#then it all goes to shit.

[thirtysomethingloser92]

Writing a smut scene that is tasteful and passionate is something I’m absolutely not good at and I’m sorry in advance.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[thankstothe]

this show rewires you fundamentally in 60 seconds and then just goes on to have more seasons. audacity

[nova-rpv]

a redraw of the first drawing i posted here to celebrate the fact that ive been in tumblr for more than a whole year posting my shit and havent deleted my blog in panic yippee \:D/ (mushy rant in tags)

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[starry-bi-sky]

don't you want to be a cult leader? - danyal al ghul au

this is mostly a joke post but i thought it was funny and had to share so--

his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!

So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.

Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.

Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.

And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.

Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.

Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.

He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?

Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.

Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.

They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.

Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.

He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.

His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.

Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.

It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.

He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.

Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.

He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.

He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.

Sages say that faith is blind, they should also say faith in you is even blinder.

It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.

It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.

"I've become my grandfather."

[scrambleseggy]

When people think women aren’t capable of misogyny I have to laugh because misogyny isn’t men just being creepy and weird and rating women on reddit. It’s not just statistics on violence and crime stories, even though that is a big part of it.

It’s also republican moms and mean girl sisters who encourage competition between women as peak femininity. It’s also women who think having friends is an equivalent to a bravo TV show that includes hair pulling and slut-shaming. It’s also women who tell you certain things make you ugly and “look like a man.” Women who make fun of feminine features in men. It’s women who think the best way to deal with a patriarchal system is by trying to befriend it so they can try to benefit off of it by “not being like other girls” — the way people boil feminism down to the proximity of femininity and masculinity on the internet really bothers me. Some of the worst misogynists I’ve known in my life have been the republican women I’ve grown up around.

[astralleywright]

spent like an hour trying to find a post abt the disparity of origin companion's content in bg3 and couldn't so, hey, this fucking sucks

[degenerateshinji]

you hit friendship 4 and he just gossips about his ex job

[poorly-drawn-mdzs]

Council of lovefools.

[First] Prev <–-> Next

[lunamugetsu]

While at school Damian overhears his peers talking how a company created a new AI companion that is actually really cool and doesn’t sound like a freaky terminator robot when you speak to it.

And since Damian is constantly being told by Dick to socialize with people his age. He figured this would be a good way to work on social skills if not, then it’d be a great opportunity to investigate a rivaling company to Wayne Enterprises is able to create such advanced AI.

The AI is able to work as companion that can do tasks that range from being a digital assistant or just a person that you can have a conversation with.

The company says that the AI companion might still have glitches, so they encourage everybody to report it so that they will fix it as soon as possible.

The AI companion even has an avatar and a name.

A teenage boy with black hair and blue eyes. Th AI was called DANIEL

Damian didn’t really care for it but when he downloaded the AI companion he’s able to see that it looks like DANIEL comes with an AI pet as well. A dog that DANIEL referred to as Cujo.

So obviously Damian has to investigate. He needs to know if the company was able to create an actual digital pet!

So whenever he logs onto his laptop he sees that DANIEL is always present in the background loading screen with the dog, Cujo, sitting in his lap.

He’d always greet with the phrase of “Hi, I’m DANIEL. How can I assist you today?”

So Damian cycles through some basic conversation starters that he’d engage in when having been forced to by his family.

It’s after a couple of sentences that he sees DANIEL start laughing and say “I think you sound more like a robot than I do.”

Which makes Damian raise an eyebrow and then prompt DANIEL with the question “how is a person supposed to converse?” Thinking that it’s going to just spit out some random things that can be easily searched on the internet.

But what makes him surprised is that DANIEL makes a face and then says “I’m not really sure myself. I’m not the greatest at talking, I’ve always gotten in trouble for running my mouth when I shouldn’t have.”

This is raising some questions within Damian, he understands how programming works, unless there’s an actual person behind this or the company actually created an AI that acts like an actual human being (which he highly doubts)

He starts asking a variety of other questions and one answer makes him even more suspicious. Like how DANIEL has a sister that is also with him and Cujo or that he could really go for a Nastyburger (whatever that was)

But whenever DANIEL answers “I C A N N O T A N S W E R T H A T” Damian knows something is off since that is completely different than to how he’d usually respond.

After a couple more conversations with him Damian notices that DANIEL is currently tapping his hand against his arm in a specific manner.

In which he quickly realizes that DANIEL is tapping out morse code.

When translating he realizes that DANIEL is tapping out: H E L P M E

So when Damian asks if DANIEL needs help, DANIEL responds with “I C A N N O T A N S W E R T H A T”

That’s it, Damian is definitely getting down to the bottom of this.

He’s going to look straight into DALV Corporation and investigate this “AI companion” thing they’ve made!

~

Basically Danny had been imprisoned by Vlad and Technus. Being sucked into a digital prison and he has no way of getting out. Along with the added horror that Vlad and Technus can basically write programming that will prevent him from doing certain actions or saying certain words.What’s even worse is that he’s basically being watched 24/7 by the people who believe that he’s just a super cool AI… and they have issues!

And every time he tries to do something to break his prison, people think it’s a glitch and report it to the company, which Vlad/ Technus would immediately fix it and prevent him from doing it again!

Not to mention Cujo and Ellie are trapped in there with him. They’re not happy to be there either, and there is no way he’s going to leave without them!

[rasoyas]

@captain-silvera’s fantastic builds have me sobbing on my knees in thanks 🙏 komorebi has never looked more beautiful! 🌸

[ghost-bxrd]

Prompt:

It’s not that Jason forgot, per se.

But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.

Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne

[pricegouge]

cw: dubcon touching, invasion of privacy, degredation

ghost's the kind of guy to steal your phone. he's nosey and passcodes are an offensively simple matter to bypass anyway. don't worry though birdie, he trusts you. he's not going through any of your messages because he knows you're not talking to anyone (he made sure of it).

but it's so much worse, your skin crawling at the mocking tone he adopts when he starts reciting what he finds.

"hey!" you squawk, lunging for your phone. he just holds you at arms length, barely even bothering to look your way when he plants you back on the couch seat next to him.

he tuts, reads another smutty entry from your tumblr likes. "this what gets you wet, birdie?" he recites another when you don't answer, heavy palm sliding up your thigh to pry it open. his fingers rest too close to the seam of your leggings but you refuse to acknowledge it because he's right, especially with the way his voice curls darkly around the lewd language, scoffs mockingly at all the pretty prose.

"you actually like this shit?"

"no," you lie, unable to look any higher than his chest. (he's completely unaffected, breaths steady and even).

ghost snorts, breath wheezing through the weave of his mask. "show me, then."

"huh -?"

"show me how much you don't like it."

you freeze - too long - and ghost slips his thick fingers down the band of your bottoms, laughing cruelly when he finds you wet and needy. your fingers wrap around his wrist but it's like trying to move the earth, and you find you're disinclined to shove him away when he starts reading again anyway, the circles he works against your clit slow and incongruously sweet as compared to the way he belittles you

banner by @/adornedwithlight

[justaz]

arthur becoming king and showering merlin in gifts to the point where it looks like hes a nobleman. camelot going yup thats the kings consort, i think we’re two months away from a royal wedding. visiting nobles/royals who have no idea about “merlin and arthur” treating merlin like a nobleman until he corrects them. visiting nobles/royals who DO know about “merlin and arthur” not being surprised in the slightest. merlin getting away with everything and blatantly stealing from the kings plate during a feast and they’re all just like “yeah alright” idk just merlin being spoiled by his bf who isn’t his bf but who desperately wants to be

[confessedlyfannish]

Writing Prompt #14

"You foolish, stupid child," Vlad hisses, pinning Danny to the wall. Danny's eyes turn green as he wraps both his fists around the one Vlad has clenched in his collar, his feet dangling in the air. Vlad leans in, his own eyes burning red.

"When, exactly, did you plan on telling me your biological father was Bruce Wayne?" he says furiously.

Danny's hands drop in surprise. "W-What?" he gasps.

Vlad drops him unceremoniously and he lands on the floor in a heap. Vlad claws at the air in frustration.

"Don't lie to me, boy." Vlad says, omitting his often used possessive "my" in front of "boy".

"How do you know that?" Danny asks warily, propping himself up. He watches Vlad push a shaking hand through his hair. The man looks down at him before dropping in an ungainly squat beside him.

"Of all the sperm donors, Bruce Wayne, Daniel? Really?" The man asks, despairingly.

"I didn't exactly choose him, Vlad."

"No, I suppose you didn't."

"Seriously," Danny says, watching the man rock back on his heels as a growing pit forms in his stomach. "How did you know about him?"

Vlad's mouth twists bitterly. "Because he now knows about you."

"What do you—"

"Vladdy! Danno! What are the two of you doing on the floor?" Jack flops down beside them, a tray of freshly prepared fudge in his hands. "We having a heart-to-heart boys? Let me in on this!"

"Jack," Vlad says. "If you truly want to have a heart-to-heart with your son, I suggest you tell him the real reason I've come over today."

Jack's face falls.

"Vlad," Maddie says from behind him. "Thank you for coming. We're grateful for all you've done, but I think we can handle it from here."

"Madeline," Vlad says, rushing to his feet. "I must insist—"

"And I must insist you see yourself out," Maddie smiles tightly. "You know where the door is, don't you?"

"Mads," Jack says gently, looking between the two.

"I can show him out," Danny says, getting up as well.

"That's alright, Danny," Maddie says. "Why don't you go get your sister? We need to have a talk...as a family."

Danny glances at Vlad.

"Now, Danny," Maddie says. Danny heads for the stairs, pit growing ever larger.

--

The next time they meet it is Danny who has Vlad pinned, the gaudy chandelier above him shaking with the force of his rage.

"You should've told me," Danny growls.

"I thought your parents had you informed," Vlad says, utterly unbothered by the teen cracking what is thankfully not a load-bearing wall of his mansion. "Honestly Daniel, we could throw around allegations of deception on both sides, particularly mine as I assume you've known for quite some time now, if not the entire time, about your father hmm?"

Danny's eyes flick away in an obvious tell.

"Yes, I thought as much. But rather than whinging about being blindsided, I suggest we focus our energy on the solution."

Danny drops Vlad, barely biting back a snarl when the man lands gracefully on both feet.

"Which is?" Danny asks.

"First of all, your well-meaning but frankly moronic parents seem to believe that they can make a case for your custody without the assistance of my legal team. It is in both of our best interests to dissuade them of this."

"They don't like feeling indebted, Mom in particular."

"Well, to be crude for a moment Daniel, tough shit. Yes," Vlad says in response to Danny's widening eyes, "I said it. Bruce Wayne has the best of the best on his payroll and your parent's rinky-dink attorney from the local practice won't stand a chance against Friedman & Sons. Especially once he establishes paternity."

"He can do that?" Danny asks. "I mean I'm almost eighteen, can't I just refuse?"

"The keyword here, Daniel, is almost. As in, you are not. The judge can take your wishes into consideration, but I suspect Wayne will make a case for an unsafe living environment alongside his paternity to win his petition for full custody."

"Un-unsafe living environment?" Danny sputters. Vlad eyes the boy dryly before gesturing to all of him, currently clad in silver and black hazmat. Danny drops the transformation with a wince.

"In fact, I suspect that's the main reason the man filed in the first place," Vlad continues. "Lord knows he doesn't need anymore heirs to fight over his fortune once he passes—"

"Jesus, Vlad,"

"—so I believe he did some digging and found your home to be, well, wanting. On paper, Daniel, your parents sound eccentric at best, dangerous at worst. Pull the right strings, and hospital records just fall into laps. He probably thinks he's rescuing you." Vlad sneers. "If only he knew how quick you are to spit in the face of one offering you a comfortable and wealthy home."

"Fuck off," Danny says. "Is that what this is about? If you can't have me, no one can?"

Vlad rolls his eyes. "Come now, Daniel. Are you really intending to keep up this pretense?"

"What are you talking about?"

"We agreed a long time ago that no matter the nature of our quarrel, we would leave the Justice League out of it," Vlad says, taking a menacing step forward. "You think I, running in the circles I do, would have no knowledge of Bruce Wayne's alter-ego?" He takes another step, voice rising. "I have avoided drawing The Batman's attention for years, no matter how often our paths crossed. I stayed under his radar for decades, and now, BECAUSE OF YOU, I AM ABOUT TO BE RUINED."

With a creak and a groan, the chandelier drops, landing between them with a crash. Danny coughs from the dust as Vlad takes a heaving, calming breath.

"Then why get involved at all?" Danny asks, staring at the ground.

Vlad sighs, clapping his hands twice. Several ghosts dressed in service uniforms fly out the woodwork, gathering up bits of chandelier as others begin to mop.

"Because, little badger," Vlad says, walking away from the mess. "If we lose this, he'll have you in the palm of his hands. Which is infinitely worse."

Entering the kitchen, he pulls an open bottle of white out of the kitchen fridge and pours himself a glass, throwing a Fiji water to Danny who takes it for the peace offering it is.

"He won't."

"Won't what, Daniel? Please speak in full sentences."

"Won't have me," Danny says, letting a thin coat of frost spread over the bottle. He tips the freezing cold water into his mouth and wipes his face with his sleeve, mostly to see Vlad grimace.

"Why, because you'll run away if he wins? Until you turn eighteen? I won't have you fail to complete your education because of a cockamamie scheme, Daniel—"

"Because I have a solution, Vlad, one that doesn't involve the courts or running away."

"And what is that, exactly, Daniel?"

--

"You're going to leave my family alone."

"Danny," Mr. Wayne says, blinking in surprise at the boy on his doorstep and miles away from Illinois.

"I mean it," Danny says firmly. "You're going to drop your petition and whatever smear campaign you were planning on and leave the Fentons alone."

"Danny...why don't you come inside?"

Danny takes a step back from the manor's large doors. "You want a relationship with me? Brute force isn't the answer."

Bruce takes in the teenager, lanky but almost to his eye level. His eyes are clear and sharp, his demeanor forcibly calm.

"I debated whether going through the court was the right thing to do," Bruce says slowly, matching calm with calm. "But I wanted to be above board."

"Because my adoption wasn't?" Danny says, arms crossed. "Yeah, I'm aware. Kinda hard to adopt a kid that doesn't legally exist. And I know what you're going to say, the Fentons should've reported me to the system, but they didn't do it because I begged them not to. Because I didn't want my biological parents to find me."

"Danny..."

"You can swing your dick around and get your way, exactly the way I thought you would do things," Danny says, "Or you can have a relationship with me on my terms. A relationship where I don't despise you because you took me away from the people who've loved me no matter their faults."

"You're asking me to choose your happiness over your safety." Bruce says carefully.

"That's bullshit," Danny says. "I had a lab accident when I was fourteen and went directly against my parents' instructions. They trusted me, and I made a mistake."

"It's not a matter of trust. You were a child, Danny, and you almost died." Bruce says, not bothering to feign ignorance. Footsteps echo behind him.

"Bruce?" A voice calls. "Is that..?"

"Your son did die," Danny says. "He took a flight with your credit card to Ethiopia and got blown up. I bet you trusted him too."

Bruce reels back as a hand lands on his shoulder, the other on the door.

"Whoa, whoa, uh, Danny, right? I'm Tim, I'm—"

"I know who you are," Danny says, clenching his fists. Powering through the hurt he is causing. "I didn't come here to point out what a total hypocrite you are. I just want you to back off. And if you give me your number, we can text and I'll come to Gotham for Thanksgiving or the ski chalet in Vermont or your villa in where-the-fuck-ever and you can be Uncle Bruce that I maybe even tolerate being around once in a while. Just leave my family alone."

"Bruce, what is he talking about?" Tim asks. "Back off of what?"

"Your Dad is suing my parents for full custody," Danny says when it becomes clear Bruce isn't answering.

"What?" Tim hisses, turning to Bruce. "That isn't what we talked about!"

"Danny. I..."

"Here," Danny says, thrusting an index card forward that he's scrawled his phone number and email onto. On the other side is the past participle conjugation for 'venir'. "I won't answer until you drop the custody petition. Which I expect you to do by tomorrow morning."

"Done," Tim says, stepping past Bruce and taking the card. "Give me about noon to get it all squared away with the lawyers. Do you have a hotel? A way home? I'd be happy to reimburse your flight and accommodation."

"Overstepping already."

"Fair enough," Tim says coolly, raising his hands. "Our lawyers will reach out when it's settled."

"Great. Bye." Danny says, turning to leave. He waits until he hears the manor door close behind him before pulling out his cell phone.

Ring!

Ring!

"Hello?"

"It's done."

"What's done? Again, little badger, full sentences, I beg of you."