Tumgik
#themes in lost
lost-inanotherlife · 3 months
Text
Lost S1 Rewatch: Destiny&Deception
I've just finished my S1 rewatch (after 20 years, gosh) and I find myself groundlessly surprised.
Surprised because I've just realized how deep the theme of "deceptions&lies&cons" runs through the series.
Groundlessly because it doesn't exactly take a genius to notice it, the writers are absolutely clear in that respect, every episode of S1 features a bunch of lies and some good ol' deception for good measure.
So while I wouldn't deny that "Destiny vs Free Will" is one of S1's major themes... I wouldn't say it's the MAIN theme. I think "Deception" is. Which is possibly even worse because if the main theme of a narrative is "Deception" and the close-to-main-but-not-quite is "Destiny" you kinda know you're in for a hell of a ride.
If we stop and think about it, the vast majority of Losties are not exactly people unwilling to deceive for their personal gain, tell lies and sometimes even straight up con others.
Kate and Sawyer are, of course, professional manipulators and the fact that they are among the main characters is already super telling. Sayid is a "communication officer", an expert in detecting lies and, we'll come to know in "The Greater Good", a good one in telling them too in order to basically con his own friend. Jin and Sun know too well the intricacies and the depths of lying: Jin lies about his own father to his soon-to-be bride and then keeps lying to her about his business with her father (although, it must be noticed, that it's a reluctant lie and something he didn't even know he had gotten himself into in the first place). Sun lied about her English, yes, but, most importantly, she was planning to leave Jin and failed.
Then we have Locke who surely tells some white lies. He seems to portray Helen as his partner but maybe this is less of a lie he tells other people than one he tells himsel. He also lies to the travel agency about his physical condition. Not to mention all the lies he tells on the island. However, Locke is undoubtedly the victim of a vicious con. Anthony Cooper, John's father, is a better confidence man than Sawyer could ever be.
Shannon is also a deceiver and sort of a scammer because she's schemed this convoluted way of getting her hands on the money that she didn't inherit from her father by playing Boone and leaning on his twisted love for her. Conversely, Boone is a victim both of Shannon's deception and of Locke's lies. Boone tries to be stealth when he steals the remaining water because he wants to ration it but fails miserably. On an island inhabited by more or less successful deceivers he was the innocent sacrifice the island demanded.
Walt lies too but, I mean, he's a child, although I bet that burning the raft took some pretty crafty scheming for a 10-year-old. He comes clean to Michael so that's good. Michael also lies to Walt but I've got a hard time classifying it as a "deceiving lie" because he didn't tell his long-lost, grieving-the-death-of-his-mother estranged son that his adoptive father has basically returned him to sender. So, yeah. But hey, still thematically relevant.
Charlie is both deceived by his own brother and a deceiver to Lucy, the rich girl he dated to steal some of her antiques in order to get some money to buy more drugs.
Claire, like John and Boone, is a victim of the deception of both his son's father, Thomas, and of Mr. Makin, the psychic.
Hurley is the proverbial exception to the rule because I think his lie is a rightful omission. All the more so if we think about what happens when he tells the truth (Charlie thinks he's taking the piss, Jack quite vulgarly implies that he's crazy). Which is ironic because his "lie" (not disclosing the info about the curse and the numbers) would actually make A LOT of sense on the island.
Finally, Jack. What about him? I think he's the character that deceives himself the most. He lives by the "Do No Harm" rule and the same name episode tells us exactly this: do no harm to others but you can harm yourself no problem.
And what about Rousseau and Ethan? Ethan literally infiltrated the Losties and deceived them while Rousseau disguised her motives to approach the Losties (i.e. to inform them about the imminent coming of The Others) in order to kidnap Aaron.
So what does this all mean?
Season 1 seems to silently ask: are Destiny and Deception the two sides of the same coin? Is Deception inherently weaved into the fabrics of Destiny or is Destiny at work through Deception? Is Destiny itself a Deception? Or is it lie we tell ourselves so we can pretend to not care about the consequences of our actions, like Jack's father Christian ("That's why the Red Sox will never win the World Series")? Oh, so many questions!
Beautiful, beautiful season! <3
18 notes · View notes
sharkuro · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
the last 2 are so funny to me.. like.. girl what happened
2K notes · View notes
zarnzarn · 18 days
Text
Athena shoots upright as soon as her eyes fly open, gasping. She calls on her spear and slashes in a brutal curve, provoking shouts from the enemies who'd been holding her down as they back off. Bares her teeth in a snarl as she grabs the sheets off the bed to whip at the eyes of the assailants and-
Light floods into her eyes as they step away from her attack and she freezes as she remembers a flash of brightness too fast to escape, heat and burning like never before, electricity that seeped into her very bones, thunder that deafened, lightning that hurt-
"Get back!" She hears and turns unsteadily back to- back to where Apollo is pulling Ares back by the cape against the far wall. Apollo. Ares. Aphrodite, Aephestus, Artemis.
"Wh-" She manages, before she's bowled over, coughing. She has never done it before, and she can't stop it from happening- chest rattling as her knees give out, barely holding herself up with her spear in time to reach the bed. It doesn't stop, doesn't stop, plumes of smoke escaping her mouth as she can't stop, can't breathe-
"Athena," Hera whispers, and a rough hand gently touches her on the shoulder, handing her a glass of nectar. She accepts it gratefully, tilting her head back to down it. It's soothing like it's never been before, stoping the coughing at last and it clears her headache long enough to realize that she isn't in her armour- she's in a chiton.
"Where is my armour?" She rasps as soon as she can, wiping her mouth. Looks around- Apollo's chambers.
She'd always known being the favourite wouldn't protect her forever. But repeating the words didn't seem to reduce the hurt.
Nor the shaking fear.
"-not!" Apollo is saying, indignantly setting his hands on his hips. "Do you have any idea how hard you got hit? You're lucky I could even stabilize your aspect enough to reduce some of the damage, otherwise you'd still be having a seizure back at Mount Olympus!"
"Mount Olympus," Athena mutters oddly, without much intent to it. She tries to stand again and her vision suddenly cuts out, provoking a round of screams as she loses her balance.
When the world blurrily comes back into focus- and she doesn't like this, hates this sudden weakness; she's always been able to get back up from any blow, has never visited a medical chamber in her existence, even when they had to fight the Titans- she's in Ares' arms, oddly horizontal.
"Cease this stupidity, sister," Artemis hisses at her as she grabs onto Athena's arms to bring her back to the bed. "Calm yourself. You are alive. You are safe."
"My armour," Athena says, voice cracking, head rolling oddly on her neck, unable to look upright. She catches a glimpse of Aephastus holding onto a sobbing Aphrodite, staring at her with a strange sort of sorrow.
Something twinges in Athena's chest in reply, but she stumbles before she can address it, feeling a fission of panic at the instability before Ares' grip on her tightens enough to keep her upright. They're all staring at her like that, she realizes, with that same horrified heartbreak.
"Didn't Artemis just tell you to cease stupidity?" Ares barks, though it's rather quietly said, for him. He adjusts her on the bed until she can lean back against the pillows. His hands are shaking, and Athena stares at them with curiosity. "Weren't you the one to lecture me half to death about when to remove the armour?"
"What," She says weakly, then moans as an aftershock trembles through her, residual sparks humming maliciously as they exit her skin, leaving her trembling. "I- hmmm, what? What were- what were-"
"Athena, calm down, please, you're scaring us," Hera says, bangles jangling as she sits down next to her, taking one of Athena's hands with desperation. Athena tilts her head to squint, noticing the tears for the first time, before she shudders as her skin registers the heat, the unbearable heat.
"Scaring?" She murmurs when it stops, voice coming out smaller than she intended it to.
"Her fever keeps rising and falling," Apollo reenters the room before anyone can answer, carrying a large tub of some odd liquid. "Here, help me rub this on her skin, it should extract any remaining- any remaining lightning."
They all move towards the tub at the same time, dipping the cloths provided and then taking positions in a circle surrounding her. Athena stiffens, fingers twitching for a weapon, but the first touch of Hera's drenched cloth on her forehead makes her moan in relief, the blessed coolness of it making her melt back into the sheets. She has no strength to complain or protest when her fellow gods each take a limb to rub at, a sensation both horrifically terrible and unbearably good. She has never taken her armour off in her life.
"Easy, that's it," Apollo says coaxingly, lips downturned like he's trying not to cry. She whimpers as the cloth on her left leg suddenly burns as a spark escapes, instinctively pulling it away, but Aphrodite grabs it before she can and resumes rubbing, whispering apologies. She turns her head and weakly opens her mouth for the herb Apollo lifts to her lips, desperate for relief from the splitting headache.
She can't think. She can't think.
Athena has no idea how long it goes on, how long the other gods ignore their realms to tend to her. Slowly, they strike up a conversation, something light-hearted that she can't follow- different from their never-ending arguments and insults, as they talk about the past year and humourous stories and varied anecdotes.
Athena can't help but relax into it, the soft bed at her back and gentle hands massaging her sore muscles and warmth all around her. Feels something trembling within her since she first became aware of herself settling down with a sigh.
Until she suddenly smells ozone.
Hera and Apollo both notice her tensing up immediately, and look to where she can hear slow footsteps approaching. Apollo growls and shoots out a hand, bringing up the shields of his realm.
The conversation dies down as they all look to the side, at the distinct shadow at the other side of the curtain.
Rage, Athena realises, thoughts slow and muddied. They're angry with him.
"I will handle this," Hera says coldly, with the steel undertone that Athena strives for. She moves her cloth aside and leans down to kiss Athena on the forehead, like a mother would. "You rest, my daughter."
Athena's breath hitches, eyes burning. Nobody has ever cared for her, apart from Zeu-
Nobody has ever cared for her.
... Nobody has-
Hera turns sharply at the noise that suddenly escapes Athena, half hysterical laugh and half distraught wail.
"Did I win?" Athena asks desperately, pushing herself upright, ignoring the protests of the others as she pulls her limbs from their grasp. Hera stares at her and Athena grabs the side of the bed as she tries to lever herself up like a wild animal, demanding in a broken voice, "Did I win?"
A silence that stretches for a painful moment before- "Yes," Aephastus says, putting his hand on her shoulder to guide her back from the edge. "Yes, Athena, you won."
A strangled gasp of relief leaves her, making her light-headed as she leans back against the pillows. She shivers, then sobs- humiliation running through her before she hears an answering noise of sorrow from Aphrodite next to her, pressure all around as her five younger siblings embrace her carefully, gently, like she would break at any moment.
She's not the one who's been raped by a Titan's daughter for seven years.
The thought has her breath hitching, wiping her tears away with a hand that refuses to co-operate the first few tries. "I need to-"
"No," Artemis snaps, glaring at her. "I know you think of nothing but your work, but Athena, you cannot do it this time." Outside, Hera's and Zeus' voices rise as they begin to shout and scream. "You must rest."
"N-no, that's not- aah," She groans as another aftershock rips through her, leaving her panting and soaked in sweat when it's done. "I need to- I need-"
"Hermes has gone to his grandson," Aephastus says soothingly. "Peace, Athena. Your hero is free."
For a moment, it doesn't comprehend and she stares at him blankly. "Free," She repeats, words still infuriatingly faint and lilting. "He's free? I- I need my helmet, where is-"
"No, Athena!"
"Sister, please, you cannot resume your duties, you are in no state!"
"I need my helmet, please, please- just give me my helmet!"
Her cry echoes off the walls and she hears herself when it bounces back to her, broken and pleading and so unlike her she feels nauseous. Her siblings have gone silent and still at her begging, staring at her with shock and horror and fear and sorrow alike. Even Zeus and Hera have stopped talking.
Athena shakes, wishing she could rip this awful vulnerability out of her veins, wishes she could find a stone footing to stand on once more, wishes she wasn't in this horrible chiton.
"Please," She whispers.
Quietly, Aephastus gets to his feet and walks in the direction of the nearby drawers, where she can now see her belongings stacked up haphazardly, blood-stained.
"Sister, you must calm down," Aphrodite pleads. She takes her hands and Athena dazedly looks down at her, with her wide, scared eyes. Seizure, her mind registers finally from Apollo's earlier talk. Ah. She seems to have frightened them all. "You cannot afford a relapse."
Athena squeezes her fingers in acknowledgement, but reaches for the helmet when it's held out, dented and worn.
She touches the metal and feels the full force of seven years of silenced prayers hit her at once.
She's crying before she knows she's doing it, clutching the helmet to her chest as the warmth of the worship wraps around her like a shawl, and holds it tight against her as Ares tries to pry it away.
"No, no!" Apollo intervenes, shifting forward. He touches a hand to the helmet and suddenly the hymn bursts forth around them, loud even though the prayer itself is quiet and broken. Athena inhales at the feeling of it, soothing over the cracks in her own mind with their never-ending continuity, desolate, unbroken faith even when she never came to help-
He's still singing.
She shifts her hands on the helmet to make sure but- yes. Odysseus is calling her, still, at this very moment.
Her head snaps up, but even the dizziness the motion causes doesn't take away from how much clearer the room looks. "Where is he?"
"Sister-"
"If you do not answer me, I will take to the skies myself," She says firmly. "Where is he?"
Her siblings exchange looks.
"Three days out from Ithaka," Artemis replies with a sigh. "On a raft. But listen, wait but an hour, at least absorb these prayers-"
Athena stumbles off the bed and pulls on the helmet, closing her eyes.
"Wait, the bandages-!"
"Athena, you'll hurt yourself, please!"
"Daughter, be careful!"
Athena opens her eyes and looks out at the waves, rough and choppy, but not enough to sink the raft. She looks down and looks at the way the faded clothes don't fit him, the way he has no water left to drink but he still continues to sing.
"Odysseus," She says, and he freezes.
A wave rises and falls. They stay silent, unmoving.
"Won't you look?" The words break out of her, cracked and desperate.
He inhales and exhales, tears in the sound of it. "I don't want to look if you're... if you're not really here."
She swallows against the lump in her throat, takes a step forward. "Well, I-" Her voice cracks, but the fragile grin on her face is real as it spreads, the frailest thread of laughter entering her voice. "I would hope. That if you were hallucinating of me, that the spectre would at least have wisdom enough to tell you that you were."
Odysseus sobs and her heart cracks, feels his heart cracking in turn; yet it is akin to a misaligned bone that never healed right and has to be reset- she can hear the laughter before it comes, with relief coming from the brink of madness, with joy they'd both forgotten and missed. "It is you."
"I could not reach you on Ogygia," She blurts out, desperate to make him understand. "Could not hear your call. I would have come the second time you prayed, if I had."
"It is you," He whispers, swaying. A wave rises suddenly and they both burst into movement, grabbing ropes and pulling the mast, balancing together to keep it steady.
The wave passes. They are almost touching now.
"Won't you look?" Athena asks again, raw and grieving. "Odysseus. My companion, my friend. Please."
He turns at that, a stunned expression on his face- before it turns into wide-eyed horror as he looks at her. She laughs breathlessly, slightly dizzy, but- her friend. How lovely it is to see him again.
"Athena!" He rushes forward with unexpected vitality, the parts of him that she knew suddenly rising to light in his eyes, in his movements, becoming unhidden from the defeated, beaten figure he'd been moments before. "What in Gaia's name-"
"I'm sorry," She interrupts as she slumps forward into the hands on her arms, off-balance. "I should have tried better to understand, all those years ago. I understand now and I- Odysseus, I am-"
"Athena, shut up," Odysseus snaps, clearly panicking. She laughs again, because isn't it such a novelty, to have a person who will have the audacity to tell her to? "Of course it's forgiven, I'm sorry too, I should have fucking listened back then- but listen, what in Hades happened to you? Why do you look like this- why do you have bandages- Hermes wouldn't answer when I asked if something happened to you, fuck-"
"Peace," Athena rasps, even as her vision blinks in and out, forcing her to kneel. They both grimace as another wave crashes into the raft, but they don't upturn. Odysseus kneels down with her, staring at her with such worry and concern she can feel nothing but fondness. "The disagreements of gods are often violent."
"Gods-" His eyes flicker to the side of her face, and he frowns, reaching out to push back the helmet. She bends her face down to let him, feeling an odd burning on the left side that she has a vague bad feeling about- proved right when Odysseus' expression falls into blank horror. "You got into a fight with-"
"Yes."
"But he's your-"
"I know. He did not take kindly to my petition to release you," She smiles dryly, without mirth.
"To release me?" Odysseus wheezes, face cracking into anguish and disbelief alike. "Athena, what- I- I'm not worth-"
"It was worth it," She snaps. "Consider it my penance for abandoning my own. I certainly don't regret it."
"I never felt abandoned," Odysseus whispers, taking her hands as she shifts, supporting her body with his own as they lean against the mast. She looks at him, and remembers why Penelope is still weaving, why he's still out on the waters, why Ithaka is waiting out the suitors till Telemachus takes the throne. "I always knew you would come back. I just figured it would take ten years more, perhaps."
Athena is silent for a bit, absorbing that. And then, because she can't hold it back any longer- "I am sorry about your men." His breath hitches under her and she turns to take him in her arms, knowing what's coming. "I am sorry about your friends."
He sobs, ugly and loud, and she holds him tighter. "I am sorry that Titan's whelp had you for so long, and what she did to you. I am sorry the Fates were so unkind."
"Athena," He keens, finally falling to pieces. The sobs are mere loud gasps for air at first, before it dissolves into wailing, screaming, grieving for all the men they'd kept alive through a war, only to lose them to this cruel tragedy instead. Even she hadn't known- hadn't anticipated how wrong things would go after she left. Hadn't even thought that he hadn't reached home.
"It's all my fucking fault," He shouts, shaking. "If only I had- if only-"
"It is not. No one could have known," She whispers. "The Fates are unknown to us all."
He sobs louder and she closes her eyes.
But finally, their tears dry up. She holds him still, as the night fades and the sun rises again, trying to take his hurt into herself so he can be happy again.
"I am sorry," She whispers, seaspray around them. "That my enemies became your own. That I pushed you so hard. That I chose you, and brought pain to your life so."
"Hey now," Odysseus says, pulling back to look at her, a broken smile on his face. "Hold your blasphemous tongue, before you insult the wisdom of Pallas Athena." She laughs, even as tears spill over. "Even if I had the chance to choose again right at this moment, my goddess, I would still choose you."
"That means more than you know," Athena murmurs, overcome. She gathers all her strength and reaches out to run a hand over his head, soothing his mind and driving away the last tendrils of madness that were still holding onto him. He sighs and relaxes under her, some visible weight lifting from his shoulders. "Still. I will learn from my mistakes. If you would give your old friend a chance-"
"Stop right there. Of course I-" Odysseus scoffs, reaching out to hold her left cheek for emphasis. "Athena, your left eye is half gone."
"Ah. Well, that explains the depth perception," She mutters, then bursts into giggles at the incredulous look on his face.
"Are you drugged?" Odysseus demands, but he's already trying not to laugh himself. They both move on fast. "What am I saying, of course you are- have you been drugged this whole time? Who on Earth drugged you?"
"That would be me," Apollo says, crossing his arms.
Odysseus snarls, grabbing his sword and swinging wildly in an arc, half-animal in his panic, pushing Athena behind him.
"FUCKING- whoa, hey, calm down, it's her brother, it's Apollo!" Apollo half-shrieks inelegantly, jumping back. "Honestly! Athena, call off your hero, please."
"Apollo?" Odysseus tilts his head, lowering his sword and narrowing his eyes.
Apollo stares at him. "Wow, you two- really do act the exact same, huh. Yes, Apollo, god of please let me change your fucking bandages, do you mind?"
Odysseus bows and murmurs apologies, clearly wary of getting into more trouble, but to her mild surprise walks behind Athena instead of to the other side of the raft.
"I don't need assistance," She mutters to him, even as she grimaces at the length of the chiton as she tries to pull herself upright.
"You're still dizzy," Odysseus points out, settling in behind her to hold her steady. He wipes at the tears still on his face and smiles at her. She manages a half-smile back. "Do you need to go back to Olympus?"
"Yes," Artemis crosses her hands and Odysseus' fingers tighten painfully on her shoulders.
"I'm not quite certain there's space for so many on this raft," Athena mutters.
"It's a magical raft, it'll survive- but never mind that, could you not have at least sent a message that you were okay?"
"Well, maybe you should have thought of that before running off without a word!"
"Really, daughter, you should know better!"
Odysseus grip is bruising now, and his sword is in front of Athena protectively; she can already tell what moves he's planning to use if they choose to attack. "Who..?" He asks lowly.
"Pantheon. At ease," She replies back shortly, before looking up at the others. "I thank you, my fellow go- my family, for your worry and concern. But we are only two days out from Ithaka and I would like to see this journey completed."
"You are not going to see yourself completed, if you don't rest," Apollo says, roughly at the exact same time that Athena undermines her own argument by throwing up on the raft.
"Athena, go," Odysseus says urgently when it's over, handing her helmet back to her and adjusting her cape as Hera kneels down beside her to hand her another glass of nectar, looking at him oddly. Odysseus grimaces and changes his tone. "I will be fine, patroness. I'll call for you when I reach the shores."
Movement catches her eye and she sees Ares remove his own helmet, giving her a reproving look. She remembers the speech he was talking about now- the one she'd loudly ranted at him when she was drunk a year ago, thinks about how much more at ease he is now.
"Alright," She acquiesces and everyone breathes a sigh of relief. "Two days."
Mania fills Odysseus' eyes as he smiles back, finally home from a war twenty years ago. "Two days."
Athena grins, even as she feels Hera wrap an arm around her to take her away. "Penelope is waiting."
Odysseus' eyes widen, then fill with tears, like he'd never quite truly let himself believe it; but his smile is wide and true. "Penelope is waiting. Thank you, Pallas Athena."
"You don't thank friends," She murmurs, exhaustion settling in. Odysseus laughs and the last thing she feels is a warm hand on her cheek and their foreheads pressed together, before the world goes black and she knows no more.
651 notes · View notes
willowser · 11 months
Text
thinking about you laying in bed with bakugou and lightly tracing the messy edges of the scar in the middle of his chest, hardly able to comprehend how deep that wound runs. it had already been there for years by the time you'd met him, but sometimes you see it and are unable to swallow the fact that—at one time—you were alive and he wasn't.
very quietly, you say, "it's crazy to think how easily i could have missed you,"
because it's not every day you meet and fall in love with a man that's died and come back. if fate is destined and soulmates are real, you imagine the two separate paths of your lives traveling parallel, in sync—and his breaking away for one horrible moment, torn from you before you even knew it.
bakugou is half-asleep, you know, but he shifts until his chin is lightly nudging your forehead, and speaks into your hair. "nah," he murmurs, voice thick and slow and slurred. "would'a found you eventually."
and somehow, you can't find it in your heart to doubt him.
2K notes · View notes
sirlightningpotato · 2 months
Text
SBG kids wearing group shirts
Aiden wearing a shirt that says “Aiden: If lost return to Ashlyn”
Ashlyn’s says “Ashlyn: If lost return to Logan”
Logan’s says to return him to Tyler
Tyler is to be returned to Taylor
Taylor is to be returned to Ben
Ben is to be returned to Aiden
Do you see my vision
461 notes · View notes
renatapatata · 4 months
Text
Tumblr media
as soon as i added a very vague letterbox review for this film some guy from work texted me and it took me .5 seconds to realize he had no idea what the plot was actually about… certified ‘bruh’ moment lads
535 notes · View notes
itsghostlost · 2 months
Text
Tumblr media
Someone created a challenge where you try to draw Peppino within the time limit of his escape theme earlier this year, but I never got around to showing my attempt!
402 notes · View notes
dittobooty · 1 year
Text
Thinking a lot about how in One Piece there's a continuing theme of self sacrifice that often doesn't meet its end (I won't say always because there are some characters who have eaten shit for a cause). But I just think about how easy it would be to just accept their sacrifice but the narrative won't allow that. Robin, Zoro, Sanji, Jinbe, they've all tried to give their life for the sake of others but they can't because they really don't have to. I think about Robin's "I want to live" regularly. It's so easy to die for someone but it's so much harder to live for them. And living for them gives back so much more than dying for them does. Dying is just a moment but living lets you have more moments and more time to show how much you care and lets you do so much for others. I feel like a lot of other shonen show dying as one of the bravest things you can do but One Piece is so different because it shows you that living is actually the bravest thing.
2K notes · View notes
serafisolaris · 19 days
Text
Tumblr media
nowhere to go
256 notes · View notes
wis-art · 1 year
Text
Tumblr media
sharing a single halo
2K notes · View notes
rrandomtthings · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
❝Gum-Gum what…?❞
• One Piece 1072 •
Monkey D. Luffy | Gear 5
1K notes · View notes
turtletoria · 2 months
Text
Tumblr media
oh you sweet little thang
330 notes · View notes
fangsandfeels · 8 months
Text
What is truly fascinating about Shadowheart, is how bad she is at being Sharran.
And by that, I mean how much this girl wants to feel and enjoy nice things. How participating in spreading misery and death actually hurts her and makes her drown herself in alcohol so she can forget and go numb. She makes up the cutest excuses when helping refugees or kissing a Selunite. Oh, there will be time for penance later but now she is oddly relieved seeing this bunch of strangers celebrating the fact of being safe. Oh, she will explain that kiss in her prayers somehow.
And yet, if you ask her about Shar's teachings, it's like someone flips a switch. She will recite them, word-per-word, reverently. It sounds unsettling even -- is this real Shadowheart? Has she been hiding all along?
But then, it becomes clear: the reverence isn't hers. It's acquired. Trained. She speaks like she was taught. Hers was not to think or argue against these dogmas; hers was to serve them, and when she praises Shar, she stands in front of Mother Superior in her mind.
It can become hers -- if she is pushed into Shar's embrace, if her desperation for acceptance, for all her suffering to have a purpose is confirmed. But on her own, Shadowheart has always struggled against the shock collar, subconsciously questioning her place and needs.
I'm glad that her good ending isn't about her coming back to Selune (it's secondary, barely there), but rather about her reuniting with her family. Taking back what was taken from her. Reclaiming her name and her past. Living despite the loss instead of succumbing to it.
578 notes · View notes
somegrumpynerd · 5 months
Text
Tumblr media Tumblr media
Dust's nightmare
Dust has nightmares about fighting and killing here and there, but the ones that really stick with him are the ones that are just... memories. Things he can never have again.
What he can have though, is a distraction when he wakes up to help him settle and make sure he's not alone with his thoughts for too long
Tumblr media
312 notes · View notes
aroaceleovaldez · 3 months
Note
The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.
Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'
And now this recommendation letter bullshit.
Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)
I fully agree with the first half of this, though I slightly disagree with part of the latter.
The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.
I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!
And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)
And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.
The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!
All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!
Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.
225 notes · View notes
arcadechan · 1 month
Text
Tumblr media
Hierophant Supreme, the Shoreline Witch; Black Sand Sesi. Sesi has a magical affinity for sand, no gender, and a seagull friend. They serve the coven of Temple Seahome.
177 notes · View notes