straightforwardly says that he'll follow Mickbell whatever he decides- As much as Mickbell is Kuro's "employer" Mickbell is Kuro's leader, Kabru might be the team coordinator in his eyes and he does respect him, but the only cemented in loyalty he has is to Mickbell. Ironically, he's also the one who rates him as a party leader best! At a high 95% score. Which still shows just how much Kuro likes and respects Kabru... And also might show how low his standards are, since the party keeps dying under his lead- Kuro hasn't had great impressions of bosses and workers' rights after all- like with people's behaviors and living conditions and whatnot he has bare minimums standards, a very low bar, like him thinking of Kabru as "The guy who speaks my language!" something that should be so normal, being able to communicate with someone in a language you're comfortable and fluent in, has become something exceptional and precious.
Kabru & Mickbell
Okay this one is sooo interestingly layered. So there's a lot that goes into Mickbell's onesided beef with Kabru- I can try to summarize it as that Kabru seems effortlessly charismatic.
Part of it is as Mickbell puts it here and here, that he's afraid Kabru will steal Kuro away somehow (and that's without knowing about their study sessions). Kabru is so charismatic and likable, and kind something that as we se Mickbell tends to approach with suspicion- nothing in this world's free. Believing that Kuro only stays with Mickbell because he has to and that Mickbell successfully fools him, it's not hard to see him being afraid of Kabru "telling Kuro stuff" that'll convince Kuro or turn him against Mickbell, "he's a smooth talker, don't let him kidnap you"! It's again that belief that Kuro is easily fooled mixed with Mickbell's belief that no one could choose him over others if they had option- who wouldn't go for the cool and handsome charismatic witty tallman? Even his fave coworker who's just as severe as him is all wrapped up around his finger after all. And then there might be more general jealousy at work, about Kabru being an ideal with all these qualities and how well off he seems despite being broke too, Mickbell possesses so few qualities and his party leader that he finds incompetent on top of everything else just has "every quality given to him on a silver platter" or whatever resenting drivel Mickbell would think up. And then yes there's as I put it, the incompetence- Kabru and Mickbell think & operate in very different ways, Mickbell is very direct while Kabru is very indirect, Mickbell is very practical while Kabru is very guided by ideals- they have very different conceptions of "the end justifies the means", very different goals of self-serving vs greater good. They have different morals and views on retribution with the corpse retrievers, he's the one who pushes most against Kabru's plan of keeping going into the dungeon even after things go wrong and so he's the one who gets his concerns dismissed by Mickbell most, alongside Rin. Like with Rin he seems to see Kabu as reckless and as someone who takes things too lightly, which as someone who takes his job very seriously is frustrating, and like with Holm and Dia too he seems well aware of his flaws with people and his "fakeness", which doesn't endear him lol. Also someone stubborn- which from someone stubborn to another is always a sign of a great war incoming lmao.
And I do want to reiterate the beef is onesided!! Kabru is maybe even the most charitable and patient with Mickbell. As much as Holm let him and Kuro crash for a night, Kabru was the one to give him the money to go to a bathhouse. You can see his look of concern at stinky Mickbell in the first panel lol.
Again I'll share this comp of Mickbell and Rin being on his case, to see some examples! And my personal favorite:
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And notice the Dia-Holm sideglance in the next-to-last panel. Is it a "he spitting some truth rn" or a "Ahh Kabru is on his corny shit again"? Wouldn't you like to know lmfao
Daya & Holm
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You looove to be unbothered and uninvolved in the love square happening. The hate triangle if you will (Kuro isn't involved in that one he dgaf). You looove to just give professional opinions on the party's plans and that's it, you love keeping things to yourself and being a quiet pillar of the party rather than anything showy or flashy. I just love their side-eyes I just love making them quietly judge everyone especially togther, "you are my partner in sanity" fr.
Even together they don't have that strong a bond, like with Rin & Mickbell it starts and ends with their work dynamic pretty much. Still, consistently over and over again when the party divides itself into subgroups naturally, these two gravitate towards each other. As above a Daydream Hour shows them hanging out (off-work considering their outfits?) and points out that they're the party members "closest in age", 58 and 76 respectively, the oldest beside them is Rin at 24. Developmentally, with just proportionally comparing their lifespan to tallman's and calculating in kind Dia would be 23 while Holm is 30, so this thing about being closest in age seem to be about them both being longlived races, thus having a more similar sense of time and outlook on the world for it. They do seem to be all around the most mature and well adjusted of the group- although those appearances can for sure hide some deep flaws we just haven't been able to truly notice.
OTHERS?
These are the ones I felt were worth commenting on but they all have litle dynamics between each other, with Mickbell & Daya the least probably, for example if you want Holm & kabru thoughts I made a ship post about them and compiled most of their interactions. Like, I do like to summarize Holm @ kabru as "i won't talk about it but damn you live like this??". Holm @ most of the party actually lol. Holm has bigger fish to fry anyways, like Mickbell, who already outranks Kabru there and then crashes at his house on top of it. Holm and Rin often team up to talk about magic, when shopping or when Kabru asks something.
Daya and Holm have less strong & deep dynamics because they have less ties, simple as, they keep themselves less entangled in what's pretty much office life- yes they're willing to risk their lives to dungeon dive with th party, but that's as with any adventurer, as with everyone desperate and unstable enough to have it as their main job. Rin is tied to Kabru so that gives her importance, but Mickbell and Kuro have each other so it gives the party dynamic around them a lot of layers already, their personal lives are more shown during canon and extra because of it, meanwhile Holm and Daya both keep to themselves much more and their personal lives are only hinted at in extras, they don't have drama on the regular in front of the rest of the party the way the others do lmao.
Conclusion
Kabru’s party is in a bit of a weird spot in the main story- I think we can agree they’re characters that feel largely forgotten by the story after a point, and don’t matter all that much. I do think they have a narrative purpose, but. It's all about Kabru and setting his character up, similarly to how Namari was to give Marcille growth and Toshiro was to give Laios growth, it offers us an early Kabru to compare middle and late Kabru with when it comes to relationships and alliances, and with how much they fail and the few scenes they have where Kabru has his mask on and even coldly rebutts Rin I think we're supposed to see the flaws in his way to lead and work in team, where Kabru changing on that end would be for the better. They're a window into Kabru's shortcomings in teamwork and social life, his status quo at the startof the story. Laios' team was as successful in the main story because they truly came together, became friends who revealed their authentic selves to be stronger even when they worked together and were all very different from one another- but what Kabru does is try to hide and compensate for flaws, especially his own, and he hides things from his party and he keeps himself at a distance from it. Laios wasn't all that different with his party pre-canon, but where in the emergency of current events Laios shed pretenses at the risk of being disliked and rejected by others, in early manga Kabru instead tightens his grip on trying to control the party- why Kabru pushes his party members into his plans with less and less care for their opinions with his rebuttal of Rin as the peak of that- until he even lowkey isn't all that motivated by his party members being hostages lol. Like- am I making sense??
Analyzing labru vs kabumisu interpretations of Kabru is honestly very interesting because the two ships' fans seem to often have a completely different take on him. Kabumisu fans tend to emphase on Kabru's need for agency and empowerment and labru fans tend to emphase on Kabru's need to learn to compromise and not taking everything upon himself only, and see like, both are true both are good, and which of the two ships you like more depends a lot on these subconscious little differences in interpretation you naturally develop I think, because while I'm a double agent I myself prefer labru a bit and I naturally lean towards the "Kabru has lessons and change to do" angle, where with kabumisu often the focus is on not Laios gaining understanding from another but Kabru gaining understanding from another. For Kabru to grow vs to be validated, for him to finally feel safe and comfortable, and that to be achieved either through growth or through comfort, though both through understanding one another. It's about trust it's about understanding others on your own terms vs theirs it's about how being willing to open up and delve in relationships makes your understanding of people better, truer!! Understanding others, debatably the biggest theme in Dunmeshi!! Anyways don't tell the fandom I said that
In the wider meta narrative- Dunmeshi has a big theme of conforming and fitting into society, all its main character have that as a big theme- Laios being a misfit, Marcille being a half-elf, Chilchuck being a half-foot in a bigoted society, Senshi being an exiled hermit, Izutsumi being a beastkin
 The experiences are varied but it’s an universal theme, everyone has things they're ostracized for somewhere or other. And I think all of Kabru’s party have a facet, variance of that that’s interesting, one that’s less about social acceptance and finding your place like Laios’ party but has a bigger focus on economical struggle, Kabru and Rin are to put it very short powerless child refugees, Mickbell and Kuro are dirt poor, Daya was threatened to fit into a strict mold and Holm was put in jail for academic studies. They have codependent relationships and emotional unavailability all around in different ways, there's isolation as a theme there too. That also is largely a Dunmeshi theme. Does no one have a fucking healthy good thriving social life? A good work-personal life balance? Being in touch with yourown needs and feelings perhaps? The triforce of things you can never have all at once in dunmeshi. But all these similar yet different hardships, all these people with hard to pin down exteriors- it's all about understanding too. How can you judge without first understanding, you know?
They're doubtlessly minor characters, but they're also part of that large tapestry of diverse people that's needed for Dunmeshi to do what it does, thematically and narratively. For that final battle to have so many different people come together to fight on the side of humanity, for all its habitants for all the facets of people in it, together. "If even one thing had been missing, we wouldn't have gotten here" as Kabru puts it himself in the next-to-last chapter. This is Dungeon Meshi, everything is interwoven, it's all a web because our environment shapes us as much as we shape it.
They get sidelined by the story. much like they were by Kabru- but he does have their loyalty, like how Laios' party stuck together through it all, even Chilchuck and Izutsumi, and when it's time for the final battle they're there to help and it matters, they matter. Relationships, trust, goes both ways, it shouldn't be onesided. If someone proves genuine why not try opening up? Kabru's party always trusts him and show up when it matters- Because to put full trust in another is terrifying and risky, but sometimes it'll pay off, and still always they take that step to trust their leader. Trust and love and care isn't a transaction, earned or not, and all you can do is try to appreciate it and repay it in care. In the end Kabru's party reminds us of those things, that despite everything we all need someone.
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#Dungeon meshi#Analysis#Meta#Mickrin#mickuro#Kurokabu#Kabrin#Clinging onto mithrun when they fell was a “do you prefer dying falling in with me or when you let go and I teleport you into the wall”#And that makes it so much more poetic man. Choosing to cling onto Mithrun- onto the key to pierce the dungeon's mysteries#Even if it's a longer shot. Even if it throws him right into the dangerous depths of this place he hates so much#Kabru inspiring Mithrun to live his life dedicated to work that'll help and keep others safe truly. Aughh#See!! What we can accomplish together!! The combined power of labru and kabumisu makes for a more complete arc đŸ’„đŸ’„#I think the beauty of kbms is finding understanding easily within another once u open up and i think the beauty of labru is *growing*#to understand someone once u open up and working towards it slowly and finding it v rewarding- both which have seeds in canon imo.#ahh the rewards of opening up#My tastes mean i obvi go for the more character arcy confrontional labru more đŸ«¶ but ya different faces same coin theme wise imo#Which makes sense. Since Kabru's arc centers around them n is well written. I really thought i wasn't gonna talk about kabru much 😭😭#I eventually wanna make an analysis entirely centered on Kabru's morality lmao. Maybe one dayyy#It's like w anything- now that it's been 2 years and kabru's grown more familiar 2 me i understand him more so he scares me less. Lol#Dunmesh lesson is we're better n stronger together rather than divided who'd have thunk. Human connection is the most valuable thing bwuh?!#Fumi Rambles#Labru#kabumisu#Maybe this is me doing the Laios dragon fan thing but I still would only call myself a casual Kabru fan. Even now in the throes of kurokabu#Gdbgd kurokabu may be the most 'third secret option' ship i've ever shipped. Best of both worlds though#Lots of kabru growth but also a very cozy comfortable relationship where understanding is suprisingly easily reached 😌#god I am in the codependent feels rn. writing this post making me go through all stages of grief!! ET SI TU CHERCHES ENCOREE MA VOIIIIX#Oublie-moiđŸ„ș le pire c'est toi et moi... Mais ma meilleure ennemie c'est toi! Fuis-moi- Le pire c'est toi et moi. Je t'aime je te quittes#Frothing at the mouth. Insert art of werewolf ripping its shirt off THIS IS DOOOOONE#This is just so large i cannot hope to alone crack the code & tie everything up concisely this is the beast of me trying tho
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broareweabouttoviberightnow · 3 months ago
Text
tid bit Tuesday brought to u by a scene that came to me in a prophetic vision (stuck in traffic with nothin' else to think about)
"Soda are you gonna wear that?" Darry sounds exasperated, which is to say he doesn't sound much different then he usually does.
Steve turns half around to get a look at Soda's outfit 'n gets distracted by Pony as he pops the oven open 'n breaks off a corner of the cake still bakin' with his bare hands.
Pony glances up 'n catches Steve raisin' an eyebrow. He opens his mouth to rat him out 'n Pony frantically waves a hand at him, silently offerin' his bite. Steve smirks 'n takes it, tossin' it into his mouth still pipin' hot. Pony glares at him.
"Aw, c'mon Dar. I thought you were supportive." Steve can hear the grin in Soda's words 'n Steve drifts out into the living room to see what the fuss is, figurin' Soda's managed to forget its the middle of winter 'n Tusla won't forgive a T-shirt.
He's half right.
Soda's got on a mod skirt, the kind that stop tastefully way up near mid thigh. Steve’s jaw falls open. Cartoonishly.
"Soda it's way too cold for that. You can't wear that when it's not even forty degrees out." Darry rolls his eyes 'n Soda pouts.
"Oh, I think you'll find he can." Soda tosses his hair back from his eyes 'n shoots Steve a wink 'n a grin. Steve puts both hands over his heart 'n swoons against the door frame. He's only half kiddin'.
"You're gonna freeze to death, lil buddy. C'mon, save the Steve killers for summer."
"He can wear my jacket!" Steve nearly trips over himself 'n Pony snickers from the kitchen. Steve flips him off, automatically. "Darry, Pony was sneakin' pieces of the cake."
"Fuckin' traitor!"
"Ponyboy Michael did I not tell you to leave that alone." Darry half turns into the kitchen to glare at his brother 'n Steve jumps on his opportunity.
"C'mon, Soda quick!" Steve grabs Soda by his shoulders 'n half manhandles, half-pulls him out the front door. "Bye Dar!"
"Glory Jesus at least take a jacket!" Steve wraps his coat firmly around Soda's shoulders 'n grabs a hoodie that may have been Darry's, may have been Two-Bit's from beside the door.
Soda's waitin' for him at the bottom of the stairs as Steve let's the screen slam closed. He giggles 'n Steve thinks he would do just about anythin' to hear that again. "My hero." He drops a kiss to Steve’s cheek 'n turns to clamber in the car.
Oh he'd do anythin'. No question.
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sunsetsandsunshine · 8 months ago
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If I may request a Rise fic!! I’m a huge sucker for comfort/cheer up tickles, so could you possibly write a disaster twins fic with Lee Leo and Ler Donnie where Leo’s been having a pretty bad day (because of what is your choice!) and ends up feeling self conscious about himself and stuff, so Donnie decides to cheer up his twin!! Please don’t feel rushed and make sure you’re taking care of yourself ^_^
~ 𝚂𝚝𝚘𝚙 𝚋𝚎𝚒𝚗𝚐 𝚜𝚘 𝚛𝚎𝚌𝚔𝚕𝚎𝚜𝚜!!! ~
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💜💙 đ™”đš’đšŒ 𝚛𝚎𝚚𝚞𝚎𝚜𝚝𝚎𝚍 𝚋𝚱: 𝙰𝚗𝚘𝚗 đ™œđš˜đš—đš—đš’đšŽ 💜💙
·̩̩͙̄*â€ąÌ©Ì©Í™âœ©â€ąÌ©Ì©Í™*Ëšđ™Œđš‚đ™șđ™œđš‚đ™œđ™șđ™Œđ™łđ™œđš‚đ™č đ™œđ™Ÿđ™œđ™œđ™žđ™Ž đ™Ÿđ™· đ™Œđšˆ đ™¶đ™Ÿđš‚đ™· đšˆđ™Ÿđš„. đ™¶đ™Žđšƒ. đ™Œđ™Ž!!! đ™¶đš›đšŽđšŠđš 𝚖𝚒𝚗𝚍𝚜 𝚝𝚑𝚒𝚗𝚔 𝚊𝚕𝚒𝚔𝚎 𝚋𝚎𝚌𝚊𝚞𝚜𝚎 𝚘𝚑𝚑𝚑𝚑𝚑 𝚖𝚱 đ™»đ™Ÿđšđ™ł 𝚌𝚘𝚖𝚏𝚘𝚛𝚝 𝚝𝚒𝚌𝚔𝚕𝚎𝚜 𝚊𝚛𝚎 𝚖𝚱 đ™čđ™°đ™Œ!!! 𝙮𝚜𝚙𝚎𝚌𝚒𝚊𝚕𝚕𝚱 𝚠𝚑𝚎𝚗 𝚒𝚝 𝚌𝚘𝚖𝚎𝚜 𝚝𝚘 𝚝𝚑𝚎 𝙳𝚒𝚜𝚊𝚜𝚝𝚎𝚛 đšƒđš đš’đš—đšœâ€Šđ™¶đš˜đš, 𝙾 𝚕𝚘𝚟𝚎 𝚝𝚑𝚎𝚜𝚎 𝚝𝚠𝚘 𝚝𝚘 𝚍𝚎𝚊𝚝𝚑. đ™»đš’đš”đšŽ 𝚜𝚎𝚛𝚒𝚘𝚞𝚜𝚕𝚱..𝚑𝚞𝚛𝚝/𝚌𝚘𝚖𝚏𝚘𝚛𝚝 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎𝚜𝚎 𝚝𝚠𝚘 𝚓𝚞𝚜𝚝 𝚝𝚒𝚌𝚔𝚕𝚎 𝚖𝚱 𝚙𝚒𝚌𝚔𝚕𝚎
𝚊𝚗𝚍 𝚒𝚏 𝚝𝚑𝚎𝚛𝚎’𝚜 𝚘𝚕𝚍𝚎𝚛 𝚝𝚠𝚒𝚗 𝙳𝚘𝚗𝚗𝚒𝚎??? đ™»đšŽđšđš’đš 𝚖𝚱 𝚍𝚛𝚎𝚊𝚖 𝚏𝚊𝚗𝚏𝚒𝚌 𝚛𝚒𝚐𝚑𝚝 𝚝𝚑𝚎𝚛𝚎!!!˚*‱ Ì©Ì©Í™âœ©â€ąÌ©Ì©Í™*·̩̩͙̄
đ™¶đšŽđš—đš›đšŽ: đ™·đšžđš›đš/đ™Č𝚘𝚖𝚏𝚘𝚛𝚝
𝚆𝚘𝚛𝚍𝚜: đŸș,đŸč𝟿đŸș
đ™»đšŽđšŽ: đ™»đšŽđš˜ 🐱💙
đ™»đšŽđš›: 𝙳𝚘𝚗𝚗𝚒𝚎 🐱💜
𝚂𝚞𝚖𝚖𝚊𝚛𝚱: 𝙳𝚞𝚛𝚒𝚗𝚐 𝚊 𝚖𝚒𝚜𝚜𝚒𝚘𝚗, đ™»đšŽđš˜ 𝚍𝚘𝚎𝚜 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚜𝚝𝚞𝚙𝚒𝚍
𝚋𝚞𝚝 𝚠𝚑𝚊𝚝 𝚎𝚕𝚜𝚎 𝚒𝚜 𝚗𝚎𝚠, 𝚛𝚒𝚐𝚑𝚝?
(𝙰/đ™œ: 𝚂𝚠𝚒𝚖𝚜 𝚒𝚗 𝚖𝚱 𝚜𝚎𝚗𝚜𝚊𝚝𝚒𝚘𝚗𝚊𝚕 𝚜𝚎𝚊 𝚘𝚏 đšŠđš—đšđšœđšâ€Šđ™±đšžđš *đ™°đ™·đ™Žđ™Œ* 𝚖𝚘𝚜𝚝 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝𝚕𝚱: 𝙳𝚘𝚗’𝚝 𝚋𝚎 𝚝𝚑𝚊𝚝 𝚐𝚞𝚱! 𝚃*𝚌𝚎𝚜𝚝 𝚊𝚗𝚍 đ™ș𝚒𝚗𝚔/đ™œđš‚đ™”đš† 𝚋𝚕𝚘𝚐𝚜 đ™łđ™œđ™ž!!!)
𝚃𝚊𝚐𝚐𝚒𝚎 𝚝𝚊𝚐𝚜:  @shut-up-jo @itzsana-kiddingmenow @aceofspades-doodles @ziipzeepzop-eez
@tmntheadforever123 @rice-cake-teen10 @aninabanina6969
@savemeafruitjuice @cedarrthefluffylee @saturnzskyzz @titters-and-tingles
@someone1348 @my-l0v3r-v3rse @snipersiniora @mistyandsnow
𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝙰𝚛𝚐𝚞𝚒𝚗𝚐, 𝚊𝚌𝚌𝚒𝚍𝚎𝚗𝚝𝚊𝚕 𝚜𝚎𝚕𝚏-𝚑𝚊𝚛𝚖 𝚜𝚝𝚒𝚖𝚖𝚒𝚗𝚐, 𝚱𝚎𝚕𝚕𝚒𝚗𝚐, 𝚊 𝚖𝚒𝚗𝚘𝚛 𝚊𝚞𝚝𝚒𝚜𝚝𝚒𝚌 𝚜𝚑𝚞𝚝𝚍𝚘𝚠𝚗, 𝚊𝚗𝚐𝚜𝚝 𝚊𝚗𝚍 𝚝𝚒𝚌𝚔𝚕𝚒𝚗𝚐. 𝙿𝚕𝚎𝚊𝚜𝚎 𝙿𝚕𝚎𝚊𝚜𝚎 đ™żđ™»đ™Žđ™°đš‚đ™Ž 𝚛𝚎𝚊𝚍 𝚊𝚝 𝚱𝚘𝚞𝚛 𝚘𝚠𝚗 𝚛𝚒𝚜𝚔!!! 𝚃𝚑𝚒𝚜 𝚘𝚗𝚎 𝚒𝚜 𝚊 𝚍𝚘𝚘𝚣𝚱

*â€ąÌ©Ì©Í™âœ©â€ąÌ©Ì©Í™*Ëšđšƒđ™Žđ™Žđ™·đ™Žđ™Ž 𝚊𝚗𝚐𝚜𝚝 𝚖𝚱 𝚋𝚎𝚕𝚘𝚟𝚎𝚍 đŸ•șđŸŸâœšđŸ’žđŸŽ¶Ëš*â€ąÌ©Ì©Í™âœ©â€ąÌ©Ì©Í™*˚·̩̩͙̄
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“I can’t believe you’re doing this to me again.” Leo grumbled under his breath as he rested his mouth on his palm, glancing away from his brother as he sighed loudly. 
“Well maybe if you weren’t so fucking reckless I wouldn’t need to.” Donnie growled lowly, glaring down at his twin.
“I’m not a baby, Don. I don’t need to be supervised like I’m some bomb triggered to explode.” The younger said in exasperation, lying down on his bed whilst grabbing a comic book to read off of his desk.
If Leo was going to be told off and scolded by his dear beloved brow-loving brother, he should at least have something to occupy himself with in the meanwhile. 
The softshell groaned eternally at his little brother’s action, quickly snatching the piece of literature out of the other’s hands and throwing it effortlessly to the ground. 
Uninterested lime green eyes locked with a determined yet fierce light golden, both of them refusing to look away or blink to show their dominance.
But after a while, the red eared slider grew more impatient, looking away again as he picked a hangnail on his thumb, “If you’re going to yell at me, can you just get it over with? I saw a reddit post predicting what’s going to happen in The Umbrella Academy season four and I need to read it.” 
“You can read that later, Nardo. I promise you, that reddit post isn’t going to fly away.” The elder said as he pinched the bridge of his snout, “What I need you to do right now is acknowledge what you did today was stupid, alright?” 
Leo looked away from his older brother, scoffing lightly, “I do stupid things all the time. What stupid action of mine are you wanting to scream at me for this time?” 
The softshell turtle took a couple deep breaths at that comment, drumming his fingers on his left arm in a soothing motion because he was NOT going to give into the urge of strangling his twin brother


No matter how much he deserved it.
“I’m not planning on screaming at you— that won’t help anyone or anything.” The purple banded turtle explained calmly
but you could see and tell he was starting to lose his paitence. 
“But you want to.” The red eared slider pressed on. 
“Leo
please. I don’t want to argue right now.” 
“We’re not arguing. We’re just kindly discussing my oh-so stupid descision that unfolded earlier today, right?” The younger twin smirked smugly, his eyes locking once again with his brother. 
When it came to arguments, the leader in blue always had this wonderful tactic to avoiding things: attempting to annoy the other person so much that they drop the subject they wanted to discuss with him completely.
It always worked with Raph
which the red eared slider didn’t know whether that was a good thing or a bad thing.
But the only downside of doing this tactic was his dumb twin saw right through it


And Leonardo despised it. 
“Nardo
you know what I’m referring to. And stop picking, please. Your going to hurt yourself.” The older attempted to say in a tranquil voice, but it personally just sounded like he was one second away from losing. his. shell.
“I sadly do not know what your referring to.” The blue cladded teen said coyly, picking on his hangnail more desperately now, “Care to enlighten me, Tello?” 
Donnie’s expression hardened ever so slightly at his younger brother’s absolute persistence on annoying him out of his right mind so he could eventually drop the subject
but the softshell turtle was not budging.
His twin would have to try way harder than that.
“I’d love to.” The light golden eyed mutant said in a fake sweet tone as he walked over to lean his shell on Leo’s closed door, crossing his arms in disaproval. The elder grabbed his brother’s sword, planting it right next to his foot so the blue banded turtle couldn’t reach for it. 
The red eared slider’s cocky grin turned to a small grimace (shake) as he soon came to terms with what his older brother was doing


He physically could not leave from this conversation
literally.
Leonardo crossed his arms, trying to mimick the other’s serious demeanor but was only met with an icy glare in return. 
“What you did during today’s mission was completley reckless and idiotic, Leonardo
and you know it.” The second oldest said, “I had that thug exactly where I wanted him but noooooo. Because you saw me trip you thought it would be a spectacular idea to throw yourself on top of me as that hooligan tried to hit me with his bat!!” Donatello seethed. 
“We’ve been over this multiple times, Leo! There was no reason for you to do that!” The light golden eyed teen yelled, his glare only hardening more as he saw the younger stuttering over his words to try to defend himself.
“I’m not done.” The taller teen growled, all of his calmness and collectiveness thrown completley out of the window.
The slider slightly flinched (which went un-noticed by the other) at his brother’s genuine angry tone, his left leg fidgeting and bouncing up and down like crazy. 
His tactic was really starting to not work in his favour at all

“Just
stop putting yourself in the middle of danger like you’re just expecting the rest of us to just watch. We’re your family
and most importantly, we can defend ourselves just fine.” 
“Well ihisn’t that hypocritic!” Leonardo scoffed before creasing his eye ridges together in genuine confusion, mumbling to himself, “Hyp
uh
hypocrotic? Hyp
Hypocratic
?” 
“Hypocritical?” The older deadpanned.
“YES! THAT WORD!” Leo said, “When we were fighting Kraang Prime on the ship and he went to take a blow at Mikey
what did you do?”
Donatello scowled, his eyes not leaving his twin, “
I went in front of him and shielded him with my mystic tech.”
“Exactly.” The lime green eyed mutant scoffed, “And how is that any different from what I did, hm?”
“BECAUSE I HAD A PLAN!!!” Donatello shouted, “I planned to accordingly go in front of Mikey so my sheild could protect both him and me. Did it end up turning out perfect? Fuck no. Kraang Prime slashed right through it and me and Mikey went tumbling towards the ground
” The glasses wielding teen said through clenched teeth. 
The light golden eyed teen rubbed his face tiredly, his hands clenching and unclenching in frustration, “But I had a plan. You on the other hand, just zoomed recklessly on top of me and hoped for the best.”
“
I saved you, didn’t I
?” The younger twin mumbled out meekly, causing Donatello’s blood to absolutley boil. 
“That’s not the point!!!” The elder said as he clenched his hands at his sides again.
“Then what is?!” Leo said desperately, “Because from the looks of it, it just seems like you want to yell at me for just doing my job.” 
Leonardo pulled on his mask tails anxiously, trying to calm himself down but ultimately just making himself feel worse by doing the action, “I’ve been trying to be a better leader—“
“Leo—“
“—For you and Mikey and April and Raph and Casey and C.J. a-and Dad! But it seems like no matter what the hell I do there’s always something I’m doing WRONG!!!” The younger twin shouted, blinking back tears as he glared at the ground as if it took his Jupiter Jim comic.
Which
it did. The blue banded mutant wanted it back now, actually

“I saved you! I-I didn’t even get hurt by doing it but somehow there’s an issue
” The lime green eyed teen murmured, both of his legs bouncing up and down as he tugged on his mask tails harder, “There always is
”
“Leonardo can you please just listen to me?” The older twin said in irritation. 
“But Don I’m—“
“No, Leo! Just listen! That’s all you need to do!” Donnie snapped as he cut his brother off, “I don’t want you leaping head first into harms way! At all! Especially if you don’t have a plan!” The softshell turtle exclaimed as he flapped his hands against the side of his thighs, but his eye contanct remaining on his little brother.
“Oho so now you don’t trust me well enough to know that I can handle myself in combat?” Leo said in a last desperate attempt to make his brother drop the conversation.
“I
” The young scientist’s eye twitched, his eyebrows creasing together as he had to physically restrain himself to not beat the ever living crap out of the other teen, “THIS IS NOT ABOUT TRUST, NARDO!” The light golden eyed mutant screamed desperately, his hands flapping faster as the red eared slider shrunk at his usage of tone, “This is about you not even thinking about what would happen to yourself when you do reckless nonsense like this.”
Leo glanced to the side, his eyes watering as he bit the inside of his cheek.
He just wanted to help and be the leader his brother’s deserved

But he always found a way to fuck it up without even noticing, huh?
"You don't think about what could happen to you and I hate it!” The elder cried, “What would’ve happened if Raph didn’t come behind the guy and knocked him out cold at the last second, huh?! Would you have just stayed right on me as he continued to beat you with his bat?!”
Leonardo bit the inside of his cheek harder, his legs bouncing up and down more as his fingernails dug unforgivingly into his arms, “I-I’m sorry, Donnie—”
“Or would you have tried to fight him instead?! Mind you, you dropped your sword before coming to me so you’d have no weapon to defend yourself.” 
“You don't think about how much it scares me when you do dumb shit like that! I hate seeing you get hurt
I freaking loathe it.” Donnie rested the back of his head on Leo’s door, taking a couple deep breaths and hugging himself in an attempt to calm himself down.
Jeez
when the hell had he started yelling? His throat stung like a bitch now

And when had he started shaking like a bobby head?!
The older twin’s expression softened, pinching the bridge of his snout once more, “I care about you
so fucking much, okay
?” The purple banded turtle said gently as he gradually started to simmer down and become more calm, “Your my twin
my little brother. And I hate to be repetitive but I-I just despise seeing you hurt
physically or emotionally
so please just
”
The young scientist’s eyes widened, peering down at his brother who did not seem to be following
at all. 
Leo’s eyes were wide as saucers as he hit his arm with his fist repeatedly whilst obviously trying to suck in whatever tears dared to try and escape. 
The taller turtle basically ran to his distressed twin, trying to stop him from harming himself any further but was only met with a low grunt.
Shit.
Shit. Shit. Fucking shit. 
Wonderful job, Donatello! You yelled at your brother so much he shut down!
Even though you knew he can’t fucking stand being yelled at and the whole point of you even being here was to explain what he did wrong collectively and calmly because that was the exact oppositeof what Raph does when he’s worried

But no! You yelled at him anyway.
Wonderful job, Donatello
wonderful. job. 
The older twin sighed sadly, gently grabbing his brother’s wrists so he would stop hitting himself. The two brother’s shared eye contact once again, an unsure lime green meeting an understanding yet uncertain light golden.
“Nardo
” The softshell started, squeezing the other’s hands gently, “
Are you with me, bud
?”
Leo just nodded quietly, squeezing back. 
“God
Nardo I’m so sorry
” The older muttered, “I don’t
I don’t know why the hell I lost my cool like that. I-I’m sorry I yelled. I shouldn’t of yelled
I-I just
” Donatello sighed, squeezing his brother’s hands once again. “I’m not angry with you. I
I was just frustrated.”
“Well, no
let me rephrase: I am angry with you— livid even. You know damn well enough that when you do those kinds of things my heart literally jumps out of my shell. I need you to put into consideration that I would like to live to at least seventy-seven
”
The younger twin giggled wetly, fidgeting with his brother’s fingers as he spoke, “
Why seventy-seven?”
“Albert Einstein died when he was seventy-six
I can and will outlive him.” The light golden eyed teen said matter-of-factly, “But back to what I was initially saying
I know you meant well. You saw that I was in trouble
and you dropped literally everything in order to help me get out of said trouble. You don’t think of what happens to you
you just do it because you’ll know if you do we’ll be alright
”
“I-I just
I just wanted to protect you
I-I just wanted to help
” Leo tried to explain.
“I know. I know, Lee
” Donatello sighed, rubbing the slider’s knuckles gently with his thumb, “But you need to understand that with you trying to protect us that way, your putting us in the same situation your trying to keep us away from.” The elder explained lightly, smiling softly as him and his twin’s forehead’s touched. 
“You’re getting hurt— or at the very least almost getting hurt. We’re feeling the same anguish and guilt you would feel if any of us did that. I get that you want to be a good leader and shit
but you can lead well without doing that
okay?” 
Leo fiddled with the other’s fingers a bit more, his bouncing leg starting to calm a bit, “I’ll
try to be more careful when it comes to me protecting you guys like that. When I see you all in trouble
I just
react. I don’t really care about what happens to me as long as you guys end up okay. But
I’ll try to be more careful. And if I ever end up, like, being a bit too reckless
you can just tell me
deal?”
“Deal.” Donnie nodded, squeezing Leo’s hands one last time before letting go, wiping his twin’s eyes with his hoodie sleeve, “Now please stop crying or you’re going to make me start crying.” 
Leo snorted, examining the other’s now tearing up expression, “I think it’s a bit too late for that
” 
“GAH! FUHUCK!” Donnie cursed, wiping his own eyes as the slider laughed loudly at his exclamation.
.
.
.
.
.
.
“Leo
don’t you think you’re getting a bit too big for this
?” Donatello grumbled as Leonardo was on his lap, getting all nice and comfy as he rested his chin on the older’s shoulder. “Noooope.” Leo drawed out, making a dramatic popping noise at the end of the 'p', “'Sides, this is what you get for making me emo earlier.”
“
I said I was sorry
I didn’t mean to shout at you like that. I was just concerned
” 
“I know that, you worrywart. I was just kidding.” The lime green eyed teen said lovingly, squishing his brother into a tighter embrace. The older let out a short shriek at the hug but of course didn’t mind the other being so clingy. 
If the young scientist really and truly did mind? Leo would’ve been pushed to the floor by now. 
The two twins shared a comfortable silence
well
a semi-comfortable silence.
The purple banded teen felt
off. His younger brother had this
look in his eyes; like he wanted to say something but was afraid of what Donnie would say or how Donnie would react.
Which was so damn dumb Donatello didn’t even know how to explain it.
“
There’s something else on your mind.” The taller turtle hummed, his suspicions only rising as the other glanced to the side. “Uhm
no there isn’t. See? This is why I call you a worrywart.” Leonardo said, tapping his fingers on his thigh nervously. 
Very convincing Leo
very convincing.
“Don’t even try lying to me, Leon. My older brother and twin senses are tingling. You can’t argue against that kind of logic.” The scientist said matter-of-factly. 
“What are you, Spiderman?” The younger snorted. 
“We shall never know.” The older shrugged, a small smile spreading to his face as he saw the other snort softly at his statement, “Now stop deflecting. Spill.” 
“
Can you
adjust my elbow braces
?” The red eared slider muttered.
“
Why can’t you do it?” The other questioned. Not in a malicious way; he was just genuinely curious. 
“I like it when you do it. You make it more firm, y'know?” The blue banded turtle whined dramatically, “Pleeeeeease?”
“Ugh, Jesus— fine. But drop the pout
you look ridiculous.” The taller mutant sighed, lightly grabbing his brother’s arm as he readjusted the braces. 
The purple banded turtle meticulously took off the other’s left arm brace, tracing his twin’s elbow to make sure it was healing correctly— which the slider couldn’t help but wriggle slightly to.
As the older twin put the brace back on, he looked at the other turtle in complete worry, “
Why are you squirming around so much?” Donatello asked in confusion. 
“
No reason.” Leonardo stated, but let out a tiny squeak as Donnie lightly pinched his forearm. 
“Yohou okay
?” The glasses wielding mutant giggled.   
“I-I’m fihine!” The smaller turtle insisted, covering his mouth as he let out a loud shriek in result to his brother now lightly scribbling his forearm. “EEEEE! P-Plehease moohoove yohour hahahand!!” The younger sputtered out, hiding his face in the crook of the scientist’s neck which the older turtle couldn’t help but let his heart melt to.
“Oh.” Donatello hummed, biting back an amused laugh, “Sorry. Sometimes I forget how ticklish you are
”
“Snrt I-Ihihi’m nahat ticklish. I juhust don’t wahant your hand thehere
” 
And isn’t that quaint. 
If Donnie had a penny for every time Leo said he 'wasn’t ticklish', the softshell would be richer than Elon Musk.
“
Right. So
you wouldn’t mind me doing this then?” The young genius mused as he scribbled one hand over his twin’s ribs. “EEEEHEH! Duhuhude noHOH!! F-Fuhuck yohou!” The younger twin managed through his small giggles, pushing on his brother’s plastron to try and escape while he still could.
The elder laughed fondly at his little brother’s futile actions, hugging him closer as he lightly tickled him, “Nahardo! My brohohother in Christ gehet back here or you’re gohoing to fahall off of the bed!
“N-NOHO!! LEHET ME GO!” The lime green eyed teen screeched loudly, kicking his legs and pushing even harder on the other’s plastron, his eye’s widening in panic as his older brother casually lifted him up and pinned his arms above his head, his plastron now facing up on the bed.
Eugh boy

Donnie grinned, sitting on the other’s thighs as he wiggled his unoccupied fingers in the air near the slider’s side, “That’s better~!”
“WAHAIT WAHAHAIT snrt PLEHEASE DEEHEE!!” The red eared slider cried, kicking his legs from underneath the scientist.
If he was going to go down
he would at least go down fighting. 
“I haven’t even touched you yet, you goof
” The older twin chuckled. 
“B-BUHUT YOHOUR GOHOHONNA!” 
“'Gonna' what, exactly?”
“TihiHICKLE ME!!” 
“Tickle you? Well, why didn’t you just say so in the first place?” Donatello snickered, using his free hand to skitter his fingers along the crook’s of the younger’s neck. 
The blue banded turtle squealed, shaking his head back in forth whilst scrunching his shoulders, “GAHaha— snrt EEEEHEEHEH oho cohome snrt OHAHAN!!” 
“What’s wrong, Leo? I thought you said you weren’t ticklish~?” The older teased.
“Snrt STHDHAHAH! Shuhut UP! IHI’M naHAT!” The younger shouted, tugging and pulling his arms to try and get his hand’s free from the other’s grasp. Donnie just laughed softly at the action, wiggling his fingers above his little brother’s stomach. 
The lime green eyed teen’s eyes widened in panic, thrashing in the hold to try and loosen his brother’s grip but the purple banded turtle did not budge even a smidge. 
Leo’s laughs became more giddy and loud as he continued to squirm, small squeals and snorts escaping his beak as his twin brother’s hand went sloooooowly to his stomach. 
“N-NOHO NONONONO DAHA— snrt DOHON!!” The smaller turtle snorted, hiding his face in the side of his arm which Donnie couldn’t help but giggle to. 
The light golden eyed mutant rested his hand on the slider’s plastron, making the younger turtle’s laugh raise almost a thousand octaves. 
“DOHON’T snrt DOHON’T DOHOHON’T snrt YOU DARE!! YOHOUR SOHO MEEHEEHEEAN!!” Leonardo whined, hiding deeper into his arm and becoming a giggly flustered mess.
The older twin shook his head fondly at his little brother’s embarrassed state, taking the opportunity to tickle the younger’s stomach while he wasn’t looking. 
Leo let out a loud scream, descending into high-pitched cackles as even louder snorts followed, “HAHAHAHELP!! IHI’M SNRT BEEHEEING SLAHAHAUTERED!!” 
“I’m quite literally only using one hand, Nardo. Stop being dramatic.” The light golden eyed teen mused whilst watching his brother snort and squirm, “And here I thought I was the dancer of the family. Look at you! You’re making up a whole dance routine right now!” He said as he let go of Leo, crossing his arms in amusement. 
“S-Shuhuhut snrt up
” The younger twin wheezed out, hugging his middles as he playfully glared at his purple loving brother. 
Then, a lightbulb went on in the scientist’s brain, a smug smile spreading to his face, “Hm
you know, Lee—”
“Dohont call snrt me thahat!” Leo giggly interupted. 
“Uh-huh. Well, Lee
did you know that the underarms are one of the warmest places on the human body?” The scientist said. 
The lime green eyed mutant cocked his head to the side in confusion, “Soho?” 
“Soooo my hands are cold. Very cold, in fact. I’d be forever in your debt if you could—”
“NO! NONOHO WAHAY IN HEHELL! G-GOHO AWAHAHAY!” Leo squealed, reaching for his brother’s wrists as the elder tried to tickle his neck once again.
Sigh
Leonardo made this too damn easy sometimes.
The glasses wielding teen wasn’t just going to miss this oh-so-definetly-not-planned opportunity! The softshell scribbled his fingers along the slider’s underarms, making the younger let out a loud squawk as he shot his arms down. 
“NAHAH AHAHAHA— snrt GEHET THEHE HEHELL OHAHA— snrt OHOHOUT!!” Leonardo cried while banging his heels on the bed. 
“What~?” Donnie hummed inocently. 
“GEHEHET AHA— snrt GEHET. OHOUT. OHOF THEHEHERE!”
“Awe
why~?”
“BEEHEECAUSE IHIT’S SOHO BAHAHAD!!!” 
“And?” Donnie chuckled, “That sounds like a you problem, little brother.” 
“AHHHAHA— snrt GAHAHAD FUHUCK YOHOU!!!”
“Pardon
what was that?” Donnie questioned as he pinched where Leo’s hip met his thigh. “N-NONO— snrt NAHAHAH!! I CAN’T— snrt PLEHEHEASE I’M snrt SORRY!! I-IHI TAHAHAKE IHIT BAHAHCK!!” 
“Nah
I think I’ll just stay riiiiight here for a bit
” The taller turtle smiled, using both of his hands now to tickle Leo into a laughing and snorting blob.
The younger weakly hit his big brother’s arms, throwing his head back as he squeezed his eyes completely shut. 
“
And you know what, Lee~?” 
“WHAHAHAT NOW?!” 
“I’m feeling
kind of famished.” The elder mused, his smile almost looking like the signature Joker’s as he saw his younger brother’s face pale. 
Leonardo scrambled to sit up, fighting with his brother’s arms as he giggly protested, “PLAHA— snrt PLAHAHEASE! PLEHEASE snrt D-DOHON’T!!” 
Donnie pinched his brother’s thighs unforgivingly, “You should have thought about that before yapping such ill nonsense about yourself.”
“WHAHA— snrt WHAHAHA— snrt WHAHAT DIHID snrt IHIHI snrt EVEN SAHAHAY?!” The lime green eyed turtle cackled, flapping his hands on the mattress. 
It took literally everything in the older twin not to coo his baby brother’s adorable actions; instead, he lightly moved Leo’s hands away, smiling evily as he lowered his head to the other’s plastron, “You don’t even know. Guess you really want this, huh~?” 
The blue banded teen kicked his knees into his brother’s shoulders and shell, throwing his head back in complete hysterics whilst waiting for him complete and utter demise. 
The softshell wasted no time blowing raspberries after raspberries in the middle of his younger’s stomach, making sure to move the other’s hands away any time he tried to push at the young genius’ head. 
Donnie didn’t feel like getting brain damage after all.
Plus, he had his signature glasses ᎅᎏɎᎀ᎛ᎇʟʟᎏ ᮛᮍ on! And those were trademarked
as you can wonderfully see. 
“God
can you get more ticklish?” Donatello giggled, squeezing and squishing the red eared slider’s knees with one hand and scribbling his sides with the other whilst contuinung to raspberry Leo’s stomach. 
“DEEHEE DEEHEEHEE SNRT PLEHEHEASE!!! IHI SNRT DAHAHAH— SNRT DAHA— SNRT DAHUNNO!!” The smaller turtle screamed, happy stimming with his arms on the taller twin’s shoulder.
Donnie couldn’t help but chuckle, deciding to show his twin a tad bit of mercy as he nibbled his stomach lightly. 
The slider let out bloody murder from his beak, happy tears threatening to fall from his eyes as his bubbly cackles and snorts bounced off the walls of his room.
“Jeez
I think Peppa Pig has some competition, huh~?” The light golden eyed mutant snickered.
“PLEHEHEASE!! TEHEHELLO SNRT IHI’M GOH— SNRT GOHOHA— AHAHA SNRT MYHYHY SNRTGAHAHAHAD!!!” The smaller teen pleaded.
“Do you promise to stop putting yourself in between danger and your family?” The older hummed. 
“YEHEHES!!” The younger cried loudly.
“Do you promise to go easier on yourself?” 
“YAHA— SNRT YAHA— SNRT YEHEHES!!!”
“Do you promise to accept your doing an amazing job as leader and we all love you—”
“MY SNRT FUHUHUCKING SNRT GAHAHAD!!! IHIHI SNRT GEHET IT!!” Leonardo shouted, his blush now completley blending into the red stripes on his face. 
The softshell turtle got off of the other, sitting next to his little brother as his little brother in question hugged his middles and giggled tiredly. 
“Y-Yohou could ohof juhuhust sahaid ahall of thahat wihihithout tickling meeheee
” The younger grumbled despite the evident smile on his face.
“And where’s the fun in that?” Donnie smiled back, his expression softening as Leo got up and leaned against him softly. The older wraped an arm around the younger’s shoulder, pulling him closer into a warm, protective gesture. 
“Ahand would yohohou look ahat that! Ihi got yohour emo bahad boy ahahass to smile todahay. Your eheeven hugging me~!” The blue banded leader spoke softly, his voice filled with affection as he poked his twin’s forehead cheekily. 
“You tell anyone that and I will not hesitate to deny that extremely untrue statement.” The scientist huffed, rolling his eyes fondly as his smile spread.
·̩̩͙̄*â€ąÌ©Ì©Í™âœ©â€ąÌ©Ì©Í™*Ëšđ™”đ™žđ™œËš*â€ąÌ©Ì©Í™âœ©â€ąÌ©Ì©Í™*˚·̩̩͙̄ 
(𝙿.𝚂.: 𝙾𝚏 𝚱𝚘𝚞 𝚎𝚗𝚓𝚘𝚱𝚎𝚍 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌, 𝚙𝚕𝚎𝚊𝚜𝚎 𝚛𝚎𝚋𝚕𝚘𝚐!!!)
#Rottmnt tickle#Rottmnt tickle fic#Lee!Leo#Ler!Donnie#WHOOOOOO BOYYYYYY
#I’m sorry but I’m not sorry đŸ«¶đŸŸ#Angst is like my second child đŸ‘¶đŸŸđŸ’˜đŸ’žđŸ’đŸ’–đŸ’—#But I feel like I need to explain some stuff bc this fandom is probably holding me at gunpoint rn đŸ˜…đŸ”«#The reason why I feel like Leo and Raph had so many disagreements when Leon became leader is bc Leo can’t handle yelling#LIKE AT ALL— he just sees it as whomever is yelling means their mad#So if Raphie boy was like: “I CARE ABOUT YOU AND LOVE YOU SO FUCKING MUCH YOU DUMB ASS BITCH WHY CAN’T YOU JUST BE CAREFUL⁉”#Leo would hear it as: “I HATE YOU SO MUCH RN WHY CAN’T YOU DO ANYTHING RIGHT⁉”#This fandom has been sleeping on AuDHD Leo for Y E A R S and I shall not be silent anymore its SOOOOOOO OBVIOUS đŸ˜­â€Œïž#I could not remember the word “hypocritical” for the LIFE of me
when I searched it up I probs wrote “hippopotamus”#Leon is trying PLEAAAASE catch him a break đŸ™đŸŸđŸ™đŸŸđŸ™đŸŸ#Older twin Donnie is canon idgaf I was in the writers room TRUST đŸ‘đŸŸđŸ’—đŸ’žđŸ’đŸ’•#Big bro senses đŸ€đŸŸ Twin senses#Donnie is fucking UNSTOPPABLE đŸ€ŒđŸŸâ€Šbud does need to learn how to control is volume when upset tho eheheheh#He genuinely doesn’t know when he’s gradually getting louder or more upset
that’s why he was so panicked when Leo had his lil meltdown LOL#Raphie just expresses his worry with yelling
ex: “AND NOT EAT POSION‌‌‌”#Oh yeah this takes place a couple months after the Invasion
so everyone is like healed and everything but yk they’re still traumatized obvs#đŸ˜ŒđŸ‘đŸŸ#Leo’s lil tactic on dropping convo’s is a HC I have so don’t quote me on it đŸ™ŒđŸŸ#GDGDGSHSN I ALSO NEED PPL TO DRAW DON WEARING HIS GLASSES MORE OFTEN HE’S SUCH A CUTIE PATOOTIE đŸ’đŸ’˜đŸ’•đŸ’—đŸ’–đŸ’žđŸ’“đŸ©·#But tysm Nonnie!!! This was a TON of fun to write!#Make sure your taking care of yourself and drinking water— or at least get a snack đŸ„°#But after the mission Raph was SEETHING
and usually Don tries to talk to Leon instead cuz like he doesn’t want either party being upset#Nor does he want either of them to feel overwhelmed. So when Leo was like “Ur doing this to me again?!” Hes referring to all the times Don#<- has done that#Leo doesn’t like feeling pitied but it’s not Don’s intention to make him feel that way he just loves him family
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hood-ex · 8 months ago
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Party at my blog on September 18th. Celebrating the day of TT's last Nightwing issue 🙌.
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cadaverousdecay · 3 months ago
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everyone loves me for my fucked up thoughts on vampirism ^^
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ofmermaidstories · 8 months ago
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i need bakugou katsuki to need me.
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willowser · 2 years ago
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this is completely based on a customer interaction i witnessed today but—
i'm imagining single dad!touya just trying to do some goddamn grocery shopping for his little hooligans, and his daughter won't stop picking on her little brother, and touya has to keep calling them back over to the cart because she's chasing him around the store.
and his wild child little girl almost runs into someone, but she just barely stops herself and grabs her brother by the back of his shirt, so he won't run into anyone either. and she grins, showing off her big smile and her missing front tooth.
"'scuse me!" she says, all outside-voice because she couldn't be quiet if she tried. "sorry!"
and the older woman in the aisle just smiles back at her and laughs a little, telling her, "well, aren't you so polite?"
then the little girl is yanking her brother back to the cart, calling out, "d'you hear that, dad? i'm polite!"
"yeah, yeah," touya mutters, frowning at her as she tries to climb in and sit down amongst the groceries. "know what that means? means i'm doing a kickass job as a father."
and both his little hellions say, "yeah, dad, you're kickass!"
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emmavakarian-theirin · 1 year ago
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hiiiiiii i've fallen back into dragon age hell (origins, specifically) if anyone wants to DISCUSS things i am here
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i-may-be-an-emu · 2 months ago
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making the most of a blackout by writing some fanfiction that I’ve had writers block with for MONTHS
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youruinedmylifebynotbeingreal · 2 months ago
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Oh the urge to post all the Sorvus fics I have completed is so strong
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goodness-graceous · 2 years ago
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many zel*nk shippers when ANYONE tries to be happy about and enjoy a different ship involving Zelda or Link:
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(this is about b*tw/t*tk, but can apply to any of the games if y’all wish 😌)
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