#then I wrote all about it

[inkskinned]

i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".

it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.

do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.

but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.

do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).

you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.

walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.

no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.

do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."

you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.

there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.

i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.

he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[adriles]

when we’re done with our overwhelming grief we’ll eat i guess

[lazylittledragon]

pt 1 of some much requested cyra lore

[thekaiserroll]

Hug

It's nearly impossible to have a quiet and peaceful day with the crew, like the strawhats. Nami is mostly used to the noise on Going Merry but one day she gets fed up with Zoro and Sanji arguing. Not only are they extremely loud, but they've also already broken way too many things during their fights.

She decides that If they want to act like brats, then she's going to treat them as such. So she makes them apologize and hug each other in silence for an hour. None of them are happy about this punishment, but Nami threatened to raise Zoro's debt, and Sanji couldn't say no to her. It could be worse.

It's awkward enough for them to not incite any fight for a long time and Nami is quite proud of herself. She knows it won't last forever but at least now she knows how to handle them. It inevitably happens again. And again. And again.

Much to her surprise, those fights became more and more frequent. And what's even weirder is that she could see the way both Zoro and Sanji occasionally glanced at her to make sure she was nearby. It's almost as if they wanted someone to make them hug each other. As if they needed an excuse.... these idiots.

Soon, they don't even need Nami's help. When they aren't busy training, cooking or fighting, they cuddle together. Sometimes Luffy or Chopper would join them, but most of the crew knew it was their time.

After two years spent separately, they became extremely clingy. It's no surprise when they start sleeping in the same bed. What is surprising is that despite them behaving like a lovey-dovey couple, those oblivious idiots are STILL unaware of each other's feelings.

[biggest-gaudiest-patronuses]

real talk having the 2nd worst new years eve yet 🤢🤢🤢 (throat infection, twisted neck, banged-about-foot, ego AND the rest o' me all bruised like misjuggled peaches 🍑🍑🍑)

im bent outa shape and suspectin the universe owes me 8 buck if anyone wannsa chip in

[mistercrowbar]

Maybe Aldiirn should have informed the party of what they were looking for so they could, y'know, get these reactions out beforehand lmao. Some folks correctly guessed Aldiirn's salve is t-gel, what else would the mushroom look like???

more BG3 comics!

[tawnysoup]

the fritter (frin critter)

[shepscapades]

[Part 1] [PART 2] [Part 3]

The unexpected return of a face Xisuma never thought he'd see again.

[notebooks-and-laptops]

"If we use force against our enemies, our allies will remember it": an exploration of the Archon Quest in DAtV.

Not everyone will have gotten this quest, as it's only avaliable if you saved Minrathous over Treviso. So let me start by setting the scene:

Rook has just found a secret list of Venatori plans in a Venatori vault. This includes a list of magisters who have been engaging in 'illegal slavery' and also a list of the backers of said magisters.

Dorian and Mae are arguing over how best to use this information. They have decided that one of them should become the Archon, however, they both have different ways they would go about it:

Dorian wants to 'crush our enemies by any means neccessary' - 'destory them and their networks by any means neccessary'. Maeveas describes this as 'swords and spies and blackmail; the devious means [Dorian] learned in the South'.

Mae wants to 'do this in the open. Show the people of Tevinter that we're here for them'. She wants to make this information public in order to 'inspire'.

Both will support the other, depending on what Rook decides. Both of them want to abolish slavery and get rid of the rule of Altus mages; 'the Soporati deserve a say in their own governance'. They say they have the same aims, but they would go about getting them in different ways.

Except...none of what they say actually makes any sense whatsoever.

Tevinter is Not a Democracy

Tevinter is not a demoracy. People do not 'vote' on who represents them.

Instead, there is a magesterium made up of magisters. These roles are hereditary (although you can have apprentice who take your title instead). You rule, because of your birth, or because you were lucky enough that somebody who rules because of their birth picked you.

There is not an election cycle. The magisters do not have to do anything to remain in power beyond making sure people aren't angry/scared enough to stage a coup.

Political factions exist within the magisterium, but you have to work to gain those who already are in it onto your side, you can't just get people to vote more of your faction in.

So....with this in mind, how is Mae's plan ever going to work.

Mae talks about wanting to do things out in the open. She wants to show Tevinter that politicans can be here for them. But those people...don't have a say. They can't meaningfully change things, or vote, or do anything beyond have a (probably violent) revolution.

And yet, we are led to believe that Mae's option will be the path of least resistence. Mae's option is 'working within the system'. What system? Mae won't be able to do anything, even if the public is on her side. It doesn't matter.

The magisters who are Venatori may die by the end of the game, or they may simply step down and give their titles to their children to avoid public disgrace. Maybe, maybe if people are angry enough, the heirs and apprentaces from other houses and magisters will take their place. But I don't see how Mae publishing this list of people and their backers will get her into power.

Especially in a country where slavery is legal. You know the people who would want Dorian and Maevearis's plans to succeed? Slaves. Because they're the only ones unlikely to be culturally indocronated to believe slavery is a good thing. Those a 'rung above slavery' like Krem, may also want their plans to succeed, but they'd likely have to be convinced, or have something happen to them (e.g. like how Krem's family struggled to remain in business because slaves can do their work for free so the products never cost as much) to push them into seeing all this. I highly doubt most people in this society as is would distinquish much between 'legal' and 'illegal' slavery. What even is illegal slavery? Taking people from other nations into slavery without the consent of said nations? That's most of the nations in thedas then. And if slave imports are continuing then surely everyone already knows that this is taking place and that people are arranging it.

AND EVEN IF THEY DID THERE ISN'T A DEMOCRACY FOR THEM TO VOTE MAE IN. To get Mae in, Mae has to convince the magisterium - and that includes convincing them to let her back in ON TOP OF convincing them to elect her as their ruler OR she has to have a violent overthrow backed by the people. That is the only way that 'inspiring' the people can succeed here.

Meanwhile, We have Dorian. Tarquin acts like Dorians plan will mean another Anders style chantry explosion, with things getting worse before they get better. But Dorians plan is vague to say the least. Blackmail? Okay. Working within his place in the magisterium? Now that makes more sense to me; if he can work within his place that might get him to be archon which would in turn allow him to potentially effect meaningful change from the top down with less tape around what he can and can't do.

But Mae implies Dorian is going to start killing people; 'if we use force against our enemies they will remember it'. But....what? Okay maybe Dorian plans to assassinate some people? But if he does, their kids will just get in. Maybe he just plans to threaten to assassinate people (interesting move as that's what got his father, but I think that COULD be an intersting direction for him) and that's what it means by blackmail etc. But if that's the case, is he really going to get to be Archon for long?

Dorians way looks way more like working within the system or...maybe turning the system into some of kind of dictatorship in order to make it a democracy so that Soporati can vote? Do ex-slaves get the vote in this world?

None of this makes any sense, their plans are so so so vague, and what they pitch and what they want means their pitches should be switched.

Who should be the Archon?

Towards the end of this place, Maevaris and Dorian say that a quater of the magisterium are Venatori. This is the implied quater that we have information on, and who needs to be taken out of the magisterium. But...okay, how?

In DAI, three of our companions (Vivienne, Leliana and Cassandra) are up for the role of Divine. But the reason they're up for the role despite all three of them being in some way a break with the past, is that there is nobody else. Everyone else who was up for the position died in the conclave explosion. All three of them have also gained large leaps forward in their reputation based on their actions in the inquistion.

But in DAtV....even if that quater are all killed in the final fight with the Gods, that means 75% are left over. I can see perhaps Dorian - who has maintained his seat in the Magisterium - being able to elbow himself into that power vaccum, win over the 75% and become the Achon. But Mae has been kicked out of the Magisterium already. She's lost her title. How is she going to get herself back in. As detailed above, it won't be by democracy. The Viper talks about her 'triumphent return' but nobody has actually given me a plan to get her to that triumphent return???

Basically; it makes very little sense that these two people are up for archon, even now we know the current one is dead. The archon is usually an inherrited title, either by blood or by being the apprentace of the previous Archon. The Archon can be voted in by only the magisterium if the archon dies without either of these things, however, so that's what they're going for here. But why would any of these 75% of magisters vote for Mae or Dorian?

And even if you argue that the Venatori list had the illegal dealings of more than just those 25% so Dorian and Mae could blackmail them for the position; firstly, Mae has already said she's not blackmailing anyone. So that leaves only Dorian. But the Magisters can pass their seats onto their children, instead of giving in to Dorians demands. That way even if Dorian exposes them, they're no longer in the Magisterium. Similarly, it surely is well known that the magisterium are dealing in 'illegal slavery' and surely even if it isn't, there are ways those within the Magisterium can use their money and power to pretend that they weren't involved with that. Polticians in the real world get away with these lies all the time!

Violence and Thedas

I'm not planning on making this point at length, but I do think the quote I opened this with also makes no sense for Dragon Age. 'If we use force against our enemies, our allies will remember it'.

In a game. Which is. About fighting enemies.

Like, this is a fighting game. We fight our enemies in this game. We don't sit down for tea with the Gods. We don't invite the red templars over to discuss politics. We don't ask the darkspawn if there's any way they won't do what they want.

We've been killing venatori for the WHOLE GAME by this point. We've ALREADY been using force.

I guess that the writers are trying to make a distinction between political violence vs. the rest of the game but uhhh. That doesn't really work either, especially in a game series which has had political violence pretty much at its core (we start with a game about CIVIL WAR and then move swiftly into a game where one of your companions commits an act of terrorism to inspire an overthrow of an unjust system) but also like. The implication that all groups who are bad are just 'evil' and have no motivations beyond 'power' and 'being evil' is dumb, and dragon age games used to be better than that. The Venatori, the Antam, the Crows, Butcher, Illario, The Grey Wardens, all of these people are playing with politics. Dragon Age games used to know this, they ahve a whole thing about 'the great game'.

But. Whatever. I said I wouldn't labour this point and I won't, but this quote makes no sense in a game where we've already spent the whole time using force.

(and also...isn't trying to abolish slavery perhaps a good thing to use force against? This quote implies that both the enemies (pro-slavery) and the allies (anti-slavery) have a similar moral standing which uhhhh i wouldn't say is true)

Why did this happen; some closing remarks

DAtV is vague enough about Tevinter politics that I feel you could, without knowledge of the previous games lore/the codexes believe the following points

slavery is a fringe practice in Tevinter

tevinter is a democracy

In this set of circumstances, their plans would make a lot more sense. Mae really could hope to get people on her side to vote out magisters who are engaging in 'illegal slavery' and other unmentioned things. She really could try and get elected on the promise of honesty and doing things differently, but still working within the system and eventually being Archon.

But this isn't the case. What's happening here is 21st century Demoractic (American Centric) politics are being placed onto a system which is essentially ancient Rome with absolutely no effort to try and make either confirm.

These days there are serious questions surrounding democracy, truth and lies we tell the people, whether its better to work 'behind the scenes' for a better world or not etc. These are all questions that have becoming increasingly relevant in the rise of the far right since 2016. And those who think the system need to change have MANY MANY arguments about whether we need to burn down the system, or whether we need to work within the system and with the backing of everyone to achieve our aims.

But that doesn't work in Tevinter. It doesn't mean anything.

I think the writers were trying to short hand some contempary politics into this world, were purposely vague about the parts of tevinter that don't fit that mould, tried to act like slavery was some form of modern discrimination that can be easily brushed to one side, and then just...released the game like that, with this choice.

But thinking about it for more than 5 seconds makes it SO STUPID. I literally spent ALL of that cutscene going 'wait what??? huh???' i watched it back three times before I understood what they were doing and why Mae and Dorians views were supposed to make sense before I wrote this post.

Another example of the writers not taking established lore/politics/culture in this game seriously. Another example of this game not taking its setting into account. I just. Yeah. This one really pushes me.

td;lr this storyline about who is the future archon doesn't work because Tevinter is not a democracy and they don't actually take into account the political implications, nor lay out actual political plans on how they'd achieve their aims.

[corpsentry]

pick your battles

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[dapper-lil-arts]

I'm not the kind of person that's like "Here let me fix the canon" usually but like holy crap gen 5 implied a lot of messed up shit about our hero Twilight Sparkle lmao

[princess-of-morkva]

thinking about. how merlin brings out the best in arthur and on the other hand arthur brings out the darkest parts of merlin. how arthur always tries to be better and do the right thing because merlin believes in him and he wouldn't want to disappoint him. because he believes merlin is good and he wants to be good for him. how merlin always ends up making the worst decision in his desire to protect arthur, doing things he never thought he'd do. how from saving arthur's life because that's a right thing to do, he goes to putting his life above any of his own morals.

[tempo-takoyaki]

Merry Christmas!! I hope you all have a wonderful day <3

EDIT: I accidentally posted this too early but know this illustration is referring to a previous comic if you'd like to read it ! [Christmas 2023]

[poorly-drawn-mdzs]

Breaking Bread, and Spilling Soup.

[Bonus art]

[First] Prev <–-> Next