#then he wouldn’t try it again

[poco-lovers]

Edgar thinks he’s sneaky

trying to sneak his arm around, like no one would notice

[chloesimaginationthings]

William gives Michael a very “good” FNAF gift..

[aardvaark]

the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)

[jellydragons]

been watching a lot of hermitcraft recently and am happy to report that i am hopelessly endeared by these little goobers 💕 they’re like bugs to me

close ups under the cut!

gonna be real this was absolutely just me taking the opportunity to get my grubby lil mitts all up in their character designs lol i heart interpreting mc skins

[tyttetardis]

Looks like David will be back as Macbeth tonight ❤️

[blossoms-phan]

thinking about this photo

[curi0uscreature]

* (steam coming out of my head) I’m fucking thinking dude

[foldingfittedsheets]

FIL loves to call us on this trip. He’ll call about everything. We’ll drop them off to rest at their hotel so we can all chill out for a while and he’ll call. He’ll call multiple times ten minutes apart to ask about the same thing we already clarified yesterday. It is more annoying than I can possibly convey to have to repeat every trip detail five million times because he’s not listening to his wife who remembers the details.

Woke up to a missed call and thought, thank you Do Not Disturb mode. You’re a hero.

[sesamestreep]

sexy himbo jock interpretations of James Tiberius Kirk are silly and do a disservice to the character for a lot of reasons, not least of which is that it fundamentally ignores all the times in canon when Kirk is faced with a scientific discovery or oddity and you can see the effort it takes for him not to clap and skip with excitement. like in ‘the devil in the dark’ when Spock posits that they might be dealing with a silicon based life form and McCoy’s like “but that’s impossible!” and Kirk literally crosses the room to flirt talk excitedly with Spock about the prospect and how it could work! and what it would mean!

What I’m saying is, Kirk’s gotta be smart and a huge dork because how else could he pull a bad autistic bitch like Spock?

[hikaruchen]

I believe the king of Wessex cares for you.

[messiahzzz]

When I came across that "joke" from Tav to Quill and Z'rell's comment (plus Halsin), I had to take a minute to process what happened. Gale might be a bit silly and eccentric but he's the kindest, sweetest and most passionate character in that party. No wonder the poor man has deep insecurities to solve, so many people reduce him to an easy target! Ofc one of the side effects would be overconfidence and ambition as a defense mechanism. He's obv lonely; only Tara and Morena ever loved him for him.

his eccentric nature might be a part of it. he is loquacious, outgoing, and doesn’t see the point in hiding his enthusiasm. he is considered to be the weird one. naturally, wizards in general being seen as somewhat squishy and physically weak might also add to it.

personally, i really don’t like the implications of the (widely considered) autistic-coded character being the one who faces the most ridicule by far by other characters and fans (and larian) alike.

some might disagree with me on that, but i don’t find it funny by any means either. mostly it just makes me feel bad. “he deserves it. cocky, arrogant, hubris-ridden wizard needs to be taken down a peg” like he isn’t… y’know… already at his lowest. it also disregards the fact that much of his bravado is part of his carefully curated Great Wizard of Waterdeep™ persona that he has skillfully adopted to mask his general feeling of being defective. being fiercely proud of your skill and knowledge and being doubtful of having something truly worthwhile to offer are mindsets that can coexist. according to fandom, gale is either secret hubris incarnate that is only waiting to be unleashed upon the world or pure baby that can do no wrong. instead of a character that is just as flawed and traumatized as all the others, but no less deserving of genuine love.

to me, the constant ridicule just reads as further feeding into his deep-rooted insecurities and his belief that he (as gale, the person) isn’t someone who holds inherent worth. it really, really doesn’t sit well with me.

[crab-people-overlord]

okay but can we talk about 'Mystery of the Urinal Deuce' because this episode is literally EVERYTHING when it comes to Stan and Kyle's friendship. Marsh is playing dumb the whole episode and Kyle is losing his goddamn mind over it. The betrayal. The DRAMA.

Stan in this scene knows damn well that everything is a conspiracy (he admits as much later in the episode and knows that Kyle thinks the same thing). And Kyle knows damn well that Stan out of everyone should also know this, because Stan is the one person he can usually count on to back him up on this type of shit. But Stan is the one messing with him in this episode, so we get these fun moments of Stan letting loose and enjoying pranking his friend Kyle. 

Many see the Assburger's duology as the establishment and turning point of Stan’s character. And while it certainly establishes his clinical depression, I’d argue it in no way establishes either his tendency towards depression/melancholy OR cynicism as both of those have always been present from the beginning (but that’s another discussion for another day. I already basically wrote an essay on that a longgg time ago that maybe I’ll share later).

When it comes to a true  ‘turning point’ for Stan’s character, I think of ‘Raisin’s’ ‘from Season 7, which expands on his already present tendency towards sensitivity and annoyances with general society and evolves it into a deep melancholy and detachment from society (at times bordering on nihilism, something we see more of from Stan post Season 7’s ‘Raisins’ such as in the ‘Douche and Turd’ episode in Season 8 and many other episodes). I don’t see the ‘You’re Getting Old’ episode as the turning point for Stan’s character at all. I see it more as an extension of what I actually view as his turning point episode of ‘Raisin’s’. 

What I love about ‘Mystery of the Urinal Deuce’ is it is a post ‘Raisin’s’ episode where Stan just gets to play around, which is sadly something we just don’t see from Stan post-season 7 as often. 

Kyle has always been the easiest target for Cartman not even necessarily because of his traits, but because of his reactions. He is super reactive to everything, and Stan knows this. Unlike Cartman, Stan respects this and usually stands up for Kyle when this aspect of him is taken advantage of. But at the same time, this doesn’t mean that Stan doesn’t like to tease Kyle at times - because let’s be real; Kyle’s high reactivity would make it so fun to mess with him. And in this episode, Stan takes advantage of that. 

And while usually I hate people taking advantage of Kyle in this way, it is so goddamn refreshing to see Stan just being able to let go of all the heavy shit that’s been so key to his character emotionally post-Season 7 and just play around with his bestie in this episode, something I think that at the core of his character he ultimately just wants to be able to do at the end of the day. you can TASTE the shit-eating grin in his voice. he is having the TIME OF HIS LIFE watching Kyle spiral. stan tries so GODDAMN hard to find happiness throughout the series to no avail, so it’s refreshing the times he succeeds and gets to just actually be himself.

Later on in the episode, Stan is also just able to let loose. His ‘Well dude, maybe we’re just badass, have you ever thought of that?’ later on in the episode is said so nonchalantly with him literally smirking, and it cracks me up every time as he tries to appease Kyle’s doubts. He is thoroughly enjoying pranking his friend. 

like yes give me more of this next season?? give me more of stan actually getting to be a kid and mess around with his best friend instead of drowning in existential dread 24/7? please and thank you?

[dykedvonte]

(abt my last ask) thank you for the answer, your understanding of charas is trully stellar!

I wanted to ask, what's your take on recovery!au (unless you intend to cover it in your fic)? In the universe, where Jimmy happens, but the crew somehow survives. Everyone is traumatised, Anya is pregnant, Curly is disabled (could he even be able to afford disability aids? Pony express in no more, would they even be paid a sufficient compensation?). There is also a question of p*lice investigation (or whatever agency is responsible for space crimes), even more trauma... Man, it's bleak.

-💀

I like them sad but for emotional and physical recovery reason rather than all the actual legal stuff that would ensue.

I like when Swansea relapsing is explored and Daisuke losing a little bit of his light. I am clearly a big supporter of Anya and Curly remaining close friend after but I think exploring the unhealthy dynamics of the trauma bond they’d develop should be played with way more. I think it’s a bit annoying when people are on the nose about Anya telling Curly he should’ve done more, especially when he’s struggling through recovery.

I feel like people really want her to be a character to rub salt into wounds, just to give her something cathartic, but it’s just OOC for me. It’s not a kindness thing but I don’t think she wants that sort of guilt to stay with him like that? He did not do what Jimmy did, he could’ve done more to stop it but she would not intentionally try to direct what she can never take out towards Jimmy at Curly. At least when they all make it out. This is not to say she doesn’t think he shouldn’t have any remorse but she understands that no one else could have foreseen Jimmy crashing the ship or getting that bad.

I like when it gets psychoanalytic in fics with the crew. Talk about Curly finally opening up on details on how he and Jimmy were friends, have the others realize how bad Jimmy was to even Curly, not a lot of people realize that they don’t know how Jimmy was to him. Have Anya be angry and snippy, have her worry she’s becoming like Jimmy even though she could never be like him, it’s that fear though, that she is owed that cathartic release and may take it out on others in some selfish subconscious desire to reclaim control for herself. Have her actualize-herself, is med school the only option? What does she want now? Does Swansea divorce his wife, give up on the life he created because he was just following the path of a good man, one he didn’t believe? Or does he stay and use the time he has left to make it something he believes in. How is Daisuke? Is he more mature or does he lose a little light? What are his new aspirations if any? His relationship with his parents?

Ultimately, I think a recover au should really focus on just them actually getting to know each other and filling themselves. So much of their interactions were likely based on coworker dynamics first. With that out the window they are now people who can’t really move on from each other but need to move on in life.

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda

[princescar]

what makes me so crazy is matsuda doesnt really want to hurt anyone, he wants to do good for the world but is stuck in this endless cycle of trying to keep the girl he loves safe. did he have to kill those people? yes. because it would keep her safe. did he have to hide those bodies? also yes. because it kept her safe. did he have to drug her? yes. because shes trying to end the world and hurt herself along with it. while technically he didnt have to do any of this it wouldve killed him to let her get hurt or die, thats why he tries to kill her because maybe then she’ll stop being such a risk to herself. fully believe he either wouldnt have gone through with it or if he did kill her he wouldve gone down with her. he cant live without her, and after everything she does remember him. scrubs face Hi

He loves her so much it slaughters me.

Like, the contrast between his previous two murders and how he tries to kill her. With Soshun he's trying to dissociate, he dehumanizes him and refers to him as a "thing", and he has to squeeze his eyes shut because he just can’t handle it. It's horrific. With Yuto, its quick but violent, head completely snapped at 180 degrees. He feels guilt, but he’s at the point where he doesn’t really care, because its no longer the worse thing he's done. His death isn’t lingered on. Its detached.

But with Ryoko, he is described as being gentle multiple times, he's looking into her eyes. He tries to be comforting by telling her she doesn’t have to remember anymore. Its romantic. Soshun is a threat to junko's safety, so he is viewed as a monster. Yuto is an obstacle in the way of protecting Junko, so he is viewed as an object. Ryoko is Junko, so this is viewed as an act of love.

I noticed that he will often talk about how necessary killing them was for junko's sake, but he’s only saying that to himself to make the guilt go down easier; as mastuda knew soshun couldn’t hear him and yuto was dead (and he didn’t acknowledge ryoko's presence until after) when he said he needed to kill them for her. But he outright says that killing Junko is for his sake, and its another parallel i find so interesting.

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc