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4unnyr0se · 7 months ago

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Could I ask for Akaashi, Osamu, Kenma, and Bokuto + them giving oral?

❥ til your teeth rot! | akaashi, osamu, kenma, bokuto

warnings: timeskip! characters, fem! reader, cunnilingus (duh), praise, degrading, overstimulation, face sitting, semi-public sex, osamu's accent, kenma is v lazy, fingering

MDNI | 18+ content

word count -> 1.8k

a/n: i wrote this when i was having tummy issues so i'm sorry if its awful

got a request? my ask are open!

❥ Keiji Akaashi | Slow and steady

Akaashi eats your pussy like it’s made of glass like it could break at any moment. Every flick of his tongue, every sucking motion on your clit is calculated based on your previous reaction. Did you mewl louder when he harshly sucked on your sensitive bud? He’ll apply more pressure next time, hopefully earning another one of your adorable moans.

Just because he was calculated to give pleasure does not mean he was inexperienced or selfish. Absolutely not. He could never dream of denying you anything you so plainly desired. All you had to was flash him those beautiful, sparking eyes of yours, and you would be on your back, legs spread, and moaning like an amateur pornstar while Akaashi made you cum for the second time that day.

He never rushes you through your orgasm, he doesn’t think that being intimate with you is some kind of game. It’s a puzzle that he simply wants to solve. His tongue is achingly slow against your folds, making the most precious moments between the two of you last longer. He is savoring each bit of your sweet nectar, and he fucking loves it.

K-Keiji!” you sobbed, your hands flying to his neat mess of dark curls, desperate for purchase. Your legs were wrapped around his shoulders, just in case he would try to flee. Akaashi fucking loved it when you trapped him between your legs, it made him feel like the two of you were the last people on earth. “Gonna cum!”

Akaashi smiled against your folds, his tongue pausing momentarily. “I know, pretty girl. Wanna fall apart on my tongue again? I love it when you do that.” he praised, diving back to make out with your core. His tongue slipped past your entrance, the tip of the wet muscle gliding in and out with ease. His soft hands squeezed the inside of your thighs, rolling the supple and soft flesh between his fingers.

Your head was rested on the pillow beneath you, hair growing knotted and messy whilst your thighs trembled in Akaashi’s grasp. His nose rubbed against your clit so deliciously, the additional stimulation pushing you over the edge. Your orgasm washed over you as you cried in pleasure, his name leaving your lips over and over again. Akaashi purred at the sensation of your release coating his mouth and tongue, pulling away once your high had subsided.

“Amazing job, pretty girl. You did so well for me.” he praised, wiping your slick from his chin. He leaned down to give you a quick peck on the lips, lingering just long enough for you to taste your own release. “See how delicious you are, darling? So unbelievably perfect for me.”

❥ Osamu Miya | No time to lose

Osamu eats your pussy like he has somewhere to be at all times like he’s in a hurry. Being the owner of a popular rice ball spot keeps him occupied most of the time (as well as dealing with his pain-in-the-ass older brother), so when he finds a free moment to be intimate with you, he makes sure he makes himself efficient.

Even though Osamu is the more relaxed and lazy twin, he’s never lazy in the bedroom. His usually tired and ‘over this’ attitude would melt away the second you two shared a longing kiss, his body being taken over by some kind of insatiable desire. He’s driven by his motivation to make you scream his name for the shop next to him to hear. His tongue lashes at your pussy like a man starving in the middle of a desert.

If there’s a rare lull in customers entering and exiting his onigiri shop, he’ll change the ‘open’ sign to a ‘come back later’ sign and text you to be in the back of his shop ASAP. And, of course, you’re there in less than ten minutes, your skirt flipped up and your hands supporting your weight on the steel countertop as his tongue ravishes your cunt, drinking in your slick like honey.

“Stay fuckin’ still,” Osamu groaned into your heat, slapping the inside of your thighs. “I can’t make ya cum if yer wigglin’, sweets.” that was a lie. He was a liar. He could make you cum regardless of how much you were moving, he didn’t matter to him. But if you writhed around so much that it caused some ingredients to fall onto the floor, then it became a problem.

“S-sorry ‘Samu! Fuck!” you moaned, your hands gripping onto the steel material of the counter for dear life as his tongue hungrily, your sweet nectar coating his tongue beautifully. It was the best alcohol he could ever wish to taste. “M’close!”

“Ya better fuckin’ be. I only got five minutes before those fuckers wonder why the shop ain’t open,” his words sent vibrations through your core, your clit painfully pulsating. The rough pad of this thumb swirled around the sensitive bud, pressing against it harshly. “Be a good girl and fuckin’ cum already, yeah? Gotta open up soon, sweets.”

Osamu finally flattened his tongue in the way that drove you over the edge, still swirling your bud with his rough thumb. “That’s it, good fuckin’ girl,” he groaned, lapping up your release eagerly. “Taste so fuckin’ good for me.”

He pulled himself out from between your thighs, wiping off his chin with the backside of his hand. Osamu stood up and pecked the top of your head, playfully slapping your soaked cunt. “Get outta here, I got customers to serve.” he also had to sanitize his countertop hard.

❥ Kenma Kozume | Suffocate him

Kenma will only eat you out if you sit on his face. Not hover, not dangle, fucking sit on it. Despite being a CEO and a popular streamer, this man is lazy as hell. Typically, you do all the work during sex. Bouncing on his cock, sucking him off, etc. But on the rare occasion Kenma wants to eat you out, you still have to pull a heavy load. He is not getting up off his ass by any means, so you might as well cooperate with him. He’s stubborn as a fucking mule.

Kenma was a selfish lover, and he didn’t want to change that. He liked being taken care of and not putting much effort into it. He’s already so successful. Why should he do more work than he already is? That’s so exhausting. But how could he refuse when his pretty girlfriend practically paws at him to help get her off? He’s lying on the bed in a minute, gesturing to you to tear off those pretty red panties and take away his ability to breathe.

“Ride my fucking face,” Kenma groans into your core, squeezing your ass with hands as your hips buck into his mouth wildly. He loved it when you got like this, so desperate and needy for his tongue. His tongue plunged into your sobbing cunt over and over again, eliciting the cutest moans from your pretty lips.

“Fuck, Kenma!” you whimpered, your hands grasping the mahogany headboard like it was the last lifeboat on board. Your ground your clit onto his nose, mewling pathetically as his tongue lashed at your most intimate parts. Kenma savored your sweet honey, adoring how it nicely coated his tongue. Maybe he should make you fit on his face more often.

His deep brown hair stuck to his forehead, the skin slick with sweat as the tip of his tongue traced meaningless shapes on your clit, occasionally nibbling at the sensitive bud. He knew you were close. The way your entire body was shaking was a dead fucking giveaway. That, and his name practically being screamed repeatedly, was also a good sign. “Gonna cum? Do it, princess. Make a mess on me.”

And you did, your orgasm spilling all over your boyfriend’s cute face. Your writing stopped, with Kenma slapped your ass, indicating that you should get off. You sighed and chose to straddle his lap, pecking his nose gently. “Thank you, baby, that was amazing.”

“Did you think we were finished?” Kenma groaned, resting his arms behind his head. “You got me really fucking hard, princess. How about you take care of that for me, yeah?”

❥ Kotaro Bokuto | Pure addiction

Boktuo fucking loves eating you out. Whenever you mentioned that you were horny, he would drag you into his bed and plunge his face into your thighs until he got you to coat your inner thighs with your release. He could never get enough of you and how good you tasted. How you would only crave his tongue and his fingers on your most imitate parts.

He didn’t fucking care when or where you were horny, he was more than happy to make you scream in pleasure. Whispering to him in a cafe? He locked the bathroom and had you sitting on the sick, your dress bunched up at your hips, and your stockings ripped so your soaking cunt could be displayed just for him. Woke up at two in the morning from a wet dream? No problem, he had you riding his face while he jerked his fat cock to the sounds you made. Did you also wanna suck him off? No problem, baby! You were sixty-nining until the rooster screeched. Truly, Bokuto was addicted to eating you out.

“Why are you covering your mouth, baby? I wanna hear your moans,” Bokuto groaned into your cunt, eagerly lapping up your slick like a man gone mad. Your trembling body was pinned against the bathroom door of your favorite restaurant, your skirt pushed upwards, and your soaked panties dangled off your ankles while Bokuto whispered pure filth into your cunt. “Don't you wanna let all those people out there know how good my tongue can make you feel?”

“Ngh, we’ll get in trouble, Kotaro!” you whispered, doing your best to keep your voice at an acceptable level while your boyfriend spelled his name with your tongue, eliciting a sharp squeak in return. “F-fuck, don’t stop!”

“Yeah? You wanna cum on my face in a public bathroom, hm? God, you’re so fucking hot. How’d I get so lucky?” he purred against your clit, swirling the tip of his tongue over the throbbing bud. “You taste so fucking good, holy shit. Way better than lunch.”

His index and ring finger bullied their way inside of you, curling at the spot that made you instantly cum all over his face. He didn’t stop sucking on your folds when your orgasm hit, his fingers still scissoring deep inside of your broken cunt. Your hand slapped over your mouth, covering out your molten cries of ecstasy.

“Good fucking girl, I’m so proud of you.” Bokuto praised, licking off his tongue as he stared at your ruined state. He pulled your panties up and your dress down, kissing your forehead tenderly. “Now, do you wanna go back home and cum again, hm?

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valiasims · 7 months ago

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Mediterranean Build Collection

Hey everyone!

Finally I can share this new collection! I'm really sorry that it's coming later than expected. I had some troubles and bumps alongside with a lot of work I had in my real life jobs these last weeks. I was trying to work on this as much as I could in my free time. But enough about this!

This build set was inspired by Spanish architecture. Since I live in Spain and I love this culture I wanted to do a set around this theme. The columns were based on the columns on the Plaza Real in Barcelona. I was gonna do some main front doors for the buildings but I didn't have time. Maybe in the future I'll do a pack with beatiful Spanish front doors because I love them so much!

I really hope this set lives up to your expectations because I'm already seeing what I could have done differently. But this whole journey is a big learning curve and I've learned a lot of new things!

The Set Includes

Balcony

Window guard

Blinds (short, medium, long, accent)

Shutters (Left, Middle, Right) 2 heights

Column

Spandrel

Wooden Doors (1 tile, 1,5 tile, 2 tile) 2 heights

Glass Doors (1 tile, 1,5 tile, 2 tile) 2 heights

Windows (0,5 tile, 1 tile, 1 tile simple) 2 heights

Stone door frames (1 tile, 1,5 tile, 2 tile) 2 heights

Stone window frames (1 tile) 4 sizes

🔹 Compatibility All items are Base Game compatible. 🔹 TIP You can find the items easily in your Build/Buy Catalog if you type in "Mediterranean" or "VALIA". 🔹 Info - Low poly, new, maxis match meshes- Since some items share the same texture you need to have them all files ending in "_texture" in your mods folder to properly work.

-DOWNLOAD HERE- Public release on the 18th of July 6PM CST

#ts4cc #ts4 maxis match #maxis match #the sims 4 cc #the sims 4 custom content #ts4ccfinds #sims 4 cc #cc #the sims cc #cc finds #sims 4 #ts4 cc #ts4 custom objects #valia #valiasims #cc download #sims4 download #ts4 download

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abbyshands · 11 months ago

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THE LAST OF US, and the israeli themes surrounding it

i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.

the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.

i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.

a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.

regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.

UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion

NEIL DRUCKMANN

45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.

to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.

in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.

bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.

so, let’s speak on it.

THE LAST OF US 1

on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.

the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."

the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."

while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.

let's talk about it.

THE LAST OF US 2

"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."

nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.

throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.

“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”

when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.

we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.

“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"

remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.

the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:

now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”

maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:

“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.

Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.

The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”

one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.

the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.

THE LAST OF US SHOW, and zionism in the show’s cast

i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).

for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.

many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.

but this is not the issue that is most crucial to discuss.

kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.

(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).

all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.

BOYCOTTING THE GAME AND SHOW

i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:

"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."

what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.

CONCLUSION

there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.

i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.

in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.

i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.

LINKS AND RESOURCES:

neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel

PALESTINE LINKS

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lizzybeeee · 1 month ago

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DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

#we'll need Mickey and Donald to break us out of this one #this screams 'this sounds so cool lets put it in' and not 'how can we do something cool that works with the world we've established'#“it's metaphorical-” it can be metaphorical and make sense!!!#trying to invoke 'emotion' with that black and white tone and only succeeded in getting me to feel pure confusion and rage #THE FADE IS GREEN TINTED - THE LAST GAME WAS LITERALLY COLOUR THEMED AFTER IT #i'm passionate about the fade being green the same way i'm passionate about Aurora's dress being blue and Cinderella's being silver #solas's more secure second prison literally has a worse track record than the black city - why is he so dumb???#I regretted no choices in datv besides the decision to actually play this game lmao #if the game actually acknowledged that Rook's actions led to thousands of people dying maybe I'd feel something in the regret prison #no mention of treviso/ minrathous/ or southern thedas??#the team all knew the risks of what they were doing! they volunteered/made their own choices - ME2 did this so much better #played as an elf so I didn't even feel bad when Harding died because of the weird elf specific dialogue she had #I'm not sorry for the titans/what Solas did - I wasn't even there! Doesn't justify the shit that happened to the elves after either!#this game made me apathetic to LACE HARDING and i loved her in Inquisition #i'm sorry but I had more regret for choosing to speak mean to Merrill once than anything I did in this game #currently writing about the magisters sidereal in my lore post and I needed to blurt this out because its so stupid #typed out the word 'regret' so much is has no meaning in my head anymore lmao #datv critical #datv spoilers #bioware critical #dragon age the veilguard #veilguard critical

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arienotari · 1 year ago

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Drowning

Summary: When your worst fear becomes a reality and all you have on the other side is a brown eyed boy.

Pairing: Wally Clark x Reader

Warnings: Death, Drowning, Bullying

Edit: I am terrible at editing, and I tried my best so I'm sorry if you find any mistakes. This is my first full story I am releasing out into the world.

Word Count: 3330

I’ve never liked swimming.

People say it makes them feel free, but I felt anything but free. Every chance I got I avoided water at all costs. It's suffocating. Something about floating in a body of endless water and possibilities always made my skin crawl. One major problem that contributes to my fear is the fact that I can’t swim. I don’t blame anyone for this setback because I've never asked how to or showed interest. My inability to swim didn’t become a problem for me until my senior year of high school. I’ve gotten out of swimming class every year up until now and I had no choice but to take it. I tried to tell the swimming coach and counselors privately that I couldn’t take the class. All they said was I could stay in the shallow end. That I’ll be fine. I believed them.

Word spread quickly throughout my class that I couldn’t swim once they started noticing I wouldn’t leave the 4ft mark. I didn’t really care, all I cared about was getting through the year. I was never really popular which didn’t matter much to me but being in this class never made it more obvious how much I hated it here. I felt eyes on me at all times which only made being in the water worse.

It was March 12, 2015. Only a couple months left of school and then I’d be off to NYU living my dream of being a writer. First I had to get through 4th period swim class of course. I walked into the girls changing room preparing for the next 50 minutes of anxiety as I put my swimsuit on. I folded my dark blue jeans, my gray sweater, and a white tank top with lace on the trim that I wore under the sweater. Making my way to the pool I started putting my hair up in place of a hair cap I seem to have forgotten. Staring at the water I can see the bottom but it doesn’t stop the feeling of wanting to crawl up from my throat. Half the girls were already in the water preparing for a game of volleyball. Step by step down the ladder my hands begin to shake and my mouth becomes dry like I just ate pancakes. I make my way to the back to avoid any confrontation or any chance of being involved in the game. The one thing good about this class is it has a perfect view of the sky. I always get lost staring out at it wondering who’s also looking back. It makes me forget the situation I’m in and my environment. That's until a ball lands in front of me and about 15 girls are looking back at me waiting for my next move. I pick it up with my now calmer hands from before and spike it. Thankfully I made it over to the other side and the girls immediately turned back to the game. Not without some dirty looks but quite frankly I don’t really care. I watch as Mrs. Withers gets a call which seems to be serious as she tells us that she needs to step outside and when the bell rings to just go ahead. It’s only 10 minutes later when the shower bell rings and I feel the crushing weight lift off my shoulders. The other girls split based on which ladder they are closest to heading to the locker room and I help one of the girls get the volleyballs together. Making my way back to solid ground I rush to put the balls away not wanting to be one of the last to leave. I grab a towel on the rack near the other end of the pool as I make my way back seeing the last of everyone leaving. At least that’s what I thought until I heard someone behind me scream “Wait up” before running past me tripping me in the process. Losing my balance I watch as the one who screamed leaves the room leaving me alone. I hit the water with a loud splash waiting to hit the bottom to kick back up only to never feel my feet hit the concrete. I try to reach for the surface but everything I try seems to pull me down further. I panic, feeling my lungs on fire from filling with water. I tried to scream but no one could hear me and no one ever would. Everything was starting to go black and everything was becoming numb. All I could think about was how much I would miss out on. Finally, everything goes dark and I feel like I’m floating but I’m not, I’m being pulled up. I grab onto whoever’s pulling me up as if my life depended on it. Once I reach the surface my lungs fill with air as I begin to cough unbearably with my eyes screwed shut. I feel myself being hoisted up on the ground and out of the water. I’m pulled into the person who saved me as I am unable to move from exhaustion. When the person holds my face to center it I finally open my eyes as I am met with wide brown ones.

“Are you okay”, he’s breathing heavily as I study him blocking out his yell to someone to bring his jacket.

I feel a warm weight on my shoulders seeing its a blue and white letterman jacket out of the corner of my eye.

“Thank you for saving me” I give him a weak smile but all I get in return is an expression filled with nothing but sorrow and guilt.

Still seated on the floor I hear a horrified scream from beside me causing me to whip my head towards the chaos. Suddenly time stops and everything goes silent as I choked out a sob watching as a student and Mrs. Withers pull my body out of the water. The whole class comes to watch as they try to resuscitate me but nothing is happening. I feel the stranger push my head into his chest and I begin to cry harder than before. He repeats “I know’s” and “I’m sorry’s” as my world comes crashing down on me.

Hours later we are still in the same position my hair and clothes dry now along with a tear-dried face. It’s dark outside with only the poolside fluorescent lights to illuminate our two figures. I begin to shiver more and more as the stranger who pulled me out of the water rubs my back and arms.

“We need to get up, you're getting too cold” he whispers, pulling his body to get a better look at me.

I lift myself up getting a better look at him as well as I memorize his long structured face, beauty marks, and brown eyes. After a minute I nod and try to stand up realizing that I’m still exhausted, the position not helping adding to the pain. He helps me steady myself and fully extend as he holds my hands making sure I’m okay.

“You should take a shower and change into your regular clothes, I’ll probably do the same and I will explain everything once we're done. Okay?”, he says softly with an uneasy half-smile waiting for my response.

“Okay,” I whisper back at him not wanting to raise my voice feeling it’ll be too much to handle.

His smile fills out more as he nods and begins to turn away to do the same tasks as me. I begin to turn away as well before I realize I never got the guy's name who pulled me out of the pool and stayed with me for hours.

“What’s your name?,” I said, grabbing his arm to stop him from walking away.

He looks down at my hand holding his arm which makes me see I’m still holding onto him causing me to let go.

“Wally, Wally Clark”, he said with a wide smile that made me feel alive again for just a split second.

After warming up from the shower I changed into my clothes from before that were neatly folded. As I begin to walk out of the locker room I get a glimpse of myself in the mirror. I look back at the girl staring at me feeling disconnected from who she was or what she could’ve been. I take a heavy breath before opening the door to leave and face the reality of my situation. Stepping into the hall, the school looked unnatural to me with the lights off. I look over and see a less wet and cold Wally approach me with the same smile as before.

“How was the shower? Do you feel better?”, he asked one right after the other.

“The shower was good and I’m doing the best I can with the fact that I am already dead,” I said, peering up at him only noticing now how tall he really is.

“I know it's hard and I’m sorry it happened this way but I will try to explain everything the best I can.”, he said, extending his elbow out for me to take it as we began to walk further down the halls.

And Just like he said Wally kept his word and explained everything to me that he could. Like how we’ll never be able to leave school grounds unless we pass on. He also showed me all the other kids stuck here just like us and told me how some passed. As well as the weird support group that the kids attend in the gym. Even though he’d joke he never sugar-coated anything, which I couldn't help but appreciate. I won’t lie, the first couple of weeks were rough. I was plagued by the memory of what happened as well as the thoughts of the future I’ll never get. It definitely didn’t help that everyone at school was mentioning it and not in a sorrowful way. During those few weeks, Wally helped a lot with trying to be a distraction so I wouldn’t focus on others. I guess one of the perks of being dead is being able to duplicate belongings so I was able to get my phone and journal. I found the perfect spot on the football field to just listen to music and lie down. I’d close my eyes and imagine what life could’ve been but I knew I couldn’t do that forever, so I started to write more. It was easier to put my wishes and fantasies on pages without having to dwell on them. I usually kept my writing to myself so around 7:30 every day I’d go to my little bubble of solitude on the field and write. It was May now so the sun would start to set around 8 giving me enough light and a view.

“What are you writing?'' I suddenly hear Wally's voice right next to my ear.

“Jesus Christ Wally you scared me to death”, I said, jumping in reaction to the sudden deep voice, placing my hand on my heart and dropping my journal.

“I mean it's a little too late for that someone must’ve beat me to it.”, he said smiling at me as he sat down next to me grabbing my journal to open it.

I glare at him and snatch my journal back.

“What too soon?”, he said with a stupid grin trying to get my journal back.

“Just a little,” I said, scrunching my nose.

“No but seriously what are you writing? You come out here every day and write in that little journal.” He said leaning back on his arms a bit more to get my full face into view.

I try to hide the blush that has crept up on my face when I realize that he’s been watching me come out here. After a moment I brush my hair out of my face and am met with those famous brown eyes. I take a deep breath before explaining to him my reasons.

“I don’t want to stay stuck in the living because all it’ll do is bring harm. All I thought about for the past couple of months was what I’ll miss but I never stopped and processed my death. I’ve been hurting for all the things I couldn’t change and it caused me to push anything away, even you. So I thought why not write my wishes and wants down so they don’t stay on my mind. At least this way I can close the journal.” I said with a tiny smile looking up at him as he was staring back intently listening.

“Before I died I wanted to be a writer and I had my whole life planned out, I was going to attend—“

“NYU, I know,” he said, finishing my sentence before I could.

I watch as Wally sits up straighter and scooches closer to me before tilting his head. I can tell he’s trying to figure out what to say because he’s fidgeting with his necklace. I wait for him because there’s no point in rushing, I have all the time in the world.

“I’ve been watching you for a long time,” he says with a breath held in waiting for my response.

One of my eyebrows lifts as I tilt my head in response to the slightly weird statement.

“Oh god, that came out creepier than I meant it to. What I meant to say was even when you were alive I knew who you were.” He said laying back fully down in the grass.

I watched as he covered his eyes with his hands with a frustrated grunt like he was trying to revert into a hole.

“What do you mean?”, I said moving towards his laid position to where I’m now bent over leaning towards him leaving my crisscross position to now on my knees.

I grab his hands that are covering his eyes and pull them down to his chest as I hold them to keep him from covering his eyes again. How he’s looking at me I can tell he’s debating with himself. I wait and listen before I watch as he closes his eyes.

“The first time I saw you was during your freshman year in the library. I was looking for something to watch for group movie night. I had Rhonda yelling at me in one ear and Charlie telling me something in the other. I was getting a little annoyed but then I looked between the bookshelves and there you were.” He takes a pause to look at me and I squeeze his hand in return to continue.

“You were tucked into the corner where the bookshelves meet, where no one could see you. In your hands was The Devil’s Highway by Luis Alberto Urrea. I watched as you cried the further you got into the book. After that day I came back to the library every day to see you. I even started picking up some of the books you read, but I couldn't finish half of them though.” He said with a small smile on his face and in his voice.

He sat up which caused him to become closer to me while he took my hands instead of me holding his. He was looking at the grass for a minute while rubbing his thumbs over my knuckles. When he looked up I could see that he was tearing up making my heart ache.

“I knew you had anxiety when it came to swim class because you couldn’t swim so I’d go to try and help. Even though you couldn’t see or feel me, I was always there.” He said lifting his hand up to tuck a loose strand of my hair that fell.

His hand stayed in place as he cupped my cheek and I went to ask why he was tearing up because of this before he spoke.

“I watched you die. I was there and I couldn’t do anything until it was too late, that’s why I was there. I had to watch you struggle knowing I couldn’t grab you or even scream for help.” He said with his voice croaking with the struggle of what he’s had to go through.

My eyebrows furrowed as I watched the walls I built up crumble down with one look at him. I never knew he’d been holding in something like this for so long. If I had known I would’ve never tried to shut him out. I was scared of what had happened and how my life had ended but I never thought about him. He was always there and whenever I needed help he was right by my side. I moved from my position pulling him into a soul-crushing hug. It took him a second to respond to the sudden gesture but after a couple seconds, I felt his arms wrap around me.

“Wally my death wasn’t your fault, I need you to know that.”, I softly spoke while hugging him harder, feeling him return it.

We continued hugging for what felt like years but could never be enough for me to be satisfied. One of my arms is coming up from under his arm grappling his shoulder while the other is around his waist. His arms are wrapped around my waist and I can feel his hands rubbing small circles on my back. Looking up from being tucked away in his shoulder I notice the sun is beginning to set. I begin to pull away and when I make eye contact with him again he’s only a mere few inches away from my face. I raise my hand to brush his hair away from his face as it has flattened from the hug. My hand slips down as it trails from the side of his head to where it now rests on his neck. He’s staring at me the whole time while I do this and when I look up to meet his eyes my heart quickens. Well, I imagined it quickened. There’s something about those brown eyes I’ve grown fond of that makes me feel alive again. His eyes flash down to my lips and back up to my eyes like he’s silently pleading. I give into his wants that now become a need for me and all I can do is nod. His hand comes up to my face pulling me towards him as our lips meet. The kiss felt like everything in my little life led up to this moment. Nothing else seemed to matter to me but the boy in front of me right now who just confessed that he’d been watching me for years. Wally’s the one to pull away first. I slowly opened my eyes to look at him wanting to capture this moment forever. He tucks a loose strand of hair behind my ear before cupping my cheek and giving me a quick peck. I can’t restrain my gleaming smile as he pulls away for the second time.

“Well I’m glad we got that cleared up”, he laughed as he spoke.

I glared at him while punching him in the arm causing him to fall back but not before dragging me down with him. I land on his chest relaxing in his touch like it’s something I've been craving but have been deprived of. We lay in comfortable silence as I felt Wally rub circles with his thumb on my hip.

“I’m glad it was you who found me. I don't know what I would’ve done” I said, being the first one to disturb the still air.

“I am too,” Wally said into my hair as he kissed the top of my head.

We lay there all night even when the stadium lights came on we just talked about everything and anything. Maybe the afterlife won’t completely suck.

#fanfic #wally clark #wally clark x reader #school spirits #television #x yn #Wally Clark fluff #milo manheim #wally clark imagines

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ataleofcrowns · 1 year ago

Text

New Chapter Released!

Hello again! Hope your summer has gone well ☀️

With the public release of this new chapter, the romances are starting to intersect and interact with the main plot:

Unique paths for each love interest, encompassing a completely different plot event that the Crown will have to deal with

D and X's routes heavily involve the Imperial Court, where the Crown's previous choices on court positions will be first illustrated in the story

Meanwhile, R and A have unique events happening regarding some concerning magic that has left R in trouble, and an investigation that has lead A astray

Each route will force the Crown to make an important decision that will be remembered by their love interest. If you pick a bad choice here, even if you get a good romance later on, your love interest will remember it...

An additional note on this chapter: due to its sheer size and variability, I didn't have a chance to send it to my beta readers on time, so you may find more errors/bugs in it than what you're used to from me. Please report them in this Google Form or in the Discord server if possible!

Thank you for all your patience and support, I hope you enjoy the new chapter ✨

For those that are unfamiliar with the game

A Tale of Crowns is a high fantasy romance story, told in the form of a text-based interactive novel with choice mechanics. The setting is inspired by Kurdish culture as well as other historical settings in the Middle East such as Ancient Persia, but it also draws heavily from other cultures and countries in the region.

Your character is native to Arsur, a vast empire overseen by a single ruler known as the Crown. Unlike traditional monarchies, however, the title is not inherited through blood. Whenever the Crown dies, their famed golden eyes pass on to the one chosen by the Spirits of this world to be the new Crown. In this story, your MC takes on that role.

There are four different love interests to choose from, whose genders will be customized to suit the preferences of your Crown. You can find more info about them on the blog page!

Also note that this current version of the game is safe for those 16 years and older.

Like the premise so far? Play it and give it a try! The entire game is free!

If you enjoyed the game, please reblog! Share it with your friends! Recognition and reader interaction is just about the only thing I get in return for creating it ❤️

#interactive fiction #twine game #interactive novel #choice game #interactive story #a tale of crowns #chapter update

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bryan-writes · 2 months ago

Note

Hey! I don't know if you take requests but I like collecting headcanons of people

so do you have some Obey me headcanons?

Have a wonderful day<3. (if you don't take requests then feel free to ignore)

Hello anon, I hope this is what you were asking for! Thank you sm for the request, I hope you have a wonderful day as well lovely<3!

Obey me headcannons— the seven brothers

Just a bunch of cute head cannons I have about the brothers :)

No warnings!

Lovely dividers by @cafekitsune <3

Lucifer

A total plant dad in secret! He has a small collection of rare plants in his office (hidden away from Mammon ofc). He enjoys their low-maintenance nature and often has a calming ritual of watering them and reflecting after a long day. You found out by accident once, and gift him small plants whenever you visit the human realm (a spider plant, dracaena, snake plant).

He's a classical vinyl collector. I feel like this one’s pretty popular, but he has an extensive vinyl collection (mainly of classical or jazz) and insists they sound better than any digital recording he’s heard. He prefers to listen to them alone, insisting his brothers will only ruin the experience, but he’ll never deny or turn you away if you ask to join him.

He’s a total fancy sleepwear enthusiast. You’d think it’d be an Asmo thing, but Lucifer has a collection of luxurious silk and satin pajamas. He believes that “even in sleep, one must uphold dignity” (he gave you that speech the first week when you wobbled through the kitchen in an old, stained band shirt).

Mammon

He’s absolutely adored by stray animals in the Devildom, but especially by cats. They tend to follow him around (much to Satan’s dismay), and he’s always a bit flustered about it but secretly loves it. Sometimes he’ll even sneak treats and treasures to them (things like fancy ribbons and long necklace chains).

He’s a total hoarder too, keeping a collection of things that remind him of you specifically— small trinkets, wrapped, tickets/receipts, photos (I wrote a oneshot for this if you want more!). He keeps them hidden, safe from his brother’s prying eyes and questions.

He also has a ton of good luck charms. A little ceramic ladybug, a pressed four-leaf clover, crystals, a horseshoe, etc. He’s convinced they’ll bring him good luck and fortune in his schemes, even if he doesn’t quite remember where they all came from. His favorite good luck charm is you though. He refuses to leave the house in the mornings without a good luck kiss.

Levi

It’s no secret that Levi loves the ocean, keeping a fish tank that he’s decorated to look like the real deal. He’ll watch Henry swim around in the rare moments he’s unwinding, taking the quiet time to find inspiration for his gaming and anime stories.

He totally has an otaku daily planner that he’s decorated with anime stickers and fan art. He tracks everything from game release dates to plans with you— which he surrounds with little hearts. He’ll doodle in free spaces and will bring it with him everywhere.

He’s a total random trivia buff, with a surprising amount of knowledge for most obscure topics. He’s like the caps of Snapple bottles, popping off with a random fact that relates to the conversation every now and then.

Satan

Satan is an avid audiobook listener. He likes to experience different narrations of the classics he loves, often falling asleep to them. There have been countless times where he’s recorded you reading to him just to later listen to your voice when he naps.

Over the years, he’s secretly given each of his brothers a nickname of a cat breed based on their personalities. He calls Mammon a Bengal (for their boldness) and Lucifer a Maine Coon (dignified and regal) for example. Nobody knows he does this, and would rather die than tell anyone.

Satan is a tea connoisseur. He loves to experiment with different tea blends based on his current read. He’ll make a “Wuthering Heights” blend on stormy days or a “Sherlock Holmes” blend when he’s feeling particularly investigative.

Asmo

Asmo has a vast collection of rare perfumes and fragrances from both the human and demon realm and can identify perfumes by smell alone. He’ll often make blends for you that he thinks “capture your essence”, and makes you wear them on date nights.

He creates outfits based on moods, and very rarely based on occasions or weather (although whatever he wears is beyond beautiful anyway). If he’s feeling even slightly out of sorts, he’ll wear a specific scarf to “help align his vibes”, insisting you wear a matching one with him.

Asmo has an elaborate manicure routine, and he offers special “spa nights” just for you (it’s become a weekly routine). He does all of his brother's nails, but never treats them to full nights of face and hair care that he does with you.

Beel

He loves to experiment with recipes, trying to come up with “the ultimate snack” with a variety of unique flavors. He has a small notebook filled with random snack ideas he wants to try with you, including “infernal honey nachos” and “fiery chocolate popcorn”.

He will occasionally build the most elaborate and beautiful blanket forts in his room, to hide from his brothers for quiet time and snacks. He’ll sometimes invite you to join him for late-night snack chats.

Beel loves trying to combine Devildom foods with human foods, attempting to make hybrids like “hellberry pizza” or “demonic takoyaki.” He gets super excited when you introduce him to new human-realm foods and suggest new fashion ideas.

Belphie

He has curated playlists for every possible sleeping scenario ever. He has a “nap in a meadow” playlist and an “underwater dream”, which he’ll share with you if you ever want the “perfect sleep/nap vibes.”

Belphie has a habit of sketching while sleepy. He doesn’t remember half of what he draws, but he’s done some surprisingly good doodles of you, the brothers, and his dreams. You’ve started keeping them to collect in a sketchbook for him.

He actually puts some thought into his “lazy look.” He has favorite clothes that he feels make him look effortlessly comfortable and will proudly say, “Fashion is all about making it look like you didn't try.” (You’ve seen him get mad when his hair won’t look ‘the right amount of disheveled’, whatever that means).

#obey me devildom #obey me headcanons #obey me brothers #obey me x mc #satan obey me #obey me mammon #obey me lucifer #obey me leviathan #obey me asmodeus #obey me beelzebub #obey me belphegor #x reader fluff #headcanon #obey me shall we date #anon request #obey me

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directdogman · 4 months ago

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Hi, I hope you're having a decent day! I'm sorry if this is an invasive set of questions - feel free not to answer - but do you still actively like DSaF as your own creation, or is it more of a "it was fun while it lasted but i outgrew it and it's for the best to leave it behind" kind of project? Do you ever regret making the games? If you knew they would get so popular, is there anything you would have changed about them? Is there anywhere I could read more of your writing.

It fluctuates a bit. These last couple of years, I've really just been sorta nostalgic for it. I've seen a lot of people discuss those games being a source of comfort during bad times in their lives, people talking about how much the characters mean to them and it's hard not to smile when you see that.

It's a funny thing for close friends of yours to see people WITH fanmade DSaF merch out in the wild, or to watch a random youtube video and being hit with a DSaF reference outta nowhere. It happens from time to time, even today. On a few occasions, I've even had a person reference my work to me in real life and not realize who they were talking to, believe it or not. It's really fun to play dumb and get someone to explain your work to you like you don't know what it is.

I certainly didn't think any of that would happen when I first made the series, or even during development. I think the normal assumption would be to look at DSaF as it exists now and assume its release was a peak for it, but believe it or not, the official discord only had 30 people in it shortly before 3 dropped! The archive listing of the series (reposted to a single page after the series ended) is now sitting at over 1.1 MILLION downloads.

People kinda assume the true heyday of something is when it's new, when it's fresh and novel. For instance, some people look back at when FNaF itself was new and see that time as its peak because it had a lot of internet cultural relevance as big new indie thing on the block. But, raw numbers don't lie. The series has been continually growing since its conception and that growth has similarly bled over to its fan projects. This explains why DSaF, despite not having a new series release in almost 6 years, seems to be inexplicably growing.

Just recently, I saw someone post footage of a scene from DSaF 2 on Twitter, which got over 16k likes. People praised its writing and largely celebrated the scene. The ironic thing about that particular scene is that I remembered being unsure if it was good or not, so I showed it off in one of the FNaF community hubs. The response was broadly lukewarm to negative. Now, it's held up as one of the best scenes in those games. That's kind of the point I'm trying to make, my thoughts on the series have certainly changed with everyone's else with years of hindsight.

Heh. I'm not sure if I've talked about this in a long time, but y'know, the very first scene I implemented in-game was actually the very first Phone Guy scene in DSaF 1, more or less exactly how it appears in-game today. This was before I'd even written the bulk of the game. I was pretty unfamiliar with visual novels as a whole, pretty unsure if something like this would be palatable to a fandom that was really just used to sit 'n' survive stuff that were far more gameplay than text. I mean, there wasn't any FNaF fangames really LIKE DSaF before that point. Closest was FNaFb, a jokey turn based RPG made in the same engine.

The engine I made the game in is also not exactly fit for VNs out of the box either, and I wasn't 100% sure the idea would actually work. But, the very first time I added the image of the prize corner, Phone Guy, the audio of that iconic cheesy stock track and booted up a test screen, I had a little moment where I said "Oh. I think I'm onto something interesting here." I kinda remembering instantly realizing in that single moment how much potential the idea had. Over 8 years later, I still remember that moment like it was yesterday.

I think lately, that's the sort of stuff I think of when I see people coming to me and asking about the series. Yes, it's really rough around the edges, yes, there's jokes that've aged poorly. But, it is a source of comfort for people and entertains tens of thousands of people each month. And that's gotta count for something, right?

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callsignseagull · 2 years ago

Text

all you had to do was stay ✪ part 1

Jake ‘Hangman’ Seresin x fem!reader

Summary: Six years ago Jake hit your life like a hurricane. In and out in a matter of weeks. You thought after you get over the disappointment of him leaving without saying a word you’d never think of him again. But then two pink lines change your life forever. Now he’s back and still has no idea that the little girl by your side is his daughter.

Words: 2.1k

Warnings: Not much, honestly. maybe just a little angsty

A/N: Here’s part one!! I hope you like it! It's a little on the short side but hopefully there'll be more soon :))

feedback is always appreciated :)

series masterlist

You’re sitting at the dining table, scrolling through your emails with one hand while holding your toast in the other. You’ve become a pro at multitasking.

“Mommy? Do you think they have churros at that market Penny is taking me?” Your daughter is munching on a toast of her own, crumbs sticking to her cheeks.

“I’m sure.” You smile. “And I’m sure if you ask nicely, Penny will get some for you.”

She grins before taking another bite of her toast and you can’t help but reach over and give her a kiss. You can’t believe how fast she’s growing up. At now five years old, Josie is your entire world. As shocked and scared as you were when you found out about her, she’s the best thing that ever happened to you.

Turning back to your laptop, you flag the most important mails so you don’t forget to follow up on them later. The time before one of your books releases is always the most stressful, but you wouldn’t change it for the world. You got so lucky.

You wrote and illustrated your first children’s book while being pregnant with Josie, it gave you something to distract yourself from all the changes you were going through. And then you posted about it online, it went sort of viral and then a publisher reached out to you. The book was an immediate success. It’s been translated in several different languages and they even make stuffed toys and board games based on your characters now.

And now you’re about to release the fifth book in the series. It’s hard to churn one out every year, but you’re scared that if you drop the ball, all you’ve worked for will be ripped from you. You want to give Josie the best life possible, so you work your ass off.

When both of you are finished with breakfast, you clean up the table and tell Josie to put her shoes on. As you slip into your own shoes, you whistle for Muffin, the four year old poodle mix you adopted from a rescue last year, and he comes trotting around the corner moments later.

After checking you’ve got everything you lock the front for behind you, hold your free hand out for Josie to take, the other holding Muffin’s leash. Then, the three of you take on the short walk towards the Hard Deck.

Penny Benjamin has been a life saver these last few years, throughout your pregnancy and beyond. She’s been there for you whenever you needed her, day or night. You don’t know what you would’ve done without her. And now she’s somewhat of a grandma figure for Josie, and she’s probably the hottest grandma ever. Her and Amelia are the closest thing you and Josie have to a family, besides each other.

Today, Penny is taking Josie to a Food Market while you look after the bar for a couple hours. It’s still early and not many people will be there, but you’re glad you can help Penny out while still getting some work done for yourself.

“There’s my favourite little family!” Penny greets, as you enter the Hard Deck, her arms wide and Josie immediately runs towards her and into her arms.

“Hi Penny! I’m so excited! Are you excited? Do you think they’ll have churros?” Josie rambles with glistening eyes, her dimples on show and for a moment you’re reminded of how much she looks like her father. You manage to push thoughts of him to the back of your mind most days but sometimes you just look at her and all you can see is him.

You haven’t tried reaching out to him again. You know you should’ve. But it felt wrong sending him a text telling him he’ll be a father. And you doubted that he even wanted to be a father. So you decided you’d spare yourself, and your daughter, the heartache. Josie hasn’t asked about her father much, but when she did you told her that he’s a pilot in the Navy and that he loves her. You never want her to feel like she’s not wanted.

✩̿✪̿✩̿

Jake knew he’d come back eventually. He just didn’t know it would take him so long. But if he was being honest with himself he knew that if it wasn’t for him being called back to Top Gun for some top secret mission he still wouldn’t have had the guts to come back here. Hell, he’s been living only a few hours north from here for the past couple of years. He easily could’ve made the drive down. But he’d always been good at coming up with excuses. But now he couldn’t. Not when he’s in the same city for the next few months. He’d constantly be looking for you. Seeing you in every face that just slightly resembled yours. He didn’t even know if you still lived in San Diego, though. But going to the Hard Deck seemed like the logical thing to do. Even if you weren’t working there anymore, Penny Benjamin might know where to find you.

As soon as he enters the bar he’s hit with nostalgia. Nothing has changed. He takes a look around and pretends he’s the six years younger version of himself, still naive enough to think that nothing will ever rattle him.

Since it’s still the early afternoon it’s not busy and there seems to be no one behind the bar right now. With a deep sigh he sits down in one of the barstools, then notices someone crouched down behind the bar, looking for something in a cabinet.

His breath catches in his throat. It can’t be.

He hasn’t seen you in six years, and even though he can’t see your face right now, he knows it’s you. He can feel it.

Now he really feels like he’s been transported back six years in time. You haven’t noticed him yet and he can’t hold back the words that are going through his head.

“Can you pinch me? Because I can’t believe you’re real. I thought I was dreaming.” He knows it’s a bit of a dick move, throwing his first thing he ever said to you at you now. But maybe you’re not as mad at him as he thinks? What if you don’t even remember him? He hadn’t thought about that. Fuck.

✩̿✪̿✩̿

You almost hit your head when you spin around towards him. This can’t be real.

“What are you doing here?” You must look like you’ve seen a ghost, but it honestly feels like that. He looks the same but he doesn’t. He’s filled out more, even though you never thought it possible. And he just looks overall more mature. It suits him.

“What am I doing here in San Diego or what am I doing here at the Hard Deck?” He tilts his head, a small smile on his face. You don’t grace that with an answer, he knows what you mean. The smile slowly drops from his face, and there’s a seriousness in his eyes that makes it impossible for you to look away. “I was hoping to find you here.”

“Why?”

“I want to apologise.”

That makes you straighten up. Apologise? After six years?

“I was an absolute asshole to you and you didn’t deserve that. I was going through a rough time and I took all that out on you. I’m sorry. And I’m sorry I just left without saying goodbye. I got called on a mission right after graduation and when I got back I figured you didn’t wanna talk to me ever again.”

His words take your breath away for a moment. Never in a million years did you think you’d get an apology from Jake.

“I-,” you stop, wringing your hands together. At a loss for words.

“You don’t have to say anything.” He smiles softly. “I’m in town for a while. Maybe we could … I don’t know … hang out sometime? Catch up?”

As much as you want to protect your heart and tell him no, you know you have to catch him up on what happened after he left. It’s not right to keep him in the dark now that he’s here. You know that.

“You don’t have to answer me now. Take some time to think about it. I’m sure you’re busy, with your books being such a success. And you’re still working at the bar?” He looks curious and you’re a little shocked.

“I’m just helping Penny out for a couple hours. You know about my books?”

“My nieces love them.” He grins. “I have to read them to them before bed every time I’ve got time to visit them down in Texas.”

“You’ve got nieces?”

“Yeah, they’re two and four. Love them to death. My Mom’s been begging for grandkids for years and she’s so happy to dote on them every chance she gets.”

Your heart constricts. Two and four. They’re younger than Josie. Not only does she have cousins somewhere in Texas, she’s also the first grandchild to a woman who’s never met her. Who doesn’t even know about her. But you don’t know much about Jake’s parents. Maybe she wouldn’t be the biggest fan of a child out of wedlock.

You glance at Jakes hand. No ring.

You muster up the courage to your next question. You know the answer might hurt, but you have to ask him.

“Any kids of your own?”

Jake shakes his head with a laugh, “No, not that I know of.”

It’s just a joke but you feel like it makes your heart stop before it starts beating rapidly in your chest. This is it. There’s no better moment than now. Just get it over with.

“Jake, I-“

“Mommy!” Josie comes barreling through the door, Penny a few steps behind her. “Penny let me have Churros and they were delicious!” She wraps her arms around you and looks up at you with her sparkling green eyes.

Maybe you don’t even have to tell him. You glance at Jake and he looks a bit taken aback.

“Yeah, honey? Did you have fun?”

“So much fun!” She grins, showing off her deep dimples, and you run a hand over her head before giving her a kiss. You manage to look at Penny, who’s glaring at Jake. It takes all your courage to look at him. He doesn’t even seem to notice Penny, his eyes focused on the girl in your arms. You can’t read the expression on his face, has he already realised how much she looks like him?

“Well, I guess I don’t have to ask you if you have any.” He smiles, his lips tight, then looks at your daughter and his smile turns more genuine. “What’s your name, sweetheart?” Hearing the term of endearment again makes goosebumps raise on your skin.

“Josie.” She’s not a shy kid, so you’re not surprised when she looks at him curiously and asks, “Who are you?”

Your grip tightens around her but before you can say anything he replies, “I’m an old friend of your Mom.”

You shoot him a really? look but he just shrugs his shoulders. Well, you guess it is inappropriate to tell your five-year-old daughter that he used to fuck your brains out.

“Thanks for helping out.” Penny says, “Both of you.” She winks at Josie.

Muffin comes trotting around the corner and Josie let’s go of you to throw her arms around the poodle mix. “I missed you!” While Muffin covers your daughter’s face in slobber, Jake huffs out a laugh.

“A dog, too, huh?”

You shrug your shoulders, not sure what to say to that.

“Does the house have a picket fence?” It’s a bit of a loaded question, you think, but you don’t read too much into it and reply truthfully, thinking about the little house you put a down payment on a couple years ago.

“It does.”

Jake rubs his chest and gives you that tight lipped smile again. “I’m happy for you.”

He means it, you can tell. “Thanks, Jake.”

He gets up from his seat at the bar, knocks on the wood a couple times then says. “Your husband is one lucky guy.” Another tight lipped smile.

“My wha-?”

“I’ll see you around.” He nods then turns on his heel and before you can comprehend what just happened he’s gone.

“Mommy, why did he say your husband? You don’t have one of those.”

“I don’t know, honey.”

You watch him cross the parking lot to his car and it dawns on you that he thinks that all your dreams came true: become a full time illustrator, fall in love, get married, adopt a dog, buy a little house, have kids.

Little does he know that you fell in love with him, had his kid, and did all of the rest on your own.

taglist: @annathesillyfriend ✪ @lovebittenbyevans ✪ @heyhihellowhatsup0 ✪ @one-sweet-gubler ✪ @emorychase ✪ @wooya1224 ✪ @novagreen04 ✪ @iammirrorball ✪ @lolcaca ✪ @caitsymichelle13 ✪ @soulmates8 ✪ @soleilgrec ✪ @lilylilyyyyyy ✪ @winters-queen ✪ @i0veless ✪ @the-romanian-is-bae ✪ @mandyppp ✪ @dempy ✪ @mizuki80 ✪ @lumpypoll ✪ @averyhotchner ✪ @babyice1274 ✪ @captain-fandomwriter58 ✪ @hangmanscoming ✪ @caidi-paris ✪ @linkpk88 ✪ @djs8891 ✪ @xomrsalliej4787xo ✪ @lnmp89 ✪ @startrekfangirl2233 ✪ @gigisimsonmars ✪ @merishfit ✪ @clancycucumber230 ✪ @sky0401 ✪ @emilyoflanternhill ✪ @roostersforevergirl ✪ @celestialeviereads ✪ @blackwidownat2814 ✪ @impossiblebagelcowboyfreak ✪ @grxcisxhy-wp ✪ @atarmychick007 ✪ @dakotakazansky ✪ @fulla02 ✪ @alana4610 ✪ @callsignwidow ✪ @memoriesat30 ✪ @ebonyhogan24

#jake seresin x reader #hangman x reader #jake seresin x y/n #jake seresin imagine

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brucebocchi · 10 days ago

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Ranking 2024 anime, Pt. 1: Movies, specials, and #43-41

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. thanks!

Hey, y'all. Starting a little later than usual this year but I've been busy this time of year, not the least of which with The People's The Game Awards, which will be streaming here on Dec. 31!

But now it's time to promote the output that's entirely mine. I watched even more anime in 2024 than the prior year, somehow, and it's time to rank it. Because I was reviewing these series at the end of their respective seasons, I won't be going quite as in depth on the shows I'd already covered from January through September. There will be full reviews for the stuff I just watched in the Fall season, as well as this first section here, as part of the rankings.

As always, this is entirely a labor of love, so subscriptions and donations would be hugely appreciated, and I could really use them right now.

So first, let's start with:

Movies and Specials

Look Back

There weren’t many things I was looking forward to this year quite as much as this movie’s western release. Based on one of a trio of one-shots Tatsuki Fujimoto published during Chainsaw Man’s hiatus, Look Back is a short but potent story about art and manga, the highs and lows of the creative process, and the connection between two young artists putting their heads and hearts together.

The story follows Ayumu Fujino (definitely not an author self-insert), a fourth-grader who draws short comics for her school’s newspaper. She’s mortified when she’s asked to make space for another strip by an absentee student who turns out to be a much better artist than herself (again, definitely not a self-insert for a mangaka who has publicly described his self-consciousness about his artistic talents), and even after years of further studying and practicing, Fujino feels so completely outpaced by the other, Kyomoto (also not a self-insert), that she quits. At the end of the school year, though, Fujino is talked into dropping something off at Kyomoto’s house, where she learns that the latter was a huge fan of her work and was disappointed to learn that she’d quit, and they decide to team up and make manga together. The successful one-shots they publish throughout middle and high school eventually prompt a Shueisha editor to approach them for serialization, but a rift starts to form.

Look Back and by extension plenty of Fujimoto’s works can be hard to talk about because they say so much for themselves with only so many words. The manga is a brief but potent masterpiece, and the film adaptation by Kiyotaka Oshiyama (director of Flip Flappers and key animator with credits in Devilman Crybaby, Mob Psycho 100, and recent Miyazaki films) is very much the same in its own right. This adaptation retains much of the feel of Fujimoto’s art and perfectly delivers the emotional beats of the story, while adding some flair of its own. The amateurish 4-koma that define our young artists’ early careers are given a low-fidelity animatic treatment to match, while the real-life action is animated fluidly and realistically. Haruka Nakamura’s gorgeous score punctuates and elevates Look Back’s emotional highs and lows with delicate piano and lush strings that only draw you deeper into this beautiful story. There are even references to the mangaka’s other works peppered throughout the film.

The most distinctive trait of Tatsuki Fujimoto’s manga is his expressive and creative use of paneling, often used to wordlessly display changes in expression or the passage of time in the same way a storyboarder would. Conceptually, this would translate well to film, and although Look Back is a phenomenal film in its own right and captures much of the feel of its source material, it’s not exactly the same. And honestly, that’s a good thing. If it’s worth recommending both works in equal measure, then both were successful, and that’s the case here.

In a featurette that was shown after theatrical screenings, Oshiyama was very outspoken about infusing realism into the production, despite the story’s climax veering into magical realism. What he wanted wasn’t a realistic look or feel to the film itself, but in the production thereof: The leads are voiced in Japanese by complete newcomers (who do an incredible job) and plenty of the film’s line art, especially in its tearjerking denouement, can look intentionally unrefined. Oshiyama has made it clear that he wanted Look Back to come across as much like a handmade product as possible, specifically because it released into an age where the existence of generative AI is posed to threaten the livelihoods of entire creative industries.

Even if I hadn’t seen the film, I’d have known just from his comments that Oshiyama understood the assignment. Look Back is a story about creativity and creation, warts and all, and what is so innately human about it: The parts of ourselves we put on the page or screen, which of our shortcomings we can improve on our own and which ones we overcome with the contributions of others, and the connections we make throughout. Tatsuki Fujimoto is a master mangaka, and this film is a perfect companion piece to a true work of art.

Watch this movie.

Neon Genesis Evangelion: The End of Evangelion

I’m not usually the type who includes older media in “best of the year” discussions, and certainly not media that’s nearly 30 years old, but The End of Evangelion is one of my favorite movies ever. Full stop. Regardless of how many times I’ve watched and rewatched it in my adult life, I leapt instantly at the opportunity to see it in its first American theatrical run so many years after its release.

Decades�� worth of ink has been spilled over this film and its meaning, themes and intentions. It is a prism through which no two people may see the same thing: Many have interpreted The End of Evangelion as an angry, hateful work by a creator who wanted nothing more than to spite his fans, and others have venerated it as a message of hope, that a better world is possible as long as you put the work in. I have too many other things to write about to do a proper dive into what this movie means, or more specifically what it means to me. I’ve put it here because the experience of seeing it in a packed theater was immensely satisfying.

To be surrounded by so many people while taking in something so important to me was exhilarating. The increasing laughter as more and more production tags flew across the screen in the first minute and a half felt like a community being established. Fortunately, that was most of the noise I’d heard. Not that I was expecting a “Komm, süsser Tod” singalong or anything, but I’m thankful that the audience was mostly quiet otherwise, because the change of venue from my usual viewing environs of a desk or couch was transformative and I would not have been happy if anything had distracted from that.

There are too many iconic moments in The End of Evangelion to name, several of which you’ve probably seen even if you don’t know Evangelion that well, and they looked absurdly good on the big screen. Asuka’s fight against the Eva series remains some of the best action animation I’ve ever seen in my life, and it held up. The inception of Third Impact and all of the iconic images that came from that sequence were visually arresting, and I don’t say so lightly: I legitimately felt overwhelmed at several of these moments. Someone a seat or two over from me was stifling tears towards the end, and I don’t blame them one bit, crybaby that I am. But by the final scene on the beach, a scene whose coda in 3.0+1.0 never failed to reduce me to a blubbering mess, I couldn’t even process emotion anymore. Seeing something this familiar, this meaningful to me, in such an all-encompassing environment, shorted my brain for a second. I was stunned, eyes bugged and mouth agape, like something had touched my soul directly. And just like my first viewing of this film, part of me was forever changed.

The first time I’d seen The End of Evangelion did not come at a great time in my life, and if I’m being honest, I wasn’t doing too hot when I saw it in the theater this year either. But, in ways I’m not sure I can elaborate, I think they came at times when I needed them. Evangelion remains a major marketing machine some three decades after its debut, but sometimes it’s still just something you need to take in when you’re going through it. I’m glad I did. If you have a favorite anime film that manages to make its way back into theaters, I cannot emphasize enough how wonderful it feels to actually go and see it. I wish I’d done the same with the Gurren Lagann films when they came back.

I just wish Gkids hadn’t used the Netflix subtitles. The first scene just doesn’t hit the same without “I’m so fucked up.”

One Piece Fan Letter

For all of the anime I’m covering at year’s end, I think the most important thing about my 2024 in anime and manga, after hemming and hawing about it for so long, is that this is the year I finally got into One Piece (the manga, not the anime). And just as I’d expected, it required a massive investment of my time, but it paid dividends and continues to do so as the story creeps ever closer to its eventual conclusion.

The manga is phenomenal, but the anime would’ve been a much larger time sink, so I haven’t really bothered (the live action series is great though). I’ve watched a small handful of episodes and clips of the more important moments, and took in a bit of the anime’s current arc before it went on hiatus. It’s come a long way from how it looked 25 years ago and I’m genuinely impressed that a weekly anime can exhibit such a high budget and wealth of animation talent, but I don’t really have it in me to trudge my way back to the start of the Wano arc and watch nearly 200 episodes of just that.

What I did have time for, and only 24 minutes of it at that, was One Piece Fan Letter, an episode-length special loosely based on the Straw Hat Stories novel. Fan Letter takes place around the end of the timeskip as the Straw Hat crew make their reunion in Sabaody, but it doesn’t focus on the crew themselves; we instead spend our time with a handful of regular people living their lives on the archipelago. In a way, they’re a lot like us: they’re all fans of the Straw Hats, and each one has a favorite. A Marine goes against code and secretly looks up to Luffy for giving him the courage to save his brother’s life. A shopkeeper bemoans missing Brook’s last show as Soul King. Some rowdy Marines have a drunken powerscaling argument not unlike one you’d see on Twitter any given day.

Front and center, though, is a young girl who looks up to Nami. She dresses like East Blue-era Nami, avoids wearing glasses in order to look like her, and even has the red hair to match. She’s managed to decode Luffy’s reunion message (in a comically roundabout way) and sets out to hand-deliver her message to Nami before the Thousand Sunny sets sail again, but she finds herself hampered by several distractions and obstacles, largely thanks to the Straw Hats and those in their orbit.

Fan Letter is a short but sweet story that mirrors our own fandom of the series and its characters in the lives of everyday people along the Grand Line. A huge part of what makes One Piece work as an ongoing saga is seeing how Luffy and the Straw Hats’ escapades and freedom fights materially benefit the people of each island they visit and, if necessary, liberate. And not that the series isn’t long enough, but something we often miss is how the crew’s efforts affect the people they don’t interact with on some level (Usopp does briefly help direct our protagonist here, but she never finds out it’s him). Fan Letter focuses more on the emotional impact the Straw Hats’ heroism leaves on the regular folk and even the Marines that are meant to oppose them.

Though creator Eiichiro Oda had no hand in Fan Letter, I think it focuses on one of his major aims in writing One Piece: For all its silliness, spectacle, and hype, it’s ultimately a story of people helping and improving one another’s lives en route to attaining their dreams, and it’s meant to inspire us to want to do the same. Fan Letter puts these intentions in stark relief by showing us not only how the Straw Hats have inspired people on and around Sabaody, but also those same people trying to return the favor in whatever small way they can. Those in lesser positions might write a letter or turn out for their favorite artist, while those in positions of power can literally save lives. If someone has made your life better in any meaningful way, you are always in a position to thank them or pay it forward.

As with just about everything attached to One Piece nowadays, Fan Letter looks phenomenal. Everything has a loose, kinetic quality befitting Luffy’s rubbery nature, and the breakneck composition and sequencing of shots makes every second of the short runtime count. If you’ve been on the fence about One Piece, it’s at least a quick curiosity that might pique your interest. To longtime fans, though, Fan Letter is an essential piece of the puzzle.

Spy x Family Code: White

After a certain point, I’m having trouble writing about any new Spy x Family entries because, like, it’s more Spy x Family. If you’re already here, you know what you’re going to get. There’s gonna be silly misunderstandings, Anya’s gonna be cute, Yor’s gonna do some sick action moves, and you’re gonna have a great time.

Code: White is a self-contained film with an original story by creator Tatsuya Endo, so continuity isn’t a factor here if you’re worried about canon. The Forgers take a vacation to the alps to help Anya with a school project, Yor misinterprets Loid’s secretive nature as a sign that he’s cheating on her, and Anya unknowingly eats a bonbon containing a microfilm that would help turn the cold war hot. We get our cozy moments, our silly moments, and our fun action setpieces towards the end. Again, it’s more Spy x Family and that’s what you’re here for.

I know this sounds dismissive, but you already know what you’re getting into here. And I want to be clear that it’s still really good! It’s cute, it’s funny, it’s exciting, and everything and everyone looks and sounds great. There’s a sequence where Anya has to poop so badly she starts hallucinating. It’s great stuff. Essential viewing if you’re a fan.

And now, let's get on with:

Ranking Every New Anime I Watched in 2024

43. The Unwanted Undead Adventurer

I didn’t want to talk about this show when I reluctantly finished it nine months ago and I don’t want to talk about it now. Maybe not the worst anime I watched this year but certainly the dullest. Ugly, slow, and boring is no way to entice me into watching a second season. Pass.

42. Tales of Wedding Rings

This somehow ended up being the only show that I picked back up this year, including the ones I initially liked. I was pretty blunt about what I didn’t like about Tales of Wedding Rings back in March, from its waifu-of-the-week format to its formulaic wheel-spinning on the main romantic pairing to its hideous aesthetic and poor animation. It had already been confirmed for a second season and I’d had no interest in finishing the first.

But against my better judgment, I decided to take some time reading the manga around the time it came to an end later on in the year and ended up liking it a decent amount. The manga looks way better, for one thing, and all of the more interesting plot elements manage to intensify and coalesce. Between the standard isekai slay-the-demon-king plot, the “will they/won’t they” tension between the romantic leads, and yes, the overt horniness of everything else, the first season really was just table setting for a story that does in fact get more interesting and worth spending time with. So, armed with knowledge of the next story beats and a more open mind, I went back and dusted off the three episodes I’d dropped back in March.

And I still can’t stand this show.

Tales of Wedding Rings is still one of the ugliest anime I’ve ever seen in my life. The color palette is weirdly muted and everything is overlit and gauzy. Line art looks brittle and cheap. You could try to make the excuse that a show with so much nudity wasn’t going to earn a high production value, but that excuse falls flat when you remember that it aired alongside well-produced (if maybe questionable) uncensored series like Chained Soldier and Gushing Over Magical Girls). Like I said earlier this year, if you present me with full-on elf tits and still can’t make me care, you’ve failed. I didn’t watch Plus-Sized Elf for the exact same reason. I learned my lesson.

I really try not to judge the entirety of a show by how it looks, but my eyes can only take so much. I can only hope the second season looks better, lest I have to Ludovico myself into continuing with the series.

41. The Witch and the Beast

I was really looking forward to this one. The quasi-gothic/steampunk aesthetic is absolutely not my shit on paper but it looked awesome in execution… at first. After just two episodes, though, The Witch and the Beast looked like too ambitious and detailed a project for its animators to handle and it started looking cheap in record time. Character models were inconsistent to the point of being unrecognizable, animation was often stilted, and lighting and color palettes were dull. Didn’t help that the action died down for a good chunk of the season as well, leaving us with a show that was both ugly AND boring.

Nine months later and there’s still no word on a second season, and I can’t say I’m surprised. It didn’t seem to accrue much popularity, and I struggle to think what would’ve helped aside from the issues I just bitched about. There was a tease of more to come at the end, right on the heels of a massive lore dump that seemed to open up the world to a much larger scale. That could be interesting, but I don’t think I’d want to watch any more of The Witch and the Beast. Maybe I’ll bite the bullet and finally read the manga.

#anime reviews #look back #evangelion #the end of evangelion #one piece #spy x family

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daggerfall · 4 months ago

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M's Updated New Player Guide for Elder Scrolls Online

I have to simplify a great deal of this information since the intended audience is people brand new to ESO looking to get into it for questing (not pve or pvp), so if anyone thinks bits of this are a little wrong or lacking nuance, please understand it is likely intended. Credentials: trust me.

Top 3 Important things to know before you get started

Character creation: You pick your class during character creation and this can never be changed. Trust me, people miss this. Your race, appearance, and name can all be changed but for a cost (crowns, the in-game micro transaction currency), and little bits of your appearance can be changed with cosmetics that may or may not be free. Any class can quest just fine, some will be better at solo content than others, but don't sweat this. Some classes are also DLC (warden, necromancer, and arcanist). All classes are capable of all roles for the purposes you, a new player wanting to quest, care about. Make the character you want and can stick with, as you will need a Main for purposes of crafting, and crafting knowledge can't transfer to other characters you may make. Also, plan for them to deal damage primarily. Supports are not needed in questing and you'll often be alone anyway - save yourself the pain of killing enemies at a snails pace and invest in damage with a smidge of survival.

Alliances and the Main Quest: The start of the game for new players should always be the base game main quest and your respective alliance's main quest. Unless you started with the expansion that unlocks any race any alliance, your alliance will be tied to your race. Bretons, Orsimer, and Redguards: Daggerfall Covenant. Dunmer, Argonians, Nords: Ebonheart Pact. Altmer, Bosmer, and Khajiit: Aldmeri Dominion. Imperials are DLC but any alliance. This can be changed later for crowns, but only affects what alliance you fight for/against in PvP zones, minor dialogue interactions, certain cosmetics, and which version of certain quests you get during the main quest. The starting city/zone for each alliance is as follows: DC: Daggerfall, Glenumbra. EP: Davon's Watch, Stonefalls. AD: Vulkhel Guard, Auridon. When you leave character creation, you'll be sent through the Coldharbour tutorial and spat out on your starter island (DC: Stros M'Kai. EP: Bleakrock Isle. AD: Khenarthi's Roost). Finish those storylines until you hit your starter city, and the main quest will progress again with meeting the Prophet at the Harborage.

DLC, Chapters, and ESO+: Depending on the version of game you got, you may be pushed or tempted to play the newest DLC (chapter or smaller zone DLC). This is a trap. ZOS advertises the game as play how you want and in any order you want, and any longtime player hates this marketing strat. Functionally, any DLC can be played at any time in ESO, but you will miss certain bits of dialogue and story by playing out of release order. Characters will remember previously meeting you if you play in order, but not out of order. They may drastically change their appearance to the point of the story making no sense if it happened in that wrong order, or even die and reappear with no acknowledgement of their death. If this is your first time playing ESO, I Highly recommend playing everything in the intended release order at least once, and then decide for yourself what stories you think work as independent stories for other characters you wish to play. Don't listen to the devil telling you to play some random dlc because you like dunmer or vampires. Listen to me, some guy on the internet instead.

The intended order is (without listing every single dlc) the Coldharbour main quest and your alliance's main quest at the same time ➡️ Cadwell's Silver and Gold (the other two alliances' main quests) ➡️ Imperial City (PvP zone with a solo storyline, but can be skipped/played at any point) ➡️ Craglorn ➡️ all dlc in release order (including dungeons, zone dlc, and chapters). Dungeons can be done in any order (base game I and II dungeons should be done in the numeric order) up to Wrathstone, which is when year-long story arcs began and included dungeons in the plot, and more returning NPCs appear in dungeons.

The Infamous "ESO DLC flowchart" can advise you the order of when you should play certain storylines (base game and dlc), but it's just the release order and natural flow of the storylines. It updates too often for me to post the image here, but you can easily find it by searching those terms. Another good ESO starter guide I like is this one, that explains which story points to hit and when.

The base game alone is good and contains hundreds of hours of content. Get through the base game's main quests and decide for yourself if you like the game enough to continue on. And if you do want to continue, then the best way to play DLC is to buy the subscription ESO+. Among many other things, the main use for the sub is access to every single DLC in the game* while the sub is active. If you play consistently, you can play through the dlcs faster than it would cost to buy them individually, and you can end your sub whenever you want/need. The sub also gives free crowns each month which can be used to purchase permanent access to specific DLC for if/when you end your sub. Or spend them on a cute outfit. Up to you. You might get addicted to the craft bag in the meantime and keep the sub forever.

*ESO+ does not give access to the newest chapter, until the next one comes out usually a year later.

ALRIGHT big stuff out of the way. More advanced stuff for once you're already in the game and playing now.

Avoid any quest that goes into your journal as a Prologue - delete it right away. Prologues are like introduction/teaser quests for zone DLC and chapters. Doing prologues out of order should also be avoided. Once you're onto playing DLC, there is a prologue for each starting with the Morrowind chapter.

Start researching item traits at crafting stations ASAP. The timers for research grow exponentially with each trait, so an early start is good. This is necessary for crafting later on, and everyone should have A crafter (ideally their main for resource reasons)

Find the stable master early on and begin "training your horse" each day for 250 gold. Also buy a mount there. It takes 180 real life days to fully complete on each character, but you'll notice the difference with your mounts speed and stamina, and to clarify, inventory means YOUR inventory. That's 60 more inventory slots! And mount training affects all mounts on that character!

Speaking of mount speed - once you reach level 10 on a character, you should do the Cyrodiil tutorial quest (I promise there's no PvP required for this). Use the alliance war tab to queue into a campaign (any works but go for one that isn't all that busy. Under 50 ideally), and complete the tutorial IN FULL. Do not accept the option to skip parts of it because you know what you're doing. You'll reach rank 3 in the assault and support skill lines and gain a few skill points, all while never having to do any actual PvP. Take the first passive in the Assault skill line to gain access to Major Gallop for faster horse speed. You want this on all your characters.

Find the bag merchant in town and spend your gold on maxing out your inventory space when you can afford it. Bankers can also be found in each town and you can store a lot of items in your bank with them FOR FREE. No other player has access to your bank. Your bank space is shared across all of Tamriel and all of your characters as well, to allow for easier item transfer to alts

Back on crafting, don't worry about materials or crafting your own gear for a long time. You pretty much need ESO+ to be a crafter due to the craft bag. Just put on random gear you loot off enemies or get as a reward, and replace it as you level up and outlevel your old gear.

As a quester, you can use any gear and any skills you want - with a few suggestions. Don't use heavy armor as your primary armor type (a few pieces are okay), ice staves, 1 hand and shield, or restoration staves. Those are primarily support armor types and weapons. Also, read your tooltips and skill descriptions, and don't use skills that state they will taunt the enemy. ESO's aggro system works differently than you may expect from other MMOs. Anything else is free game. Though I will advise this isn't Skyrim, and using skills will deal far more damage than spamming "basic attacks", or light and heavy attacks. Stealth archer isn't a thing here, sorry.

DON'T fall for the crown store trying to sell you respec scrolls, werewolf and vampire skill lines, etc. You can redo your skills and attributes at any point for gold in a capital city, other players can give you lycanthropy or vampirism for free upon request. Merchants and banker assistants from the crown store I don't consider a scam. Those are good uses of crowns once you're further into the game.

The build advisor for each class/role is painfully out of date as it hasn't been changed since launch, and entire skills/morphs have changed over the years to be entirely different. With no nuance to avoid it getting complicated, stick to either investing in magic or stamina as your primary resource, and most of your skills costing that same resource. Skills scale their damage with your highest offensive stat, so splitting evenly doesn't do anything besides make your pool bigger, but you can use both stam and mag skills and they will deal similar damage. You just might run out of your "off" resource faster. Light armor benefits magicka users better, medium benefits stamina users better, generally speaking.

Join the Mages Guild and Fighters Guild ASAP in your starter town. Regardless of RP, they have storylines you'll want to complete, as well as skills and passive abilities you may want, and it's better to get a head start on this leveling process. Undaunted is related to dungeons and can be skipped early on, but if you start doing dungeons, make sure you join! It has no respective storyline.

Weapon and class skill lines progress by having those skills on your bar upon gaining experience while On that bar, not with each cast of the skill. Individual skills rank up and can morph into other skills by gaining experience with that skill on your bar. Guild skill lines have their own unique progression requirements - read your tooltips!

Main quest marker icons appear slightly fancier than generic quest markers, and I would advise to avoid taking them out of order. Most main quests will guide you to the next quest giver easily, so if you find yourself going far out of your way, you may be getting lost or starting a different storyline. Blue quest markers are for repeatable daily quests.

Delves are public instances and can be done solo. Public dungeons are public instances and may be able to be soloed depending on skill. Dungeons/group dungeons are for 4 people, not public instances, and you should not try to solo them. Trials are raids for 12 people, not public, and you very much should not attempt to solo them.

Depending on what DLC may have come with your version of the game, you may be pushed to try the various DLC features added with each chapter. This includes psijic order, antiquities, companions, tales of tribute, and scribing. All of these individually (except psijic) can be started/done early without spoiling yourself on future DLC. But there's no real need to rush through getting access/completion of them right away either.

There are daily login rewards that reset each month. Most of them are bad, but it's good to keep up on them for the monthly cosmetic or big reward. Sometimes they give AP which can level the PvP skill lines without PvP, sometimes gold, sometimes crafting materials, could be anything. There are also daily tasks to gain "seals of endeavour", currency that allow you to purchase things that otherwise can only be gambled for in crown crates. Keep up on them, and about twice a year, you can buy the most expensive mounts in the game. Golden Pursuits happen every few weeks/months, with multiple tasks to unlock a specific reward. It's a brand new system from when I'm writing this. These are the daily tasks I recommend keeping up on sooner rather than later.

Add-ons (PC only) are allowed in ESO, mods and macros are not. The application Minion is how most of us download and update our add-ons for various UI and QOL features.

Once you reach level 50 on a character, you start gaining levels in Champion Points, which are shared across all of your characters. Once you hit CP 160, you will stop out-leveling your gear and can start making gear you plan to keep. CP goes up to 3600, but you'll hit the cap on effectiveness around 1500 (role dependent) I think.

The fashion system in ESO is either using the outfit station to apply motifs (purely cosmetic) you've learned to that character to your outfit, or costumes you can get with crowns or other means (questing, collectables, etc). Motifs learned on one character allow any character to use that motif in the outfit station, but only that character can Craft an item in that style.

There is no auction house system. There are guild traders instead - storefronts that guilds bid on weekly to gain ownership of and use for their guild to sell items to other players, for a small cut of the profits. Anyone can buy from them, only guild members can sell. Most of the junk you find in questing is worthless to other players, and most players use add-ons to know the marketplace average worth of any item in game.

Speaking of guilds, joining guilds is a good way to get access to free wayshrine porting for easier movement across Tamriel, and more. Porting to another player is free, even if you're not at a wayshrine. Many guilds also have a "guild hall" (player owned house open to all that has many resources depending on the owner). No one will enforce being social or else, but this is an MMO. Being social can be a good thing!

If you're looking to just make enough money to get by, you can sell all the random gear you loot to merchants. It will despawn from their inventory with enough time or items being sold. Once you get ESO+ and the craft bag, daily crafting writs is the best way to make easy money with little effort. Get certified in all 7 professions and do your daily crafting writs for about 5k gold per character per day. With enough skill point investment in hirelings that send materials in the mail daily, you never have to spend any gold to do writs.

Thieving is mildly good for making gold, but it has a cap on how much you can sell a day. Sell or launder at outlaws refuges in each city. Thieves guild and dark brotherhood are DLC content so don't look for them in the base game.

Before you start doing dungeons, at any level of difficulty, you should understand how ESO dungeon etiquette works. People here aren't as friendly as final fantasy, but hear me out before you say we're all mean. ESO does an extremely poor job of keeping the casual questers from the sweaty endgamers, and forces them to share the same dungeon queue when they're in that queue for entirely different reasons. Endgamers need transmute crystals quickly, questers just want to see the quest, and each person needs the other to achieve their goal, but you can't do both at the same time. Both are valid reasons to do dungeons. Quests can't be repeated on the same character, so they can't even do the quest with you if they already did it years ago. Quests also give a skill point for completing, which is another valuable endgamer resource. In general, if you plan to use the group finder to find a team for a dungeon, do not expect them to sit around and wait for you to sit through dialogue. At best they will wait for you to spam through it for the quest completion, if you warn them in advance. Randos aren't going to be overly social, even a "hi" at the start may be ignored. It's to be expected, but not intended rudely. If you want to see a dungeon's quest in full, this is the time to find a friend to group with you! It's an MMO! Be social! Many ESO dungeons are unable to be soloed unfortunately, for strange mechanical reasons.

Also, you need to know your role before queueing, and that includes knowing how to actually deal damage as a damage dealer. You don't need to be amazing, but please don't just spam light attacks. Don't queue as a tank unless you actually understand the basics of ESO tanking, same for healing. Look into resources online for beginner builds. If you don't want to learn your role or how to git gud, then I'm sorry but doing dungeons with strangers is not for you then. It's a team effort, and their time should be respected too.

This isn't meant to be the most strictly followed list of all time, but things that I end up inevitably telling people or wish I had learned sooner. It's meant more as something to refer back to and to gently guide you in the right direction, as well as get you in the right mindset for character creation when planning a character you'll play for Years of quests.

#eso #elder scrolls online #tes #the elder scrolls #m speaks #new player guide #fysh said im allowed to say this: dont be like fysh when making your first character #lovingly said. most of these bits of advice are like. dont do thing my good friend did and still deals with the consequences of akgjakfja #starting with a healer. never finishing the main quest. crafter main and antiquarian different toons. L Ratio

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moiraimyths · 10 months ago

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Howdy, fateful friends! Are you an artist or illustrator with an interest in visual novels?

If so: Moirai Myths, creators of the visual novel The Good People (Na Daoine Maithe), are in need of guest artists! More specifically, we're looking for up to two artists to help us with the content graphics ("CGs") for Maeve and Shae's upcoming routes. All of the details will be listed on our application form (linked below), but here is the gist:

This is paid work with 20-30 business day deadlines per piece!

Complicated revisions in the post-sketch phase are compensated!

You will be prioritized for future guest artist opportunities!

You will be featured/credited on Moirai Myths' website and in the game itself!

Sound interesting? If so, apply here:

Click under the cut for some F&Q 👇

Who are you? (I'm new here!)

Hi! We're Moirai Myths: a small, newish visual novel company based out of Canada. We're making a game inspired by mostly Irish mythology, which was funded on Kickstarter in 2023! Our game's got fairy politics, a diverse cast, a Gaeilge-to-English translation tool, and routes that can be played either romantically or platonically! Also horses. An ungodly amount of horses, really.

If that odd pitch sounded intriguing, perhaps you'd like to play our demo! It's free on Steam & Itch.io.

Why are you looking for guest artists?

When we originally launched our Kickstarter, the plan was to have our three in-house artists collaborate on the CGs in the same way our header image was. However, we quickly realized that adding CGs, even if they're done collaboratively, onto the existing duties of our artists was a tall order. Add to that the departure of our original sprite artist (who has since been replaced by our graphic designer), and we determined that having our in-house team work on CGs was simply not possible if we still wanted our first release to happen in 2024. So, rather than omitting CGs or adding them in at a later time, we came up with the idea of hiring guest artists. Overall this means our CGs will be a bit more varied in terms of art style, but we like to think of this as a positive! NDM's development will take a number of years to complete in full, so we hope our CGs will allow us to feature a lot of artists either within the VN/indie dev community already, or artists who aspire to work in gaming and are looking for entry positions.

How long will applications remain open for?

This application will be open until Sunday, March 24 at midnight (EST)! If we intend to extend past that deadline, we'll make an announcement about it.

I can't apply right now. Will you look for more CG guest artists in the future?

Definitely! As mentioned, NDM will take a while to develop in full, so this is by no means your only opportunity to apply. That being said, we suspect we're going to end up shortlisting a number of artists over the course of this application period, and we intend to keep a list of all the runners-up. So, even if you won't be able to participate this time, it might be a good idea to apply anyway just to remain in our contacts! Either way, this will not be the last time we have apps.

Will you be looking for guest artists outside of CGs?

Maybe! We already have two guest artists (Nefukurou and Madi Funk) working on sprites and CGs respectively, so it's always possible that we'll have other artistic needs later down the line. Likewise, we may also reach out to past guest artists for future work with us, whether it's on this game or something else!

You say we need to sign an NDA. What does that entail?

The non-disclosure agreement essentially means you will be legally unable to publicly disclose any confidential information you become privy to as a result of working with us. This would include personal information about the developers, as well as spoilers from the game itself. In addition do this, you will be expected to sign over the IP and copyright of any artworks you produce for us.

Can I still use my artworks in portfolios, even if I don't own the copyright?

Yes! We'd only ask, if your portfolio is a website, that you wait to do so until after your art has been made public by us, either on our social media or via the publication of the game. Our first release is anticipated to happen later this year, most likely mid-autumn.

How do you guys feel about AI? Do you intend to use it, or would you ever train an AI off of the artworks whose copyright you own?

No.

Making a game is expensive and time-consuming, but AI is no replacement for human artistry. We fundamentally believe that any advancements in AI should be used for the purpose of giving people more time to make art, not take away opportunities for it. Moirai Myths will never, ever use AI or train an AI off your work.

***

If you've got any more questions for us that we didn't think to include here, feel free to send us an ask!

#the good people #na daoine maithe #ndm #visual novel #interactive fiction #otome #english otome #amare #amare game #visual story #visual storytelling #romance game #otome romance #romance visual novel #dating game #dating sim #moirai myths

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